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where you ought to be
Gloria in the Potterverse
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Nearly ten years have passed since the Dursleys woke up to find their niece on the front step, but Privet Drive has hardly changed at all. The sun rises on the same tidy front gardens and lights up the brass number four on the Dursleys' front door; it creeps into their living room, which is almost exactly the same as it was on the night when Mr. Dursley saw that fateful news report about the owls. Only the photographs on the mantelpiece really show how much time has passed. Ten years ago, there were lots of pictures of what looked like a large pink beach ball wearing different-colored bonnets—but Dudley Dursley is no longer a baby, and now the photographs show a large blond boy riding his first bicycle, on a carousel at the fair, playing a computer game with his father, being hugged and kissed by his mother. The room holds no sign at all that a girl lives in the house, too.

Yet Dorea Potter is still there, asleep at the moment, but not for long. Her Aunt Petunia's awake and it's her shrill voice that makes the first noise of the day, knocking on the door of her little cupboard under the stairs.

"Up up up you get! It's morning!"

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Sigh.

"Yes, Aunt Petunia," she says, and after a few moments the cupboard door swings open.

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She purses her lips, looking her over from head to toe when she exits the cupboard under the stairs, then says, "I want you to look after the bacon. And don't you dare let it burn, I want everything perfect on Duddy's birthday."

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"Of course, Aunt Petunia."

She doesn't let the bacon burn. She cuts it into slightly smaller pieces than are strictly necessary, nibbles down a few of them hot from the pan when she's very very sure her aunt isn't looking, and arranges the remainder on her relatives' plates in pretty patterns.

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The table's almost hidden beneath all Dudley's birthday presents. It looks as though Dudley has gotten the new computer he wanted, not to mention the second television and the racing bike. It's unclear why Dudley would want a racing bike.

Dorea's Uncle Vernon enters the kitchen as she's turning over the bacon. He inspects the process from afar, as if trying to spot a flaw and, not finding any, contents himself to sit on a chair, engulfing it with his backside, and read his newspaper.

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Her cousin walks into the kitchen with Aunt Petunia a while later, and, after making sure Dorea doesn't have as many eggs as he does, starts counting his presents, with a huge smile on his face.

Then it falls. "Thirty-six," he says, looking up at his parents. "That's two less than last year."

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"Darling, you haven't counted Auntie Marge's present, see, it's here under this big one from Mommy and Daddy."

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"All right, thirty-seven then," says Dudley, going red in the face.

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Stupid spoiled slob.

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No one's paying attention to Dorea; all their attention is dedicated to preventing Dudley from exploding.

"And we'll buy you another two presents while we're out today. How's that, popkin? Two more presents. Is that all right?"

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Dudley squints and furrows his brows in concentration, then says slowly, "So I'll have thirty... thirty..."

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"Thirty-nine, sweetums."

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"Oh," he says, sitting back down heavily and grabbing the nearest parcel. "All right, then."

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Crisis averted, Vernon chuckles and ruffles Dudley's hair. "Little tyke wants his money's worth, just like his father. 'Atta boy, Dudley!"

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The phone rings, and Petunia goes to answer it.

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His money's worth. And what money, exactly? Sigh. Typical.

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Dudley proceeds to unwrap a racing bike, a video camera, a remote control airplane, sixteen new computer games, and a VCR. He's ripping the paper off a gold wristwatch—

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—when Petunia comes back from the telephone looking angry and worried. "Bad news, Vernon. Mrs. Figg's broken her leg. She can't take her," she says, jerking her head in Dorea's direction.

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Aw, poor Mrs. Figg.

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Dudley's mouth falls open in horror.

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"Now what?" she asks, looking furiously at Dorea.

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She meets her aunt's gaze with a serenity not quite stepping over the line into insolence. If she didn't think to source a backup babysitter that's her problem, not Dorea's.

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"We could phone Marge," Uncle Vernon suggests.

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"Don't be silly, Vernon, she hates the girl."

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"What about what's-her-name, your friend—Yvonne?"

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"On vacation in Majorca," she snaps.

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Damn straight that woman hates her. It's very much mutual.

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"I suppose we could take her to the zoo," she says slowly, "...and leave her in the car..."

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Eugh. On the other hand, it wouldn't be that hard to escape.

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"That car's new, she's not sitting in it alone..."

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Dudley begins to cry. Or rather, he scrunches up his face and starts wailing—he hasn't really had a real cry in years.

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"Dinky Duddydums, don't cry, Mummy won't let her spoil your special day!" she says, flinging her arms around him.

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"I... don't... want... her... t-t-to come!" he yells between huge, pretend sobs. "She always sp-spoils everything!" He shoots Dorea a nasty grin through the gap in his mothers arms. 

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She gives him an unimpressed look in return.

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...he's honestly shocked, but before he can do anything about it the doorbell rings.

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"Oh, good Lord, they're here!" she says frantically and goes to answer the door.

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Dudley immediately stops pretending to cry to welcome his best friend, Piers Polkiss, the one who usually holds Dudley's victims' arms while he punches them.

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Vernon goes to greet them—

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—and Petunia excuses herself and walks back to the kitchen. "Girl, come here," she tells Dorea, and goes to an out-of-the-way corner.

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"Yes, Aunt Petunia," she says, and goes.

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When she's sure no one else will hear, she turns a very stern face to Dorea. "I will be very, extremely put out if—any funny business happens. Do you understand, girl?"

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"I understand."

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Aunt Petunia squints at her and looks about to say something else, but thinks better of it, deciding to just return to the living room to talk to Piers' parents.

Soon enough they're gone and the Dursleys plus Dorea and Piers are to go to the car.

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Dorea attempts to interact with the other inhabitants of the car as little as possible. That seems best for everyone, really.

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Eventually they reach the zoo where Dudley and his friend were to spend the former's birthday. The Dursleys stop at an ice cream stand in front of the entrance and get large chocolate ice creams to Dudley and Piers, but before they can usher Drea away the lady inquires as to what she wants.

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She is really tempted to order the same thing but today is not the day to provoke her aunt. She picks the cheapest thing--a lemon ice lolly--with her best beaming adorable-little-girl smile.

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Uncle Vernon dutifully pays for it and doesn't even complain.

Into the zoo they go.

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Dorea looks around with interest.

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At lunchtime they eat at the restaurant, and Dudley throws a tantrum because his knickerbocker glory doesn't have enough ice cream on top, so Vernon buys him another one and Dorea's allowed to finish the first.

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Ooh! Dudley's an idiot, this is lovely.

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After lunch, they go to the reptile house. It's cool and dark in there, with lit windows all along the walls. Behind the glass, all sorts of lizards and snakes are crawling and slithering over bits of wood and stone. Dudley and Piers wanted to see huge, poisonous cobras and thick, man-crushing pythons. Dudley quickly finds the largest snake in the place. It could wrap its body twice around Uncle Vernon’s car and crush it into a trash can—but at the moment it doesn't look in the mood. In fact, it's fast asleep.

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Sensible creature. And beautiful, too.

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Dudley stands with his nose pressed against the glass, staring at the glistening brown coils. "Make it move," he whines at his father.

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Uncle Vernon taps on the glass, but the snake doesn't budge.

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"Do it again," he orders.

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So he does, but the snake still doesn't react.

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"This is boring," Dudley moans. He shuffles away

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...And what about it is supposed to be more appealing if it moves? It's lovely just lying there. Ugh. Dudley, she thinks dismissively, and goes over to admire the snake from closer now that her cousin's gone.

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Slowly, very slowly, the snake raises its head until its eyes are on a level with Dorea's. It nods, slowly and meaningfully.

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She smiles at it.

"You're beautiful," she murmurs.

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Its tongue moves in an odd way her brain parses as a smile. Then it looks at the Dursleys and raises its head as if it were looking at the ceiling. It seems to be saying, with its oddly expressive face, "I get that all the time."

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"I am sorry about them."

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It does something with its body that resembles a shrug.

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"Do you have a lot of people bothering you like that, here?"

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Slow nod.

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"Ugh. I'm sorry. I wish there was something I could do."

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Another snakish shrug.

And then Piers' voice rings, making the snake do something that would be a jump if it had legs: "DUDLEY! MR. DURSLEY! COME AND LOOK AT THIS SNAKE! YOU WON’T BELIEVE WHAT IT'S DOING!"

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--Please let him be referring to some other snake--

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Nope! Dudley waddles towards her and the snake as fast as he can, leaning against the glass—

—and then he yelps and jumps back as the glass vanishes.

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...Aunt Petunia is never going to believe this wasn't her fault.

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The snake rapidly uncoils itself and slithers out onto the floor. People start screaming and running for the exits, but the snake pauses, looks at Dorea, and says, "Brazil, here I come. Thankssss, amiga."

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"You're welcome," she murmurs.

If she's going to get in trouble--well, at least this poor creature's gonna be okay.

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Onwards it goes.

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"Were you talking to it?" Dudley screeches.

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"Don't be ridiculous, Dudley, people can't talk to snakes."

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Uncle Vernon does not look convinced.

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And the zoo director makes Petunia a cup of strong, sweet tea and apologises over and over again, but that's it for them. Back to the car.

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By which time Dudley's certain the snake nearly bit off his leg and Piers insists it tried to squeeze him to death.

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Yeah that's not going to help.

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They get home and by then Vernon's playing along with Dudley and Piers' adventure story. The boy's parents arrive to pick him up soon after, and then he turns his previously concealed fury back to Dorea.

"Go—cupboard—stay—no meals."

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Petunia runs over to the kitchen to get him some brandy.

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She swishes off to her cupboard with as much dignity as she can muster.

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The snake managed to escape the zoo, and that earns her her longest-ever punishment. By the time she's allowed out of the cupboard for anything other than school the summer holidays have started and Dudley has already broken his new video camera, crashed his remote control airplane, and, first time out on his racing bike, knocked down old Mrs. Figg as she crossed Privet Drive on her crutches.

The biggest problem with summer holidays is, of course, that Dudley's gang visits every day: Piers, Dennis, Malcolm, and Gordon, each bigger and stupider than the last, and Dudley, being the biggest and stupidest of the lot, is of course their leader. They mostly give Dorea a wide berth, but when she's around they make loud remarks about the smell and wonder if something died around there. They seem to find this joke hilarious no matter how many times they've made it.

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Boys are the worst. She doesn't dignify their remarks with any kind of reaction.

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In September, though, they're all going to secondary school. Dudley and Piers have been accepted to Uncle Vernon's old private school, Smeltings, but Dorea's going to Stonewall High, the local state high school. Dudley finds this hilarious.

"They stuff people's heads down the toilet the first day at Stonewall," he tells Dorea. "Want to come upstairs and practice?"

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"Don't be silly, Dudley, I'm a girl. Boys are the ones who stoop to infantile altercations of that sort."

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"—what?" he says, taking a while to parse that.

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Yeah she's not gonna wait around for him to figure it out.

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One day in July Aunt Petunia takes Dudley to London to buy his uniform and leaves Dorea at Mrs. Figg's, who seems to have lost some of her erstwhile fondness for her cats given that she broke her leg tripping over one.

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Aww, that's a pity. Dorea still likes you, kitties.

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That evening, Dudley parades around the living room for the family in his brand-​new uniform. Smeltings' boys wear maroon tailcoats, orange knickerbockers, and flat straw hats called boaters. They also carry knobbly sticks, used for hitting each other while the teachers aren't looking. This is supposed to be good training for later life.

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Dudley looks horrible, of course, but Dudley always looks horrible, so.

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There's a horrible smell in the kitchen the next morning when Dorea goes in for breakfast. It seems to be coming from a large metal tub in the sink.

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...This is kind of alarming!

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The tub seems to be full of what looks like dirty rags swimming in gray water.

Aunt Petunia walks into the kitchen and doesn't spare the tub a glance.

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Oh...kay...

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Dudley and—

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—Uncle Vernon come in, wearing identical expressions of disgust. Uncle Vernon opens his newspaper as usual and Dudley bangs his stick on the table as he's been wont to do lately.

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Yeah this seems like a good day to attract as little attention as possible.

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They have possibly been informed of the source of the smell, because they don't complain. When he's done with breakfast they hear the click of the mail slot and the flop of letters on the doormat.

"Get the mail, Dudley," says Uncle Vernon from behind his paper.

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"Make Dorea get it."

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"Get the mail, Dorea."

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Why did he even bother telling Dudley to do it? 

She goes to get the mail.

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Three things lay on the doormat: a postcard from Uncle Vernon's sister Marge, who's vacationing on the Isle of Wight, a brown envelope that looks like a bill, and—a letter for Dorea:

Ms. D. Potter
The Cupboard under the Stairs
4 Privet Drive
Little Whinging
Surrey 

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She stares at it for a moment--no one ever sends her letters--before quickly and surreptitiously slipping it under her clothes. She's not sure what Aunt Petunia and Uncle Vernon would do if they knew but she can guess she wouldn't like it. She dutifully walks back to the table and hands Uncle Vernon the bill and postcard.

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No one spares her a glance.

"Marge's ill," Uncle Vernon informs Petunia. "Ate a funny whelk..."

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Dorea escapes back to her cupboard as quickly as she can without looking suspicious.

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The inside of the letter is just as fancy as the outside, written with green ink. The first page reads:

HOGWARTS SCHOOL
of WITCHCRAFT and WIZARDRY

Headmaster: Albus Dumbledore
(Order of Merlin, First Class, Grand Sorc., Chf. Warlock,
Supreme Mugwump, International Confed. of Wizards)

Dear Ms. Potter,
We are pleased to inform you that you have been accepted at Hogwarts School of Witchcraft and Wizardry. Please find enclosed a list of all necessary books and equipment.
Term begins on 1 September. We await your owl by no later than 31 July.

Yours sincerely,

Minerva McGonagall
Deputy Headmistress

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Her heart leaps. 

After a moment she realizes it is obviously a practical joke or a promotion for something, and that's disappointing, but still, the fact that someone decided to send it to her is thrilling, and it is awfully fancy--

wait. 

If it's a practical joke, how do they know about the cupboard?

...Ee. 

What do they mean by owl, though? Maybe that'll be elucidated. She turns to read the rest.

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Also in fancy ink:

HOGWARTS SCHOOL
of WITCHCRAFT and WIZARDRY

UNIFORM
First-year students will require

  1. Three sets of plain work robes (black)
  2. One plain pointed hat (black) for day wear
  3. One pair of protective gloves (dragon hide or similar)
  4. One winter cloak (black, with silver fastenings)

Please note that all pupils' clothes should carry name tags.

