When Journey opens the door again three seconds later, he's in a different suit and his hair isn't quite parted how it was. "Hello again! Your planetoid's ready."
There's no spot for a driver. It takes off straight up and quietly, and zooms with gentle acceleration away from this pair of planetoids.
The sky stays pretty much the same color throughout, and for a while there's nothing else to see in the sky. There aren't clouds blocking where they came from, but as if the atmosphere here were very thick, it fades out and disappears anyway.
After ten or so minutes, another planetoid starts to become visible before them. It's several times larger than the previous, but still far too small to hold an atmosphere on its own.
Kyeo can see a town on the way down, but they land in a cluster of cottages a ways outside it. The decoration is as luxurious as it's been everywhere else, though it's aiming for something closer to 'quaint' than 'understated opulence' here.
"That one's yours," he points to the navy blue one and not the seafoam green one with white trim or the brick one. "I'll let your future co-stars give you the full tour; what do you feel like you need to know before then?"
"Zane I expect you'll find very casual. The other one - hm. So, the thing is that they didn't have a language at all until we gave them one, and had only interacted with humans the amount that implies. Which is to say, you might offend them, but it's not really something worth going out of your way to avoid. They've got to get through socialization somehow."
There's a breakfast nook and some cupboards (one of which is refrigerated) stocked with snacks and staples, a home theater with an absurdly large TV, a bathroom with a tub/shower and a lot of kinds of washing products (hand soap, shampoo, conditioner, body wash, face wash, full-body moisturizer, toothpaste), and, upstairs, an attic bedroom.
He's also got tattoos on his face that move and pulse, and those eyes are an unnatural gold. His clothes are substantially less formal than Kyeo's current set, though more garish, and he has a set of clunky bracelets on. They look more like technology than like fashion. "Welcome. I wish the circumstances were better."
"Her name isn't strictly Vira-la; -la is a suffix my culture uses for people we're close to. But she objects to the way I pronounce her last vowel sometimes, in ways I can't hear the difference between, and she objects to me shortening her name to two syllables. She seems fine with replacing the last syllable with something else."
"My planet is called Ibyabek. I'm... not sure how to describe a lot of its features if you're also unfamiliar with all the planets I'd compare it to. It's hot there compared to here. ...can she pronounce her name to her satisfaction? If she can it must be humanly manageable."
"Apparently it's somewhat stricter and more violent than most of them. I'm happy to tell you about - my culture, on the planet level where it's planet-wide and more specific when it is. It's a long story but I have a decent idea of where it differs from most other local universes."
He nods.
"I have been told that many Earths have approximately the same history as each other, up to some point of divergence. We may well have had much of the same things happen in our universes' past. My universe's divergence point is that in the early 21st century, somebody developed a virus. Not one that lived in people; it fed on petroleum. And made it explode."
"The survivors wanted to make sure nothing like that ever happened again. So - I don't know which came first. But what they tell us is that people like pretty people, and they hoped no one would want to fight as long as everyone was, so everyone gets an operation when they turn 16 to make them look like this." He gestures to himself. "But that's when they put lesions in our brains. It could have been a pretense all along or they could have started adding it for security later. I don't know."
"They lean pretty hard on the propaganda. When all the adults you see look like this and living glamorously and having whatever material luxuries they want, and all the kids around you are calling each other 'uglies' and giving themselves nicknames based on their least-flattering features, and a thousand other things like that - yeah. It doesn't sound strange to most people."
"I expect at home most people could imagine something that they'd like to improve about their appearance but it is not encouraged to focus on this in oneself or others unless one is, say, starring in films. I don't think... not being sufficiently beautiful... features as a relevant consideration in any major conflict... and in minor ones I'd expect being prettier to as often exacerbate as alleviate the situation."
"Well, it distorts the importance of most things, and in particular inflates 'owning money' to great importance even if one does no work for it, and so the people who understand that their work is important and the people whose work is in fact important are I think mostly unrelated."
"Well, hoverboarding," Zane corrects, gesturing with the board slung under his arm. "They still would have had the data issue. My point here is somewhat weakened by the fact that they did eventually join up with another city, but - there are reasons they kept to the wild for as long as they did."
...Zane shrugs. "I spent the last few weeks of my life trekking through the wilderness, aiming for the New Smoke. And when I got there, it turned out to be another city. They'd reversed everyone's brain damage there, and - according to Journey, the city I grew up in attacked them. That's how I died; I was in surgery at the time."
"It rescues people from death instead of just sourcing people like the ones who watch the show and making a nice wish-fulfillment story that people would want to imagine themselves in. Based on what Journey said, I think they're trying to rescue our entire worlds this way. And all the lovey stuff; I think they're genuinely trying to have us build something real, there. But then again, it's like - I don't know your story, but why did they pick a guy who was so obviously not going to be over his ex for this."
"Pretties don't get sick, of normal things, either... We've made jumping off things safe but generally through bungee jackets that work like the hoverboard rather than changes to our bodies. Journey made a comment about our society being safety obsessed, but I don't know how much weight to put on that. He sounded flippant."
"I guess not." He gets up and heads back down the hill. "I think the town is supposed to give us some amount of cultural context for the guy. Like, they're not making us use money but the way you requisition something is still going into a 'store' and asking a person for it."
"We keep - twelve-to-fifteen year olds - in dorm uniforms, too. ...They get them from hole in the walls, too, though theirs are more limited. I guess it would make sense that if most people are keeping their - drive - they'd want a lot more things than clothes, and even if you have exactly the same nanos capabilities as us, you might want to introduce a lot of trivial barriers to getting things..."
"From what I've been able to tell, the quality of life for a normal person is already at least as high as I'm used to. So anything on top of that is a shot at real power and self-determination, and - I may not be able to afford it, or much of it, but I already absolutely couldn't have gotten it at home no matter what. So at least now I have a chance, it seems like."
"She's informative as part of a pattern that humans are common but the rest of the universe surrounding them is often different. But no, not in the way you mean. Sometimes I've had luck talking to the people in town but it takes a lot of digging and piecing things together. They all have different ways of not being very forthcoming."
"I don't think there's an elaborate tapestry of different reasons not to talk to us designed for our enrichment. I get the impression there was some amount of coaching on top of a lot of selection effort going into picking people who have various reasons of their own not to want to talk to us very much or very informatively despite being here."