Soon it will be time to read about things long-dead people wrote.
It isn't at all the fault of pre-Jump Earth literature, so he's putting in a genuine effort to pay attention and not let his mood get in the way of his education. But he still shuffles in with an exceptionally gloomy expression on his face and sits as far back as he can get.
"Hello, and welcome! My name is Franklin Harland, I'll be your instructor for the rest of the term, barring sudden catastrophes or medical emergencies. Frank's fine, I try to keep things from getting too starchy in here. I'm your teacher, but we're all here for the same reason! To learn."
And then he starts talking about why learning about literature is important - connecting with fellow human beings and understanding their point of view. He belabors this point quite a lot, actually - people are all very different (and as he assures, this is okay) but ultimately, at their cores, they are all very similar, and it's important for everyone to take a minute to step into another person's shoes and show a bit of empathy. Even if the character doesn't exist.
"Shakespeare is considered one of the best authors of Earth history - but a lot of the life in his plays is lost if you just read the words on a screen. It's a pity we can't have this properly performed, but reading aloud is the closest we can come to while still keeping in mind that we have quite a lot of material to cover in such a short amount of time. The play we'll be reading is one of the more uncommon ones, because I don't doubt that you've heard at least snippets of the others elsewhere, and I'd like to give you something new."
He directs the students to the correct file on their computers, and then scrolls through his roster for a name.
"Mister Naismith," says 'Frank,' seizing upon what he thinks is a fellow Betan, "if you would be so kind as to read us the opening monologue?"
But okay. Fine. If Frank wants the opening monologue, he can have the opening monologue.
"Now is the winter of our discontent made glorious summer by this sun of York," Miles begins smoothly, in an orator's voice and an undisguised Barrayaran accent; "and all the clouds that lour'd upon our house in the deep bosom of the ocean buried." His tone of voice carries a complex layering of satisfaction, sly amusement, and suppressed rage, which he happens to think suits the character perfectly. "Now are our brows bound up with victorious wreaths; our bruised arms hung up for monuments; our stern alarums changed to merry meetings, our dreadful marches to delightful measures. Grim-visaged war hath smooth'd his wrinkled front; and now, instead of mounting barded steeds to fright the souls of fearful adversaries, he capers nimbly in a lady's chamber to the lascivious pleasing of a lute."
He's beginning to really hit his stride with the material. Every word carries, every syllable is delivered with measured attention. And now from his initial tone he drops to something lower, sharper, bringing the anger more fully to the surface.
"But I, that am not shaped for sportive tricks, not made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty to strut before a wanton ambling nymph; I, that am curtail'd of this fair proportion, cheated of feature by dissembling nature—deformed, unfinish'd, sent before my time into this breathing world, scarce half made up, and that so lamely and unfashionable that dogs bark at me as I halt by them—why, I, in this weak piping time of peace, have no delight to pass away the time, unless to spy my shadow in the sun and descant on mine own deformity."
By this point he has gone all the way into a contemptuous hiss; he pulls back a bit and brings a mocking lightness into his tone for the next section.
"And therefore, since I cannot prove a lover to entertain these fair well-spoken days, I am determined to prove a villain and hate the idle pleasures of these days. Plots have I laid," he spits the word, "inductions dangerous, by drunken prophecies, libels and dreams, to set my brother Clarence and the king in deadly hate the one against the other: and if King Edward be as true and just as I am subtle, false, and treacherous, this day should Clarence closely be mew'd up, about a prophecy which says that 'G' of Edward's heirs the murderer shall be." And now in a sharp, hunted tone: "Dive, thoughts, down to my soul; here Clarence comes."
He leans back in his seat, jerks his chin up slightly, and takes a deep breath to try to enforce some measure of calm on himself. Then he asks the teacher, as blandly as he can manage, "Was that all right?"
And -
... That is the most beautifully spoken, passionate verse she has ever heard in her life.
Um. She's. She's just going to. Keep sitting here. Yep. Sitting is a good plan. She wonders if she's blushing, and if she is, if anyone's noticed. No one's looking at her. She's. Probably fine. Probably.
Frank realizes his mistake fairly quickly, and looks politely mortified, but doesn't interrupt the reading.
He swallows.
"Magnificent," he squeaks. "Do, do we have a volunteer, for the, next, part?"
