Vernon is regretting directing his boss to buy this hunk of junk ostensibly known as a vehicle. Not very much, but a little. Mostly because she then made him drive it, and this is a finicky and temperamental beast that keeps listing to the left, but in amounts that change a bit on every single bump. They are driving through what is colloquially called 'the wasteland,' which is a desert about half as hospitable and twice as rocky as it sounds. He is having to adjust often. It's annoying. Not very, and honestly, having a functioning vehicle that is not potentially going to explode is a bit of a novelty for him, but enough that he will think fondly of that other vehicle boss-lady had been eyeing before he steered her this way. That sure would have been nice to drive. It would have been painting a gigantic target on their backs, but still. He can dream.
Is she pointing at the bodies strung up by the local gang as a warning to others....? She is. Damn it, city slicker. How little this woman has been outside her comfy little city walls and large scale, well organized and defended transportation? Don't answer that, he knows the answer already. He feels so very much like he's keeping a toddler from wandering off a cliff.
"That," he sighs, "is a warning to travelers not to cross the local gang, not a landmark. It'll probably be gone in a week, picked clean by worms and other scavengers, and they're a dime a dozen."
"What?" He doesn't usually look too closely at any 'warnings,' and besides, he's driving. And he didn't think anyone that ran in this area were a bunch of complete psychopaths. Leaving people alive means leaving witnesses, and occasionally there's something resembling law enforcement in this area.
"... Then it's a trap."
The trap is hanging upside down next to other people who are definitely way more dead than it is. It is shaped like a man with a shock of blond dyed hair atop a brown undercut, wearing large circular orange-tinted shades, a single golden earring on his left ear, and the most insane bright red hooded jacket. His left arm sparkles chrome in the sun, and he is indeed waving.
"Heeeeey! Over heeeeeeere!"
"Hmm, I don't think they were cannibals? Oh, oh, I remember now, they called themselves the 'Bad Lads Gang'. Or was it 'Badlands Gang'? One of those.
"Anyway, uh, suppose you could maybe help a guy out?" His arms are tied to his body by a tight length of rope but he sort of comically gestures at his feet with his head.
Out comes the redhead, who is wearing way too much white for a person wandering a desert to plausibly manage to keep clean.
“I haven’t heard of anything like that, uh, ever? Regeneration of a human body is absurdly complicated and requires a whole expensive med tech lab to pull off. That looks like it’s just a prosthetic, though… I haven’t seen anything of its kind before, that looks custom?”
“Holding open a gateway to the higher dimension plants derive their matter creation abilities from would take an absurd amount of power to sustain, not to mention that’s like, the worst thing to use that for, if we had access to it by means besides plants themselves we’d just make new plants like our dumb wasteful ancestors did…”
“…. Can you talk your friend into at least disseminating the specs for your arm, because while obviously the kind you’ve got is far too expensive for the casual consumer to ever afford, I really feel like having a better idea of how to integrate cybernetics with the human nervous system would be on net better for the world at large.”
"We'll give this back to you if your story ever starts making sense."
But, yes, this gun is getting taken from him. Why was it even left with him in the first place, actually? Just another question for their brightly wrapped mystery.
And then: their new friend can be lowered down from his perch (onto the long dried, too-large bloodstain), have his bindings retied to make sure he's not about to wiggle free, and then into the backseat he's (gently) dumped. It is nonetheless significantly more comfortable than hanging upside down in the hot sun.
The Julai Military Police is the branch of the Julai police that deals with external threats to public safety. They chase after criminals who have escaped and ensure only safe people are allowed in. So it sure is interesting when the little group, riding blue flightless bipedal birds the size of horses, signals for Vernon to stop as they catch up.
"Citizens," says the captain, a man wearing a cap and a cloth mask that covers his entire lower face and only leaves his begoggled eyes exposed. "We are looking for a dangerous criminal that we have reason to believe came this way." And he shows them a "Wanted" poster for someone called "Zash the Stampede", with a picture of... well, Z. And a bounty of $$6,000,000.
Wanted Poster

"Dangerous? What kind of danger? Another one of those madmen with explosives or carnivorous bug mutants or something...?" He obediently takes the paper to look at it like he's trying to interrogate it for the secrets of its danger. Ahuh. Yeah, that's what he expected. "We haven't seen anybody alive out here, but maybe if we're lucky he's with one of the dead guys the Bad Lads strung up back there. I mean, I guess not lucky for the bounty, but. Uh, thataway, if you want to check. Any idea which town he's likely to be heading to?"
"He's known as the Human Typhoon. He's killed lots of folks all over and he's running around destroying and stealing plants. He's a vicious criminal." The police captain shakes his head. "We've spread out along the paths to lots of towns but if he was going to Jeneora Rock you'd have seen him by now. Probably." He frowns. "What the fuck are the two of you doing here anyway?"
"On our way to Jeneora ourselves. I'm Vernon, this is my niece, Yvette Marlowe, from the big fancy city. Talked her parents into letting her have a look at the, auhm." He coughs, clears his throat, then leans closer to the masked man and lowers his voice. "... You know about the problems Jeneora's been having, yeah?"
"Right, of course. But I figure there's no reason not to get someone with some schooling to take a look at it. Before they front up the cash for someone qualified. Can I keep this? I can give it to the folks there for you, they could use the money if I ended up making this trip to show her what the real world's like and nothing else."
"No, no, absolutely not. Put that back, 'red state' is an artificial designation made by our dumb wasteful forefathers who liked to toss things away and get new ones instead of putting the work in to try and fix them, it does not literally mean it's dying, that's just the textbook answer. It means designated by the system to be a net loss to keep alive. That could happen for any number of reasons."
