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Pre-Jump Earth Literature
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It's a new term, and the end of the break between terms most students have been enjoying. But time marches ever on, and so at 1:00 PM, just after lunch, twenty-six students all around the age of fifteen are finding seats in an obnoxiously decorated classroom. It's one of those classrooms that tries very hard to be peppy and inspirational, and only succeeds at being very out of touch, and kind of creepy.

Soon it will be time to read about things long-dead people wrote.
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One of these students is having an absolutely miserable day.

It isn't at all the fault of pre-Jump Earth literature, so he's putting in a genuine effort to pay attention and not let his mood get in the way of his education. But he still shuffles in with an exceptionally gloomy expression on his face and sits as far back as he can get.
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Other students find their seats, and then the teacher enters with a broad smile on his face.

"Hello, and welcome! My name is Franklin Harland, I'll be your instructor for the rest of the term, barring sudden catastrophes or medical emergencies. Frank's fine, I try to keep things from getting too starchy in here. I'm your teacher, but we're all here for the same reason! To learn."

And then he starts talking about why learning about literature is important - connecting with fellow human beings and understanding their point of view. He belabors this point quite a lot, actually - people are all very different (and as he assures, this is okay) but ultimately, at their cores, they are all very similar, and it's important for everyone to take a minute to step into another person's shoes and show a bit of empathy. Even if the character doesn't exist.

"Shakespeare is considered one of the best authors of Earth history - but a lot of the life in his plays is lost if you just read the words on a screen. It's a pity we can't have this properly performed, but reading aloud is the closest we can come to while still keeping in mind that we have quite a lot of material to cover in such a short amount of time. The play we'll be reading is one of the more uncommon ones, because I don't doubt that you've heard at least snippets of the others elsewhere, and I'd like to give you something new."

He directs the students to the correct file on their computers, and then scrolls through his roster for a name.

"Mister Naismith," says 'Frank,' seizing upon what he thinks is a fellow Betan, "if you would be so kind as to read us the opening monologue?"
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The least happy person in the room skims the beginning of the play and looks up from his screen with an are-you-fucking-kidding-me expression.

But okay. Fine. If Frank wants the opening monologue, he can have the opening monologue.

"Now is the winter of our discontent made glorious summer by this sun of York," Miles begins smoothly, in an orator's voice and an undisguised Barrayaran accent; "and all the clouds that lour'd upon our house in the deep bosom of the ocean buried." His tone of voice carries a complex layering of satisfaction, sly amusement, and suppressed rage, which he happens to think suits the character perfectly. "Now are our brows bound up with victorious wreaths; our bruised arms hung up for monuments; our stern alarums changed to merry meetings, our dreadful marches to delightful measures. Grim-visaged war hath smooth'd his wrinkled front; and now, instead of mounting barded steeds to fright the souls of fearful adversaries, he capers nimbly in a lady's chamber to the lascivious pleasing of a lute."

He's beginning to really hit his stride with the material. Every word carries, every syllable is delivered with measured attention. And now from his initial tone he drops to something lower, sharper, bringing the anger more fully to the surface.

"But I, that am not shaped for sportive tricks, not made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty to strut before a wanton ambling nymph; I, that am curtail'd of this fair proportion, cheated of feature by dissembling nature—deformed, unfinish'd, sent before my time into this breathing world, scarce half made up, and that so lamely and unfashionable that dogs bark at me as I halt by them—why, I, in this weak piping time of peace, have no delight to pass away the time, unless to spy my shadow in the sun and descant on mine own deformity."

By this point he has gone all the way into a contemptuous hiss; he pulls back a bit and brings a mocking lightness into his tone for the next section.

"And therefore, since I cannot prove a lover to entertain these fair well-spoken days, I am determined to prove a villain and hate the idle pleasures of these days. Plots have I laid," he spits the word, "inductions dangerous, by drunken prophecies, libels and dreams, to set my brother Clarence and the king in deadly hate the one against the other: and if King Edward be as true and just as I am subtle, false, and treacherous, this day should Clarence closely be mew'd up, about a prophecy which says that 'G' of Edward's heirs the murderer shall be." And now in a sharp, hunted tone: "Dive, thoughts, down to my soul; here Clarence comes."

He leans back in his seat, jerks his chin up slightly, and takes a deep breath to try to enforce some measure of calm on himself. Then he asks the teacher, as blandly as he can manage, "Was that all right?"
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A pretty redhead looks up from her computer when he begins speaking. That is certainly a Barrayaran accent that she just heard. That alone is worth her attention - there are few Barrayarans on Beta Colony.

And -

... That is the most beautifully spoken, passionate verse she has ever heard in her life.

Um. She's. She's just going to. Keep sitting here. Yep. Sitting is a good plan. She wonders if she's blushing, and if she is, if anyone's noticed. No one's looking at her. She's. Probably fine. Probably.
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Frank realizes his mistake fairly quickly, and looks politely mortified, but doesn't interrupt the reading.

He swallows.

"Magnificent," he squeaks. "Do, do we have a volunteer, for the, next, part?"

He does have a volunteer! A slightly frightened volunteer who's looking at Miles nervously. On they go, reading Richard III.
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Miles sits silent for the rest of the class. He feels he has participated sufficiently by any reasonable standard.

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Yep. The teacher is just. Going to not call on him at all and only accept volunteers now.

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The redhead who has definitely not obsessively read ahead to find the perfect verse, definitely not, raises her hand when they're somewhere in the second act.

"A blessed labor, my most sovereign lord," she says, in a clear voice with a distinct Barrayaran accent, with a faint smile at her lips. "Amongst this princely heap, if any here by false intelligence, or wrong surmise hold me a foe, if I unwittingly, or in my rage, have aught committed that is hardly bourne by any in this presence, I desire to reconcile me to his friendly peace. 'Tis death to me to be at enmity; I hate it, and desire all good men's love."

... Definitely not obsessively read ahead to find the perfect verse. Nope. Not her. She would never.

She finishes up the rest of the section, and wonders if she maybe should not have done that. Maybe. She doesn't know. If there were a nearby window, she might be tempted to fling herself out of it in embarrassment, but this is Beta Colony. There is no such window. Only her chair. She forces herself not to sink in it.
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...

That's... that's definitely a Barrayaran girl. Shit.

Miles stares. And the verse she picked...?! Is he reading too much into this? He has got to be reading too much into this. What the fuck. God, there's a Barrayaran girl in his class and the first thing she ever heard out of him was that. How could she possibly be anything other than completely disgusted by him? The choice of verse is a coincidence. Or she's mocking him. It's very possible that she's mocking him.

She reads well, though.

Ugh. He can't think about this. He tears his eyes away from her and goes back to skimming the play while the next classmate takes their turn.
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... Yep. Let's. Let's just skim the play. That is a good plan that both Barrayarans present can do.

(Aaaaaaaaa oh no what if she messed up she probably messed up this was a stupid idea where is a window when she really needs one!)

Eventually, the class ends.
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Miles waits half a minute before he leaves, so he won't have to suffer any of his classmates looking at him while he walks out of the classroom.

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Does she talk to him or does she run? Both options are so tempting. She really can't decide.

Nnnnnnnngh no no no she will not flee that is a decidedly un-Vorish thing to do right now, just. Just. Take a deep breath. Then get up, walk over to him, and:

"... Hi," she says, feeling inane.
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What. She's talking to him. Why is she talking to him.

...She doesn't seem openly hostile, at least...?

He's been on Beta Colony long enough that the glance at her earrings is automatic. Not-available-for-undisclosed-reasons. Which makes perfect sense, right, she's Barrayaran, why is she even on this planet...?

He realizes he has been staring blankly at her for a full second. "Uh, hi," he says awkwardly.
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...

She can still run if she wants. The door is right over there.

Shit shit shit shit shit -

"Um." What does she even have to say? 'Hey I liked the way you read that passage that was sort of horrifically cruel to you,' or maybe, 'I think you can extract an apology from the teacher, he looked like the only reason he didn't fling himself at your feet was his love of literature and how everyone was busy reading,' or perhaps, 'So um, did you like the, passage I definitely did not obsessively pick out like a crazy person?'