He does have a volunteer! A slightly frightened volunteer who's looking at Miles nervously. On they go, reading Richard III.
The redhead who has definitely not obsessively read ahead to find the perfect verse, definitely not, raises her hand when they're somewhere in the second act.
"A blessed labor, my most sovereign lord," she says, in a clear voice with a distinct Barrayaran accent, with a faint smile at her lips. "Amongst this princely heap, if any here by false intelligence, or wrong surmise hold me a foe, if I unwittingly, or in my rage, have aught committed that is hardly bourne by any in this presence, I desire to reconcile me to his friendly peace. 'Tis death to me to be at enmity; I hate it, and desire all good men's love."
... Definitely not obsessively read ahead to find the perfect verse. Nope. Not her. She would never.
She finishes up the rest of the section, and wonders if she maybe should not have done that. Maybe. She doesn't know. If there were a nearby window, she might be tempted to fling herself out of it in embarrassment, but this is Beta Colony. There is no such window. Only her chair. She forces herself not to sink in it.
That's... that's definitely a Barrayaran girl. Shit.
Miles stares. And the verse she picked...?! Is he reading too much into this? He has got to be reading too much into this. What the fuck. God, there's a Barrayaran girl in his class and the first thing she ever heard out of him was that. How could she possibly be anything other than completely disgusted by him? The choice of verse is a coincidence. Or she's mocking him. It's very possible that she's mocking him.
She reads well, though.
Ugh. He can't think about this. He tears his eyes away from her and goes back to skimming the play while the next classmate takes their turn.
Does she talk to him or does she run? Both options are so tempting. She really can't decide.
Nnnnnnnngh no no no she will not flee that is a decidedly un-Vorish thing to do right now, just. Just. Take a deep breath. Then get up, walk over to him, and:
"... Hi," she says, feeling inane.
...She doesn't seem openly hostile, at least...?
He's been on Beta Colony long enough that the glance at her earrings is automatic. Not-available-for-undisclosed-reasons. Which makes perfect sense, right, she's Barrayaran, why is she even on this planet...?
He realizes he has been staring blankly at her for a full second. "Uh, hi," he says awkwardly.
She can still run if she wants. The door is right over there.
Shit shit shit shit shit -
"Um." What does she even have to say? 'Hey I liked the way you read that passage that was sort of horrifically cruel to you,' or maybe, 'I think you can extract an apology from the teacher, he looked like the only reason he didn't fling himself at your feet was his love of literature and how everyone was busy reading,' or perhaps, 'So um, did you like the, passage I definitely did not obsessively pick out like a crazy person?'
"How long have you been on Beta Colony?" she asks, deciding after a long pause that incredibly boring is better than mortifying.
She honestly doesn't seem hostile, though. It's weird.
"Just since the start of last term, but this isn't my first visit or anything. I - have family here, my grandmother, I'm staying with her while I get my well-rounded galactic education."
And oh how well rounded it has been. No, he's trying not to dwell on that.
...If he's going to drive her away, might as well do it fast. As he collects his things and stands up, he adds, "Maybe I should keep the opening monologue of Richard III memorized for the earnestly worried crowd. It sure did a number on poor Frank."
There. It's not a trick of perspective: he really is this short. And he has a slight limp, too, obvious when he begins to move away from his desk. Now's your chance to run, Yvette Vorlaine.
A laugh escapes her at his words; it seems to surprise her a bit. "I, I think it won't have, quite the effect as it did here. Frank seemed more mortified that he put you in the situation than the words themselves." Pause. "Though you did deliver it beautifully."
(Oh god, Yvette, what are you doing! Why are you saying things! He is not Vor! He is a mutant! If you were a proper lady, you would run!
... If she were a proper lady she would not be on Beta Colony, fuck you flinch reaction, take a jump to hell.)
She pauses, and reviews her words. Oh, shit. Mother is going to be so disappointed in her for her lax manners. Maybe she has been here too long.
And, this being the best he's felt in weeks, and with her Barrayaran accent making him feel at home, he answers without thinking. "Come on, I can't kill Gregor, then I'll have no one left to play Tacti-Go with."
...oops. Well, if there's a Vor girl in his class someone's bound to have a security report on her already, and it's not like going by Miles Naismith on Beta Colony is that much more than a convenience/formality. It's probably fine.
