This appears to be some kind of vegetable field. Nothing but weird-looking tomatoes as far as the eye can see. Oh, nope, over there, there's a farmhouse. A weirdly tall one? A six story... farmhouse. And some barn type buildings.
"The shuttle's free but the train's not. Are you telling me you're some kind of real live alien? Do you have magic or anything like that, I'm going to feel real dumb if I haul a bunch of government nonsense over here to deal with a real alien made of bones and you're just pretending too hard."
"I guess you could call me an alien. And I mean ... all Monsters have magic, we're made of it, but ... mine is fairly weak. Especially right now. The most I can really do is ... "
She demonstrates her magic by creating a small bone in her hand. It's white with a slight green tint and is about the size of her forearm, and is shaped vaguely like a femur.
The helicopter disgorges a few people with white and grey hair, in silvery uniforms; they assess the state of the tomatoes she walked through, and cut down the plants they conclude she may have brushed in her path to the house. They are followed by a woman with green hair and a man with blue hair.
They seem fine with her waiting quietly!
After they've killed all the tomato plants she might have touched, they reach where she's been sitting. The uniformed greys don't address her but form a perimeter around the area; the blue and green walk up to her. "I hear you already speak Tapap!" says the blue, smiling.
"Most Monsters have bullets - that's what that bone I showed you is called - that are somehow connected to them. Froggits' magic looks like flies, Woshuas' look like soap and bubbles, Vulkins' look like fire ... Not that you know what any of those are. And it doesn't always follow. So probably because I'm a skeleton? But I'm not sure."
"Oh! Um ... That's somewhat complicated because I wasn't ... born? That seems like the best word ... like most Monsters. I was created in a lab. The person who donated the physical material to do this was a skeleton, so that's what I am, too. For bullets ... They can be used either defensively or offensively - hence the name 'bullet' - but most Monsters don't use them that way. Instead they're mostly used as a form of self-expression. Some Monsters work hard to make beautiful and complex patterns of bullets, for example."
"Sort of! It's a bit more interactive than that. Bullets are fused with a Monster's intent - if a Monster wants to hurt you, they can make their bullets hit harder. But it works the other way, too! If a Monster means no harm, they can make their bullets be relatively painless to touch - some do no harm at all. A lot of times the patterns are meant to be dodged, not just observed. The complexity is often dictated by who is receiving the pattern. Someone who knows your skills and abilities well might send an intricate, complex pattern that pushes the limits of your skills - observation, reaction time, that sort of thing. They'll use a lot of different techniques or add different colors of magic to the pattern, which have to be interacted with differently than just dodging. Someone who barely knows you may only send something simple."
"I can try ... but to be honest I'm not actually very good at magic. My mana well is small, so I don't have much to work with." She looks away, obviously embarrassed and ashamed by this. "I also have a disorder that means my mana is further restrained ... it's ... well, like a lot of things involving me, it's complicated." She sighs and looks up with a strained smile. "If we can figure out how I got here and can replicate it ... I know someone who would love to show you his bullet patterns."
"I know the Royal Labs - which is where I grew up and is where I was before I showed up here - had a machine that was being worked on. It was supposed to break the Barrier, but it looked like it might have been doing something with combining or connecting different parts of the multiverse? I don't understand it much, myself.
"And because I know you'll ask: The Barrier is the result of a sealing spell that has trapped monsters under Mount Ebott for centuries ... possibly millenia? I'm not entirely sure how long it's been. There are only a handful of monsters still alive from back then, but one of them - our king, Asgore - is essentially immortal, and the others are all from long-lived bloodlines. The most we really understand about it is that things can enter but can't leave unless they have the soul of both a boss monster - basically an exceptionally powerful monster, like the king - and the soul of a human. Or power equal to that. To break it we need the magical equivalent of seven human souls."
"Humans ... they look kinda like you. They're a sentient species that lives on the Surface of my world. A long time ago they waged war against us. We lost. Now most of what we know of them comes from things that fall into the Underground. Old magazines and books, stuff like that.