"How long have you been on Beta Colony?" she asks, deciding after a long pause that incredibly boring is better than mortifying.
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Why is this happening to him.

She honestly doesn't seem hostile, though. It's weird.

"Just since the start of last term, but this isn't my first visit or anything. I - have family here, my grandmother, I'm staying with her while I get my well-rounded galactic education."

And oh how well rounded it has been. No, he's trying not to dwell on that.
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She nods.

"I have um, been here for over a year, with my sister. And, um. Yes. Well-rounded galactic education."

Awkwaaaard paaaause.
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How well-rounded has her education nope not thinking about it.

Okay, if he's having a conversation, he's having a conversation. He approximates a smile.

"My name's Miles, I didn't catch yours...?"
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"Yvette Vorlaine." She curtsies. "... Um, I can leave you alone, if you'd rather, I just. Sort of. Am completely surrounded by Betans, all, the time."

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"...I - no, if you want to make friends with the only other Barrayaran at the school, I'm all for it," what is he doing, "Betans can be very... Betan sometimes, I completely understand if you want a break."

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"They can be very Betan," she agrees seriously, sounding relieved upon spying this Point Of Comparison. She's going to seize it. "My very favorite part's the one where I hear insinuations that I should never go home."

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"I get that one too. With varying ratios of superiority to concern depending how much the person in question actually knows about Barrayar."

...If he's going to drive her away, might as well do it fast. As he collects his things and stands up, he adds, "Maybe I should keep the opening monologue of Richard III memorized for the earnestly worried crowd. It sure did a number on poor Frank."

There. It's not a trick of perspective: he really is this short. And he has a slight limp, too, obvious when he begins to move away from his desk. Now's your chance to run, Yvette Vorlaine.
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She doesn't run. She expected this, with the speech. She does take a brief moment to look him over, but there's no flinch or fleeing. Not even the subtle facial flinch or looking away immediately.

A laugh escapes her at his words; it seems to surprise her a bit. "I, I think it won't have, quite the effect as it did here. Frank seemed more mortified that he put you in the situation than the words themselves." Pause. "Though you did deliver it beautifully."

(Oh god, Yvette, what are you doing! Why are you saying things! He is not Vor! He is a mutant! If you were a proper lady, you would run!

... If she were a proper lady she would not be on Beta Colony, fuck you flinch reaction, take a jump to hell.)

She pauses, and reviews her words. Oh, shit. Mother is going to be so disappointed in her for her lax manners. Maybe she has been here too long.
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He grins. It could be a very nice smile, under other circumstances, without so much pain in it. "What can I say. The character just speaks to me."

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... She has no idea how to reply to this, actually!

"I hope not with the megalomania and the murder and the lies and the betrayal," she says, dry. "That sounds like it would end poorly."

Well. She said that. She's not sure if she's okay with that.
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He laughs.

And, this being the best he's felt in weeks, and with her Barrayaran accent making him feel at home, he answers without thinking. "Come on, I can't kill Gregor, then I'll have no one left to play Tacti-Go with."

...oops. Well, if there's a Vor girl in his class someone's bound to have a security report on her already, and it's not like going by Miles Naismith on Beta Colony is that much more than a convenience/formality. It's probably fine.
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She takes a few seconds to piece this together, at first thinking that 'Gregor' is his - brother, maybe. And then context of the play connects with his first name and her admittedly slightly sketchy political knowledge and oh shit is he the Regent's son?

A tiny sound escapes her lips, before she clamps them shut and forces herself to look calm.

"I wasn't aware the Emperor played Tacti-Go," she says carefully, because that is the only sentence in her head that makes sense. "Or that playing it was his most endearing trait."

... Okay that last part just. Slipped out. Whoops.
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"I, uh." Awkward. "...I have a very inappropriate sense of humour sometimes?"

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Oh that did seem rather judgmental, didn't it.

"I am not offended." And she isn't. But she is slightly out of her depth and rethinking that whole 'not running' thing. She subtly looks for escape routes. Aaaaaaa what does she do this was not in her etiquette lessons aaaaa.

"You should hear my sister, yesterday she joked about getting a sex change."

...

Whatever she was supposed to do it was probably not that.
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"Well, she came to the right planet for it."

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"She did, it's true. She'd probably be serious about it if it meant she could enlist, but - Barrayar."

Why is she saying these words, where is her filter, she just keeps saying things! HELP! SOMEONE SHUT HER UP!
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"Barrayar," Miles agrees with a sigh and a half-smile. "And, uh, if she was planning to lie extensively and never get found out, her chances of pulling it off have just taken a sharp dive, I'm sorry to say."

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Of course. ImpSec.

"Got talked out of something like that by Mother years ago," says Yvette serenely. "Too suicidal, and if she were found out there'd be no way for us to help her. She's training to be a jump pilot, according to her that is almost as good. I think her current plan involves finding her in through Komarr, though I've lost track of the specifics."
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"Well, best of luck to her."

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"Thank you," she says. "I'll pass that along."

...

Is. Is that it? Is she done? Can she stop blabbering on like a lunatic with no regards towards propriety? Yes? Good.
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Smile? Smile.

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... Yeah, okay. Smile.

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Aaaaaa no wait why are they smiling at each other this is terrifying.

"I have to go, but - I'll see you next class?"
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"Ah, yes. I won't keep you. Next class." And she curtsies, because one does not talk while curtsying, she is safe.

Now, at long last, it is completely appropriate for her to flee in a non-obvious fashion. Excellent. She doesn't actually have to be anywhere immediately, but she would like to go back to the room she's staying in and collapse face first into her pillow to bemoan whatever's wrong with her.

She can only hope that she will not blabber on like a lunatic next time she talks to him.

Whyyyyyyy.
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Miles, meanwhile, meets Sergeant Bothari in the corridor outside the school complex and goes home to his grandmother's apartment, where he shuts himself in his room to avoid his grandmother's sympathy and then has to put up with the Sergeant poking his head in suspiciously anytime there is a noise that could remotely be construed as alarming.

The next day he has a completely different set of classes, but the day after that it's back to Pre-Jump English Literature. Can he leverage Frank's guilt to avoid ever having to speak in class again? Let's find out.
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Well. Maybe. Frank leaves him alone for this class, anyway.

But Miles has a message sent to his terminal from Frank, asking if he would like to take the class with another teacher, or perhaps see a therapist about possible trauma from 'Unfortunate circumstance related misfortune,' and that either way Frank would hate to see Miles's education suffer.
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Really. Really.

Miles replies: Don't flatter yourself by assuming I need to talk to my therapist about your ill-considered choice of reading material.
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Frank flinches when he reads this, in a subtle fashion.

Well, when you feel up to participating again in class, let me know.
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Miles doesn't deign to reply to that one at all.

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Well, that's okay.

Class continues. Classmates read. Shakespeare is discussed. Then, near the end of class:

"Now, I think that you've all got a good grasp of Shakespeare. But, I think a lot of you have felt kind of shy about talking about your thoughts while in a classroom environment." He does not look at Miles. (To be fair, Miles is not the only student that is trying to avoid attention and not talk.) "So! I'd like you all to group up into small groups of two or three - even four, if no one's being left out - to pick one of Shakespeare's plays that we've either read over in class, or another one of your choice. Over the weekend, I'd like for you to meet and discuss the play, and then write me a short essay on what you discussed. Doesn't have to be long or eloquent, I just want to hear what you think!"
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At the back of the room, Miles snickers.
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The other Barrayaran in the class suspects that the teacher would really rather not hear what she thinks. Frank gets a dry, unimpressed look. Really. This is what he's going to do? Okay. Fine.

Time to find a group. Yay. Her very favorite thing.

(No it isn't.)
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Unsurprisingly, absolutely no one in the class wants to go anywhere near Miles. Fine by him. If he ends up left out, that will just mean no one but Frank has to suffer through the essay he plans to write.

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It turns out that he is not left out.

"Would you," asks Yvette, voice even and attempting to be casual but not quite making it, "like to group up?"
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...He considers this.