She takes a few seconds to piece this together, at first thinking that 'Gregor' is his - brother, maybe. And then context of the play connects with his first name and her admittedly slightly sketchy political knowledge and oh shit is he the Regent's son?
A tiny sound escapes her lips, before she clamps them shut and forces herself to look calm.
"I wasn't aware the Emperor played Tacti-Go," she says carefully, because that is the only sentence in her head that makes sense. "Or that playing it was his most endearing trait."
... Okay that last part just. Slipped out. Whoops.
"I am not offended." And she isn't. But she is slightly out of her depth and rethinking that whole 'not running' thing. She subtly looks for escape routes. Aaaaaaa what does she do this was not in her etiquette lessons aaaaa.
"You should hear my sister, yesterday she joked about getting a sex change."
...
Whatever she was supposed to do it was probably not that.
"Got talked out of something like that by Mother years ago," says Yvette serenely. "Too suicidal, and if she were found out there'd be no way for us to help her. She's training to be a jump pilot, according to her that is almost as good. I think her current plan involves finding her in through Komarr, though I've lost track of the specifics."
Now, at long last, it is completely appropriate for her to flee in a non-obvious fashion. Excellent. She doesn't actually have to be anywhere immediately, but she would like to go back to the room she's staying in and collapse face first into her pillow to bemoan whatever's wrong with her.
She can only hope that she will not blabber on like a lunatic next time she talks to him.
Whyyyyyyy.
The next day he has a completely different set of classes, but the day after that it's back to Pre-Jump English Literature. Can he leverage Frank's guilt to avoid ever having to speak in class again? Let's find out.
But Miles has a message sent to his terminal from Frank, asking if he would like to take the class with another teacher, or perhaps see a therapist about possible trauma from 'Unfortunate circumstance related misfortune,' and that either way Frank would hate to see Miles's education suffer.
Class continues. Classmates read. Shakespeare is discussed. Then, near the end of class:
"Now, I think that you've all got a good grasp of Shakespeare. But, I think a lot of you have felt kind of shy about talking about your thoughts while in a classroom environment." He does not look at Miles. (To be fair, Miles is not the only student that is trying to avoid attention and not talk.) "So! I'd like you all to group up into small groups of two or three - even four, if no one's being left out - to pick one of Shakespeare's plays that we've either read over in class, or another one of your choice. Over the weekend, I'd like for you to meet and discuss the play, and then write me a short essay on what you discussed. Doesn't have to be long or eloquent, I just want to hear what you think!"
She nods, and borrows a seat from an unused computer terminal nearby.
"I don't really have a play in mind, I sort of vaguely want to read The Tempest but I'm not set on it and not picky," she says. "You?"
Class ends, and assorted students depart.
(Yvette is silently thankful that she did not blabber on like a lunatic today. Good job, Yvette.)
And then, the next day: the study rooms are not all full! He seems to have gotten there before Yvette, but there is a room that Miles can claim.
He checks the registry, inputs his student number, and goes into the newly claimed study room to sit and read the play and regret his choices. Brilliant idea, Miles. Shut yourself away in a small room with a Vor girl to explore your feelings about being an unlovable demi-mutant. This is bound to end well.
"I... okay, so in the opening monologue he's almost straight-out telling the audience 'hello, my name is Richard the Evil Cripple and this is my eerily straight-out-of-a-Barrayaran-folktale Villain Motivation', but if I look past that... I really feel for him? I mean obviously I don't approve of his actions but," he gestures inarticulately, "God, I've been there. ...And my main concern at this point is getting this reaction written down in a way that will make Frank cry but not cause him to say anything about Barrayaran cultural attitudes that will end with me in therapy for leaping onto his desk and punching him in his stupid Betan face."
He glances at the vid screen where the opening monologue of the play is currently displayed, skims the lines he's thinking of to make sure he still has the wording down, and delivers them with an intensity of emotion that surpasses even his first recital.
"But I, that am not shaped for sportive tricks, not made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty to strut before a wanton ambling nymph; I, that am curtail'd of this fair proportion, cheated of feature by dissembling nature, deformed, unfinish'ed, sent before my time into this breathing world, scarce half made up, and that so lamely and unfashionable that dogs bark at me as I halt by them—why, I, in this weak, piping time of peace, have no delight to pass away the time, unless to spy my shadow in the sun and descant on mine own deformity."
