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all of the dead girls love me
okay but what if we put more lesbians in it (mosses & heartsblood in the locked tomb)
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Nights on the Ninth are long. Though to what extent night can truly be said to exist in Drearburh is debatable, given the House's distance from Dominicus and the castle shaft's polar position. Everything exists in washed-out shades of grey and white, the passage of time marked only by the tolling of the bells that call the penitent to prayer and changing shifts of skeletons tending the snow leeks. Ellynhark knows about night mostly from her readings in the archives. Not the fiction, she doesn't have time for the fiction. But the letters of her ancestors are preserved in addition to the tomes of necromancy, and painful though it may be to admit it, she cannot focus on the latter indefinitely. History makes an adequate break.

She does a lot of reading, when she's not honing her necromancy. There's not much else to do on the Ninth. At least until her only agemate comes around looking for... whatever. Usually trouble, Ellyn thinks. If she really wanted to hide away, she'd go to her cell and lock the door. But there's only so much of that she can take, and Gideon... is not the worst. Not always. Most of the time. When her parents aren't around. So after prayers Ellyn sits herself in the corner of the archives with a stack of books on one side and a tacit invitation on the other.

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Gideon shows up very quickly thereafter - Ellyn hasn't seen her yet today, which isn't unusual. Ellyn didn't hear her entering the archives, which also isn't unusual, nor did she hear Gideon's approach.

In fact, the first sign that Gideon hasn't somehow left the planet today is when age jumps down from wherever she'd been lurking to land quietly next to Ellyn. 

She promptly starts looking at the book spines. "What's the study plan for today?" she asks, teasingly. There's a few books (ones she's probably not supposed to have) peeking out of her small backpack.

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"Bones, Gideon. Same as yesterday." Judging from the stack, specifically she's starting to shade from construct programming to wards, with a collection of the letters of Mathias Nonius and some of his contemporaries to break things up.

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"Well, luckily I found just the books for that..." Being unable to perform necromancy hasn't stopped Gideon from studying it (nor from trying, repeatedly and sometimes messily), and she plops next to Ellyn and pulls out one of the tomes in her bag - 

- One she is absolutely definitely not supposed to have. Apparently she's figured out some method or another of breaking into the locked parts of the library; appropriately, she's holding (carefully, with gloves on) a very, very old book, a work journal penned by one of the Ninth's early necromancers and ward specialists.

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"Is that- paper?"

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"Make sure you wear your gloves."

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"You really shouldn't have this."

Not that that stops her from putting her gloves on and taking the book.

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"What the nuns don't know, won't hurt me." She settles down with her own thoroughly illicit reading material. 

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There's lots of things the nuns don't know that could hurt them. But at least for tonight, Ellyn can put that aside.

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Heavy thoughts aren't good for reading, after all, and these books deserve their full attention. 

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Ellyn scratches notes on her pad of flimsy as she goes, occasionally muttering to herself under her breath about some technical point or other.

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Gideon takes fewer notes overall, doesn't mutter - but she's pretty clearly absorbed.

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Well yeah. Not like she can use any of these theorems. Still, Ellyn much prefers these moods over when Gideon wants to run around and hit things.

After a while of this, she pulls out one of the knucklebones she carries and frowns at it, causing it to dissolve into fine white powder. This she begins carefully sprinkling out, in one of the patterns the journal referenced. Theory is all well and good, but perfection takes practice. (A small drop of blood leaks out of her nose as she works.)

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Gideon pauses and raises her head to observe this, brow furrowed in concentration - 

Then she flips a chunk of pages back in her book, scrawls something out on flimsy, and passes it to Ellyn once she seems at a stopping point - a comment on technique, and reference notes for other versions of that pattern, later developments on it. 

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"...Thanks."

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"No problem."

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"You've been through these already?"

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"I got in last night."

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"Nothing better to do, huh?"

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"Aiglamene put a fancy new lock on the weapons room. Figured if I was gonna spend an hour on wards and locks and all I'd spend it over here instead."

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"Of course that's your motivation."

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"I would've gotten in sooner or later anyways. It's important to switch back and forth and all." She says this with all the lofty wisdom a ten year old can muster, which is certainly far more than a nine year old's (in her not particularly humble opinion).

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Ellyn huffs. "Only because you don't care about anything."

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She frowns a little bit. "I do too!" 

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"Then why don't you concentrate?"

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"Switching back and forth's how I concentrate! And it's unhealthy to do all one thing. Aiglamene says the brain works better if the body's in good order, and vice versa. And I checked 'cause that sounded like an excuse but the medical book said so too! And it's been working. I do half day with Aiglamene and half day in the library and I've been reading faster and thinking faster and getting strong faster. And I switch among a bunch of stuff so I'm not just getting one muscle really really really bulked up, I'm getting all of them, which is what you need to win. And this way I don't need any total do nothing rest 'cause my brain rests when my body's working, and my body rests when my brain's working, and my arms rest when my legs are working and my memorizing rests when my synthesizing is working. I need way less sleep now too." She has her arms crossed, defensively, and she's speaking quickly enough that Ellyn would have to shout over her to get a word in edgewise.

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Ellyn narrows her eyes. "So you're just mad you can't actually do necromancy," she summarizes, maturely.

(Necromancy is the one thing Ellynhark can do that Gideon can't, which makes it the only thing she can reliably do better at than Gideon. This tends to cause friction, in both directions.)

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She kicks Ellyn's hip, maturely.

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She carefully and calmly closes the journal and sets it safely to the side before flicking a knucklebone that grows into a clawed hand mideair at Gideon's face.

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Gideon is familiar with this routine, and had already set aside her book and is now trying to duck the clawed hand while lunging for Ellyn.

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Studying's over, now it's time to fight. Theory is all well and good, but perfection takes practice.

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Gideon has been practicing a lot. 

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So has Ellynhark, of course. She's up to eight full-size constructs at once now, when they tumble out of the confines of the stacks.

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" - Hey! Watch the books!" she grunts out, in between trying to bite Ellyn.

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"You watch the books," she snarls back, shaking her head to try to fling the blood sweat into Gideon's face.

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"I got them for you, you stupid-head!"

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She freezes for an instant-

-then a blooming bone fence obscures Gideon's vision of her and she scrambles away and out of sight.

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- !

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Gideon stomps her feet, does not rub at her eyes, and then starts gathering together books. 

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Ellyn is absolutely avoiding Gideon over the next few days.

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She still finds the paper book she'd been reading - plus Gideon's, and another on wards, with Gideon's notes on them, in her cell one day after prayers. On top of the stack is another small piece of flimsy with "Stop sulking, stupid-head."

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MmmmmrrrrRRRRRR. Why this.

 


Ellyn spends the rest of her day locked in, reading. She hides the note beneath her mattress and resolves to not think about it.

She stops actively hiding from Gideon the next day.

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Gideon quietly shows up next to her the next time she's in the library. She doesn't immediately offer to show Ellyn the books she's holding. 

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Ellyn doesn't immediately attack her with skeletons, so fair's fair.

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She settles down next to Ellyn to read in a sullen silence. 

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Yeah.

More than she deserves, really.

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After a bit, Gideon nudges a small book over to Ellyn. "You're still on wards, right?"

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"Mm."

She takes the book, carefully not touching Gideon.

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"...Think it's an experiment record. All the numbers are making my head hurt. You're better at the actual math, so. Maybe you can get something out of it?"

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"Of course I can," she huffs. "There's no way whoever wrote this was smarter than me."

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She hides a tiny smile in her book. "They're nowhere close."

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Hmpf. Then they can read together for a while.

At least until one of the nuns come calling for Ellynhark to attend her parents.

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"...See you later." She tries not to make it sound like a question. 

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"Maybe." Ellyn does the same.

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Things are relatively cordial between the girls for the next few months, at least. Which is to say, no one picks a fight on purpose or intentionally draws blood. There are brief spats and small scuffles, but nothing that outlasts the day.

Some time after Ellyn's tenth birthday (marked chiefly by a longer prayer service than usual), Gideon will notice that it's getting harder to find Ellyn, that she disappears for long stretches and seems more tired than usual during the days.

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She tries to follow Ellyn of course - as sneakily as possible. 

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She doesn't make it easy- But ultimately Gideon has had a lot more practice. She manages to track her down to the bottommost pit of Drearburh, where the locked tomb all their prayers are addressed to resides. And not even to the outer alcoves, where the most fervent of the penitents will kneel to beg forgiveness, but to the shaft itself, with the stone that must not be rolled away and all the many many traps and wards preceding it.

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...This seems like trouble. Like, real trouble. The kind of trouble that could get Ellyn hurt if she isn't careful. 

Gideon trails her for a few days, makes sure no one else sees where Ellyn's going - makes sure Ellyn's doing what Gideon thinks she's doing. 

And then, while Ellyn isn't actively occupied with anything - shortly after she's arrived - Gideon steps out behind her and says - simply, lightly, for all that she's been wracking her brain for the best things to say, instead of just shooting off like Aiglamene is always telling her - "Ellyn."

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She whirls around-

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-"You shouldn't be here!"

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"You're here, so."

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"This isn't a joke, Griddle!"

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"I'm not joking!" Her faint smile drops into a scowl. "I mean it. I followed you here 'cause you've been acting weird." She barely resists the urge to bite Ellyn over that stupid nickname - she absolutely would've, if she wasn't already concerned.

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"Just let me be weird on my own, then."

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"I want to help you, stupid-head! Whatever's going on, whatever you're doing."

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"You- but-"

"Why."

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She hadn't prepared an answer to that one. But... There's something Aiglamene keeps telling her to just say. 

"'Cause you're my friend - even when you're being stupid."

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Ellyn visibly has no idea what to do with that.

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"And the thing you do with friends is let them help you." At least in her comics, it is. 

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"You don't- You shouldn't want to help me. With this."

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"Don't care."

 

"...I care about you. Everything else can rot."

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What is she even supposed to say to that. What is she even supposed to do with that.

"Fine," she says, abruptly turning back around. "Stop standing there and follow me, or you'll get caught."

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"I wasn't the one who got followed. No one else has noticed, though." Still, she falls in with Ellyn.

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It turns out she's been slowly making her way down the corridor, identifying and disarming traps as she goes.

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She's pretty solid at that! Especially the 'identifying' part - makes progress a little faster, at least. 

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Maybe that'll turn this into a multi-week endeavor instead of a multi-month one.

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Very few things can stand up against them both. 

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Hm. So it seems.


At least until they get all the way up to the stone blocking the entrance to the actual tomb, which is covered in an immensely complicated blood ward that is apparently completely impenetrable.

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Well, she's got flimsy and pencil, and plenty of time - she can at least spend time while Ellyn's expected in prayers examining it, picking apart the symbols and math. 

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It seems to be encrypted somehow, or just entirely unrelated to any theory they've seen before. Ellyn gets fed up after a while, and starts throwing her own blood over it, trying to break it by force.

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"Try my blood," she suggests, when this inevitably leads to Ellyn getting a little anemic. She's been taking notes for Ellyn on what attempts have what results. (There's not much.) "Using a non-necromancer's blood might at least ellicit a different response..." She has so many books that she's just kinda permanently moved down here; she's got a couple of them on troubleshooting and reverse engineering unknown wards open. (There's some A/B tests with different kinds of blood, which are generally considered basic with both poor specificity and poor sensitivity, also a lot of variation by practitioner, and only identifying stupidly broad categories, but they've got nothing else at this point.)

(She's also got every single book on encryption she could find, especially the older paper books, and has started dodging Aiglamene, doing all her exercises down here when she needs a break, even sleeping with her head pillowed on a - usually open - book. If she has to figure out this theory from the ground up, she will, no matter how bad of a headache it gives her - out of pride or spite as much as anything else at this point. (Her notes contain a lot of potentially novel theories by now, ones that failed initial tests for this fucking ward but might pan out later. She is dreaming about wards, only sometimes helpfully.))

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"I seriously doubt that will do anything."

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"Whether or not it does will give us information, though." She scowls down at her notes. "Brute forcing it isn't working. But..." Squint. "If it's keyed - that's the big thing A/B testing with different blood kinda works on according to this," she nudges the book on high security encrypted wards (which is itself encrypted, because the author thought he was funny; breaking that code took her a fucking week). "If it's at all different that raises the chance it's keyed, and you can sometimes at least narrow down the shape of the key... Like picking a lock." Gideon has pretty extensive experience with getting through locks despite lacking a key. "Or like brute force breaking encryption - and it's shown no sign of adaptive defenses yet, so might as well do this the incredibly boring way." 

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Siiiiiiigggggghhhhh. It's the best idea they've had in a while, much as Ellynhark's frustration wants her to deny it. She's not getting anywhere with her current approaches and she is... trying... to take Gideon at face value. So.

"Fine," she says, grabbing the lancet. "Give me your arm."

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Arm: is proferred.

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Ellyn slices it expertly, collecting the blood in a plex container.

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She doesn't react, other than smiling fondly. (Something about this is... Nice.)

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She does keep her tools sharp, so it wouldn't have hurt much. But blood is best fresh from the vein, so Ellyn turns quickly to the stone and dips a finger to begin painting.

...But as soon as she touches the ward, it begins unraveling and the stone shifts with a creak. "What the fuck?"

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" - ?!?!"

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"Why the fuck did that work?!" She throws her pencil at her pad of flimsy in professionally offended frustration. 

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"I don't know! It shouldn't have!" And then Ellyn has to back up hurriedly as the door begins to swing open.

