Haru wakes up on a completely ordinary late February morning.
That's... definitely not his handwriting. Also, it's entirely in Japanese, and written in teineigo.
Please don't freak out.
Magic is real.
I'm from the future, something awful is going to happen, and I need your help to fix it.
I can't read your mind, but if you think loudly in the direction of Iwasaki Yutaka, I will be able to hear you. I would prefer to have this conversation in person, though.
I can be invisible to Ren but not you, and last time you told her about the magic but not about the time travel.
I can stop time and include you in stopped time so you don't need to worry about missing school. It costs me magical energy, but very little of it, and this is the kind of thing I'm glad to spend it on.
You told me your door's passcode. I'm not in your apartment anymore, I'm on the rooftop of your building. I only entered to drop the note and left. I didn't know of a better way to tell you all of this, just using telepathy directly would have scared you very badly.
I would really prefer to have this conversation in person.
I don't need to be invisible to her, but I can't do telepathy to her. You are also able to get magic but the means to do so and pros and cons are the kind of thing I would like to discuss in person, and they might influence your decision to tell her.
We could wait until you're at school; I'm a student there, too, transferring today. This isn't urgent in the scale of hours.
"Mama, I, uh, got my YA novel call to adventure or something, can you bear with me for a minute while my, uh, mysterious wizard, proves that?"
"...does your mysterious wizard want any toast?"
"...sure, why not, put an extra couple toasts in for him. Should I like, tell him to come to the door? - he's telepathic and made a point of telling me he could not read my mind."
"Go ahead." She's smiling, she thinks this is a buildup to some kind of elaborately godawful bilingual pun, but that's cooperative enough for government work.
Haru decides he'd rather not meet his mysterious wizard in pajamas and takes a moment to get into his uniform for the day.
Closer to ninety seconds later:
Can you like, come knock on our door.
His mysterious wizard is a boy the same age as him, wearing the same uniform. Whatever he had been about to say seems to die in his throat and for a moment he looks like he's about to start crying but he regains his composure quickly enough to accept the plate of toast with a bow and a, "Good morning, Swan-san. Thank you for having me."
Swans look at each other trying to figure out which of them he's talking to (Ren thinks it's Haru since Haru handed over the toast, Haru thinks it's Ren since his mysterious wizard addressed him familiarly earlier) but it's Haru who says, "You can come in. Your note said 'Iwasaki Yutaka'?"
"Yeah." He sets the plate down then holds out his left hand, palm up. The silver ring he's wearing on his middle finger flashes white and is replaced by an egg-shaped silver gem encased in a golden setting. Then that glows white, too, alongside Iwasaki himself, and from Ren's perspective he disappears.
From Haru's perspective, though, something altogether different happens instead: his uniform gets replaced by a magical outfit. White tights with silver streaks down the sides going into boots; something that looks like a robe if robes were made to look sexy, also in white and silver, tight on the torso but flaring out at the sleeves, with the sides of the stomach area missing and the coattails starting above his navel so that his side abs and navel are exposed; white gloves with a diamond-shaped silver gem on the back of his left hand; a black choker with a gem that glows silver attached to it; and a buckler attached to his left forearm with a clockwork design.
Then, after a couple of seconds, he allows himself to be visible to Ren, too.
"Yeah." He starts to extend his hand, stops himself, and withdraws it then turns to Ren. "Apologies, Swan-san, I'm being terribly impolite," he says, grabbing the plate of toast again. "And I must continue doing so and abusing your hospitality: do you by any chance have a piece of string or a measuring tape or similar?"
His buckler splits in half and "opens", revealing clockwork gears that start rapidly spinning and then—stop, along with everything else.
Iwasaki releases a breath, then takes another deep one, and says, "You've died three times and Tokyo has been destroyed twice, so far."
"I wish I knew. I didn't even know we'd get this extra chance, and maybe we have as many chances as we might like, but—we tried, and we failed, and I—am kind of not extremely okay, right now, and having some trouble thinking objectively about any of this and not despairing. You d-died just about an hour ago, from my perspective." His voice grows very thick at the end there, and he clears his throat and looks away, covering his eyes with one hand. "I'm sorry."
"The first and third time you d-died to the monster that destroyed Tokyo. The second time you died to a smaller monster that you and I were hunting together.
"Magic is somewhat personalised, though there are some shared things." He sniffles and clears his throat again. "In addition to stopping time, I can rewind it, but only my own mind and whatever I'm carrying in my magic bag comes back. And I—just discovered an hour ago that I can also apparently go all the way back to, uh, earlier today. Specifically."
"I'm not entirely sure. There's a whole lot—sorry, I made a list, I wanted to go over the list at least once before breaking down but clearly that was optimistic. C-could I—I'm sorry, I know you don't know me, and you have no obligations towards me, but if—it would be okay—could I hug you?"
He seems to be trying to stop and then failing, and eventually he just gives up and pulls away while he's still crying. He tries to wipe his eyes with the back of his sleeves so that he's at least not too blind, and he looks away again, but he reaches his right hand behind (or into?) his buckler and fetches a sheet of paper with a lot of stuff written on it.
"D-do you want to—you m-might want t-to, u-um, get your n-notebook? T-to write things down a-and, stuff? Y-you know."
It's somewhat long, and is pretty dry and to the point.
To use magic, you must make a wish, and it must be something you care very deeply about. The last two times you wished for malaria to be gone. You tried to make yourself care enough about other, worse issues, but couldn't do it, whereas with malaria you cared enough about it from the get go.
You make this wish to a magical creature that looks like a foxlike plush toy called Kyūbey. He is the one enabling our telepathy, and is aware of everything we say. My trust in him is somewhat shaken recently due to his failure to inform us of some pretty important things.
Once you have made your wish, you become a magical rock, and you pilot your body remotely. Subjectively, it doesn't feel any different from normal except your dyspraxia will get fixed. If your magical rock gets farther than about 100m from your body, you will lose control of it. It is possible to build a new body, but it's very magically expensive. If your magical rock gets destroyed, you die. You can turn your magical rock into a ring, and wear that ring in order to carry it around unobtrusively.
Magical rocks have numerous powers, some common to all of us, some specialised which depend on the wish we make. Most powers require you to "transform" to use them, which replaces your clothes with magical clothes that fit you and turns your magical rock into jewellery attached to the outfit. It is possible to alter your outfit to some extent, as well as the position of your gem on it, but that latter one is needlessly annoying to do. By default yours goes on your glove, and the second time you died was by being too slow to react to a monster that took your arm.
Your personal power from your wish is healing yourself and others. Shared powers include minor telekinesis, the ability to summon and use a personal weapon (yours is a bow plus magical infinite string and arrows, and you got the associated skill to use them without much training), energy beams, minor low-complexity conjuration of temporary matter typically used as shields or platforms to jump on or off, strength and balance and resilience sufficient to hop between the roofs of buildings, self-healing and modification of our bodies (including the ability to temporarily or permanently dull or turn off senses such as pain), and minor mind control. Yes, that's fucked up.
After you become a magical rock, you become dependent on these monsters called "witches" to live. They prey on and cause suffering and despair—the first time around, one had mind controlled me into almost jumping off a bridge, but you saved my life. They are invisible to non-magical people, and hide inside pocket dimensions they have a lot of control over. They vary a lot in power, and typically have minions (familiars). When a witch is defeated, it leaves behind a dark gem called a "grief seed" which is necessary to recharge our magical powers by serving as a dumping target for the darkness that accumulates in our magical rock. After a grief seed gets full, Kyūbey needs to eat it; otherwise, it can hatch into a copy of the witch it came from.
A single witch fight, on average, covers more than the magic spent in it. However, just being alive costs magic, and furthermore, those "familiars" can escape and outlive their witches, attack and kill people, and will not drop their own grief seeds until they've killed enough people to technically become witches, themselves, usually a copy of their parent witch. Witches become more powerful, not just in numerical terms but also in abilities and complexity to fight, as they eat more people.
In a month, a huge witch, powerful enough to be famous and have a name and to not need to hide in its pocket dimension, destroys Tokyo.
The death rate of magical rocks is very high. If I had not been able to rewind time, you would have been dead, and that would have been it.
Availability of witches is inconsistent and spiky, which causes magical people to be very territorial, to the point of fighting each other if they intrude in each other's territories.
You used to call magical rocks "superheroes", but we aren't. Some of us flee the scene rather than try to save people. Some of us purposefully let familiars grow into witches (which kills people) so that we can get the grief seeds at the end once enough people have died.
Kyūbey is not very forthcoming with information unless directly asked. He never told you about the mind control abilities, despite having told other people about it. He never saw fit to bring up the death rate when offering us our wishes. He never saw fit to bring up the territoriality of other magical people, or the spikiness of witch availability. He was very unclear in his answers about how much magic tends to cost and how much we tend to regain from grief seeds, though admittedly that does have a reasonable amount of variance.
Kyūbey will hear it whenever you try to use telepathy, and seems able to hear it whenever you want to talk to him. He has the ability to appear next to you out of nowhere, even if you were alone in your room, if he wants to talk to you, or you want to talk to him. He does not seem to have a voice, and speaks only telepathically.
"That's... part of the other letter, but—the first time, after you saved my life, Kyūbey told me I had magical potential. I didn't know what to wish for, and I dithered for a long time, and then the big witch that came to destroy Tokyo killed you and the magical rock you were working with at the time, and then—killed me, I was going to die there. So I wished I could do everything right this time, that I could redo it all and fix it. And I woke up earlier today, a month ago, in my body, as a magical rock. You were still alive, we had a month to figure it all out. It felt—doable, then."
Iwasaki nods, takes a deep breath, and closes his eyes. "My name is Iwasaki Yutaka. My father is Iwasaki Iemasa, current CEO and majority shareholder of Mitsubishi UFJ Financial Group. My many-times grandfather founded the Mitsubishi zaibatsu in the late 1800s. My father is very traditionalist, and a lot more homophobic than even most traditionalist exceptionally wealthy Japanese families. When I was a kid, I tried to please him with everything I did, and got at best cold indifference and at worst physical abuse. When I became a teenager and realised I was gay, I gave up on wanting his approval.
"I'm telling you this because it's relevant context about the person I am and was and how I've related to you and to him and to myself.
"I said I gave up on wanting his approval, but everything about me was still about him. I started to want to spite him, to hurt him, to make him angry, to make him react. So I decided that if he was going to hate me for being gay, I was going to be the gayest son he could possibly have. If he wasn't ever going to love me, I was going to make sure he hated me. I went out with boys, I fucked them, I caused rumour and scandal to follow me in the posh rich person school I used to go to, I made him have to spend money on lawyers and PR people so that his name wouldn't appear on any tabloids. And then, a week ago sidereal, I was caught in bed with two of my schoolmates, and Iwasaki Iemasa decided to pull me from Aoyama so that I would stop embarrassing him in front of the rest of the Japanese elite. Today is my first day of school at Shimamoto High."
"I decided I was going to be just as much of a pest here as I was in Aoyama. I met you, and I thought you were gorgeous, and you seemed to be into me, and I flirted with you. I also flirted with a lot of other boys, but you were sufficiently disconnected from school rumours that you didn't hear about it.
"Tomorrow, in between classes, you tripped when walking down some stairs and spent a week away from school. When you came back, you looked incredibly cheerful in a way you hadn't today and tomorrow. I thought it was because you'd gotten a boyfriend—you also became a lot less receptive to my flirting then—but after talking to your friends I decided to shoot my shot and ask you out anyway. The reason you were cheerful was because Kyūbey had contacted you, though I think you weren't a magical boy then, quite yet, so you didn't refuse me.
"We went on that date, I told you a little bit about my tragic backstory, up to the part where I said I was going to be a slut and go after lots of boys. You were, of course, immediately turned off, and said you didn't want to just be a notch on my bedpost. I hadn't been thinking of you that way, but that wasn't... a bad description of it, either. So that was that, for that evening."
"We kind of—became cordial, then, if a bit distant. You were still really happy all the time, being a superhero really suited you. I was having a bit of a rougher time, for absolutely no reason. I kept thinking about you all the time, and I still don't know why. I don't think I liked you then, yet, but maybe I did. I'd been rejected plenty of times, it made no sense for me to think so much about you.
"The week after that, I was nearly killed by a witch, and you and Yamanaka saved my life. You told me a little bit about magic, Kyūbey told me more, and I kept not having any wishes I cared enough about to actually give me magic. I resented you for—being such a better person than me, in everything, for getting to go out and save people and be happy with it while I couldn't even figure out anything I wanted.
"Saturday—three Saturdays from now—the rain started. It got bad enough Tokyo went into a state of emergency. A week from then, something non-magical people thought was a cataclysmic typhoon appeared and started destroying Tokyo. Kyūbey said you needed me, that I needed to figure out something to wish for so that I could get magic and help destroy the witch. I still couldn't think of anything, but I asked him to take me to the fight, so that maybe I could feel strongly enough about it to make my wish. But I still didn't, not until Yamanaka died, and then you, and then me.
"You were on my mind again, then. I wished I could've done everything right, I wished I were less fucked up, I wished I could do it all over but right this time. And then I was back."
"Yeah. In the second one, I—contacted you immediately. As soon as I realised I was back. You freaked out, obviously, to get someone speaking in your head in the morning like that. I actually hadn't even known you weren't a magical boy yet, I thought you might've been one already. So I was the one to tell you about magic, then. You were—" His breath hitches, and he clears his throat. "So cheerful about it. And I kept thinking about you, and I—walked you from your mum's car to the school doors, and I was trying to be seductive and gentlemanly and make you like me.
"I also lied to you."
His eyes are still closed, and he's trembling a little bit like he's cold. "About—how close we'd been, the first time around. About the order of operations. I made it seem like we were closer friends than we actually were. Like we were friends at all. And you said something about—your notebook, I think, and I was surprised, and you made a face like, oh, I guess we weren't that close after all. And you were right, of course. But I hated that. I don't know why. I don't know why I was already so—focused on you. But I wanted you to like me. So I rewound time and said the right things rather than the wrong things instead."
"I was trying to be—cool and suave and sexy and someone you could like rather than pity. I was trying to flirt with you, to be a gentleman, to look like I really liked you. I'm pretty sure I did, by then. I'm not sure what changed. No, I'm certain I did, and I'm certain I don't know what changed, because I thought, at the time, that it didn't make any sense for me to be so focused on you, for me to be so obsessed with never, ever coming off badly. I failed, obviously. No one can never come off badly. —I felt tempted to say 'no one but you' right now but we've had this conversation before and concluded that it's just because I am incapable of ever seeing you as anything but the best, coolest person ever.
"We went to your place after school that afternoon, and you tried to notebook yourself into wanting something more than you wanted to get rid of malaria. You eventually gave up in frustration and we decided to do some power testing of my powers. I only knew about the rewind, at the time, but after a bit we figured out that I had the time stop, and also the magic infinite bag in my buckler. And I was absolutely certain you thought I was irrelevant at best and kind of unpleasant at worst. I didn't sleep very well that night.
"The next day, you were a magical boy. Malaria was gone. That was—when I'd been thinking about my wishes, an altruistic one like that never even crossed my mind, I'm just, I'd never, I'll never be as good a person as you are. Even if it had occurred to me, I wouldn't have felt strongly about it. Not strongly enough. I'm selfish, I'm too selfish and self-centered for that.
"Seeing you so happy made me want to see you be that happy forever."
"We pretended you still needed help walking across the ice. Just for appearances, and because I wanted to be next to you, and even pretend gentlemanliness was still—something. Better than nothing.
"Later, I—the first time around, tomorrow, these girls outed you to me. They told me not to hang out with you otherwise people would think I was gay. The first time around, I said something ambiguous, which started but never confirmed the rumour I was gay. The second time, I was very unambiguous about being gay, and about being into you personally. It wasn't a rumour when I literally confirmed it. We hung out some more, and later I—I don't remember what we were talking about. Something about how the first time went? I think I did some testing of my rewinding abilities and that was when I found out I could duplicate things in my buckler? But something about it made you—really wary. It made you realise that if I wanted to I could just rewind as many times as I wanted to get exactly the response I wanted out of you. You were, again, right, of course.