"I--I mean I would be happy to try, but it's very much like solving a puzzle when half of the puzzle is in another dimension and you can only make observations about it from careful observation of the history of the plant's treatment and reactions and how it responds to certain things. But. Sure?"
"Anyway, she's not supposed to be important enough to need a bodyguard. She's had several years of schooling and thinks that means she knows the whole entire world, but no tangible proof of any of it. If you're her husband then you can be just as dumb as she is, and want to protect her anyway."
"Right! Yes, of course. So you're already aware of the support system used to keep plants in suspended animation to prevent them from living out their usual quick burst, minutes long lifespan, and the careful balancing of nutrients they need but shouldn't make because if they started it'd start them on their self destructive spiral--"
What follows is a dizzyingly technical conversation about interrupting the aforementioned self destructive spiral by mapping out the likely end result the plants themselves want and heading it off by giving it to them early. Followed by a long, long aside about mapping out the destructive spiral paths (because of course, plants cannot be observed making these nutrients themselves, since this is all happening in a different dimension) and probabilities. She has graphs, would he like to see the graphs. Too late, the graphs are here, and they are in front of him. The data is neatly mapped from the past one hundred and fifty years of people of this planet being very motivated to keep their plants alive as long as possible. See, if you look at data from this set of (still blue state) plants, and this other set of (also still blue state) plants, and then also this data from plants that briefly flickered red state and then someone managed to flail at them back into blue state, the pattern is obvious if follow this algorithm and also account for the personal histories of the plants themselves and how they've been treated over their lifetimes....
...well, he was more asking about her motivations and stuff than the technical details but he supposes that "launches into an in-depth explanation of technical details revealing months maybe years of research" is pretty revealing of her personality, is it not?
Fortunately, the character he's playing here has already revealed he knows a little bit about plant engineering, so he can reveal that he can understand her explanations pretty well. And one of the times she mentions one of the "briefly flickered" plants he can't help himself and corrects her on one minor detail in her hypothesis about what was going on there, which... is showing his hand a bit, isn't it, but on the other hand she does seem legit and he's gonna be showing his hand even more when they get to this city's plants and he helps her save them.
She notices and immediately pounces on this. Congratulations, Zash the Stampede, you are now being interrogated by Yvette Marlowe, plant engineer. Where did you get your data do you have citations and can you back up your hypotheses with equations she wants crunchy crunchy numbers right this instant and will only grudgingly take no for an answer.
"...I don't have all of that." ...off the top of his head. He could derive the equations, he does actually know some stuff, here. Not nearly as much as she does, but you can't save plants if you don't know any engineering. "But I was there, for that one." As in he's the one that did it.
Well FINE but for the record she KNOWS there is something else going on here, he is clearly getting his magically correct answers from SOMEWHERE, but she will GRUDGINGLY LET HIM HAVE HIS SECRETS and instead (grumpily) use the given data to narrow down probability zones for related circumstances. This involves doing math equations while muttering to herself about dimensional drift.
“You don’t have to tell me, I just… need to know what level of shit we’re getting into, here.” He glances at his boss, furiously doing math. “A plant engineer willing to leave their cushy ivory tower to help the little guy instead of just propping up the elites is… once in a lifetime, you know? One of mine, anyway, I don’t know about yours.”
Jeneora Rock can barely be called a town, really. It owes its name to the huge rock it was built around—which, despite its precarious-looking condition, has stood tall since the town's founding decades ago—and it was made from the remains of one of the colony ships that mostly didn't make it a hundred and forty eight years ago, when humanity was first arriving on this planet and all of the ships were suddenly sabotaged at the same time. Most of its useful technology has been scavenged and brought to the bigger cities, but it somehow managed to retain two plants: one for water generation, and one for food. Both are vital to the survival of the people in the town, so if even one of them dies, they'll have to face the choice of dying with them or trying to go somewhere else.
It goes without saying that the kinds of people who live in a town this poor and small don't really have much means to go live somewhere else.
Jeneora Rock

Nobody officially stops them at the gates, but there sure are a lot of people now staring at them suspiciously as they find a place to park. At least he doesn't have to pay a damn toll for it, like in a city. It's just dirt (well, sand and rocks, really), they can in fact just park wherever is free and out of the way.
"All right, he who knows everyone here. Where are we heading to first? Diner?"
Also, people start getting alarmed if strange folks show up and start asking where their plant is and if they can have a look at it, and sometimes those people are alarmed with lead. Good intentions are often rarer than water, these days. Or, really, any days on this godforsaken dustbowl they call a planet.
So, yes, diner first.
It's about the same as any eatery in a small town, which is to say, the minute people they don't know walk in, everyone turns and stares.
But of course, there is in fact one that is recognizable. The bartender (a pregnant and severe looking brunette) brightens from her worn scowl and calls, "ZASH! We didn't think we'd see you again, welcome back! Come on in, sit down."
Oh apparently it is being hugged time, that is what time it is. Uh? Okay. Sure. Also she thought the fake story was for people outside of the town?? Maybe there were conversations while she was in math land. (She is maybe still a little bit in math land.)
"Pleasure's all mine, hello, um, thank you it's, um. Um. Yes." She looks at Zash pleadingly. Help. Help her, please.
"Hush you, I need to show her how it works. So it boils into vapor and distills the water, input here, output there, it filters first here so there's slightly less crud to scrape out of the thing when you clean it..."
Rosa is now getting a crash course on how to use this very fancy (and expensive) bit of tech that could in fact be mostly replaced by someone just boiling the damn water themselves, but technology is for people, not the other way around.