COURSE BOOKS
All students should have a copy of each of the following:
  The Standard Book of Spells (Grade 1) by Miranda Goshawk
  A History of Magic by Bathilda Bagshot
  Magical Theory by Adalbert Waffling
  A Beginner's Guide to Transfiguration by Emeric Switch
  One Thousand Magical Herbs and Fungi by Phyllida Spore
  Magical Drafts and Potions by Arsenius Jigger
  Fantastic Beasts and Where to Find Them by Newt Scamander
  The Dark Forces: A Guide to Self-Protection by Quentin Trimble

OTHER EQUIPMENT
  1 wand
  1 cauldron (pewter, standard size 2)
  1 set glass or crystal phials
  1 telescope
  1 set brass scales
Students may also bring, if they desire, an owl OR a cat OR a toad.

PARENTS ARE REMINDED THAT FIRST YEARS
ARE NOT ALLOWED THEIR OWN BROOMSTICK

Lucinda Thomsonicle-Pocus
Chief Attendant of Witchcraft Provisions

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...This tells her absolutely nothing about how to get any of these things. 

Well. 

Alright. 

She composes a reply. 

To whom it may concern:

 I received your letter regarding my acceptance to your school, and would be happy to confirm attendance, if only I knew how. What do you mean by my owl, how am I to obtain the supplies, and how am I to get to the school? 

Sincerely, 

Dorea Potter.

Then she checks the envelope for a return address.

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There isn't one.

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Aargh. 

When she can get away with it she sneaks out of the house with both letters and enough filched spare change to pay postage and sneaks out to the post office.

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"Good afternoon," says the person at the post office.

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"Good afternoon. I got a letter and I want to reply to it but there's no return address, is there any way you can help me?"

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"—no return address? I'm sorry, we can't send a letter unless we know where to."

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"Okay. I don't know how the post office works, I was hoping you had records or something you could use. Thank you for your time."

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"You're welcome." Smile.

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She smiles back and leaves.

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The Dursleys haven't really noticed she was gone.

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Good. 

She is angry. Who do these people think they are, dangling hope in front of her nose and giving her absolutely no way to grab it--

She hides the letter--it's still fancy--and goes about life as normal.

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Next morning there's mail again.

"Dorea, go fetch the mail."

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She goes and fetches the mail.

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The only thing there is is, in fact, the letter from the wizards.

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...Um? 

Well, she already has the one, it's not like it'll hurt anything to let Uncle Vernon confiscate this one, and maybe he will have any idea what's going on. 

"There's a letter for me," she says, sounding surprised.

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The best description of what Vernon Dursley does then might be "guffaw," but that probably does not do justice to the full-body experience that was. "Who would be addressing letters to you, girl?"

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"Some nutters who want to play a practical joke about magic," she says, because the Dursleys react with bizarre fervor to any mention of magic not explicitly disclaimed even when it ought to be redundant.

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"Oh, that's ridiculous," he says, glancing at the letter dismissively—

—then he stares, his face going from red to green faster than a set of traffic lights, and doesn't stop there, going all the way to the greyish white of old porridge. "P-P-Petunia!" he gasps.

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Dudley's attention is caught, and he tries to grab the envelope.

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But Petunia grabs it first, then looks at it and raises a hand to her mouth in shock. She opens it and reads the first line, and stops there.

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Okay yeah they definitely know what's going on.

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"I want to read that letter!"

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"Get out," she whispers, "both of you."

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... 

She gets out. If this behavior on her aunt and uncle's part continues she still has the option to make a fuss later.

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Dudley has a short-lived fight with his father and is promptly kicked out as well, and the door closes. He immediately puts his ear against the keyhole.

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"What're they saying?" she whispers after a moment's conflictedness.

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He glares at her and ignores her.

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Tch. Should've known better. She stalks off.

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Eventually Uncle Vernon returns to the living room to read his newspaper and calm down.

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Dorea drafts and discards a variety of plots to get him to spill.

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That evening, after returning home from work, Uncle Vernon knocks on Dorea's cupboard.

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...Okay. She opens the door warily.

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"...so, Dorea, about this cupboard. Your aunt and I have been thinking... you're really getting a bit big for it... we think it might be nice if you moved into Dudley's second bedroom."

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Well. It's true, it won't be that much longer before she literally can't fit in it. 

"Alright."

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"So—you can move your things there," he says, then turns around and goes off somewhere.

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--Okay. 

She moves her things. There are a bit more of them than the Dursleys probably realize, sparkly rocks found on the schoolyard and cheap pretties bought with spare change they'd never notice missing. She is careful to keep them hidden among the ratty hand-me-downs as she brings everything upstairs. At least Dudley's second bedroom will have lots of hiding places.

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From the other room comes the sound of Dudley bawling at his mother, "I don't want her in there... I need that room... make her get out..."

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Ugh. She has no sympathy whatsoever.

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He screams, whacks his father with his Smelting stick, is sick on purpose, kicks his mother, and throws his tortoise through the greenhouse roof, all to no avail; his parents don't budge.

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Poor tortoise.

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They don't bother Dorea, and are somewhat subdued the next morning. When mail arrives, Vernon tells Dudley to go get it, and he goes without complaining...

...only to cry, "There's three letters for her now! 'Ms. D. Potter, The Smallest Bedroom, 4 Privet Drive—"

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...She giggles, quietly, where none of them can hear.

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Vernon yelps and leaps from his seat to run down the hall after Dudley. There is a brief sound of a scuffle, but Vernon emerges victorious, holding the three letters in his hand. He cuts it up in little pieces and throws them all away, with a self-satisfied smile.

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...Does he really think it's going to stop, at this point?

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Perhaps not; he spends the rest of the morning looking frazzled and even a day at work complaining about everyone else isn't enough to lift his spirits.

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Then he's not as stupid as he could be, she supposes.

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There are twelve letters the next morning.

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Pffffffft. Maybe she should be ashamed of how much she's enjoying Uncle Vernon's suffering. She isn't.

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He adopts that look on his face he gets when he makes up his mind about something. "Petunia, I'm not going to work today." And he saunters off to the garage without giving anyone explanations for this behaviour.

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...This is not going to end well.

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He returns from the garage carrying some planks of wood, nails, and a hammer.

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Dorea should probably be making herself unobtrusive but really this is too much of a trainwreck to look away from.

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He starts working on something in the living room.

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She peeks in.

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He seems to be trying to nail the mail slot shut.

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She gets way the hell out of earshot before breaking down into helpless giggles.

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Shortly before he's done, Aunt Petunia grabs some fruitcake to bring to her husband, who's been at it for a while.

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Enh. Reasonable.

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"See," Dorea can hear him explaining to Petunia when she wonders what on Earth he's doing, "if they can't deliver them they'll just give up."

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"...I'm not sure that'll work, Vernon."

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"Oh, these people's minds work in strange ways, Petunia, they're not like you and me," he says, trying to knock in a nail with the piece of fruitcake Aunt Petunia has just brought him.

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It is true that they sent her these letters with no way for her to respond but she's not sure why Uncle Vernon thinks they'll be crazy in a way convenient to him.

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On Saturday there are twenty-four letters rolled up and hidden inside each of the two dozen eggs the milkman brings. Vernon spends the day calling the post office and the dairy trying to find someone to complain to.

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"Who on Earth wants to talk to you this badly?"

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"Someone with more aesthetic discernment than you, clearly."

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On Sunday morning, Uncle Vernon sits down at the breakfast table looking tired and rather ill, but happy. "No post on Sundays," he reminds them cheerfully as he spreads marmalade on his newspapers, "no damn letters today—"

Something comes whizzing down the kitchen chimney as he speaks and catches him sharply on the back of the head. Next moment, thirty or forty letters come pelting out of the fireplace like bullets.

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Dorea is so not angry at these people anymore. 

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"Out! OUT!"

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Petunia and Dudley duck and use their arms to protect their faces as they try to dodge the letters and escape the kitchen.

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Dorea leaves too. Someday she is going to tell him she got the very first letter and she's really looking forward to the look on his face when she does.

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Uncle Vernon locks the kitchen door behind him.

"That does it," he says, trying to speak calmly but pulling great tufts out of his moustache at the same time. "I want you all back here in five minutes ready to leave. We're going away. Just pack some clothes. No arguments!"

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--Okay that's actually kind of worrying.

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Uncle Vernon hits Dudley round the head when he holds them up trying to pack his television, VCR, and computer in his sports bag, and in ten minutes they're in the car and driving.

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While he sniffles quietly in the backseat.

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...Uncle Vernon hit Dudley. Dorea thinks she's genuinely scared now.

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They drive. And they drive. Even Aunt Petunia doesn't dare ask where they were going. Every now and then Uncle Vernon takes a sharp turn and drives in the opposite direction for a while. "Shake 'em off... shake 'em off," he mutters whenever he does this.

They don't stop to eat or drink all day. By nightfall Dudley's howling. He's never had such a bad day in his life. He's hungry, he missed five television programs he wanted to see, and he's never gone so long without blowing up an alien on his computer. Uncle Vernon stops at last outside a gloomy-looking hotel on the outskirts of a big city. Dudley and Dorea have to share a room with twin beds and damp, musty sheets.

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Dorea doesn't sleep very well.

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Dudley snores loudly.

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That really doesn't help.

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Uncle Vernon wakes them up at dawn and drags them to eat stale cornflakes and cold tinned tomatoes on toast for breakfast in the morning.

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Where did Uncle Vernon even get stale cornflakes?

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The terrible hotel they're staying at.

They've just finished when the owner of the hotel comes over to their table. "'Scuse me, but is one of you Ms. D. Potter? Only I got about an ’undred of these at the front desk." She holds up a letter so they can read the green ink address:

Ms. D. Potter
Room 17
Railview Hotel
Cokeworth

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"That's me, but Uncle Vernon isn't going to let me have them."

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"I'll take them," he says simply, and follows the woman to the front desk.

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"Too much to hope this would make him give up," she mutters.

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Yep.

Uncle Vernon pays and leads them to the car—no sign of the letters—and drives them for several hours still, into the middle of a forest, to the middle of a plowed field, halfway across a suspension bridge, and to the top of a multilevel parking garage. Finally, they reach the coast, where he parks, exits and locks them all inside the car, and disappears.

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"Daddy's gone mad, hasn't he?" he asks Aunt Petunia.

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...She's in agreement with Dudley about something, this is deeply weird.

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"Perhaps," she says hesitantly. "I'll mention something when he comes back..."

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It starts to rain, great drops beating on the roof of the car.

Dudley snivels. "It's Monday," he tells his mother. "The Great Humberto's on tonight. I want to stay somewhere with a television."

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Odds of that would be...no.

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But presently Uncle Vernon returns, smiling and carrying a long, thin package. He ignores Petunia's pleas and says, "Found the perfect place! Come on, everyone out!" He seems oblivious to the heavy drops of rain pelting his face.

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Ugh. It's cold and wet and even the cupboard was better than this.

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It's very cold outside the car. Uncle Vernon points at what looks like a large rock way out at sea. Perched on top of the rock is the most miserable little shack one could imagine. One thing's certain, there is no television in there.

"Storm forecast for tonight!" says Uncle Vernon gleefully, clapping his hands together. "And this gentleman's kindly agreed to lend us his boat!"

A toothless old man comes ambling up to them, pointing, with a rather wicked grin, at an old rowboat bobbing in the iron-gray water below them.

"I've already got us some rations," says Uncle Vernon, "so all aboard!"

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She's not sure she wants to know what he thinks of as rations at this point.

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It's freezing in the boat. Icy sea spray and rain creep down their necks and a chilly wind whips their faces. After what seem like hours they reach the rock, where Uncle Vernon, slipping and sliding, leads the way to the broken-down house.

The inside is horrible; it smells strongly of seaweed, the wind whistles through the gaps in the wooden walls, and the fireplace is damp and empty. There are only two rooms.

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Uncle Vernon's rations turn out to be a bag of chips each and four bananas. He tries to start a fire but the empty chip bags just smoke and shrivel up.

"Could do with some of those letters now, eh?" he says cheerfully.

He's in a very good mood, probably thinking nobody stands a chance of reaching them here in a storm to deliver mail. 

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Because that logic works so well when these people can put letters in eggs.

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As night falls, the promised storm blows up around them. Spray from the high waves splatter the walls of the hut and a fierce wind rattles the filthy windows. Aunt Petunia finds a few mouldy blankets in the second room and makes up a bed for Dudley on the moth-eaten sofa. She and Uncle Vernon go off to the lumpy bed next door, and Dorea's left to find the softest bit of floor she can and to curl up under the thinnest, most ragged blanket.

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Aaaaauugh.

Well.

She knows better than to complain out loud.

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The storm rages more and more ferociously as the night goes on. Dudley's snores are drowned by the low rolls of thunder that start near midnight.

It'll soon be her birthday.

And then Dorea can hear something creak outside...

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Happy birthday to meeee~

Creaking from outside isn't that unexpected, all things considered.

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Is that the sea, slapping hard on the rock like that? And what's that funny crunching noise? Is the rock crumbling?

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--No that sounds like footsteps.

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One minute 'til midnight. Fifty-nine, fifty-eight, fifty-seven...

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She's paying way more attention to the footsteps than the time.

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No more footsteps. Those noises... could be creaking wood but could also just be the wind.

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Someone leaving letters they'll find in the morning?

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...three... two... one...

BOOM (from the door), and the whole shack shivers as someone knocks to come in.

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Dorea considers the letter, considers what Uncle Vernon has been doing to them, and goes to open the door.

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And Dudley jerks awake. "Where's the cannon?"

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And on the other side of the wall is the largest man Dorea's ever seen. His face is almost completely hidden by a long, shaggy mane of hair and a wild, tangled beard, but one can make out his eyes, glinting like black beetles under all the hair. He looks down at Dorea when the girl opens the door.

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There's a crash behind them and Uncle Vernon comes skidding into the room. He's holding a rifle in his hands—now they know what had been in the long, thin package he brought with them.

"Who's there?" he shouts—and freezes in terror at the sight of the giant.

 

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She grins up at the man--she hasn't turned around to see the rifle--and says brightly, "Hi! Are you from the school! I tried to send an acceptance, but there wasn't a return address. And I don't know what the letter meant by owl."

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He grins. "Aye—Rubeus Hagrid, Keeper o' Keys an' Grounds at Hogwarts. An' they meant an owl, yeh know, bird, yea small, flies at night." He squeezes through the door. "Couldn't make us a cup o' tea, could yeh?" he asks in Uncle Vernon's general direction. "It's not been an easy journey..."