"And in the afternoon, we talked about some more stuff, and you asked me more about how the first time went, and I—didn't say anything that was false, but I lied to you anyway. And you noticed. Or—you noticed that if everything I said was true, that meant that you couldn't possibly have been that into me the first time around. And you said that you didn't want to tell me what it was that I had said that tipped you off, because you were acutely aware of the fact that possessed of that knowledge I would be able to make the conversation go right, if I cared enough, which, I probably didn't, but—
"I did. Obviously. I cared so, so much about you liking me. I stopped time, and I freaked out, and I thought about it a long time, and I couldn't escape the conclusion that I liked you, and that that made no sense, and that the thought of you hating me was the worst thing in the world.
"So I rewound time, and I told you about how the first loop went, and this time I didn't lie. I just told you everything, that we'd gone on that date and you hadn't liked me that much because I was too—you know. And then I said that I'd changed my mind. I said that the first time around, I didn't think that you were my type, but now I did. That was also true. So you asked me if hunting witches was my idea of a date. I said yes. We kissed for the first time that night."
"Yeah. Exactly. Which was the stupidest thing, wasn't it, I could've literally said exactly the same thing without the rewind, but I—felt like you'd never forgive me if I did, if you knew I'd lied. I don't know. I don't know why I was so freaked out. I don't know if you'd have forgiven me, and I also don't know if you should have."
"I—didn't really have much more to lie about, after that. I genuinely liked you. I was into you. I wanted to be with you, and no one else. I was kind of cringe and embarrassing at times in front of you but it was fine because it was you and if anyone got to see me be cringe and embarrassing it'd be you.
"But... there was one more time. ...there were a few more times. Of, because, I—"
"Iwasaki Iemasa came to visit me that week. Showed up at my apartment, more like, because he owns it, and he can do whatever the fuck he wants, of course." Iwasaki is squeezing his hands into fists, and it doesn't seem like he's noticing it, the way he's fidgeting. "He'd heard the rumours. Because I was being out and proud, for the first time in my fucking life, and how pathetic do I have to be, right? I thought I'd been sticking it to him all my life, I thought I'd been rebelling, but even when I was being as much of a fucking faggot as I thought I could be I still never—ever—confirmed it, did I. I still cared enough about my name, about his name, that I kept it to open secrets rather than actual openness. It took liking a boy, liking you, for me to be completely out in the open and shamelessly gay, for me to actually just say I was gay to whoever asked.
"So he heard about it, and he showed up at my apartment, and he—belittled me, he's so fucking good at finding exactly the things to say to trigger me, I'm not—I'm not trying to excuse it. There isn't any excusing it. But I was—seeing red. I hated him. I was scared of him. And he said he was pulling me from Shimamoto and sending me to Nada, to a boarding school, where I'd be away from—everyone, but mostly, you. And I—changed his mind. I made him not care so much about me. I made him fucking stop ruining my goddamn life for five minutes—" He stops himself, and leans forward, hiding his face in his hands, taking deep breaths.
"I tried—just saying different things. I tried rewinding. A few times. And it just—nothing worked—I wasn't trying very hard. Or very well. And he just kept—calling me disgusting. Saying I was shameful. Saying maybe I'd learn my lesson if I was away from everyone I'd ever known. That was the last straw, was when he said that. I gave up, and I changed his mind. I made him stop caring about it, I made him not—think it was that big a deal. I didn't, didn't make him love me. I didn't want his love. I didn't want his approval. But I made him feel the same way about it as he used to feel about my previous indiscretions.
"Then I told you about it. I told you about it, and you freaked out, and you said that I still had time to go back, to undo it, that you'd help me workshop solutions.
"I was angry with you, then. I, I shouldn't have been. But I was. I felt like, like you—it doesn't matter how I felt. I was angry, and so I rewound again, and I never told you about it. I never told you about it then, and I didn't tell you about it the next two times Iwasaki Iemasa came to visit me that month, when he'd realised that it made no sense for him to not care, when he realised that actually he did care. I made him not care both times. And I didn't tell you about it, because you'd have hated me, you'd have broken up with me, and you'd have been right to.
"Or, no. Not exactly. After the last one I—decided I was going to tell you. I was going to confess, to tell you everything. No, I think maybe I decided that even before that? I knew something was going to give. But I was going to tell you after we saved Tokyo. I was going to tell you after everything was okay, because I knew that when you hated me and broke up with me, I wouldn't be okay. I knew it would fuck me up so badly I wouldn't be able to fight the witch. And I couldn't afford that. I needed to save Tokyo. We needed to save Tokyo. If I was going to break down and become a mess and be unable to help anyone, that had to happen after we saved Tokyo.
"I think that was a little bit self-serving, but not entirely. I think I was right that I was going to be useless if you broke up with me. I think I am right that I'm going to be—ineffective, and broken, and fucked up, now. But I decided to tell you after we saved Tokyo, and we didn't save Tokyo, and we died instead, so I'm telling a version of you who didn't tell me he loved me back, so hopefully it won't hurt you as badly as it would've, and you won't feel as betrayed. I'm just some guy. You have no reason to care about me, and you shouldn't."
He reaches into his buckler and gets a different letter, a much longer one. "The rest of last month is here, too. But I—wanted to tell you that part, myself. It would've been cowardly not to, and I'm tired of being a coward. I'm tired of being small and selfish. But I'm still me, and I never deserved you, and I never will." He places the letter on the table, then draws his hand back.
"I'm sorry. I know this is a lot to dump on you on a Monday morning. I know I said we'd be able to be in time stop and you wouldn't be late for school, but—I can't put you in time stop without being in it. So—I can be as far away from you as this string will go, if you want to be in time stop for longer. Or I can leave. Or I can—do anything you want. I will never deserve you, but I am entirely and wholly yours, and that is not going to change, even after you throw me out. Whatever you tell me to do, I'll do. Whatever you want out of me is yours." He finally opens his eyes then pulls his gem, shining with tarnished silver light, out of his choker into its bauble form and places it on the table. He pushes it towards Haru. "The entirety of me is yours."
Okay what the fuck is he supposed to do with this. So being a superhero who can ANNIHILATE MALARIA which - he checks - kills hundreds of thousands of people annually, is dangerous, fine. Haru was not particularly expecting to have the opportunity to do it but he would in fact straightforwardly die to put malaria in the ground, and if he gets to go down swinging so much the better, gets to go down saving more people so much the better, gets to go down with magic of his own and insight into the masquerade so much the better.
But it can't be that simple, apparently, because he has this - boy - who he fell in love with, reportedly, he underlines "reportedly" a couple times, over the next month, that's so fast, what were you doing, other-timeline-Haru - no, he can guess. He was high on being a magical superhero, he was implicitly limiting his dating pool to his fellow magical superheros a little bit maybe and this one was so cute and so sweet and so magical and superheroic and went to school with him so conveniently and really really wanted him, wanted him with an intensity that Haru's kind of tempted to swoon about even getting only the corners of it through a tearful confession of wrongdoing. You learn something new about yourself for the second or third time every day, apparently, and Haru goes for, what, lunatic stalker energy - that's not fair. That is not reportedly fair. Underline.
And also Tokyo has millions of people in it. You can't let Tokyo go down to get malaria dead, even notwithstanding that if it blows through Tokyo there's no particular reason to think it'd stop there. Pin in that, what's the upper bound, is there one.
Can he just wish to kill the big witch, now that his wish is a free agent? With enough time to get worked up about it, maybe? Is that even conceptually a thing. Pin in that. Little highlighter marks in fluorescent green.
Would the creepy-ass mind magic allow for... lie detection. Used consensually, but like, that seems probably likely. Yutaka just handed Haru his SOUL. Highlighter mark.
He's going to need to do even more notebooking about this Kyubey character once he meets him but he doesn't want to spend a lot of "time" on it before that.
Is it going to compromise their ability to save Tokyo if Haru doesn't bonsai himself into dating this guy. ...he might not even have to try very hard what with the things he has learned about himself today, but he might have to try at all, does he need to do that. Highlighter.
What does he need to extract from these letters to send himself a summary if they need to go around again... he does that next, it's more likely than not premature but if he's butterfly-effected into an open manhole and dies on his way to school Yutaka can have annotated note-to-self letters for Haru attached to Yutaka's own versions. Rip rip staple staple.
He comes out of his room again after about a subjective twenty minutes.
Well, it's been twenty minutes for Iwasaki, too. He's still sitting exactly where Haru left him, but now he's holding his head in his hands, resting it on his elbows, fingers interlaced with his hair looking like he's been pulling it.
He doesn't look up when he hears Haru come out.
"—with, like, the mind magic? I don't see why not. Yamanaka seemed to think it was possible, but none of us tried it. ...Yamanaka was the one who originally told me about the mind trick, and later when she told you about it she acted a lot more contrite about having ever used it than when she told me."
"- I think you should go to school probably, and be, uh, less out than you were last time if that attracts attention from your dad, and otherwise act basically normal in most ways most of the time? You don't have to avoid me, I will probably ever have questions for you that I don't want to share with the critter and that'll be less weird-looking if we are observed to have, like, met. Ren's probably going to offer you a ride to school, you can accept that if you want or not, I don't know what your default transportation plan was."
"...no, not especially. If you're running a weird con I don't think I can protect myself from it by asking you nicely to go away, and I don't actually think you're doing that, and in the world where you are not doing that, I want to give you a hug because you look sad and because -
- it sounds like I would've loved you."
He cries himself out, then keeps holding Haru for a bit while he waits for his breathing to get stable again, and then finally, after what feels like an eternity, relaxes his hold, though he—doesn't quite pull away, exactly, so much as make it possible for Haru to do so.
I'm sorry, I'll tell you in advance if I think about anything like that ever again— His mind voice isn't quite hysterical but that's definitely the axis it's travelling in.
"I think it might not be a great idea for me to be seen walking out of the same car as Haru, at least for now. It might invite some questions."
They don't have their first class together, though Haru might catch a glimpse of Iwasaki in the hallway talking to a couple of other people, looking like a completely ordinary student. They do share their second class of the day, though, and the teacher has him introduce himself to the class. "My name is Iwasaki Yutaka," he says, smiling and bowing. "I'm a new transfer student. I'm looking forward to getting to know everyone; it's nice to meet you all!"
...the second time was... I figured out how to solo the witch, rewound to before you died, cried on you for fifteen minutes, then placed you out of harm's way and killed it. Then I physically held onto you for the rest of the evening until the next morning. ...I guess there was a pause while we were microwaving food. But it was only a few minutes you spent dead, and—
I—didn't have enough magic to rewind anymore, when you died, but I noticed a different magic thing I could do, and I didn't know what it did, but anything would've been better than you being dead. It was an hour subjective between that and—when we talked. And I—already knew you wouldn't remember me, and that I was going to tell you everything so you wouldn't be with me. It was—pretty much the same as you breaking up with me, plus-or-minus some anguish and despair. But you're alive, and that's the most important thing.
Seems like it. But not a full one. It wasn't as bad as I was at the end of the loop, but it wasn't pristine, either. I don't know how it works. It felt like using any other magic, but it was also—necessary, otherwise my wish wouldn't have been fulfilled, if you were dead and Tokyo was destroyed anyway. I think. I'm just guessing, I don't know.
It could be related to the way it works with regular rewinds. If I put a grief seed in my buckler, it doesn't stay there when I rewind, it's rewound, too. And if I used it before I rewind, it gets unused, and the darkness returns to my gem. So maybe this big rewind undid all of the power use of the entire month, but then cost some amount by itself?
If I rewind to a given time, I will have the amount of darkness I had at that time plus an extra from the rewind itself plus an extra if I used my powers during the time I rewound but that extra is only a small fraction of the cost of the original power use. And rewinds stack.
Okay. If I don't rush it it'll still be half an hour at most, maybe an hour if the witch I killed tomorrow isn't around today and I need to find another one, but it's most magically efficient for me to spend most of a witch fight doing setup in stopped time and relatively little time letting the setup pay off, so.
"...okay, I'll try. I—definitely won't remember everything. Or most things.
"Earlier today—last time, I mean—I contacted you as soon as I realised I was back. I asked if you were alive and you said—I don't remember exactly, but something like are you reading my mind, stop reading my mind, what's going on. I said I wasn't, that it was just telepathy, that Kyūbey was relaying. Kyūbey said hi. I—don't remember anything more from that conversation, in detail, that was the main thing that stuck, was you freaking out about being mind read."
"So we talked a bit, you were really happy about magic, and when we got to school I offered to help you walk across the ice. I hopped to a roof nearby then down to you, you were startled even though I'd said I was going to and you slipped but I caught you, I was really gallant—uh. Sorry. I won't add the commentary."
Nod. "I - uh - go on?" It does not seem like the ideal moment to tell Yutaka that apparently Haru goes for lunatic stalker energy obsequious devotion see this is one of the reasons it's not the ideal moment, he doesn't have a wording he wants to air in front of another human being.
"And then I walked you to the door—I started walking you to the door, you mentioned something about your notebook, and I was like, huh, writing longform in this day and age? and you made a face and kind of—withdrew a bit, I might have been overinterpreting it, but I freaked out, since I thought you had concluded we weren't that close, so I rewound to before I jumped in front of you.
"But before that, you were startled by me untransforming in public, which would look to other people like I appeared out of thin air, but I told you that the first time around you didn't seem to think there was any reason for magic to be secret. I still don't know of any good reason for magic to be secret, we actually revealed magic to a lot of people last month—I mentioned that in the letter.
"Oh also you had the idea of getting Yamanaka to try to tell people about witchzilla then."
Yutaka swallows dryly and clears his throat. "Anyway, I rewound and this time I walked from an unobserved corner rather than jump in front of you because I didn't like seeing you slip and fall. I don't remember what we talked about that time, I tried to retread the same conversational ground but you didn't get the idea about Yamanaka telling her fans about the witch that time so I suggested it instead and you said it was a good idea and I felt really guilty. —you didn't notice that so I guess that's extraneous detail."
"Um. You went to the first class of the day without me, we chatted a bit about magic in telepathy but I think you asked—him—more stuff without including me in it. Uh... I don't remember much specific from then. Then I had lunch with you and the translation club, and flirted openly with you, and Anju was like did you guys already know each other, and you went 'a little bit'. Uh... oh right I joined the translation club then, too, and tried to chat to you but you were too busy with Pride and Prejudice, and I told you that was very cool and you were smug about it. I started translating a really depressing song from Japanese to English. Uhh... Yeah I think that was it."
"Oh! Also earlier I sent you a bunch of research about TB when you'd been thinking about maybe wishing for it to be gone. You decided against it but I don't remember why exactly. And then we went to your place after school and did more research together into diseases and tractability and stuff, and you tried to make yourself care more about other diseases—uhhh, specific things you said, you were like—oh right the reason you didn't want to do TB was because it was too treatable, you were aiming for cancer or something if possible, I said GiveWell has a list of things but of course they're optimising for tractable in the first place, but malaria was on their list anyway, and you said that Kyūbey kept telling you that you still cared about malaria more and so you might have to settle for it, and I said, 'Settle for, he says, just malaria, it'll be such a shame if that's all you can do, tut tut.', and you said, 'It'll be very cool, which is half my problem here!'"
He nods. "Oh there was another thing earlier I just remembered, when we were deciding where to go you asked me if my folks weren't home, I said I lived alone and I had come to school by roof hopping but I could go grab my car or we could use yours and you were confused and asked if you'd had a car last time and I didn't know but guessed that it was actually Ren's car and clarified that to pretend I already knew from before. So that's how we ended up going to your place rather than mine. I opened the door for you and you looked flattered. —my memory's definitely biased towards stuff that made you happy or sad."
"...Iwasaki Iemasa cares very much about his image and his name. Like father, like son, I suppose. And when my cohort mates started to have their own places, it wouldn't do for his son not to, and it would especially not do for his son not to have the best, fanciest, most ostentatious penthouse any teenager could have in Tokyo, to show everyone else up and make sure they knew he is—and I am, by extension—richer and better than them.
"Although, well, I'm not unsupervised. He certainly spies on me, and keeps track of my spending. He did hear about me getting a boyfriend very quickly, last time."
"When I used to use his drivers, them, certainly. The people who clean my apartment, to the extent they know anything about what I do. The building caretakers, porters. I wouldn't be surprised if he just had someone tailing me sometimes, but I haven't caught any mysterious figures following me."