Yvette finishes walking Rosa through how to use it, uses it to purify her own glass of water (it takes perhaps thirty seconds), sips some, and then pours the rest into her little plexiglass water container. And then the very expensive bit of machinery is casually passed to Rosa to use as she'd like for the foreseeable future. Completely for free.
"How did you make it to adulthood," wonders Vernon, just a little despairingly. Don't answer that, he knows. That thing isn't even that valuable in the big city, is it, it's a hundred years old and she picked the damn thing up at a garage sale for when rich people actually had to worry about water problems. Just not ones that ordinary folks could get into to see. He hates it.
The facility the plants are housed inside is an enormous metal structure. A series of circular metal doors four times as tall as Zash serves as the entrance, and after walking past all of them they find themselves in the main chamber. Inside, a several-stories-tall glass cylinder with purple-glowing gas sits in the center, a spiral metal staircase surrounding it leading all the way up to the metal platform that serves as a lid. And on that platform are the plants, one glowing blue and the other red, both inside glass tanks of their own, immersed in liquid.
Plants (and Zash)

They're about as tall as a short adult human. Their lower halves are long and thin and look sort of like human legs, intertwined, but their upper halves are large bulbous opaque spheres. They pulsate softly, but the red one looks... almost urgent in its pulsating, and it does so much more erratically than the blue one. It looks... arrhythmic.
It's (academically) interesting that it's the water one that's one the fritz, with the comparatively much more chemically complicated 'food' job saddled with its fellow. That implies some things about their history working together, because if one of them were to fail first, it'd be the complicated one, not the easy one.
"That was the one you fixed last time, yes?" she confirms, pointing at the blue (and food associated) one. "And this one had been fine."
"No, but it's what I'd expect." She heads over to the console and starts getting it to spill its secrets to her. This isn't very hard, all consoles like these are programmed to keep a record of actions taken and give diagnostics of plant status and history. ...and Rosa is staring at her like she's some kind of worm, so... okay, sure, she can talk while she does the boring 'tell me what happened and what's going on right now' work.
"Larger networks of plants always do better than singles. Even doubles and triples do so much better than singles that frankly anyone that's only got one plant by itself has burned the poor thing out by now, even asking it to do something very simple. But 'food' isn't simple. Humans are complicated, we need many things to keep working properly, it's -- taxing. If one were to fail first, it'd be that one, not simple dihydrogen monoxide. But obviously it didn't. Because when they're in a network together, plants will sort of... the easiest way to explain it is that they'll help each other out. And one of them will have been helping the other for basically their entire time together."
This elicits a vague negative hum from the resident nerd.
"Nnnnnnnnno I wouldn't say tired. Tired implies that you can just give it a break and it'll be fine. That is not what is happening here, a break will not fix this. More like it had been neglecting itself, or maybe habitually giving the portions of nutrients it needed to its fellow, so it could do the harder job. And now that -- yeah, see," She points at a graph of data she's made the computer spit out like it's as blatantly obvious to everyone else as it is to her. "The pattern is now the opposite. And fixing something that is broken, that's been, been sort of worn down over a century without really noticing? That's much, much harder than just. Give it extra portions and call it good. So the system set up by our extremely stupid ancestors is doing what it does best, and it's ruthlessly designated our poor little red friend as not worth nursing back to health."
"No," says Yvette, more forcefully than she perhaps needed to.
"The system is stupid. The parameters it's judging by are outdated. Back when we had all of our forefathers tech working, yes, it was in fact easier to just throw out the, I don't want to call it bad because it's not but that was the rhetoric, the red plant and get a new one, because they could just make a new plant. And we can't."
"It's going to take me days to wade through all of the data to figure out what exactly is wrong," says Yvette, flatly. "Longer than that for it to be completely fixed." If she can, but she will not be saying that, because optimism. "It will not be outputting the same numbers it had been, not for a while."
"And in the meantime you can keep using my water purifier," she says, smoothly. This is exactly why plant engineers don't often talk about their work, it absolutely freaks out ordinary people to hear things like 'The thing you have been relying on for generations is dying or might never be the same as it had been' or something. She sort of regrets explaining anything, now, except for how she doesn't because knowledge is something to be disseminated and hiding behind 'it's too complicated to explain' is for cowards. "It's graded to even purify worm viscera and output clean water if necessary. You'd just need to clean the input section more often."
At some point during this explanation Zash walked next to her to peer at what she's been doing on the console (and occasionally at her). At some point during this explanation his expression softened to a faint smile, and at some later point it spread into a grin. By the time she's done he's just beaming widely at her.
"It can definitely be fixed, and it can definitely come back to its previous output levels," he says. "They always can."
She at last notices how he’s looking at her and. Um. Um. Graphs. Data. Back to graphs and data and math, because those are comfortable and interesting and safe, and she doesn’t know what to do about being smiled at like that when usually she gets told she’s too sentimental.
… huh. That’s strange. She hasn’t even done anything and there’s been a slight positive trend. In the past minute, specifically.
“Right. It’ll just take some time,” she agrees, a little distantly, eyes briefly flicking to Zash, and then back to her work. He did this, didn’t he. She’s onto you, buddy, and she doesn’t understand it but she knows.
Blink blink.
“At the moment, absolutely nothing. When the plant is back to full output, I’ll want one percent of that output to be under my purview for the next decade. But, um. I’m a reasonable person who cares about your town and your people and don’t want to wring you dry, I just. Also want to invest in the future.” By having the plant contribute to the ongoing project of ‘make the world not be such a shithole.’