She was surprisingly tolerable about all this last class. And it would save him having to pair up with a Betan.

"Sure," he says.
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Good, she wanted to not be paired up with a Betan, too. Not that Betans aren't nice, but - Betans. She would like to talk to someone who is not from Beta Colony or her sister, even if that person is kind of terrifying in a child of the Regent (well, now Prime Minister) and plays board games with the Emperor kind of way.

She nods, and borrows a seat from an unused computer terminal nearby.

"I don't really have a play in mind, I sort of vaguely want to read The Tempest but I'm not set on it and not picky," she says. "You?"
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"Take a guess."

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She starts laughing.

"Ah," she manages, once she's gotten a hold of herself. "That - okay, sure."
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"Our teacher seems determined to make me suffer, so I am determined to make him regret it," says Miles. "I am going to write such an essay."

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"Of course you are. Of course."

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He laughs.

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She snickers, then asks, "When do you want to meet up to finish reading the play?"

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He shrugs. "When's convenient for you? I'm not exactly overbooked."

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She considers. "Sometime tomorrow, after lunch?"

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"Sure. Where?"

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"One of the study rooms in the library, if they're not all full?"

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"Sure, sounds good."

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"All right."

Class ends, and assorted students depart.

(Yvette is silently thankful that she did not blabber on like a lunatic today. Good job, Yvette.)



And then, the next day: the study rooms are not all full! He seems to have gotten there before Yvette, but there is a room that Miles can claim.
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He checks the registry, inputs his student number, and goes into the newly claimed study room to sit and read the play and regret his choices. Brilliant idea, Miles. Shut yourself away in a small room with a Vor girl to explore your feelings about being an unlovable demi-mutant. This is bound to end well.

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Well, here is the Vor girl.

"Hey," she says.
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"...Hi," he says, awkwardly.

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...

Gosh this is a small room they're going to be alone together in for a while, isn't it.

Right, moving on.

"So um, I don't - actually have a plan for how we'll tackle this. Have you finished reading the play?"
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"Yeah, have you?"

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"Yep," she says. "Good, then we're even there."

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"Admittedly I might've gone over it a little fast. I was mostly looking for whatever would produce the most upsetting possible essay."

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She laughs.

"What upsetting essay material did you find, then?"
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"...The whole play, honestly?" He laughs a little.

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She smiles.

"Fair. Honestly I thought the first few acts were the most interesting, the last were - I was actually kind of disappointed in Richard for just switching to rampant murder."
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"I... okay, so in the opening monologue he's almost straight-out telling the audience 'hello, my name is Richard the Evil Cripple and this is my eerily straight-out-of-a-Barrayaran-folktale Villain Motivation', but if I look past that... I really feel for him? I mean obviously I don't approve of his actions but," he gestures inarticulately, "God, I've been there. ...And my main concern at this point is getting this reaction written down in a way that will make Frank cry but not cause him to say anything about Barrayaran cultural attitudes that will end with me in therapy for leaping onto his desk and punching him in his stupid Betan face."

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"Please do not leap onto his desk and punch him in his stupid Betan face," says Yvette, sounding like she would very much like to see that. "But I see what you mean. Hm. Explain a bit more? I can maybe help."

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"...I mean, you heard me," he says, with a vague wave in a direction meant to indicate their classroom. "When I say the character speaks to me, I mean—"

He glances at the vid screen where the opening monologue of the play is currently displayed, skims the lines he's thinking of to make sure he still has the wording down, and delivers them with an intensity of emotion that surpasses even his first recital.

"But I, that am not shaped for sportive tricks, not made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty to strut before a wanton ambling nymph; I, that am curtail'd of this fair proportion, cheated of feature by dissembling nature, deformed, unfinish'ed, sent before my time into this breathing world, scarce half made up, and that so lamely and unfashionable that dogs bark at me as I halt by them—why, I, in this weak, piping time of peace, have no delight to pass away the time, unless to spy my shadow in the sun and descant on mine own deformity."

His hand thumps his chest on every emphatic 'I'; his voice twists with self-loathing, slashes the air with vicious rage, strains with anguish; and when it's over he draws a shaky breath and avoids looking at her. That was a lot more of his soul than he meant to bare.
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...

This suddenly became a lot more personal than a pre-Jump Earth literature class. Well. It already was rather personal, but - a bathtub being compared to an ocean. Both are wet. One's a lot deeper than the other.

She is tempted to say, 'That is not what I meant, that point was very clear, you did not have to belabor it' - but no. That - would not help at all right now. That would just be petty. What does one do when someone shows one their soul? She doesn't know the answer.

First step: breathe. Collect your thoughts. Okay? All settled? Good, now to work.

...

She has no idea what the fuck to do. Not a damned clue. She can think of a few points of comparison, and even more things that are - in something of the same vein of pain she can't fix, but doesn't have the eloquence in her to say them without potentially hurting him.

'I am a woman from a society that treats them as chattel,' 'I understand that few will think of me as I am an instead in terms of who I marry and how I raise our children,' 'I am desperately trying to not drown in the ocean of propaganda surrounding my home planet and Beta Colony, I am confused and lost and barely know who I am,' 'I am so very small and everything I want to do is so much larger than I am, I don't know how I'll even begin,' 'Sometimes I feel as if I've already failed, that I'm doomed to it, that there is nothing I can do and no one cares what I have to say,' 'Sometimes I just think I'm not good enough, and never will be.'

And none of these are exactly the same sorts of problems as he has, she doesn't know what it's like to be him. She probably never will. Her problems are - smaller, less grave, in comparison to his, at least as far as she can tell. But - damn it, they're both being assailed by shitty things about life and their society, why the fuck should they look at one another and say, 'Your experiences of pain and confusion differ from mine, get out, do not try to reach out to understand and be understood.'

She doesn't have a speech written by Shakespeare in front of her to cram her feelings into. Maybe there is one, but she hasn't read it yet. She makes a note to read more Shakespeare, to maybe have a reply to situations like these. Because she still doesn't. And she can't even figure out a way to cram her own feelings into something that isn't horribly out of place and sounding like she doesn't care about his problems. She feels hopelessly out of her depth with a rock tied to her foot and the inability to swim.

But she does kind of dearly want to hug him.

"Miles," she asks, voice soft. "Would you like a hug?"
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"I—I didn't mean to get quite that depressing on you," he mutters. "I'm not even a genuine mutant, for God's sake, my genes are fine, the damage is strictly teratogenic, not that this ever seems to make a difference to how people look at me."

Wait, he's trying to be less depressing. Say something else, Miles.

"It's better on Beta Colony, at least here the pity and disdain mostly only comes up when I mention what planet I'm from. And there are no alleys to get beaten up in."

No not that. God what's wrong with him. He covers his face with his hands.
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She winces at the alley comment. Yeah, that's Barrayar all right. Fuck.

She's tempted to hug him without permission but she doesn't know him well enough to guess how that would go. She doesn't.

"How do I help," she asks, a little desperately. "There's - I'm - I feel like there's nothing I can say that won't make things hurt more, I - I've known you for four days and I'd personally tell any asshole that looked at you with disdain to take a jump to hell? Because fuck those guys? I think Barrayar is getting better, even if it's, taking a while to get around to it? I get the pity and disdain from Betans too? I. Would definitely hug you, if you wanted me to, but I don't know if that would help or hurt more so I haven't been." Pause. "... We can possibly take a break from Shakespeare, trash talk Betans together?"
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"I don't—I—why do you care?! Why do—why does—what is the point of trying to help me when I'm just a fucking mutie anyway and no amount of trash-talking Betans is going to change that," he says, raw-voiced and miserable, hunching down in his seat.

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"Just? You're not - there is no just, if, if I settled for just being the thing Barrayar fucking assigned to me, I would be, at home, in some pretty gilded cage. I would grow up and learn, learn, I don't fucking know, embroidery maybe, play the harp, say lots of vapid things and marry the highest bidder. Maybe die before I'm forty if I were really getting into it. People are not just anything, they're people, even in idiots there's a, a, they grow and become better and learn and. You're not just anything, you're - you have beautiful diction, I was struck not by how you looked but by how well you spoke, when I first heard you. You have a hilariously twisted sense of humor! It's very dark but you have a talent for wordplay and irreverency that I can appreciate!