"Souls are a sort of metaphysical organ, and are the culmination of our beings. It's where my magic comes from, although I don't fully understand how that works. As far as I know, all sentient beings have a soul. If you think it would be helpful, once we're in a more ... secure place, I can manifest mine as long as no one touches it. Human souls are shaped like this," she draws a cartoon heart shape in the air with her fingers, "and monster souls are inverted from that. Most monster souls are white or have very pale coloring, while human souls have a very strong color.
"And finally, when two monsters want to have a child they'll soulbond or mate, combining their souls together to bud off a souling that gestates in one of their parents until birth."
Hel shakes her head.
"It's pretty well known, at least in the Underground. It was fought over magic and souls. When monsters die our souls disappears almost immediately, but human souls remain stable outside their body. Monsters, being mostly magic, can absorb human souls and use their power. Humans were afraid of us because of this. As far as I'm aware, this has only ever happened once, long after the war, in a tragedy that claimed the lives of the king and queen's son and adopted human child. But humans were afraid of the very possibility of monsters gaining power this way, and they attacked us."
"We use magic for all sorts of things! Monsters who can will often use fire magic to cook, and some monsters can use their magic to heal. Woshuas like to use their magic to clean things, and Vegetoids use theirs to produce food. The Royal Guard uses magic to keep the peace and uphold justice. I know some monsters use gravity magic to do help with things like construction. Most of our food is magic, and our energy grid is partially fueled by magic. It's a lot of little day-to-day things."
"Could be! We still have a lot of problems. Plant monsters like Vegetoids don't do great without sunlight, and the Underground doesn't have any. We're pretty space-restricted because of the Barrier. And Hope - which is as necessary for monsters as air, it fuels our souls - is dwindling, which means a lot of people have fallen down.
"But magic does make a lot of things easier."
"That's a good way of describing it, honestly. I've heard that humans have expressions like 'dying of a broken heart'. I don't know if that's something here or not, but where for humans it seems largely metaphorical, for monsters it's a real thing."
She takes a deep breath before continuing. "Losing hope is extremely dangerous. We have a general scale for 'hope' - which we shorten to 'HP' a lot of the time. My HP is 20, which is low. The other two skeletons I know have HPs of 680 and 1. The captain of the Royal Guard's HP is somewhere around 1500, I think. There's a big range. As a general rule, though, the higher the number, the stronger and healthier you are."
"We're going to Shapto. Of course we want to know more about you, but we can make lots of progress on that just by asking questions, and you should feel free to ask us about anything you want to know, too. We'll land in about five more minutes and then we'll take a car to a house we've set aside for you, but we can reshuffle the living arrangements pretty much however you'd like, the procurers of the house haven't had a chance to be apprised of anything magic bone people need."
"I've never had a big selection choice, so I'll read just about anything? But I like stories more than textbooks.
"As for technology ... Um, actually ... let me see if I can show you my cellphone." Hel quietly stares straight ahead for a moment before a blocky flip-phone appears in her hand. She flips it open and checks something before offering it to Papenna. "I hadn't even though to try checking my inventory before, glad to see I still can, even if I don't have service here. Anyway, this is my cellphone! It's an older version that can only do calls and messaging. Newer versions can connect to the Undernet and dimension boxes.
"I think my inventory counts more as magic than technology. It's a sort of ... dimensional pocket that I can access to hold things to pull out later. Most monsters use it like I do - in place of a backpack or bag, or instead of pockets or wallets. Dimension boxes are a technological version of the same idea.
"We don't really have vehicles like this, but cars and planes exist on the Surface. Our only method of transportation beyond walking is a ferry that connects the Underground. And some elevators and air vents in Hotland. Although I don't think anyone actually likes the vents? They're really annoying, actually.
"Our biggest feat of engineering is probably the Core. Which is a technomagical generator that uses geothermal and ambient magical energy to power the Underground. It doesn't supply everywhere - there are parts of Waterfall that don't have power, for example - but it covers probably 80%?
