The worst part is that there's no voice in her head telling her to do it.
Lynia leans closer, and shuffles across the bedsheets. Wraps her slender arms around Eve's neck, and rests her forehead on Eve's.
"You'd better not be lying to me, Eve," she says, in a soft voice with just the smallest hint of teasing. She is always like this. No matter how cruel the circumstances.
Lynia takes a deep breath, and prepares to say the words. She knows them well, because she's said them a thousand times before, since the day she and Teresa found Eve huddled in the corner of an alley. She will say them again. As many times as it takes to make Eve understand them.
"They're wrong. They say that because the sxelanth took your mother, you can't be trusted. But they're wrong. You're not tainted. You're not evil. You're not dangerous. You're not any less human than anyone else."
She won't last much longer. It's been years, keeping herself bottled up inside her skin, but it gets more difficult with every day. The pressure builds inside her. Maturation. Probably. It's not like anybody really knows how sxelanthe work. So far as Eve knows, she's the first time this has happened.
Because there would be a next time. She's held it off this long with a bright line like a flaming torch. If that line gets broken, even once --
God, she doesn't even know for sure what it feels like. If she had that memory inside her, if she knew how happy it made her...
All resistance would crumble.
Lynia is still holding her, and kissing her, and petting her. Eve is crying, but she doesn't appear to have noticed. It must be something terrible this time.
It...it almost feels like she's been getting worse, lately. But that can't be. They saved Eve from that awful place, years ago, and now she's recovering. Because Lynia and Teresa love her, and she loves them.
Well, if she is getting worse, then Lynia will just have to make sure it stops.
There is a very simple reason why Eve won't hurt Lynia, even though she loves her. It's true that the wounds would heal, that the cuts would close. And she is very, very brave. But --
She thinks of the way Lynia's body seizes up when there's a spider, or a beetle. The way she sat in her room and hugged herself that one week after a classmate slapped her, until Teresa coaxed her out. The way she held Eve, a month after she and Teresa had saved her from the orphanage, when she'd finally realized just how Eve had been treated -- and cried, and cried, and cried...
Brave. But not strong.
She places a hand on Lynia's head and forces her down, so that she is snuggled up beneath Eve's chin. They have hugged like this before, when Lynia has been vulnerable, but Eve has never felt so desperate about it before.
Eve can't end her life. She realizes that now. That would annihilate Lynia just as surely as the hurting.
No way through. Tear Lynia to shreds with blades, or tear her to shreds with death and failure. Those are the options.
Teresa sits within a crystal womb.
The light of the data-harvest shines in from all around, multicolored, refracting, comprehensible only to her refined eyes. And each of her ten slender fingers is a sharp-winged drone out upon the battlefield. Their eyes are her eyes, and she watches as they dart in against the enemy, their brane-scythes flashing, adjusting their paths just so with every twitch of her fingers to keep ahead of the sxelanth tendrils --
She kills, and kills, and kills. As many as possible. As quickly as possible. They will never stop coming.
The sound of a bell.
Her shift is over. It has been six hours. The drones disconnect: the data-harvest going dark, the lasers that track the gems upon her fingers cutting out. Her flock will be transferred to the next pilot.
She rises to her feet within the dark crystal chamber. She is exhausted. She does not let this slow her movements.
The door slides open on her approach, and outside, the guard (in his glittering armor, long gun by his side) salutes her.
Her heart is pounding. As usual, it does not quite feel real that the killing is done for now. How many times during this last shift did she nearly err? A single mistake, and the enemy could get close enough --
No, she knows that there is no way to defend a city but unbroken vigilance. She doesn't need to remind herself.
She does not let it show on her face. Any of it. Her posture is strict and elegant, and her cheeks do not flush. She only gives a soft, serene smile to her guard, and nods.
Then she is down the lift from the top of the tower, and out upon the street. Home, next. To Lynia, and Eve.
The streets wind between corkscrew spires and gleaming domes, all glass and crystal. It is a wealthy part of the city, here toward the center, so the jewels upon Teresa's fingers and the diamond on its silver chain about her neck and the strings of pearls around her wrists draw only admiration and envy, not anything darker. She does not really like wearing all this jewelry, but there is nothing to be done. As far as technicalities go, it is only the control gems on her fingers which are really crucial, but the others are symbols of her station and her status. And she must never, ever allow appearances to slip.
