Sadde doesn't seem quite able to focus on homework at the moment. He's fidgeting, and sometimes stares off into space for long periods of time before James has to snap him out of it.
"I don't think they really do a whole lot of math when it comes to Endbringer fights. It seems mostly like 'everyone who can come is a helpful addition.' And that's a point. Even if you don't save anyone, just showing up, boosting morale, convincing other people who might be able to save even more people, to drive those creatures away even a second earlier. I think it's worth it."
Blink. "Um. They probably wouldn't notice but... I mean, if people started doing that then that'd be a morale hit, people would be more reluctant to come to the next fight. It's why we have the Truce." Pause. "Why, though? You get your full salary, don't you? I mean, it's not as much as an adult hero, but it's still more than me."
"I could try to look into that, for you, maybe there's legal aid available. I'm, um, emancipated myself, I have some experience with that, the fact that you have a source of income helps a lot, but I'm not sure how that interacts with the Protectorate. And with your power, too, I don't know if he leaves many bruises or scars that could serve as evidence of abuse?"
"Right, didn't mean proving it in the future, just, maybe you had something on you already that could be used. And yeah, you have a point there. This is... complicated, I'd have to maybe talk to a lawyer or something, not mentioning you of course, not until I was pretty sure of what I was doing and you agreed and gave me your permission."
Echo is there, out of costume, just to hear the briefing and then say she won't go. Dauntless, on the other hand, has his white-and-gold suit, Greek helmet, shiny boots, and the shield, but is sporting a sword instead of a lance, today.
There's a plane present for other Brockton Bay capes that might volunteer to come. None do. Not to fight the hero killer.
Glam walks up to Lorica. "So, I'm gonna need your help to start working on the gun thing."
Lorica's doing coordination with the largest swarm of robots she's ever fielded. Boots is on evac. Rewind's paired with Transit to get maximum operating range and use his safe landings avoid winding up in the kill radius. (His suit can radiation shield - but he can turn that off when he needs to narrow down possible landing sites or is taking passengers.)
"Make it loud," the bot on Glam's shoulder says. "It'll auto-aim if our software's working."
At the appropriate time, Glam makes earmuffs appear to protect their ears, and starts charging.
It's quite loud. As in, drowning Behemoth out loud.
Maybe not everyone got the message, or maybe Behemoth's dynakinesis just doesn't care, but the beam doesn't hit him full on the chest. It's veered slightly off-course, and hits him on the shoulder.
All in all, not quite Legend levels of hurt.
"Fuck," they mutter under their breath.
Glam's knees turn to jelly, and it's not because of the actual effects of Behemoth's powers.
"Hotfix installed in t minus eighteen, firing upgraded laser after five seconds!" Glam calls. Non-round numbers, for some realism.
Loud noise for five seconds, then—
"That's a bit more like it," Glam says to themself as the laser hits him on the chest and burns him (if that verb can even be used to describe damage to Behemoth of all creatures) badly.
The blast goes through, significantly weakened, and as the gun begins charging once more Behemoth superheats the debris in his hand, turning it into a ball of magma. He holds it as he takes another hit from the gun, and then—
flings it at Glam, with exactly the right amount of kinetic energy and direction of momentum to guarantee that the ball won't miss its target.
"Tell people the gun's operational again, firing in fifteen seconds."
But of course, there's still the problem of a building hit by molten rock. It won't hold forever.
Next shot hits the leg.
Both Glams are oblivious, and they keep shooting. Little by little, they wear away at Behemoth's left leg. The Endbringer throws a piece of a building at the one the copy's stationed on, not yet damaging it quite enough for it to topple, but it soon will.
"Need a lift for the gun!"
Real Glam has an idea, because fake Glam can't really have ideas. While copy keeps shooting, original asks the robot, "What if I said I was gonna charge up the gun for a continuous blast to hold his advance, so other capes could hit him while that happened? Probably need to fib about power and stuff but."
continuous blast. One huge blast, holding Behemoth at bay for several seconds as the gun keeps hitting him. Other capes get the hint and start hitting him in ways that won't move him from his spot, so he can stay trapped. Alexandria gets out of the way, and both Legend and Eidolon are shooting a barrage of lasers at the Endbringer.
And then there's a flash of light in the sky, and he's here.
"Oh thank god."
Glam dismisses the copy and the gun, and then makes a bunch of copies—ten, a safe number, they should last the full half-hour—and starts helping with that. They follow the copies around with the binoculars, but the copies return to the building original's occupying every twenty or so minutes to make sure they won't blink out of existence.