"Our media is largely television and radio, with the biggest star - really, our only star - being Mettaton, who's a robot with an artificial soul. He was created by our Royal Scientist, Alphys.
"I think that hits the biggest things ... "
She seems calmer as the helicopter settles on solid ground again.
"Wow, an inventory just like an RPG character, that sounds so convenient," says Papenna, unbuckling herself when the helicopter stops. She peers at the cellphone. "Looks like a precursor to a pocket everything, more or less. We have TV here too, and radio, though the sound quality on conventional radio is such that most people prefer digital options these days for their audio content."
Hel nods as she unbuckles as well. "We don't use radio much at all, honestly. The King doesn't do many broadcasts, and MTT - Mettaton - prefers visual media, so radio is fairly obsolete. I know some monsters still use it, but most get their media through the TV, which is a wired connection. "
She follows Papenna and Kato out of the helicopter.
"Yeah, it was. I don't know who exactly invented it, and computers themselves were sort of reverse-engineered from what fell into the Underground from the surface, but the Undernet itself was made by monsters. My best guess is it was made by the spiders. There are two large colonies that are separated by most of the Underground, but are still closely related to one another. Before the Undernet, they had a lot of trouble communicating with each other.
"There are also a lot of monsters who can't communicate with words, and some who also can't communicate with Hands, so having another way to talk was useful. It also it gave some of the more reclusive monsters ways to connect to the larger Underground as well.
"Mostly monsters use the Undernet to post little thoughts or status updates throughout the day. Opinions on Mettaton's shows, complaints about opinions on Mettaton's shows, that sort of thing."
"A little bit of everything. I Fell In Love WIth A Killer Robot is a romantic comedy, The Killer Robot Who Loved Me is a psychological thriller. Cooking With a Killer Robot is a cooking show. He has a game show that mostly revolves around explosions called Find the Bomb ... He's the main source of news - MTT Nightly News - but since little ever happens in the Underground most of the news is just him aggrandizing himself, usually promoting his newest thing. Basically, if it has explosions, chainsaws, and Mettaton, he does it."
"He's supposed to kill humans who fall into the Underground, by order of King Asgore. As far as I know Mettaton hasn't actually killed anyone yet. He oly seems passingly interested in it.
"And I'm not sure what you would classify him as. He's a robot with an artificial monster soul, or at least that's what Alphys says."
"...why did the king order him to kill humans who fall into the Underground?" asks Kato.
"Would he still - work - if he didn't have the soul?" asks Papenna. "Or is it just that souls can make things that wouldn't normally act alive, like bones and metal, behave like they're alive, and if he didn't have his he'd just be a sculpture?"
"I don't think he'd work if he didn't have a soul, but you'd have to ask Alphys for specifics. She's been pretty tight lipped about how she created Mettaton. Some monsters think she's hiding something about it. I don't know if he'd be a sculpture. I know without my soul I would just be dust - which is what all monsters become when we die," Hel says to Papenna. When she turns to answer Kato she looks sad.
"It was after his son and adopted human child died. The story I was told is that the human became ill and died after living in the Underground for a while. Asriel - the prince - took their soul and crossed the Barrier with their body. I think they meant to find the other six souls and free monsterkind. But when Asriel returned to the Underground he had been attacked by humans and was fatally wounded. He died and dusted in the throne room, just inside the Barrier. After that, Asgore proclaimed war against the humans, and said that the life of any human to fall into the Underground was forfeit."
"I don't know what his plan was. From what people say, he was a gentle soul. He was the one who found his sibling after they entered the Underground, and took them to his parents for help. At the same time, all I can think of is he planned to kill six humans and take their souls. Maybe he hoped he could find violent or cruel humans?"
"None of the stories talk about the monster having to die to break the Barrier, just that it required the power of seven human souls. My assumption is his plan was to get the souls and absorb them and then throw magic at the Barrier until it broke. That's what I would have done. He was a child, so I don't know if he had a plan at all, but I don't think he planned on dying."