His hand thumps his chest on every emphatic 'I'; his voice twists with self-loathing, slashes the air with vicious rage, strains with anguish; and when it's over he draws a shaky breath and avoids looking at her. That was a lot more of his soul than he meant to bare.
This suddenly became a lot more personal than a pre-Jump Earth literature class. Well. It already was rather personal, but - a bathtub being compared to an ocean. Both are wet. One's a lot deeper than the other.
She is tempted to say, 'That is not what I meant, that point was very clear, you did not have to belabor it' - but no. That - would not help at all right now. That would just be petty. What does one do when someone shows one their soul? She doesn't know the answer.
First step: breathe. Collect your thoughts. Okay? All settled? Good, now to work.
...
She has no idea what the fuck to do. Not a damned clue. She can think of a few points of comparison, and even more things that are - in something of the same vein of pain she can't fix, but doesn't have the eloquence in her to say them without potentially hurting him.
'I am a woman from a society that treats them as chattel,' 'I understand that few will think of me as I am an instead in terms of who I marry and how I raise our children,' 'I am desperately trying to not drown in the ocean of propaganda surrounding my home planet and Beta Colony, I am confused and lost and barely know who I am,' 'I am so very small and everything I want to do is so much larger than I am, I don't know how I'll even begin,' 'Sometimes I feel as if I've already failed, that I'm doomed to it, that there is nothing I can do and no one cares what I have to say,' 'Sometimes I just think I'm not good enough, and never will be.'
And none of these are exactly the same sorts of problems as he has, she doesn't know what it's like to be him. She probably never will. Her problems are - smaller, less grave, in comparison to his, at least as far as she can tell. But - damn it, they're both being assailed by shitty things about life and their society, why the fuck should they look at one another and say, 'Your experiences of pain and confusion differ from mine, get out, do not try to reach out to understand and be understood.'
She doesn't have a speech written by Shakespeare in front of her to cram her feelings into. Maybe there is one, but she hasn't read it yet. She makes a note to read more Shakespeare, to maybe have a reply to situations like these. Because she still doesn't. And she can't even figure out a way to cram her own feelings into something that isn't horribly out of place and sounding like she doesn't care about his problems. She feels hopelessly out of her depth with a rock tied to her foot and the inability to swim.
But she does kind of dearly want to hug him.
"Miles," she asks, voice soft. "Would you like a hug?"
Wait, he's trying to be less depressing. Say something else, Miles.
"It's better on Beta Colony, at least here the pity and disdain mostly only comes up when I mention what planet I'm from. And there are no alleys to get beaten up in."
No not that. God what's wrong with him. He covers his face with his hands.
She's tempted to hug him without permission but she doesn't know him well enough to guess how that would go. She doesn't.
"How do I help," she asks, a little desperately. "There's - I'm - I feel like there's nothing I can say that won't make things hurt more, I - I've known you for four days and I'd personally tell any asshole that looked at you with disdain to take a jump to hell? Because fuck those guys? I think Barrayar is getting better, even if it's, taking a while to get around to it? I get the pity and disdain from Betans too? I. Would definitely hug you, if you wanted me to, but I don't know if that would help or hurt more so I haven't been." Pause. "... We can possibly take a break from Shakespeare, trash talk Betans together?"
"I - I - why the fuck shouldn't I care, huh? Why the fuck shouldn't I look at Barrayar, look at the fucking Nexus and say, 'This should be better, what is happening here should not happen, I want to help, I want people to stop hurting'?! You do not get to, to, opt yourself out, I see you as fucking valuable and if I can fucking help you, you can bet your entire fucking fortune that I will raise hell to try! Every! Single! Time!"
By the end of this tirade her voice has raised to a point where she's almost shouting. She looks like she would like to continue, but she catches herself and takes a deep breath.
"The point," she says, in a more even tone, "is that you are already so much more than a, a - you are more than what other people see you as."
Maybe that was a bit - strong. That was probably a bit strong. She - can't bring herself to regret it, it's too close to home, too much of her soul bared to him to try to take it back. Maybe something to cushion the words a bit, but wanting to take any of that back - no, she can't.