Scion dishes out the hurt, grabbing Behemoth whenever he tries to escape and continuing to slap him down. He sends waves of stilling around the damaged parts of the city, causing fires to cease, radiation to decrease and then disappear, dust to settle. And eventually Behemoth escapes his grip and burrows back into the earth, too damaged to retaliate.
"I'm glad to hear it. I wanted you to know that you made a huge difference out there. Not just saving lives, but saving lives who could then go on to save more lives. I ran an estimate and today alone there are about a hundred fifty people who are still walking around because of you, and that's to say nothing of the ripple effect when the capes are there at the next fight and the next."
"Some people are immune to parts of their own powers. I'm immune to your memory loss, by the way - and my robots can compensate because they're a distributed architecture - so you can be a little freer about bopping me and them for transport or healing than you might with other teammates."
"It's hard to explain. It feels sorta like colors? Everywhere, like this shadow behind everything, and I can tell just by looking where a thing was and what it was doing and how it was moving, and if I concentrate a little bit I can even replay the events in my head. It's how I know I used my power on myself, the colors change suddenly."
"Half a log might be better than none, and that's the half that would usually be harder to get, anyway. By default my bots are recording anything that happens to them and you can use them as transcription if you want to relay something you see or hear to the rest of us."
"No, it's like, my power kinda decides that stuff counts as one thing? Like if I poured water in a glass and then I touched the glass, both the water and the glass would return to where they had been, even if that means separate. So, like, your suit and you counted as one thing, to my power, I could only choose to affect you separately if you were, you know, actually separate."
Rewind watches, then squints at the glove again, and nods. "Yeah, like, the glove counts as separate from you if it's not, you know, around you. Like, if I try to rewind the glove five seconds, I'll rewind all of you, but if I try it far enough that you were standing up, then I rewind just the glove." And she demonstrates, touching the glove with a finger and causing it to appear mid-air somewhere Lorica had been.
Lorica catches it and puts it back on. "That sounds almost like a safety - if you rewound somebody's outfit and it had previously been somewhere they were now intersecting - can you get anything to appear intersected with anything else under other circumstances?"
"No. The colors disappear if there's something in the way. Or, not disappear, but just, um, the part of them that's... in the way? Like..." She stands up then starts gesturing around to indicate the places Lorica had been. "If I put something here," she says, occupying one of those places, "then I can't rewind you so you'd be in this specific place, but I can rewind you before or after this."
Rewind's limited to exactly ten minutes, not a second more. When someone's rewound, their colors become shorter, so someone who's been rewound ten minutes is effectively immune to her power for another second or so. She has arbitrary precision; she doesn't actually need to know how much time back she's sending anything, just where in its colour.
There seems to be a Manton-like limitation in how her power interacts with fluids. Rewinding a balloon blown full of air doesn't make the person who filled it feel anything different, but rewinding one whose air came from another inanimate container causes that air to return to said container. If said container is filled to capacity, or such that it would be beyond capacity upon rewind, however, the extra fluid merely disappears. All such considerations apply to water, as well, and she can only see the colors of fluids in those cases.
Momentum is rewound, body and brain states are rewound, and the whole thing corresponds very neatly to an intuitive understanding of the power. Solid objects can't intersect, but fluids get displaced (or, perhaps, replaced) to allow their rewound trajectories. Something counts as "only one thing" when most "reasonable" external interactions would keep it in one piece. That does mean that, for instance, if you tie a piece of rope around someone and then she rewinds them, the rope gets rewound as well.
It also probably means she could de-amputate recent amputees, if they managed to properly and securely attach the amputated bits together. There'd still be some leftover damage from minuscule bits of tissue and fluids lost, but the end result would probably be better than nothing.
Glam watches all of this on video later, because they have only very few memories of the whole thing. They are amused by it.
"Even if all she can do most of the time is make it effectively ten minutes sooner they get to the hospital, it could be a big deal for things like heart attacks and strokes and bleeding out, and if she can get onsite fast enough for traumatic injuries she's a perfect cure."
It's a few days later. Glam is manning the console, Lorica's in her workshop, the other Wards and the heroes are out patrolling—they're quite understaffed.
So of course it should come as a surprise to no one when five ghostly images of Crusader surreptitiously float through the forcefield, then find and disable the forcefield generator.
Glam generates a copy and tells their shoulder not: "Sending a copy upstairs, I'll be at the console and watch it through the camera." They transfer the shoulderbot to the copy, and it flies towards the elevator.
Crusader's ghostly images are mostly occupied with the PRT uniforms, one or two clones per officer. Foam goes right through them, but their hits are quite effective. Whenever an officer is taken down for long enough, Kaiser creates a sharp iron cage for them.