She reaches her home easily. It is tall and elegant, and bears three towers, one for each of them, because she bought it years ago with the first of her generous pay, and she had not realized then how closely she and Lynia and Eve would depend upon each other. How rarely they would sleep apart.
The door knows her, so it slides open, and she enters.
"Lynia, why are you doing strenuous things? I told you not to be on your feet without supervision."
What if she'd grown faint, and fallen, and struck her head? Then --
There is panic at that thought. Teresa does not allow it to surface.
It's true that Lynia's illness has grown better. But that is not excuse enough.
"She didn't say." Lynia looks down, and fidgets uncomfortably. It's only an impression, and she doesn't want to assume, and she doesn't want to violate Eve's privacy in case her assumption is correct, and she doesn't want to make it sound like it's Teresa's fault, but --
Concealing things from Teresa isn't going to work anyway.
"I...think she's feeling bad. I mean, you -- you know how hard it is for her."
But Teresa would not say anything harsh to Lynia. Not unless it was purely to protect her. She loves Eve dearly, but her sister is another matter.
"Perhaps," she says. "Well, I am going to go and find her." She tilts her head. "Apologize, maybe. But you will be staying here, and you will not be putting away any dishes, or doing anything else that will get you hurt. I'll release you once I'm home again."
This is a poor place, but it was rich once, long ago. Before spire-salt. The streets are of cobblestone, and the buildings are tall and gaunt and vaulted, built of wood and granite: the beams shrunken by the years and pulled taut against the bricks, as if the flesh of the houses has shriveled upon the bone.
She is wrapped in the darkness, pressed against a building's face, nestled behind an outcrop. Concealed perfectly. It comes naturally to her. Not that there is much necessity: to her prey's human eyes, beyond the faint pools of light cast by the rows of streetlights it would all be blackness.
There is one now.
A woman, no older than Eve herself, emerging from a cheap establishment across the street. With short black hair, and a crimson dress. It is not well-made, but it is meant to look alluring. The woman passes through the light, laughing as she waves to someone inside, and Eve sees the paleness of the skin exposed by the cut of her dress. She is young, and beautiful, and she would hurt very, very prettily.
She sighs, and shivers, and wraps her arms around herself in the darkness. There is writhing beneath her skin. Impatient. Dissatisfied. A stranger will not be enough. Eve knows this. She always knew this. She came here to discover it anyway, because -- because what choice has she but to struggle?
The spore that took root in her mother's growing womb, when the sxelanthe struck and the woman, slowed by pregnancy, was not quick enough to escape untouched. The way it floated there, unseen, unknown, beside Eve's half-formed body, basking in the nutrients meant for the human child --
The way it grew, until it was not a spore but a worm. A twisting alien thing, hidden away in the amniotic sac. The way it set upon the fetus, choked it like a misplaced umbilical cord -- drilled a hole through her skull and wormed its way inside --
And ate every last scrap of her brain.
She arrives at the bar three minutes early. It is not far from where she made to hunt, and so it is one of those old corpse-buildings upon the cobble street. She goes inside and finds a seat. The lights within are dim, and the few people present are dimmer: sunk into their drinks and their thoughts. It suits Eve well. She does not like to be seen or listened to. That is probably why Teresa chose this place.
She arrives precisely on time, wrapped up in her silks and her gemstones, and the door seems to brighten at her presence. This run-down establishment is no place for a high noble, and it is no place where one would display valuables: but Teresa has no fear. She is a pilot. Upon the skill of her jeweled fingers rest all the hopes of all the people the city wide. None will lay a hand on her.
She makes for Eve like a falling icicle.
Oh.
There is no shock. There is no panic. There is sadness, but -- was it ever really gone?
So it is over, then. It is only natural. She always knew it would end -- that even these sisters she loves could only tolerate her tainted presence for a time --
Will she be allowed to say goodbye to Lynia?
She thinks of how dangerous she is to that girl, and how Teresa probably knows, and how no one sane would ever let Eve close to a loved one --
Now there is panic.