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She's outside of probable blast radius so doesn't need to scramble back, though she does get up and collect her most essential notes and blank flimsy and her cast aside pencil in case they need to dart through. She also continues complaining. 

"That's total fucking bullshit - unless it is keyed and I matched it somehow - using someone else's blood, using a non-necromancer's blood - some other trait like blood type - " She scribbles that thought down. "But fucking why?! That isn't secure!" She grabs the encrypted wards book and glares at it. "It reacted immediately so it didn't just give out, but usually you'd also need an action, so somebody can't just steal your blood - wait when did that become best practice - " Angry scribble. 

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Ellyn is ignoring her in favor of looking at what the open door reveals: a faint salty tang to the air, a deep and wide pool of water, an island in the center of the pool, a stone altar on the island, a coffin-shaped block of ice on the altar, a burry figure in the ice, chains running from the figures limbs through the ice off the island down into the water.

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She'll stop complaining in favor of looking for more traps. (This is the Ninth House. There's always more traps.)

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There don't seem to be.

Ellyn is altogether more interested in getting across the pool to the island. No path, so it looks she'll have to swim for it.

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This is So Suspicious. 

She'll set aside her book and notes with her robes. (No sense getting them wet, or having them weigh her down.) "Let me go ahead, in case something tries to eat us?" she tries to suggest as she's putting things aside, though it comes out as a bit of a dubious question.  

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"There won't be anything else in here," she says, dismissively, not waiting.

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She rushes to catch up. 

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The saltwater is cold, but there are no lurking monsters or hidden currents to drag the girls down into the depths. They're able to make it safely to the island, and there on the altar lies

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the body of a woman, cold and still as death in her prison of ice and her chains,

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which they can now see fasten to cuffs at her ankles and her wrists. Her arms are folded in an X over her chest

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keeping safe below them a great two-handed sword, nigh as long

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as her own body.

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"She - "

She's beautiful. 

" - She has my hair - "

Gideon has never seen anyone else with red hair - not in the Ninth House, not in the visiting penitents, not in her comics, not in the Cohort propaganda, not in the pilots who bring them supplies - 

She tries to touch the face, heedless of the ice. 

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Her fingers skate across the surface, unable to gain purchase even for an instant.

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"Don't touch it!" Ellyn hisses, hand raised like she was about to do the exact same thing.

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She lets her hand fall, dejected, to her side. "Shouldn't she - she should wake up." 

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"God dies if she wakes up, Gideon, don't you ever pay attention?" That wouldn't be the worst thing in the world, though. Worth it, maybe.

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"Not to that stuff," she mumbles, though she's also thinking that between an absent God, and a beautiful doom in front of her - 

Well, she wouldn't try to close the door again, if the Body started to wake up, she doesn't think. (Not unless she was threatening Ellyn, some quiet part of her whispers.)

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"We should go," she says, making no move to leave.

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" - We've already spent hours down here. We can linger a bit longer."

"...We can come back, too." She continues staring, fixed, at the Body. 

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"Yeah. I guess."

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Her thoughts calm, then slowly unspool, then her old restlessness is the only thing that finally breaks her even the slightest bit from staring - 

"I want another look at the ward. I want to know why."

Her eyes finally turn from that beautiful face, to that perfect red hair. 

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"See if we can put it back, maybe."

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" - Would it still open for my blood?" If they can recreate it exactly - if it's reset - perhaps she can run tests. Steal some of Aiglamene's blood, try one of Ellyn's parents' - see if a necromancer is even needed, if Gideon's blood alone, applied by her hand, would work. 

She could figure out why.

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"Dunno. Probably."

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She tries to look at Ellyn, away from the Body. "I want to test it more. But..." Her gaze is drawn inexorably back. 

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"Yeah."


"...Someone will notice if we both stay gone."

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"...No one but Aiglamene ever sees me anymore, not in years, and I think she gave up trying to catch me skipping training over a month ago," Gideon says. "Maybe she thinks I'm dead, I dunno. You're the only person I've talked to or let see me since - " She raises her hand in a weak gesture at their surroundings.

"...So no one's gonna notice it's both of us gone." Very quietly, staring at the Body without truly seeing her: "No one'd notice if it was just me for the rest of forever."

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"I would."

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She actually properly looks up at that, and smiles like Ellyn rarely sees. "I'd notice you were gone, too. I noticed you were going."

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Huff.

"Then don't stay here."

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"Not if you don't want me to," she promises. Then: "C'mon, let's go look at that ward again. I wanna tell it that it's stupid that it reacted to my blood but not yours."

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Off. For real this time, after only one more false start.

Once they're across the pool again and back on the outside of the door, the first step will be to put the rock back where it was. ...Gideon will have to do that bit, as it's too heavy for Ellyn to shift.

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That's what she's here for. 

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Once the rock thunks back into place, the original blood ward spiderwebs back into its original configuration.

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" - Hand me the lancet?"

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She passes it over.

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"...Test one," she says, with an air of solemnity she doesn't quite feel. This should be - formal, though. Special. "My blood, applied by me, with no conscious manipulation of thalergy nor thanergy."

She cuts her thumb, and she presses the still-wet blood to the center of the ward.

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The ward starts peeling apart again.

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She pushes the rock closed again, then grabs for her notes. "It's my blood - it doesn't even need necromancy, just the blood - but fucking why, that's ridiculous - "

She looks at the ideas she's scrawled so far. None of them sound sane from a security standpoint, though she can test them with stolen blood at least. But, almost helplessly, she looks at Ellyn.

 

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"I don't know."

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"She had my hair."

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"...Maybe it's just a coincidence."

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"...Maybe."

"...We should test other people's blood, too. I can try to get some of Aiglamene's in training? And - we could see if my blood does other stuff. Like, if you can use it to break random wards, that's different from if it only unlocks this one." She is going to reverse engineer this fucker if it's the last thing she does. 

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"Mm. Good idea."

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"See if old blood works, too, like does it need both my thalergy and thanergy - does it have to be blood, does any living dying cell of mine work, could you directly pull my thalergy and-or thanergy and push it into the ward - "

In a sudden, almost dizzying rush, she wants Ellyn to try those - to pull her apart enough to get at a representative sample of tissues - she knows they need to get back before anyone misses Ellyn, though, they were already down here for way too long this time -

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"Gideon. Stop. I'm not doing any of that today."

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She stops, closes her mouth, then with a grumble just resolves to scribble her ideas down in her notebook for later. 

"...Whenever you want to, though. To test it more."

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"Mm. Later."

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"...I'll wait for you to do the other tests, too."

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She nods. But she's kind of out of energy for talking. Or doing things. So she's just going to. Go.

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She cleans up everything. Hides the signs of their presence. 

And then, since her brain is jittering and crashing and she's been doing way too much thinking, she shows up to the usually scheduled late evening training time with Aiglamene.

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The old soldier doesn't say anything, just narrows her eyes and gestures for Gideon to start warming up.

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She's only a little out of shape - she could stretch and do squats and pushups while reading, and she could jump and do situps and lunges and even run a bit while thinking, and in a way she's been so much more intensely driving herself than ever before. 

She's also exhausted and distracted, though. Her body's wound tight, and stretching is both more painful and takes longer than normal. 

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Aiglamene is entirely pitiless as she runs Gideon through her forms and drills.

"You've a lot to catch up on, girl."

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"I'll do the work." She's pitiless with herself, too.

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Aiglamene grunts. "We'll see."

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She does today's work, at least, pushing her body until it's even more exhausted than her mind. 

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"I expect you back tomorrow," Aiglamene says at the end.

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...She needs to wait for Ellyn anyways. If she goes down by herself... 

She might open the Tomb, now that she knows she can. And she said she'd wait. 

"Sure," she says, after an unusually long pause. 

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"Unless there's something more important you have to do...?" she says leadinginly.

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...She tells Aiglamene a lot, but... Ellyn won't like it if Gideon tattles.

So, she just shakes her head. 

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"On your own head be it then, girl. I've little patience to train someone who won't commit."

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Why does everyone think she has to be either a dumb brute or a weak intellectual - ?

"I'm committed," she grouches, "But that doesn't mean I can't do other stuff too." She wants to tell Aiglamene - wants to brag about all the progress she's making - wants to show her how hard Gideon's worked, how she's kept up with Ellyn even when that means running and reading at the same time or not sleeping - how stupid the current cavalier primary is, how she's better than Ortus even though he's his father's heir because she's both smarter and stronger than him - 

- She doesn't say any of that. Aiglamene probably wouldn't like hearing it, even if she's told Gideon to train her mind some too. Ellyn definitely doesn't like hearing it. 

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"Then show up for your sessions," Aiglamene responds. "There's a reason we have a schedule."

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Uggghhhhhh.

"I will."

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They'll see, won't they. That's all for today.

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She heads to her favorite hiding place in the library, falling asleep curled up in a dark nook. (It's too easy for people to find her in her cell - the room is too big for her to really relax and sleep properly.)

 

She studies and trains hard, haunting the library when she isn't with Aiglamene, waiting for Ellyn.

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It's two days before Ellynhark seeks her out again.

"Let's go."

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She perks up. "Lead the way." 

(She's pretty sure they have enough time before her next scheduled training with Aiglamene - and they can hear the bells even down at the Tomb anyways.)

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Back to the Tomb. Unpicking all the wards is much faster for having done it before.

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What does Ellyn want to test first with the main ward? 

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She has a list...

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Gideon's ready. 

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Then they'll start.

(Ellyn doesn't have the same kind of obligations Gideon does, so she'll likely have to keep track of time on her own.)

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(It's hard to keep track, and she knows she should, but...)

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Perhaps a brief scuff on bone on stone from the far end of the tunnel will remind her?

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Oh fuck fuck fuck make sure the Tomb's closed - "Hide," she hisses at Ellyn, glancing frantically down the tunnel. 

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She flattens herself up against the wall.

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The light of a handlamp shines down the tunnel.

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That's not properly hidden - they're in so much trouble - 

(But Ellyn has a lot more to lose.)

"Stay hidden," she hisses, heading down the tunnel towards the light - she has her dagger but using it is probably a very bad idea - but she can at least intercept -

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The light jerks and turns around just before she reaches its edge.

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She freezes - she's out of sight of Ellyn - she presses herself against the wall, and she hides very badly. (She'll get caught first, if either is caught, and it won't be suspicious - or she'll be able to ambush whoever is coming - but if they're leaving she needs to follow, make sure they don't tattle, but Ellyn could take the chance to run - )

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A pause, and then the sound of steps retreating. (The tap-click-tap-click cadence characteristic of Aiglamene and her bone prosthetic leg.)

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Aiglamene doesn't tattle, but -

She slips back quickly to hiss at Ellyn, "Run, get an allibi - " all the notes have been Gideon lately, it's all her handwriting, and that'll help - 

Then she turns to follow Aiglamene.

She...

They'll know someone got through. She needs to catch up, once Ellyn's gotten a chance to flee. She needs to make sure Ellyn doesn't get caught. 

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Tricky, considering there's really only one path up and out from this far down. But she can maybe push Aiglamene past the first branch point or something.

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She'll try to avoid catching up until then - maybe just then, make it look like she was running, then lead Aiglamene away a bit, just enough Ellyn can slip out -

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An ambitious plan. Aiglamene is not less skilled as a fighter just because they're not in the practice arena. Gideon does not get perhaps so far as she might like before Aiglamene trips her up.

"Is this what you have been doing?" she snaps.

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She tries squeezing past, at least getting Aiglamene facing away - 

"It's none of your business!" she tries. 

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"Don't be foolish, girl! You could threaten the very existence of this House, do you understand that?"

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"I was just looking - the ward's like nothing in the books - it's not even like I could do anything to it!" She tries backing up the corridor. 

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Aiglamene matches her steps. "You're god-damned lucky you didn't get yourself killed."

(Tiny patter of feet moving past behind her that Aiglamene doesn't seem to hear.)

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Ellyn's safe - for now - Gideon needs to keep stalling, needs to make sure any heat falls on her - 

She scrunches up her face, like she's about to cry. "So? No one would even miss me!"

(Ellyn would. She holds on to that thought.)

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"If that's what you think, you've learned even less than I thought."

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"You didn't come looking for me for a whole month! No one did!"

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"I'm your trainer, girl, not your jailkeeper. If you wished to give up your training, so be it, but you claimed that was not the case."

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"I just - " her throat closes up - Ellyn wanted her - 

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" - I just lost track of time."

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"I'm sure." Sigh. "Come now. Back up to your room while I sort this out."

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" - Don't tell anyone!"

She kind of knows it's pointless - but it's what she would say, if she wasn't lying. (And it'd be so much easier to protect Ellyn, if only Aiglamene knows.)

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"You've made your move, now you must weather the counter. Up you get."

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She makes a very unhappy face - but up she gets. 

(She has a really, really bad feeling - she realizes she doesn't actually know the punishment for breaking into the Tomb. It's probably not just a whipping. (So it's extra important Ellyn doesn't get into trouble.))

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Aiglmene escorts her to her cell and shuts her in, with firm instructions to stay put until someone comes to get her. Gideon can hear her stumping off down the corridor, muttering under her breath.

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She stays put. 

She tries to not think about (to make peace with) what she's doing for Ellyn.

"Way better fucking cav than that idiot Ortus," she mutters into her knees, after a stretch of not thinking.

...But no one comes to get her, not for forever and ever, and it's hardly like Gideon can get in more trouble anyways. 