"I - I - why the fuck shouldn't I care, huh? Why the fuck shouldn't I look at Barrayar, look at the fucking Nexus and say, 'This should be better, what is happening here should not happen, I want to help, I want people to stop hurting'?! You do not get to, to, opt yourself out, I see you as fucking valuable and if I can fucking help you, you can bet your entire fucking fortune that I will raise hell to try! Every! Single! Time!"

By the end of this tirade her voice has raised to a point where she's almost shouting. She looks like she would like to continue, but she catches herself and takes a deep breath.

"The point," she says, in a more even tone, "is that you are already so much more than a, a - you are more than what other people see you as."
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He has to sit very still for a moment and focus on breathing evenly to keep himself from bursting into tears.
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...

Maybe that was a bit - strong. That was probably a bit strong. She - can't bring herself to regret it, it's too close to home, too much of her soul bared to him to try to take it back. Maybe something to cushion the words a bit, but wanting to take any of that back - no, she can't.

"... Offer for a hug's still open, anytime you'd like it."
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"I... I don't..." He trails off, exhales shakily—looks up at her with a flash of a wry, haunted smile. "Uh, in case you were wondering, it's not my usual practice to unload all my private griefs on the third conversation with a new acquaintance. You just. Caught me at a bad time, let's say."

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"Darn, I was waiting in rapt anticipation for what conversation four would be like," says Yvette, dry. "... But no, seriously, you seemed to need it, and if I can help -" She shrugs, looking amused. "I think you've heard my opinion there. Happy to be of service."

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He takes another deep calming breath and straightens a little so he can lean forward and meet her eyes.

"I want you to know that I deeply appreciate and admire your commitment to making the world a better place," he says, his voice soft but intense. "I—when I'm being my best self, when I live up to my own ideals, I feel very similarly."
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... That is a hell of a soft but intense voice he has. Directed at her. Praising her qualities. Um.

She smiles a tiny slightly shy smile, and inspects her hands because she cannot meet that gaze right now.

"Well, thank you. I uh. Am glad that it's not just me that wants to save the galaxy."
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He smiles faintly, looking away.

"But sometimes... it just isn't in me to believe I can be helped, or that I should be. It's—I guess it really does come back to what I was trying to say about poor Richard. About... feeling like something in the fundamental nature of my physical and spiritual being is corrupt, broken, impure." He pauses a moment, then adds, "I judge my odds of reducing Frank to tears pretty high if I can just manage to get that out onto a vidscreen in a comprehensible essay format."
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That last part earns a giggle from her.

"Reducing him to tears is important, I see." Pause, a complicated expression. "And I don't think you're - corrupt, broken, or impure. I realize that probably doesn't help, but." She waves a hand awkwardly.
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"It... I don't know," he sighs. "It's... better than nothing? That sounds so inadequate, and any way I can think of to try to make it sound more positive fails catastrophically at that task. Um. It's better than nothing and I swear that's actually meaningful?"

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"I will take you at your word," she agrees. Pause. "So, want to be friends, only other Barrayaran at this school?"

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...Miles snorts. "What am I going to say, no? I'm sorry I dropped my heart and soul in your lap, let me just pick it all up and bugger off? Come on."

He looks her in the face again with a broad, friendly, genuine smile that only carries a little pain around the edges.

"Yes, I will absolutely be your friend, Yvette Vorlaine."
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She laughs.

"Hey, I had to be sure! Good, I have someone to trash talk Betans with, that's important."
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"Trash-talking Betans is a vital pastime."

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"Unfortunately lacking in participants on Beta Colony itself. Pity, there are so many Betans to trash talk."

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"It's so true."

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She snickers.

"Do we want to start trash talking Betans right now?" she wonders. "Because we can!"
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"God help me, there are some Betans I would dearly love to trash-talk, but so far I have avoided literally crying on you and I'd like to keep that up," he snorts.

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"You are allowed to cry on me," says Yvette. "I'm insoluble in water, promise."

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...He cracks up helplessly.

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She grins.

"Even salt water."
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Too many giggle. Cannot respond.

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"Can't promise certain types of acid though, if you cry acid tears I'll have to pass."

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"I do not," snicker, "cry acid tears, my God."

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"Are you sure? Have you checked?"

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"I would have bloody noticed by now, trust me!"

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"Okay, well, in that case, you are hereby approved for crying on the individual known as Yvette Vorlaine. Congratulations."

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He splutters.

"You're ridiculous. It's amazing."
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"Thank you, I try!" she says, without a hint of modesty.

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"Let's be best friends and save the galaxy together," he says impulsively.

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This startles a laugh out of her.

"I um, okay, sure? I haven't had a galaxy saving best friend before." Pause. "Or, actually a best friend in general, unless my sister counts."
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"Me neither, not really. But I don't see why I should let that stop me."

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Snort.

"Well! I'm sure we'll figure it out."
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"Of course."

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"We'll find designated best friend things to do - uh, what do best friends do?" She thinks. "... Um... Go... Fishing?" She pauses. "Yeah I've got nothing."

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"We are not on the right planet to go fishing," laughs Miles. "Can you imagine? Spear-fishing in a public fountain—the looks we'd get from the locals—"

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"Oh, that would be hilarious - it'd be even better if we got wooden spears."

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"On Beta Colony? Are you kidding me? We'd be surrounded by weeping antiques dealers in minutes," he snickers.

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"I guess we shouldn't plan to roast the fish in a wood fired oven, huh?"

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"Oh God."

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"'This piece of wood was cut from a tree that has grown on my family's land for generations.' Toss. 'And now it is on fire.' The mortification!"

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"Betans."

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She giggles.

"Betans."
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"I mean, my own mother is Betan, I'm not condemning the lot of them, but she has this way of saying 'Barrayarans' like it's a potent curse, so I feel it's only fair."

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Yvette laughs.

"Yeah, I don't actually want to condemn all Betans either. Just -" She waves a hand vaguely. "It is nice to talk to another Barrayaran and trash talk."
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"Yeah. They're just so Betan. And there are a lot of great things about being Betan! But I think sometimes they are a little too aware of that and not quite sufficiently aware that not being Betan can also have advantages."

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"Ha. Yes. That."

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"My mother is wonderfully adept at avoiding this trap, but then unfortunately there are also the Franks of the world."

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"Ha. I think the Frankness of Frank is not exactly how Betan he is? I mean how Betan he is leads into it and definitely magnifies the whole issue, but there's a, something else that is separate that is the real problem, I think."

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He considers this.

"The personal problems of Frank in particular aren't exactly because of how Betan he is, but I think he definitely represents a local type, you know? Sheltered as hell, maddeningly unaware of it, patronizingly certain that he can do no wrong as long as he sticks to the proper principles? Beta Colony churns those out as though from an assembly line."
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"Hmm, yeah. I see what you mean. I wonder how that could even be fixed on a societal scale. I mean, 'go study on another planet for a few years' would probably help a lot? It helped me, personally. But then Betans don't want to leave because they think Beta Colony is the best, and they never have anything prove otherwise, because they never leave, and around and around it goes." Pause. "What an easy trap to fall into. I can't even blame him."

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"My mother managed not to, but I suppose my mother's not exactly ordinary."

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She smiles a bit. "What's she like instead, then?"

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He thinks about this, then shakes his head and says, "You'd really have to meet her. I can't begin to explain."

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Snort. "All right then."

She pauses, and considers.

"We should probably actually do our homework."
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"...yeah," says Miles. "Um. Once more with a little less feeling?"

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... She cracks up.

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He giggles.

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"I, you, stop being hilarious I'm trying to be responsible!"

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"I'm sorry! I can't turn it off on command!"

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"Uh huh," she says, then pokes at the computer terminal.