"She thinks that you are well. That she has made you safe and happy. She trusts in it. She trusts in the justice of the world, when no such thing exists. I have known for a very long time that she is wrong, because I can see you hurting. But she must not be allowed to discover it. Lynia's failure... She must not be made impure by it."
She looks straight at Eve. Teresa's eyes are dry, but her jewels glitter like tears.
She is...bad at this.
"You misunderstand," she says. "It's not that I want you to leave. I care for you. I always have. It will sadden me, too, when you depart. It's just..."
Her heart is beating swiftly. She must not show it. Control, always.
"You understand, don't you, Eve? For Lynia, I would do..."
She looks at Teresa. There are no tears, but there is pain. She can detect it, just barely. She has seen this expression before. When Lynia was hurting, or upset. When such pressure was placed on Teresa's heart that even her diamond shell could not but begin to crack.
Teresa is actually telling the truth. This is crushing her. To send Eve away, to never see her again: to make Lynia's dreams a failure. And she is doing it anyway.
To protect Lynia.
And now --
Now she is alone, and unarmed, beneath the monstrous eyes of a nightmare.
It hits her. What she just did. What's going to happen now.
She has fought, many, many times. She has killed. But never before has her person been directly under threat.
And so it is new to her: the way her heart leaps to her throat; the way the dread gives way so swiftly to panic, and the panic grips every muscle in her body. Eve let go her hands to throw away the branescythe, and so she turns and runs as if she has never run before, down the alley, along the cobblestones --
How could she have done something so stupid? She should never have -- she doesn't want --
Eve lowers herself, straddling Teresa's slender body, resting her arms upon coiled tendrils. Her growing wings are behind her, tasting the cool night air. She feels...
How can she even describe this? It is like freedom, or like joy. Is it the sxelanth's, or hers? No: they are one and the same.
And Teresa is so very, very beautiful.
She grins a grin full of snakes, and then her skin splits open.
All down her arms and legs -- crisscrossing her belly, marring her cheeks. The flesh comes apart and tentacles spill out, thick and glistening, impossibly long. The shreds of her clothing drift away, and she twists her body and shudders and moans.
They are all around her. Tentacles, covering the ground, brushing her skin, wet and heavy --
She is terrified. More frightened now than when the sxelanthe breached the city, when the accident killed Father, when Lynia was ill --
Breath fills her lungs, and she parts her lips to scream.
Eve inhales and exhales, and now there is oxygen in Teresa's lungs, pumped there by Eve's sinuous tongue.
"We can't have you screaming, now," she says, and the words come not from her head but from the many mouths that have suddenly appeared along the sides of her torso. "Not when someone might hear."
She whimpers and struggles and tries her best, without even thinking, to escape, but the great mass of writhing tentacles which used to be Eve -- which still wears scraps of Eve's naked flesh upon its surface, her face upon its head -- is wrapped around her knees, her wrists, gluing her to the stone.
She shakes her head violently from side to side, and Eve's tongue squirms in her throat.
Eve's wings are growing, still, wrapping around the two of them, cocooning. She reaches down with slender tendrils, gently, lovingly: and begins to tear Teresa's clothing from her body. Fine silk sliced in two and pulled aside, strings of pearls and gemstones casually snapped, their components rolling free onto the street.
So very pretty. Eve always loved the way Teresa looked, always admired that untouchable beauty of hers: always wondered, deep down, what she would look like with her shining chrysalis removed.
Now she knows.
She caresses Teresa's cheek with a tendril's tip.
"Don't worry," she whispers with her other mouths, while still she breathes life into Teresa's helpless lungs. "Don't worry, Teresa. I'll hurt you however I like. I'll keep hurting you until I'm satisfied. No matter what you say or how you beg, I won't stop. I promise."
And it will feel so very sublime. Her whole body is humming: and how much more of it there is now! Already she can taste the sweet panic in the delicate sweat on Teresa's skin, a subtle foretaste of pain.
Those tentacles. How could they have sliced away her clothing? Are there claws, hidden away upon their shining black surfaces? Blades? And now -- now her coverings are gone, her jewels, all her modesty and the symbols of her station --
To agree to this, that split-second sacrifice: she knows deep in her soul that it was the worst mistake of her life. She wants to scream again. How desperately she wants it. But she can't. She can't do anything.