She gets up, opens her cell - doesn't really matter if it's locked or not, it's increasingly impossible to trap her anywhere - hesitates -

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She walks to Ellyn's parents' study with her back straight and her chin held high. 

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The door is locked, and if she knocks, there's no response.

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Yeah, a locked door isn't stopping her for long. She doesn't even bother knocking - what are they gonna do, execute her twice? 

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Likely not, because when she opens the door, she sees Priamhark, Pelleamena, and Ortus's father, their cavalier primary, dangling from nooses, kicked out chairs lying below them. Their eyes seem

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almost accusing in death, absurd as that is. They're hardly even looking in the direction of the door.

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Ellynhark's eyes, on the other hand, are wide and terrified and very clearly looking at

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Gideon. Her hands are clutching her own noose in front of her, white-knuckled, refusing to fit it over her head as she stands on top of a chair of her own. She gives a full-body shiver

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and her mouth works soundlessly at Gideon's entrance.

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"Ellyn!!!"

She is getting that noose the FUCK away from her necromancer. Nothing - nobody - else in the room matters, living or dead. 

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"G-Gideon," she sobs.

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She hugs her necromancer, tightly. "Ellyn - how - why - "

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"I- I- I d- I can't-"

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She's getting her necromancer out of this room. 

She can kinda guess what Ellyn's trying to say, though. It's what Gideon would be saying. What she kinda wants to say right now. 

Instead, she grumbles under her breath: "I had it handled, stupid-head," without any real heat, or even a conscious intention to say something. 

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"Wasn't- Not you, Gideon."

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"I'm gonna be your cavalier primary. So you gotta let me protect you, next time."

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She shakes her head, wordless.

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Well. 

Now's for hugging. (She'll save the who protects whom fight for later.)

(...At least Ellyn's parents obviously killed themselves, so Gideon doesn't have to worry about letting go of her necromancer to go stage the bodies or anything. Outright murder would've been kinda inconvenient.)

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Yeah she's just gonna have a breakdown for a while.

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She's here, for as long as Ellyn needs. 

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It takes an hour or two.

"...We need to go get things under control."

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" - Where's Aiglamene?"

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"Dunno. Haven't seen her."

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"We'll need to find her. And we'll need to tell people your parents killed themselves - we should get the other important people lined up behind us first, so you aren't questioned too much - I can take anyone who isn't Aiglamene, though, if they're trying to get in your way - "

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"-No, we can't let anyone know. If the other Houses find out, that my parents are dead and it's just- you and me, they'll... It'll be the end of the Ninth."

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She thinks. 

" - Can you puppet them? There's theorems - stave off decay, advanced construct programming, especially if you're keeping line of sight - the voice will be harder, but we could also keep them out of sight most of the time - could say they took some vows and now no one can see them but that might be hard to keep up for very long - "

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"I- yes. I can do that. We can say they're in seclusion. Until I get it working. And then a vow of silence after. We'll need Aiglamene. And... Crux."

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Ugh. She doesn't like him, but...

"Sure."

"...Aiglamene's mad at me. I can - clean up, if you can find them? - And are we saying, uh, the cavalier dude whose name I forgot - anyways, puppeting him would be harder to get away with."

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"Mortus. Yeah. We'll have to- deal with his wife and Ortus."

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"...Deal with like make up a story, or handle them being upset over Mortus killing himself, or deal with like convenient accident kinda deal with - "

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"Second. Maybe third if that doesn't work."

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Nod. "...I'm no good at talking. But - just tell me what to do."

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"We need to get the bodies. Then Aiglamene and Crux. Then the rest."

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She nods, then slowly lets go of Ellyn.

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She slumps just a little bit, but stands anyway. There's too much to do for that.

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Gideon will handle as much as she can.

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Back to the study and

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cut the ropes, first thing. She'll see what she can do for preservation.

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Gideon has her knife, and she's strong enough to lower them down. She gets Ellyn's mother first - then, quietly, as she's cutting down Ellyn's father - as she's sending furtive glances at the Body, and she doesn't know if she's insane or not because Ellyn isn't reacting to it - and as this puts the noose that Ellyn had been holding in her line of sight - 

Quietly, she asks, "What happened?"

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Oh, she was afraid of this question.

"The Tomb... My family are the keepers. You being there- It didn't matter. It's our responsibility. Our penitence to do."

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"Well, my responsibility is keeping you safe!" She gets Ellyn's father down, then starts working on the rope itself, so they'll be able to hide those too. "You're important. You need to be here and not in trouble and most importantly alive." Angry yank on the stupid knot, before she takes a deep breath and starts trying to just cut through the whole thing. Under her breath: "It's not like the sun went out or anything," she grumbles. Even more under her breath: "We're so far out that you'd probably be fine anyways, so who really cares?"

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"I have to care," she says quietly.

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"...Why, though?" None of them deserve Ellyn.

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"I-" Nope, not getting

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into that. "-just do."

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"They tried to make you - hurt - yourself, didn't they?"

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"They thought it was all they had left."

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"That doesn't mean they can hurt you! Their lives are their problem, whatever, but you've got other stuff - you've got me."

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"I know."

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She squeezes her eyes a bit and tries not to cry. She needs to be strong for Ellyn...

"You're not allowed to die. Not ever," she forces out, only mostly evenly. 

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"...I won't."

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"Good." She's not entirely convinced that Ellyn believes her. Ellyn does not seem entirely convinced, actually, of her own importance. 

"...If you die, I will kill God. So even if you think the Tomb is important, or if you ever think anything in the universe is more important than you - it is not as important as you. The Tomb isn't as important as you. The Ninth House isn't as important as you - the entire Nine Houses aren't as important as you. And - this is critical - you have to let me protect you."

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"I get it, Gideon," she snaps back.

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Grumpily: "Fine."

She goes to cut down Mortus, now that she's done yelling at Ellyn for making her worry. 

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She's having a bit of trouble seeing what she's doing, though, what with all the tears, and it's hard to hold the knife steady with how much she's shaking - how much her chest hurts for no good reason -

(She doesn't cry. She can't cry. So she just needs to blink until her vision clears and make her muscles work like she tells them to.)

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"Gideon-"

"Put the knife down." Pause. "Please."

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She drops it.

Then she just... Stands there, shaking quietly.

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Ellyn reaches out a hesitant hand for her shoulder.

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She looks at Ellyn, still trying to blink back her tears. 

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"I don't want you to die either."

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Slow nod.

"I - I - I don't want - I don't want to die, but - but you - "

Oh no.

She's crying. 

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What... is she supposed to do now? Gideon picked her up but she can't pick up Gideon. Maybe she can just. Kind of hold on to her?

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Might be the right move, going by how Gideon steps close and holds on to her back. 

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That's... good?

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She's still being pretty quiet as she cries, but... It's maybe helping. 

She forces herself to calm down as fast as possible, though, even if it's really hard. 

"...Sorry," she croaks out, after only maybe about fifteen minutes of shaking, which wasn't enough but also was way too long. 

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"I don't think you need to apologize."

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She shakes her head. "We've got stuff to do, and - and - "

" - And cavaliers aren't supposed to be scared." She might hit herself for being stupid, if she was alone and not being held by Ellyn.

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"You can... work on that."

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"I should be good enough now," she whines. "I have to be." 

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"You are, though."

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"But..."

"I was still scared."

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"Did that stop you?"

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She shakes her head. "It was for you," she whispers. 

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"And you'll keep doing things for me."

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"Always."

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"So that's fine, then."

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She considers that, then takes a deep breath and nods. "Anything you need - I'll do it, even if I'm scared," she swears.

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"You'll be my cavalier."

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"One flesh, one end."

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Gideon is hers. "One flesh. One end."

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Squeeze. (She knows.)

 

"C'mon, we've got work to do," she says after a few long and cozy moments.

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Yeah. They do. Once the bodies are down, Ellyn will do what she can to stabilize them. Then (while she recovers from that effort), Gideon can get some reference books from the archives. And Crux and Aiglamene. The captain first, she thinks. Then even if the marshal wants to be a bastard, he'll be outnumbered three to one.

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She grabs the references first - that's probably fastest, she has the catalog mostly memorized anyways and she's been memorizing anatomy since she doesn't have a necromancer's senses so she also has a bunch of notes to share, and this way Ellyn can read while Gideon gets yelled at - 

Then, almost sheepishly, she goes to find Aiglamene. 

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Aiglamene looks a little surprised to see her. "I thought I told you to wait."

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" - Stuff's different. Ellyn talked to her parents." Is anyone else in even vaguely plausible earshot?

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They're alone in Aiglamene's cramped little office.

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"......So I was kinda lying. To cover for Ellyn. And she decided she didn't want me to get in trouble for her even though that's my job," grumpy face, "And she got in trouble so I'm really glad I didn't listen about staying put 'cause I was able to rescue her, and her parents and Mortus killed themselves and tried to make her kill herself too but she's fine 'cause I got to her, and anyways we think it'd be bad if other people know her parents are dead so she's gonna puppet them but we kinda need help covering that up?"

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Blink blink. "The Reverend Mother and Father- Oh hell. Take me to her, girl."

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She does so!

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Aiglamene and Ellynhark have a conversation wherein Ellyn explains briefly what she plans to do, Aiglamene queries the necessity, and Ellyn confirms that the Ninth

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must continue. Aiglamene gives in, and confirms that she will help to handle Crux and Mortus's wife.

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Gideon keeps sneaking glances at the Body, since this conversation is going pretty well over her head. 

Once Aiglamene steps out - "So... Am I the only one seeing the Body staring at us?"

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"...You can see her too?"

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"Yes. Just - as of today."

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"She showed up when- before you did."

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"...She didn't follow me, when I left. But... I think she's following you." This is Highly Suspicious Behavior. Unauthorized persons should not follow Ellyn around. That is Gideon's job. 

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"Oh. Okay."

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She glares over at the Body. "Leave Ellyn alone."

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She crosses her arms. "I'm her cavalier. So either go away, get her permission, or fight me."

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The Body makes

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no response to the threat.

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She's really tempted to try to stab the Body. 

"I'm the one whose blood worked and who looks like you anyways," she grumbles well under her breath, a little bit hurt on top of her protectiveness about Ellyn. She tries to poke it in the chest. (With her finger, not her knife. Yet.) "You should listen to me."

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Poke what? There's nothing there.

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Rude. (She privately resolves to visit the Tomb on her own later and scold the Body directly in person.)

Gideon stops poking the Body with a grumble, which may or may not include the titles of a few books on exorcism she wants to double check.

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"I don't think you should try to exorcise it, Gideon."

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"...It shouldn't bother you."

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"It doesn't. Not really."

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She's still going to scold it. It should be following her. But she just nods, for now, and says, "If you say so..." a bit dubiously. 

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"Come on. There's work to do."

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"Sure, sure." She'll get to work. 

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It takes a little time and a lot blood sweat from Ellyn, but they do manage to get things working. Crux is swayed by the honor of the Ninth, and Glaurica, Mortus's wife, by the threat of a sewn tongue. (Ortus seems, if anything, relieved by his father's death. And the obvious fact of Ellynhark's acceptance of Gideon as her cavalier primary.)

Ellyn leads the daily services, and within a month, has the bodies of her parents sitting in attendance in one of the pews, released from their isolation but maintaining their vows of silence. The aging penitents of the Ninth House do not question. The Reverend Father and Mother always kept their distance from their people. Coordination with the orbital prison has always happened by letter, so it is easy to take over that correspondence, as well as the threadbare trade with other Houses through the biannual shuttle. They are still not accepting new pilgrims.

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Maybe they should - at least some, a few at a time, especially anyone not old and dusty... They need to rebuild the House, don't they? 

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Not yet. Not until Ellyn's old enough not to have to use Priamhark and Pellaemena.

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...Because outsiders might suspect? 

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Yeah.

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Slow nod. 

"We'll stay ready, then. Keep enough of what we've got running." She shifts awkwardly. "And, y'know, if you want me to like. Y'know, make little Ninths," incredibly awkward shift, "Dunno I'd like that, but." Is she blushing? "Anything you need."

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UuuuuummmmmMMMMMMMMM. "...Maybe... later...?"

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"Definitely not now."

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"Right. Not now."

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"And by the time you're old enough to let everyone know who's really in charge, we'll be extra awesome." Pause. "You should really learn to fight, y'know. At least with your body, or even a dagger."

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She makes a face. "That's what bones are for."

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"Someone might surprise you. Get you away from all your bones." That someone will absolutely be Gideon, if Ellyn doesn't agree to the obvious wisdom of training. 

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"I always have bones."

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Hum. "Not unless you're pulling out your own. And, y'know, the entire reason they send Cohort ahead for new planets is to make necromancy work. Someone could kidnap you and take you to one of those planets."

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"Sounds like you didn't do your job then."

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"...I might fail, yeah. I'd die first, if that would stop it, but I'm not God, and I'm pretty sure even God can die."

"I want you to have a chance even then. Part of succeeding is preparing. And I'll only have really failed you if you can't get yourself out even after everything possible goes wrong."

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Well. If she puts it like that.

"I'll... try."

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"And it'll be fun! The only person I ever get to really physically fight is Aiglamene. And I bet it'll make your constructs better at combat if you develop those physical instincts yourself - you'll have a more instinctive sense of the movements, for one - and there's really no substitute for muscle memory for figuring out what your opponent is doing - we can fight with you using necromancy after martial arts training, see if it helps - " 

Excited, nerdy bounce. 