"I vote that if we need to lighten the mood we read one of Margaret's 'screw you all' speeches to each other in incredibly dramatic voices."
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"Agreed. Okay. Do you have anything you want to include in this essay, or would you rather just be my accomplice in making Frank cry?"

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She snorts, then actually stops to think.

"... Okay, my turn for depressing. The female characters all lose their children and families. And - the play sort of implied Margaret had some kind of ability to curse and create prophecies and then she passed that on to the other women who have lost things. But that still rings kind of hollow to me. Elizabeth tried to keep her son safe by claiming sanctuary and staying in a church, and it didn't work, not because she failed, but because the people that were supposed to protect them gave her son up. She's treated as one of his main antagonists, but unlike the others he doesn't bother to kill her because she's no longer a threat. The Duchess was the first person to make Richard flinch, but all of the warnings of doom in the world don't make up for not - she didn't really have a hand in finally killing him? Okay, congrats, you called down curses on his name, but cursing until you're blue in the face doesn't actually - fix anything.

"I - am not sure where I'm going with this, actually. It's like - there's a silent potential horror story that hangs in the back of my head. It actually kind of goes something like this. The lives of every child I helped bring into the world, extinguished, my - the person I married and presumably love, dead, everything I try to do to stop something terrible, useless, and then I am bitter and powerless and there's nothing I can do but curse at the world."

She shrugs, and looks away. "It's a shitty, shitty fate. I don't know if we want to include it, but - it sticks out in my head."
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"...Yeah, that's... I see what you mean," he says. "Nobody's getting a good deal here."

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"Except the guy who showed up at the end with an army," says Yvette wryly. "He got to be king."

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"Okay, fine. The girls get despair, the mutie gets death, and the guy who shows up at the end with an army gets political power. Are we sure this isn't Barrayaran history?"

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She laughs.

"Remember Miles, we don't want either of us to be persuaded to punch our teacher. And if we compared it to Barrayaran history..."
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"Punching would ensue, oh yes."

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"So the real question is how do we spin all of our complicated Barrayaran emotions into a form that will not ensue in punching, but will make him cry."

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"Yeah, that's the tough one all right."

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She hums thoughtfully, scrolling through the play to skim it a bit while she thinks.

"Mm. A - theme I'm noticing is that - the people in charge are all not very responsible? The church failing to protect the prince, the guards failing to protect Richard's brother, the king being crazy right up until he dies, Richard and his murder spree, I'm not seeing anyone here actually trying to rule in a fair manner?" Pause. "No idea how to connect that to our complicated Barrayaran emotions, but, it's a thought."
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"Ooh, yeah, that's an interesting angle. ...But I might want to stay away from it because I'm at least theoretically supposed to be pretending I'm not anybody important while I'm on Beta Colony, and my perspective on power and responsibility is very much the perspective of somebody who played tag with his Emperor as a child, you know?"

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Yvette flashes him an understanding smile.

"Fair enough. We'll skip the interesting angle in favor of not making ImpSec unhappy."
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"Uncle Simon thanks you for your understanding."

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"Uncle? You call Simon Illyan uncle?"

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He laughs. "Well, not so much recently, but when I was a kid, yeah."

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She giggles. "That's incredibly adorable."

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Snort. "Thanks?"

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Grin. "You're welcome."

Skim skim skim. "... Maybe something about minorities and cycles of cruelty? Victims becoming perpetrators? Not just Richard, Margaret definitely did it too."
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"Yeah... there's something there, but I don't know, how much agonizing emotional suffering can you bring to life in Margaret? Because I can get a lot out of Richard."

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"I don't believe I can match you and Richard there," says Yvette seriously. "Not with just Margaret. I mean I can probably make some eloquent points but that's not quite the same as agonizing emotional suffering." Pause. "I am maybe bad at attempting to make someone cry."

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"I don't think I've ever deliberately set out to make someone cry before, but I have high hopes about my ability to pull it off."

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She snorts.

"I'll make you be the one to type the essay, then."
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"Reasonable."

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"I try! ... That being said I do want to uh. Actually help."

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"Well, help as in contribute to the essay, or help as in contribute to the goal of the essay? Because if it's the second thing, your most effective role might be as a test audience. ...Although I'd rather not make you cry, you haven't done anything to deserve it."

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"Probably the first thing, but I can do the second. And I don't mind crying."

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"...What, really?"

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"I mean. If you made me cry in front of people I'd be annoyed, but this is not in front of people? This is in a tiny out of the way study room, I can cry here without feeling the need to snarl at concerned but useless people that I am fine or deal with the awkward stares or finding a quiet corner to be left alone in until I'm out of tears. I mean, it'd. Be kind of embarrassing, I'll probably be trying desperately not to cry, but if I happen to in this environment it's not the end of the world?"

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"I cannot promise I won't stare awkwardly and/or hypocritically offer to hug you if you start crying about my agonizing literary interpretations."

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"That's still - I trust you to mysteriously make yourself busy spellchecking or something if I asked you to stop awkwardly staring? And offering to hug me is fine, I'd probably accept. It's - large amounts of people doing it that makes it awful. And it's three that's the crowd, so I think we're all right."

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"Well, all right then."

He opens a text editor and stares meditatively at it.
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"... So, we're doing the second thing?"

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"I mean, either way you're making me type it and I seem to be the one with a clearer idea of what I want to write down. Once there are words on the page maybe it'll be more obvious whether you're going to make direct contributions to the text or just help me rate its effectiveness."

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"Sure, fair." She scoots her chair so she can see the screen.

....

(Do not pay attention to the proximity.)
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Miles sure doesn't seem to be paying attention to the proximity! He is absorbed in contemplating word choice, deciding on the most brutally eloquent way to deliver his perspective.

Finally he begins:
Richard, Duke of Gloucester, is a character whose experience of the world is defined by pain.

Although his description of his motivations in the opening monologue of the play reads as a transparent attempt to manipulate the audience, that doesn't necessarily make it false. And the state of mind he describes is a plausible one.
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... Good so far, she thinks. Yvette doesn't have much to contribute, unfortunately. She doesn't have a ton of experience in this particular subject.

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Before continuing, he goes up to the top of the document and conscientiously adds a content warning for graphic descriptions of pervasive emotional trauma. Then he proceeds, with an intense little smile, to write.
You feel an inescapable, overwhelming loneliness. You feel an inescapable, intolerable self-loathing. You feel that you are unable to experience joy, and wouldn't deserve to if you could. You feel that nothing you can accomplish will ever make it acceptable that you exist. You feel that the very substance of your body and soul is stained with an irreparable wrongness. You feel that no one loves you, nor ever will. You feel that if things had been different, you could have been a person, but by the whims of fate you are a monster instead. You feel that never except through death will you be free of your fundamental brokenness. You feel that everyone who looks at you is staring in pity or disgust; often you feel it because it is true.

No wonder he decided evil plots were his best way forward. They didn't have licensed therapists in fifteenth-century England.
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She does not interrupt. He seems to be quite busy, and has things under control. Nor does she cry. But - ow.
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Miles goes on in this vein for several more paragraphs. He is eloquent. He is unflinching. He is enjoying himself immensely, in his weird intense little way.

Then he sits back a little and looks at Yvette. "Well? How'd I do? Anything to add?"
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"Well, I think it's beautifully written and brutally to the point and unflinching in its depictions, and also I was holding back from deleting the entire document, picking up the terminal that it was written on, and then throwing it out of an airlock." Pause. "Good job!"

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...Miles bursts out laughing, and turns to bow to her in his seat.

"I'll take that as high praise, thank you!"
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She snorts. "You're welcome. Sorry I uh, couldn't help with. Any of that." She waves a hand to the screen.

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"You're still a perfectly functional test audience. What do you think, is Frank going to cry?"

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"Hm. Crying, I can't guarantee, but I think he might never ask you to write anything for him ever again."

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"I'll take it."

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She smiles.

...

She would like to invite him to go do something fun, she's not sure what, but she thinks he could do with some cheering up, and to be honest she'd like to go do something fun, too. But - how does she. How does she even go about asking that? It's strange and complicated and scary and she simultaneously wants to reassure him that it is Not A Date and also that dates are not out of the question just please let's not be Betan about this?