"... Offer for a hug's still open, anytime you'd like it."
"I... I don't..." He trails off, exhales shakily—looks up at her with a flash of a wry, haunted smile. "Uh, in case you were wondering, it's not my usual practice to unload all my private griefs on the third conversation with a new acquaintance. You just. Caught me at a bad time, let's say."
"I want you to know that I deeply appreciate and admire your commitment to making the world a better place," he says, his voice soft but intense. "I—when I'm being my best self, when I live up to my own ideals, I feel very similarly."
She smiles a tiny slightly shy smile, and inspects her hands because she cannot meet that gaze right now.
"Well, thank you. I uh. Am glad that it's not just me that wants to save the galaxy."
"But sometimes... it just isn't in me to believe I can be helped, or that I should be. It's—I guess it really does come back to what I was trying to say about poor Richard. About... feeling like something in the fundamental nature of my physical and spiritual being is corrupt, broken, impure." He pauses a moment, then adds, "I judge my odds of reducing Frank to tears pretty high if I can just manage to get that out onto a vidscreen in a comprehensible essay format."
"It... I don't know," he sighs. "It's... better than nothing? That sounds so inadequate, and any way I can think of to try to make it sound more positive fails catastrophically at that task. Um. It's better than nothing and I swear that's actually meaningful?"
He looks her in the face again with a broad, friendly, genuine smile that only carries a little pain around the edges.
"Yes, I will absolutely be your friend, Yvette Vorlaine."
"The personal problems of Frank in particular aren't exactly because of how Betan he is, but I think he definitely represents a local type, you know? Sheltered as hell, maddeningly unaware of it, patronizingly certain that he can do no wrong as long as he sticks to the proper principles? Beta Colony churns those out as though from an assembly line."
"Hmm, yeah. I see what you mean. I wonder how that could even be fixed on a societal scale. I mean, 'go study on another planet for a few years' would probably help a lot? It helped me, personally. But then Betans don't want to leave because they think Beta Colony is the best, and they never have anything prove otherwise, because they never leave, and around and around it goes." Pause. "What an easy trap to fall into. I can't even blame him."
"... Okay, my turn for depressing. The female characters all lose their children and families. And - the play sort of implied Margaret had some kind of ability to curse and create prophecies and then she passed that on to the other women who have lost things. But that still rings kind of hollow to me. Elizabeth tried to keep her son safe by claiming sanctuary and staying in a church, and it didn't work, not because she failed, but because the people that were supposed to protect them gave her son up. She's treated as one of his main antagonists, but unlike the others he doesn't bother to kill her because she's no longer a threat. The Duchess was the first person to make Richard flinch, but all of the warnings of doom in the world don't make up for not - she didn't really have a hand in finally killing him? Okay, congrats, you called down curses on his name, but cursing until you're blue in the face doesn't actually - fix anything.
"I - am not sure where I'm going with this, actually. It's like - there's a silent potential horror story that hangs in the back of my head. It actually kind of goes something like this. The lives of every child I helped bring into the world, extinguished, my - the person I married and presumably love, dead, everything I try to do to stop something terrible, useless, and then I am bitter and powerless and there's nothing I can do but curse at the world."
She shrugs, and looks away. "It's a shitty, shitty fate. I don't know if we want to include it, but - it sticks out in my head."
"Mm. A - theme I'm noticing is that - the people in charge are all not very responsible? The church failing to protect the prince, the guards failing to protect Richard's brother, the king being crazy right up until he dies, Richard and his murder spree, I'm not seeing anyone here actually trying to rule in a fair manner?" Pause. "No idea how to connect that to our complicated Barrayaran emotions, but, it's a thought."
"Ooh, yeah, that's an interesting angle. ...But I might want to stay away from it because I'm at least theoretically supposed to be pretending I'm not anybody important while I'm on Beta Colony, and my perspective on power and responsibility is very much the perspective of somebody who played tag with his Emperor as a child, you know?"
"Well, help as in contribute to the essay, or help as in contribute to the goal of the essay? Because if it's the second thing, your most effective role might be as a test audience. ...Although I'd rather not make you cry, you haven't done anything to deserve it."
