When Journey opens the door again three seconds later, he's in a different suit and his hair isn't quite parted how it was. "Hello again! Your planetoid's ready."
There's no spot for a driver. It takes off straight up and quietly, and zooms with gentle acceleration away from this pair of planetoids.
The sky stays pretty much the same color throughout, and for a while there's nothing else to see in the sky. There aren't clouds blocking where they came from, but as if the atmosphere here were very thick, it fades out and disappears anyway.
After ten or so minutes, another planetoid starts to become visible before them. It's several times larger than the previous, but still far too small to hold an atmosphere on its own.
Kyeo can see a town on the way down, but they land in a cluster of cottages a ways outside it. The decoration is as luxurious as it's been everywhere else, though it's aiming for something closer to 'quaint' than 'understated opulence' here.
"That one's yours," he points to the navy blue one and not the seafoam green one with white trim or the brick one. "I'll let your future co-stars give you the full tour; what do you feel like you need to know before then?"
"Zane I expect you'll find very casual. The other one - hm. So, the thing is that they didn't have a language at all until we gave them one, and had only interacted with humans the amount that implies. Which is to say, you might offend them, but it's not really something worth going out of your way to avoid. They've got to get through socialization somehow."
There's a breakfast nook and some cupboards (one of which is refrigerated) stocked with snacks and staples, a home theater with an absurdly large TV, a bathroom with a tub/shower and a lot of kinds of washing products (hand soap, shampoo, conditioner, body wash, face wash, full-body moisturizer, toothpaste), and, upstairs, an attic bedroom.
He's also got tattoos on his face that move and pulse, and those eyes are an unnatural gold. His clothes are substantially less formal than Kyeo's current set, though more garish, and he has a set of clunky bracelets on. They look more like technology than like fashion. "Welcome. I wish the circumstances were better."
"Her name isn't strictly Vira-la; -la is a suffix my culture uses for people we're close to. But she objects to the way I pronounce her last vowel sometimes, in ways I can't hear the difference between, and she objects to me shortening her name to two syllables. She seems fine with replacing the last syllable with something else."
"My planet is called Ibyabek. I'm... not sure how to describe a lot of its features if you're also unfamiliar with all the planets I'd compare it to. It's hot there compared to here. ...can she pronounce her name to her satisfaction? If she can it must be humanly manageable."
"Apparently it's somewhat stricter and more violent than most of them. I'm happy to tell you about - my culture, on the planet level where it's planet-wide and more specific when it is. It's a long story but I have a decent idea of where it differs from most other local universes."
He nods.
"I have been told that many Earths have approximately the same history as each other, up to some point of divergence. We may well have had much of the same things happen in our universes' past. My universe's divergence point is that in the early 21st century, somebody developed a virus. Not one that lived in people; it fed on petroleum. And made it explode."
"The survivors wanted to make sure nothing like that ever happened again. So - I don't know which came first. But what they tell us is that people like pretty people, and they hoped no one would want to fight as long as everyone was, so everyone gets an operation when they turn 16 to make them look like this." He gestures to himself. "But that's when they put lesions in our brains. It could have been a pretense all along or they could have started adding it for security later. I don't know."
"They lean pretty hard on the propaganda. When all the adults you see look like this and living glamorously and having whatever material luxuries they want, and all the kids around you are calling each other 'uglies' and giving themselves nicknames based on their least-flattering features, and a thousand other things like that - yeah. It doesn't sound strange to most people."
"I expect at home most people could imagine something that they'd like to improve about their appearance but it is not encouraged to focus on this in oneself or others unless one is, say, starring in films. I don't think... not being sufficiently beautiful... features as a relevant consideration in any major conflict... and in minor ones I'd expect being prettier to as often exacerbate as alleviate the situation."
"Well, it distorts the importance of most things, and in particular inflates 'owning money' to great importance even if one does no work for it, and so the people who understand that their work is important and the people whose work is in fact important are I think mostly unrelated."
"Well, hoverboarding," Zane corrects, gesturing with the board slung under his arm. "They still would have had the data issue. My point here is somewhat weakened by the fact that they did eventually join up with another city, but - there are reasons they kept to the wild for as long as they did."
...Zane shrugs. "I spent the last few weeks of my life trekking through the wilderness, aiming for the New Smoke. And when I got there, it turned out to be another city. They'd reversed everyone's brain damage there, and - according to Journey, the city I grew up in attacked them. That's how I died; I was in surgery at the time."
"It rescues people from death instead of just sourcing people like the ones who watch the show and making a nice wish-fulfillment story that people would want to imagine themselves in. Based on what Journey said, I think they're trying to rescue our entire worlds this way. And all the lovey stuff; I think they're genuinely trying to have us build something real, there. But then again, it's like - I don't know your story, but why did they pick a guy who was so obviously not going to be over his ex for this."
"Pretties don't get sick, of normal things, either... We've made jumping off things safe but generally through bungee jackets that work like the hoverboard rather than changes to our bodies. Journey made a comment about our society being safety obsessed, but I don't know how much weight to put on that. He sounded flippant."