Talking to people's scary. It's easier when she can just float by on snarky comments, it's much, much harder to attempt to say something with no flow of conversation helping it sail along. Does she just. Force herself to cough up the words 'Hey want to go hang out'? ... Does she want to use the term hang out, she does not believe she does, that just. Sounds. Awkward. And 'Do you want to go to [x] with me' sounds way too... datey. For her. She - maybe kind of has a bit of a crush on him, admittedly! But this does not mean she won't completely freak the fuck out if she asks the son of the (former, she reminds herself) Regent, the guy who plays board games with the Emperor, out on a date. Even if he said yes! .... Especially if he said yes!

She has never dated before! Dating is scary! Betan whatever things are easy (if highly unsatisfying) but they don't come with the weight of two Vor doing. Any sort of courtship. Not even close. Plus he seems to have some unhandled issues that should probably be reasonably in check first and she hasn't analyzed everything involved to death and she might regret accepting that declaration to be best friends and regretting doing any sort of courtship thing with another Vor is worse and she would sort of like some time to keep being herself before she flings herself at a Vor and no really she is kind of frightened!

(At some point she has started fidgeting.)
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By this time Miles is rereading his essay and does not notice her fidgets. He corrects a typo and changes a wording.

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She both does not want him to notice how she is sort of silently freaking out a bit, and also would please like him to notice and fix it. Can he do that? ... She's not sure she wants him to! She does not like the idea of needing someone else to help fix her, it's - sort of hypocritical of her, she realizes, but she doesn't.

Nnnnnrgh why are things so difficult, this is hard, she would like to just, not have things be difficult like this.

...

Okay. Stop. Stop freaking out. Stop.

She has the self control to halt this shit and re-evaluate. Freak out, you are pending results of re-evaluation.

Obviously she is Not Ready For A Relationship Right Now, if she is freaking out at just the hint of maybe going on a date with Miles. That's, she'll - not. She will not. Maybe when she is a bit more - well, a bit less this, she can possibly Attempt To Date The Cute Well-Spoken Vor. And until then she sees no reason as to why she shouldn't be his friend. She does actually want to be his friend, along with the - the confusing blurble of romantic whatever. So she can pick the just friends option without much regret. So this is now Solved. Good? Good.

Phew. Okay. Now. Does she still want to go do a fun thing?

...

Actually, no. She kind of wants to go curl up in bed for several hours and not do things, having a mild internal freak out is draining.

Well, that solves that, though she'll likely want to go do a fun thing with Miles later, for sure. Okay. That she can do. She has had friends before, if not best friends, she can handle this, sort of, if she sticks to script.

"Are you going to be busy tomorrow?" she wonders.
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"Well, I have a history class all morning, but my afternoon's free."

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"Do you want to do something in the afternoon? Go be best friends?"

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He looks away from the screen to grin at her. "Definitely!"

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Oh good. That went well.

"Great!" says Yvette, smiling.
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"Anything in particular you want to go do?"

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"Not really. Uh. Nothing super touristy?"

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"Okay, let's see, what could we go do..." He drums his fingers lightly on the desk. "I can't for the life of me remember the name, but there's that one science museum, d'you know the one I'm talking about? It's close to the spaceport and therefore constantly flooded with tourists, but I keep hearing amazing things about their exhibits and then not getting around to going there because I am too busy oh for example making my teacher cry."

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"Hmmm. I think science is worth putting up with tourists. That'll work for me."

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"Great. And we should probably exchange contact information in case somebody has trouble finding the place—"

And lo, there was contact information.
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Contact information! Gosh!

"And consequently we are no longer stuck with class and class related activities for talking. Hooray!"
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"This seems an important step on the road to saving the galaxy together," Miles agrees.

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"My alternate plan was wandering around the school, calling 'MILES! THE GALAXY IS NOT YET SAVED!' into crowds. This is quite an improvement."

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"...Although that would have been hilarious, I think I have to agree."

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"Sabine would have helped. She has quite the shouting voice."

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"Potentially also hilarious, but less easily imagined since I've never met her."

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Giggle. "This is true. Oh well. I can introduce you to her sometime, I think you'd like her."

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"Sure."

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"Hmm, want me to help spell check the essay to see if you missed anything? ... I promise not to try to space the terminal."

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"That is good. If you space the terminal I'll just have to write the whole thing again. Sure, go ahead."

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Read read read wince suppressed hug urges read read minor punctuation fix, read, deep breath that sounds like it is building up to a ramble about the value of human life, but then is cut off, read read read minor correction. And then she is out of essay.

"Looks good to me. Time to send it in?"
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"Yeah."

He submits the essay.

"Alas, I will probably never find out if he cried."
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"Maybe not, but you do get to watch his in class reaction to seeing you after getting the essay."

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"True!"

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...

Yvette considers how to politely and non-condescendingly mention that if he is having a self hating moment he can call her and she can insist that he's awesome. This is a harder problem than it should be.

She considers how to tackle it.
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And this time Miles has no essay to distract him, so he notices her considering things. But he isn't quite sure what to ask or how to ask it - 'what's wrong' would seem to slightly overstate the extent to which something appears to be wrong...

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She notices him looking at her, and looks down, embarrassed.

"Sorry, um. I was. Trying to figure out a way to say 'You are free to call me if you would like to talk,' without being. The term I am going to use is too Betan."
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"I wasn't going to assume that the contact information was strictly for museum-related correspondence and galaxy-saving emergencies," he says, half-smiling.

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Snort. "Good."

(... She noticed that dodge there. There is nothing she can do about it though. Not without pressuring him more than she thinks she should.)
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"Although if I do have a galaxy-saving emergency, I now know where to turn."

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Giggle.

"Excellent. We can save the galaxy more efficiently."
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"It's good to have friends for this sort of thing."

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Giggle. "That we do!"

...

Gosh she is tired and would like to go curl up in her bed and not do things. Entertaining as talking to Miles is. (She has a brief visual of getting to talk to Miles while in bed, possibly with him, and then that thought is evicted, no no no, wait until there is less freakout associated.)

How to gently extract herself from a conversation without implying that the conversation isn't fun. .... She has no fucking idea. Uh.
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Miles definitely has no idea about any visuals Yvette is having. Which is probably a good thing, all things considered.

"...And thank you," he adds, a little awkwardly. "For - not being too Betan."
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"Ha," says Yvette. "You're welcome."

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"And... thank you for not being too Barrayaran either."

Whoops he didn't quite mean to get that serious.
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...

Yvette snickers.

"Actually that was the point of coming here, aside from - galactic education. I have been systematically ripping out all of the nasty things out of my head that I do not want to be. So - you're welcome! And thank you, I'm glad it's working!"
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He smiles slightly when she laughs. (It's... a good thing that she's doing, sort of, he thinks, but something about her laughing right then just hit him wrong. It's fine, she didn't mean anything by it.)

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"Sorry," she says after a pause and noticing the flash of expression on his face. "I don't mean to - demean anything there. You're welcome, really. And seriously, thank you. That - is - sort of the first time anyone's noticed that I try not to be terrible, I am happy about it."
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He smiles a little more. "Well, congratulations on your lack of terribleness. Good job. Keep it up."

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"I will! Thank you."

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He checks the time.

"And now that we've made our best effort at getting Frank to cry, I should probably go home. See you tomorrow?"
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Damn it he makes it look so fucking easy! She was internally conflicted about how to end this social meeting! Internally conflicted! And he just goes and bam, there, done. She is incredibly jealous.

"Yeah," she agrees, smiling.

So incredibly jealous.
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"Bye," he says cheerfully. Off he goes.

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"Bye!"

And then she goes home, flops face first into her pillow, and makes various sounds of dismay. Damn it she decided not to attempt to date the cute well spoken Vor. She agrees with her reasoning, and it still stands, but augh. He is so cute!




The next day:

There is an Yvette, on a bench, near the science museum. She has ice cream, and is working towards no longer having ice cream. She's purposefully pretty easy to spot, so she doesn't have to worry about looking very hard for her shiny new best friend instead of eating ice cream. Nom.