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Mrr. This is going to suck.

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She won't know until she tries! 

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She can make a reasonable estimate based on prior experiences.

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Gideon will try to make it more fun for her, then. 

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Suspicious.

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Trust her.

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Okay, but that's more suspicious. She does get how that's more suspicious, right?

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Seems she's caught in a bind, here. 

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One entirely of her own making. Ellyn, for her part, would be more than happy to consign the entire matter to the dustbin of memory.

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She's still gonna insist on at least some martial arts work and exercise, in amidst more normal fights. 

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Ugh. Whatever.

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The normal fights might be more Ellyn's idea of a good time - beating up Gideon with skeletons and all that. 

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Yeah, she's a lot better at bones. Piloting her parents is good practice for increasing how many constructs she can do at once, too.

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And Gideon needs more practice with multiple opponents - not just Aiglamene. 

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Ellyn can make that happen.

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Promises, promises. 

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Did Gideon know Ellyn can make an entire skeleton from a knuckle in under half a second? Because she can.

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Did Ellyn know Gideon can have her sword out of its sheathe and cross a good chunk of the distance between them in under half a second? 

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- Because she can. 

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That is why one starts building a bone wall first.

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Not quite fast enough to keep Gideon all the way away. 

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No, but enough time for her to get more skeletons out of the ribs she wears on her person. And the ones behind her are catching up too.

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Now this is a fight. 

(One where Gideon is a bit laser focused on getting in close with Ellyn, even at the cost of her own bodily integrity. Grappling's always been her best bet, and she has a point to prove, now.)

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Yeah, that's the last thing she wants. Ellyn will take every opportunity to keep space from Gideon while drowning her in bones.

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She's using her two-hander, and she knows constructs, and - more importantly here - she knows Ellyn's constructs. 

Or: Gideon smash. 

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...She is going to have to find some private time to learn new tricks.

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Right now, she's getting a demonstration of Gideon's point about the value of proficiency in martial arts! Specifically the 'grappling' subcategory. 

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She's already given this one up.

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"Don't give up," she scolds, absolutely not letting Ellyn up yet from where Gideon has her pinned. "What would you do if I was a real enemy and I was trying to kidnap you?"

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"Bite you."

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"You'd need to get your mouth in contact with skin, and I've got four limbs to your one mouth." She squeezes her legs where she has them wrapped what should be awkwardly (but is actually more like 'fucking obnoxious') around Ellyn's lower half. "Grappling's all about control - biting and scratching only work if I flinch." 

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Ellyn spits in her face.

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She doesn't flinch.

"Y'know, size and strength don't even matter than much." She rolls them a little, showing off exactly how much control she has of the pin. "And it's not just grappling - you always throw bones at me until you drop."

"Stop trying to hurt me, Ellyn, and start trying to control me."

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"Get off me, Gideon," she says in a commanding tone.

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Giggle! "Nice try."

She does not get off Ellyn. She does, however, use the arm that's not wrapped around Ellyn's neck to grab one of Ellyn's hands and guide it to Gideon's shoulder - to where her shirt is bunched up enough for extra fabric. "Grab me here - and here - try to twist with your core, wait for me to be over you, get your shins facing the ground - then make like a roly-poly as sharp as you can, get your knees together and your mouth just about kissing them - try to get your feet on the ground, push off if you can - "

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Ellyn endeavors to follow these directions. She does not have a lot of muscle mass to back them up with.

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Yet, somehow - 

She still successfully rolls Gideon off her back. 

Gideon of course keeps rolling, turning the quasi-throw into a smooth return to her feet, but she's grinning ear to ear. "Exactly!!!"

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Mrrr.

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"Ellyn, I didn't let you do that." Other than by putting her in a hold where that was the best way out, of course. "Told you: it's about control. Grappling's applied bones, not applied muscles."

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"I'll apply your bones," she mutters.

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"So long as we're both getting better at fighting..."

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"Ugh. Fine."

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"That's the spirit."

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She's having too much fun with this.

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So Ellyn doesn't like beating up Gideon? 

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That's not what she said.

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Then why is Gideon having fun a problem? 

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It's just Suspicious!!!

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Ellyn will find that Gideon is, in fact, a very straightforward person, who rather straightforwardly just loves fighting. 

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Gideon is Weird. But loving fighting isn't... the worst... trait in a cav, so Ellyn supposes she will learn to live with it. Despite the inconveniences.

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And it means they both can enjoy it when Ellyn beats her up. 

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Hm. She'll work on that.

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Good.

For today - cool down stretches (very important!), then back to studying bones? (Fighting gave Gideon ideas for how Ellyn can improve her constructs - )

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Clearly she has a long way to go, yes.

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They're both head and shoulders above everyone else already, but why not go for 'best ever'?

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As if there's any

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other option.

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Not for them, there isn't. 

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Over the next while, Ellyn incorporates Gideon's new sparring habits into her routine. It... goes, is about the best she's willing to say for it. (Out loud, anyway. There is a certain vicious joy in sending the other girl tumbling.)

Her constructs get better too, she understands more intimately about where reinforcement will be most effectively and how to translate movement to programmatic theorems.

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And she keeps getting ideas, both for her own advancement and for Ellyn's - though some of her ideas for Ellyn (like creating a more thorough lightweight bone-armor construct which she can very quickly turn into a bunch of deadly spikes) might be a bit hazardous to properly test live. (As would a significant number of ideas for experiments with what exactly Ellyn can do with her tissues, thanery, and thalergy.)

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Gideon will absolutely not be involving herself in any of those kinds of tests, no.

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...Why not? They can be careful. 

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Not careful enough to satisfy Ellyn.

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...She can learn healing stuff - it's about the only useful flesh magic - which'll make the physical risk stuff easier? And there's books on spirit magic for working with someone else's thalergy. And working with blood - like checking if Gideon's blood is useful for breaking wards in general - isn't that risky, so long as Ellyn doesn't take much. 

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Only the Eighth really does spirit magic and they're all complete lunatics. Ellyn is not inviting any of that insanity to her House. Gideon is not a battery like they treat their cavaliers.

Flesh and blood are obvious inferior to bones for the vast majority of practical necromantic purposes. And they're squishy, besides. She will reluctantly concede that there is any practical value in knowledge of healing, but she doesn't have the temperament to make it a specialty.

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Okay but consider, Ellyn could be so much way cooler if she had a battery.

It'd be worth at least poking healing, though - Gideon definitely wouldn't mind being able to fight harder and for longer.

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She'll see what she can do. Though that kind of thing specifically is likely to take more than a few years.

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Better to start on it sooner, then. 

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All right, all right.

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Good. 

 

Gideon dedicates herself to improvement with gusto - it helps that Aiglamene's the kind of pissed at her for lying about who did what with the Tomb, that the old captain is bound and determined to train Gideon either into her grave or into the best damn cavalier the Ninth House has ever produced. Gideon struggles with the 'cultural refinement' and 'politics' parts - she feels like most of that should be left to Ellyn - while she focuses on fighting and on supporting Ellyn's necromancy. 

She grows quickly, especially for a child of the Ninth - even on a diet of nutrient paste, growing up in gloomy halls, she's flushed with vitality - building muscles easily, always brimming with energy - she'll get beaten into the ground by Aiglamene only to turn around and challenge Ellyn to a fight, only to bounce back from that for exercises and runs and studying - it's the same fervor she approached the Tomb with, except now it's apparently leaked into her entire life. 

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And privately, secretly - every time she sees herself in a reflective surface, which is polished metal or obsidian more than proper mirrors - 

She looks at her hair. She looks at her chin, her nose, the arch of her eyebrows.

She stops visiting the niche of her supposed mother - of the woman who brought her to the Ninth - 

Instead she slips away to the Tomb, her blood unlocking it just as well as it always has. She stares at her face in the salt water, and she stares at the face of the Body. She talks to the Body, too, about her day, about Ellyn, about growing up on the Ninth. 

(It hurts that the Body follows Ellyn around, somewhat.)

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One day - after she's finally started growing into her features - after it's finally started being obvious and not just a child's daydreamed whim -

"I think you're my actual mother," she says to the Body in the Tomb.

(It's the only thing that makes sense. Why they look alike. Why Gideon's blood is the key - and no one else's.) (Why a woman of no apparent House would come to the Ninth with a baby in tow, in secret - only betrayed by her own death. What else would an outsider care about, than this very Tomb, this very Body?)

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The body is as

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silent as it ever is, in its chains

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and prison of ice.

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Yeah, she figured. 

Still...

The few stories she's able to get ahold of have something to say about families. Gideon knows, at least in vague theory, what sorts of things parents are supposed to care about. (She knows Ellyn's parents sucked.)

She starts leaving bits of her childhood as offerings, scattered about the base of the altar - books she's outgrown, doodles on little chunks of bone, toys she made for herself, a favorite shirt she outgrew then hid, a training sword she wielded as a child - she talks to the Body (her mom) about her past, too, not just her day. Asks mostly rhetorical questions, sometimes imagines an answer. 

(She's been reading everything vaguely relevant to this imprisonment - to breaking it - that she can find. She's been hiding that from Ellyn.) (She tries spilling her blood on the ice, at the base of the altar, tries drawing wards she can't even power over the chains - )

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There's never any response, no matter what she tries.

But one day, after training,

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in the corner of her eye, just for a moment.

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She turns to look. 

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But it's gone now.

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But it was something - the barest flicker of acknowledgement - 

She keeps leaving offerings, keeps leaving her own blood - keeps taking books down to the Tomb to do her studying, when Ellyn is asleep or not up for hanging out - sometimes (increasingly) outright sleeps in the Tomb - swims laps in the salt water (hey, it's good exercise, once she stops nearly drowning herself) and does some of her drills by the altar - 

She swears she studies better here, somehow. Sleeps better, trains better, gets over her bruises faster - she isn't sure what it is, but her mom's sepulcher is somehow more alive than the rest of Drearburh.

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"Gideon," Elllyn says one day.

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" - Yeah, what's up?"

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"I think you're spending too much time down there." She's not lonely, you're lonely. Shut up.

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...???

"Why?" she asks, crossing her arms defensively. 

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"Because-"

"I miss you."

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"...We're still spending time together, though. In training and studying and stuff." She isn't looking at Ellyn, gaze instead at her feet. 

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"Yeah, but... What about time not doing that?" Ellyn has grown to like have Gideon around a lot, these past couple years, even if she doesn't quite know how to articulate what she wants.

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"...Training and studying's most of what I do - down there, too. I just..."

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Unhappy sigh.

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...Unhappy, awkward squirm. "What else do you want to do? And - how often?"

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"I don't know. Something that's- just us? Without, um, pressure."

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Aaaaa but she needs to get better and she's always behind and she needs to work  -

"If that's what you need," she says, quietly, trying not to let her anxious internal voice show on her face. 

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Ellyn decides that now is a good time to check how good she's gotten at the hugging action.

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Gideon stiffens -

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- Then relaxes into the hug, and even hugs back (clings a bit more desperately than she'd like to admit) after a few moments. 

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"I want you," she says, her voice cracking a bit, face pressed into Gideon's shoulder.

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Hug! "You have me. I'm yours. I just - I want - "

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It's time for her voice to crack. The words tumble out of her, so quickly they're nearly incomprehensible: "I know she isn't real - I know the Body's there but I've made up the person in my head and I know I'm only making up that she's listening to me - I know that even if she looks like me and even if my blood works it doesn't matter, she probably isn't really my mom and motherhood doesn't mean anything anyways, and I know it's all pointless - and I know you matter more than me and everyone cares about you more than me and she pays more attention to you than me anyways, I care more about you than me, but - but I - "

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"I just want to pretend."

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"I don't matter more than you," she snarls. "Gideon, you- you're important!"

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Yeah she's crying now. 

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More hug? And as long as she's cribbing from Gideon's playbook anyway, "Don't talk bad about my friend," she mumbles. "I'll beat up anyone who talks bad about my friend."

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She's feeling crappy enough that she can't even properly giggle at that. 

"You make me feel real," she mutters into Ellyn's shoulder after her sobs have had a chance to peter out. 

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"You make me feel like a person."

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"Then let's - spend time being real people together. Or... Pretending we are, even when we can't feel it." She doesn't know how to be a real person, but she has her comics, even if she hasn't read them in forever. She knows how to pretend. 

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"I'd like that."

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" - We could read comics? I stopped doing that after - when I became your cavalier, because I had to train more to be good enough. But... I used to like it."

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"That sounds good to me."

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Small smile. "It's a date."

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Oops her stomach just did something weird and fluttery. "Y-yeah."

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"Your cell or the study? For meeting?"

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"Not the study. That's for business."

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"Your cell, then."

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"My cell."

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Nod. "And... I still want to spend some time down in the Tomb. It's - peaceful. And I've been liking swimming. But I'll spend less time there, more with you." Pause, then, thoughtfully: "Could sleep there, it's nicer than my cell, and I wake up way before you anyways so I could swim and all before you're even up..."

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"I do not want to know that you swim in that water, so do not tell me that you do."

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This is her very much not laughing. "I pinky promise that I am definitely not doing laps in any sacred pools," Gideon crosses her fingers behind her back, "And I'm definitely absolutely not doing them naked." (It's way easier than trying to dry her clothes, honestly - she's got a waterproof bag for the occasional time she needs to move things from shore to island and vice versa, but it's easier not to bother, so she usually strips when she enters then gets dressed when she leaves.)