"Anyway, you got Kyūbey to start giving you numbers for how much you cared about stuff, and you notebooked for half an hour and managed to get the numbers for dementia and the flu higher by one but that was still not enough. You were pretty frustrated and I said it was maybe insane for me to offer a hug but I was offering anyway and you accepted it. That was the first time we actually hugged. Or, well, actually the first time I had hugged another human being in—I don't even know. Months at least, maybe years. So my heart was hammering inside my ribcage and I'm certain you noticed because you looked—a certain way.
"After that you decided you were too frustrated by your lack of progress and that we should test my powers and figure out what I could do."
"Right. So we moved on to testing my powers. I pretended I didn't know anything about them and started playing with my buckler to hook into 'learning about' the rewinding, but you took the buckler from me to poke at it and found the aperture into the bag of holding."
"Yeah, I only knew about what my costume looked like and a bit of the common suite—not all of it, though, since—he—was always hard to get information from and you and I weren't friendly enough for you to give me a proper 101 the first time around—and the rewinding and nothing more."
"Yeah. ...anyway, the bag of holding you found, then I pretended I was just learning about rewinding, and you suggested that I might have powers like the Harry Potter time-turner, when I was thinking about other time-travel related powers. I tried to decide to appear somewhere if I did have them, you speculated that I might not have been able to trigger the causeless stable loop and I should avoid doing things that might make me meet my selves at least at first, so I jumped out the window to try to make it work. It didn't, but that's when I found out about the time stopping."
"I'd also figured I might be able to bring other people with me so I took your hand and we found out I could. I demonstrated dropping a pen and it freezing midair and you—bounced in place and grinned and said that it was probably going to be really useful. We tested that I could unfreeze you and freeze you again, and I showed you how I only pay the cost of stopping time at the end when I resume, so you suggested that I get some light measurement device to try to quantify it.
"...I don't really remember anything more specific after that. We talked about... the nonspecific powers, I demonstrated telekinesis and vanishing my buckler, you suggested that I go fight witches with Yamanaka... Then I told you about the time when Tokyo was destroyed which had been subjectively less than twelve hours earlier and I had a panic attack about it—oh and there was a thing you'd said first loop—uh, first loop you got into a fight with some magicals, I don't know which, and you were like, if we all coordinated and exterminated all witches we'd all die but what a way to go, but we won't all coordinate because most of us suck."
"You hugged me about the panic attack, and—there was something you said that made me convinced you were extremely put off and annoyed that I was having all of these feelings in front of you while you wanted to be learning about—magic and stuff. I think I said—I apologised for dumping my feelings on you? Wow I'm so fucking predictable—sorry—and you said something like I don't need to let go until I'm ready which I interpreted as being—kind of fake concern. I don't know if it was. But there had been other things and with my headspace I just decided that you didn't really give a shit about me except for—why am I saying any of this I'm pretty sure you didn't read my mind about any of it and didn't notice."
Haru doesn't exactly object to having more information even if it's not exactly what he requested but he can't reconstruct shit from "something that made Yutaka convinced he was put off and annoyed".
"I mean, I can tell you I don't go around faking concern for people - I guess it's not completely impossible that I would have done something like that if, like, I wasn't sure you were sufficiently invested in me and I really wanted a magical ally, but that doesn't square with what you said happened in the rest of the loop I don't think, so, I think my conclusion is that I meant it."
"Next morning you looked incredibly happy because you'd become a magical boy. I asked if it was malaria and you said it was. I said I wanted to see your magical boy outfit and you said you shouldn't vanish right then but that if I was just curious it matched my description from the previous loop, and I said something like... what was it... I think I said that it was just an excuse for me to spend more time with you? And you said I should have patience and I replied that I hoped you were talking about magic there because I'm really, really gay."
"I think I told you then about how someone was about to out you to me at the end of that class but I don't remember exactly how that conversation went. I flirted pretty outrageously with you, I think you said something like how I wouldn't be able to head off the rumours nearly as effectively this time around and I said, well, if nothing else the guy I—I said 'the guy I'm interested in' at the time but really I meant 'the guy I like' only it made no sense—if nothing else the guy I'm interested in isn't about to be gone for a week so I'm going to have a whole extra week to—no idea what I said exactly but I meant 'simp for him'."
"—man how do I even explain that. It's—be really into someone, really visibly, kind of embarrassingly, when the feelings aren't reciprocated. Like, you know when fangirls are really thirsty for J-pop artists very loudly and keep talking about them all the time and have pictures of them in their notebooks and stuff, that's simping."
"...I, uh, I said—that of course if you didn't feel comfortable I wouldn't but I had my phone in a pocket universe half the time, and—I'd—sorry—I'd j-jerk off to them so much, and I'd have something of yours that literally no one else did, only me, they were for my eyes only, no one else could ever see them—unless you broke up with me, of course I'd delete them if you broke up with me—"
"Okay, well, the reason it would have been kind of hard to talk me into that is that - once you have them it's for keeps, in practice, even if something bizarre happens, you can say you'd delete them but people don't in general accurately speak for their post-breakup selves. You don't have to delete them. This was - priced in."
"Haru. I understand that I don't have to. But I don't want to—have something that'd make you sad, or that—isn't—for real, it's not, it's a you but it's not you, you don't remember agreeing to it, you wouldn't agree to it right now, I—I'm yours. I'm not going to do just what I have to, I'm going to, to do whatever will make you happiest, however I can."
"Then don't destroy information that I will want again if you have to go back to this morning, again. - besides. Your photos are your - like - I know most people do not relate to their offboard memory storage the way I do but I'm going to assume you can't imagine me asking you to get rid of your memories, right. You can have the pictures, I am reasonably convinced you acquired them fair and square. It's just weird is all."
"...okay. That's fair. Sorry." He transforms, grabs his phone from the buckler, turns off mobile connectivity so the network won't freak out about the same SIM existing twice, then opens the folder with Haru's pictures and gives Haru the phone.
There are... quite a lot of pictures. Selfies Haru sent him, sleepy morning selfies and bathroom selfies and random selfies, there's so many pictures Yutaka himself took, candids and pictures of Haru smiling for him and a picture of Haru in a restaurant with sauce on his nose, there's a bunch of selfies of the two of them together, in parks and restaurants and at school—they look happy. And then, yes, the nudes, two of them, with Haru looking kind of awkward and embarrassed and smiling and blushing.
Haru takes a while to look through them all. Takes notes, occasionally.
They look so happy. Haru looks - self-satisfied and - like he thinks he's really lucky - like taking a spank bank picture for his boyfriend makes him a little squirmy but not like he's actually at the moment the shutter snaps conflicted about it per se -
He looks at each photo and gives the phone back.
"Where even was I... I said I was simping for you. We talked more, but I don't remember exactly what about. Magic, probably, it always made you so happy and even though I was just sitting behind you I liked that so I'd definitely be aiming at the topic, but I don't remember what exactly. I know at some point very early in the loop we talked about me getting guns and I cold read you about Charlie to guess that he's a cop, that might've been then, I suggested going after the yakuza and the police and the military to copy their guns—I never did go after the yakuza even though I got a lead, but maybe this time I should get really heavy artillery and they might have any, but maybe military—got distracted."
"After class the girls showed up. I asked you to walk away briskly so that I could make a show of being anxious about it and eventually interrupt them to say I needed to go chase after the guy I liked. Worked flawlessly, I looked like such a simp, it was great. I think actually I said I was trying to win a boy's heart."
"—ah and after that was when I—tested whether rewinding duplicated things, and I didn't tell you about it, I just presented the result to you as a done thing. The first go through I tried to convince you to let me walk you down the stairs by saying that it would've been so gentlemanly of me to do so but you didn't need it anymore and you just cheerfully said 'I don't!', I still don't know if you entirely missed that I was flirting or if you just ignored it, probably you missed it. Second go through I was more direct, I said that while I'm not so selfish as to wish that you were still dyspraxic I still missed the opportunity to be gallant and chivalrous and stick by you, and then you responded by saying that I could do that outside in the ice for appearances' sake."
"First time around the football team captain also showed up to harass me but the first loop he withdrew his invitation when the rumours that I was gay started circulating, so I told you that he'd been about to show up and that I was going to be flirting with you a lot out loud so that he'd overhear it and give up before he tried, and so I started talking about you teaching me English and how I really wanted my teacher to like me and—
"That was when you figured out that I could be dictionary cracking you if I wanted to be. You didn't tell me then, you just suddenly got really reserved and I asked if I was being too much and you said not necessarily and I said that that was better than an unqualified 'yes' and you said you'd think about it and get back to me but you were clearly kind of put off by something and I asked if I should stop flirting and you said it was fine but you'd be a bit arm's length. And then we kinda stopped talking after we got to class."
"Later that day you kinda told me. You'd spent the day practising with Yamanaka while I went raiding a military base and a police station for weapons to copy, and when I was done I talked to you in telepathy and we talked about—something inconsequential, I don't remember—but you hooked into asking me about how the first loop went and I'm completely certain you were angling for finding holes in what I'd been telling you. God, and I'd been trying so hard to hide it, it was such a waste, and of course you were smart and attentive enough to figure it out—what I thought is irrelevant."
"I know, just—if I let myself I'd wax poetic about how everything about you is perfect and we already know I think that so it doesn't super have any content. Plus I keep noticing this impulse to flatter you because I know you like flattery and I don't want to—give in to those impulses."
He nods. "You like flattery. You like—being the center of my life. You like how much I like you, how devoted I am to you, how much I'm clearly head over heels for you. You like how effortless it is, you like that you don't need to do anything and you can just be yourself and in the course of that I'll go crazy with wanting you.
"You like how attentive I am. You like that I open doors for you and I carry you to the bed and I dry your hair after a shower. You like how much attention I pay to you and how much I try to anticipate your needs and wants. You like how much I know about what you like and try to give you it.
"You like how much I've shaped my life around you. You like that I have a whole list of restaurants that I want to show you without repeats, you thought you didn't really care that much about food but that was more because you hadn't really had delicious food before, I'd actually been planning on trying to learn how to cook to please you. You like that I'd die for you.
"You liked it when I saved your life. You liked how angry I was that something dared to hurt you. You like how protective I am.
"You like that I'm very serious about what I care about. You like that I've been so single-minded about saving Tokyo even when it's hard, you had—a much higher opinion of me than I did, honestly, I wasn't doing it because I'm a good person—but I do admittedly take things seriously, a lot more than I thought I did.
"You like—should I pause here before I talk about the sex stuff?"
Oh god is Haru going to start fucking crying to mourn this relationship that he supposedly had that was founded on a web of lies just because it - okay that "just" can fuck off, that doesn't belong there. Is he going to mourn this relationship he can't remember where he was cherished and worshiped and adored and protected and doted on, yes, he fucking is, and whether that involves tears is maybe an open question. How about not right now, okay, eyeballs. He blinks. Finishes the phrases he's jotting down. He will have a completely unrelated problem if they talk about the sex stuff and he'd like to have a completely unrelated problem at the moment. "Go on."
"You like that I'm hot. That probably wouldn't make or break anything but the fact that I'm hot goes on the plus column.
"You like being kissed on the back of your neck. Like, a crazy amount, so much so that when we first started making out but before we'd had sex you would eventually ask me to stop because it made you start to forget yourself.
"You like being selfish in bed, and you like that I genuinely want you to be. Getting you to actually believe that you just telling me what you wanted was hot for me, getting you to actually believe that I really didn't particularly want reciprocation and really did just want to do whatever you wanted for your own pleasure without having to worry about mine, it was still a work in progress, but it's true.
"You like getting blowjobs, you really really really like getting blowjobs, and you extra like that you don't need to give me blowjobs, that I can and do get off from sucking you off. You kept—it was like you couldn't conceive of the possibility that someone could get off on you getting off. The first time we had sex I—I guess now that I started talking about it I should keep going—I came from making you come, you didn't need to do anything, just from me sitting behind you and touching you and jerking you off and kinda pressing myself against you.
"You're vers. When you bottom you like it when I'm behind you and can kiss your neck while I fuck you, and when you top you like me to be facing you so you can see my face and we can kiss."
If Haru cares to look he might see that Yutaka is visibly aroused.
Nope he is studiously keeping his eyes on his notebook while he jots that all down as clinically as possible which ISN'T CLINICALLY ENOUGH. He was so right about having a completely different problem! He is sure having that completely different problem now!! "Mm-hm," he squeaks.
"Anyway, yeah. And I'm a really selfish and self-centered person and I just can't stop—wanting you—so I keep finding myself slipping into—saying things I know you'll like to hear, acting in ways I think will endear you to me—and I keep trying to correct away from that, but I'm—sorry. For when I fail. I don't want you to—I don't want to do the mundane version of dictionary cracking you, of figuring out the things to say that'll get you back to me. It's why I'm trying to just—stick to answering questions. Because if I start doing things that I want then—there's really only one thing I want—I'm doing it again God fucking damnit shutting up now."
Ahaheheh selfish and self-centered, he says, after explaining that his kink is somehow - okay no there was other content there and Haru should stop thinking about Yutaka going down on him actually now. He can think about that later! When he is alone!
"There's -" There's two things keeping us from being boyfriends right now and one of them is your various ethical failings and the other one is that I don't remember anything but those could both be solved separately and you're making lots of headway on the both of them independently probably. Is that true? Pin in that.
"I -" like it when you talk to me like that, except obviously Yutaka knows that and thinks that's the whole problem, is Yutaka actually too wrapped up in guilt to want - to endorse? - to be interested in hypothetical ethical ways to achieve? - getting back (?) together, should Haru not be tempted to problem-solve this at all -
"Um." Just a space-filler.
"...we've been skipping around, can you cover the rest of the month."
"Okay. ...this one is probably important though because it was one of the times I rewound you. You wanted me to tell you stuff about you, how much time we actually spent together and how memorable it was." He laughs that little humourless laugh of his. "I flirted, I said of course you were memorable, hadn't I been making that obvious? And I told you about how the first month went in very general terms, even more general than the letter I gave you, and I tried to make it sound like we were closer, to make it sound like our date was later than it actually was so that the fact that we never had a second date was less suspicious, tried to cover that suspiciousness even more by adding speculation, talking about how I was fucked up by my near death experience and then the wish thing, saying that I was kind of distant. With—what I know now about who you are as a person—my guess is that if you'd liked me on the first loop you wouldn't have let me just 'be kind of distant', you'd at least try to ask me what gives, or something like that, and the fact that I didn't include it in my summary must mean that you didn't care that much and the fact that I hadn't said anything obvious that'd make you not spend time with me must've meant that I was trying to cover it up.
"You were correct about all of that, obviously. At one point you expressed mild confusion and when I asked you said you kinda wish you could ask your original timeline self some questions and that you didn't usually need to reconstruct your own motivation from secondhand reports. I told you about my wish, and told you that part of the motivation I had for it was that one of the regrets I had was that I was not great to you and I'd pushed you away and never got to really spend time with you. You asked what I meant by not great. I deflected, you were trying to—not be obviously suspicious, I think, you said you couldn't figure out why you hadn't followed up but given that apparently you hadn't it made sense for me to not invest too much in you. I asked point blank if you thought that if you'd liked me you'd have acted differently. You said it was weird that you didn't tell me why you weren't going for a second date. I asked—something, I don't remember—you said that you think I'm not telling you everything and you're acutely aware of how if I find out what exactly tipped you off I could try again with a better story.
"I did exactly that, I stopped time and freaked out and concluded I was obsessed with you for some reason and then rewound, and that time I told you the truth. ...most of the truth. I think I overplayed how interested I'd been in you the first time around, I was really very interested then but the first time around I was—hung up on you but in a different way that I still don't really understand but which wasn't just straightforwardly liking you."
"It wasn't a revelation. It was just—feeling guiltier and guiltier over time about hiding stuff from you, about having done that to you, robbed you of your memories—I actually lied to myself for the longest time about that, I was sublimating my guilt so much it was making me physically nauseous, until I couldn't really sit on it and pretend I didn't know—and just—exposure, I guess, to you, to someone who could be—so unwaveringly good, there wasn't any specific individual thing, it was just obvious eventually that I had been wronging both of us for a long time and I'd rather not have any relationship at all than one that was predicated on lies. Even if I knew that I'd—even if I guessed what that'd do to me."