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"People don't usually keep those as pets," she observes. "At least people who aren't witches or wizards. Was I meant to catch one? Were my parents a witch and a wizard, d'you know? I think your system wasn't set up very well for anyone who doesn't already know it."

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Blink. "Doesn't already know it?" He strides over to the sofa where Dudley sits frozen with fear. "Budge up, yeh great lump."

 

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Dudley squeaked and ran to hide behind his mother.

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Who's crouching, terrified, behind Uncle Vernon.

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"No. I wasn't even sure the letter was real, at first, but I figured the fact that you knew I lived in the cupboard under the stairs was decent evidence. I let Uncle Vernon know about the second letter when it arrived, in case he knew something, and he promptly panicked and tried to escape them."

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That breaks his silence spell. "What?!" And fueled by this: "I demand that you leave at once, sir! You are in private property and not welcome!"

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"Uncle Vernon, do you really think he cares?"

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He turns a smile at her then reaches over the back of the sofa, jerks the gun out of Uncle Vernon's hands, bends it into a knot as easily as if it was made of rubber, and throws it into a corner of the room.

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Uncle Vernon makes a noise like a mouse that's been trodded on.

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He turns back to Dorea. "Yeh's grown, lass! You was only a baby last I saw yeh!"

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"You met me when I was a baby?"

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"Aye. I brought yeh ter these muggles' doorstep meself. Oh, an' before I forget—a very happy birthday to yeh. Got summat fer yeh here—I mighta sat on it at some point, but it’ll taste all right."

From an inside pocket of his black overcoat he pulls a slightly squashed box.

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"...Thank you," she says, slightly dubious, and accepts the box. She opens it.

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It contains an enormous, sticky chocolate cake with Happy Birthday Dorea written on it in green icing.

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...Are those tears? She should not be crying over this. It's just a cake.

...But she's never had a real birthday cake before, and--it's got her name on it.

"Thank you," she manages, more sincere this time.

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He beams. "What about that tea then, eh?" he says, rubbing his hands together. "I'd not say no ter summat stronger if yeh've got it, mind."

His eyes fall on the empty grate with the shriveled chip bags in it and he snorts. He gets up from the couch and bends down over the fireplace; they can't see what he's doing but when he draws back a second later, there's a roaring fire there. It fills the whole damp hut with flickering light and Dorea can feel the warmth wash over her.

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She beams at him.

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Uncle Vernon honestly looks terrified almost out of his trousers. He's decided huddling close to his family in a half-defiant stance is the best he can do.

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The giant sits back down on the sofa, which sags under his weight, and begins taking all sorts of things out of the pockets of his coat: a copper kettle, a squashy package of sausages, a poker, a teapot, several chipped mugs, and a bottle of some amber liquid that he takes a swig from before starting to make tea.

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"So what's Hogwarts like? Where can I get the things the list said? ...Is there some kind of scholarship fund, there's no way the Dursleys will pay for it."

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"Yeh'll see Hogwarts when yeh get there, but yeh can get yer things in Diagon Alley, o' course. An' Hogwarts is free, the Ministry of Magic pays fer it."

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"Do they pay for the supplies, too?"

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"No, but that part yeh can use yer money."

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"My money?"

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"Aye, the money yer parents left yeh."

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Dudley twitches, staring at the cake covetously.

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She scoots it a little farther away from him.

"I don't know anything about my parents. Did they really die in a car crash?"

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"—a car crash? Merlin's beard, why would yeh think such a thing?"

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"Because that's what the Dursleys told me."

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"You what?!" He roars to the cowering Dursleys. "James and Lily Potter dead in a car crash! That's outrageous! But wait—no owls, no Diagon Alley—did they not tell yeh anythin' about, about anythin'?!"

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"No."

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"No! Enough! I forbid you!"

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"Ah shut up, Dursley, she's read her letter already—but ter think yeh'd never told her—surely yeh noticed summat was, well, diff'rent about yeh?" he says, directing that last part to Dorea.

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"Yeah, but Uncle Vernon always yells a lot when weird things happen, so I've never been able to ask about it."

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"An', an' they wouldn't give yeh yer letters, eh? And yeh got one anyway?"

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"The day the first one showed up Uncle Vernon sent me to get the mail and I hid it because I knew he wouldn't let me keep it."

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"You—you—"

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"Did yeh think, what, Hogwarts'd jus'—forget about her? After ev'rything?"

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"The letter was mine, Uncle Vernon. You can't keep me away from what my parents left me just because you hate me."

To Hagrid: "What do you mean everything?"

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"Well. Yer a witch, Dorea, an' a thumpin' good'un, I'd say, once yeh've been trained up a bit. With a mum an' dad like yours, what else would yeh be? An' yer famous. Ev'ryone in our world knows yer name."

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"Really!?"

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"Aye—"

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"She's not going."

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She shoots him an incredulous look.

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"I'd like ter see a great muggle like you stop her," Hagrid scoffs.

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"We swore when we took her in we'd put a stop to that rubbish," says Uncle Vernon, "swore we'd stamp it out of her! Witch indeed!"

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"Wait, so that's why you made me sleep in a cupboard and shouted at me whenever the subject of magic came up?"

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"Of course. Of course we knew you'd be that, and of course you wouldn't stop! How could you, my dratted sister being what she was? Oh, she got a letter just like that and disappeared off to that—that school—and came home every vacation with her pockets full of frog spawn, turning teacups into rats. I was the only one who saw her for what she was—a freak! But for my mother and father, oh no, it was Lily this and Lily that, they were proud of having a witch in the family!" She stops to draw a deep breath and then goes ranting on. It seems she`s been wanting to say all this for years. "Then she met that Potter at school and they left and got married and had you, and of course I knew you'd be just the same, just as strange, just as, as—abnormal—and then, if you please, she went and got herself blown up and we got landed with you!"

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"Aunt Petunia, I've read enough books to know keeping your niece in a cupboard isn't normal."

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"Neither are you."

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"I'm not the one who's obsessed with normality."

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"And in spite of it all you're still—that," she spits.

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"Enough!"

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Dorea flinches and drops her eyes.

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He turns to Dorea and says, in a low voice, "I never expected this. I had no idea, when Dumbledore told me there might be trouble gettin' hold of yeh, how much yeh didn't know." He bites his lip. "Ah, Dorea, I don' know if I'm the right person ter tell yeh—but someone's gotta—yeh can't go off ter Hogwarts not knowin' about yer parents an', an' ev'rything—"

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"--Yeah. You said I was famous, why am I famous?"

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He throws a dirty look at the Dursleys. "Well, it's best yeh know as much as I can tell yeh—mind, I can't tell yeh everythin', it’s a great myst'ry, parts of it..." He stares into the fire for a few seconds, and then says, "It begins, I suppose, with—with a person called—but it's incredible yeh don't know his name, everyone in our world knows—"

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"I only recently found out your world existed!"

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"Aye, I know. Jus'—I don' like sayin' the name if I can help it. No one does."

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"Why not?"

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"Gulpin' gargoyles, Dorea, people are still scared. Blimey, this is difficult. See, there was this wizard who went... bad. As bad as you could go. Worse. Worse than worse. His name was..." He stops.

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She waits.

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Eventually: "Alright—Voldemort." Hagrid shudders. "Don' make me say it again. Anyway, this—this wizard, about twenty years ago now, started lookin' fer followers. Got 'em, too—some were afraid, some just wanted a bit o’ his power, 'cause he was gettin' himself power, all right. Dark days, Dorea. Didn't know who ter trust, didn't dare get friendly with strange wizards or witches... terrible things happened. He was takin' over. 'Course, some stood up to him—an' he killed 'em. Horribly. One o' the only safe places left was Hogwarts. Reckon Dumbledore's the only one You-Know-Who was afraid of. Didn't dare try takin' the school, not jus' then, anyway."

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"--Oh."

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"Now, yer mum an' dad were as good a witch an' wizard as I ever knew. Head boy an' girl at Hogwarts in their day! Suppose the myst'ry is why You-Know-Who never tried to get 'em on his side before ...probably knew they were too close ter Dumbledore ter want anythin' ter do with the Dark Side.

"Maybe he thought he could persuade 'em... maybe he just wanted 'em outta the way. All anyone knows is, he turned up in the village where you was all living, on Halloween ten years ago. You was just a year old. He came ter yer house an'—an'—"

Hagrid suddenly pulls out a very dirty, spotted handkerchief and blows his nose with a sound like a foghorn. 

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"...I wish I could remember them."

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He nods. "Sorry," he says. "But it's that sad—I knew 'em, yeh'd be proud o' bein' their kid, an' nicer people yeh couldn't find—anyway...

"You-Know-Who killed 'em. An' then—an' this is the real myst'ry of the thing—he tried to kill you, too. Wanted ter make a clean job of it, I suppose, or maybe he just liked killin' by then. But he couldn't do it. Never wondered how you got that mark on yer forehead? That was no ordinary cut. That's what yeh get when a powerful, evil curse touches yeh—took care of yer mum an' dad an' yer house, even—but it didn't work on you, an' that's why yer famous, Dorea. No one ever lived after he decided ter kill 'em, no one except you, an' he'd killed some o' the best witches an' wizards of the age—the McKinnons, the Bones, the Prewetts—an' you was only a baby, an' you lived."

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She reaches up to rub at the scar. "That's amazing," she says softly.

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"Took yeh from the ruined house myself, on Dumbledore's orders. Brought yeh ter this lot..."

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"Load of old tosh," says Uncle Vernon. He's glaring at Hagrid and his fists are clenched. 

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"Why are you still participating in this conversation?"

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He glares at her, now. "Now, you listen here, girl," he snarls, "I accept there's something strange about you, probably nothing a good beating wouldn't have cured—and as for all this about your parents, well, they were weirdos, no denying it, and the world's better off without them in my opinion—asked for all they got, getting mixed up with these wizarding types—just what I expected, always knew they'd come to a sticky end—"

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Hagrid leaps from the sofa and draws a battered pink umbrella from inside his coat. Pointing this at Uncle Vernon like a sword, he says, "I'm warning you, Dursley—I'm warning you—one more word..."

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"Do you have any sense of self-preservation?"

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Seems like he does—he falls silent and flattens himself against a wall.

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"That's better," says Hagrid, breathing heavily and sitting back down on the sofa, which this time sags right down to the floor. 

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"Do you have anything to cut the cake with?"

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"Oh, aye." He has cutlery!

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Hooray! She is disproportionately delighted by the cake. It's delicious but perhaps not quite enough to merit her enthusiasm.

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He beams. "Anywho, that's—not all there is ter tell. I should get it all out."

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"...Okay."

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"So after that day, You-Know-Who... disappeared. Vanished. Same night he tried ter kill you. Makes yeh even more famous. That's the biggest myst'ry, see... he was gettin' more an' more powerful—why'd he go?"

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"...Maybe my parents did something?"

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"Maybe. Who knows? They're gone, an' you ain't. An'...

"Some say You-Know-Who died. Codswallop, in my opinion. Dunno if he had enough human left in him to die. Some say he's still out there, bidin' his time, like, but I don' believe it. People who was on his side came back ter ours. Some of 'em came outta kinda trances. Don' reckon they could've done if he was comin' back.

"Most of us reckon he's still out there somewhere but lost his powers. Too weak to carry on. 'Cause somethin' about you finished him, Dorea. There was somethin' goin' on that night he hadn't counted on—I dunno what it was, no one does—but somethin' about you stumped him, all right."

Hagrid looks at her with warmth and respect blazing in his eyes.

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She swallows. She straightens.

"I'll do my best to live up to that."

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"She's not going," Vernon repeats, having found his courage somewhere in his back pocket again, "and that's final."

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"She's gonna do whatever she wants ter do and yeh can't stop her."

He sips from his tea.

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"Watch me if I can't. We're gonna lock her up—no meals—only comes out for school—"

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He stands up again and points his pink umbrella at Vernon. "Shut. Up. I'll know if yeh do anythin' o' the sort an' I'll make yeh regret it if yeh do."

And he shoots sparkles from his umbrella at the ground directly in front of the Dursleys, causing a small explosion.

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Dudley squeals and runs into the room his parents had been using.

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They follow, their courage completely gone.

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"Thank you," she says, heartfelt.

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He smiles. "Yer quite welcome."

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"I always thought they just hated me because they resented me for being dumped on them. I never would have guessed--"

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"Never? Not even with all the—strange things? Things appearin' where they shouldn', strange happenings around yeh that yeh couldn' quite explain?"

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"It's not like I was--making them happen on purpose."

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"But yeh musta known yeh were special."

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"--Well, yeah. But not in a way the Dursleys would recognize."

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He shakes his head. "Yeh'll do jus' fine, jus' yeh wait." Then he yawns hugely. "But we can wait, tomorrow's a big day."

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"Oh?"

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"We're goin' ter Diagon Alley, where yeh'll buy yer things."

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"Ooh."

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"But now we'll sleep, it's late an' I'm tired."

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"Yeah."

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"So—g'night!"

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"Goodnight."

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"—oh, I almost forgot—" From a pocket inside his overcoat he pulls an owl—a real, live, rather ruffled-looking owl—a long quill, and a roll of parchment. He sits back down from a moment and, with his tongue between his teeth, scribbles a note that Dorea can read upside down:

Dear Professor Dumbledore,

Given Dorea her letter.
Taking her to buy his things tomorrow. Weather's horrible.
Hope you're Well.

Hagrid

He rolls up the note, gives it to the owl, which clamps it in its beak, goes to the door, and throws the owl out into the storm.

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"...Were they okay in there?"

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"The owl? Aye, it's warm an' snuggly, he's prob'ly upset that I made 'im go out in this storm."

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"...Fair."

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Hagrid does not take long to fall asleep after that. The shack is much warmer with the magic fire over there.

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Yeah. Zzzzzzzz...

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She will wake up to the sounds of an owl rapping on the window.

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...She muzzily blinks sleep out of her eyes and goes to open the window.

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It's a bright and clear day out, the storm having abated completely. The giant is still asleep on a collapsed sofa, snoring.

The owl swoops in and drops a newspaper it had been holding in its beak on top of Hagrid, who doesn't wake up. It then flutters onto the floor and begins to attack Hagrid's coat.

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"...Hagrid?"

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"Pay him," Hagrid grunts into the sofa.

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"How?"

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"He wants payin' fer deliverin' the paper. Look in the pockets."

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...She rummages in the coat pockets.

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Hagrid's coat seems to be made of nothing but pockets—bunches of keys, slug pellets, balls of string, peppermint humbugs, teabags... there, a handful of strange-looking coins.

"Give him five Knuts," says Hagrid sleepily. 