She'll look around anyway, but that's more recreational than searching desperately through a crowd for Miles.
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No one of Miles's size is easily visible at a distance in the crowded corridors and atria near a major Betan spaceport.

On the other hand, given that Miles is the son of the former Regent and grandson of a ruling Count, perhaps that looming figure approaching through the crowd has something to do with him. He's dressed in nominally civilian clothes, but carries himself very much like a soldier. The sort of man that an important person might assign as the bodyguard of their small troublesome relative.
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...

Hm. Miles is definitely worthy of a bodyguard, though it hadn't occurred to her before now. Let's just watch the soldier in civilian clothing and see what he does, or if there is a Miles present.
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He looks at her, confers with a shorter and less visible person next to him, and heads in her direction.

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The shorter and less visible person proves to be Miles! When the crowd is finally thin enough between him and Yvette for him to see her, he grins and waves.

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Yvette grins and waves back, with the hand that is not holding ice cream.

When he is within speaking distance, "You know I didn't realize until I got home, but 'afternoon' is not actually a very specific time," she says, amused.
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"It worked, didn't it? Here we both are, at the museum, in the afternoon."

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"This is true."

She inclines her head to the bodyguard. Hello, you exist, I respect your job and acknowledge your existence as a person. She'd talk to him, if she expected him to want to converse, but that's pretty unlikely, she thinks. A Barrayaran bodyguard that's this professional would likely want to do his job as well as possible, and this involves minimizing distractions.

"Well, ready to go?"
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"Yeah."

To the science museum!

The promotional materials displayed in the entryway promise exhibits every bit as exciting as Miles implied. There's one about lasers, one about magnets, one about molecular biology, one that purports to explain wormhole physics on a level a child could understand—

"Okay, I know just enough to know that's a huge oversimplification," says Miles, gesturing at the holo display advertising the wormhole exhibit, "but it's a very pretty oversimplification, I will admit."
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Giggle. "Yes. Want to go there first, then?"

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"Let's!"

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"Excellent."

On, to the wormhole exhibit! They have pretty oversimplifications to see!
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The oversimplifications are so oversimplified, and so pretty. Miles is delighted.

At the end of the winding path through beautiful and mildly informative displays, there is a huge unmarked holomap of the wormhole nexus, surrounded by smaller displays that identify particular planets of interest - Beta Colony, of course, and Eta Ceta (with the other planets of the Cetagandan Empire lined up underneath), and Earth and Escobar and Tau Ceti. Barrayar isn't among the chosen few, but it is present on the larger map - Miles squints up at the detailed image to see if he can spot the Dendarii Mountains.
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"Looking for something in particular?" she wonders. "Or are you just gazing at the majesty that is our home planet?"
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"Yes. Very majestic. But not majestic enough for the Betans, apparently. Oh, there they are!" A mountain range is just rotating into view on the northern continent. "The Dendarii Mountains."

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"Ah-ha," says Yvette, and she doesn't add that she thinks that looking for his family's mountains is terribly cute. Now it is obviously her turn to find where she's from, though she doesn't have a mountain range of her very own.

She squints up at it and waits for the holo to turn a bit more before pointing and saying, "Well, I live near that huge blue watery part, up in the northeast. Vorpatril's district, if you're curious."
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"I have a cousin who's a Vorpatril but he's nowhere near the Countship. Is it nice on the coast? I've never been."

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"During the summer it's wonderful," she sighs, sounding like she misses it. "Warm without being scorching hot, and not humid or dry at all. And - Vorbarr Sultana is nice, but I like New Evias a lot more. It's quieter. Less busy."

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"Well, now I'm homesick," Miles remarks with a half-smile, gazing up at the rotating planet as it slowly carries his mountains out of view. "I miss weather. And horses. And maple syrup."

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"Sorry." Pause. "I miss the sky, and the - light from it, to sound weird. The light doesn't change here, it - gets darker when the lights are off, and the lighting varies from place to place but there's no. Pinks and oranges and purples and yellows, it is just white and bland or this bright burning neon, unless you're in a place that's changing the light on purpose, and then it's like that all the time, and that sort of takes the fun out of it if that's all you have. And trees that aren't - there are trees here but they are all... the term I want to use is tame? Neatly planted exactly where they are wanted and pruned to perfection, until they are the perfect example of trees everywhere, aren't all of those other trees that can grow however they like jealous."

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"Barely qualifies as a tree, in my opinion," he says. "I miss the outdoors in general. Beta Colony doesn't have an outdoors, it has a—an exterior."

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"Qualifies as a tree in name and biology only," agrees Yvette wryly. "Yeah. I couldn't actually live here because of that, I think. Among other reasons. Exterior, but no outdoors. Bleh. I'll probably refuse to go inside for hours when I get home. 'No, Mama, I have to look at the sky some more.'"

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Miles giggles. "I'm going straight to the lake house and making sure my horse didn't forget me, I think."

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"You have a horse?" she asks, delighted.

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"Yes. His name is Fat Ninny, which is entirely Grandda's fault. But he's a good horse, and I like him."

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Giggle. "Why did your Grandda name your horse Fat Ninny, Miles?"

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"Well, we're on Beta Colony so I should probably blame it on some sort of subconscious desire to punish me for my defective skeleton, but actually I think the real culprit is his sense of humour."

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"Aha. The most dangerous culprit of all on the subject of names."

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Giggle.

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She smiles. "My family has a cat. My sister named him Croissant."

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"Okay, that's more surreal than Fat Ninny, but arguably less demeaning."

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Giggle. "Yeah. She wanted to name him Toast but my parents wouldn't let her."

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"I think Toast is an adorable name for a cat."

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"She thought so too! And now she plans to name any pet she has after the breakfast theme, because my sister."

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"That's very cute."

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"Atrociously adorable!"

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Miles giggies.

And: "I feel like playing with magnets next, do you want to go play with magnets?"
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"Yes, let's go play with magnets," she laughs.

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The magnets are nearby and very impressive. Hovering things! Shiny black liquids which you, yes you, can cause to form interesting shapes! Model trains! A fantastic contraption in which small steel balls can be induced to fly around in intricate trajectories!

Miles is immediately drawn to the contraption. It's so contraptional.
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Gosh, it is! Yvette is also tempted by the contraption, but thinks it might be wise to maybe give Miles space at it.

She instead lets herself be drawn to the shiny black liquids that she can make interesting shapes with. Sure, anyone can make some squiggly shapes, but she is going to make complicated things. Such complicated things. She starts trying (unsuccessfully) to make a shiny black liquid into a suitably lace-like form. Hmmmmm. Hmmmm.

This is hard.

(And also fun.)
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There are a few children playing with the contraption, and at first Miles shares it with them happily enough. But the kids drift off, and he stays, darting back and forth around the perimeter of the massive glass-encased machine to fiddle with this or that set of controls.

It seems like the steel balls are supposed to run their course and then drop into one of the receptacles around the perimeter, to be fed back into the machine from one of the eight starting points. He plays with it for a while to see if he can get one of them stuck in an endless loop. Before he manages it, he drops two of them out of the rotation completely - but that's no big deal; there are three rolling around on the floor in there already, if he climbs the railing to look in. Still plenty of ammunition to play with.

His third attempt is successful. He has to scramble between two adjacent control stations three times in quick succession to change the course while the ball is still in motion, and the timing is very tricky, but evidently not impossible: there's the ball, going up and down and around in a twisting course with no escape. Well, no escape until somebody comes along and changes it, that is. Nevertheless, Miles beams triumphantly.
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Yvette, meanwhile, is learning the exact limits of the shiny black liquids and their potential shapes. Suspending them in air is simple, but there's a bit of a technique to making them into shapes. Oh, sure, you can mold the entire thing into whatever shape you like, but creating lots and lots of little tiny holes is much more difficult. She figures something out involving pulling it in three separate directions to get it apart - she tries it with two, and while it's possible, it makes an unpleasant splattering pattern when that occurs. Three's more controlled if the force pulling isn't as strong. She tries with four, too, in a hope that she can neaten it up even more - but this causes it to explode in a hilarious fashion.