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Ellyn makes a strange, high-pitched noise.

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Muffled giggles. 

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"Let's- move on."

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What to? 

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Beating up Gideon with skeletons.

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One of her favorite activities! 

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Ellyn is aware.

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She'll still give Ellyn a solid run for her money, of course. 

And, afterwards - they can head to Ellyn's room with Gideon's older comics, while their bodies recover? 

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Yes. That thing. Is the thing they are doing.

Ellyn's cell isn't really any bigger than Gideon's. The bed's the only place to sit.

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(She does need to duck out to go grab her comics first, but this is a relatively fast process, and she reaches the cell only shortly after Ellyn.)

She plops down just past the centerline, towards the foot of the bed - Ellyn will have to sit near her. 

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Logically she could have predicted this, but she still hesitates before sitting.

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" - Do you want me to move over?"

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"N-no! Um. You're fine."

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"Kay." She pats the bed next to her. 

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Ellyn sits down with her legs folded underneath her.

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And: comics! These are maybe a bit under their level - but they're pretty fun, still, stories about grand adventures in space. 

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Very different than anything Ellyn's read before. She ends up kind of leaning into Gideon as she gets absorbed in the pictures.

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She leans back! 

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Oh, that's cozy.

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A nice way to hang out. (The sheer coziness is winning against her anxiety about training enough, too.)

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It's very nice. Enough that a blatantly unrealistic depiction of necromancy in one of the series only makes her snort in amusement rather than throw the comic.

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Gideon used to daydream about what she'd have written instead. 

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And how would she have handled the Mecha-Metal Zombo Buster? Answers that aren't 'glutinous wibbly flesh prison' only.

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Sharp sturdy bone prison, obviously. Though a good old-fashioned two-hander would go a long way here - so perhaps a beautiful Ninth House necromancer and her dashing cavalier could burst in to save the day - 

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That would be unexpected. Does the hero get the girl at the end too?

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She absolutely should. 

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Yeah?

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It's a just reward for both of them. 

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Hmm. She catches her lower lip in her teeth. "Does that apply in real life too?"

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She stares at Ellyn's lips, wetting her own. "It could."

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"I think it should..."

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Kiss?

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!!!

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Kiss!!!

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Kisses!! So good!!!

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Especially with a very good and excellent girl.

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They're going to have to practice a lot to make the most of them.

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Mmm, Gideon might prefer keeping this as - just something they do, outside of the stresses of 'practice' and 'training.' Because if she thinks about practice too much, she'll get anxious about everything she isn't doing but could be.

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As long as they just do it a lot.

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Can be a regular feature of resting after training. 

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She'd like that.

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Ellyn's wish is her command.

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Happy shiver!

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"You like being bossy?"

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"I do, a bit."

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"Good, because bossy is an excellent look on you."

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"I'll keep that in mind."

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What else does she want to command? 

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More kisses!

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As the Reverend Daughter wills! 

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How devoted her cavalier primary is.

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Only because Ellyn is the best. 

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Lucky to have her.

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The absolute luckiest cav. (Kiss!)

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Kisskisskiss.

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Ellyn's general mood over the next while is much improved with the addition of their new post-workout routine.

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And Gideon starts spending less waking time down in the Tomb. (Not none, though, she does keep going down there for swims and to talk to her mom or just study alone - but she's more careful about keeping her hours down there to when Ellyn (and Aiglamene, since she can't neglect her cav training) isn't otherwise available, which mostly means the very early morning.)

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The both of them progress at what's probably a reasonable rate. It's not like they have much in the way of benchmarks available. Ellyn continues refining her practice of bone necromancy (still the superior necromancy in her opinion. Flesh magic is... squishy. She can mend cuts and bruises from training well enough, and keep the ever-aging population of the Ninth more or less ticking over, but they simply don't have the resources and she doesn't have the time to make a truly in-depth study of it. Bones are the Ninth specialty, and bones are what they have to work with.) as well as her command of the grappling arts. She's even put on a little muscle, though nowhere near as much as Gideon.

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By the time she's eighteen years old, Gideon makes it to 'barely passable' in Aiglamene's view, which is the absolute best compliment Gideon's ever gotten from the old retainer. (Aiglamene doesn't like how Gideon insists on learning more than one combat style, which probably is downgrading her a bit. She's let herself be badgered into learning the rapier, which she'll readily admit is her worst - she prefers her two-hander if sword work is needed, her knives or simply her body if a lighter touch is called for. Aiglamene has no end of criticism for how she keeps treating her rapier as a particularly pointy knife.)

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On the supply shuttle after Ellyn's seventeenth birthday, an unexpected letter is included with the delivery. A creamy white envelope embossed with the stamp of the First, made of paper, as is the missive within.

Ellyn calls Gideon to the study to open it when she discovers it.

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Looks serious. 

She perches next to Ellyn so they can read it together. 

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ADDRESSING THE HOUSE OF THE NINTH, ITS REVEREND LADY PELLEAMENA HIGHT NOVENARIUS AND ITS REVEREND LORD PRIAM HIGHT NONIUSVIANUS:

Salutations to the House of the Ninth, and blessings upon its tombs, its peaceful dead, and its manifold mysteries. Her Celestial Kindliness, the First Reborn, begs this house to honour its love for the Creator, as set in the contract of tenderness made on the day of the Resurrection, and humbly asks for the first fruits of your household, THE REVEREND DAUGHTER ELLYNHARK NONAGESIMUS AND HER CAVALIER PRIMARY GIDEON NAV.

For in need now are the Emperor’s Hands, the most blessed and beloved of the King Undying, the faithful and the everlasting! The Emperor calls now for postulants to the position of Lyctor, heirs to the eight stalwarts who have served these ten thousand years: as many of them now lie waiting for the rivers to rise on the day they wake to their King, those lonely Guard remaining petition for their numbers to be renewed and their Lord above Lords to find eight new liegemen.

To this end we beg the first of your House and their cavalier to kneel in glory and attend the finest study, that of being the Emperor’s bones and joints, his fists and gestures. Eight we hope will meditate and ascend to the Emperor in glory in the temple of the First House, eight new Lyctors joined with their cavaliers; and if the Necrolord Highest blesses but does not take, they shall return home in full honor, with trump and timbrel.

There is no dutiful gift so perfect, nor so lovely in his eyes.


There is an additional memorandum enclosed with certain additional details, date of departure (approximately three and a half months), contact information (regrets only, no response expected), who is allowed (heir and cavalier only), transportation (provided by the Emperor to the First House).
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" - This is it. This is our chance." She's unsure if the Ninth has actually ever produced a Lyctor. 

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"Mm. To the First House itself... Even if we don't pass the trials, this is big. Might have a chance to petition the Emperor directly."

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"And it'll be a chance to network - to demonstrate our strength. Any favor or prestige we can get... That'll only help with attracting pilgrims later."

With a bit more humor: "Worse comes to worst, we raid their library."

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"Hah. Agreed about best foot forward, though. ...Which means I want you to spend the meantime brushing up on your rapier."

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She makes a very dubious face. "Can't I bring a more useful weapon? And if anyone goes 'wow that's not a cavalier weapon' I could just yeet them across the training ground with my bare hands."

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"You can bring as many weapons as you want, but polite society expects a cavalier to fight with a rapier, so you'll be carrying a rapier. In case of duels or, I don't know, exhibition matches."

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"I could show them a real exhibitionism match," she grumbles under her breath. 

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"I'll let you use Samael's chain for your offhand."

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She perks up. "Okay, now you're talking."

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"As long as you promise to use it fully clothed."

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"Anything for you, my sepulchral seductress."

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Ellyn leans over and pecks her on the lips.

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She kisses back. 

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Kiss!

"Can you tell Aiglamene to find Crux and bring him here? I need to start setting things here up."

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"As you command, my tenebrous overlord." She heads out with a confident spring in her step (and a teasing sway of her hips). 

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Gonna make her pay for that later.

There's a lot of work involved in running the Ninth, and now Ellyn has to make preparations to hand it off. She gets to it.

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And Gideon - Samael's chain in hand - gets to perfecting the art of being a pretty little show cavalier. (And helping Ellyn with her preparations, on the rare occasions her body is too tired to keep training.)

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And, the final night before their departure - she spends one last night in the Tomb. She swims one last lap of that sacred pool. 

She kneels beside the frozen sarcophagus of her mother, and she places her old chain about the base. "I don't know when I'll be back," she says. "I don't know if I'll be back - this might be the last time. If Ellyn becomes a Lyctor... I'll join her."

"So..." She holds her hand against the perfectly smooth ice. 

"Farewell, mom."

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Ellyn waits for her and the shuttle on the landing pad. She had a pair of constructs carry their bags up from the room.

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She makes sure to get there a little early, too - doesn't let her private goodbye keep her from her duties. 

"...It's a bit surreal," she says, once they've both boarded and the door has at last closed behind them. "Just..."

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"Leaving?"

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"...Yeah."

"The Ninth's been my - been our - whole life."

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"I know."

"It's hard to remember there's a whole world outside it."

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"...Even with the comics - I don't know what it'll be like."

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"Me neither. But I know I'll be with you."

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"We'll remind each other how to feel like real people." Light kiss. 

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"Always do."

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The trip only lasts about an hour, long enough for Ellynhark to feel the thanergy void of space creeping in around her but not long enough for the ill effects to become too pronounced. The shutters on the window open when they've entered orbit around the First House, revealing it to be a great expanse of blue and milky white, lit to blinding perfection by the torrent of Dominicus's light. Spread out beside them are the seven other shuttles bearing the other houses, all paused before descent.

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Oh fuck that's bright. 

Gideon reflexively throws her hands up in front of her eyes.

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"That's why we brought the veils," Ellyn reminds her as she fiddles with her own.

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"Or..." She digs blindly in her pocket for her very cool mirrored sunglasses. She flips them open with one hand and slides them onto her face before opening her eyes and giving Ellyn a little wink. 

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Sigh. "You are insufferable," she says, but there's a trace of fondness in her tone.

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"You know you love it."

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"It is my curse to bear, I'm afraid."

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"Everyone else will be jealous of even your curses."

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"What a shame for them."

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Kiss?

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Just a quick one. The shuttle is starting its descent.

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She can be very efficient. 

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The view out the windows grows briefly even brighter with reentry, and then the blaze cools to reveal their destination. It is sickly green and grey, a jungle overgrown into an opulent city, tangling around its neck as they both choked and died. They land in a once-grand docking bay set over a cliff by a shining blue ocean, all but eight bays left to wrack and ruin. Five other shuttles can be seen already landed before the Ninth's sets down with a clunk of engaging clamps.

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Ellyn sets herself and faces the ramp, which begins to open.

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Gideon's never seen so much water. 

Still, she falls into place a step behind Ellyn, back straight and expression serious in a way she rarely bothers with on the Ninth. 

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There is a row of skeleton constructs waiting outside as an honor guard, the first holding a banner with the emblem of the Ninth. A bald priest with a neat white beard and white robes cinched shut by a golden belt embroidered with a rainbow of color scurries over to greet them. “Hail to the Lady of the Ninth House,” he warbles delightedly. “Hail to her cavalier. Oh, hail, hail! Hail to the child of the far-off and shadowed jewel of our Empire! What a very... happy... day.”

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"Hail to the House of the First," responds Ellynhark. "And its master and servants."

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"Hail to the Lord Over The River! And welcome to her House. Welcome to the Lady Nonagesimus and Gideon the Ninth. I am a keeper of the First House and a servant to the Necrolord Highest, and you must call me Teacher; not due to my own merits of learning, but because I stand in the stead of the merciful God Above Death, and I live in hope that one day you will call her Teacher. And may you call her Master, too, and may I call you then Ellynhark the First! Be at rest, Lady Nonagesimus; be at rest, Gideon the Ninth. Presently all will gather in the sanctum.”

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She can't help but smile at him. 

Still - "Were two of the Houses delayed?" she asks, idly, only seeing six shuttles. 

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“Oh, well noticed!" Teacher laughs jovially. "Yes, there’s a discrepancy. And we don’t much like discrepancies. This is holy land. We might be called over-careful, but we hold this House as sacred to the Emperor our Lord. We do not get many visitors, as you might think!" He continues with the air of one sharing a bit of juicy gossip. "There is nothing that much the matter. It’s the House of the Third and the House of the Seventh. No matter, no matter. I’m sure they will be given clearance any moment now. We needed clarification. An inconsistency in both.”

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"What kind of inconsistency?"

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"Ah, well, the House of the Third will of course push the boundaries, and the Seventh... It's well known, yes... Here they are landing now, though, look."

Indeed, the final two shuttles are coming in to fill the last clean spaces of the landing zone.

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She knows nothing about the other Houses actually but sure whatever. Gideon turns to look. 

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First off the Third's shuttle is a woman who is probably the cavalier, judging from the sword at her hip.

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Following her is a princess straight of Gideon's comics, draped in fine silks and complete with jeweled tiara.

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- Followed by a third person, dressed in silver to her sister's gold - who looks like a pale and bloodless reflection of her twin, nevermind that they're the same height and age. 

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Three of them...?

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The Third House contingent is greeted by another white-robed priest, who has a brief conversation with them before hurrying over to Teacher and the Ninth and starting to whisper in his ear. Teacher waves off his concerns. "What can we do, what can we do. Only trouble at the end of the line, and a trouble confined to them." The other priest accepts this and heads over to meet the Seventh shuttle. A slim figure totters down the ramp, and with excellent timing, collapses into the priest's arms. He staggers with the unexpected burden and cries out.