“Nice dodge, but I never said you touched the console. I said you did it.” She raises her eyebrows, amused. “And I have some guesses as to how, but if we’re playing mystery games I’ll keep them to myself for now. To keep things interesting, mystery man.” She winks.
“Besides, I’d rather focus on,” and she motions to their red and sickly friend.
He grins at her again but then: yeah, they can geek out.
Despite Zash's goofy persona and dumb affect, and despite his earlier demurring about how much he knew about this exactly, it becomes extremely clear that he knows a lot. Not as much as she does, and especially not in as quantifiable a way as she does, but he can easily keep up with her and offer his own useful mysterious insight. It's soft squidgy feelings insight but at least directionally it's helpful.
Ahuh.
Well, she will just quietly accept his mysterious insight without question, and instead just happily work from it as if it’s concrete fact. It makes her inner scientist itch a little, to not properly test something she's then relying on so heavily, but that’s just her own geekery, not anything important. She understands there’s something more going on here that she doesn’t see yet. She’ll play along. That probably makes her a bad scientist, but she’s an engineer first, and engineers care about application over theory.
They will in fact make marvelous progress figuring out what exactly is ailing the red state plant, and furthermore she’s clearly having fun.
He is also clearly having fun. His speech style becomes more animated, and animated in a different way than before. He speaks quickly, gesticulates wildly, paces, occasionally walks over to the plant and adopts a distant look in his eyes before turning back around and giving some weird sideways suggestion for an avenue of exploration that nevertheless turns out to be surprisingly relevant in some nonobvious way. From his mannerisms it almost sounds like he's... well, a doctor, or maybe a nurse—as contrasted with being an engineer, that is. He doesn't sound like he's talking about a machine to fix; he sounds like he's talking about a patient to heal.
And compared to his previous shows of energy, this feels a lot more focused and, in a certain way, genuine. Before, he was cheerful; here, he looks happy. There's a difference.
Well, a patient to heal is perfectly logical. Plants are, and have always been, alive. If anything, treating them like they're machines instead of living things is just a dumb coping mechanism humans have forced upon them, because humans like things that are simple. Fit into the box, follow the dotted line, make the quota set before you. If you've done it once, you can do it again, so do it again. Even when things aren't always that simple.
It's very telling, though, the way he goes distant and blank and then comes back with a mysterious insight or sideways suggestion. Sort of like someone who, instead of playing an eternal guessing game, just asks, what's wrong? She herself has wanted to ask this exact question hundreds of time in her life, but never been able to, instead having to figure it all out from mapping trends and using algorithms and data from other plants in similar situations.
But of course, she's not bringing nothing to this relationship, either. He can learn a number of things about the state of the art of plant engineering, too. She's more than happy to tell him, and happier still that he understands. Along with the general breakthroughs of the unending march of science: a lot of the reason she can figure out what's happening with plants in red state at all is because, over the hundred and fifty years since the SEEDS ships crashed out of the sky instead of sensibly colonizing the place, the various nerds of the world have updated the systems taking care of the plants. On modern tech, this plant would not be considered red state yet, because pompous narcissistic genius engineers do not want to admit defeat. There are, in fact, instances of plants in the big cities that had numbers worse than these now, that floated above the arbitrary 'red state, throw it out' line, because someone kept moving that line down. And then, since it had clearly been fixed, obviously the line can just stay down there. Everyone else can have more breathing room and less scary red lights that frighten people into doing stupid things.
"Oh. Yes we did, and no we have not eaten or. Really done many things to care for our human forms. Since you left. Oops."
... That does explain why she was starting to get a bit cranky with the data, doesn't it. Damnation, she was just hungry. Figures. Right, they can go care for their mortal forms. ... Well, she can go care for her definitely still mortal form, and Zash can present the illusion that he is doing the same. It's not clear if he needs to eat, but she's increasingly suspicious that he doesn't. She needed a bathroom break, awkwardly realized uncomfortably late, and he has not.
Yeah he uh did not remember to pretend to need the bathroom until she needed it herself and at that point he just decided it would be a waste of time when she seems so on board with how inhuman he is. He'll need to take care not to get too used to it and slip up around other people but she seems... fine? She seems fine with it.
He also does indeed not need to eat, but at least to the people of this town he should keep up the pretense.
Fortunately, there is an establishment in these parts that is equipped to feed people. They can all go there, and be fed, and there isn't even any fussing about money because honestly Yvette has paid for everyone's meals several times over by loaning out the water purifier in a time of water crisis.
"... So?" asks Rosa, anxiously, as she puts their plates of food in front of them. "What do you think."
Right, she should update these people on the state of the thing they stake their livelihoods on. That is an important thing to do when one is fixing the thing they stake their livelihoods on. Yes, very reasonable. Also, she can't help but notice that this diner is more crowded than it had been, and that also all of its occupants are staring at them. She will just carefully pretend like this is perfectly normal and does not unsettle her in any way. But she will make sure her voice carries, when she answers, since they all seem to care so much.
"Better than I was expecting, actually. We still don't have a time table, but it's looking really good."
"We managed to mostly stop the water plant from feeding the food plant," he says in a less carrying voice, since it was only Rosa that was there for that part of the explanation, "so unless we mess up we will probably be able to keep it from getting any worse, and from there we're optimistic." Zash himself does not seem to have any reaction to being stared at by the entire town. Or, if he does, he is not showing it at all.
Yvette blinks at them. Huh. She hasn't seen the juvenile form of the planet's major fauna (colloquially known as worms, for the way the adult form is a giant worm) this close before.
"Well thank you very much," she says, smiling at the little boy. "I haven't seen these so close before, they're very neat."
Also kind of ooky and gross, but, well. The bio-luminescence is cool.