"Oh! Yeah, we use years. Our years are 365 days - with an extra day every 4 years, although more important to us are solstices and equinoxes. Monsters can feel things like the rising of the sun and length of days, due to how the ambient mana reacts. It's sort of like how the moon controls the tide."
"The house is a little out of the way, because we needed one where you'd be able to get from the car to the house without being seen, you'd attract a lot of stares if we put you in a rowhouse downtown. It should be another..." Kato looks at his pocket everything. "Seven to ten minutes."
It's a three story house, shadowed by a few big old trees, accompanied by more younger trees, and encircled by a privacy fence overgrown with various ivy and climbing flora. Helvetica has no fingers on the pulse of Amentan architectural movements, and it's in good repair, so it would be hard to guess the place's age, though the tree closest to the house has had a lot of time to recover from the prunings that kept it from growing straight through the attic. The car pulls up in front of the veranda and the doors pop open for them.
"I hope you find it comfortable - and not too empty, in the past I think this particular house has mostly been used for entire diplomatic parties, but it's suitable for this occasion because it's nice and private," says Kato, tapping his everything on the front door to make it unlock. "If you wind up finding it lonesome I'm sure no small number of scientists would be happy to stay the night in one of the rooms you don't pick for yourself, but no obligation, that's just what I think of first if I imagine what I'd need to want to sleep here. The kitchen should be stocked already..." He turns right to hit the kitchen, which proves to have various foods in it when he checks cabinets and the fridge.
She looks through the cabinets over his shoulder, getting an idea of what kind of food is available.
"I'm sure I'll be comfortable - I'm used to a lot ... less than this. Like, a lot less. It would be nice to have other people around. I can deal with it but I don't really like being alone."
"I'll stay if you want!" volunteers Papenna. "I'm mostly a linguist but I can do generalist green-ing."
The cabinets contain pickled vegetables that are hard to identify specifically, pasta, rice, flour, beans, cooking oil, spice mixes with names like "Southeastern Fryup" and "Fish Breakfast", peanut butter though the picture of a peanut on the label isn't quite right, bottled juices, condiments like ketchup and chutney, a couple kinds of crackers, something called Seed Snacks in Garlic Amazement Flavor, and canned not-quite-pineapple and canned some-kind-of-pepper-in-molasses-sauce. The fridge has cherries, except that they're green, and a stack of vacuum-sealed steaks of various kinds, and a quart of milk and a box of eggs and a few microwaveable complete meals of various sorts and butter and a plastic bowl of ready-to-mix salad greens.
Kato reveals the trashcan by kicking a cupboard which slides out to reveal the existence of a trash bin.
"Oh, I guess we haven't explained castes yet!" says Papenna. "Amentans have a few different castes, and you'll be able to tell who's who by the - oh, do you have full color vision, like do all the parts of a rainbow look distinct to you -"
"Yup, grey is the caste for security and military and athletics. You might have seen the purple who drove us here, most Amentans are purple, they also do farming and construction and manufacturing of various sorts. You're less likely to run into oranges - doctors, nurses, teachers - or yellows - programming, clerical work."
"Okay, that seems easy enough to remember. Grey is security and athletics, purple is labor, blue is government, green is academia and art, yellow is clerical, and orange is doctors and teachers." She lists them off on her fingers as she talks. "Is there no red? And they're inherited, right? It's not like you choose a job and then spend your life dying your hair? What happens if a yellow wants to be an actor? Or does that just ... not happen somehow?"
"There is red but they're rare and you won't meet any," says Papenna, waving a hand. "And they're inherited, though some people do have throwback colors or mixed ancestry and those need dye. Nothing's stopping a yellow from doing amateur theater, it's just the professionals who are greens."
They make it a little hard to sleep, but Hel is able to doze until it grows quiet. Then she's able to fall fully asleep.