He nods. "Anyway, uh... So one thing I had said the first loop around, on our failed date, was that I—hadn't really considered what my type was, what kind of person I wanted to marry, and I didn't know of a way to find out without trying it empirically. As a way to justify being a slut. It wasn't a very good justification but it wasn't—false, exactly. And this time I said to you that at the time I didn't know what my type was, but now I had—a top theory, and I wanted to figure out if I was right about it. And you said 'okay' and I said '...okay?' and you asked if hunting witches was my idea of a date 'cause you wanted to hunt witches and I reacted like—well, you know. A simp.
"We hunted our first witch together that night, we were mostly in time stop and shot it with a bunch of bullets and arrows and we—killed it just like that, we were expecting it to be a lot harder, but it was just overkill. And after we did I kissed you and we made out on the sidewalk for kind of a long time and then we went back to my place and made out some more and that's when you learned you enjoyed having the back of your neck kissed a bit too much. Then I took you to the same restaurant we went to on our date the first time around, and this time I wasn't an ass."
"Um—I'm not sure what level of detail to keep going at—also, uh, it's kind of getting to dinnertime—normally I'd have—I mean—do you want to go have dinner and we meet up again afterwards, or just tomorrow, or—this would be a good excuse for you to do some notebooking about this rollercoaster if you wanted one—"
AAAAAAAAAAAUGH if you had asked Haru in advance he would have said "why yes of course I would absolutely hate it if someone else were in a Groundhog Day loop and I couldn't remember anything that had passed between us" so perhaps this is not the most informative augh-ing he should be doing right now but he really really does not like this.
...he is going to go scoop rice out of the cooker, rinse out the bowl and put in another batch to be ready in the morning, and dump leftover stirfry on the rice. He forgot to microwave the stirfry so he has hot rice with cold stirfry on it. He microwaves the entire thing for thirty seconds and then lets it languish in the microwave for a few minutes while he assigns numbers and indexes everything Yutaka told him so far and gets it into a clean summary. Ren has a printer that doubles as a flatbed copier; he runs off copies of his original notes to staple to the summary to go in Yutaka's bag of holding.
For in case he dies. Again.
God.
He doesn't want to die. He doesn't want to forget. He doesn't want to be quite so viscerally aware down to the hairs standing up on his arms that this could all be a very convincing very heartwrenching scam.
He eats his lukewarm rice and stirfry without tasting it and then he goes back into his room and re-reads the sex notes and jerks off and writes some more once he's got a head clearer of at least one of his numerous problems.
About an hour later: Done for now.
"...start of day three, I mention to you that the entire school will be certain we're dating while I'm walking you across the ice, you're like 'they'll be so well-informed', I suffer a brain malfunction from the idea that you're so casual about the idea that we're dating because I hadn't really put it in those words in my head, you call me cute, I ask you if I'm allowed to kiss you, you say I am, we kiss right there in the middle of the parking lot where anyone could see so it's really no wonder Iwasaki Iemasa found out and it's kind of shocking it took him that long. Maybe it only took that long because he wanted to make sure I'd have a guaranteed spot at Nada High before he showed up to tell me I was going there..."
He keeps going at that level of detail. Tells Haru about PE and Ashikaga—whom later in the loop he found out had been pissed off because the girl he liked had been one of Yutaka's groupies even after Yutaka was already known to be gay and so he'd been taking it out on Yutaka—and about joining the baseball team, about them having lunch together with the translation club, about power testing with the fancy light measurers in his fancy apartment.
"I committed to waiting ten minutes even after I was done with the rewinding tests so that you wouldn't at any point experience being in a doomed timeline. Fucking..."
He sways in place a little bit and swallows dryly. "Yeah. A-anyway... We did homework together..." Then they went out witch hunting, and Yamanaka went on the first diplomatic overtures to get that map of the Tokyo area and its magicals. They went on another date. They tried to find another witch and both witches they dowse are outside their territory. They went home, and they slept.
Next day—right. It's the day Iemasa shows up after school. There's some more snippets of conversation he remembers before that, like someone who thinks he only liked Haru for being the only other openly gay boy at school which is fucking ludicrous—sorry. They also have, or don't actually have, "the monogamy conversation", in which Yutaka is hilariously oblivious to how much of an understatement "monogamous" is as a description of what he is. "I was so fucking stupid," he sighs.
"My father was waiting for me in my living room. He demanded to know what took me so long to reply to his message the day before, certain that I'd spent the night with a boy. I had, I'd spent the night with you saving lives. I couldn't tell him that. I tried to deflect it, and he insisted, so I said I'd spent the night with a classmate and didn't have my phone on me. I said we'd done homework together.
"And then he asked me if it had ever occurred to me that my actions had consequences or if I was always so busy begging for other people's attention and love and for them to overlook all of my flaws that I didn't have any time to think about that."
"He told me he'd raised me to play these games better, that he'd hoped I'd learn. I told him he hadn't raised me, he just hired other people to do that and then passed judgment on their results. I told him he'd never been there, and that maybe he thought this was normal because his father had raised him that way, but that when other fathers talk about raising their sons this is not what they mean."
"He was very incredulous that I'd say something like that to his face. He said that he'd hoped I'd be able to make it a week at Shimamoto before creating a mess for him, but clearly that was too much to hope for. He said he was withdrawing me from Shimamoto and enrolling me in Nada. I tried to argue and tell him I'd behave, I'd be discreet, I'd do anything, anything, because I could not—bear—to be away from you—he said if I could behave he wouldn't have had to deal with the past seven years of headaches I'd given him and he wouldn't have had to deal with his own son dragging his name through the mud by being a homosexual in public."
He smiles bitterly. "I tried being meek, I tried being assertive, I tried being political. He said my actions were disgusting, he called you a foreign homosexual and the reason why Japan should have stricter immigration laws, he said I should be away from the people I'd known so that I wouldn't have such easy ways out and could learn how to be an adult."
"You know, at one point you said to me that one shouldn't be willing to edit someone's mind if they weren't also willing to just kill them. The amount I changed Iwasaki Iemasa's mind was less extreme than that but—right that moment, if you'd given me a button to push—
"It's so silly. Isn't it? I'm a powerful magical boy. He can't do anything to me. He wanted to enroll me in Nada, so what? Why should I care? I can stop time. I can kill eldritch beings from his nightmares. I could turn him into a smear on the floor. He's nothing.
"But he didn't feel like nothing. It didn't feel like I could just ignore him. Like it didn't matter if he wanted to take me away from you, that he didn't have any power to do it. It felt like I was still a little boy who couldn't do anything to escape him.
"So that's why I changed his mind. I'm not proud of it, and I wouldn't do it again, but that's why I did it."
"So after he left I telepathied you. You were in the middle of—a private moment—and so I called you on the phone rather than keep using a less secure means of communication, and you asked if Iemasa was gone and I said something like—I made sure he wouldn't bother me again—and you freaked out when I explained that I'd made him not care as much about my actions—and you said that we could still fix it, I could rewind and we could workshop solutions that weren't that and I was—really angry. With you. Because it felt like—it doesn't matter. You said that him abusing me excused a lot of shit but this crossed a line, I asked why I should care about someone who made my life hell for two decades—other way around probably—and you said that it had seemed like I understood why it was wrong to rewind and steal someone's memories but clearly I hadn't stopped at that either—
"So I stopped time, cried for half an hour, then rewound and never told you about any of this. Because I was insane, because the thought of you breaking up with me over something like—Iwasaki Iemasa—was the worst thing that could possibly happen in the whole world."
"I'm sorry. I know it didn't actually affect you, this version of you, but—I wanted to apologise to you then. And I should apologise here. I'm sorry. I'm sorry I took your memories from you, I'm sorry I decided for you what the contents of your thoughts should be, I'm sorry I—optimised you. I'm so sorry."
He takes a few more seconds to regain his composure, sniffles once and wipes his eyes with the back of his hand, then keeps talking, without looking up at Haru. "We went out to hunt witches. Yamanaka had sent us a map with the magicals per territory in the Greater Tokyo Area." That was in the letter. "I still have it and I added commentary." That wasn't. "She had marked the Shibuya bunch as relatively friendly," so they went towards that area while dowsing.
They found a cherry blossom witch, then had a date in Shibuya, then tried to find another witch. They found the creepy witch that smelled like blood, killed it because the Shibuya bunch weren't around. They went back to Yutaka's, made out some more, then Haru went back home.
"Of course," he says, sounding a little bit like—well, like he finds the idea that he would ever say no to Haru so insane it's actually confusing. There's a paper map but also one on his phone he can text Haru, and it's that one that has a better description of the magicals in each area. These are 13. These are selfish cowards. These are downright evil.
Haru has recovered a tolerable level of emotional regulation by the time he shows up to school in the morning with Kyubey on his shoulder, workshopping wish ideas. If this keeps happening, he remarks to Yutaka on the way to his second class of the day, I should maybe give you copies of all my assignments and homework, free up more of my time to concentrate on important stuff instead of on keeping teachers off my back about unimportant stuff.
So maybe I don't have the oomph but five of us together would. And then we have to... support five of us plus you on the available witch supply, so that's tricky, but it sounded like the civilian population wouldn't really miss that girl in Chuo or some of the others, so maybe the territory map's due for an overhaul anyway.
Yutaka and Haru share their second and third classes of the day on Tuesdays, but Yutaka didn't walk with him between them. He spent some time surrounded by people—there are rumours going strong about his parentage—and walked into the history classroom after Haru did.
Haru goes home. He does all his homework and runs off a copy to go in the bag of holding for later.
He starts... a list.
Stuff We Would Need To Try Eventually If There Were Going To Be Like Fifty Loops
(If the multiple wishes toward killing the witch doesn't work)
- break into the prime minister's house (or possibly some other figure's house) and bring them in on the masquerade for support finding the witch earlier when it's out to sea
- have me wish directly for some kind of combat applicable power
- go to other cities & maybe countries to recruit help, if necessary have them write letters to themselves to make it possible to speedrun this in a later loop
- *plan in vacation loops*, if there are going to be like fifty of these Yutaka's mental health is *the* limited resource
- have a letter for Ren (and some kind of plan that is probably not a letter for deflecting Iwasaki Sr.)
- exotic mundane weaponry vs. witchzilla esp. combined with meeting it out at sea
He carries on in that vein for a while till his ideas are markedly worse in quality, and has dinner (he's making spaghetti for himself and Ren).
Busy?
He covers his eyes. "Haru I want you more than I knew it was possible to want someone. I love you. The thought of creating a, what, pretend loop? A taste of what I can never have? No. I can't, I can't do that." Another whimper. "I-if you want me to I will b-but. I don't think it'll have a positive effect on my 'mental health'."
"No obviously don't do it if it'll make you worse, but - what do you mean, pretend loop, I'd be writing myself a letter that reads 'magic's real, we have a multi-time-loop plan to save Tokyo but it's taking ages and for time traveler maintenance reasons you need to go be doted on on Bondi Beach for a month, it'll be a blast, here is lots of proof that I am you and authorized to decide that's what you're doing now' -"
"...I don't want to be with you if you don't want to be with me? I don't want you to—notebook yourself into wanting to be with me. ...I know that makes it harder. I, I know. I, I can make myself functional. I can. But not by—giving me a temporary thing, being with some—version of you that—isn't going to be there after everything, or who was—put there for the sake of Tokyo. That would not make me functional. That would make me depressed and like I'm hurting you even more than I already have."
"I wish you were the one in the loop, not me. I, I wished that so many times. I wished you'd just tell me what the right thing to do is, so many times. You'd do so much better at it than I can. You'd—you wouldn't have to deal with me. Let me be a mistake you made once.
"I can be functional," he repeats, more forcefully. "I just—lost you yesterday. I saw you d- I saw it happen. I was next to you." His hands are shaking, and he's keeping his gaze firmly locked on the floor between his feet. "And I th-thought it was for real, at the time. I thought you were g-gone. And—you're alive, and that's, that's the most important thing. There's nothing more important than that. When I woke up yesterday morning in my bed I cried with relief that you weren't gone.
"But I still lost—being with you—so I just. I need to grieve. I need to be sad for a while. Maybe someday I'll get inured to you dying, hopefully I'll be able to deal with not being with you—by the end of this loop—but I can't do that in a day and a half. I'm sorry."
"- that makes sense, this is really - fast - I've been - I - shouldn't - ugh." Which is worse, functioning with no hope or functioning with uncertain hope. He can't tell Yutaka "maybe" and he absolutely extra definitely can't tell him "maybe, if you continue to make a really convincing demonstration of having given up manipulating me and doing mind control", talk about self-defeating. He could offer him another hug but maybe that'll make it worse.
"How about we just go over the rest of what I've forgotten for now instead of making longer term plans now, then."
He nods to his shoes. "Sorry. I wish I were easier to deal with.
"When were we, Friday, right..." That's the day he got the lead on the yakuza that he never followed up on, and also the day they met the 13-year-olds. In retrospect they were kind of surprisingly mature for their ages, especially compared to the 11-year-old he met earlier today. They couldn't find a witch in their territory so instead they went on their first movie date and watched something that made Yutaka terrified and cling to Haru. Yutaka can go over the plot of the movie or not, Haru's choice, though he expects Haru to not care so much. That was also the day he told Haru that he'd really like it if Haru were really selfish in bed. He mentions the expression in English that Haru used to explain his confusion, "like to have their own way". He doesn't belabour the point, though, it's just that from the way human memory works he has most resolution on memories that were emotionally salient and that was one of them.
Saturday is when Akira texted him. He doesn't remember exactly how he explained the Akira and Toshiki situation to Haru the first time around but he remembers that he did so he can just reexplain it here.
(And... look kind of extra miserable while he does. Or, more like differently miserable? Like a different aspect of the situation has been made salient for him to be miserable about in a different way.)
This kind of miserable doesn't make him cry, but it does make him hug Haru back just as tightly. "There won't be any point in me trying to fix that until I know I'm out of the loop, will there. I'll just be—hurting myself, and finding new ways to hurt them as I do that. But if I wait until the end of the loop then that in itself will hurt them. They'll both be very upset with me if I don't talk to them for a month."
The first selfie Haru sent him was that day, in response to Akira. Some of the other candids Yutaka took were also from then, just before Yutaka went out to have lunch with Akira. He... will not recount the very upsetting conversation he had with Akira. Later that day Haru told Yutaka he liked him, and after that they talked to some more lukewarm magicals. Same level of detail for Sunday, and then on Monday Yamanaka introduced them the misandrist magical girls and they gave the girls the seed they got from the witch they killed in their territory. And after that they fought the origami witch.
They're in a bit of a holding pattern while various potentials, one of whom is a respectable fifteen but one of whom is eight, are met. Haru gets in touch with Yamanaka and calls Yutaka over to her apartment, which isn't as swanky as his but is a lot more charmingly decorated by someone who cares about it a lot more.
"—no! Why would I do that? I don't suck anymore. I probably still suck but not in any ways I know of, I just sucked a lot for a long time... But I wouldn't lie to you. Not anymore. It was so bad. I'm sorry Haru. I love you so much... I shouldn't have done any of that."
Haru gets an Uber because he still has dyspraxia.
He ensconces himself in his room with a bag of cookies and eats his way through them steadily with one hand while he writes with the other.
God, that was so fucked up and he's so sorry but what else could he have done. No, really, could he have done some other less fucked up thing. He should... have come up with approximate gameplans for both broad possible classes of response he could have gotten, and then he wouldn't have blurted out something stupid and hurtful. That's something he could have done. Could have skipped the mind control... well, like, yes, no one was mind controlling him into doing it, but then he wouldn't know, and now he... probably knows? He knows more. A larger number of different things would have to all be conspiring for him to not know, at this point.
The two reasons he's not dating Yutaka are, one, that Yutaka did some fucked up things, which he isn't going to do any more and in specific is not going to do any more because he caught ethics like a fucking case of the cooties off Haru, and that's the most romantic thing Haru can think of, that's his personal stupid fanfiction plot that's like chocolate-covered crack, that he's just that good and that admirable that even ignorant and innocent he can bring the villain to his knees and have him eating out of his hand. Metaphorically. He's pretty sure he does not literally want to hand-feed Yutaka though given the density of personal revelation he's been having lately he does give it fair consideration in a margin in small handwriting. It would maybe be cute to feed him a forkful of cake or something if they were eating cake? There doesn't seem to be anything deeper there. Moving on.