"I guess I hadn't been thinking about it in a direct list form, but... I do actually admire their adaptability?" She fishes a tiny bit of crust she doesn't personally want to eat and offers it to one of the critters. "A bunch of aliens crashed out of the sky onto their planet, set up shop and declared the whole place actually theirs, built cities, started terraforming it, so on, and. Instead of the mass die offs like on Old Earth, they went, 'Yeah okay, we can eat this.' And then did. Their biology's changed over the last hundred and fifty years, did you know? I mean the bones of it are ultimately the same, but when we first landed there was just nothing of them humans could digest at all. Which I guess makes me sound a bit self serving, 'I like that we can eat them now,' but. You know. Casually and easily adjusting to a strange new thing like it's nothing at all. Pretty cool." Pause. "Also the swarms of them are very pretty in the night sky. All bright and glowy and almost magical. While we're on self serving things I like."
Yvette's original assessment about the difficulty of the task was roughly correct; gathering the necessary data does take days. Probably fewer days than she'd expected, though, because Zash can in fact get the answer to the question "What's wrong?" directly in a way she cannot. He's not exactly advertising this fact, but he's not doing a ton of work to hide it either. The couple of extra times she prods him gently about it he dodges the question equally gently and she doesn't do it again. However it is he can communicate with them, to whatever extent they have their own form of intelligence, his contributions continue to make this work be less time-consuming than it otherwise would be, and surer of success besides. Zash is in fact very adamant about the fact that they absolutely can fix everything, here.
So they progress, slowly and steadily and reliably, until on day 4 their little peaceful time is interrupted by the arrival of the Julai Military Police, fronted by the same police captain who stopped Vernon that first day. "Haven't seen him, huh?" asks the captain of Vernon, loudly, pointing his gun at Zash where he's seated at one of the tables in the diner. Two police officers are flanking him and also pointing their guns at Zash, and two more are outside the diner for potential support.
..... Yeah, he was afraid of that. He didn't want to shake the happy couple out of their efforts to save a town full of people, because they really needed the help, but uh. In retrospect he probably should have pressured the red and yellow half of it to keep moving. Instead of staying near where the Julai Military Police had been sniffing around.
"Well, I hadn't, but then he just showed up. Decided I didn't need the money, though. 'Specially not from some trigger happy punk from Julai. You really want it to get out that you came in and shot up a whole town after one guy?"
Yvette is currently sitting next to Zash, her now habitual array of proofs and equations taking up approximately half of the table. She looks nervously between all of the variously armed people, and wonders if it'd be dumb if she shrunk down to hide under the table. Maybe? Maybe. She's just going to try looking like wallpaper.
They know this town, they built this town, and some faraway idiots have just shown up and acted like they own the place and get to wave guns around and get whatever it is that they want in the blink of an eye. Maybe that garbage works around Julai, but here? No sir.
Those with long ranged suited weaponry go above and prepare a proper ambush that will put each and every one of those entitled city fuckers under the ground, and those with smaller, more easily concealed weaponry cover the available escape routes so that there will be none of that either.
You'd be excused for thinking what's happening is less "movement" and more "teleportation". It takes less time than anyone here has to properly process visual input, but here's what happens.
He starts dashing towards the policemen in front of him. While he does that, he literally breaks two football-sized chunks of rock from the ground with well-aimed kicks; those chunks break into pieces that just happen to successfully intercept many of the bullets coming their way. Then, he reaches the policemen before the first bullet has had enough time to reach them and pushes them out of the way.
And as for the remaining bullets that would have hit the officers behind him, those he shoots straight out of the air.
Talking isn't going to help. He's probably at minimum dislocated some bones of these officers, with the rapid movement, but it's less dire than it looks: his movement isn't just fast, it seems to be slightly precognitive, with him seemingly knowing where people are going to shoot before they decide to do it.
The officers are extremely confused and terrified, but Zash doesn't have time for that either. He's going to find shelter, is what he'll do, so that they're less sitting ducks.
Hopefully the Jeneorans will decide to conserve their bullets once it becomes obvious they will not succeed. Bullets are very expensive; you can buy two whole slices of pizza for the price of one.
Yeah, fine, they'll stop. But there will be some more yelling. From various sources in various directions.
"My kid lives here, those fuckers aren't allowed to just walk in like they own the place and threaten to shoot her!!"
"If we can't kill 'em we're absolutely getting their stuff, fuck Julai!"
"And let 'em wander home naked to teach 'em a lesson!!"
"Nah, shoot 'em, it's been a while since we've had heads to mount on pikes, Julai Military Police would scare the scavengers off for weeks!"
This continues to be fair enough, and Zash continues to not want anyone to die on account of him. He lifts a finger to his lips to make sure the officers will sit tight and be quiet and then he'll attempt to go back to where the Jeneorans are, via a circuitous route that will hopefully not allow them to find their quarry.
There are absolutely a couple of the short range folks who'd cut off escape routes that are trying to do so, so he'd better head them off, too.
The rest are generally agreed that even if Zash is going to demand these people make it out alive, they will not make it out with all of their stuff. Or their clothes. There's currently a hotly contested argument about who gets the captain's sunglasses. Some others are still pushing for DEATH.
That shuts them all up.
"Hell, we could buy a whole new plant for that..." observes one.
"And then what, huh? You think we'll find anyone else that will fix it again after we sell the last guy who did off?!"
"He did a shit job of it last time! Hasn't been five years and the damn thing's busted again!"
"It don't matter if they were promised a one way express trip to Earth itself, you don't fuck with Jeneora!!!"
"I STILL GET THAT FUCKER'S GLASSES."