A couple of Lorica's robots are of all-plastic casing designs for almost exactly this reason; one sneaks up on Kaiser while another makes a more obvious assault as a distraction. Other bots grab foam sprayers and try to encase Hookwolf. Encasing Crusader will barely slow him down; she concentrates her forces for now.
The various copies of Glam that emerge from the elevator? Definitely an acceptable target. Crusader splits off more clones to deal with them, his stride only very slightly broken by the surprise. Kaiser uses long, thin, sharp, fast-emerging blades to stab at the obvious Lorica bots, and a Crusader clone appears to use its ethereal spear to attack the surreptitious one.
"Try to tranq the original Crusader, I don't think the clones can stay around without him!" real Glam says through the console.
Crusader has a few clones surrounding himself and swatting various bots away, helped by Kaiser's blades appearing to surround his teammate.
Glam's copies materialize (with original Glam's help via cameras) various different guns. Two of them use a gun that electrifies and heats up metal against Kaiser and Hookwolf, while the remaining shoot clone-destroying blasts at the Crusaders. Kaiser causes blades to sprout from the floor and ceiling and other blades pointing at the copies, who have to fly very quickly to dodge.
Then Crusader calls out to Hookwolf, "The little faggot's real body's downstairs!" causing real Glam to turn around and throw themself to the ground just in time to avoid a Crusader clone's attack.
Armsmaster and Miss Militia choose this moment to appear at the door.
And clearly the Empire has thought this through, because Dauntless calls in saying that Krieg and Cricket are holding him up. Crusader also seems to have come prepared for the robots, and Armsmaster has to jump out of the way as Kaiser makes various blades appear where his feet had been just a second previously.
The copy-Glams are stranded, having to make do with the weapons original has given them while original deals with two Crusader-clones downstairs. As for the arm Hookwolf tore off? Well, wouldn't you know that the elevator's palm-locked!
Armsmaster uses his halberd to shoot a heavy metal ball at Kaiser, but is blocked by a sheet of metal that emerges from the floor to absorb the impact. Two Glams try to intercept Hookwolf's path, but three Crusader clones get in the way, and one of them manages to kill a Glam copy, and Hookwolf's way down is clear.
And look, here's a Hookwolf giving the Crusader clones that were attacking real Glam the severed arm. One of them floats back into the elevator with it while the other's moving his lance way too fast for Glam's taste, and apparently it counts as a person, or maybe Hookwolf is enough, but either way Glam can't make a turret appear behind him to shoot him. Glam manages to dissipate the clone, and stares at Hookwolf, making a fiery-looking gun appear.
"Why are you even here? You know where Purity is."
After a few minutes, Purity, Hookwolf, and a Crusader clone emerge again from the elevator. Purity immediately blasts Armsmaster away from a Kaiser-hit (though her blast is nowhere near as strong as it usually is), prompting him to lower the barriers he's erected around real Crusader and start making his way out.
"Nowhere near yet, and Fog's going to throw me off once I'm in short range -"
"Make it work. Land above and fall if you have to - Glam, status? -"
Glam's status: chomped.
Purity doesn't help with blasts anymore, and Crusader's clones help her move; she's apparently too weak to fly on her own. Most of the clones have been dissipated by imaginary bullshit Glam-copy guns, there are only four left, but they've managed to murder a couple more Glam-copies. Between Kaiser, these remaining clones, and Hookwolf, the Nazi contingent makes its way out.
"You got your hand removed, I just rewound you, you'll be sore, fragile, and raw around there because of lost tissue, and you've lost quite a bit of blood." She looks around, taking in the various wounded or dead Glam-copies. "Is any of these the real one? Do I need to rewind anyone else?"
"-uck!" Glam says, being driven backward by rewound momentum. Rewind runs to the bathroom, and Glam lands with a thud. "...what happened? Where's Hookwolf? Why am I so—" Then they take in the sheer amount of blood on the floor. "Oh."
"Yeah. Yeah, alive," Glam says, in a bit of a daze. "Aaaand I've lost quite a bit of blood, huh." He makes his mask disappear, and leans back on the floor, staring at the ceiling. They didn't land on the blood itself, just short of it, but they conjure a bullshit machine to clean the floor. The bullshit machine is... quite less realistic than usual, maybe fruit of the loopiness. But it does the job.
His mouth opens and closes many times, like a fish out of water. Then his brain catches up with what's going on, and he closes his eyes. "Are you sure you want to do that? This is maybe not the best..." Then his brain connects what he's about to say with just who he's saying it to (damn it blood loss sucks), so he opens his eyes again and amends with, "Wait, I mean—"
He rotates in the air a bit more, sitting cross-legged on nothing while he hugs the pillow. "I am so in love with you," he sighs, turning so his right cheek is resting on the pillow and he's looking at her, upside-down. "And yes, this was partly intended to try to soften you into kissing me even knowing it's hopeless."