There are tears in her eyes.
Tears like shining jewels.
So close -- so close. All the hunger, all the longing: it will be sated soon. Her tendrils run up and down Teresa's delicate body, and she feels the skin shudder beneath her touch. But not yet. Not yet. She has waited so very long. She wants it to be perfect.
She wants to hear Teresa's lovely screams.
There.
She withdraws her tongue. All its length, up out of Teresa's throat -- but she cannot bear to wait any longer. Just a taste. She lets the spikes hidden beneath the surface of her tongue extend just slightly, scoring Teresa's throat and mouth. A -- a little sign of affection.
And the feeling is --
Were she human, she might have fainted. She is not. It is only pleasure and sweet lucidity that fills her. Her first taste of blood. Her first taste of pain. A sparkling little fragment of the heaven that has always been her birthright.
She is aware, suddenly, of the vast mountain of need that underpins her whole being, suppressed since long before she had a word for it. She gasps. Was it really only that mountain's tip, peeking above the clouds, which drove her all this time? All this hunger --
Oh. She is going to take so much from her beloved Teresa.
She is coughing. That horrible mass is gone from her throat, but -- she could feel the spikes. Had Eve jabbed them deeper, it would surely have killed her. The cuts sting, all down her throat, and as air returns to her she twists her head against the pain and hisses. Her heart hammers like a hummingbird's. The pain would not be too bad, except she can feel the tentacles on her breasts, her arms, her thighs, and she knows -- she knows --
The pain of her lacerated throat is only the very beginning. There is so much worse in store for her.
She chose this. She remembers that, and the tears flow hot and bitter. Why? She cannot quite recall. Why?
There was a reason. Some glorious cause, glittering out there in the night. The one for whom she fights and suffers. The reason she cannot ever lose control. But the purity of control is gone from her now. Already she is defiled, weeping before the enemy's cruelty. But she -- she will not give up. Her head swims, but clarity returns. No. She will never give up. Not for a second in all the sun's life will she ever betray --
-- Lynia.
Eve smiles a smile. It is warm and genuine and full of snakes.
This: this is why she loves Teresa so dearly. That crystal-clean determination. How could Eve have failed to see it? How could she have spent so many years believing that it was only she who struggled?
It's been incredibly difficult for Teresa, too, to do what's best for Lynia. And Eve absolutely will not let her down.
She feels the soft, vulnerable skin beneath her many arms, just waiting to be sliced and torn and hurt, and she feels a hint of moisture in her human eyes. So many long years of choking the darkness inside her, and now she's finally going to indulge it. Indulge herself. There's no stopping it now. It's far too late, even if she wanted to. The sxelanth is hungry.
And it's okay. It's actually going to be okay. Because it's Teresa, and Teresa agreed to this, and you don't argue with Teresa. Because it's the only way, and she's strong.
And she won't break.
She doesn't feel the pain right away.
It's like... It's like her flesh is marshmallow, or tissue paper. The sort of thing that gives before the slightest pressure, and now the monster's suckers, as hard and sharp as steel, are shredding her. She's -- she's worried more than hurt. A layer of faint concern, floating atop all the terror. Because there are so -- so many of them, and they're cutting all her skin, and --
It hits.
Breath fills her lungs, but it passes through her scratched throat and emerges as a mangled gasp. It hurts. It hurts. Never before has she felt so terribly embodied -- so present in her skin -- so painfully aware of every inch of herself, from the insides of her elbows to the small of her back --
She squirms, and there is no escape. She gasps until her lungs run dry.
Eve breathes in.
She can feel it. Teresa is hurting, for her. And she can feel it.
It's wonderful.
She holds Teresa tighter -- the thin razor's blades in circles about her cups digging deep, the suckers kissing the skin trapped inside -- and shivers above her, and lets out a long, low moan while Teresa suffers. Eve is blushing, she thinks. She could turn her cheeks to twisting horrors and hide it. She does not.
Eve closes her eyes and catches her breath. She is faint with euphoria. Teresa's agony seeps in through her tentacles, and she savors it: the subtleties, the taste of it. The pain Teresa feels because of her is not dull like a bruise, nor rough like a scrape. It is piercing and acute and unbearable. It is like ten thousand stinging paper-cuts criss-crossing the canvas of her flesh.