He knows what he'd need to say. He knows these people, he knows what each of them care about, he knows how he'd convince them, what to argue. He thinks he probably wouldn't even need to threaten anyone. It's just that...
...he doesn't really deserve it. He doesn't deserve to try to convince them. So there's only one thing he can say.
"Just please don't kill them. They're here because of me, I know they were assholes who tried to mess with Jeneora but if it weren't for me they wouldn't be here. It's my fault. So just... don't kill them, please."
"I mean, who cares about those idiots now, there's $$6,000,000 on the line --"
"Yeah? And you think you can take him in, genius?"
"Look at him! He'd probably let us if we wove him a sad enough story!!"
"But then his fancy wife would kick up a fuss and then we'd have citygoers sniffing around all over the place--!"
"... Uh, hey," says someone, who has heard the yelling and poked his head out to solve it now that the shooting's stopped. "It does no one any good to stand here arguing while the Julai fuckers maybe start sneaking off, yeah? Does stripping them but letting them keep their canteens and birds and telling them to go tell everyone who the hell kicked their teeth in sound fair enough for everyone?"
"Locals were pissed that Julai Police walked in like they owned the place and were going to kill them for threatening them in their own home, Zash didn't want anyone to die on his account, and the thing about his bounty got out, and they're all now arguing about what to do about it. Julai Police will probably get to live with a very embarrassing story, if they're not too stupid."
"I really don't think I was going to be medically experimented on. Not because of that, anyway." Sigh. "And... look, I'm here to help, okay? And if me being here doesn't help and me being elsewhere does help then, then I want to do that. That's a really unreasonable amount of money and I don't want you guys to, to regret having had me here, you know? It defeats the point, if me being here makes things worse."
"Eh," says Vernon, from his whisky. "I'm not sure it would have been better, actually. First they'd have to get you all the way there, with you being... you.... and there being a whole lot of shit between them and the city. Then they'd have to trust the Julai to actually pay up, which, what do they care about their reputation, right? And then, even if all of that goes hunky-dory, they have to get six million double dollars back here, safe and sound. Then there's finding someone who will actually sell a plant, which, good luck with that..."
Then he shrugs. "But it don't matter now, coppertop, it's all sorted. Stop pouting, have a drink, thank the nice people for harboring a wanted fugitive."
And there's no solution to awkwardness as good as effective as aggressively and cheerfully ignoring it, which Zash is great at. It helps that he genuinely cares about these people and doesn't hold any of what happened against them. Plus, he has Opinions™ about who should get what, and some of those opinions are fighting words but personally he finds it hilarious to rile these people up.
He does, actually, genuinely have fun.
It doesn't take very long for Zash to excuse himself so he can check up on his city slicker wife, who is very unused to violence because she's from fantasy rich person land. People are very understanding of this, given how clearly in love Zash is, so he is in short order slipping through the door.
“About the violence? A bit freaked out, but fine. Honestly the notion of casual betrayal from people that seemed like friends freaks me out more than everyone around me being armed and dangerous, but.” She starts shuffling through her papers to find something she doesn’t immediately have at hand. “…. I mean I was kind of aware I was going to die out here, so.”
He shakes his head. "I understand the logic but that's not quite what I meant. Someone like you is much more likely to be able to serve as a force multiplier on that data. If you just collect data until something happens to you then, sure, eventually people will use it for good. But wouldn't it be better if you collected some data, didn't die, and then went on to use that data for something better?"
She snorts. "Eh. It's fine, I like people questioning my logic and telling me if I'm missing something. Speaking of."
She holds up several data points from the past hundred-odd years. The ones where plants blipped red and then back when someone happened to flail at them the right way to get them fixed again.
"Zash. Were these you?"
Technically speaking she is not going to breathe a word about how he's probably over a hundred years old to the general public. So whatever trouble he's in will not be of the 'people calling him a monster' variety.
But she will be over there, smugly going back to work. She knew it.
The townies don't particularly seem to think that what happened with the Julai Military Police should impact... well, anything, really. After the initial awkwardness they basically go back to what they used to be like, some more friendly than others, some more interested in the outsiders than others, with their relationships and spats and drama and everything else that makes life worth living.
Since the first day, when Zash politely asked the water plant to stop feeding the food plant and they dealt with the most pressing issue, they haven't managed to improve the conditions there much, but that's because they've still mostly been spending their time in data collection to figure out the best avenues of improvement. A lot of the work is actually kind of just tediously waiting around for various diagnostics to run, but a good chunk of the rest is doing hard analyses on the results of these diagnostics. Soon enough they can start actually doing things that will help it recover, using some feedback systems to revert some of the energy the food plant uses to help the water plant as well as some built-in energy converters that use solar power to fuel the whole thing. It's not exciting work in itself, but it's good work, and it's pretty clear that they will, in fact, be able to get this plant back on its feet, so to speak.
Yesssssssss she's right she's right she loves being right, fuck you plant engineer peers back in her home city of December she knew she could do it ahahahahahahahahaha!!!!!!
Which is to say, she hovers by her precious. She needs to get all of what's in the console organized so that others can sift through the delicious data more efficiently, and then her proofs and equations and analyses, and then it will need to go onto a data stick for eventual transfer to the main database and then she will print several hard copies on paper, just in case, one of which will stay here in Jeneora and the others disseminated by way of paying people to be her minions and she is absolutely the most smug.
With Yvette being the one who's doing all of this... not exactly heavy lifting, but kind of heavy lifting, there's less and less for him to do around the plants themselves. He still hangs out, especially because he can be a faster source of feedback about the results of what Yvette's trying than waiting for the diagnostics to be ready, but he also spends some time doing other things like talking to the Jeneorans about how they're progressing and getting Yvette food because if he doesn't she will starve herself.