"I guess not." He gets up and heads back down the hill. "I think the town is supposed to give us some amount of cultural context for the guy. Like, they're not making us use money but the way you requisition something is still going into a 'store' and asking a person for it."
"We keep - twelve-to-fifteen year olds - in dorm uniforms, too. ...They get them from hole in the walls, too, though theirs are more limited. I guess it would make sense that if most people are keeping their - drive - they'd want a lot more things than clothes, and even if you have exactly the same nanos capabilities as us, you might want to introduce a lot of trivial barriers to getting things..."
"From what I've been able to tell, the quality of life for a normal person is already at least as high as I'm used to. So anything on top of that is a shot at real power and self-determination, and - I may not be able to afford it, or much of it, but I already absolutely couldn't have gotten it at home no matter what. So at least now I have a chance, it seems like."
"She's informative as part of a pattern that humans are common but the rest of the universe surrounding them is often different. But no, not in the way you mean. Sometimes I've had luck talking to the people in town but it takes a lot of digging and piecing things together. They all have different ways of not being very forthcoming."
"I don't think there's an elaborate tapestry of different reasons not to talk to us designed for our enrichment. I get the impression there was some amount of coaching on top of a lot of selection effort going into picking people who have various reasons of their own not to want to talk to us very much or very informatively despite being here."
"Is the issue with payment," Zane contemplates, "that... no, that's not the right question. Given that these people have a bunch of resources they're willing to hand out, and given that they're clearly not - socially responsible people trying to maximize everyone's welfare - is there a way for them to assign who gets what that would discomfort you less than correlating it with performance in the show? Or is the heart of the problem in all the other things that I just gave as givens."
"Well, the show is also separately an issue. The classic problem with a monetary system is - creating dependence that can only be staved off with service to someone who profits off of it. Passage to a new planet or in this case resurrection from the dead becoming a trap calling for complicity in further entrapment."
"I've watched some early seasons of this, and one thing people sometimes say is that they're not here to make friends. It's a way of saying that they're entirely focused on the goal of the show and not going to let social dynamics between other contestants get in their way. It happens on other reality shows, too, when they're competing for money or whatever.
"I think I'm probably largely here to make friends, at least as far as I'm here for any reasons of my own."
"I think having a B plot is at least pretty standard, and it's something I'm - somewhat content to be. Especially since, whatever they're paying us in, it's got to be more useful if we can coordinate with each other and help solve each other's problems. So, yes, I might like to come to visit later."
They're approaching the town now; Kyeo can see a pretty decent number of buildings that aren't too weird in shape though the texture on the outside isn't what he's used to; it's hard to see exactly what it is from here.
"Do you think I'd have such an obligation if they'd made me into a Special?"
"I've almost tripped up a couple of times at calling people 'uglies'. At home they say it's not an insult, it's just what you call people after they turn twelve but before they've had the operation, but here it obviously would be. And it's meant to be... an invisible one, back home. Another normality that strengthens the existing system."
"Most people don't. ...Or, I guess Hot-airs sometimes go out pretty far in their balloons, and it's not that weird for crumblies to go hiking; maybe some of them do it at night." They're almost in the town, now; Kyeo can see that most of the buildings have bare-shingle outsides. A clock tower on the horizon seems to grow disconcertingly taller as they approach.
Then Zane can lead him to a building with mannequins with all sorts of strange fashions on them. There's only seven, but one of the outfits zzwornnngs into a new one every twenty seconds or so. "Hi, Azelda," Zane greets the orange-haired person at the counter. She waves distractedly.
The mannequins are doing an every-other thing with their depicted genders. Currently on them there's:
- Jeans; fitted T-shirt printed with a dense array of triangles in slightly different colors, forming a non-monotonic gradient from blue on one shoulder to green on the opposite hip; flat canvas sneakers; fringe-y mesh scarf/poncho
- A patchwork maxi-skirt with a ruffly brown blouse and kitten heels
- Black leggings with shorts over them and fashionable lines running down them, jersey-style T-shirt
- Blue flared capris with a raglan-style - it zzwornnngs into an oversized sweater with jeans before Kyeo can get a good look at it
- A white suit with small navy accents
Once it's clear it's going to be a while, Zane sets to composing himself some more outfits, too.
When they're done, Zane shows him how to submit the files and Azelda finally sets down her current magazine. (She has a pile of them that she's been going through and occasionally taking notes on.) Once in the middle of the room, she starts floating as if pulled upward by her chest, head and arms extending back and down, and a runic circle appears in glowing purple light on the floor. She chants in a language with strange phonemes for what feels like a solid minute before falling into a half-kneeling position. The lighting in the room returns to normal - it got dark, despite the large windows and exterior daylight - and she brushes herself off. There are a bunch of fancy shopping bags with ribbons for handles where the center of the circle was.
Yeah.