Her dreams are fairly unpleasant, and she wakes with a gasp, covered in sweat, sometime in the early morning.
She decides to find a bathroom so she can shower, even if she's just going to put on the same clothes afterwards.
She can get it to turn on if she tries pressing all the buttons. Getting it to play anything in particular is more difficult, but if she will be satisfied with the first random guess the device makes, a miniseries about superheroes rescuing stray boats and spaceships and lost kids and hikers and would-be victims of crimes and fires, it will play without further ado.
She likes superheroes and stories of people being and getting rescued. She'll watch that while she washes off in the shower.
When she feels clean and is drying off she wonders if it's too early to bother Papenna about maybe getting some different clothes. Hers need to be washed.
She gets dressed and leaves the room to see if anyone else is awake.
Papenna is in the kitchen, describing in weirdly exacting detail how she likes her toast to a purple. "- Good morning, Helvetica!" she says. "Oh, I knew I should have told you last night, I just didn't want to overwhelm you - you were tromping through a tomato farm in those, we got you a few more outfits, though we're guessing at style and fit -" She pulls a parcel across the kitchen table to hand it to Helvetica.
It has some things that are as similar in cut as possible to what she's been wearing as was feasible in a completely different clothing market, with some extra room in case the proportions turn out to be weird in some way they haven't had a chance to see since she's been fully clothed whenever anyone was looking at her, and drawstrings in case it's too much extra room. "If you don't like these we can get you measured and you can look for things online, of course. There's a laundry chute in your room somewhere, probably next to the bed."
"Thank you so much!" She's pleased to see more sweaters similar to the one she's wearing - although in much better condition - and pants that will fit fine. She removes anything that's striped. "I won't wear these." Then she picks up the remaining parcel and says, "I'll go try these on, make sure they fit. And I can do my own laundry, I don't want to cause trouble for anyone."
"We want to know absolutely everything, especially about magic, especially-especially if we could figure out how to travel between worlds, but we know you weren't prepped for this! It's okay to take your time and collect your thoughts and not worry about being valuable less than a day after you appeared. Housing you and getting you stuff like clothes and food would be overwhelmingly worth it for the government even if you were a stripe-clad child and couldn't talk yet and wouldn't remember anything by the time you learned."
There's a stack of five novels and a short story collection and each has a sticky-note on it with a brief overview. Her options are:
Kalun: An Imperial Tragedy ("historical novel, set in neighboring country Anitam, incredibly sad")
Mine, Ours ("classic orange romance")
The Dynasty of Sah ("high fantasy adventure, has seven sequels if you like it")
The Moons Your Eyes ("lowbrow sci-fi drama, lots of wish fulfillment")
How To Say Hello in Oahkar ("immigration experience story meets thriller")
Essential Works of Modern Tapai Short Fiction
Sah is a fantasy realm with fractal geography; the main character enters at a point where things of objective sizes like atoms are the same as in the world of ordinary physics, but can go along magical paths to larger and smaller areas, growing and shrinking accordingly, forever in both directions along any of the relevant spurs of the fractal in question. It's inhabited by Amentans who settled the place some thousand years ago and have developed differently since then - there's details on the alternate caste system and political structures, descriptions of cuisine based on what grows well in Sah and architecture oriented to the weather in Sah, and so on. The real estate is, naturally, infinite. The plot concerns the first kingdom she meets trying to break free of the yoke of a power center, and the protagonist (purple) helps with war fortifications, though she never touches a weapon, and gets into a love triangle. Because of the locally relevant caste system she is then able to be granted an in to the ruling family of her kingdom - a peripheral branch wherein she is a gentry plantation-lord in service to their rulership, but the love triangle option she selects means her kids will have an in to be at the top - and has an epilogue wherein she is blessed with six such kids.
"I do general high-clearance domestic maintenance stuff! I clean and handle laundry, stock up household items, and basic repairs and gardening and things like that. When your shopper drops things off I'll be getting them all out of their packaging and making sure they're what they're supposed to be, that sort of thing."