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Gideon sprints over, catching the collapsed girl before the priest can drop her, lowering her gently to the ground and doing a quick visual check for obvious injuries. 

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She's coughing blood, and her skin is terribly translucent, bespeaking a chronically severe illness.

Gideon feels the sharp prick of a sword at the back of her neck.

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She turns the woman into the recovery position as she lowers her.

She only somewhat reacts to the sword at her neck - she stills her head, of course, but she doesn't stop holding the woman or trying to see what she can do about the blood. "Back off or help out," she says, flatly, to whichever idiot is holding a sword instead of trying to give medical care. 

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The sword does not back off or help out, but remains stubbornly pointed at Gideon.

"Oh, Protesilaus," the girl in Gideon's arms coughs. "Stand down."

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"Remove your sword from my cavalier," Ellyn says flatly, having hurried to catch up to Gideon.

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"See, you goof, you're getting us in trouble. Stand down." Reluctantly, the sword is removed.

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Great. 

Does the Seventh House necromancer seem to have successfully cleared her airway of all the blood? 

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More or less! "I'm so sorry!" the girl exclaims. "“He’s just overprotective- oh my God, you’re black vestals! Oh, God, I was rescued by a shadow cultist! I’m so sorry! Thank you! This is one for the history books.”

With the danger of the sword gone, the priest also bends down to help clean up. "Ah, Duchess Septimus," he sighs as he dabs at the blood. "You should not have come."

"But isn't it beautiful I did?" she asks, flashing a crimson-stained smile. "Protesilaus, help me up so that we can apologise. I can’t believe I get to look real tomb maidens in the face." The Seventh cavalier reaches past Gideon to pick up Septimus. He's a huge, well-built man, but with a strange waxen look to his skin. He stares blankly at Gideon as he holds his necromancer almost over his shoulder, with her arm around his neck. “What must I do to gain forgiveness?” she says. “If my House blasphemes against the House of the Ninth in the first five minutes, I’m going to feel like a boor.”

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"Keep your sword off my cavalier," Ellyn says, doom underwriting her tone.

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Gideon is a little weirded out by how unbothered the Seventh House cav seems about his necro hacking up blood like this. Like, even if it's chronic, that level of 'whatever' is just not on. (Also, she'd count 'threaten the person helping, do not actually help about the coughing up blood' as the opposite of overprotective. She is so concerned about this Duchess's standards.)

"Does this - happen a lot?" she asks, a bit dumbly.

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"I am dying," she says brightly. "Hereditary, you know. They said I wouldn't get past twenty-five, but here I am, and who's laughing now? Me!" She giggles wetly. "Though I suppose you mightn't know who that is. Dulcinea Septimus, duchess of Castle Rhodes. And this is Protesilaus the Seventh, my cavalier primary."

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- Oh yeah, the formal way cavs are introduced. 

"Nice to meet you." She barely doesn't make it a question. "I'm Gideon the Ninth. This is my necromancer, the Reverend Daughter, Lady Ellynhark Nonagesimus."

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"Oh, how perfectly lovely! A great pleasure to meet you, Ninth, and thank you ever so much for your assistance."

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Ellyn puts a hand briefly on Gideon's shoulder, a silent 'get up and follow me'. "Indeed." Then she'll turn to walk away.

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She sends Dulcinea a rueful smile before doing as silently instructed.

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The lady gives her a saucy wink in return!

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Not nearly at cute as her necro, but definitely deserves a better cav, is Gideon's assessment. 

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Hmph.

"Can we be just a little more careful going forward," she says testily once they're far enough away.

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" - I'm not going to like, leave someone else to choke on their own blood in front of me, even if their cav is useless."

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"If they made it all the way to the First just to die stepping off the shuttle, they shouldn't have come in the first place. The amount of ambient thanergy here, Gideon- The oss at Drearburh is barely a thimble in comparison."

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Quietly: "Well, now she owes us one - owes us two, even, since her cav did draw on me."

"We're here to network, aren't we?"

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"Not with someone who has a cavalier like that."

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"I won't turn my back on him again, how about."

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"Fine."

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After the excitement is done with, the representatives of the Houses are ushered inside to a wide atrium and encouraged to sit and drink the hot tea more skeletal servitors are circulating and passing out in fancy little cups. The interior of the building is no less grandiose than the outside, all stained wood and carved marble and fanciful decoration. It is also no less dilapidated than the outside, and the atrium has several large holes in the ceiling. The tea is greenish, and smells distinctly of leaves.

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Ellyn sips indifferently at her cup, more interested in examining the constructs' behavior as they move about.

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Those are fancy - she itches for her notebook, but that'd probably be indecorous or something. Is this just the natural result of ten thousand years to refine a construct's programming - do constructs of a certain age grow more complex with time - are they cheating somehow - 

(She might need to be poked into paying attention to whatever formal speech or whatever is about to be given.)

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One of the three priests from the landing pad (who seem to be the only living inhabitants of the First) clears his throat and announces "“Now let us pray for the lord of that which was destroyed, remembering the abundance of her pity, her power, and her love.” Everyone but the Ninth House seems to know how the chant goes, “Let the King Undying, ransomer of death, scourge of death, vindicator of death, look upon the Nine Houses and hear their thanks. Let the whole of everywhere entrust themselves to her. Let those across the river pledge beyond the tomb to the adept divine, the first among necromancers. Thanks be to the Ninefold Resurrection. Thanks be to the Lyctor divinely ordained. She is Emperor and she became God: she is God, and she became Emperor.”

A pause after, then Teacher says, "And perhaps the devout of the Locked Tomb will favor us with their intercession?"

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Ellyn subtly pinches Gideon into sitting up straight if she isn't already, then stands like she's leading one of the services back home. "I pray the tomb is shut forever. I pray the rock is never rolled away. I pray that which was buried remains buried, insensate, in perpetual rest with closed eye and stilled brain. I pray it lives, I pray it sleeps. I pray for the needs of the Emperor All-Giving, the Undying King, his Virtues and his men. I pray for the Second House, the Third, the Fourth, the Fifth; the Sixth, Seventh, and Eighth. I pray for the Ninth House, and I pray for it to be fruitful. I pray for the soldiers and adepts far from home, and all those parts of the Empire that live in unrest and disquiet."

Teacher and the other priests looked entirely blissed out by this display of ancient tradition.

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"And so hail to the Lord of the Sharpest Edge, and the gossamer thinness of her blade, and the cleanness of her cut," Gideon adds, perhaps a bit too brightly. (She had zero free time to learn history or politics, also was chronically absent to prayers, so may or may not have let Ortus recite things at her while she trains. And this is like the absolute coolest Godly epithet out of them all and for all she knows the correct modern prayer.)

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Okay, these hermit shadow nuns are kind of hardcore actually, damn.

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Yep, Ellyn totally was expecting that. Necro and cav in perfect harmony here.

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...That's an old prayer, she's pretty sure. (Usually it's only the Sixth producing nerds for their cavaliers.)

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If Teacher was happy before, he goes into absolute paroxysms of joy at Gideon's addition. "A truly ancient epithet! A classic, unuttered for years even in this House! How may I bless you for that, Gideon the Ninth?"

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Ellyn might live to regret ever letting Ortus infect Gideon with his ideas about Correct Cavalier Behavior.

"Pray only that wheresoever my Lady goes, I will go; that as she serves, I will serve; that should she die, I will die, and that my bones will be buried alongside hers, such that not even death will part us."

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"Incredible," Teacher says. "I bless you. I bless you that way twice."

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Gideon Nav, you are going to be muRDERED IN YOUR SLEEP-

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"Now," continues Teacher, "I'll welcome you to Canaan House. Will someone bring me the box?" A robed skeleton carries out a small wooden chest and deposits it in Teacher's lap. Teacher opens it, and one by one, calls up each cavalier by name to receive a small iron ring from the box. When Gideon gets hers, she will notice it's not entirely a closed loop, but a twist of metal whose ends overlap and lay flat.

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Huh. Weird. 

She'll show it to Ellyn. 

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She shrugs minutely.

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“Now the tenets of the First House, and the grief of the King Undying," Teacher continues. "I will not tell you what you already know. I seek only to add context. The Lyctors were not born immortal. They were given eternal life, which is not at all the same thing. Sixteen of them came here a myriad ago, eight adepts and the eight who would later be known as the first cavaliers, and it was here that they ascended. Those eight necromancers were first after the Lord of Resurrection; they have spread his assumption across the blackness of space, to those places where others could never reach. Each of them alone is more powerful than nine Cohorts acting as one. But even the divine Lyctors can pass away, despite their power and despite their swords … and they have done so, slowly, over these ten thousand years. The Emperor’s grief has waxed with time. It is only now, in the twilight of the original eight, that she has listened to her last Lyctors, who beg for reinforcement.

"“You have been nominated to attempt the terrible challenge of replacing them and it is not at all a sure thing. If you ascend to Lyctor, or if you try and fail- the Kindly Lord knows what is being asked of you is titanic. You are the honored heirs and guardians of the eight Houses. Great duties await you. If you do not find yourself a galaxy, it is not so bad to find yourself a star, nor to have the Emperor know that the both of you attempted this great ordeal.

"This is not a pilgrimage where your safety is assured. You will undergo trials, possibly dangerous ones. You will work hard, you will suffer. I must speak candidly. You may even die. But I see no reason not to hope that I may behold eight new Lyctors by the end of this, joined together with their cavaliers, heir to a joy and power that has sung through ten thousand years.”

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Doesn't sound like a competition, then. (Though Gideon has no issue with hard work and suffering.)

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"To practical matters: Your every need will be met here. You will be given your own rooms, and will be waited on by the servants. There is space in abundance. Any chambers not given to others may be used as you will for your studies and your sitting-rooms, and you have the run of all open spaces and the use of all books. We live as penitents do, simple food, no letters, no visits. You shall never use a communication network. It is not allowed in this place. Now that you are here, you must understand that you are here until we send you home or until you succeed. We hope you will be too busy to be lonely or bored.

“As for your instruction here, this is what the First House asks of you.” Teacher pauses pointedly.

"We ask that you never open a locked door unless you have permission."

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"Whose permission?" 

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Teacher smiles. "The permission of the one to whom the door belongs."

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So the doors are part of the challenge...

She nods.

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"...Is that it? What's the training?"

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"Well, I don't know," Teacher says. "You're the ones who will be becoming Lyctors, not I. I am certain the way will become clear to you without any input from us. Who are we to teach the first after the King Undying?”

He claps his hands in a clear dismissal. "That's it. Welcome to Canaan House!"

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"Independent research project, then," she says to her own necromancer, teasingly. (Though the others will be able to hear her.) "Right up our alley."

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"Like we never even left."

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"Hey, a new library's exciting."

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"Technically, we don't know there is one."

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"We know there's books!"

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"They could be randomly scattered."

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"Then we get to collect our own library!"

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"And implement a superior classification system?"

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"Obviously."

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"Sold. Let's get started."

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"Let's."

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Meanwhile, Gideon and Ellyn are being led fairly deep into the facility by the skeletons, towards the Ninth House's suite. It's already getting dark, which Gideon is both grateful for and a little surprised by. (Logically she knows the First rotates faster. However.)

"Wonder if there's any paths down to the water..." she muses out loud. 

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"We can look while we're mapping the doors."

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She nods. "Do you want to stick together, or split up for that?"

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"Stay together. I don't trust this place entirely."

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Nod. "We don't know where the dangers are, yet."

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Or who the dangers are, she doesn't say.

Once they put their things away, Ellyn wants to make a start right away.

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Sure - and working at night will reduce how much glare they're having to deal with... Gideon isn't liking the daytime here, neither the brightness nor the heat.

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There's definitely too much of a good thing when it comes to sunlight.

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Seriously - Gideon hadn't really liked how dark Drearburh was, but the First House is kinda overdoing it. 

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At least it doesn't stick around all the time.

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Nighttime here's about right, yeah. 

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Perfect for starting their explorations.

They'll need to be systematic about this, so Ellyn will take notes as Gideon navigates and tests the doors they come across. Her greater physicality will likely be an asset in finding ways around the occasional structural collapse they come across.

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The Ninth can be just as treacherous, after all. 

Gideon also proves useful at spotting hidden things - like a suspicious gap under a tapestry, a door behind it - unlocked - opening to a long hallway, a locked door at the end. 

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Interesting. Make a special note of it for now, and make sure the tapestry is tucked back into place.

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Second habit, coming from the Ninth. 

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Never let anyone catch you at it.

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Something they're both good at. 

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Indeed.


Later, they come to a section of hallway near the cliff edge that has collapsed out. There are a few doors visible on the far side, and the corridor continues around a corner.

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Does it look close enough for Gideon to jump? Or - could Ellyn put up a bone bridge or something? Or another big construct of some kind to move Gideon across? 

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Gideon could jump it, but Ellyn might have a hard time duplicating the feat. A bone bridge would be safer, but more obvious to anyone who comes looking.

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Even if Ellyn takes it down behind them? 

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There'll be marks where she roots it on either side. And the thanergy expenditure will leave traces.

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Nod.

Gideon can also jump it first, check the doors and look down the corridor, see if it's even necessary for Ellyn to follow her over...

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That may be the cleanest option. Stay safe.

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She'll be careful. 

So: Gideon takes a nice running jump over. 

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She makes it with space to spare.