She hopes that Teresa has lucidity enough to appreciate the intricacies of her suffering.
Teresa is not appreciating much of anything.
But she feels it. She can't do anything but feel it. Her cheeks are flushed like Eve's, and her eyes are full of tears, and her muscles are exhausted but still she struggles fruitlessly.
She can't endure any more of this. Not one second. She thought she could take it but she was wrong. How much longer can it possibly go on?
She can feel it. She can feel the strong tendrils wrapping her foot, the sharp edges not yet cutting the delicate skin of the sole, and somehow it is as acute a feeling as all the knives cutting her. She -- she would have thought that she would be afraid for her face, her armpits, her nipples, her cunt. The weak points.
But the truth is that she is made entirely of weak points. Every inch of her soft and pliant body is a vulnerability. Eve can hurt everything.
And Eve feels a bit of that thought, just faintly, and smiles. "Don't worry," she says, still maintaining that iron grip on Teresa's breast, still digging her blades into her soft skin, still caressing the sole of her foot. "You won't lose consciousness. The secretions will keep you awake. So you can keep hurting for me, no matter what."
Why...
Why does that comfort her?
Because surely it can't get any worse than this. Right? If it's impossible for her to pass out, then she can only feel as much pain as she's able. And if it gets no worse than it is now... Maybe she can stand it, until Eve is finished. For Eve. For Lynia...
She's so pure, and innocent, isn't she? Even when she's gasping desperately, even when there are tears in her eyes, even while her body is being ruined. Not enough. Not yet. She's so beautiful, and Eve needs so desperately to find out just how much she can endure.
She brings the slender ends of a pair of finer tendrils up to wrap around the tips of Teresa's breasts, perversely hard. And squeezes, cutting like wire. And at Teresa's foot she begins to dig and gnaw, prying up her skin.
It's getting worse.
How can it be getting worse? How can it...
Eve had left parts of her alone, before, and she hadn't realized it but that was a sort of refuge. And now those parts are being tortured too. And it hurts, it hurts, it's not enough to think that but it hurts --
She twists, contorting, desperate to ease the pain for even a moment. It does nothing. There is only one thing left to her.
She screams.
It echoes within Eve's sealed wings, the exquisite sound of Teresa's suffering. The tone is so high and pure and sweet that Eve feels almost as if it ought to shatter the jewels that lie upon the stones.
She watches the beautiful shapes that Teresa's mouth makes, open wide, her head shaking, tears flying from her eyes.
Hmm. She liked the screams better. They were a fuller expression of her cherished victim's lovely voice. She can still feel all of Teresa's pain, of course, and it's still just as intense and wonderful, but...
What if she takes a tentacle and buries it firmly in Teresa's belly-button, and sucks and cuts at the tender skin there with all her might? What then?
Yes. Yes. That's it. She holds her grip for a long moment, drinking in the sounds. Eve's shuddering, her tentacles shaking, her eyes are half-lidded from the pleasure, and...
It's a little bit embarrassing, actually, to feel this good in front of Teresa. Odd, given everything, but somehow she's still self-conscious about it.
So she stops. Eases her hold on Teresa's sensitive body, withdraws her suckers and her blades. A little break for poor Teresa.
Eve caresses her, gently. Strokes the contours of her blood-streaked skin with a hundred tentacles.
A part of her is a little shocked at how guilty she doesn't feel. All those years of holding back, and now that she's torturing a woman who might as well be her sister, she can't muster even a little shame?
Well. That was why she had to hold back. She always knew it would feel too good, too fulfilling, for anything to stop her once she started.
Besides, Teresa agreed to this. It's what they need. It's the only way to save Lynia.
So there's nothing wrong with enjoying it. This lovely, exquisite, beautiful ruin that Eve has turned Teresa into.
"No," Teresa whispers. There is blood at the corner of her mouth. She doesn't know why. "Never."
Not like this... New, weak tears pool in her eyes.
She doesn't even consider lying, or refusing to answer. Because... Because she's terrified of what this creature will do to her. No, that's not it. It's because...she's laid bare. There aren't any secrets anymore. The sxelanth will take whatever it wants.