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"Which ones are those?"

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"The little bronze ones."

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She extracts five bronze coins and gives them to the owl.

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It bows its little owl head and takes off. Hagrid yawns loudly, sits up, and stretches. "Best be off, Dorea, lots ter do today, gotta get up ter London an' buy all yer stuff fer school."

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"Okay. Leftover cake for breakfast?"

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"Sounds good!" He draws himself up to his full height and stretches, loudly cracking his joints.

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If the cake is less delicious it's not by much. Mm, cake. She continues to be even more delighted by it than is reasonable.

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And he's very delighted about her delight.

"Yeh ready?" he asks when she's done. The Dursleys haven't emerged from their bedroom.

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"Can we go to the Dursleys' to get the rest of my stuff? The Dursleys didn't let me have much worth going back for but I managed to accumulate a collection of pretty rocks."

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"—get it? An' put it where?"

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"...Point."

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"Yeh'll be back there ter get it before goin' ter Hogwarts, don't worry."

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"Okay."

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"Come on, then."

Hagrid steps out onto the rock. The sky's quite clear now and the sea gleams in the sunlight. The boat Uncle Vernon hired is still there, with a lot of water in the bottom after the storm.

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"How'd you get here?"

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"Flew."

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"Ooh, really?"

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"Yeah—but we’ll go back in this. Not s'pposed ter use magic now I've got yeh."

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"What? Why not?"

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"We-ell... I'm not s'upposed ter use magic at all—long story—but I got special permission fer this."

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"That's terrible, why not?"

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"Oh, that's in the past, best not ter go there."

He settles in the boat.

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"...Okay." She also gets into the boat.

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"Seems a shame ter row, though," he says, giving Dorea a sideways look. "If I was ter—er—speed things up a bit, would yeh mind not mentionin' it at Hogwarts?"

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"Mum's the word!"

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Hagrid pulls out the pink umbrella again, taps it twice on the side of the boat, and they speed off toward land.

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Awesome.

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He opens his newspaper, the Daily Prophet, and starts reading it.

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She peers at it curiously.

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The pictures are moving!

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She stares at them, fascinated.

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They don't exactly loop but they're not very creative in how they move or what they do. They're also soundless.

"Ministry o' Magic messin' things up as usual," Hagrid mutters, turning the page. 

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"I think governments do that," she shrugs with the air of someone who really doesn't know much about politics.

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He snorts. "Yeh got that right."

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"Do pictures always move, in your--our--world?"

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Blink. "Well, o' course, yeh couldn' expect 'em ter just sit still all day, could yeh?"

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"Why not? Lots of things do."

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"Well, they'd prob'ly get bored."

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"They're people?"

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"Well, I reck'n the pictures ain't but the paintings prob'ly are."

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"There are paintings that are people!?"

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"Aye. Yeh'll meet them at Hogwarts."

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!!!!!!!!!!!

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"Yeh'll meet ghosts, too."

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"Huh."

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He gets back to reading the newspaper.

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She cheerfully goes back to examining the parts she can see.

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But soon the boat bumps gently into the harbor wall. Hagrid folds up his newspaper and clambers up the stone steps onto the street.

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She follows.

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They make their way to the station, but on the way Hagrid points at a parking meter with delight and says, "See that, Dorea? Things these muggles dream up, eh?"

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"That's a parking meter."

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"An' that, eh?" he says, pointing at a wall clock. "Muggles invented those."

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"What's a muggle?"

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"Oh, that's how we call people with no magic."

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"Oh. Well, they've got lots of stuff more impressive than wall clocks and parking meters."

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"Oh, aye, but wizards use wall clocks, too, an' it was muggles who made 'em. Lotsa stuff was muggles! Gets some folks right mad, that."

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"Why would that make people mad?"

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"Lotsa people don' really like muggles."

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"...Why?"

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"'Cause they don't have magic, I reckon. An' they think wizards n' witches who had muggle parents are less good, but they're wrong. Your mother was one o' those, and she was the best witch o' her time."

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"That's incredibly stupid. How many witches and wizards even are there?"

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"Dunno about all the world, but—ev'ry year Hogwarts gets about forty new students, an' that's from all o' Great Britain. Some people homeschool but not many."

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"That's tiny. Of course we--they--invented almost everything, they're almost all the people."

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"Aye, an' some folks are mad about that."

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"That's really stupid."

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"Aye. 'S what..." He looks around. "'S what You-Know-Who was about, tryin' ter get muggles an' muggleborns gone."

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"...Gone?"

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"Aye. Yeh know..." Pause. "Dead."

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"And it didn't occur to them that murdering almost literally everyone in the world would be a bad idea?"

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"I reckon he was only focusin' on Great Britain, an' maybe he jus' wanted ter conquer muggles an' not let 'em marry wizards, but who knows."

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"Oh, that makes more sense."

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They continue walking through the little town, and passersby stare a lot at Hagrid as they do, both due to the fact that he's twice as tall as anyone else and due to comments like those about parking meters.

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Reasonable.

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Soon they teach the station. There's a train to London in five minutes' time and Hagrid, who doesn't understand "Muggle money," gives the bills to Dorea so she can buy their tickets.

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Dorea is competent to buy them tickets!

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People stare more than ever on the train. Hagrid takes up two seats and sits knitting what looks like a canary-yellow circus tent. 

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"What's that?"

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"'S a sweater."

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"Is knitting fun?"

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"Not sure I'd call it fun but it's relaxing an' passes the time."

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"Hm."

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"I could make one fer yeh if yeh want."

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"Really?"

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"O' course. What colour do yeh like?"

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"Red."

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"Alright!" He puts the yellow tent away, rummages through his stuff, finds what he's looking for and starts knitting something red.

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He is very happy that she is happy!

"Have yeh seen yer list o' school materials?" he asks at some point.

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"Yeah, I looked it over when I first got the letter."

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"Good, good. We'll be goin' to Gringotts, the bank, and gettin' yer money there ter buy everythin' at Diagon Alley."

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She nods.

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Eventually they arrive in London, and while Hagrid clearly has a destination in mind, he does not have an easy time getting there the ordinary way, what with ticket barriers and such.

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She can help with things that require expertise but physical barriers are a bit beyond her.

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There will be several opportunities for her to be helpful, and he will complain loudly about the Underground seats being too small and the trains too slow.

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It's so much less annoying than when Dudley complains about things!

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It is!

Hagrid is so huge that he parts the crowd easily. They pass bookshops and music stores, hamburger restaurants and cinemas, but nowhere that looks as if it could sell you a magic wand. This is just an ordinary street full of ordinary people.

"This is it," he says eventually, however, coming to a halt in front of a tiny, grubby-looking pub. "The Leaky Cauldron. It's a famous place."

It's unremarkable to the point that the people hurrying by don't glance at it. Their eyes slid from the big book shop on one side to the record shop on the other as if they can't see the Leaky Cauldron at all.

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...Huh.

"Can people not see it?"

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"It's enchanted so's muggles have a hard time, aye."

Hagrid steers Dorea inside. For a famous place, it's very dark and shabby. A few old women are sitting in a corner, drinking tiny glasses of sherry. One of them is smoking a long pipe. A little man in a top hat's talking to the old bartender, who's quite bald and looks like a toothless walnut. The low buzz of chatter stops when they walk in. Everyone seems to know Hagrid; they wave and smile at him, and the bartender reaches for a glass, saying, "The usual, Hagrid?"

"Can't, Tom, I'm on Hogwarts business," says Hagrid, gesturing towards Dorea.

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She gives him her best "I'm so nice and anything the Dursleys have said about my behavior is a dirty rotten lie" smile.

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"Good Lord," says the bartender, peering at Dorea, "is this—can this be—?" The Leaky Cauldron suddenly goes completely still and silent. "Bless my soul," whispers the old bartender, "Dorea Potter... what an honor." He hurries out from behind the bar, rushes towards Dorea and seizes her hand, tears in his eyes. "Welcome back, Ms. Potter, welcome back."

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"Thank you," she says.

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Everyone is looking at her. The old woman with the pipe's puffing on it without realizing it has gone out. Hagrid's beaming.

Then there's a great scraping of chairs and the next moment everyone in the Leaky Cauldron wants to shake hands with her.

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Oh gosh. Well. She will do her best to shake hands with everyone.

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"Doris Crockford, Ms. Potter, can't believe I’m meeting you at last."

"So proud, Ms. Potter, I’m just so proud."

"Always wanted to shake your hand—I'm all of a flutter."

"Delighted, Ms. Potter, just can't tell you, Diggle's the name, Dedalus Diggle," says a man... who once a long time ago bowed to Dorea in a shop.

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"You bowed to me in a shop, once."

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"She remembers!” cries Dedalus Diggle, his top hat falling as he turns to look around at everyone. "Did you hear that? She remembers me!"

More people want to shake her hand—Doris Crockford keeps coming back for more—until a pale young man makes his way forward, very nervously. One of his eyes is twitching.

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"Professor Quirrell!" says Hagrid. "Dorea, Professor Quirrell will be one of your teachers at Hogwarts."

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"P-P-Potter," stammers Professor Quirrell, grasping Dorea's hand, "c-can't t-tell you how p-pleased I am to meet you."

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"Likewise! I look forward to taking your class."

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Quirrell laughs nervously. "You'll be g-getting all your equipment, I suppose? I've g-got to p-pick up a new b-book on vampires, m-myself." He looks terrified at the very thought. 

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Vampires are real?

"Yes, I am."

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"O-o-of course."

But the others won't let Professor Quirrell keep Dorea to himself. It takes almost ten minutes to get away from them all. 

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At last, Hagrid manages to make himself heard over the babble.

"Must get on—lots ter buy. Come on, Dorea."

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"Oh, of course," she says, a little glad to get away from the crowd.

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Doris Crockford shakes Dorea's hand one last time, and Hagrid leads them through the bar and out into a small, walled courtyard, where there's nothing but a trash can and a few weeds. He grins at her.

"Told yeh, didn't I? Told yeh you was famous. Even Professor Quirrell was tremblin' ter meet yeh—mind you, he's usually tremblin'."

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"They all loved me," she observes softly.

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"Aye, an' why wouldn't they? Yeh saved 'em, far as they're concerned."

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"I don't even remember."

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"They do."

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"Yeah."

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He then turns to look at the brick wall. "Three up... two across..." he mutters. "Right, stand back, Dorea."

He taps the wall three times with the point of his umbrella. The brick he touched quivers—it wriggles—in the middle, a small hole appears—it grows wider and wider—a second later they're facing an archway large enough even for Hagrid, an archway onto a cobbled street that twists and turns out of sight.

"Welcome," says Hagrid, "to Diagon Alley."

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"Wow."

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He leads Dorea through, and the archway shrinks instantly back into solid wall. The sun shines brightly on a stack of cauldrons outside the nearest shop. Cauldrons—All Sizes—Copper, Brass, Pewter, Silver—Self-Stirring—Collapsible, says a sign hanging over them.

"Yeah, you'll be needin' one," he says, "but we gotta get yer money first."

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"Makes sense."

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They walk on, passing by a myriad stores and shops. A plump woman outside an Apothecary is shaking her head as they pass, saying, "Dragon liver, sixteen Sickles an ounce, they're mad."

A low, soft hooting comes from a dark shop with a sign saying Eeylops Owl Emporium—Tawny, Screech, Barn, Brown, and Snowy. Several boys of about Dorea's age have their noses pressed against a window with broomsticks in it. "Look," one of them says, "the new Nimbus Two Thousand—fastest ever—"

There are shops selling robes, shops selling telescopes and strange silver instruments Dorea's never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon...

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She--does not stare. Openly.

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Eventually: "Gringotts," says Hagrid. It's a snow-white building that towers over the other little shops. Standing beside its burnished bronze doors, wearing a uniform of scarlet and gold, is a humanoid, about a head shorter than Dorea. He has a swarthy, clever face, a pointed beard and very long fingers and feet. He bows as they walk inside.

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"Who was that?" she asks quietly.

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"That's a goblin," Hagrid whispers to her once they're clear of earshot.

Now they're facing a second pair of doors, silver this time, with words engraved upon them: 

Enter, stranger, but take heed
Of what awaits the sin of greed,
For those who take, but do not earn,
Must pay most dearly in their turn.
So if you seek beneath our floors
A treasure that was never yours,
Thief, you have been warned, beware
Of finding more than treasure there.

"Yeh'd be mad ter try an' rob it," he says.

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Oh that is such a challenge.

"Oh?"

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"It's got layers an' layers o' magic, goblin magic, an' even dragons though I ain't never gone deep enough to see 'em."

A pair of goblins bow them through the silver doors and they're in a vast marble hall. About a hundred more goblins are sitting on high stools behind a long counter, scribbling in large ledgers, weighing coins in brass scales, examining precious stones through eyeglasses. There are too many doors to count leading off the hall, and yet more goblins are showing people in and out of these. Hagrid makes for the counter.

"Morning," he says to a free goblin. "We've come ter take some money outta Ms. Dorea Potter's safe."

"You have her key, sir?"

"Got it here somewhere," says Hagrid, and he starts emptying his pockets onto the counter, scattering a handful of moldy dog biscuits over the goblin's book of numbers. The goblin wrinkles his nose.

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Okay that's kind of gross.

She turns over what he said in her mind.

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"Got it!" he says at last, holding up a tiny golden key.

The goblin looks at it closely. "That seems to be in order."

"An' I've also got a letter here from Professor Dumbledore," he says importantly, throwing out his chest. "It’s about the You-Know-What in vault seven hundred and thirteen."

The goblin reads the letter carefully. "Very well," he says, handing it back to Hagrid.

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"...Did you say you-know-what because you don't want other people to know what, or is it another scary thing like 'you-know-who'?"

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"Firs' thing."

The goblin peers down at Dorea suspiciously but doesn't comment. "I will have someone take you down to both vaults. Griphook!"

Griphook is, apparently, yet another goblin. Hagrid follows him to a door, and he holds it open for them. On the other side, there is a narrow stone passageway lit with flaming torches. It slopes steeply downward and there are little railway tracks on the floor. Griphook whistles and a small cart comes hurtling up the tracks toward them. Hagrid climbs in with some difficulty.

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Dorea has an easier time of it.

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They're off.

At first they just hurtle through a maze of twisting passages. Left, right, right, left, middle fork, right, left, it soon becomes untenable to keep track of the path. The rattling cart seems to know its own way, because Griphook isn't steering.

Cold air rushes past them, and at one point there's something that looks a lot like a burst of fire at the end of a passage but they plunge deeper too fast for much more detail to be made out. They pass an underground lake where huge stalactites and stalagmites grow from the ceiling and floor.

