The Scholomance has given him a class entirely unrelated to his life. His uncle is dutiful and guides him in the ways he should be, his younger brother is filial, and his older brother is kind and compassionate and worthy of his obedience. Perhaps it thinks that he should be more grateful to his family. Gratitude is a filial virtue.
Lily takes her seat at the back of the class with as much poise and confidence as she can muster, but internally she's sweating bullets. What's the Scholomance thinking, putting her in a class where the language of instruction is Mandarin? She still has an accent! Sure, she can read hanzi, but not all of them!
Well, there's nothing to do about it but press onwards. She opens her textbook and starts to read.
The educated-sounding voice begins, "This is a seminar on dysfunctional families in literature. The family is the initial social unit in which most children grow up and it constitutes a central framework for many works of literature. Not only is the family interesting in itself, but many authors have used it as a metaphor for broader issues of the state and society. Many of us idealize the family. No one loves us like our parents. The family relationship is the one relationship that can never be broken. But what happens when the family itself is harmful? In this course, we will read several classic novels which--"
"In this course you will develop the skill of close reading. Close reading allows us to draw attention to the individual parts of a passage in order to clarify the passage's meaning and to understand the relationship between the form of a passage and its content. Why do we need to learn close reading? Close reading is an essential skill for the literary critic to discuss any text, because it lets you collect evidence which will prove your claims about the text. Close reading is also an essential skill for both casting incantations and writing your own. Close reading of literary texts trains the habits of mind which are useful for understanding spells: attention to both form and content and a clear understanding of the meaning of a passage. This habit of mind will also allow you to write your own spells with greater attention to aesthetic qualities, which--"
"I know how stories work. There's a beginning, a middle, and an end, and if it's one of those stupid pretentious novels they're having us read everyone's constantly reciting poetry, and if it's a normal novel all the porn is in the extras at the end so you probably want to skip to that."
Is he doing this? Why is he doing this?
"But for magic the kind of knowing how stories work that matters isn't that? It's knowing the symbolism you're using and the patterns you're referencing and how they all come together and what other people have done with them. And stuff like close reading does matter for that."