"I mean. If you made me cry in front of people I'd be annoyed, but this is not in front of people? This is in a tiny out of the way study room, I can cry here without feeling the need to snarl at concerned but useless people that I am fine or deal with the awkward stares or finding a quiet corner to be left alone in until I'm out of tears. I mean, it'd. Be kind of embarrassing, I'll probably be trying desperately not to cry, but if I happen to in this environment it's not the end of the world?"
"That's still - I trust you to mysteriously make yourself busy spellchecking or something if I asked you to stop awkwardly staring? And offering to hug me is fine, I'd probably accept. It's - large amounts of people doing it that makes it awful. And it's three that's the crowd, so I think we're all right."
"I mean, either way you're making me type it and I seem to be the one with a clearer idea of what I want to write down. Once there are words on the page maybe it'll be more obvious whether you're going to make direct contributions to the text or just help me rate its effectiveness."
Finally he begins:
Richard, Duke of Gloucester, is a character whose experience of the world is defined by pain.
Although his description of his motivations in the opening monologue of the play reads as a transparent attempt to manipulate the audience, that doesn't necessarily make it false. And the state of mind he describes is a plausible one.
You feel an inescapable, overwhelming loneliness. You feel an inescapable, intolerable self-loathing. You feel that you are unable to experience joy, and wouldn't deserve to if you could. You feel that nothing you can accomplish will ever make it acceptable that you exist. You feel that the very substance of your body and soul is stained with an irreparable wrongness. You feel that no one loves you, nor ever will. You feel that if things had been different, you could have been a person, but by the whims of fate you are a monster instead. You feel that never except through death will you be free of your fundamental brokenness. You feel that everyone who looks at you is staring in pity or disgust; often you feel it because it is true.
No wonder he decided evil plots were his best way forward. They didn't have licensed therapists in fifteenth-century England.
...
She would like to invite him to go do something fun, she's not sure what, but she thinks he could do with some cheering up, and to be honest she'd like to go do something fun, too. But - how does she. How does she even go about asking that? It's strange and complicated and scary and she simultaneously wants to reassure him that it is Not A Date and also that dates are not out of the question just please let's not be Betan about this?
Talking to people's scary. It's easier when she can just float by on snarky comments, it's much, much harder to attempt to say something with no flow of conversation helping it sail along. Does she just. Force herself to cough up the words 'Hey want to go hang out'? ... Does she want to use the term hang out, she does not believe she does, that just. Sounds. Awkward. And 'Do you want to go to [x] with me' sounds way too... datey. For her. She - maybe kind of has a bit of a crush on him, admittedly! But this does not mean she won't completely freak the fuck out if she asks the son of the (former, she reminds herself) Regent, the guy who plays board games with the Emperor, out on a date. Even if he said yes! .... Especially if he said yes!
She has never dated before! Dating is scary! Betan whatever things are easy (if highly unsatisfying) but they don't come with the weight of two Vor doing. Any sort of courtship. Not even close. Plus he seems to have some unhandled issues that should probably be reasonably in check first and she hasn't analyzed everything involved to death and she might regret accepting that declaration to be best friends and regretting doing any sort of courtship thing with another Vor is worse and she would sort of like some time to keep being herself before she flings herself at a Vor and no really she is kind of frightened!
(At some point she has started fidgeting.)
Nnnnnrgh why are things so difficult, this is hard, she would like to just, not have things be difficult like this.
...
Okay. Stop. Stop freaking out. Stop.
She has the self control to halt this shit and re-evaluate. Freak out, you are pending results of re-evaluation.
Obviously she is Not Ready For A Relationship Right Now, if she is freaking out at just the hint of maybe going on a date with Miles. That's, she'll - not. She will not. Maybe when she is a bit more - well, a bit less this, she can possibly Attempt To Date The Cute Well-Spoken Vor. And until then she sees no reason as to why she shouldn't be his friend. She does actually want to be his friend, along with the - the confusing blurble of romantic whatever. So she can pick the just friends option without much regret. So this is now Solved. Good? Good.
Phew. Okay. Now. Does she still want to go do a fun thing?
...
Actually, no. She kind of wants to go curl up in bed for several hours and not do things, having a mild internal freak out is draining.
Well, that solves that, though she'll likely want to go do a fun thing with Miles later, for sure. Okay. That she can do. She has had friends before, if not best friends, she can handle this, sort of, if she sticks to script.