"I think you're underestimating—" Sigh. "Everything the Julai Police said. The stuff that got me the $$6,000,000 bounty on my head. Destruction of property, mass loss of lives, loss of plants. All of that is true. They're not after me because the mad scientists want me and they're in their pocket, they're after me because they actually think I did all of that. Because it all did in fact happen, and I was there when it happened, and it was my fault."
"Ahuh. And yet I still think her odds are better with you than without you. Because it's only a matter of time before someone with a plant goes, 'Hey, why don't we just keep her,' or someone else goes, 'oh, a plant and an engineer to keep it running, that sounds like a payday to me,' and I think when that happens there's not much any of us can do about it. 'Cept you."
There's... something attached to his back. And Vernon can probably guess that it looks just like the one on Zash's back: a strange device with a glowing blue crystal head attached to a long metal neck that ends in four thin segmented legs that are individually attached to his back.
"What the fuck is this."
Please no please don't be Nai he thought he had more time they can fix this plant please give him more time—
As Vernon is exiting the building he can feel more than hear the boom of an explosion going off. When he gets to the main town "plaza" most of the townies are there, looking terrified, with bombs attached to all of them, even Rosa's kid.
Zash is off the main group, staring a the place a ways off where the ground is charred and there are a couple of pieces of someone lying around. Not all pieces, though, and the surrounding area is remarkably intact; seems like these bombs are set up to be very localised and sufficiently thorough to properly vaporise their subjects.
When Zash notices Vernon he says, "Where'd you see these bombs before? How do we disarm them?" He seems to have adopted the same no time to waste, no nonsense expression he did the other day when he was saving the police officers.
"Uh -- southeast of here, near Terminal, one of the local gangs got a bunch of 'em up as a sort of minefield. Disarm, I don't know, I never got close enough to them to try. I do know they were kept in the shade, when one got caught in the sun for too long it exploded on its own. So, uh, heat or sunlight might set 'em off?" He shrugs a little helplessly. "Dunno. Coppertop's fine, by the way, she doesn't have a new temperamental friend."
Several townies have acquired their guns and charge off after Zash to shoot the fucker responsible, bombs be damned! .... They are not as fast as Zash, and they're also less aware of where the fuck the mines even are. They.... will watch for where Zash runs and follow the path he takes through the mines. They guess.
Vernon frowns. This.... seems like people are being led into a trap of some kind, if there are already mines there. Instead of following the bait, he turns around and heads back towards the factory, looking for a good ambush point for when whoever this madman is tries to show up to claim his prize. Whichever his prize might be, actually, woman or plant. Either way the creep could have snuck a bomb or two in there, and didn't.
The advantage he has on the metal wheel controlled by the maniac is being able to do sharp turns. The disadvantages are it being much faster and much more willing to cause copious amounts of property damage by just swerving into a wall.
Also by throwing small localised grenades at Zash.
Which he can shoot out of the air but which still slow him down.
The bomber's destination is obvious, and unfortunately for Zash, the bomber gains and gains and gains on him and just... loses him. Even though his destination is obvious, he is still much faster.
Yvette is, rather conveniently, out of the way of the large spiraling stairs and sort of huddled next to the console in an unhappy and anxious heap. She definitely heard explosions, she really hopes that… no, realistically speaking, they’re probably dead, she hopes that if people died they died quickly and without too much pain.
Unfortunately for Yvette, she is a sitting duck at the highest point of an enclosed space and there is nothing she can do when, out of the blue, a fucking enormous spiked metal wheel breaks through the doors to the building she's in, climbs all the way up the wall to where she is, and then spits out a grinning maniac. "You're all here! My lucky day!" he croons. His wheel has opened up into two halves, sort of like a sharp-toothed sandwich, and he's inside it in a(n also spiked) metal cage from where he can control the apparatus. "Now will you come quietly or will I have fun?~"
He slumps a bit on his seat and sighs longsufferingly. "Boring. But come along, then." He directs his contraption to the plant and, in a deft manoeuver that belies the seeming clunkiness of the machine, he turns one of the wheels temporarily into a claw in order to pull the glass tube containing the (non-red) plant free from where it is. Then he attaches the bottom of the glass tube to the other half of the spiked wheel, making an even wider wheel out of the wheel-plant-wheel sandwich, while the metal cage he's in is still connected to it but hanging away from it. The cage opens up to allow Yvette to step into it and sit next to him. "We'll be so cosy together, little engineer~"
“Wait, no, you’re just leaving the other one, what the fuck, no I’ve almost fixed it removing its fellow right now will disrupt its —“
She dives towards the console to abort the process so the poor red plant doesn’t suddenly get dumped with all of the workload of what should have been for two plants.
Nahhhh she's not gonna do that. The machine once again is way more agile than it looks like it should be and the metal cage slash cockpit of it juts out forward fast enough for the bomber to be able to grab Yvette by the scruff of the neck of her shirt before she can do that. "Tut tut! Don't you know it's more fun if everything goes more wrong?"
"You got it wrong, little engineer!" He says, and instead pulls her into the cockpit with unreasonable strength. "I'm not killing people to steal the plant! I'm stealing the plant to kill the people!" The cage closes around the two of them and he starts driving back off, once again cackling maniacally.
...this was not what he'd planned for. They do go flying, down the metal stairs outside all the way to the ground by the town's gate, his machine swerving crazily without his ability to control it anymore. When it finally comes to rest they're all thrown clean off the cockpit and onto the dirt.