When the cart stops at last beside a small door in the passage wall, Hagrid gets out and has to lean against the wall to stop his knees from trembling. He's looking positively green.

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"Are you okay?"

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"I'll be fine," he grumbles.

Griphook unlocks the door. A lot of green smoke comes billowing out, and as it clears, Dorea can see the vault's contents: mounds of gold coins, columns of silver, heaps of little bronze Knuts.

"All yours," smiles Hagrid weakly. 

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"Whoah."

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"Yeh can get as much as yeh like."

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"How much am I likely to need? I...don't know what things are worth how much, here."

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"I'll get yeh about twice as much as yeh'll need," he suggests, and starts piling some into a bag, eyeballing it more than counting it. "The gold ones are Galleons," he explains. "Seventeen silver Sickles to a Galleon and twenty-nine Knuts to a Sickle, it's easy enough."

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"Huh, okay."

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He turns to Griphook. "Vault seven hundred and thirteen now, please, and can we go more slowly?"

"One speed only," says the goblin.

They board, and the cart starts again. They go even deeper now and gather speed. The air becomes colder and colder as they hurtle round tight corners. They go rattling over an underground ravine, deep enough the bottom's out of sight.

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...Dorea holds on really really tightly.

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They soon reach vault seven hundred and thirteen... which has no keyhole.

"Stand back," says Griphook importantly. He strokes the door gently with one of his long fingers and it simply melts away. "If anyone but a Gringotts goblin tried that, they'd be sucked through the door and trapped in there," the goblin says.

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Huh. Interesting.

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Griphook stands out of the way, and inside of the vault there is...

Nothing.

Or, wait, there's a grubby little package wrapped up in brown paper lying on the floor, there. Hagrid picks it up and tucks it deep inside his coat.

"Come on, back in this infernal cart," says the giant.

 

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...She's not going to ask what that is. Hagrid already said he didn't want anyone to know.

But damn she wants to know.

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One wild cart ride later they stand in the sunlight outside Gringotts.

"Might as well get yer uniform," says Hagrid, nodding toward Madam Malkin's Robes for All Occasions. "Listen, Dorea, would yeh mind if I slipped off fer a pick-me-up in the Leaky Cauldron? I hate them Gringotts carts." He does still look a bit green around the gills.

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"No, go ahead," she says.

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"I won't be long."

Off he goes.

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She goes into the shop.

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Madam Malkin is a squat, smiling witch dressed all in mauve. 

"Hogwarts, dear?" she says as soon as she spots her. "Got the lot here—a young man being fitted up just now, in fact."

In the back of the shop, a boy with a pale, pointed face is standing on a footstool while a second witch pins up his long black robes. 

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Boys. Well, he can't be as bad as Dudley. Maybe wizard boys are less immature than muggle boys or something.

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She stands Dorea on a stool next to the boy, slips a long robe over her head, and begins to pin it to the right length.

"Hello," says the boy. "Hogwarts, too?"

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On the one hand the answer to that question is obvious; on the other hand smalltalk is polite and annoying people for no reason is bad.

"Yes."

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"My father's next door buying my books and Mother's up the street looking at wands," he says. He has a bored, drawling voice. "Then I'm going to drag them off to look at racing brooms. I don't see why first years can't have their own. I think I'll bully Father into getting me one and I'll smuggle it in somehow. Have you got your own broom?"

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Oh, it's this type, ugh. She wasn't even sure they were real and not just something people who don't like rich people put in books or on the telly.

Still, social games are social games.

"Not yet."

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"Play Quidditch at all?"

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"Not yet," she repeats. She doesn't know what Quidditch is but admitting that is a great way to lose points.

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"I do—Father says it's a crime if I'm not picked to play for my House, and I must say, I agree. Know what House you'll be in yet?"

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Aaaah what are Houses. Hagrid did not mention Houses. She can't say "not yet" again, she'll sound like a broken record--

"No, do you?"

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"Well, no one really knows until they get there, do they, but I know I'll be in Slytherin, all our family have been—imagine being in Hufflepuff, I think I'd leave, wouldn't you?"

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Aaaah what's Hufflepuff--

"That sounds like rather an overreaction."

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"I say, look at that man!" he says, nodding towards the front window—

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—where a familiar giant can be seen, grinning at Dorea and pointing at two large ice creams to show he can't come in. 

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"What about him?"

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"I've never seen a man so big! I wonder if he's half-giant."

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"Hasn't anyone ever taught you it's rude to stare?"

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"—excuse me?"

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"You're staring at a person with an unusual physical trait and speculating wildly aloud about it. Honestly, I would have thought your parents would have taught you better."

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"My parents have taught me very well how to deal with people like," he shoots Hagrid another look, "him."

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"Oh, so you're the 'everyone who's different from me is inherently inferior and I don't have to treat them like a person' kind of rich brat, I see," she says, lip curling ever so slightly in disdain.

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"Who do you think you are?"

"Now, now, I'll have no fighting here," says Madam Malkins.

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She gives him a cold smile and sweeps her hair away from her forehead,

"I think I'm the Girl-Who-Lived."

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He stares, unable to come up with anything to say to that.

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Then she can pretty much ignore him, can't she. "Sorry," she says to Madame Malkin.

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And after a few more minutes of the boy's stunned silence, Madam Malkins tells Dorea, "That's you done, my dear."

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"Thanks!" she says brightly, and goes out to meet Hagrid.

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And Hagrid has ice cream! Chocolate and raspberry with chopped nuts. He starts leading the way to the next store.

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Ooh, it's delicious.

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Next up: parchment and quills. Students are supposed to only use regular ones but there are all sorts of fancy quills: quills that take dictation, quills that produce their own ink, ink that changes colour, invisible ink...

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Ooh, feather pens: Aesthetic.

"Why are we only supposed to use the standard ones?"

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"'M not really sure meself."

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"...There's no rule against owning nonstandard ones, though, right?"

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"Don't think so."

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"I draw," she explains, glancing at the color-changing one again.

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"Yeh can prob'ly buy whatever yeh want here—well, maybe not the fanciest ones."

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"It's my birthday," she decides, and gets the normal quills and the color-changing one.

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A transaction happens!

Next place is a bookstore called Flourish and Blotts. The shelves are stacked to the ceiling with books as large as paving stones bound in leather; books the size of postage stamps in covers of silk; books full of peculiar symbols and a few books with nothing in them at all.

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Ooh, books!

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So many! And she has a list.

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She seeks out each book on the list, keeping an eye out for anything else especially interesting.

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Whatever it is she finds interesting, this bookstore probably has it.

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Mostly art.

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There is magic art! It moves.

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Ee!

...Is there anything about her?

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...perhaps some recent history books?

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Sure.

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Modern Magical History has stuff about her!

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What stuff?

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Pretty much the same stuff Hagrid told her: He-Who-Must-Not-Be-Named went to murder her parents, something happened, she survived and he disappeared, she was whisked away somewhere.

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Neat.

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Cauldrons are next on the list!

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Less interesting but still Aesthetic.

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And there's a solid gold cauldron that she can easily afford and which cuts potion preparation time in half compared to the pewter that's on her school list, perhaps she'd like that.

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...Tempting.

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So affordable! So tacky! So good for potions!

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...Yeah, too tacky--too makes her a target. Fame is good but flaunting fame and wealth too much is a really good way to get hated. Pass.

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Pewter it is! Then they can get a collapsible brass telescope and a set of scales for weighing potions ingredients, and after that they can go to the Apothecary, which smells of bad eggs and rotten cabbages. It is otherwise fascinating, though: barrels of slimy stuff stand on the floor; jars of herbs, dried roots, and bright powders line the walls; bundles of feathers, strings of fangs, and snarled claws hang from the ceiling. Hagrid asks the man behind the counter for a supply of some basic potion ingredients for Dorea.

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Huh. Not really her style, but still interesting.

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Once outside the Apothecary, Hagrid checks Dorea's list again.

"Just yer wand left—oh yeah, an' I still haven't got yeh a birthday present."

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"...You got me cake and ice cream and started knitting me a sweater," she observes.

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"Those weren't presents," he says. "Tell yeh what, I'll get yer animal. Not a toad, toads went outta fashion years ago, yeh'd be laughed at—an' I don' like cats, they make me sneeze. I'll get yer an owl. All the kids want owls, they're dead useful, carry yer mail an' everythin'."

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"That does sound useful," she agrees.

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So they go to the Eeylops Owl Emporium. It's dark and full of rustling and flickering, jewel-bright eyes staring at them for a myriad cages and perched around the store.

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Oooh. She looks around at all the different owls.

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There are so many owls! Big and small, brown and black and white and silver, emerald or deep blue or burgundy or brown eyes, all looking, somehow, much smarter than regular owls.

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And that's saying something, considering owls' symbolism.

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And Hagrid finds Dorea a beautiful snowy owl with golden eyes.

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She's so pretty!!!

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She is! No name yet though.

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Yeah Dorea'll have to think about that.

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"Just Ollivanders left now—only place fer wands, Ollivanders, and yeh gotta have the best wand."

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"Okay."

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The last shop is narrow and shabby. Peeling gold letters over the door read Ollivanders: Makers of Fine Wands since 382b.c. A single wand lays on a faded purple cushion in the dusty window.

A tinkling bell rings somewhere in the depths of the shop as they step inside. It's a tiny place, empty except for a single, spindly chair that Hagrid sits on to wait.

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Whoah, that's old.

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There also seem to be thousands of narrow boxes piled neatly right up to the ceiling. For some reason, the back of Dorea's neck prickles. The very dust and silence in here seem to tingle with some secret magic. 

"Good afternoon," says a soft voice. An old man is standing before them, his wide, pale eyes shining like moons through the gloom of the shop.

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(There's a loud crunching noise and Hagrid gets quickly off the spindly chair.)

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Whoah.

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"Ah yes," says the man. "Yes, yes. I thought I'd be seeing you soon. Dorea Potter." It's not a question. "You remind me of your mother. It seems only yesterday she was in here herself, buying her first wand. Ten and a quarter inches long, swishy, made of willow. Nice wand for charm work." Mr. Ollivander moves closer to Dorea. "Your father, on the other hand, favoured a mahogany wand. Eleven inches. Pliable. A little more power and excellent for transfiguration. Well, I say your father favoured it—it's really the wand that chooses the wizard, of course."

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Okay this is getting kind of really creepy.

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Mr. Ollivander has come so close that he and Dorea are almost nose to nose.

"And that's where..." Mr. Ollivander touches the lightning scar on her forehead with a long, white finger. "I'm sorry to say I sold the wand that did it," he says softly. "Thirteen-and-a-half inches. Yew. Powerful wand, very powerful, and in the wrong hands... well, if I'd known what that wand was going out into the world to do..."

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Really really creepy. "I...don't think it was probably the wand's fault..." she offers tentatively.

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"Probably not." He shakes his head and finally spots Hagrid. The failure to do so immediately is probably a record of some sort. "Rubeus! Rubeus Hagrid! How nice to see you again... Oak, sixteen inches, rather bendy, wasn't it?"

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"It was, sir, yes."

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"Good wand, that one. But I suppose they snapped it in half when you got expelled?" says Mr. Ollivander, suddenly stern.

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"Er—yes, they did, yes," says Hagrid, shuffling his feet. "I've still got the pieces, though," he adds brightly.

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"But you don't use them?" he says sharply.

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"Oh, no, sir," says Hagrid quickly. Dorea might notice he grips his pink umbrella very tightly as he speaks.

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Oh, so that's what's up with that thing. Well. She's sure as hell not going to tell.

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"Hmmm," says Mr. Ollivander, giving Hagrid a piercing look, before turning back to Dorea. "Well, now—Ms. Potter. Let me see." He pulls a long tape measure with silver markings out of his pocket. "Which is your wand arm?"

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"...I'm right-handed."

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"Hold out your arm. That's it." He measures Dorea from shoulder to finger, then wrist to elbow, shoulder to floor, knee to armpit and round her head. As he measures, he says, "Every Ollivander wand has a core of a powerful magical substance, Ms. Potter. We use unicorn hairs, phoenix tail feathers, and the heartstrings of dragons. No two Ollivander wands are the same, just as no two unicorns, dragons, or phoenixes are quite the same. And of course, you will never get such good results with another wizard's wand." The tape measure, which is measuring between her nostrils, is doing this on its own. Mr. Ollivander's flitting around the shelves, taking down boxes. "That will do," he says, and the tape measure crumples into a heap on the floor. "Right then, Ms. Potter. Try this one. Beechwood and dragon heartstring. Nine inches. Nice and flexible. Just take it and give it a wave."

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She waves it despite the creeptasticness.

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And Ollivander promptly snatches it out of her hand, grabbing another wand and handing it to her. "Maple and phoenix feather. Seven inches. Quite whippy. Try this one."

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She waves it.

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The wandmaker takes that one before Dorea's even finished raising it. "No, no—here, ebony and unicorn hair, eight and a half inches, springy. Go on, go on, try it out."

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She does, assuming he lets her.

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Not that one, either. Or the next one, or the next, or the next. The pile of tried wands mounts higher and higher on the spindly chair, but the more wands Mr. Ollivander pulls from the shelves, the happier he seems to become.

"Tricky customer, eh? Not to worry, we'll find the perfect match here somewhere—I wonder, now—yes, why not—unusual combination—redwood and phoenix feather, fourteen and a half inches, springy."

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She waves it, not expecting anything in particular.

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There is a sudden warmth spreading through her arm, and the tip of her wand trails golden and silver sparkles as she moves it. "Oh, bravo! Yes, indeed, oh, very good. Well, well, well... how curious... how very curious..." He puts Dorea's wand back into its box and wraps it in brown paper, still muttering, "Curious... curious..."

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"...Curious?" she asks in spite of herself.

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"I remember every wand I've ever sold, Ms. Potter. Every single wand. It so happens that the phoenix whose tail feather is in your wand, gave another feather—just one other. It is very curious indeed that you should be destined for this wand when its brother—why, its brother gave you that scar." He peers at Dorea again. "Yes, thirteen-and-a-half inches. Yew. Curious indeed how these things happen. The wand chooses the wizard, remember... I think we must expect great things from you, Ms. Potter... After all, He-Who-Must-Not-Be-Named did great things—terrible, yes, but great."

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Oh.

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They pay for the wand and Hagrid leads the way out.

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"That was surreal."

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"Aye. He's... a bit of a character."

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"The thing with the wands was weird too."

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"Aye..."

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"Does it normally take that many tries?"

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"No, I got it th' second time an' I think most others do, too."