"Are you going to be busy tomorrow?" she wonders.
"Okay, let's see, what could we go do..." He drums his fingers lightly on the desk. "I can't for the life of me remember the name, but there's that one science museum, d'you know the one I'm talking about? It's close to the spaceport and therefore constantly flooded with tourists, but I keep hearing amazing things about their exhibits and then not getting around to going there because I am too busy oh for example making my teacher cry."
"Looks good to me. Time to send it in?"
...
Gosh she is tired and would like to go curl up in her bed and not do things. Entertaining as talking to Miles is. (She has a brief visual of getting to talk to Miles while in bed, possibly with him, and then that thought is evicted, no no no, wait until there is less freakout associated.)
How to gently extract herself from a conversation without implying that the conversation isn't fun. .... She has no fucking idea. Uh.
"Sorry," she says after a pause and noticing the flash of expression on his face. "I don't mean to - demean anything there. You're welcome, really. And seriously, thank you. That - is - sort of the first time anyone's noticed that I try not to be terrible, I am happy about it."
And then she goes home, flops face first into her pillow, and makes various sounds of dismay. Damn it she decided not to attempt to date the cute well spoken Vor. She agrees with her reasoning, and it still stands, but augh. He is so cute!
The next day:
There is an Yvette, on a bench, near the science museum. She has ice cream, and is working towards no longer having ice cream. She's purposefully pretty easy to spot, so she doesn't have to worry about looking very hard for her shiny new best friend instead of eating ice cream. Nom.
She'll look around anyway, but that's more recreational than searching desperately through a crowd for Miles.
On the other hand, given that Miles is the son of the former Regent and grandson of a ruling Count, perhaps that looming figure approaching through the crowd has something to do with him. He's dressed in nominally civilian clothes, but carries himself very much like a soldier. The sort of man that an important person might assign as the bodyguard of their small troublesome relative.
She inclines her head to the bodyguard. Hello, you exist, I respect your job and acknowledge your existence as a person. She'd talk to him, if she expected him to want to converse, but that's pretty unlikely, she thinks. A Barrayaran bodyguard that's this professional would likely want to do his job as well as possible, and this involves minimizing distractions.
"Well, ready to go?"
To the science museum!
The promotional materials displayed in the entryway promise exhibits every bit as exciting as Miles implied. There's one about lasers, one about magnets, one about molecular biology, one that purports to explain wormhole physics on a level a child could understand—
"Okay, I know just enough to know that's a huge oversimplification," says Miles, gesturing at the holo display advertising the wormhole exhibit, "but it's a very pretty oversimplification, I will admit."
At the end of the winding path through beautiful and mildly informative displays, there is a huge unmarked holomap of the wormhole nexus, surrounded by smaller displays that identify particular planets of interest - Beta Colony, of course, and Eta Ceta (with the other planets of the Cetagandan Empire lined up underneath), and Earth and Escobar and Tau Ceti. Barrayar isn't among the chosen few, but it is present on the larger map - Miles squints up at the detailed image to see if he can spot the Dendarii Mountains.
She squints up at it and waits for the holo to turn a bit more before pointing and saying, "Well, I live near that huge blue watery part, up in the northeast. Vorpatril's district, if you're curious."
"Sorry." Pause. "I miss the sky, and the - light from it, to sound weird. The light doesn't change here, it - gets darker when the lights are off, and the lighting varies from place to place but there's no. Pinks and oranges and purples and yellows, it is just white and bland or this bright burning neon, unless you're in a place that's changing the light on purpose, and then it's like that all the time, and that sort of takes the fun out of it if that's all you have. And trees that aren't - there are trees here but they are all... the term I want to use is tame? Neatly planted exactly where they are wanted and pruned to perfection, until they are the perfect example of trees everywhere, aren't all of those other trees that can grow however they like jealous."
"Qualifies as a tree in name and biology only," agrees Yvette wryly. "Yeah. I couldn't actually live here because of that, I think. Among other reasons. Exterior, but no outdoors. Bleh. I'll probably refuse to go inside for hours when I get home. 'No, Mama, I have to look at the sky some more.'"
Miles is immediately drawn to the contraption. It's so contraptional.