...Journey's demonstrations weren't so elaborate or prolonged and they were also - Journey had preferences about Kyeo's beliefs and nothing else to do but try to bring them about.
Azelda spent a minute away from her magazine to pull off that, when the magazine was very clearly the only thing she preferred.
Well now he feels stupid but she really did not seem to care if they believed in magic when she put down her magazine to do her job for one minute! It will sound stupid to say that. He shouldn't have said anything. Or made facial expressions. He will drink more of the milkshake instead now that he has warmed up the inside of the sweater.
"They kick your metabolism into high gear for a while. Make your heart beat faster. Tally and I used to use them to think, to make our minds clear, back when we were... in New Pretty Town together." He gazes off, for a moment. "But, you know, they still work for the intended purpose."
It's kind of hard to hear what people are getting at the front of the line; people are chatting, but he can see what people are coming out with. This guy's got a throwing disc, this lady some bubble wrap, this guy with a toddler strapped to him and a small child holding his hand a cluster of balloons large enough that he has to squeeze out the door, this person Kyeo can't tell the gender of with a plain brown package. They seem to be getting them by talking to an old man in robes and a pointy hat.
Zane smiles at him.
"The ones here come charged. Normally when someone requisitions one at home it doesn't, to try and forcing-function people into reading the manual. I can teach you everything you need to know, but as part of that, the first part - this is dangerous. You can go fast and high on a hoverboard; that's the point of it."
"Not yet. First let's talk about your stance -" and Zane can walk him through a lot of body placement details fully on the ground. Keep a wide stance, lean like this for turns and like so for speed control; altitude changes are like this... Once he adjusts Kyeo's feet for him.
It is kind of easy to do that. Not very easy, but if he loses his balance at all the issues tend to spiral. One of these he recovers from but the next he spills off the board and goes spinning painfully by his wrists, before his momentum's spent and the bracelets set him gently down.
He can get a few in before his next fall off the board. This one's less spinny; he just kind of tips off.
After an hour or so, he can pretty successfully keep the board at a steady jogging sort of pace and take very wide turns to face and then go any direction he wants for several minutes at a time. He's getting pretty fatigued; despite his general fitness, his feet are sore from clenching and trying to grip onto the board, his arms are tired from holding them out for balance, and in general it uses muscles in somewhat different ways than he's used to. And that's aside from the falls which sometimes put quite a lot of strain on his arms and wrists.
"Oh, well, I mean - green team hey ho; green team go, go; show 'em what you practiced for, and give another greenie score." He is, as far as Kyeo's able to guess without knowing the song, on pitch, and his voice is perfectly lovely - maybe the operation did something there, too - but he's got no confidence and so the notes come out quiet and undersupported.
"Perhaps. Probably, even.
"The thing I was going to say earlier is that - everything about our environment since we died has been meticulously controlled. The people here are here for our benefit. So there's the question of, do we think they hired incredible actors who can deceive us about things, or do we take them at their word and their seeming, right?"
"The thing is, though, I didn't get the impression that Journey cared about whether I believed in magic. He did a demonstration which was not actually convincing to me, but I pretended because it seemed like the smart thing to do, to pick your battles with people who apparently have total control over you. And then a notecard appeared saying that I didn't have to do that."
"And the notecards proceeded to make some observations on things that were only in my head - not even currently, things I'd thought about before. It's... not wholly implausible that there could be some sort of highest-technological way to observe a person's thoughts directly. But their whole history, things they thought years ago? It didn't seem that implausible that there could be universes with different physics, if we posit other universes being real and accessible."
"...I had a hoverboard spill. Normally it's hard to do it quite that badly, but I asked for a bunch of reflex upgrades, and they gave them to me, and I was testing them out. I broke my collarbone." He rubs at his left one, thoughtful. "And my board. And - no one came to fix it, so I walked back, and I think I might have passed out a time or two, or at least lost track of time. When I got into town, the first person I encountered seemed shocked, and it took them a while to hail production staff but once they were contacted they came in an instant and fixed me up. And offered me, several times, a panic button I could use to summon them myself.
"Obviously that all could have been a ruse, too, but..."
Great. Does he have a freezer? Now that he has been oriented to things like "you need a water bottle if you are going to do an athletic activity outdoors" in spite of the fact that it is cold and he is in a bewildering magical universe, best practices are that if you have a freezer you should freeze your half-full water bottle sideways.
'The rose she had offered was truly an enchanted rose, which would bloom until his twenty-first year. If he could learn to love another, and earn their love in return, by the time the last petal fell, then the spell would be broken..."
The pacing's really weird; there are a lot of nearly-repeated cuts with slight variation, and long gaps between the lines of dialogue. It's not as if he's familiar with the music but it sounds like they might be adding vamps and repeats into it.
There's a beast! All of the furniture people including the bravadacious multitool / utility knife guy are scared of him.
Belle exchanges her freedom for her father's. The beast tries to get along with her because of the rose curse thing but he does kind of a bad job for kind of a while.