The other reason is that Haru doesn't remember their history in which they were dating.
And Haru hates that, he hates that with a terrific violence, like he can't breathe through the lungful of nothingness that is his memories of the last two times he lived through March, and he pauses, briefly, in his scrivening, to ask Kyubey, and - yes, he could wish his memories into place. But then what. Then where would they be. That wouldn't help with saving Tokyo at all and it would leave an inferior world in which to do so if they succeeded anyhow and if they failed he'd be back on that morning, his letters to himself on his desk, having forgotten this very moment that he is even now trying to catch on paper against the possibility -
Haru hates that he doesn't remember and it makes him want to demolish the forgetting's sequelae in - revenge. Fuck this ignorant amnesia and the time travel it rode in on. He could re-read all his notes about the missing time, and look at all the photos again, and reconstruct something serviceable, he could pretend, really hard, that he remembered, and then he could kiss Yutaka and say "now where were we" as though he knew what they were doing and he could have him then and there and -
Haru grabs a tissue and wipes his eyes.
He's really jealous of the hypothetical instance of him who gets seduced away to Bondi Beach. That sounds really nice. Ren went there once on Christmas break while Haru was at Charlie's, she loved it. And he'd itch, he'd know there was something he wasn't telling himself, but if he believed his letter that it was part of the plan, that it would in fact in the long run help save Tokyo that he spend this month that he'd lose later at least enjoying being in a doomed timeline, he'd do his part, and accept the roll of the dice that got him the cushy vacation with his time traveling boyfriend job instead of one of the versions where he has to break into the Prime Minister's house.
And Yutaka doesn't want to because if a later loop of Haru gets different information and tells him to fuck off that's worse than nothing, which is completely fair.
Haru hates that he doesn't remember because if he remembered he would be in love and then it would be easy. The Haru in the photographs would just take that chocolate-covered-crack declaration of repentance and - what do you do with chocolate-covered crack, do you eat it? do you smoke it? this metaphor is unsalvageable - he'd take it, anyway, and he'd say, I love you, I forgive you, don't you ever do anything like that again, we'll figure this out together.
This Haru is not a photograph and he does not remember and he's crying about it but he's not in love and that makes it difficult.
What does he want. To be seduced away to Bondi Beach to fucking save Tokyo and as a stretch goal to be mentally intact and magical and to eradicate malaria and stuff.
What does he have. Yutaka's eternal devotion. The wish-potential to put malaria in the ground.
How does he best use the latter to get the former. That's the tricky part, it always is.
What kind of person is he.
"Hi." Haru's eyes are a little red, he doesn't have a complex about someone observing that at some point in the past his tear ducts may have operated according to their teleological purpose. "So - uh, this is hard to say but I think if I'd tried to workshop it into a nice polished script it'd have taken long enough I'd've had to put this off till tomorrow, ugh -"
If there's anything that can turn Yutaka's smile into a look of pure panic it's seeing a Haru who looks like he's cried. Yutaka is suddenly on his knees in front of him, looking up at him. "Haru, what's wrong? Please, don't cry, why did you cry? It can't be because of me, I don't, I'm not worth that—"
"There's." Haru flips open his notebook a little, rereads a couple things, closes it again. "There are two reasons we're not dating right now and one is that you did some bad things and the other is that I don't have continuity with last loop's version of me. And those are both - reasons, but they're - solvable independently? And you do seem to have fixed the first one and I can - guess, mostly, extrapolate and - try to inhabit, the way it'd be if I remembered, but the facts don't match the feelings, except, again that could be solvable independently -"
"Then if I'm going to do this right..." He releases Haru's hand. "Half an hour. I'll be back in half an hour to pick you up, and then I'm going to drive you somewhere. If you wanted to wear something nice that would be welcome but not necessary. Does that sound okay?"
Yutaka is wearing a spotless suit that seems like it was perfectly tailored to highlight his shoulder-to-waist ratio, no tie and a shirt with two buttons open, and he's carrying a small bouquet of roses. "Swan-san, you look so radiant tonight," he says to Ren, bowing.
Yutaka opens the door for Haru then takes the driver seat and turns to look at him. He looks like he's about to say something several times until eventually he hangs his head, though not before Haru can see the blush on his face. "I don't know why it's so embarrassing for me to say it. It's you. But it feels so cringe, it's like those American teenage movies where the boy is so cringe and disgustingly sweet it makes you feel secondhand embarrassment."
He looks back up, and starts speaking English.
"Shall I compare thee to a summer's day?
"Thou art more lovely and more temperate;
"rough winds do shake the darling buds of May,
"and summer's lease hath all too short a date.
"But thy resolve no wayward gust can sway,
"nor can it fade like blossoms in the sun.
"Thine aims endure, not bound to brief display,
"but held with steadiness till they be won.
"Thy wit is sharp, and yet it cuts with grace,
"directed not by pride but purpose pure.
"Thy values, firm, no tempter may displace,
"thy truths stand tall, unflinching to endure.
"But I'm no master of the poet's art.
"What have I left to give, except my heart?"
"O-okay." He reaches over and opens the glove compartment to get a piece of paper that has the poem in fancy, pretty script, except the handwriting of the last two lines is visibly worse. "I also have a printed copy..."
He does not seem to be going for the kiss though.
"From experience, I clearly wouldn't have been out if it weren't for you, so, they're about the same thing, but it's just the latter that made them upset, yeah. They would've been chill if I'd just up and decided to be out for no reason, Akira's out and besides it was an open secret that I'm gay anyway back at Aoyama."
"Well, if everyone knows but no one's ever really seen me with a guy, and I've never said I was, and no one'll ever admit to having been with me, then anyone trying to do—whatever it is Iwasaki Iemasa's worried about to his name—will just have at best a bunch of teenagers swearing up and down that Iwasaki Yutaka's gay without any proof to back it up."
Aaaand here's the restaurant. Or rather, here's this fancy-looking glass building in a corner, but with the way Yutaka parks in front of it, walks around the car to open the door for Haru, and leaves his keys with a parking valet, that's probably where the restaurant is.
Stepping out of the lift they're in a hallway with a stone pavement reminiscent of that used in gardens, with mood lights and bamboo next to the walls enhancing the experience. Past the hallway, the restaurant has a clean, bright wooden vibe, with twelve seats around an L-shaped counter table in the center surrounding the area where the chef is making the customers already there their sushi. The maître d' takes them to a side corridor when they give their names, though, and they're shown to a spacious booth (or a small room) with a table that seats four. "Will you want anything to drink?"
"Last time I said that I had this mental image of a really serious and argumentative tiny Haru, and you said, well, it's not hard to guess, I'm a serious and argumentative adult, and I said that there were several serious and argumentative adults that hadn't been like that as children but you had a vibe. You asked me what the vibe was and I said that the way you're serious is more a decision of what kind of person to be, taking things seriously and thinking them through, than just the appearance of seriousness, and that's the kind of thing I'd guess would be stable since you were younger."
Pat pat. "I should possibly have like, checked, just - it feels natural to kind of take ownership of all this stuff that happened to me even though I don't remember it, kind of because I don't remember it, down to being raring to make morbid jokes, but that was insensitive of me anyway -"
"...well, no. I have no idea where I'd even start. It's totally a superpower, though, I was so jealous when you just made yourself want a thing more just by writing about it, like, I spent two weeks failing to think of a single thing I wanted at all the first time around..."
"You just start by writing down your stream of consciousness, and then you read it and if anything seems weird you write more about that. That's the basic process. So I'd write something like 'I don't think I would have broken up with him' and then I'd write, like, why am I confident of that, what information am I using to draw that conclusion, how does that interact with the situation as it stands now in this timeline... But I have practice so I can mostly guess what I'll get if I write about it, most of the time."
"It feels really fundamental to me that - the way somebody thinks is who they are. You're a magic rock now, and you're still you, because you think the same way, and if you magically turned yourself into a jellyfish - which to be clear I'd rather you not do - you'd still be you too, even though you'd have fairly little biologically in common with your present self if you did that. Doing mind control things is... it can be acceptable if someone wants to change something, and that's the way they have available to them, that's a self-instigated process like how I notebooked myself into wanting the flu gone more and it just uses different tools even if it makes me kinda uncomfortable. But - I'm not sure if I would have actually said something quite as categorical as you reported, that you should only be willing to mind control someone if you're willing to kill them? There's lots of short term things that are obviously less severe than that. But - it's comparable in kind, you're saying, this person here is unsuitable for some purpose of mine, they need to be different. The way they'll understand or react to whatever is going on is inconvenient or insufficiently legible and it's my prerogative to change that. And I don't like having - done that to you - not just because it was unnecessary but also it was, you weren't lying to me -"
"...I mean okay like I understand that in general but in specific you weren't changing anything, just asking questions, and if it's just that, just knowing what's there, then that's—I want you to know? And if there's—some other Yutaka that's mostly like me and remembers the things I do but is a little bit different and he's different in a way that makes him better for you then I want to be him and I don't know how different he'd have to be for me to stop wanting that. This Yutaka is a lot different than the Yutaka from two months ago anyway."
"One of the ways people are is that they're active processes! Which form -" he swallows a little but forges on - "memories and opinions and intentions, and have a natural way of doing that, and natural ways of changing how they do that over time. And it does make it a lot better that you were okay with it! A lot! But it wasn't exactly a completely free and uncoerced choice, you - rather desperately wanted me to believe you and have the information that I needed, it's not like you were like, hey, Yamanaka, hypnotize me, sounds like a lark."
Dinner continues to be delicious in the best restaurant in Tokyo, but eventually it's done. "There's a routine," Yutaka says, thoughtfully, as he and Haru wait for the parking valet to bring them his car, "where I go, oh, by the way, have you done X thing, where I know you haven't done X thing, and maybe I downplay it like oh it'd be cool. You know, kind of like how I did here. Except I know the answer, if I ask you, have you ever seen the Tokyo skyline at night from the SHIBUYA SKY, the answer is 'no', but you know that I know the answer is 'no', so I don't even get the cool vibe."
"You are! Unfortunately the last-minute reservation can't get the people who had already made their own reservations to not be there but I trust it will be pretty anyway. But if you wanted, a different idea is that we could stop time and I could carry you to the very top of the Tokyo Skytree tower, where no one else can be."
And since it's full of tourists and foreigners people are probably not going to bat an eye if they snuggle up while they watch the lights, Yutaka behind Haru with his arms around Haru's body and his chin resting on Haru's shoulder. "We'll save Tokyo," he murmurs. "You and I, together. All of those lights, all of those people, millions of them. They're going to live, and it's going to be thanks to us. They might never know. But we will."
"The very first time we did it was after I killed the witch that killed you. We were both exhausted and grubby and kind of high on your near-death experience, and I said that I hoped you didn't mind that we went to bed grimy because I wouldn't be able to physically let go of you, and you said you wouldn't mind us showering together. We ended up doing a lot more than that.
"I can't give you all of your memories back, but maybe I can try to get a few of the new ones pretty close to them."
Yutaka makes a small self-satisfied noise then kisses his way up to just behind Haru's ear and whispers, "I'll be yours forevermore. Nothing in the world will ever change that. We'll save Tokyo together, and then we'll keep going. Every witch, if we can. We'll end malaria, we'll end cancer, we'll figure out how to keep going without grief seeds. With you, I feel like I can do the impossible."
He pulls away for a moment to take his shirt off and then Haru's, then he resumes kissing and guides Haru's right hand up to entangle Haru's fingers with his hair and positions himself behind Haru and starts undoing Haru's pants, trying to minimise the time his lips don't spend on Haru's skin.
Yutaka pulls his legs back and gets on his knees (again minimising the time spent with his lips not on Haru's skin) so that he can get out of his trousers. The position is awkward but the desire is strong, and soon enough he's entirely naked and his legs are wrapped around Haru's body. "It's a double echo," he says, his lips always close, peppering Haru's skin with kisses and licks and nibbles. "I'm recreating the first time we did this," kiss, "and the first time we did this we were recreating the first time we had phone sex... It was so hot."
"I didn't omit it on purpose? So I don't know if it's the only one? I don't have a list of all things I forgot to mention because definitionally I forgot them, I—" Yutaka's completely frozen and it seems like he is once again having to manually control his breathing. "I wasn't, I, I realise it looks really bad, I—" His mood seems to have been altogether murdered, too, though.
"Have... a... moment of sober reflection, I guess? Any other - juxtapositions that seem awkward. It's - I don't expect you to remember every little thing that didn't seem important at the time, you don't take notes like me and even I miss stuff. It was just disquieting and at a bad moment."
—and his entire body language changes. The tension in his shoulders melts away like it was never there, his face relaxes into a smile, and he releases his knees and lets his legs stretch out. "Let me get you a change of clothes, though, that was sitting next to the tub, it's probably all wet. Hang on, I have a ton of clothes for both of us in my buckler, do you have a preference or will any old jeans and tee do?" He extends his left hand, palm up, and summons his bauble self.
And his body language is back to miserable and tense. "I, I can too pull myself together. Even if I'm having a crisis. I can. But I, I just, I don't know how to be good enough. I, fuck, I don't know how to believe that you wouldn't have broken up with me if you—had all your memories, I—" He's shivering again. "I'm sorry. I don't know how to soberly reflect. I don't know what to soberly reflect on."
He leans into the hug for a bit, then turns around fully and returns it. "I wish I knew. I wish I knew how to be good enough. I wish I had a, a one-oh-one guide for how to be perfect for you. How to be the best Yutaka I could possibly be for Haru. I'd be the best," sniffle, "the best student, I'd, I'd ace that test—I'd be the perfect guy for Haru, if I could—if I knew—"
"Even if I tried to, what, write you a syllabus, I wouldn't know - what to put on it so that things like that weren't ever going to pop up as nasty surprises. I didn't know to ask and you didn't know to bring it up because we are different people with different information. But it's not, like, a huge nasty surprise. It's like, oh, there was... a... spider, in my sandwich, and I kinda don't want to eat this particular sandwich now even after having dispatched the spider, but I might make another sandwich in the future and just check the lettuce for spiders more carefully. Or something. That was not a very good analogy, sorry."
"Even so. Even if they could still pop up, even if—I still—even if there might be spiders—then I'd know. I'd know how to make more sandwiches. Then I'd know I'd be, I'd be—making mistakes on—on the way there. I, I'm good at guessing. I'm really, really good at guessing. I can learn you. But, but I wish, I wish I could be sure. Sorry. I know it's not fair. I know you didn't ask for a guy who was going to cry on you at the slightest provocation. I'll, I'll do better. I'll, I'll try harder. I'll be perfect for you." Sniffle. "I'll keep trying, for as long as you'll have me."
It seems like being reassured that he's not being broken up with (yet) has done enough to get Yutaka's mood back up but he's not doing anything in particular about that fact. "Is there, um. Anything you want to know. About the. Phone sex thing." Which topic is now starting to get his mood down again.
"...no. I just—told you what I wanted to do to you. In a lot of detail. While we jerked off. It sounds kind of lame when I put it like that but the only way to make it not sound lame would involve a lot more object-level stuff." Without warning he picks Haru up in a bridal carry and starts walking back to the bedroom.
"There are kinds where I wouldn't definitely not? Like, I have never been to... let's see, what kinds of weird parties does Ren get invited to... a murder mystery party, say, and it doesn't sound instantly appealing but I don't know that I wouldn't like it, maybe if I happened to give it a try it'd be fun."
"That was not a veiled request that you throw me a murder mystery party, it's not a void in my life, I think Ren might have invited me to the murder mystery one and I was like nah I'll stay home and read a book, just, if you happen to want to throw a party and have me show up, it should be some kind of party other than the drunken makeouts kind."
"Oh, maybe I didn't get to that one - my birth certificate does say 'Masaharu' but it just says it in the English alphabet, my parents didn't actually have kanji in mind, so when we moved here I picked the ones that mean 'correct governance' because that seemed obviously better than 'graceful' - like, that would have just been ironic - and 'spring'."
Haru goes inside. He has to be quiet, Ren's already in bed.
Bare sequence of events notebooking so he doesn't forget anything. He can sort out how he feels about the spider in his sandwich for sure tomorrow.