She instead lets herself be drawn to the shiny black liquids that she can make interesting shapes with. Sure, anyone can make some squiggly shapes, but she is going to make complicated things. Such complicated things. She starts trying (unsuccessfully) to make a shiny black liquid into a suitably lace-like form. Hmmmmm. Hmmmm.
This is hard.
(And also fun.)
It seems like the steel balls are supposed to run their course and then drop into one of the receptacles around the perimeter, to be fed back into the machine from one of the eight starting points. He plays with it for a while to see if he can get one of them stuck in an endless loop. Before he manages it, he drops two of them out of the rotation completely - but that's no big deal; there are three rolling around on the floor in there already, if he climbs the railing to look in. Still plenty of ammunition to play with.
His third attempt is successful. He has to scramble between two adjacent control stations three times in quick succession to change the course while the ball is still in motion, and the timing is very tricky, but evidently not impossible: there's the ball, going up and down and around in a twisting course with no escape. Well, no escape until somebody comes along and changes it, that is. Nevertheless, Miles beams triumphantly.
She cracks up when this occurs, and glances at Miles half out of pride for her hilarious explosion and half to see what he's doing. She notices the ball flying eternal. ".... Huh. That's cool."
She doesn't purposefully cause it to explode again; while it was funny, she considers this an Unwanted Side Effect. She's trying to do a thing, and that thing is not 'cause various hilarious explosions.' She will make pretty things, damn it.
She continues making pretty things. If she twists the magnetic field just so and stretches it out like this she can get it to make little arches, and then if she turns down the gravity generator responsible for keeping the thing mostly weightless just a little she can pull those parts down far enough that she can turn the zero-g back off with the pattern still intact, and if she arranges magnetic fields like so the liquid makes little spiky bits on this part that can look sufficiently lace-like to match her specifications, and...
Was there an outside world besides this fascinating machine? She forgets.
Except... one of them is going noticeably faster than the other, and after a few loops they collide, knocking themselves out of the air. One is recaptured by a different set of magnets and the other one falls on the floor.
This gives him an Idea.
He sets up the endless loop again just because he can, and then he tries to figure out how to turn the rest of the contraption into a racetrack.
She starts on a third, convinced that while this one might not be perfect, it might look something like what she's trying to achieve instead of not.
A few minutes of careful construction and testing later, he has two long near-identical courses spiraling down and then up again from two adjacent entry points controlled from the same station. If they're truly identical, the balls will collide in midair, up near the top of the contraption; if one course gives better acceleration than the other, the winner will pass through that space first; and either way, both balls will hopefully be caught by the leftover contraption elements he set up for that purpose, but he can't be sure they won't fall on the floor until he tries it.
He releases his racers simultaneously into their respective tracks.
They pick up speed pretty fast - he thinks he might have underestimated how much acceleration they're getting from those long curving sections. In fact he's now kind of worried that—
CRACK. CRACK.
Miles makes enough semirandom changes to scramble his racetrack-railgun past recovery as quickly as possible, and then he steps away from the contraption's enclosure, which now has two spectacular spiderwebbing cracks in its glass walls, up high on opposite sides of the enormous cylinder.
Either way, she's pleased with her third result. She's just finishing up the final touches of it, coaxing geometrically perfect spirals into something more organic when a very loud something startles her out of her fugue.
She looks up in alarm at the loud noises. She notes the cracks in the contraption's enclosure.
".... Um, Miles?"
"This museum is very good at making everything pretty and approachable," she observes.
"Not on purpose! But I mean, the exhibit basically is a railgun, just an unusually complicated one that is unusually bad at accelerating projectiles. As an interactive kinetic sculpture it is both interesting and educational, and I can't fault them for including it. I suspect I was taking advantage of unintended behaviour when I constructed my racetrack."
"Well, yes, but I don't just mean that the principles are the same. It's... I'm having trouble thinking of a good analogy, but on a conceptual and physical level they have a real equivalence, even though the exhibit wasn't intended to function as a railgun per se and in fact is still pretty bad at it even after I got it to try. If it had been much better at being a railgun, it would've done more than just crack the glass. I joke about their safety standards, but I'm actually pretty impressed - they clearly hadn't predicted that anyone could do what I did, but the enclosure stood up to it anyway."