"As you've pointed o—whoa, head rush," he says, landing onto his bed again. "Anyway, as you've pointed out, you do not do things you weren't planning to do." He pauses, trying to organize his thoughts and remember why he started this argument. "Sssoooo..." He fails. "I'm sure you can draw appropriate conclusions about the appropriate conclusions I drew from this. Also I mostly meant hopeless now though if it isn't I'd definitely like to be told."
"Oh my goooood you're so evil to me." He hugs the pillow again, and accidentally opens his eyes to look at it, causing it to disappear. He grabs a real pillow now, and hugs it instead, making more noises into it. "I have no idea what to dooooo, also I'm curious about things but I dunno how to phrase them."
"Mmmm yeeeeeah evil is good. Though kisses are better. Unless it's kisses-and-then-not-evil, that's not better. Best is kisses-and-evil. Evil-and-kisses works as well." He lays back onto the bed, looking at the ceiling and hugging the pillow, then he closes his eyes. "Curious about. You know. Why."
"I like you," she shrugs. "And it's not like I didn't seriously consider the proposition when you first told me you had a crush on me, it just hadn't come together yet, it's not so much a change of mind as a development of circumstance." Pause. "Would you seriously rather have me be evil to you and not kiss you over kissing you and not being evil to you?"
"...I mean, I guess that depends on how I define 'evil' here. And, the way I define it, it's... pretty much just being, you know, you, more or less, maybe with slightly more effort put into the messing with me part. If you kissed me but then weren't evil, that'd... kinda mean... you weren't being you? Um. I'm confusing myself." Pause. "The thing where you could squish me if you felt like it," he starts, tentatively. "That was there before I told you I liked it and you started doing it more. It's—you know, kind of a consequence of you being you, so if that didn't happen anymore, that'd... mean... you're not... you?"
"Uh, the Nazis all got away or I would have been engaging them instead of kissing you cute faces or no cute faces, the robot's running all necessary coordinative interference for aftermath and if it needs help my helmet will bleep... you should probably eat something again soon and drink more water, I guess... what do you mean now what?"
"Oh. The don't cozy up to me at school thing still stands; shouldn't be hard, I don't think you ever actually looked at me twice. I imagine I will probably want to kiss you again in the future. Fraternization is not in fact forbidden even when one party is captain but I don't want to give any annoying people cause to be concerned that it's impacting our professionalism."
"Like, if Piggot thinks we're being distracted in the field or overprioritizing each other instead of distributing concern more equitably amongst teammates she might get it into her head that it was her business, and I'd sooner not have to go through anything to do with that."
Then, before progressing to less G-rated situations, maybe she would enjoy kisses elsewhere? The neck, perhaps. That question is asked somewhat less verbally.
What a snuggly kissy eeeeeeeeeeful afternoon they shall have. Lorica might explore a little too whenever she's not busily melting into the sheets from neck-kisses. Perhaps Sadde also has a "melt" setting? ...She has a hypothesis that his affection for her being evil might mean that he would also have an affection for teeth and fingernails.
Also, there in the corner of Lorica's field of view, there are a few objects that hadn't been there before. Unobtrusive, not exactly necessary, but, you know. If she'd like to use them, perhaps, they're there.
"...You're going to not look him in the eye because he, like me, goes around in a souped-up motorcycle helmet all the time and the fact that he has eyes won't come up unless I bring you home for dinner; and I certainly hope you were not planning to say how many square inches of me you've now put your mouth on, say something other than that, but what are you imagining you have to say at all?"
"When we do get around to having the vocabulary conversation I think he's entitled to know if I have a boyfriend," she mentions. "At which time he may see fit to take you aside, note that if you hurt me and he doesn't manage to make you regret it the first time the Birdcage couldn't hold him, and then proceed to probably not mention it unless I express dissatisfaction of some kind."
"It's significant to the extent that Dad's entitled to know if I have a boyfriend and I don't really want to tell him if what I have is this person I kiss and boss around sometimes." Pause. "Oh, also, if it helps or something I'm not allergic to the word girlfriend or whatever gender-neutral version, the variety of straight I am doesn't care."
"You're a very silly person. Anyway. My dad will probably cooperate if we don't elect to tell literally everyone else we know; I am admittedly less tempted to go the stealth route than I would be if Boots were around but it still has some simplicity advantages."