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"Huh."

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The late afternoon sun hangs low in the sky as Dorea and Hagrid make their way back down Diagon Alley, back through the wall, back through the Leaky Cauldron, now empty.

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"Thank you. For everything."

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He smiles. "'Twas the least I could do."

Back to the Underground, where people gawk at them, laden as they are with all their funny-shaped packages, with the snowy owl asleep in its cage, with the extremely large man knitting something.

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Let them stare. Dorea reads her schoolbooks.

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And up another escalator, out into Paddington station. "Got time fer a bite to eat before yer train leaves."

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"Oh, good."

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They eat a burger, and then Dorea has a train to catch. Hagrid helps her onto it then hands her an envelope. "Yer ticket fer Hogwarts," he says. "First o' September—King's Cross—it's all on yer ticket. Any problems with the Dursleys, send me a letter with yer owl, she'll know where to find me... See yeh soon, Dorea."

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"See you soon!"

The Dursleys will probably not be happy to find her on their doorstep again--and it's mutual--but whatever, she has magic, she can handle them now.

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Dorea's last month with the Dursleys is... different. Dudley's now so scared of her he won't stay in the same room, while Aunt Petunia and Uncle Vernon don't shut Dorea in her cupboard, force her to do anything, or shout at her—in fact, they barely speak to her at all. They act as though any chair with Dorea in it is empty and go about their days.

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Works for her!

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And eventually it's August thirty-first.

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...The Dursleys will take her to King's Cross, yes? No need for Hagrid to get involved again?

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Well, the Dursleys have thus far not been informed they ought to.

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She tells them.

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Uncle Vernon grunts in response to being told that.

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Good enough. She assumes.

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He actually speaks before she leaves, though.

"Funny way to get to a wizards' school, the train. Magic carpets all got punctures, have they?"

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"Uncle Vernon, I assure you the wizards are much less preoccupied with avoiding anything related to 'normal' people than you are with avoiding anything related to them."

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He glares at her. "Where is this school, anyway?"

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"Scotland."

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"How do you get there? Which train?"

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"It's called the Hogwarts Express and it leaves from King's Cross."

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"King's Cross, eh? And you can't just get there on your own?"

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"First-years aren't allowed broomsticks."

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"Broomsticks," he snorts. "Fine, fine, we'll take you."

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"Thank you."

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The Dursleys resume ignoring her for the rest of the day.

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Fine.

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They get in the car at seven in the morning (Aunt Petunia convinces Dudley to sit next to Dorea) and arrive at King's Cross at half past ten. "What's your platform, girl?"

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"Nine and three quarters."

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He stares. "Platform what?"

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"Nine and three quarters!"

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"Barking," he says, "howling mad, the lot of them. Alright." He loads Dorea's trunk onto a cart and starts wheeling it towards the station for her.

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"I admit that nine and a half would be more obvious," she says neutrally.

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Uncle Vernon stops dead as they reach the platforms, facing them with a nasty grin on his face.

"Well, there you are, girl. Platform nine—platform ten. Your platform should be somewhere in the middle." There is indeed a big plastic number nine over one platform and a big plastic number ten over the one next to it, and in the middle, nothing at all. "Have a good term," he says with an even nastier smile. He leaves without another word. 

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Huh. 

Well, wizards are kind of eccentric. She looks around to see if she can see a platform nine and three quarters anywhere else.

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Other places: also lacking a platform nine and three-quarters.

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...She looks around to see if she can find anything remotely wizardly.

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Nope, it's a very normal train station. Perhaps a guard could help?

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The guard is a muggle. Probably. She was expecting something with an enchantment like the Leaky Cauldron. Maybe if she continues not to see anything relevant for a while.

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She catches the word "muggles"...

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Ooh where.

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A plump woman talking to four boys, all with flaming red hair, and holding a small girl's hand. Each of them is pushing a trunk like Dorea's in front of him, and they have an owl.

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Excellent. She approaches them.

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"—not old enough, Ginny, now be quiet," the woman says to the small girl. "All right, Percy, you go first."

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What looks like the oldest boy marches toward platforms nine and ten, and just as the he reaches the dividing barrier between the two platforms, a large crowd of tourists comes swarming in front of Dorea and by the time the last backpack clears away, the boy's vanished. 

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Ohh, that makes sense. She--should probably not cut in front of them. She might as well say hello while she's waiting for them to finish.

"Hello," she says when she reaches them.

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"Fred, you next—oh, hello, dear."

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"I'm not Fred, I’m George," says half of a pair of twins. "Honestly, woman, you call yourself our mother? Can't you tell I'm George?"

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"Sorry, George, dear."

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"Only joking, I am Fred," says the boy, and off he goes.

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She waits for everyone else to be clear and then goes through.

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The other half of the twin pair goes first.

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And then a boy her age, and then she goes through the solid-looking unsolid wall—

A scarlet steam engine waits next to a platform packed with people. A sign overhead says Hogwarts Express, eleven o'clock. Behind her there's a wrought-iron archway where the barrier was, with the words Platform Nine and Three-Quarters on it.

Smoke from the engine drifts over the heads of the chattering crowd, while cats of every color wound here and there between their legs. Owls hoot to one another in a disgruntled sort of way over the babble and the scraping of heavy trunks.

The first few carriages are already packed with students, some hanging out of the window to talk to their families, some fighting over seats. 

When she's gone through the boy's there, a bit to the side, waiting. "You're a first year too?"

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"Yeah."

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"Cool. I don't know any other first-years yet."

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"I met one in Diagon Alley but he was a prat."

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"Who was it?"

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"Unfortunately he was too busy being a prat to introduce himself."

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"Oh. I'm Ron, by the way. Weasley."

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She grins. "If I tell you mine promise not to drop anything?"

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"...sure..."

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"Dorea Potter."

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Blink. "Really?"

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She pushes her hair out of her forehead.

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"Wicked! Wanna grab a compartment with me?"

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"Sure, why not."

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The twins help them with their stuff and on they go to an empty compartment near the back of the train.

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"What's that?" says the other twins suddenly, pointing at Dorea's lightning scar.

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"Blimey,” says the first one. "Are you—?"

 

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"She is, you can look later." He looks at Dorea. "I'm gonna say bye to Mum and be right back, alright?"

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"'Course."

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They run off and their mother is just outside Dorea's window. She can hear their exchange.

"Ron, you've got something on your nose," says their mother, grabbing the youngest boy and rubbing the tip of his nose with a handkerchief.

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"Mom—geroff!" He wriggles free.

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"Aaah, has ickle Ronnie got somefink on his nosie?"

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"Shut up."

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It must be nice to have a Mum.

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It probably is. They exchange some banter when the oldest boy—Percy—arrives. He's apparently a Prefect, and has apparently not shut up about it all summer.

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And their mother tells the twins to behave and not blow up any toilets this year.

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To which they reply they've never actually blown up a toilet but that's a great idea.

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And they also inform her that they met Dorea Potter and suddenly the little girl really really wants to board the train.

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Aww. 

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One of them wonders whether she remembers You-Know-Who and their mother becomes suddenly very stern and forbids them to ask. They promise to send their little sister loads of letters and a toilet seat and then a whistle causes them to hurriedly board the train and wave at their mum from a window until the train disappears into the tunnel.

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"I don't remember, I was only a baby," she says once they're well out of Molly Weasley's earshot.

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"Makes sense, I guess."

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"But hey, listen, we're going down the middle of the train—Lee Jordan's got a giant tarantula down there."

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"Did we introduce ourselves? Fred and George Weasley. He's Ron."

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"I already told her my name."

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"Oh, alright. Anyway, bye."

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"Bye."

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Off they go.

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"Charming fellows."

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"I guess."

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She shrugs, a little uncomfortable.

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"...so what's it like?"

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"What's what like?"

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"Being raised by muggles."

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"...I don't have a very typical perspective on that."

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"Why not?"

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"Because I was raised by my mother's relatives and they didn't like me much."

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"Oh. Why not?"

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"They're not very good people."

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"I'm sorry."

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There's a knock and the compartment door opens a tad. "Hey, can I sit here with you?"

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Whyyyy so many boys. "Sure."

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"Yeah."

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He walks in with his stuff. "I'm Dayo. I'm a muggleborn. Do you two hate muggleborns?"

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"...What?"

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"My parents are muggles, I have magic, some people hate that. I'm trying to find some that don't."

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"...I don't."

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"I don't, why is that a thing?"

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"They think we're less good at being wizards. Which is of course stupid."

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"Wizards are a tiny percent of the population anyway."

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"Yeah, and they haven't even reached the Moon. What are your names by the way?"

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"I'm Ron. Weasley."

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"Dorea Potter."

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"Cool! I read about you in Modern Magical History!"

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"I saw that one."

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"Man I wish there were books written about me."

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"Well, it wasn't exactly about me."

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"I guess, but still."

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"I mean, I'd rather have living parents, but it's a decent consolation prize."

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"...I'm sorry."

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"I accept your apology."

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Boy did he put his foot in his mouth, uh, subject change—" What was your first display of magic?"

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"I don't really remember."

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"I don't either, but Mum says I morphed for the first time when I was one.—I'm a metamorphmagus."

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"I was raised by my mother's muggle relatives, I don't actually know what that is."

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"Yeah, I didn't know what it was all my life and I had it."

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"It means he can change his shape without a wand. Show us something!"

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"Tada."

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"Ooh!"

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Ron's startled. "You can change even that?"

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"Yeah, this was the first display of magic I got that I mentioned," he explains, morphing back. "So I never really... you know, decided to just be a single gender."

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"...Huh."

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"So wait, you're not a boy?"

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"Right now I am. Some days I won't be."

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"Why would you want to be a boy?"

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"Why would you want to be a girl?"

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She glances at Ron and hesitates. 

 

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"...what? I won't get upset."

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"...Girls are almost always more interesting than boys? Boys punch people and stick their heads in toilets and even when they're not the kind that does stuff like that they're just...they're not pretty like girls are."

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"Punch people? That's—oh, I guess they don't have wands..."

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"I mean I don't really care about pretty, I just am a boy today, and some days I just am a girl, and some others I'm neither."

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"I'm not sure I understand."

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"I—sometimes I don't feel like I'm a boy? And it feels weird and wrong to be one and to be shaped like one and I should be a girl and shaped like a girl and called a girl. But then sometimes it's the opposite. And sometimes it's something else."

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"Huh."

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"Yeah." Shrug. "So that's a thing."

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"You learn something new every day."

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"I can change other things, too." And his eyes pop out, shaped like a chameleon's.

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He yelps.

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She giggles.

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He giggles and is back to regular human. "I can't turn all of myself into an animal, though. Just bits. Not my brain, for sure."

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"Oh, gosh, I should hope not."

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"It's not in principle impossible, there's a type of magic called animagic which makes you be able to turn into an animal and stay smart, but you don't pick which animal, it's personality-based or something, and a lot of work, and you have to be registered with the government."

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"Huh."

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"Don't think I'm gonna do it, though."

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"Why not?"

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"Takes a long time and doesn't seem like it's worth all the investment."

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"I don't know, it sounds really cool."

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"I can already turn into bits of animal, the benefit is only incremental."

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"Well, it's a gamble, but--if you're a bird, or something small, there's absolutely benefit you can't get from bits. I'd really like being a bird, I think."

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"...I suppose. But we can fly with brooms—but being small would be really cool."

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"It would! Imagine being a cat, don't they look so comfortable?"

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"They do!"

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Ron laughs. "Do you think you'd be a cat?"

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"I don't know what determines what you get!"

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"No one does but people aren't really surprised by what they get, they're always like 'oh it makes total sense'."

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"I wouldn't be shocked to be a cat. I wouldn't be shocked to be lots of things, though."

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"I could see myself as a bird. Or something small. Or something with lots of energy. Or something smart."

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"I think cat or bird or snake is likeliest for me."

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"I don't know what I'd be. Why snake?"

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"Snakes just seem to really like me! One time I accidentally freed a giant boa constrictor from the zoo."

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"Wow. Um, why?"

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"Prats kept rapping on its enclosure and demanding it do things for their entertainment."

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"...why? That's stupid."

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"I don't know why. Apparently it's not interesting enough when its just minding its own business."

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"...I'm really happy I wasn't there. Animals hate me."

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"Really? Why?"

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"I don't know! They just do. Even goldfish."

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"Goldfish can hate people?"

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"You wouldn't think so and yet mine hid when I fed it and tried to commit suicide three times."

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"Tried to commit suicide?"

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"Jumped out of the fishbowl."

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"Wow. Poor thing."

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"After the second time we put a lid on the bowl but it tried again while I was feeding it. So I threw it in a river."

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"Um."

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"It's probably been eaten by something by now."

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"Mhm."

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"It was just a stupid goldfish."

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"I never had a pet but I don't really like to think about what would have happened to it if I did."

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"Well you have one now," he says, gesturing towards her owl with his head.

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"Yeah. She's lovely, isn't she? Her name's Albia."

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She hoots a bit warily at Dayo.

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Who purses his lips. "She's pretty, yeah. I wanted one but all the owls at the Emporium wanted to peck my eyes out or something. She at least isn't trying that."

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"Good girl," she tells the owl.

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Hoot.

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"I only got Percy's old rat." He reaches inside his jacket and pulls out a fat gray rat, which is asleep. "His name's Scabbers and he's useless, he hardly ever wakes up. Percy got an owl from my dad for being made a prefect, but they couldn't aff—I mean, I got Scabbers instead." Ron's ears go pink.

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Hm. "Well, it would be pretty awkward to have an owl and a rodent as a pet at the same time."

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"Yeah."

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"Pets are overrated."

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"Owls carry mail, apparently."

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"You can rent one in Hogwarts for two sickles a letter, I looked it up."

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"She was my first ever birthday present."

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"...when's your birthday?"

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"July 31st."

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"I'm getting you a late birthday present."

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"Thanks."

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Beam.

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"When's your birthday?"

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"November sixth."

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"I'll remember that."

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"I'm March first."

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"I'll remember that too."

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Around half past twelve there's a great clattering outside in the corridor and a smiling, dimpled woman slides back their door and says, "Anything off the cart, dears?"

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"Uh, what do you have?"

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She gestures at the cart, which contains Bertie Bott's Every Flavour Beans, Drooble's Best Blowing Gum, Chocolate Frogs, Pumpkin Pasties, Cauldron Cakes, Licorice Wands, and a number of other strange things Dorea has probably never seen in her life.

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Gosh.

"...Ron, what's good?"