And bedtime, and in the morning he yawns his way to school.
...it did suck, but I think if he showed up at my place again I would simply not come back home. Leave him on read. He does actually skip over to where Haru is. Not quite as romantic as having you cling to my arm as you walk but I am in this as in all things at your command
I'm a magical boy! I can stop time! I don't know why it was so hard to think that way last time but he literally could not stop me if he tried! I'm free of that man, I get to choose who I belong to and it's not him! "I'm yours and yours only and that leaves no room left in my life for my sperm donor."
"Oh yeah that happened a couple of times last time, too. Baseball day week one, we were flirting in our heads and people were calling us out on it. Also you were showing off for me on purpose to get me distracted while I was being pelted with balls, it was terribly rude."
"Haru, my Haru, I feel like such an American telling you I love you all the time, but what am I going to say, 大好きだ? It's so preposterous, when the thing I mean is that I want to marry you, I want a life with you, I need the heavens to know how much you mean to me, I want to skip class today and just invisibly hang around you distracting you because this is just so much more fun than the telepathy, I get to see your face. I love you."
"...you did not!" He gets his phone out and Googles some pictures. "Oh, that's beautiful. Oh, Haru, my Haru, I want that. I want to marry you in the autumn in British Columbia. ...is it bad to say this, should I have gotten you a ring before I proposed to you? Let's consider this a declaration of intent rather than a proper proposal, when I propose to you I mean to make it spectacular."
"It really is quite predictable given my other traits. Loud and exaggerated and really quite extra, always desperate to leave an impression, love me or hate me but never ignore me, aren't I just a type? I hope it's not too terrible for me to point all of that at you with such laser focus, but I think I can't really help it, the best I can do is block the laser that will always and forevermore be pointed directly at you. I should find more sonnets to badly modify, I should find more cringe ways to tell you everything I like about you, I should go down the whole list from big to small, you should know how perfect you are in detail."
"Mmhm... So you're saying I shouldn't be your magical boyfriend that no one else can see and who is constantly distracting you from the drone of high school on the day I'm trying to seduce you into falling in love with me, and I should try harder with something different?"
"Noted. I think I might skip class today anyway, though, because I am just extremely bored of these classes and even if this is not a vacation loop—because it is the last loop you hear me?" (he directs that last bit to the heavens) "I'm still taking a break today. But I guess I'm not gonna haunt you all day. I'll have to find something else to do with my time."
He could be! He seems to be gazing at Haru adoringly while he does so, though. And he continues to do that until Haru is in sight of his locker, at which point he says, "Alright, gonna be off. I love you more than even Shakespeare could say," he says, and he steals a quick invisible cheek kiss before running off.
An unassuming silver ring with a small clear gem on it falls onto his palm. "You don't need to wear it. Not until you're sure. But... even if I can't loudly proclaim my love to the whole world, I can at least whisper it a bit, and let everyone who's listening hear it. It's not a wedding ring, but it's still from me, and I'm still yours."
Yutaka sits cross-legged right next to Haru's chair and rests his head on Haru's thigh while running his fingers up and down Haru's calf. "It's been around who knows how long. It shows up, attacks, then it's gone for a while. There's a bunch of natural disasters that actually were the witch. You remember Haiti a decade and a half ago? That was the witch."
"There must've been other natural disasters since that were attributed to it but that was the main one I heard about. Maybe we should get military involved. ...the fact that it disappears afterwards is weird, though. Does it like spend all of its energy or something?"
"Or it could be lots of different witches that are being called by the same name because they're so different from every other witch? Maybe every now and then something huge shows up. Which... would be depressing. ...where do witches even come from. Like are all of them from seeds and familiars, where did they come from."
"—sorry. I think I got—fragile—after last loop, and I'm having to kind of mend myself to make myself resilient to stuff again. And it's not really in an abstract sense not your fault, it's—just not your fault? All of it is my fault, I just keep tripping and falling on stuff."
Yutaka's been talking to potentials and despite the... misgivings... about their ages, there's a basic utilitarian argument to be made about shutting up and multiplying. It makes him feel sick to his stomach to send children into the meat grinder like that. He doesn't like it, at all. But...
...anyway. They're meant to meet up with the kids after school today, to see if they can get the oomph up, and Yutaka's in charge of herding them, so he must regretfully part from his Haru to go do his duty and save Tokyo.
Yamanaka thinks she can cover some very low-magic-use non-hunting kids; she travels enough that temporary low witch supply doesn't usually affect her much and she's too lucky to have run into a lot of hostile magicals while hunting out of town.
The kids have school, and some of them have cram school too, or piano lessons, or other commitments, and will have to be convinced to let Yutaka in time stop sneak them out of their rooms at night - and isn't that sketch as fuck, but needs must - so they aren't meeting up until well after dark. Haru has some time to do homework and get his notes in order for... if it comes up, his future self.
Haru should probably tell Yutaka about the whole, chocolate covered crack, thing, it would probably... help, with that self-esteem mess Yutaka's working with over there, or whatever that is if it's not self-esteem.
What would it be like if there were two of him... they probably would make out but honestly there doesn't seem to be relationship content in "literally myself, but from a month ago, working on the same project with the same information", he can tell Yutaka that too. Maybe if they had any time to diverge something would change but right off the bat they would just be... Haru and Also Haru, symmetric in their completely sober and self-aggrandizing assessment of one another. That's got relatively little of what turns out to in actual practice turn him on.
The sex was shaping up to be really very good (he doesn't even really try to write out the exact qualia of it; you can't do that; it's a Mary's Room situation) before the cold-water-dumped-over-his-head thing. ...should he possibly clarify the spider analogy to Yutaka. Spiders Are Friends (Unless You Are In Australia), you just don't want them in your sandwich; the thing where Yutaka did shitty things and then gave them up in a fit of adoration is chocolate-covered crack, Haru just did not want to have to learn more about it right then while he was trying to get off. Would this clarification be better timed before or after they next try to bang. Is that even going to happen tonight, given that they were up really too late the night before and this evening's blocked out for trying the collective wish? Haru really can't be planning on things like napping in time stop if they're going to be trying to support a magical eight year old on what they can hunt as surplus. But they could go out to dinner and have a little time to kill before the kids are all in bed and they could kill the time with sex.
The little roses-are-red poems are cute, though not nearly as good as the sonnet, which stands to reason, the sonnet took, like, weeks. He's not going to wear the ring yet, but he strings it onto a friendship bracelet he made at summer camp one year in Canada and has lying around, so it'll be harder to lose.
Do they need to be more paranoid about empowering a bunch of random children... well, they need to be at all paranoid but they're going to take better care of them than Kyubey was likely to. Though Kyubey might have waited for them to get older, c.f. that none of them have in fact made their wishes yet. They need some kind of... presentation, to get everybody worked up about Tokyo going the way of Haiti. In particular they should not use that comparison because none of the kids were born when Walpurgisnacht happened to Haiti. Yutaka will have to give the first person account but Haru can at least confirm that he checked with magical hypnosis that Yutaka's on the level.
Then he'll make his wish, and... malaria will go on existing, but he can still be an epidemiologist.
But what if it doesn't work. If it doesn't work... he doesn't actually have another brilliant idea.
If it doesn't work, Yutaka's going to have to go back again.
Haru writes, and indexes more aggressively than he ever normally does so he'll be able to find things random-access without any actual memories of what there should be and where it might have been written, and he runs off copies.
Dinner plans? he asks, when it's coming up on five thirty.
"So like - you listed lots of stuff you have noticed I like, but you may not have noticed this one, it wouldn't've been there last loop. It turns out that I think the thing where you did bad things and then decided to stop out of sheer passive exposure to me and my having ethics is the most romantic thing I can think of. If I had come by this realization by, like, reading books or something, then I'd have been like 'fun fantasy but obviously it should stay that way', but like, as long as this is real life I am leaning into the thing where that is apparently like chocolate covered crack to my romantic sensibility."
"Haru I want you to show me all of your embarrassing things. All of the things that aren't presentable. I want... I want to be your only one." His eyes are glued to the road, and his grip on the steering wheel isn't white-knuckled but it's clearly due to practice. "I want to be the only one who gets to see all of the things you never show anyone else. Just me. I want," he swallows, "I want to be your one and only. I want you to have eyes for just me. I want—all of you."
God but he really likes being wanted.
He does not especially want to recreate the spidery sandwich itinerary from before with the bath. He's been thinking about blowjobs. They just keep coming to mind for some reason, he can't imagine why, and he has never ("never") had one and means to fix that.
Yeah Yutaka doesn't want to recreate it either. Instead, after they're both naked (which he gets them to be before they're two steps past the genkan) he picks Haru up and places him on his sofa so that he can show Haru exactly what he can do with his mouth, both the general skills he already has and the specialised skills he got for Haru's preferences last loop.
Yutaka's mouth is generally too full to respond but he does want to say that, "Use me, Haru. Use me for your pleasure." He's still jerking Haru off and kissing and licking the length of his shaft while he does. "I want to make you come for me." And then his mouth is busy again.
He licks Haru clean afterward, but he hasn't been touching himself at all, so even though he's hard like a rock and leaking he hasn't come yet. "Haru, my Haru," he says, looking up at Haru's face. "Should I try to come now, or should I leave it for later?" He kisses Haru's inner thigh. "Should we stop now, or keep going?" Another kiss, followed by some nibbling.
He doesn't seem to have a specific place that makes him react especially strongly the way Haru does the back of his neck, he has the normal distribution of erogenous sensitivity, with perhaps a little bit more sensitivity down his adonis belt and lower stomach area than might be normally expected but not remarkably so. What's more remarkable is that he wasn't lying when he said that every touch makes him twitch when he's in this state, and if Haru goes by how loudly he moans or how much he twitches then biting definitely gets more reaction, and the reaction will continue to be increasingly positive for quite an extensive range of inflicted pain, if Haru cares to try.
Yutaka comes, hands free, the moment Haru does, too. He'd been kind of humping the couch, and hearing Haru's moans and taking in Haru's orgasm drives him the rest of the way over the edge. He has the presence of mind to kind of twist his body to the side so he doesn't hit the couch itself, but the rug under the center table is a casualty.
Since Haru isn't a magical boy yet it's not efficient for him to come with Yutaka on his kidnapping mission, so Yutaka drives him to the park where they're having their meetup with the kids and Kyūbey and then he goes off to fetch them. From Haru's perspective, the kids all appear at once in the park; from each kid's perspective, they are invited into time stop by Yutaka and then he offers them their pick of how they want to be carried on a roof-hopping jaunt across Tokyo.
Welp, time to scare these kids shitless. They've all got bits and pieces of the story, but Yutaka tells it from the start.
He's from the future. He's from the future twice. At the end of the month, Tokyo is destroyed. A monster so big everyone thinks it's a cataclysmic typhoon shows up out of nowhere, it plucks buildings out of the ground and throws them around like they're Pocky sticks, and it destroys everything. He has pictures of what Haiti looked like after the witch attacked it fifteen years ago. It destroyed Tokyo once, when they didn't know it was coming and were unprepared. It destroyed Tokyo a second time, when they did know it was coming and they tried to get every magical person in the Greater Tokyo Area and the help from the JMA (although he doesn't mention that that didn't really pan out last time). Haru here died both times. Yukata almost died both times, and only came back in time because of his wish.
But his wish isn't going to be enough. He can go back as many times as he wants, but unless they can actually find something to do about the witch, it will just keep destroying Tokyo over and over and over. Everyone's going to die. Their parents, their siblings, their friends, their dogs, their cats, their hamsters, everyone.
They need help. They need everyone to really, really wish to save everyone.
"We need your help."
"I'll wish with you," says Haru, "but I can't do it all by myself, and I know a lot of you are really too young to have to deal with this but most people don't have magical potential and can't make a wish at all, and you can. And Yamanaka Junko-san, she's magic too, and she's going to help us make sure you're all okay after you're magic -"
"Junko-chan's magic?" squeals a fifteen-year-old-girl.
"She is! She's magic and she's really nice and she'll help you out, because you need to harvest magic from monsters to keep your own magic working right once you've made your wish but it's dangerous and we don't want any of you getting hurt. So if we can all want it enough, all want to get rid of that big monster hard enough, we'll take care of that for you till you're ready on your own, okay?"
Solemn little faces mostly nod. The eight year old is picking his nose.
Yutaka's right next to Haru so he places one hand behind Haru's bicep in a sign they arranged in advance so that they both release their ends of the string and then it's just the two of them in time stop.
"If I wanted to convince each of them to take this seriously," he says, looking at the ground between them, "I'd sit with them and I'd ask who it is they like the most in the world. And I'd listen to them tell me about that person, or people. And then I'd try to get them to imagine, in detail, never seeing that person again. Them dead and gone. I'd do that for each and every one of these kids. That might get them to really feel enough about it.
"I don't know how to make the whole group feel enough about it, and I don't know if that'll scale to feeling enough about—all of Tokyo—and—I—"
If we say that the product of the strength of your desire for this wish and your innate magical potential is 6, then Chiyako is a 2, and -
It has numbers for every one of them. The eight year old is actually the highest reading besides Haru's, at a 4.
- and to kill Walpurgisnacht will call for a sum of 483.
And yes, of course they will all be whisked back into their beds before anybody notices them missing, they're not going to get in trouble, they did good just coming out to this meeting and they're so sorry and they will think of something -
Haru waits alone in the park, for the half a moment it takes for Yutaka to come back. Kyubey's slipped off into the darkness.
Kyubey's sure a fucky little alien. He needs to ask it some more questions.
Is it worth him becoming a magic rock this - this loop - at all? If he has another idea, a free variable wish that doesn't require kidnapping any children might matter. If he doesn't have another idea he can always wish malaria gone at the last minute. Maybe the day before, to get a little practice maneuvering and doing magic without costing too much in grief seed upkeep.
...the sex was incredible. If he needs to read this fact cold at the end of February at least he can let the bare information that it was incredible make it through the transition, even if the experience of it will be lost to oblivion. Till Yutaka takes a vacation loop and Haru wishes all his memories back for the occasion, not even trying to leave an optimized March behind on the off-chance of defeating Walpurgisnacht.
He's not in love yet, he thinks, but he might wake up that way in the morning, or discover it halfway through lunchtime, it doesn't feel very far off.
Four hundred and eighty three.
Four hundred and eighty three. 483. 四百八十三. And he's a six. A six. He could spend all night here sobbing over this notebook about every bookstore and pawnshop and neon sign and theater and train station, every tiny uniformed schoolchild and every shiba inu and every tourist and every little old obaasan and every cherry tree and every stray cat, and he might get all the way to seven or eight. Four hundred. And eighty. Three. But hey, if he enlists Chiyako she gets it down to just 481! Piece of cake!
Future Harus should not gather the kids without a really good reason to think that'll actually work. It'd take every potential wisher in Japan and a few more on top of that to kill that thing. Which is not, in fact, out of the question. They'll have time. Time to refine their pitches and learn where everybody lives and -
Time for Yutaka to do that. Haru would take this burden from him but he can't, can he. If he wishes that he were the one looping, then any idea he ever has which wants his own wish as a free variable is kaput. Haru still had a higher number than any of the kids.
Not that he has an idea right now.
"...should talk about it.
"I don't have another brilliant idea, and that might change but it might... not.
"If you wind up doing vacation loops, if this goes on that long, I checked and I can wish my memories back, I assume that will continue to be true, so - anytime we're not planning on making a serious try to leave the world a better place and we're just fucking off so you can keep going, I can do that.
"I wish it didn't have to be you, I think I'd like being in a time loop a lot more than you do, but - obviously I shouldn't just - wish that, you know -"
Kiss. "Getting five hundred kids to wish for something like this isn't out of the question, though it's... dubious how I'd find them in the first place, we had eight here so I'm not sure there are five hundred of them with wish potential in Tokyo, but maybe Kyūbey was being very selective..."
Despite the past couple of days Yutaka wakes up with plenty of time for school. Also, he has morning wood and he's naked and snuggling his boyfriend(?) in the morning, which is making school thoughts be kind of secondary. He's not actively doing anything about those facts, but "not doing anything" includes not unsnuggling.