"Hmm. Well. I'm... a flashy person. And a bit vain. And I'm kiiiiiinda bursting with joy and pride that about two minutes ago you called me boyfriend. So if I were to listen to that part of me, it would go, well... toning the silliness down, that part would shout something like 'I am Lorica's boyfriend' from the rooftops. I do not usually indulge that part to that extent. It's not even a very insistent part of me, there is zero loss in wellbeing from completely ignoring it. There's even a certain appeal to being hush hush secret, too."
"He already knows you're not always a boy, I will clarify how that interacts with me being straight if he's curious but I bet you he won't be, and I was planning to wait to discuss you in person until we're home and I can include my mom. Who I don't usually discuss in costume, I like to leave it ambiguous whether she's even alive."
"That was one of the other questions, yes, but let's get to that in a second, I want more info here. How does your straightness react to the gender thing, exactly? I mean, I kinda vaguely gestured and indicated not-a-problem at the start and then I guess today banished any doubts it would be, but in what ways is it not a problem?"
"It's possible I'll wind up slipping into - careless brain habits and default to thinking of you as a boy at any time you are not actively being a girl right in front of me," she says. "I don't know how big a problem that is; it's not likely to emerge in how I talk, I've been policing that since I found out who my dad was."
"I need to start carrying like a notepad or something with me to keep track of all the questions I want to ask," he comments lightly. "I don't particularly mind if you think of me as a boy more often than a girl or an enby, brain habits aren't horrible. And besides, I've kinda spent the past few months trying to be boy or enby more often than girl around you in hopes that my cute face might nudge you in the right direction."
"Hmm... Nnnnot exactly. When I was feeling particularly not-a-boy I went in costume. Except sometimes when I knew it wouldn't be too long, like just before the fundraiser, a few minutes as a boy when I'm not a boy doesn't hurt. When I was feeling not-an-anything or boy, though, boy I was."
"Actually, once I noticed you were doing it I was surprised you were going to school as a boy. Although I suppose I don't know if it adds up at all, if having routine girl time when you weren't going to interact with me would compensate for routinely boy-ing around here."
"I mean, I had to pick a single gender to be at school. When I was at Winslow I was both but looked mostly like it was just makeup and such, but here it'd be pretty obvious that the genderfluid kid enrolling in Arcadia at the same time the nonbinary superhero appeared was in fact said superhero. And it's not really having routine girl time, it's not—it doesn't really add up. I just sometimes feel like a thing, sometimes like another thing, sometimes like nothing, sometimes like a mix, and like I said I was almost never a boy around you when I was feeling not-a-boy, but I am a boy at school sometimes when I'm feeling not-a-boy, and otherwise I would be a girl at school sometimes when I'm feeling not-a-girl. So, uh, what I'm saying is that the loss in wellbeing would be the same either way, so I chose the one that would have the best expected returns. If I hadn't been crushing on you I'd probably have tossed a coin or something." Pause. "Uh, maybe something that's not directly obvious is that being Glam is good no matter what I'm feeling like."
"I can't claim to understand this particular part of myself, no matter how much I've poked at it. I guess it's partly because I don't really see Glam as genderless, just as this mess of gendery wendery ball of stuff? If someone used 'they' at me when I was very clearly a boy or a girl, I'd be perfectly fine with that, too."
Not that he has much experience in having a healthy, happy family at all, really, but.
"Found his spare helmet in the closet when I was little. Mom drives me to school and I come here through there weekdays, but I usually go home or come in on weekends with Dad; he's got a route that he can teleport through directly where if his suit's flight is turned off the safe landing spots in certain directions are predictable and he can land us in the living room. They're nice people, they think I'm responsible so they're not on my back all the time like some people's parents, Dad's quiet and Mom's bubbly."
"My mom divorced my dad when I was little, because he—hit me. A lot. After she died, I had to live with him again. And he started hitting me again. Because of the gender thing. Transphobic asshole. Used to say he was gonna make me into a man whether I liked it or not."
"I'm pretty sure he's hurt me more than Boots ever did," he continues explaining, deadpan. "Eventually he kinda gave up on the 'making me a man' thing and decided he was just teaching me a lesson or something. He didn't really say. Then I emancipated. It was easy, actually, he didn't want anything to do with me by then, he wanted to forget I existed, I think." Pause. "I hope he did."
"Before I got my powers I was the klutziest kid alive and when I was in first grade someone thought my parents might be hitting me because I was always bruised and they took some convincing. ...My powers don't affect my clumsiness directly, I compensate with technology."
"It actually was. First week I went to Arcadia - we used to live in another city, so nobody there noticed I could suddenly, you know, walk like a person - I would show up early and run around on the track. It was novel! I had given up the entire gait of running as a bad job when I was like six or seven!"