Vernon is pretty sure his back is going to be killing him tomorrow, but better to be sore than dead.
He loses his gun somewhere in the tumble, but that’s fine. He wasn’t planning to use it on this guy anyway.
The scrawny psycho might be stronger than Yvette, but is he stronger than a grown man ambushing him in a bear hug and dragging the both of them out into the sun?
Zash shows up, running down the steps like he's running for his life. "You need to evacuate, right now, if there's still anyone in town—"
She is exactly where she fucking should be, which is at this damn console telling this stupid idiotic tech to stop killing her patient.
Turning it off is easy, asking it to please fix what it just broke is significantly harder. She can barely look at the poor red plant as it -- it's definitely writhing -- writhes in its tank, clearly in pain.
"God, I'm sorry," she's saying to it, a touch hysterically, "it was so stupid for me to not abort all actions the minute there was anything at all going on, I wasn't thinking, I, I'm, I killed him it's over it'll be okay."
There's a man, who climbs up the stairs to the platform where she is. The skin of his hands, feet, and face is human, but the rest of his body is paper-white with patterns glowing in the same soft blue as a plant does, and he's not wearing any clothes. Despite his male frame, he does not seem to have any genitals.
His hair is a nearly-white blond, but his face is otherwise identical to Zash's.
"Get out of my way, human."
Oh good it worked it worked it worked what yes get out of the way, sure, okay, her adrenaline is starting to leave her anyway she'll just be over here and be a heap in the corner.
"Don't you dare take it somewhere it'll be all by itself," she says to the terrifying knife man, anyway.
There's a tremour, but the Zash-doppelganger doesn't react to it at all. Instead he shoots four of the "chains" of blades towards the tank with the plant so they envelop it and pull it free from its socket.
He spares her a look. "What do you take me for?" is what he says, and then he, himself, starts floating, rather than walk down the steps. The tank with the red-state plant follows him along as he starts making his way out.
There's absolutely nothing she can do about that. She doesn't even have a gun anymore. So. She'll just sit here on a heap in the floor, and. Probably cry, actually, about how they were so close and now so many people are dead or going to be and at the injustice and unfairness of the world. That sounds pretty good.
When Zash is being shot at, he dodges.
When his doppelganger is being shot at, he doesn't, because he can just intercept every single bullet as if it's nothing with his many flying knives.
He keeps climbing the steps and any humans that insist on being in the way while he does will not be doing that for very much longer.
The large rock, its stability destroyed by the redirected grenade launcher, reaches a tipping point when the giant robot stands back up after Zash's doppelganger steps onto its hand, and it starts to collapse down onto and around the city. Almost in slow motion, it tips over, pieces of it crumbling off and ponderously crushing everything (and everyone) in their path. There's a reverse domino effect, the larger rock crushing buildings which then crumble into rubble that spreads the destruction further...
When the dust settles, there is not a Jeneora Rock there, anymore. Not the boulder, not the town, not the people.
She's not sure that it's a mercy, that the factory that housed the plants is the most stable and defensible spot in the city. It could be that she's been buried alive in here. At least the tremors have stopped. She... attempts to find where the doors of the place once were. It's mostly rubble, now, but the walls themselves were sturdy enough to stay up.
"HELLO?!" she yells, wondering if this is how she's going to die.
Okay, well.
Then she will make sure her paper packages of data on plant red state recovery are neatly organized and easy to find, for whomever inevitably picks through this place. That's about all she can do.
She might try yelling again, in a bit, but it's a good idea to conserve her energy.
"It's me!"
Amongst Zash's many superhuman capabilities is his superhuman strength, so it doesn't take him too long to clear enough rubble out that he can look through a hole to see her, and then not too much longer after that for the hole to be wide enough she can crawl through.
(His non-robot arm turns out to be stronger than the robot arm, it seems.)
So he definitely gets buried, and Melissa, and Elliott, and she doesn't even know who else, really, she. Didn't learn all of their names. She was too busy with the plant. But they can have graves, and she can even manage to dig out the damned water purifier, because fuck if the folks here don't need it now.
"Jeneora Rock had a failed plant before, did you know? And we did the thing we were supposed to do. Gave it a Last Run, got out all we could from it, got another one. It worked for another fifty years. Instead of doing that, we took a chance on you. While the money and water dried up, while people left for better towns, accepting your promises of it all working out and being better and. Now we're here. Now we lost so much we couldn't defend ourselves at all, really. We're tired. We're not your damn ethical experiment playground. So get out, before someone else shows up for your bounties or your smarts. You have. Done enough."
He stops walking and then turns to look at her. "Go home. Go back to December, or somewhere safer. There's nothing for you here, there's nothing for you with me. This," and he doesn't look at the skeleton of Jeneora Rock, he doesn't gesture at it, because he doesn't need to, "is what my life has been for the past hundred and fifty years. You don't want it to be your life, too."
"Nothing ever changes. There's no point in trying to improve anything because every single time you try this happens. Every single time I try, this happens. Nothing ever gets better. So go home and have a nice, happy life, and maybe someday your brilliant work will improve things. Maybe even fast enough that you'll see it.
"But you're not coming with me."
And without waiting for a response, he turns around again and resumes walking, this time in a direction that goes away from her car.
Uh huh. Fine then. They can play it that way. If he thinks she will let a mythical hundred year old immortal plant speaker out of her life and go back to something more ordinary, well. He has another thing coming.
She goes and she gets in her car, and she turns around, and at the painstakingly slow walking speed he's going at, she follows him. Occasionally, she pokes her head out of the window to yell about the many ways the world has improved over the past hundred and fifty years. Just to mix it up. She doesn't want him to forget her or anything.