"...right. So, um. Father actually doesn't want me to come, because it's a li'l party for all of the Tokyo elite. Pretty sure Yamanaka-san could've come if she didn't have a show. And I wanted to come out of spite, obviously. Make a scene or two, remind everyone that it's not just because I'm in a different school that I'll stop being a pest in their lives."
"Just. I'm. Kind of uncomfortable with it. Akira said that—people like me? Um. I had this whole—self-image that—I'm kind of selfish and self-centered and too arrogant and divisive, and then he said that I—that people like me. And I started feeling even more like a dick for the way I—approached—everything. Like how I went to this party wanting to, you know, and then—I was a dick to a bunch of people—and that was when Akira and Toshiki told me they liked me, the first time."
He looks really uncomfortable with that but doesn't argue. "Well, I didn't go last time because I knew that I'd—if I went I'd be tempted to be a dick. I know I would. If nothing else, being around that fucking asshole half my genes come from always makes me want to cause problems. And it's, you know. Why have the temptation around? The best way to not be a dick is to not be in any—situations—that would make me want to be a dick. Like, if I went I'd still try not to be a dick, you know, if nothing else I wouldn't go looking for trouble, I wouldn't go—God I was such a dick to Eiji, it's not his fault he's in a homophobic family and society and doesn't want to invite the headaches I invite, and I sure hope he isn't leading that girl on, but I couldn't resist going and needling him, could I? Saying shit that I knew was skirting the line of almost outing him? Why'd I go and do that? I could simply not do that?"
He interlaces his fingers with Haru's and gives Haru's hand a small squeeze.
"Yeah, probably. I mean, if I did go I'd—I wouldn't go looking for trouble. I'd find the people that apparently for some insane reason like me? And I'd just catch up with them? And when I think about what I'd do if I knew people liked me I guess it's not like I'm thinking of totally different things so maybe I'm just really fucking stupid and I thought I was being a lot worse than I actually was, wasn't I. Wow I sound so full of myself.
"Anyway if I did go I'd be nice to people instead of being a dick, and I'd check in on Eiji in a nice way rather than a dickish way for once in my life, and I'd—probably I'd want to—not wait until Toshiki and Akira came to find me smoking outside and have a whole meltdown over it, I'd turn them down a lot more gently—but like—
"Well the other reason I didn't go last time was that I couldn't bring you with me. And if you don't come with me, then—what's even the point? Sure, maybe I'd mend some bridges and get to see some people that I—actually in hindsight realise I kind of miss, but—they won't remember anything. If. If I have to redo this loop. But also just, it's no fun without you. It's no fun to be around all of those people and think, man, I'm wasting a perfectly nice-if-rainy Saturday evening resisting the temptation to cause problems when I could instead be with my—with the boy I love not being tempted to be a dick at all, hanging out with him and hearing him talk about stuff he likes and seeing him smile, and—
"So yeah. Probably not going this time around."
"My friends were like, you gotta respect the effort, you should at least go on a date with him, and I was being all mysterious about it. Somebody said 'I mean unless he's creepy and weird' and I was like, oh, no, of course not, look how incredibly normal he's being -"
"Secret admirers are totally normal! The reasons I'm weird are more specific than that. And I'd say, Swan-sama, that we might be in a mild situation of complementing weirdness, here."
(He's not looking at Haru as he says that, though, and Haru can see a flush creeping up his neck.)
Yutaka doesn't actually think he can get five hundred kids to make a wish this loop, or even next loop, he'd need to dedicate several loops to chasing them down and figuring out how to best pitch them on this, and he'd need to do several kids a day to fit five hundred into a month. Like, he'd need almost twenty per day. Like. That's insane. So they should try other things first.
His first suggestion is that they try coordinating with the existing magicals harder. He didn't write down specific events he could predict in advance last loop because he didn't realise he might have the ability to have multiple loops, he thought that'd be their only chance, but he knows the magicals better, at least, and can use that knowledge to be a little bit more convincing. In particular, he can also (if necessary) extort some of them (politely) by mentioning that since he will be resetting the month unless they kill the witch anyway, there isn't any sense in which they won't die at the end of the month if that happens, so they might as well gamble on surviving by helping with fighting the witch. Yutaka won't go straight for the throat on that one, he wants to try other means of persuasion, but this is Tokyo on the line and he's fine with making some enemies if that's what it takes.
He will also try acquiring some heavier artillery, since there isn't actually an upper limit on how much power regular tech can bring to bear, and they might want those rocket launchers he mentioned. This will be harder to pull off than just sticking some shotguns in his buckler but where there's a will.
He starts driving, spends a couple of seconds fidgeting, then says, "So I tried that, uh, notebooking thing..."
"One, I'm a lot more embarrassed by myself, and two, you get free access to my brain. Those things actually kinda complement each other because even if it's embarrassing to show you stuff it's an ego syntonic kind of embarrassing, like, I should embarrass myself in front of the boy I love, he makes me lose all sense of face or propriety because of how crazy I am for him."
"Mmhmmmm. What, you think I wasn't cringing when I wrote that sonnet, I was cringing so much, it was so embarrassing, and I was embarrassing myself in front of the boy I love because it'd make him happy and because who cares if it's embarrassing, when I'm with my Haru my brain and my heart are too full of Haru for me to want to stop myself because of embarrassment..."
"The only real—practical consideration is—I am constitutionally unable to not make you the top priority of my life which means that necessarily when we're fighting Walpurgisnacht I'll be spending a lot of my attention on you and making sure you're alive and stopping time to rescue you and—and—" He swallows. "If we kill Walpurgisnacht but you die and I can't rewind to save you I—"
"I know. I. Haru, I—this feels like—looking at weird edge cases just to—hurt. It, there's, there's no reason to expect it to be necessary for you to—sacrifice yourself to kill the witch, and there's no reason why if we killed the witch but you incidentally died it wouldn't be possible to kill it again, so it probably won't be a problem, but—in these weird edge cases that would constitute definitive proof that God is real and hates me personally, I—"
"It's fine," he says, immediately. "Didn't—I guess there wasn't really any way for me to avoid getting dark about this given the givens regardless of whether I meant to. What I wanted to say was just—from a purely strategic perspective and knowing how I work—I will as a matter of fact be paying a lot of attention to your safety while fighting Walpurgisnacht even if that reduces my ability to kill it. So... I mean, it's probably still worth it, I don't think it reduces my effectiveness by more than a whole extra magical person on the ground. Just. Something to keep in mind. I guess."
"Well most of the magicals didn't really believe me until the last week. Or, like, they wanted to keep their options open, was what the guy in Minato said. And they were very—standoffish even then, and started hoarding their seeds and—it was just a mess. Disorganised. There was any attempt at trying to converge and attack but people were bad at communication and I spent so much magic having to stop time and rescue people and rewind time to save their lives and then—when I wasn't looking—I barely had any more magic left, I had used up all of our seeds and my gem was almost black and you were—"
and chills out.
"Yeah. I have much better notes on what the fuck is up with it this time than I did the last time. It's too fast, is the problem, even faster than the origami witch or the doll witch, and I can deal with how fast it is but most other people can't so we need to figure something out that'll be—robust."
"Yeah, but—if we're all together we're easy targets, the witch can well behead all of us in one go—and if we're separate it's harder for the string not to be a hindrance—which means that whatever setup we do in time stop—I mean, whenever we resume time we need to be ready to react immediately."
Dinner is delicious. Haru goes back to Yutaka's place after, to make out and maybe have a small amount of - okay a medium amount of sex, it's just really good okay, he wants to try topping and it turns out it puts him in a very kissy mood, he just starts kissing Yutaka somewhere in there and doesn't stop doing it till a while after they've finished - and then when they're decent again, he summons Kyubey, who comes out from under Yutaka's refrigerator like that's a remotely normal way to behave. Thank goodness they didn't decide to fuck in the kitchen.
And - malaria. He's been worried that he's gotten so emotionally convinced that this loop won't stick, that he's going to lose all his progress and all his memories, that he won't have the oomph for it "anymore". But Kyubey says he can do it, though he might be a more powerful magical boy afterwards if he's worked up about it, so he notebooks about it for a bit.
Because, man, fuck malaria. Nobody in Tokyo has it? Good for Tokyo, but Tokyo's not special besides that they live here. The Indian curry they just had, the guy who brought that cuisine to Japan might have relatives dying of malaria. Africa's riddled with it. South America and Indonesia have it. In putting it off this long he's probably gotten, like, several dozen babies killed, or something, which he will stand behind as an expected value calculation because Tokyo also contains several dozen babies but would sure stammer about if he had to do this to any of the African parents' faces. He can be emotional about that just fine, when he tries, when he reaches for the vision of the sobbing parents and the relieved invalids and the astonished doctors.
"I wish for the eradication of malaria," he tells Kyubey firmly, as soon as he's written himself up into a peaky froth, before one more mosquito bite can turn into anything more than an itch.
And he is suffused with a golden glow and he's holding his - self - in his hands and he can feel the way his muscles work like his perfect telekinetically obedient servants instead of spastic insurrectionists, and he beams and lets his gem assume its place on his costume, and picks Yutaka up - because he can do that now, he won't drop him and collapse in a heap - and spins him around, cackling.
They have to learn to work together.
All of the (surviving) magicals have some previous experience with working together with someone. Yamanaka had a partner who died, for example. The guy from Minato, an Ueda Kensuke, works alone but has had temporary alliances in the past with a bunch of people, who (as he describes it) are all to a man now gone. He solos witches just fine with his naginata and hydrokinesis. The girl from Chuo, Ogura Hinata, doesn't like to kill jumped-up familiars that won't yet drop seeds, but she says she's once or twice run into a magical who came to the same witch as her at the same time, and cooperated with them to bring it down, and bet the results on a coin flip, and whether she cheated on the coin flips or not - Haru isn't sure what to believe there, she certainly could have if she'd been bent on it with her illusion powers - she never followed up on anyone she fought with and doesn't appear to recognize any of the neighbors they've brought together for the occasion.
Most of them work with someone else on a more routine basis. There's the thirteen- and fourteen-year-olds from Bunkyou who Yutaka met last loop, for example, Shigematsu Motoi and Ichinoya Riho. They're just friends, and Haru can't figure out without asking point blank whether they met before or after making their wishes, but they work well together; she's got souped-up telekinesis, flinging projectiles and knocking familiars aside or pinning witches in place easily, and he's enough of a combat powerhouse with his arsenal of machine guns (Haru hadn't even known some people got guns as their weapons) to take full advantage of that. The girls from Shibuya, Egawa Yui and Hanyu Momoe, the ones who hate men, they're girlfriends and work together; Egawa can make things just drop dead outright, and doesn't that imply lovely things about her wish, though it takes a dangerous amount of magic to do it to a witch and she mostly mows down familiars to compensate for the disappointing range of her mace; meanwhile Hanyu has healing powers like Haru does so her field efficacy is mostly nunchuck-based. When he hopefully asks her what she wished for to get healing, meaning to give her an opening to tell him that she contributed to some encouraging dip in some mortality statistic, she won't say, so he can't exactly brag back at her and hope for some fellow feeling to overcome her opinion about his gender.
In Nakano there's a brother and a sister and their unrelated friend. Haru asks Kyubey if magic potential runs in families and Kyubey says it does, though not strongly. The Nozaki siblings are fifteen (Tazuko) and sixteen (Jiro); their buddy Chiaki Masanari is sixteen. Tazuko can immobilize things, protecting them and rendering them ineffectual at the same time. Jiro reports that he just wished directly for fire powers and he's sure got them. Chiaki won't say what his powers do, which makes Haru nervous. The two seventeen year old boys who claim the Toshima neighborhood, Azumaya and Dobashi - they won't give their personal names - have only been a team for the last six months, before which Azumaya was solo, before which he had a different older partner, who is now deceased. Azumaya has some kind of fast-travel power, won't say how he got it, and can drill into the dead center of a witch barrier without navigating the labyrinth when he's familiar with the witch's general breed. Dobashi has some kind of super-speed, super-strength situation, and will confess that like Yamanaka he wanted the talent necessary to break into a particular field but his field was kendo. His sword is a more normal size than hers but he can wield it with breathtaking smoothness and alacrity. The married couple of Minorikawas from Chiyoda, Yoko and Ranmaru, have respectively undisclosed powers that are "useless in a fight" (she just attacks things with her spears instead), and a defensive shielding power to go with the tate shields he can conjure, though unlike Yutaka's buckler his have plenty of bulk and can be slammed into an opponent if he's determined to do so.
Nobody from farther away is convinced to come to their first attempts at training sessions - it's somewhat taxing on Yutaka's social prowess to get this many together anyway. Haru tentatively organizes them into practice units, though he delegates telling them all about this to Yutaka, this is a lot of people and high stakes and he keeps being nervous that his ability to speak Japanese fluently is going to desert him.
Unit 1:
Haru himself; Ueda; Shigematsu and Ichinoya; Azumaya. Ranged ability including the likely-very-useful-in-the-storm hydrokinesis. They can all park somewhere, possibly somewhere midair, and shoot at Walpurgisnacht, with Azumaya providing mobility support.
Unit 2:
Egawa and Hanyu, Ogura, and Yamanaka. More useful against familiars than the main event, and this way he doesn't have to make the lesbian man-haters work with any boys, and the healing is split up across multiple groups.
Unit 3:
Nozaki, Nozaki, and Chiaki; the Minorikawas; Dobashi. Hopefully Mr. Minorikawa and Tazuko can keep the witch and familiars off their teammates while they all pinch-hit wherever more relatively generic assistance is needed, since fire's going to be pretty useless in the storm and two of these people have undisclosed but combat-irrelevant powers.
Ogura can provide some illusion targets for them to practice against, once she's convinced that she has to in order to make it to April. (She does make a few pointed remarks to the effect that Yutaka looks a little easier to kill than Walpurgisnacht sounds, but she plays it off as a joke, for the time being, and cooperates with being assigned her team and providing a practice pretend ball of yarn in the sky.)
"I suppose it'd be first mover's advantage, but if she gives me a tenth of a second to react she's already lost so she'd better one-shot me. Besides, we don't even know that I don't get reset if I die, that's a thing in some of those groundhog day types of stories."
"—okay that was flippant Yutaka talking. The point of them is to give people an excuse to gossip and do barely-this-side-of-legal insider trading and build alliances and stuff. And if you're trying to get your kid hooked with the kid of someone else important that's where you throw them all into the same melting pot and hope they figure it out."
He isn't actually interested in the answer, and he knows I know that, so anything I say beyond the minimum has to have something it's communicating other than whatever specific words I'm saying. If I say I'm doing badly, I must be doing even worse than normal, and there must be a reason for that. If I say I'm doing unexpectedly better than usual, there must be a reason I'm studying more or spending more time at school. If I bring attention to the fact that he doesn't care, that must be because I'm getting up to shit he wouldn't approve of.
That's the one I went with the first time around, by the by.
I don't know, the way in which I'm messing with him right now is by not communicating anything while he expects me to be communicating something so he's going to waste some time trying to figure out what I could be communicating before giving up. And the way I'm doing that is by offering to be nice to him. It feels like a similar sentiment to "the best revenge is living well".
If he actively wanted me to know he'd have made it known. But guessing this kind of thing correctly gives me brownie points, either I'm really good at microexpressions or really good at knowing or anticipating someone else's wants and needs. Getting it wrong dings me more points than getting it right nets me though so if I were just trying to guess without enough confidence I'd end up in the red.
Honestly, I don't even know, it's so context-dependent? Like, imagine this here conversation I'm having with my old man, except it's flirting. He'll be talking about some video game and he'll have inserted three separate invitations to go back to his place to shag into it without ever mentioning it. Then again, Akira's always been pretty straightforward about his flirting, as have I, so maybe not.
I am greatly relishing the fact that the thing that set me right was the boy of, not even my dreams, I could never have dreamt you up, but a boy nevertheless. I used to sleep around at least partly to piss this guy off but I feel like being Haru's chocolate-covered crack idfic is so much better than that.
As before, so again:
It was supposed to be a garden party but it's not warm enough so it has been hastily relocated to a swanky hotel's ballroom, which looks absolutely fabulous and is full of rented potted plants to compensate for the weather and which of course everyone is complaining about. Everyone is also complaining about the catering, because the hotel requires that you pick from their caterer list, and the fact that the food is objectively quite nice doesn't change that it isn't what they were expecting. Grouchy rich people and their cocktails taking it out on the hotel staff is the order of the day.