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"...um. I like Every Flavour Beans? And, and Chocolate Frogs, and Cauldron Cakes, and" he lists a bunch of other things off the cart but eventually ends with "but I brought sandwiches anyway."

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"Well, I want sweets, and trust me, growing up with a kid your guardians like better than you, you learn it's rude to eat sweets in front of someone without sharing. Besides, I've never heard of any of this stuff before."

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...the trolley witch is not sure what to do with this information.

"So, you will want something, then?" she asks, because sweets are always the answer.

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"A little of everything he just said."

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Here's a little of everything he just said!

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And now Ron is trying to decide whether to interpret Dorea's exposition on her cousin means he can have some.

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She will simplify matters by handing him a packet of beans.

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Ooh! Okay he'll accept. "Thanks!"

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"Are they magical at all or are they just sweets that have lots of flavours?"

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"Oh they have all flavours."

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"All?"

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"Yeah. George reckons he had a booger-flavored one once."

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"Ew."

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He pops one in. "Bleaaargh—see? Sprouts."

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"...I want one."

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He can have one.

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"...toast. Cool."

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She opens a packet and inspects the contents dubiously.

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They are variously colourful in the way sweets tend to be!

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...She picks out a pink one.

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Pink lemonade!

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Acceptable! Blue?

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Soap!

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"Blech."

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"I just got charcoal. What'd you get?"

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"Soap!"

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"Bleagh." Another one. "Grass! ...that's surprisingly tasty."

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"I think I'm done being adventurous, either or both of you can have the rest of mine."

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They're gonna be more adventurous, then. This is fun!

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They are welcome to their adventure. She tries the Chocolate Frogs. Mm, chocolate.

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It tries to jump out of her hands!

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She catches it! "What the heck?"

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"Oh, yeah, they do that. Only do it the once, though."

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"Huh," she says, and bites the head off. Mm, chocolate.

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And the little pentagonal box that contained the frog has a little pentagonal card!

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Huh. She picks it up.

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"See what the card is, I'm missing Agrippa."

It's an old, bearded man. Very wizardly. The text behind the card says:

ALBUS DUMBLEDORE

CURRENTLY HEADMASTER OF HOGWARTS

Considered by many the greatest wizard of modern times, Dumbledore is particularly famous for his defeat of the Dark wizard Grindelwald in 1945, for the discovery of the twelve uses of dragon’s blood, and his work on alchemy with his partner, Nicolas Flamel. Professor Dumbledore enjoys chamber music and ten-pin bowling.

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"The headmaster's first name is Albus? Now I kind of wish I'd named my owl something else."

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"I have like seven of him. Can I have a frog?"

And as he asks, Dumbledore disappears from the card.

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"Sure," she says, handing him the box.

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Dayo will also accept one.

"Mine says Merlin but there's no one there."

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"Well, you can't expect them to hang around all day."

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"Wizarding pictures move for some reason," she explains helpfully.

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"Erm. Are pictures people?"

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"What?"

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"Hagrid says photographs probably aren't but paintings probably are."

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"...okay."

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"Well, anyway, I have bunches of this, do either of you want it?" he asks, offering his Morgana card.

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"Sure."

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Ron gives it to her.

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The countryside flying past the window becomes wilder, the neat fields replaced by woods, twisting rivers, and dark green hills.

There's a knock on the door of their compartment and a round-faced boy comes in, looking tearful. "Sorry," he says, "but have you seen a toad at all?"

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"No, sorry."

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He wails. "I've lost him! He keeps getting away from me!"

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"Maybe you should ask someone older, maybe there are spells for finding things."

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"—yeah, m-maybe."

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"Are you okay?"

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"Y-yeah. I'm just—I don't know any older students..."

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"Well, you didn't know us, either, did you?"

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"Yeah, b-but you're m-my age."

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"I can go with you if you're feeling shy."

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"Can you?"

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"Sure, let's go."

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"I'll come too," she decides, getting up.

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He rubs his eyes with his sleeves. "Thanks. I'm Neville."

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"Dayo."

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"Ron," he says, then mumbles something unintelligible, but decides to get up and help, too.

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"Dorea."

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He leads them out of the compartment and starts looking for ones containing older students.

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And Dorea keeps an eye out for any toads just in case.

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"The prefects get their own compartment, we could go there," Ron says after a bit.

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"Oh, good idea."

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He leads the way.

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Eventually they reach said compartment. Percy looks up from a book when he sees them. "Ron? What is it?"

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"Hi! This kid lost his toad, we were wondering if any of the upper-years knew a spell to find it."

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"...hm. There might be one—"

"Chapter seven of the sixth year charms book," says a Ravenclaw prefect without looking up from the book she's reading.

"—thank you." He fetches that one and starts leafing through it.

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"Thank you!"

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"Hmm, I've never tried this one before... shouldn't be too hard, though. What's your toad's name?"

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"Trevor."

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He waves his wand, and a shower of sparkles leads the way out of the compartment.

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"Thank you very much!" Sparkle-following!

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Off they go! He finds Trevor in a compartment with some third years. "Trevor!"

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"Congratulations!"

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"Thank you." Pause. "Are you Dorea Potter?"

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"Yeah!"

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"Oh." Pause. "Th-thank you for helping me find Trevor." And he looks down at his feet and starts walking back to his compartment.

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"Are you okay?"

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He pauses. "Y-yeah?"

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"You just seem kind of not okay, is all."

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"I don't know anyone in my compartment."

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"Well, I didn't either, we introduced ourselves."

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Uncomfortable shrug.

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"...Do you want to come back to ours, we've only got three people."

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"Yeah."

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"Okay, then!'

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Back to their compartment!

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"Want a Chocolate Frog?"

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"...sure."

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She leads him back to the compartment.

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And there are chocolate frogs! He gets Agrippa and Ron is all over him for her.

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Dorea giggles.

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And soon they can hear the train whistle. "We should probably put our robes on."

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"Yeah..." she glances at the three boys.

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And Dayo marches the other two outside.

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She giggles and changes and then comes out to let the other three do so.

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And soon a crowd starts forming outside their compartment.

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"Almost done?" she calls inside.

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"Done!"

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She comes back in and grabs her trunk and Albia's cage. "People are starting to line up to get off the train."

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"Then out we go."

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The crowd slowly goes through the door and onto a tiny, dark platform. Then a lamp comes bobbing over the heads of the students, and Sarah can hear a familiar voice:

"Firs' years! Firs' years over here! All right there, Dorea?"

Hagrid's big hairy face beams over the sea of heads.

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She beams back. "Just fine!"

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"C'mon, follow me—any more firs' years? Mind yer step, now! Firs' years follow me!"

Slipping and stumbling, they follow Hagrid down what seems to be a steep, narrow path. It's dark enough on either side of them that there must be thick trees there.

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Almost nobody speaks much, with Dayo the exception that chatters on and on about how cool it all is.

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Neville sniffles once or twice.

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Dorea gives him a few comforting pats.

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"Ye' all get yer firs' sight o' Hogwarts in a sec," Hagrid calls over his shoulder, "jus' round this bend here."

And indeed, there it is, its glittering lights reflecting over the lake and dancing in the distance, hinting at an enormity and opulence that will probably only become greater in the light of day, when they can appreciate it in its entirety.

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Oh wow.

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There's a loud "Ooooooh!" as the other students glimpse the castle for the first time. On the lake rest several small canoes next (but not in any way attached) to a wooden pier which seems to be their destination.

"No more'n four to a boat!" Hagrid calls and the students start boarding.

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Dorea climbs carefully into one.

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Dayo, Ron, and Neville follow her into it.

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"Everyone in?" shouts Hagrid, who has a boat to himself. "Right then—FORWARD!"

And the fleet of little boats moves off all at once, gliding across the lake, which is as smooth as glass. Everyone is silent, staring up at the great castle overhead. It towers over them as they sail nearer and nearer to the cliff on which it stands.

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Dorea is maybe caught up in paroxysms of aesthetic rapture.

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"Heads down!" yells Hagrid as the first boats reach the cliff; they all bend their heads and the little boats carry them through a curtain of ivy that hides a wide opening in the cliff face. They're carried along a dark tunnel, which seems to be taking them right underneath the castle, until they reach a kind of underground harbor, where they clamber out onto rocks and pebbles.

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Eeee!

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They clamber up a passageway in the rock after Hagrid's lamp, coming out at last onto smooth, damp grass right in the shadow of the castle.

They walk up a flight of stone steps and crowd around the huge, oak front door.

"Everyone here?" And before waiting for an answer Hagrid raises a gigantic fist and knocks three times on the castle door.

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The door swings open at once. A tall, grey-haired witch in emerald-green robes stands there. She has a very stern, almost stereotypical witch face.

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"The firs' years, Professor McGonagall."

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"Thank you, Hagrid. I will take them from here."

She pulls the door wide. The entrance hall is big enough you could fit the whole of the Dursleys' house in it. The stone walls are lit with flaming torches like the ones at Gringotts, the ceiling too high to make out, and a magnificent marble staircase facing them leads to the upper floors.

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This place is perfect.

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Indeed it is.

They follow Professor McGonagall across the flagged stone floor. They can hear the drone of hundreds of voices from a doorway to the right—the rest of the school must already be here—but Professor McGonagall shows the first years into a small, empty chamber off the hall. They crowd in, standing rather closer together than they would usually have done, peering about nervously.

"Welcome to Hogwarts," she says. "The start-of-term banquet will begin shortly, but before you take your seats in the Great Hall, you will be sorted into your Houses. The Sorting is a very important ceremony because, while you are here, your House will be something like your family within Hogwarts. You will have classes with the rest of your House, sleep in your House dormitory, and spend free time in your House common room.

"The four Houses are called Gryffindor, Hufflepuff, Ravenclaw, and Slytherin. Each House has its own noble history and each has produced outstanding witches and wizards. While you are at Hogwarts, your triumphs will earn your House points, while any rulebreaking will lose House points. At the end of the year, the House with the most points is awarded the House cup, a great honor. I hope each of you will be a credit to whichever House becomes yours.

"The Sorting Ceremony will take place in a few minutes in front of the rest of the school. I suggest you all smarten yourselves up as much as you can while you are waiting."

Her eyes linger for a moment on Neville's cloak, which is fastened under his left ear, and on Ron's smudged nose.

"I shall return when we are ready for you. Please wait quietly," she finishes, and leaves the chamber.

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Dorea fixes Neville's cloak and fusses redundantly with her hair a little bit.

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The other students seem to be panicking about how they're going to get sorted into houses. There's talk about it being a test of some sort.

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"...So what's up with the Houses?" she asks Ron quietly.

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"Everyone gets one, there's four, you get picked. Some sort of test, I think. Fred said it hurts a lot, but I think he was joking."

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"Test? Are they ranked?"

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He shrugs—

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—and then suddenly several people behind them scream, and when they turn to look, they see that about twenty ghosts have just streamed through the back wall. Pearly-white and slightly transparent, they glide across the room talking to one another and hardly glancing at the first years. They seem to be arguing. What looks like a fat little monk is saying: "Forgive and forget, I say, we ought to give him a second chance—"

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"My dear Friar," answers a ghost wearing a ruff and tights, "haven't we given Peeves all the chances he deserves? He gives us all a bad name and you know, he's not really even a ghost—I say, what are you all doing here?" he asks, finally noticing the first-years.

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"Waiting for the Sorting."

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"New students!" says the Fat Friar, smiling around at them. "Well, I hope to see you in Hufflepuff! My old House, you know."

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She would maybe find that more meaningful if she knew more things about the Houses.

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"Move along now," says a sharp voice coming from the door—McGonagall, returned. "The Sorting Ceremony's about to start." One by one, the ghosts float away through the opposite wall. "Now, form a line," she tells the first years, "and follow me."

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Well at least soon she will have some clue.

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They walk out of the chamber, back across the hall, and through a pair of double doors into the Great Hall.

It's lit by thousands and thousands of candles that are floating in midair over four long tables, where the rest of the students are sitting. These tables are laid with glittering golden plates and goblets. At the top of the hall is another long table where the teachers are sitting. Professor McGonagall leads the first years up here, so that they come to a halt in a line facing the other students, with the teachers behind them. The hundreds of faces staring at them look like pale lanterns in the flickering candlelight. Dotted here and there among the students, the ghosts shine misty silver. Instead of a ceiling, there is a velvety black emptiness dotted with stars, the Great Hall looking like it simply opens on to the heavens.

Professor McGonagall silently places a four-legged stool in front of the first years. On top of the stool she puts a pointed wizard's hat.

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This hat is patched and frayed and extremely dirty. Aunt Petunia wouldn't have let it in the house. After the Professor puts the hat there, for a few seconds, there's complete silence. Then the hat twitches. A rip near the brim opens wide like a mouth—and the hat begins to sing:

Oh, you may not think I'm pretty,
But don't judge on what you see,
I'll eat myself if you can find
A smarter hat than me.

You can keep your bowlers black,
Your top hats sleek and tall,
For I'm the Hogwarts Sorting Hat
And I can cap them all.

There's nothing hidden in your head
The Sorting Hat can't see,
So try me on and I will tell you
Where you ought to be. 

You might belong in Gryffindor,
Where dwell the brave at heart,
Their daring, nerve, and chivalry
Set Gryffindors apart;

You might belong in Hufflepuff,
Where they are just and loyal,
Those patient Hufflepuffs are true
And unafraid of toil;

Or yet in wise old Ravenclaw,
If you've a ready mind,
Where those of wit and learning,
Will always find their kind;

Or perhaps in Slytherin
You'll make your real friends,
Those cunning folk use any means
To achieve their ends.

So put me on! Don't be afraid!
And don't get in a flap!
You're in safe hands (though I have none)
For I’m a Thinking Cap!

The whole hall bursts into applause as the hat finishes its song. It bows to each of the four tables and then becomes quite still again.

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...So that's what the houses are about.

Daring, nerve, and chivalry? Sounds beautifully romantic. Just and loyal? Marvelously idealistic, even if she's not sure she believes in justice. Wit and learning? Always a plus.

...She's really not sure what to think of Slytherin's any means. And hadn't Rich Prat said he was going to Slytherin?

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Professor McGonagall now steps forward holding a long roll of parchment.

"When I call your name, you will put on the hat and sit on the stool to be sorted," she says. "Abbott, Hannah!"

A pink-faced girl with blonde pigtails stumbles out of line, puts on the hat, which falls right down over her eyes, and sits down. A moment's pause—

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"HUFFLEPUFF!" shouts the hat.

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The table on the right cheers and claps as Hannah goes to sit down at the Hufflepuff table. The ghost of the Fat Friar waves merrily at her.