She cracks up when this occurs, and glances at Miles half out of pride for her hilarious explosion and half to see what he's doing. She notices the ball flying eternal. ".... Huh. That's cool."
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"It's probably not supposed to do that, but if they didn't want me to, they should've designed their machine so I couldn't," Miles says cheerfully. "I wonder if I can get another one into the same loop?"

He starts fiddling with the controls again.
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"Good luck," wishes Yvette, and she goes back to making shapes out of black liquid.

She doesn't purposefully cause it to explode again; while it was funny, she considers this an Unwanted Side Effect. She's trying to do a thing, and that thing is not 'cause various hilarious explosions.' She will make pretty things, damn it.

She continues making pretty things. If she twists the magnetic field just so and stretches it out like this she can get it to make little arches, and then if she turns down the gravity generator responsible for keeping the thing mostly weightless just a little she can pull those parts down far enough that she can turn the zero-g back off with the pattern still intact, and if she arranges magnetic fields like so the liquid makes little spiky bits on this part that can look sufficiently lace-like to match her specifications, and...

Was there an outside world besides this fascinating machine? She forgets.
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Miles, meanwhile, has lost his infinite loop twice - once to the rest of the machine, once to the floor - but finally managed to get two balls travelling the endless circuit together.

Except... one of them is going noticeably faster than the other, and after a few loops they collide, knocking themselves out of the air. One is recaptured by a different set of magnets and the other one falls on the floor.

This gives him an Idea.

He sets up the endless loop again just because he can, and then he tries to figure out how to turn the rest of the contraption into a racetrack.
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The technical details of making pretty and excessively complicated lace are - very fiddly, to put it mildly. After a few minutes of painstakingly exact movements of gravity and magnetic fields, she makes a version that looks suitably lace-like. Then she peers at it, and all of the hundreds of little imperfections make themselves apparent to her, all of the little ways in which it could be better. Without a second thought, she clears it and starts over. The second time she's faster, and the result is unquestionably better, but she's not pleased with this, either.

She starts on a third, convinced that while this one might not be perfect, it might look something like what she's trying to achieve instead of not.
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Figuring out what would qualify as a racetrack is the first problem. Finally he decides that what he wants is for two different balls to follow two different courses that are as identical as he can make them, and arrive at the same destination. He circles the contraption several times, estimating how symmetrical he can get it and whether he will have to sacrifice the infinite loop. It looks like he will. Sorry, infinite loop. At least he makes sure to undo the loop gently enough that the ball isn't lost to the floor like so many of its brethren.

A few minutes of careful construction and testing later, he has two long near-identical courses spiraling down and then up again from two adjacent entry points controlled from the same station. If they're truly identical, the balls will collide in midair, up near the top of the contraption; if one course gives better acceleration than the other, the winner will pass through that space first; and either way, both balls will hopefully be caught by the leftover contraption elements he set up for that purpose, but he can't be sure they won't fall on the floor until he tries it.

He releases his racers simultaneously into their respective tracks.

They pick up speed pretty fast - he thinks he might have underestimated how much acceleration they're getting from those long curving sections. In fact he's now kind of worried that—

CRACK. CRACK.



Miles makes enough semirandom changes to scramble his racetrack-railgun past recovery as quickly as possible, and then he steps away from the contraption's enclosure, which now has two spectacular spiderwebbing cracks in its glass walls, up high on opposite sides of the enormous cylinder.
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It turns out that practice at a highly technical thing is extremely conducive to doing that extremely technical thing well. Yvette's third lace attempt is - well, kind of gorgeous, actually. There are little things she can do better, little things she wants to try, maybe she can figure out a way to make patterns that are more flower-like instead of the incredibly geometric vaguely flower-like patterns she currently has.

Either way, she's pleased with her third result. She's just finishing up the final touches of it, coaxing geometrically perfect spirals into something more organic when a very loud something startles her out of her fugue.

She looks up in alarm at the loud noises. She notes the cracks in the contraption's enclosure.

".... Um, Miles?"
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"Hi, Yvette," he says, and is briefly distracted by her ferrofluid lace. "...That's amazing, first of all, and second of all I think we should go look at another exhibit now."

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"Thank you," she says, briefly distracted from her slightly awestruck consideration of the spiderweb cracks to look at him and grin. What? She's proud.

Then she looks at the contraption again. "And - yes, yes, let us. Go look at another exhibit now. Molecular biology?"
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"Let's go learn about molecular biology," he agrees firmly.

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Off they go, to learn about molecular biology!

Yvette kind of would like to ask how the hell he even managed to do that, but she suspects he might like to just never talk about it again.
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Well, he doesn't bring it up, at any rate.

The molecular biology exhibit seems like it might be less wildly oversimplified than the wormholes exhibit, but Miles doesn't know a thing about molecular biology so he has no good way to tell for sure.
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Yvette knows a little bit about it - she's been here longer than Miles has, and took a class that touched on it a bit. She knows that the mitochondria is the powerhouse of the cell, for example.

"This museum is very good at making everything pretty and approachable," she observes.
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"It is," he agrees. "Although they could stand to increase the safety standards on their interactive exhibits."

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She snorts. Apparently that is not Off Limits.

"How did you even manage that, anyway?"
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"Um. Well. Do you know what a railgun is?"

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".... You made a railgun out of the exhibit? The exhibit could be made into a railgun?!"
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"Not on purpose! But I mean, the exhibit basically is a railgun, just an unusually complicated one that is unusually bad at accelerating projectiles. As an interactive kinetic sculpture it is both interesting and educational, and I can't fault them for including it. I suspect I was taking advantage of unintended behaviour when I constructed my racetrack."

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"I mean, following the basic principles of a railgun and being a railgun are different things."

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"Well, yes, but I don't just mean that the principles are the same. It's... I'm having trouble thinking of a good analogy, but on a conceptual and physical level they have a real equivalence, even though the exhibit wasn't intended to function as a railgun per se and in fact is still pretty bad at it even after I got it to try. If it had been much better at being a railgun, it would've done more than just crack the glass. I joke about their safety standards, but I'm actually pretty impressed - they clearly hadn't predicted that anyone could do what I did, but the enclosure stood up to it anyway."

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"Huh. Well, I'm glad the enclosure stood up, anyway. I'm having visions of shattered glass everywhere."

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"Railguns that are good at being railguns are up there among the most efficient ways to propel a kinetic projectile, so yeah, um, it could've been pretty bad. Hooray for high safety standards?"

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"Hooray for high safety standards," she agrees.

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"High safety standards are great. They prevent me from causing catastrophic accidents."

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(This actually gets an amused snort out of Miles's bodyguard, who has been spending this entire time being patiently watchful and unobtrusive.)

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Yvette giggles. "Notice to all Betans and people that build things. 'High safety standards so Miles doesn't cause catastrophic accidents.'"

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"I am forever grateful to the competent adults in my life for ensuring that my accidents are minimally catastrophic."

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"I think that is one of the jobs of competent adults, ensuring that accidents are minimally catastrophic."

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"Yeah."

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"Competent adults have lots of jobs, mostly because incompetent adults cause the need for them," says Yvette, dryly.

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Miles giggles.

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Yvette grins. "There'd be less things for competent adults to do if everyone were competent, I think. Share the workload a bit."

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"Wouldn't that be nice."

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"Yeah. Oh well. Guess we just have to save the galaxy, whatever shall we do."

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"Grow up to be competent adults, hopefully."

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"I would certainly hope so!"

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"I would be very disappointed in myself if I grew up to be an incompetent adult."

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"As would I. Not to mention I'd try very hard to change that the moment I realized."

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"Well, naturally."

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"Along with obsessively deconstructing what exactly led me to incompetence..."

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"To be perfectly honest with you, I'm having enough trouble imagining myself incompetent in the first place that I really have no idea how I'd react."

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"Yes. That is the most alarming part. How I got there."

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"Well, let's just be as competent as possible and then we won't have to worry about it."

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"Deal."

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