None of the immediately visible doors are locked or contain much of interest. Around the corner there's a stairwell. It seems to lead to a crumbling terrace looking upwards, and several flights down it descends into other levels.

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She circles back to tell Ellyn what she's found so far. "Do you want to split up for a bit, or risk someone finding the bridge?" she asks. 

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She thinks for a moment. "The bridge," she decides. "There might be another way around, but I don't want to get sidetracked on searching for that now."

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"Alright."

She backs up a bit to give Ellyn room to work. 

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It doesn't take her long to grow a path, a twin pair of oversized skeletal arms interlaced, with the hands holding on either side. She crosses carefully, then undoes her constructs, the effort inspiring only a faint tinge of sweat.

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As talented as ever. 

Then: onwards? 

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...Yeah.

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She gives the Body a somewhat searching look. (Why here - ?) Still, she steps around the Body, though she does glance around to make sure she hasn't missed anything. 

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There doesn't seem to

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be anything of note.

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"Just checking in," Ellyn mumbles.

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"We're doing well so far," she announces cheerfully. "This is a big place - still haven't found a way down to the ocean..."

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The Body, for the first time,

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tilts its head slightly. Maybe towards the outside, maybe towards the stairs.

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"Don't think I'd survive jumping..." Though maybe with a really long rope... (She does lean over to check exactly how far it is down.) "Let's try the stairs before any ropes," she says to Ellyn. 

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"Fantastic idea, Gideon."

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"I did promise I'd be careful."

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"If you break your neck trying to get down to the ocean, I will personally dredge your corpse out, haul it to the top of the tallest tower here I can get to, and shove you off again."

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"Hopefully Teacher's blessing will help guard against that, since I imagine it'd make being buried next to you a little difficult..."

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Huff. "You are impossible."

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"Impossibly awesome." Wink.

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Gideon gives her no choice. Ellyn is just going to have to kiss that smirk off her face.

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Oh no, her only weakness. 

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Shame.

Though once that's taken care of, they should head on to the stairs.

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"After you, my unquiet queen."

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Down the stairs. At the bottom is a dim-lit room with a solid concrete floor, and a large metal hatch in the center.

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...Doesn't look like the way to the ocean, unfortunately. 

Though it is a new door - and a new sort of door. Gideon dutifully marks it on their map, after checking whether it's locked. 

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It is, and there's a very obvious keyhole on the latching mechanism.

Ellyn circles around, examining the hatch. It looks to be covering a metal shaft anchored solidly to the floor. When she reaches the far side, something on the wall catches her eye. She brushes some dust off a sign on the wall that reads, in antiquated House script, 'LABORATORY ACCESS'.

"...I'd say this is where we're meant to start."

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"Only person I can really think to ask for permission is Teacher..." Though it'd be funny if the Body could technically give them permission - she kinda sorta nudged them down here, after all.

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"Certainly worth the try. That thing he gave you was likely a keyring, come to think. Maybe he has the keys to go with it."

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She pulls it out of her pocket and experimentally opens and closes it. "Huh, guess so - wonder why all the ceremony with giving the cavs a key ring, though."

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"Could be they were just bored. I get the feeling the First is even deader than the Ninth."

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"Teacher does have a flair for the dramatic," she says, with zero trace of irony. 

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"You're one to talk, Miss Gossamer Thinness of Her Blade."

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"In my defense, that is the coolest possible epithet. I had no idea it wasn't still in use." Clearly only she and Ortus - plus Teacher - have any taste. 

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"Uh huh. Let's see if we can find a way out of here that's not across the broken hallway."

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"Or at least a way to the ocean that doesn't involve any daring escapades with ropes."

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"Sure, either or."

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Onwards to explore, then? 

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Onwards. No paths to the ocean reveal themselves, but they do come across an unlocked door to a room with an empty swimming pool, and a route to the upper levels of the atrium the keyring ceremony was held in.

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They'll have to keep looking for ocean access, then. (Or ask Teacher when they see him.)

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After they've gotten some rest. They can head back to their quarters for now.

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"Alright - after you."

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Their quarters are a suite of rooms- sitting room, study, bathroom (with a tub to take real baths in), bedroom. The bedroom has a one bed in it, with a cot turned lengthwise at the end for the cavalier.

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Interesting idea of sleeping arrangements. 

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It's very traditional.

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Does Ellyn like tradition, here? 

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She could see the appeal.

But Ellyn also likes having Gideon available to curl up around, so, it's not entirely an easy decision.

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Gideon prefers snuggling, too, she thinks.

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Sharing the bed it is.

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Excellent. 

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They can catch a restful few hours until it's properly morning.

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Though Gideon probably still manages to wake up first. 

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As she usually does, yes.

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She spends some time watching Ellyn, before gently slipping out of bed, so she can get dressed, apply her paint, and then go find breakfast (and ideally some form of caffeine for Ellyn).

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Her wanderings lead her to a communal dining hall, where several of the other Houses are already sitting. Skeletal servitors wait in attendance to bring out food and drink from an unseen kitchen.

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Ooo - she goes to chat up the skeletons first, of course (how good is their natural language processing, actually - she really shouldn't get distracted - ), and make clear her desire to see their options for caffeinated beverages.

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The servitors' natural language processing is... uncannily good, actually. They don't talk back because, you know, bones, but she can get a tray with some hot teas, a coffee, and one dark-colored cold drink with bubbles in it that proves to be very very very sweet if she takes a sip of it.

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Oh she is absolutely taking notes on this ('this' being the natural language processing; she'll leave notes on the varieties of caffeinated beverage to Ellyn). (Relatedly, can they write if given pencil and flimsy?)

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They don't show any inclination to.

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Unfortunate, that. 

She takes the tray, adds some bread to it, then takes both back to their rooms for Ellyn. 

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Who is just waking up, looking for where her cavalier went.

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"I found the kitchens, my atramentous sweet." She proffers the tray.

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She takes one of the teas. "I hope I'm not expected to drink all of these."

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"I wanted to get you a selection to try." She'll claim the dark fizzy drink for herself - she somehow doubts Ellyn will like it. 

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"Incapable of getting out of bed without my tea, am I?"

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"Can't a cav spoil her necromancer?"

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"For the first morning on the First, I suppose I can allow it."

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"The actual opening ceremony was far too bland."

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"Fair enough." She tugs Gideon closer for a kiss.

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Kisses!

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Ellyn drinks her tea and eats her bread and attends to her morning ablutions.

And then they should go find Teacher.

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(She can ambush the other Houses at breakfast another time.)

"Lead the way."

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Thanks to their explorations of the previous night, they have a pretty good idea of where to go to find him.

They track him down to an office type room, and after some ebullient pleasantries, Ellyn inquires about the hatch. Teacher grins happily and pulls a key out of his desk drawer and presents it to her. Ellyn in turn passes it to Gideon, as the keeper of the keyring.

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She threads it on.

"I also wanted to ask - what's the best way down to the ocean?"

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"The ocean?" He frowns. "It is dangerous, yes, quite dangerous."

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"I'm a good swimmer, luckily."

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"It is not the water, it is what lives in the water. There is an empty pool we could fill instead," he suggests.

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" - What lives in the water?"

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"Death," he says solemnly.

"With great big teeth like this," he adds, hooking the fingers of each hand and flapping them up and down by his mouth demonstratively.

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Oh she wants to fight it.

"My necromancer might object to me swimming with death, true..."

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"That's not a might, Gideon, that's a definite."

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"Fine, fine..." To Teacher: "Would filling up the pool be too much trouble?"

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"Not at all, not at all!" he exclaims. "We are delighted to do so, I'm sure."

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"Then I'd appreciate it."

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He makes a little note.

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Business concluded, Ellyn will steer them out.

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To the hatch to test their new key? 

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It's like Gideon read her mind.

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Or she just knows her necromancer very well.

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It amounts to much the same thing.

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Actual real-time mind reading would be cooler, though. 

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If a little unrealistic.

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Hey, they're already here to attempt the impossible...

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They'll see what's down in the labs when they get the hatch open.

The first thing they see, when they do that, is a narrow shaft and a ladder descending down into blackness.

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Gideon takes point, of course. 

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Once she gets about halfway down, a flickery yellow light kicks on at the bottom with an audible hum. There's an open doorframe leading into a crossroads sort of area.

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She checks the area for traps, lurking ambushes, or any other clear problems before calling Ellyn down.

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There doesn't seem to be any! This is a respectable necromantic research institution

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not some kind of death-maze.

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(She gives the Body a respectful little nod; it's not like anyone's watching them, she's pretty sure.)

What are they in for, in terms of layout and contents? 

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The crossroads has nine walls and and eight passageways. Each is helpfully labeled, again in that archaic House script:
LABORATORY ONE–THREE
LABORATORY FOUR–SIX
LABORATORY SEVEN–TEN
PRESSURE ROOM
PRESERVATION
MORTUARY
WORK ROOMS
SANITISER
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Check everything (at least briefly) before touching anything, then? (The laboratories and work rooms sound most likely to have usable information, though there might be something worth poking in preservation or mortuary...)

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Seems prudent. This place looks like it hasn't been touched in ages.

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She adds what they find on to a new section of their map. 

Then, once everything is at least sketched out: "Poke Lab One first?" It looks empty - gutted, really - but it makes as much sense as anything to poke them in detail in numerical order. 

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"I'd rather start with one there's actually something left of. Two, maybe."

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She nods. "Works for me." Onwards to Lab Two. 

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Lab Two is labeled TRANSFERENCE/WINNOWING. Inside, it's divided into two separate rooms, IMAGING and RESPONSE respectively. The door to RESPONSE is locked. Through the circular window in the door, the room looks empty apart from a pedestal against the back wall. There's some kind of box or object sitting on it.

IMAGING is unlocked, and has a little more going on. There are big banks of defunct machinery, purpose uncertain. Empty bookshelves, a rusty metal desk. In the center, a pristine metal podium, with a flat plate of dark glass on top of it.

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The podium crackles and hums like it's getting ready to start when Ellyn gets near it.

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Does it do anything interesting when Gideon approaches? 

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Nope. There's an faint outline like a handprint on the glass.

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She touches it. 

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Nothing happens.

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"Maybe it needs to be a necromancer?"

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She'll step back so Ellyn can try. 

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When she puts her hand on the glass, a solid metal shell extends down from the ceiling around where she stands at the podium, down to about her waist.

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Does anything else happen? 

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A tone from outside that might indicate the other door was unlocked.

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She goes to check it out.

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RESPONSE can indeed be opened now. That is, until it shuts abruptly.

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Ellyn pokes her head out of IMAGING.

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She relays what she saw. "Might be a challenge just for the cavalier? Require the necromancer to be entirely in another room to have the door work. ...Though if so, they forgot about bone adepts." 

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"Could be. The screen retracted when I took my hand off the pad, and I think the door relocked at the same time. I want to try sending a construct in first, if you can watch and see what happens."

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She nods and goes to stand in front of the window into RESPONSE.

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Ellyn sets a skeleton up then goes to stand in IMAGING again.

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The skeleton enters when the door opens, and it closes again after. As the skeleton moves towards the back pedestal, a monstrously massive bone construct grows out of the far wall and powderizes Ellyn's construct before it makes it more than a quarter of the way across, quickly shrinking again when there is no other movement in the chamber.

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She relays this! And: "I want to fight it."

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"You see that, right?" Ellyn jabs a finger at the window. "That was a skeleton. Now it is powder. That could be you. Only your smear will be wetter."

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"Can you hear into RESPONSE or cut off the experiment early?"

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"I could hear it go crunch as it got fucking atomized."

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"Then cut it off if I shout."

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"I will. Or if a minute passes."

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She'll get her weapons ready, then. 

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Ellyn would be so much more on board with this if she could watch.

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The door to RESPONSE opens.

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Gideon heads in.

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The horrible monster sprouts out of the wall again. And then: it is boning time*.

 

 

*Technical term.

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Boning time best time. 

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Boning time best time, because boning time don't stop. Literally. If she cuts off a limb it regrows almost instantly.

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Fascinating...

She's having to dodge a bit too much to properly think about theorems it may or may not be using - but she can at least get an idea of the rhythm of its attacks -

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For all the intimidation factor it's not quite beyond her level, yeah. At least until a tinny yelp that sort of sounds like Ellyn comes from a hidden speaker at the same time a spike of dizziness hits Gideon.

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Shit - 

She tries to at least dodge back away from her enemy -

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She can mostly avoid getting clipped and get her blade up in time to block the next attack. But on the other hand, the sound of Ellyn in pain repeats itself.

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This damn thing keeps regenerating - there's nothing she can do for Ellyn from in here, she needs to focus - Ellyn should be able to end the experiment, unless she can't until Gideon beats this - 

She tries to focus on fighting the damn thing, narrowing her mind in to the rhythm of attack and counterattack.

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"-Agh, yes- like that! Gideon, close one eye!"

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- What - ?

She does so. 

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"There it is-" Ellyn's voice says as something like a blurry filter seems to lay itself over Gideon's field of view briefly. "Now- ugh!"

The construct she's fighting folds itself back up and the door chimes open. 

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She darts out to check on Ellyn.

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Ellyn comes to meet her, breathing heavily and bleeding from the nose.

"You were right," she says. "It is a challenge for the cavalier. The construct didn't have any thalergy so it didn't work with that but for you- the apparatus facilitated a connection to your brain."

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"So you could see my thoughts?" (Ellyn's in good spirits, at least.)

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"Not hardly. It was tricky enough just interpreting sense data. Brains are complicated, did you know."