She's... She's not being hurt anymore. She looks, and feels, and realizes. The blades are gone. The tendril crushing her breast is gone. Eve's stopped --
Something awakens in her the instant the realization coheres, strong and overpowering. Desperate, pathetic hope: and the tatters of her dignity are nothing before it.
"Is it over?" she whimpers, and her voice cracks. "Are you done? Are..."
The tip of Eve's tongue lowers further, until it meets the lips of Teresa's fragile vulva. She savors a breath, and pushes her way inside.
She hasn't stopped caring for Teresa at all. No: the more she thinks of it, the more she loves the way she begged so pathetically. How she offered up her most precious love just to make it stop. The pain has pushed Teresa's heart to the breaking point and beyond, and now the glittering shards are Eve's to torture.
And if those few light touches upon her skin were enough to break her, how much sweeter will it feel to hurt her insides?
Teresa remains very, very still.
The fear helps with that, a little. Now that she knows there's no resisting. As if her body thinks that if she just hides well enough, the monster will leave her be...
The feeling of Eve's alien tongue penetrating her is intense and strange. Nothing's -- nothing's ever been inside her before, because of course it wouldn't do for a pilot to be sullied, so she lies there and presses her lips together and twitches faintly and trembles in fear as nerves that have never been used tell her of the progress Eve's thick, soft, muscular tongue is making.
Teresa shrieks.
It's sharp and sudden and it doesn't feel quite real, and, ignoring her desperate orders to stay still, her body jerks wildly in hopes of escape from the thing destroying her flesh -- but it's buried inside her, gripping her insides with its dozens of cold sharp needles. And now her skin is tearing free of the suckers attached to it, slicing itself apart.
She can barely even feel it, because the torture Eve is inflicting on her vagina is such a completely new kind of pain, and it's worse than everything that came before. Tears leak from her eyes. She can't even imagine what those needles must be doing to her insides -- cutting tissue, piercing organs. Will Eve destroy her womb? Has she already?
It's horrible. She can't think any other thoughts. The pain is horrible, and Eve is horrible, and Teresa wishes desperately that she was dead, or that they'd never found Eve, or never adopted her, or that she'd go and torture Lynia instead --
-- and there is nothing Teresa can do to accomplish any of that, nothing at all, because every last atom of power here in this alley belongs to Eve.
And Eve experiences it all, and it is incredible. She can feel the sparkling little bits of pain zipping up her tentacles and into her; she can sense the exquisite torment being visited upon all the many delicate nerve endings in Teresa's cunt, which were made to feel gentle pleasure but are so, so vulnerable to pain.
She moans. It is a decadent and guilty sound, but Teresa will not hear her over the sound of screaming. And -- and it's not embarrassing to feel good anymore, because Teresa is broken. All Eve's to play with. Like that tattered old teddy bear, its head swinging loose, that was clutched in Eve's arms when Teresa and Lynia first found her. The one somebody had tossed in the gutter for the beasts to find...
Why worry about what a thing like that will think?
But it doesn't matter, does it? Whether she deserves this punishment, or whether Eve is the essence of evil itself. She couldn't fight it either way. All those instincts of hers, sharpened by years of combat; all her planning and her worries -- none of it means anything, because what's going to happen is that she is going to suffer because Eve wants her to.
That's the world she's in, and there is nothing for her beyond.
The pain -- the intensity -- the crushing weight of it all --
It feels so different when she thinks of it like this. When -- when she knows that it's all for Lynia, and it's all for Eve, and that she can't fight it and she doesn't need to fight it and all she has to do is endure --
Then it is almost like there is nothing she must endure at all.
A vivid memory flickers through her mind. The first meal Lynia fed her, on the night they found her: that sensation of fullness in her belly, so unfamiliar and new, and the sudden absence of the gnawing hunger that had been her constant companion.
For the first time in her existence, Eve the sxelanth is sated.
Oh. Well, she doesn't really understand, but that's okay. And she sort of wishes that she could have been the one to help Eve, but that's okay too. Teresa likes to help people, even if she's not always good at it.
Anyway, Eve is... She's okay; Lynia can tell. She's really okay. Teresa too. And if Eve's okay, and Teresa's okay, then everything that matters is just fine.