Iemasa steps out of the car first and doesn't wait for Yutaka to follow him before putting on his best smile and walking up the steps to go greet the Nakano family, who arrived just a moment before they did. "Hideyoshi-san, Akane-san, it's been so long," he says, greeting the parents and completely ignoring the daughter.
Oh, no, she's just unimportant and has to make herself relevant for him to pay her any attention, as is the case regarding most other kids here.
He shuts the door behind himself and walks up to the Nakanos, bowing to them but mostly to Aiko. "Nakano-san, great to see you."
Well, to some extent they're probably operating on rigid social scripts in a situation like this? But Haru had better - watch out for that, if this might go on for a long time. He can't rely solely on Yutaka providing novel input to remain - interesting, though of course does he really want to have lots of diverse unique snowflake experiences that are all destined for the shredder anyway -
First time around I fled about now to go find people to torment but I don't actually want to torment anyone. ...I do feel the itch, especially with Iwasaki-san right here just begging to have his nose tweaked, but other people don't deserve to take the brunt of my annoyance with daddy dearest.
Yeah. I dunno. We'll see how it goes. Yutaka looks up from his phone, glances somewhere, and immediately turns around so that he is not looking at that direction at all and so that he is instead walking somewhere else. Here's a waiter, he grabs a couple of hors d'oeuvres off their tray, pops one into his mouth, and surreptitiously offers Haru one.
He looks down at his phone as he gets a text. Alright, they agreed to meet up later. Akira's wondering how I'm so certain it's going to be pouring buckets in half an hour so, easing them into it I guess. He puts his phone away. ...I'll figure out how to be nice to people for a change.
Each time Haru shows up Yutaka's talking to a different person. He always seems to be smiling, his body language warm, and if Haru asks he always has things to say about them, tidbits and things they like and stuff he's asking them about. Haru'd already seen him doing social fu at the magicals but this feels a lot friendlier and more relaxed than that.
"Last time I didn't even know they were coming, and Toshiki didn't realise Akira was following him, but this time they both know. Toshiki's the braver one of the two of them but they don't really know that, so Akira sticks to the sidelines and only goes out when he knows it's safe while Toshiki'll just show up."
"But since I've become a better person I don't think this would be a good idea, actually. I'd feel super guilty, and I just... really like the two of them* and want the best for them and this is going to be difficult enough without making light of their* feelings. You got any good ideas for how to broach the subject?"
"I should probably have had a separate conversation with each of you beforehand like I did last time around, it kind of sucked but it at least gave you guys space to breathe and let your emotions out. Sorry, I didn't really think this through. Hopefully this'll be the last time."
"The story is so, so, so fucking long. But the short version of it is that magic is real, I'm a magical boy, and I'm on the third and hopefully last iteration of a Groundhog Day loop that starts three weeks ago and ends one way or another next week, when a giant monster that normal people can't see and which just looks like a huge typhoon shows up and destroys Tokyo."
"To clarify I'm not in the time loop, I have all this solely from him. ...all this relating to the time loop, not magic, that obviously I can corroborate. But... if things go bad next week I've got notes to self in his custody and he thought you might want to do the same thing?"
Yutaka flashes his gem back into existence then himself into his magical outfit in a quick practised sequence, the clockwork in his buckler already spinning before the transformation light's even faded—
—and then he flashes back into civvies, instantaneously translocating to his feet.
Frankly Haru has no idea what they can do to help. They do not have magical powers or the capacity to acquire them. Maybe Yutaka is about to reveal that their family is big into military contractor shit and they can get somebody badged in to where the missiles are Exactly Once, Which Is Enough Times.
"...so like, the way you get magic is that you make a wish, and then you get that wish, it has to be something you really very strongly care about, and you become a magical boy with powers themed around that wish, right, and... First time around, I found out I had magical potential at the beginning of this week or something? And I couldn't find anything I wanted to wish for, and then the big monster showed up without warning, and when I was about to die I wished I could try again but do it right this time."
"Mm. And then the next loop we, like, tried stuff, but I didn't know I'd get more chances? And I didn't really understand the—scale—of that witch, I wasn't magical the first time around, it was so much worse than I thought it was. But I didn't, like—collect evidence. That we were in a time loop. I got in contact with the JMA and even though we could demonstrate magic the time loop thing was too much and by the time it was obvious I was too late.
"So this time I did start writing shit down that I can use to prove we're in a time loop, and if we fail, which we won't, but if we do then it'll be a lot more possible to get the military involved or whatever. It won't just be a random teenager wearing a magical outfit who can stop time showing up, I'll have, like, a proper way to convince them."
The twins have to return inside soon since it'd be weird for both of them to vanish for too extended a time, but Yutaka can't (without losing face) leave the party until a while later. He's somewhat more subdued for the rest of the night, though, and spends most of it on his own (or "on his own", with his Haru for company) before they can go.
He's not leaving with Iemasa, though. Fuck that. They can roof hop.
"I love you too. I'm yours forever. I love you. I feel like such a—I've already said this. It's so weird to repeat it so much. But I mean it every time. I love you. I want to be yours forever. I want my life to always be in your hands, I want my heart to always belong to you. I love you."
unfortunately I'm kind of swamped this week
unrelatedly, weird question, suppose you had a friend who was stuck in a one-month long groundhog day style time loop kinda dealio
which had some specific condition to end that that friend knew about and was aiming to achieve but didn't know for sure they'd be able to achieve this particular loop
what would you want your friend to do about it re. your state of knowledge and future loops?
the Italy trip is on the last week of the loop
it, like, has effects in the world that a typhoon doesn't
the monster I mean
probably sonar a bit
need to think it through hmm
"We should actually test that on regular witches. I wonder if I can get a pocket radar and sonar and lidar..."
Their next joint practice session doesn't go amazing. Ichinoya complains nonstop about the weather conditions. Egawa and Hanyu keep talking telepathically to each other without looping in the rest of their squad and Kyubey refuses to override people's telepathic intentions about who they talk to, which Haru grudgingly admits would be the right principle for a telepathic relay to have in any other situation. The Nozakis and their friend are an hour late. Azumaya doesn't show up at all and Dobashi doesn't know where he is, hasn't seen him in two days. Ogura attempts to get into some kind of pissing contest with Ueda, who isn't escalating it but isn't doing anything to actually divert her from it either. The Minorikawas are by comparison bastions of professionalism but they seem kind of checked out, like they might still have tickets out of town in case they get cold feet day of.
No, but I'm not planning to like threaten them, just... find the best way to persuade them. Because, uh, I'll be real, if I gotta redo this loop my next best plan is spend several loops in a row befriending each and every one of them one by one until I know what makes them tick.
Uh, unless you think that's a bad idea?
...no, I think that makes sense, if - yeah. That'd be the next thing to do, unless the witch conveniently has a well-marked glowing weak spot you'll be able to drill right into given this advance knowledge, or something like that. But it's different doing it in short iterations, I think? I don't have a well thought out justification for that intuition.
I... Could I... I mean...
...you know, in those Groundhog Day stories...
...I really, really don't want to end up in one of them. If I can avoid it. And I don't know why this would be worse than the months but we all know that I'm ethically challenged. But I, I really, really don't want to end up in one of them.
Haru squeezes his hand. ...you can't decide to let the world go on un-time-traveled. That happened without you even really meaning for it to happen, and considering that Walpurgisnacht keeps getting bigger and killing more people every time and has no natural endpoint, it would have been the right call for almost every individual person on Earth even if you'd meant to do it. You can just at this point aim to leave the world with the best March it can have had. But I want - I want that to look like having the skills to do it and not like brute forcing your way through people whose risk assessment isn't like mine, whose interest in Tokyo remaining standing isn't like mine - we don't own these guys.
Squeeze. Okay. Okay.
We really need them to give it an honest try. I need to figure out—what to say—how to get them to take this seriously—how can they live their whole life in a city and never develop enough attachment to it to want to save its millions of inhabitants or, like, their mum or something...
I am beginning to take a radical 'if you want something done well you should do it yourself' approach to things, I'm not sure I trust Dobashi to have even tried to dowse for Azumaya, but finding people by their family names and general description is pretty centrally a kind of thing money can buy if we don't get anywhere tonight.
They find a witch, eventually, dowsing, tucked into an alley beside an apartment block. It's not a kind Yutaka's seen before, so maybe it's endemic to the Toshima neighborhood.
Inside it's full of stars - there's air, and they can breathe, but it's rareified like they're at the top of a mountain, and it's night-black wall-to-wall in there, and glowing fist-sized suns and marble-sized planets, with rings and moons and swirls of every beautiful color, float through it sparsely, ellipsing themselves around each other slowly and lazily. Haru reaches out to touch a blue star, cautiously; it's harmlessly cool and soft, feels like sticking his hand in an air dryer. He catches a ringed planet between his fingers. It's fragile and pinches away into nothingness.
Haru takes it in plenty of time for the timestop to arrest the motion of an incoming flying saucer, which is proportioned completely unsuitably for the celestial bodies - it's about a meter across and it's got little windows in which they can see little tentacled aliens in mottled green and purple. "I wish we could take pictures of them."
"Yeah."
The flying saucers prove annoying to deal with in time stop because they're doing some kind of spatial distortion or size-changing behavior where they start too small to see and accelerate toward the intruders, or grow, or both, and get to their full size, so it'll take frequent stops and starts if they want to kill the flying saucers, but eventually they can find the witch in the heart of the barrier's galaxy. It's... a black hole, and not fazed by bullets or arrows, but it's at least a pretty discount black hole and doesn't pull them in more than a slight aesthetic amount, and it does go down to magic blasts.
"It's not like they're not all making it pretty obvious that they'd like to run off, certainly, though I wouldn't've guessed he'd be the first one. Maybe it was some other witch, or he just got really unlucky and a flying saucer clonked him right in the pauldron with his gem on it."
"You know, I'm not sure I'm totally sold on this whole 'be a magical rock' thing. Say what you will about living in a brain, skulls are a lot more durable than crystals, and more to the point I have a lot more ingrained instincts about protecting my head than my arm or something. I guess that's one advantage of my having moved my gem here," he says, tapping his choker.
"I don't actually know that skulls are more durable," Haru says, touching his own gem, which at Yutaka's insistence he's moved to a brooch again. "The saucers could certainly take your head off if they hit you at full speed and full size, and if you lived in your head that'd be game over."
Haru's soaked and freezing and it's not worth the magic to keep the rain off and an umbrella would be destroyed immediately. "That's the plan."
Nobody is egregiously late. Each unit forms up as planned, less Azumaya, who was supposed to be in Haru's unit.
The gingerbread men come thicker and faster, and the witch, roiling and red, comes blurrily into view.
Haru kisses Yutaka for good luck and then he and his team climb into the sky to get a good angle to shoot at the witch itself.
The telepathy's flying. They tried practicing something like a radio protocol, but it's hard to maintain discipline.
Lots of gingerbread at the harbor, we're holding our own so far but could use unit 3 help.
Nozaki, the girl one, just broke off to -
I was getting a civilian into a shelter!
That's not what we're doing!
That's the whole point of what we're doing!
Somebody in there has a witch kiss on them - no, two people, at least.
Just keep killing gingerbread men and hope you get the right ones.
What if the kissed guys start murdering people in there??
What else can you possibly do about it -
Chiaki's cut down, can we get Hanyu or Swan here or should I do it - we're low on seeds -
Okay, Hanyu, go get Chiaki back up and take their spare, we've got two left but Ueda's really chewing through 'em.
Oh, shall I stop?
Absolutely not, we need the visibility. He's shearing the rain away, turning it into bullets that don't hurt the witch very badly but do a far sight more good even barely fraying the yarn than they would if they were falling to the shoreline below.
Three arrows. Nock aim loose. Three arrows - shield! - nock aim loose. Three arrows - reposition onto a different lower platform as the yarn shifts and opens a different path into what might, optimistically, be the vulnerable hitbox - Ichinoya, can you -
It's a better place to be standing in the sense that it's survivable, but Haru has to hop around a lot to get to a new vantage point where he can shoot anything worth hitting, and wastes a lot of telepathic bandwidth on explaining why he apparently teleported. Shigematsu loses a leg and Haru dives, falling rather than platforming to reach him and fix it, and then he's not sure that was even the magically efficient thing to do; regaining the height and the time might be more costly than the extra magic Shigematsu would have spent putting his own leg back. Whatever. Rolling back to fix it would be even more of a waste. Ichinoya shears off tendrils of yarn with bright sky blue telekinesis, the only sky blue thing in this wretched sky. Ueda's naginata slices through a tendril, slowed enough that he can slash it by means of a wall of rainwater. Haru shoots, and platforms, and shoots, and tries to keep half an eye on the strategic picture -
How's everyone on seeds?
Team three is out.
So are we.
Shit, I thought you had another one?!
Haru swears under his breath, unleashing another three arrows. Yutaka, do you have any?
But before he's finished saying that Yamanaka says:
Egawa's down! Hanyu's almost out of magic getting her up, I'm calling a tactical retreat -
Mrs. Minorikawa: Double checked and we're out. Iwasaki, can you bring us something - Tazuko's been running herself ragged -
Yutaka has to go back. That's definite, that's all there is to hope for at this point; Haru might still be breathing but he can't go with Yutaka back to February. This Haru's dead. Dying. Will have been going to die. A writeoff, whichever verb tense you go with, a loose end discontinuous with April. These memories will not be written down; there is no time to scrawl a few characters on a notebook page and shove it at his boyfriend and hope the rain doesn't run the ink unrecognizably. And maybe one day he'll remember this, maybe he'll make a wish right before hopping a plane to Australia and he'll remember exactly how it felt to give Yutaka the last of his magic - it feels like it's trickling out of his gem so slowly and relucantly, like he's scared to die even now, for some reason, flinching at the self-harm, but shouldn't he know well enough by now that he's already dead? Maybe one day he'll remember this, on the beach down in the southern summer, drinking something fruity and lounging on a beach towel, but that recollection won't last either. They won't keep any of those loops. The only memories he gets to keep are the ones where he gets it right, and he will not see April, he will never see April, still knowing what it was like to die. He is alone without even himself for company, here.
He pushes harder, the magic from his gem to Yutaka's, because no matter what his hindbrian or his hindjewel or his hindsoul or whatever has to say about it, he's already dead, there is nothing for this version of Haru besides dying right here right now. Does he die beloved, at least? Sort of? Yutaka's not distinguishing Harus. Haru's twins, forks, alternate universe versions, they get a share too; this one is nobody special, just one of the many dead ends. It's going to be so, so many, they're not about to figure this out in two more tries. Dead, dead end. This is - he can't tell himself it's a good way to die, but it's the one he's picked, that he's committed to, out of the options, the one where some other Haru who isn't, not perfectly, him, might possibly get to have most of what matters, one day. Till then - all he's for, now, is to be a symbol of the drive to save other people, a conscience for Yutaka, a shiny prize for Yutaka, who's the only person who can actually change anything. But can he, even? If Yutaka dies, if Yutaka takes an unlucky blow to the gem - if that doesn't reset him - it's looking quite a bit likelier, now, that Yutaka will manage eventually to do what Haru has now done four times, and there's no reason magic would be so kind as to let him survive it - they don't know -
It doesn't matter. Haru doesn't care anymore; caring, now, doesn't affect the odds. He's doing the thing he decided to do. He's making it so that Yutaka can go back and put malaria back where it was, because his wish never mattered and he was a moron to think it could. Push and push, faint gold going dull brass, then weary bronze, then tarnished yellow-black. Will it hurt? It doesn't hurt yet, not physically, he's absolutely miserable but that's probably just because he's already dead, that's the sort of thing that would make a person miserable.
He has the flicker of a thought of kissing Yutaka goodbye and then he forgets it as the light goes out.
There is a sound, a sound like tearing paper, a sound like a million mosquitoes buzzing, a droning ripping screaming noise, and it's coming from somewhere inside of him.
The bauble bursts and the shards disintegrate and the metal casing snaps into a new shape under the pressure, matte black and sharp and with no hint that it ever used to be golden.
Haru has the flicker of a thought of drawing breath to scream and then he forgets it as he forgets everything else.