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"Mine definitely."

"Though... There'd need to be some kind of benefit to that - or you're supposed to get used to hanging out in my head while I'm busy fighting..."

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"I doubt it's that simple. There has to be a goal. That construct- it looked like it was regenerating somehow?"

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She nods, before detailing what she observed. "It'll be difficult even for me to hit it faster than it can regenerate."

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"So there must be some trick to get it to stop. Maybe... something I can see that you can't? I have to use your eyes to find it and you have to hit it?"

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"Could work - and I can hear you in there."

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"All right, good. Anything else you can think of before trying again?"

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Hum... "Once we've got a better rhythm down, you might be able to direct constructs through my eyes too."

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"Wouldn't that be interesting."

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"A major force multiplier - especially if we can get some distance with this technique, use it even without the lab..."

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"Let's try getting it functional at all, first."

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"One step at a time, sure." She bounces. (Time to go again?)

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Time to go again.

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The construct uses the same moves as last time, so it shouldn't be too hard for Gideon to last until Ellyn's able to establish a good connection. She sees that same filter-like quality drop over her vision, and Ellyn begins calling out targets to hit, which seem to be softly highlighted.

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(Is this what it's like to see thanergy - ?)

As soon as she realizes the highlights represent targets, she starts anticipating Ellyn's calls. 

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There are only six targets to hit but they do get progressively trickier to get to without exposing herself.

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She'll take down the easiest ones before risking herself - no sense making Ellyn fret over her - but she's confident in her ability to get through this without taking excessive damage. So, if the last few require some more daring moves... 

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Presumably Ellyn's increasingly-exasperated callouts mean she's winning.

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She won't count her constructs until they're destroyed. 

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This one- seems to be! The door pops open is the bones start to dissolve into dust.

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Nice! 

Gideon steps back to observe the dissolution process. 

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A small black box reveals itself on the pedestal as Ellyn hurries over from IMAGING.

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She goes to investigate. (While narrating excitedly to Ellyn everything she observed about the construct, including the way it broke apart as its animating theorems ended.)

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Very interesting. Watching Gideon fight through her own eyes was... something else.

In the box is... a key, thick and chunky and deep, deep red.

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Gideon could see thanergy. 

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That's... not how Ellyn thought the theorem was working.

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"It wasn't just you seeing through my eyes, yeah - I felt dizzy when the connection started, and... Kind of a pressure? And then I could see the things you were calling out."

"I really want to play around with this one more."

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"A more complete link, then. Hm. Transference..."

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"Of souls? Though... Could you be co-located - and why would that let me see what you can, but not through your eyes - "

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"The name of the lab," she says. "Transference/Winnowing."

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Nod. "So the exercise is in both."

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"Sending and picking through what you get. Wheat from chaff."

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"But why does it change my vision? What's the underlying mechanism, there?"

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"I don't know. Yet."

"Maybe the door that key opens will have answers."

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Time to go find it, then! (Does the key itself have any clues to which of the doors it'll fit?)

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It bears the emblem of the Second House, the same as they found on the door hidden behind the tapestry.

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So - onwards to the door? (Gideon's body somewhat wants 'lunch' after all that fighting, but her mind is more than ready to go dig further into this.)

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Ellyn would like to, yes.

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No time like the present. 

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Indeed.

The key fits smoothly into the lock when they get the door, and it swings open soundlessly. Inside is a flawlessly preserved apartment, combination living space and work quarters. There's a lab space with elaborate tools, a clear area with a stone floor and a rack of swords on the wall, a loft area with a small sitting space and a pair of bed.

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Neat!

The swords are interesting, obviously, but most interesting is the lab space.

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Obviously.

The first thing they notice is that there are two stone tablets fused to the main workbench. The writing on these lights up in green as Ellyn approaches, and her eyes widen. "This... this is the theorem from the lab. The completed version."

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! Let her see! 

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Ellyn shifts over a bit, but the writing is small and cramped so she needs to be close to take notes.

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Gideon's used to sharing small books with Ellyn - though she'll (somewhat grudgingly) explore the rest of the room (especially for any other scraps of information) if she seems to be getting in Ellyn's way. 

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"There may be other notes in the living space?" she suggests. "How they got to this might be almost as good as the final product."

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"Fair enough." She'll look for those while waiting for her turn with the main tablets.

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There's a lot of the little detritus of two people cohabiting in a small space for an extended period of time strewn about. A lost sock, dried-out pens, an empty tin of mints, used toothbrushes.. A photograph on the wall of a group of people with the faces all scribbled over. An inscription in a book: "One flesh, one end - G & P". A ripped and crumpled flimsy, proving to be part of a note:
ut we all know the sad + trying realit
is that this will remain incomplete t
the last. She can’t fix my deficiencies her
ease give Gideon my congratulations, howev
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- What?

What?!

She's never seen her name anywhere else - but - it could be a coincidence -

...She goes to see if Ellyn is interruptible.

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"Hm?"

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"Think one of the people involved in this had my name." She shows Ellyn the note. "Plus there was an inscription with the cavalier oath and two initials, G. and P."

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"Huh. Must have been a cav and a necro working together on this. Wonder which one that Gideon was?"

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Shrug. "'Give Gideon my congratulations' suggests Gideon might've been the necro, but that's a pretty mild 'suggest.' If these were their rooms, though... There might be more elsewhere."

"...I've never heard of another Gideon."

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"You think there could be a relation?"

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"...So you know how my blood - " She glances suddenly at the closed doors, as if anyone might possibly be listening in. " - I don't - I think the woman who brought me to the Ninth was bringing me because of that. And I keep thinking that maybe - maybe I'm related to - to the Body."

 

"...And I don't know if this and that add up to anything," or if she just desperately wants to be special somehow, "But... It's weird, isn't it?"

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Ellyn puts down her pen to give Gideon a quick hug. "Yeah. It is."

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Hug!

"...We can keep an eye out for information on the original Lyctors in general as we're studying, like in the library and stuff."

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"It'll be here if it's anywhere."

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"There isn't much even here..." They must have taken most of their personal stuff with them, she guesses.

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"Seven labs to go. Bet they'll have rooms like this one attached."

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"Exciting."

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"Very. I need some more time with this one, still..."

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They can spend at least the day on it - possibly take a few of the books with them (and definitely their notes) out to meals, too - or see if they can't get food to go. And the training ground here is plenty for Gideon to do her exercises. 

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Seems like a plan.

It's probably a good idea to make an appearance at dinner, even if just to keep tabs on the other attendants.

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Plus Gideon's worked up an appetite, one not really answered by bread rolls. 

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That was quite a show earlier, fair enough.

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Maybe the skeletons will even serve something with protein in it, if Gideon asks nicely. 

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One way to find out.

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Onward to the dining hall, then. (With their notebooks, of course, plus maybe a book or two...)

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Don't forget to lock the door behind themselves.

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She'll also carefully tack the tapestry back up. 

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How thoughtful.

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They're not the last ones to show up for dinner. The Fifth and the Fourth are already sitting. (The young teens of the Fourth break into furious whispers at the sight of Ellynhark and Gideon.)

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...Should they try to talk to the other attendees? (Gideon has no idea what to do with either teenagers or older married couples.)

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The decision is somewhat taken out of their hands when the man from the Fifth waves jovially to them. "Ho there, Ninth! Come have a seat!"

"Magnus noooo don't ask them to sit!" The teenagers seem embarrassed by this display of cheerful extroversion.

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...Alrighty then? (She can sit closer to the extrovert, if Ellyn wants to use her as a shield.)

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Good plan.

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The servitors start bringing over plates for Gideon and Ellyn as they take their seats. Dinner tonight seems to be soft bready wraps filled with meat and vegetables in a savory, slightly spicy sauce.

"Wonderful to meet you at last," the Fifth man says. "You ran off rather quickly after that first meeting. I'm Magnus Quinn, this is my wife, Abigail Pent. And these two rascals-" "Magnusssss don't call us rascals!" "-are Isaac and Jeannemary, of the Fourth."

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"I'm Gideon Nav - the Reverend Daughter here is Ellyn Nonagesimus. It's nice to meet you." (At least, that's what people say in her comics.)

(There's so much food variety here. She thinks she likes it?)

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"How have you been finding the accommodations here? This place really is something... just a few too many holes in the roof for my liking."

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"It's a bit of a novelty having a discernible sky - though the charm might wear off in a few weeks."

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"Or at least until it rains!" he laughs.

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"I've never been rained on before."

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"I'd say it's worth trying once. But maybe not more than that."

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"Maybe I'll like it."

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"I suppose anything's possible!"

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Nod.

"I do like water - Teacher said the ocean's dangerous, but they'll fill up a pool for anyone who wants to use it."

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"A pool? We ought to tell the Third, don't you think dear?" He glances his wife's way, but Abigail is peering intently at Gideon. Or rather, the longsword she's carrying.

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She raises an eyebrow at Abigail. "Is something up?"

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"Ah," she startles a bit. "Oh, I'm terribly sorry. It's just that your sword is quite intensely haunted. Did you know?"

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" - No, I didn't."

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"I'm sure it's not any kind of immediate problem, but I'd be happy to do an exorcism, if you'd like. Spirit-calling is my specialty, when it comes to necromancy."

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Slow nod. "We'll think about it."

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Smile. "Of course."

Magnus segues into a conversation with Abigail about a previous exorcism she did, of a haunted coffeepot. There was this one academic who was extremely particular about the etiquette of making a new pot after you finished the old one, you see...

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She listens with interest! (And questions about the mechanics of hauntings and exorcisms.)

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Gideon will swiftly get the impression that hauntings can get at least as complex as bone mechanics.

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(Bone necromancy is still the best necromancy.)

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(Of course it's the best; Gideon also likes learning about the second best.)

She does do her best to follow along with the explanations - doesn't hurt and might even help to learn it. 

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Abigail looks positively thrilled to have such an attentive audience. The teens observe this behavior slightly suspiciously, as if they're trying to work out how someone who looks so cool can still be interested in this kind of unqualified nerd shit*.

 

*Technical term.

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If they're doubting her coolness credentials, they could spar with her...

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The cav, Jeannemary, gives a wide-eyed 'eep' at the notion of getting to fight Gideon.

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"What's this? Fights? That's a great idea! We should have a tournament! How often does a chance like this come up, all the Houses and nothing else on the schedule!" The Crown Princess of the Third House crests over the scene like a tsunami.

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"Studying's always on the schedule."

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"Pfeh." She waves a hand airly. "Details. You need to have room for fun to stay on track."

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"Train up both the body and the mind."

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"Ha! The Ninth gets it! See, Phae," she calls over her shoulder. "The Ninth gets it!"

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"Gets what?" she asks, like someone vaguely anticipating a sex joke. 

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"You know," she says, waggling her eyebrows. "It."

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Solemn nod. "Though I'd think the Fifth are also getting it."

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Phaedelia uses double entendre! It's super effective!

Phoedelia wrinkles her nose. "Anyway. I was saying we should have a tournament arc tomorrow. As a get-to-know-you thing."

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"Cavaliers only?"

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"Dunno, I'd put money on my necromancer in a fight."

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Ellyn subtly elbows Gideon in the ribs.

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Phoedelia turns to eye Ellynhark speculatively. "We can see where the day takes us."

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Okay but consider, it'd be very sexy if Ellyn beat everyone else up. 

"Cavaliers first, at least," she acknowledges. 

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"Then it's a date!" Phoedelia confirms the involvement of the Fifth and the Fourth as well before bouncing happily back over to her sister and their cavalier.

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Ellyn and Gideon might want to squeeze in library time around the tournament - taking a break to exercise is always good, anyways. 

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If Gideon is set on it.

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Just a little bit. 

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There's no helping it then.

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"Thank you for indulging me."

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She hums. "Thank me by not losing."

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"As you command, my penumbral lady."

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And on that note, Ellyn thinks she's just about done with dinner.

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She'll make her goodbyes to the Fourth and the Fifth. 

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They farewell in turn, once again expressing that it was good to meet them.

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She echoes that. 

Then: back to their rooms? (Or the library, or lab...)

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To the lab. They can do a bit more work before sleeping.

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Gideon wouldn't mind another shot at that construct, if Ellyn wants to do some live practice of the theorem - or they could try it outside of TRANSFERENCE/ WINNOWING...

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Trying it without the mechanical crutch would be a good test of her comprehension.

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And then they could test it in a wider range of applications one of those could even be 'recreationally.'

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Say more? Ellynhark looks thoughtful.

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"If all we can manage stably is a visual link - you could watch me," Shiver, "With myself even if we're apart - if you can get other senses, feel what I'm feeling... Anything I do to myself, you could feel - and if we can get me using your senses, we could get communication going - I could see and feel anything you do," Another shiver, "You could give me commands from as far as we can stretch it..."

(Okay, just the sense sharing alone is actually incredibly hot, Ellyn could read the most boring book imaginable through Gideon's eyes and Gideon would probably get off on that. But.)

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"This excites you," Ellyn observes.

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Tiny squirm. "Mm-hmm. In more ways than one."

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She watches Gideon's squirm intently.

"As if I needed more motivation to get this right."

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"We'll have a celebration when you do."

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"I think we'll be having a bit of a celebration while I'm getting it right..."

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"Practice in the bedroom, then?"

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"That may be for the best."

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"After you, my mistress of marrow."

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Then back to their rooms. For practical scientific purposes.

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And to exercise both body and mind...

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