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...How exactly is the Hat doing this, she wonders.

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The Deputy Headmistress continues down her list: Kellah Bimm, Gryffindor; Susan Bones, Hufflepuff; Terry Boots, Ravenclaw; Mandy Brocklehurst, Ravenclaw; Lavender Brown, Gryffindor; Millicent Bullstrode, Slytherin; Vincent Crabbe, Slytherin; Justin Finch-Fletchley, Hufflepuff; Seamus Finnigan, Gryffindor; Gregory Goyle, Slytherin. Some of them the Hat decides on immediately, while others take a bit longer.

After those: "Iroko, Adedayo!"

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And Dayo confidently strides towards the hat and puts it on.

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Hm.

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The hat stays on Dayo's head for almost a minute, and then—

"SLYTHERIN!"

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He beams, takes the Hat off, and walks towards the applauding table.

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Huh, okay. Hopefully he can handle the prat.

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Neville is, after some deliberation by the Hat, a Gryffindor, to his own surprise. He runs off still wearing the Hat and has to return amidst laughter to give it to 

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"MacDougal, Morag!"

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Who is a "SLYTHERIN!"

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Malfoy goes next, and the Hat has barely touched his head when it cries—

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"SLYTHERIN!"

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—and he swaggers his way to Crabbe and Goyle, who are apparently friends of his.

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Unsurprising. Ugh, he makes her skin crawl.

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Moon, Nott, Parkinson, Patil (Padma), Patil (Parvati), Perks—

—and then, "Potter, Dorea!"

And whispers suddenly break out like little hissing fires all over the hall.

"Potter, did she say?"

"The Dorea Potter?"

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Well.

That's her cue.

She strides up to the stool with a confidence she only mostly feels and jams the hat on her head.

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Hmm... the Hat's voice sounds in her ear—or her head? A tough one... I could see you succeeding in many places, yes... You haven't had your chance to shine, though you've wanted to, and I do believe the disdain you feel towards Slytherin is unwarranted... But you also respect the qualities you see in Ravenclaw and Hufflepuff, yes, I can see that, lofty ideals though they may seem... And how do you feel about Gryffindor, hm?

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I like what I've heard of it so far!

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Yes, I can see how you'd fit there—daring, a sense of the world's injustice and how you could do something about it, yes... You could help with it, help fight it and triumph.

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She remembers Hagrid telling her she was going to be a great witch someday, the soft glow of pride, the determination to live up to his faith in her.

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Yes... I do believe you'll do best in - "GRYFFINDOR!"  the Hat shouts to the whole hall, and the cheers are the loudest yet.

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She takes the hat off and places it on the stool and manages to walk to the table slowly enough to not abandon all dignity.

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The twins start chanting, "We got Potter! We got Potter!"

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Then Thomas, then Tolipan, then Turpin, and finally "Weasley, Ronald!"

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Who is sent to Gryffindor almost as quickly as Malfoy was sent to Slytherin.

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"Congrats," she tells him cheerfully. "I hope Dayo can handle that prat--I think McGonagall said his name was Malfoy?"

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"—oh you met Malfoy? Dad says his dad's terrible, was a Death Eater too but said he was Imperiused but Dad doesn't believe it..."

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(Meanwhile McGonagall calls "Zabini, Blaise!" who's a Slytherin but then the she rolls up her scroll and takes the Hat away.)

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"At Madame Malkin's, yes."

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Ron makes a face and is about to say something but—

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Headmaster Dumbledore gets to his feet. He's beaming at the students, his arms opened wide, as if nothing could have pleased him more than to see them all there.

"Welcome," he says. "Welcome to a new year at Hogwarts! Before we begin our banquet, I would like to say a few words. And here they are: Nitwit! Blubber! Oddment! Tweak!

"Thank you!"

He sits back down. Everybody claps and cheers.

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"...Is he always like that?"

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"Oh, yes. He's brilliant, but—quite a bit mad. Potatoes?"

And indeed, the dishes in front of Dorea are now piled with food: roast beef, roast chicken, pork chops and lamb chops, sausages, bacon and steak, boiled potatoes, roast potatoes, fries, Yorkshire pudding, peas, carrots, gravy, ketchup, and, for some strange reason, peppermint humbugs.

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Oh wow. She doesn't think she's ever seen this much food in one place before in her life.

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The ghost that seems to like hanging around the Gryffindor table looks mournfully at it.

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"...Are you okay?"

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"I haven't eaten for nearly five hundred years," says the ghost, a bit sadly. "I don't need to, of course, but one does miss it. I don't think I've introduced myself? Sir Nicholas de Mimsy-Porpington at your service. Resident ghost of Gryffindor Tower."

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"I know who you are!" says Ron suddenly. "My brothers told me about you—you're Nearly Headless Nick!"

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"Nearly Headless?"

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He looks extremely miffed, like this little chat isn't going at all the way he wants. "Like this," he says irritably, then seizes his left ear and pulls. His whole head swings off his neck and falls onto his shoulder as if it's on a hinge. Someone obviously tried to behead him, but did not do it properly. 

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"Whoah."

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There are similar expressions of surprise from other students, which apparently please him. He flips his head back onto his neck, coughs, and says, "So—new Gryffindors! I hope you're going to help us win the House Championship this year? Gryffindors have never gone so long without winning. Slytherins have got the cup six years in a row! The Bloody Baron's becoming almost unbearable—he's the Slytherin ghost."

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"Does every House have one?"

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"Yes—there's the Fat Friar, Hufflepuff's ghost, he doesn't even remember his name anymore, and the Grey Lady, who does not talk, for Ravenclaw."

    "How did he get covered in blood?" asks Seamus Finnigan with great interest.

"I've never asked," Nearly Headless Nick says delicately.

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"I can think of a lot of ways to die that involve being covered in blood."

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"And most of them not very nice, which is why I didn't ask and suggest you not ask either."

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She nods solemnly.

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He floats off and everyone starts eating voraciously.

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Oh hell yes.

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When everyone has eaten as much as they can, the remains of the food fades from the plates, leaving them sparkling clean as before. A moment later the desserts appear. Blocks of ice cream in every flavor you can think of, apple pies, treacle tarts, chocolate eclairs and jam doughnuts, trifle, strawberries, jelly, rice pudding—

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...

She's going to need a moment to process this.

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The others aren't.

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Okay moment over wow.

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The conversation turns to families. "I'm half-and-half," says Seamus. "Me dad's a Muggle. Mom didn't tell him she was a witch 'til after they were married. Bit of a nasty shock for him."

The others laugh. "What about you, Neville?" asks Ron.

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"Well, my gran brought me up and she's a witch," he explains, "but the family thought I was all-muggle for ages. My Great Uncle Algie kept trying to catch me off my guard and force some magic out of me—he pushed me off the end of Blackpool pier once, I nearly drowned—but nothing happened until I was eight. Great Uncle Algie came round for dinner, and he was hanging me out of an upstairs window by the ankles when my Great Auntie Enid offered him a meringue and he accidentally let go. But I bounced—all the way down the garden and into the road. They were all really pleased, Gran was crying, she was so happy. And you should have seen their faces when I got in here—they thought I might not be magic enough to come, you see. Great Uncle Algie was so pleased he bought me my toad."

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"That's awful."

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"It was scary at the time but it would be really bad if I wasn't a wizard."

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"That doesn't justify it! I guess you could maybe make a case if doing those things made you magic, but they didn't, and there is no way dropping you out a window and almost drowning you are okay just because they couldn't wait for your letter to be sure. Your grandmother should never have let him near you after the pier incident."

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He shrugs uncomfortably. "I was fine afterwards."

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"I'm fine. That doesn't make what my relatives did to me okay."

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"...what'd they do?"

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"My aunt didn't get along with her sister very well. They--made it very clear to me from early on that I was an obligation, not a member of the family. More than that I don't really want to say right now."

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"Oh. My Great Uncle and Auntie like me though."

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"It's still not okay for them to risk your life."

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"—oh, wizards are much more resistant to physical damage than muggles," he explains. "He wasn't in real danger in any of these situations."

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"--But if they were doing it because they weren't sure he was a wizard--"

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"I think squibs maybe are more resistant, too?"

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"How sure are you."

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"Not very," he admits.

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"And even if it was never going to kill him, dangling children out of windows by their ankles is not okay."

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"It's not," he agrees.

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"You deserve better, Neville."

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"Thank you."

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She nods.

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Conversation proceeds apace even on the Head Table, where Hagrid drinks deeply from his goblet and Professors McGonagall and Dumbledore seem to be talking about something.

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Professor Quirrell, in his absurd purple turban, whom Dorea met at the Leaky Cauldron, seems to be talking to a teacher with greasy black hair, a hooked nose, and sallow skin.

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And very suddenly, the hook-nosed teacher looks past Quirrell's turban straight into Dorea's eyes—and a sharp, hot pain shoots across the scar on her forehead.

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"Ow!"

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"What is it?"

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"My scar just hurt. I don't know why, it's never done that before."

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"—that's worrying. Were you doing anything in particular...?"

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"Just looking at the Head Table. I think one of the teachers looked back at me?"

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He looks at the teachers, then at her. "Can't have been that, the teachers have nothing to do with—that."

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"That? --Oh. That. I don't know, then."

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Shrug. Dessert!

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Mm, dessert.

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Eventually the dessert, too, disappears, and Professor Dumbledore gets to his feet again, that action enough to bring the hall to silence.

"Ahem—just a few more words now that we are all fed and watered. I have a few start-of-term notices to give you.

"First years should note that the forest on the grounds is forbidden to all pupils. And a few of our older students would do well to remember that as well." Dumbledore's twinkling eyes flash in the direction of the Weasley twins. "I have also been asked by Mr. Filch, the caretaker, to remind you all that no magic should be used between classes in the corridors.

"Quidditch trials will be held in the second week of the term. Anyone interested in playing for their House teams should contact Madam Hooch.

"And finally, I must tell you that this year, the third-floor corridor on the right-hand side is out of bounds to everyone who does not wish to die a very painful death."

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"How seriously should I take that last?" she murmurs to Percy.

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"Very, but... it's odd, because he usually gives us a reason why we're not allowed to go somewhere—the forest's full of dangerous beasts, everyone knows that. I do think he might have told us prefects, at least."

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"Does he really think in a school full of teenagers no one's going to take that as a challenge?"

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"He's... presumably put some protections?"

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"Maybe..."

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"And now, before we go to bed, let us sing the school song!" cries Dumbledore. The other teachers' smiles become rather fixed. Dumbledore gives his wand a little flick, as if he's trying to get a fly off the end, and a long golden ribbon flies out of it, which rises high above the tables and twists itself, snakelike, into words. "Everyone pick their favorite tune," he says, "and off we go!"

And the school bellows:

"Hogwarts, Hogwarts, Hoggy Warty Hogwarts,
Teach us something please,
Whether we be old and bald
Or young with scabby knees,

"Our heads could do with filling
With some interesting stuff,
For now they’re bare and full of air,
Dead flies and bits of fluff,

"So teach us things worth knowing,
Bring back what we’ve forgot,
Just do your best, we’ll do the rest,
And learn until our brains all rot."

Everybody finishes the song at different times. At last, only the Weasley twins are left singing along to a very slow funeral march. Dumbledore conducts their last few lines with his wand and when they've finished, he's one of those who claps loudest.

"Ah, music," he says, wiping his eyes. "A magic beyond all we do here! And now, bedtime. Off you trot!"

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Percy starts leading the Gryffindors through the chattering crowds, out of the Great Hall, and up the marble staircase.

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Eee this place just gets more and more aesthetic.

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The people in the portraits along the corridors whisper and point as they pass, and Percy leads them through doorways hidden behind sliding panels and hanging tapestries twice. They climb more staircases, yawning and dragging their feet, until they come to a sudden halt.

A bundle of walking sticks is floating in midair ahead of them, and as Percy takes a step towards them they start throwing themselves at him.

"Peeves," Percy whispers to the first years. "A poltergeist." He raises his voice, "Peeves—show yourself."

A loud, rude sound, like the air being let out of a balloon, answers.

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She is delighted by the living portraits.

She is less than delighted by Peeves.

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"Do you want me to go to the Bloody Baron?"

There's a pop, and a little man with wicked, dark eyes and a wide mouth appears, floating cross-legged in the air, clutching the walking sticks. "Oooooooh!" he says, with an evil cackle. "Ickle Firsties! What fun!"

He swoops suddenly at them.

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Oh. Hell. No.

What does she have--just her wand, her stuff is elsewhere--she doesn't know any spells yet--

She leaps up to try to grab one of the sticks away from him, or at least yank him off-course.

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The other kids duck, but Peeves is caught by surprise by this and drops all the sticks.

"Go away, Peeves, or the Baron'll hear about this, I mean it!" barks Percy.

He glares at Dorea then blows a raspberry and zooms away, cackling rattling coats of armour as he passes.

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She brandishes the stick she managed to grab in his direction as he flees.

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"You want to watch out for Peeves," says Percy, as they set off again. "The Bloody Baron's the only one who can control him, he won't even listen to us prefects."

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"Where did he get these, anyway?"

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Shrug. "Who knows."

At the very end of the corridor hangs a portrait of a very fat woman in a pink silk dress.

"Password?" she says.

"Caput Draconis," says Percy, and the portrait swings forward to reveal a round hole in the wall. They all scramble through it—Neville needs a leg up—and find themselves in the Gryffindor common room, a cozy, round room full of squashy armchairs.

Percy directs the girls through one door to their dormitory and the boys through another. At the top of a spiral staircase—they're obviously in one of the towers—they find their beds at last: five four-posters hung with deep red, velvet curtains. Their trunks have already been brought up.

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"Oh, wow."

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The other girls—Parvati Patil, Lavender Brown, Fay Dunbar, Kellah Bimm, and Alice Tolipan—pull on their pyjamas and fall into bed, exhausted.

"I can't believe we're finally here," sighs Lavender.

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"It's kind of amazing," Dorea agrees.

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"But we have class tomorrow so let's sleep, okay?" Alice calls between yawns. "Good night!"

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"Goodnight."

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—she's wearing Professor Quirrell's turban, which keeps talking to her, telling her she must transfer to Slytherin at once, because it's her destiny. It gets heavier and heavier, and tightens painfully—and there's Malfoy, laughing at her as she struggles with it—then Malfoy turns into the hook-nosed teacher who'd been talking to Quirrel earlier, Snape, whose laugh becomes high and cold—there's a burst of green light—

—Dorea wakes up at four AM, drenched in sweat and shaking.

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--Well that was strange and unpleasant. She tries to go back to sleep.