"I meant no insult!" Dodge ball of lava. "I don't intend to interfere, you said no!" Dodge house-sized spear of ice. "I'm leaving peacefully, okay, so stop tearing up the tile!"
"You'll respawn at home. No permanent damage. You interrupted an important meeting, you need to learn a lesson about territory, mountain bitch." Dodge- no, fail to dodge a thrown tree, and then another ice ball. The next sphere of magma is what destroyed that form.
She wakes up, stripped of all her tools and enchantments and even clothes, and groans in pain.
...they don't look much of anything other than confused and terrified, really, they don't seem to have understood a word.
Also, the "terrified" part might not have been caused by her, if the sudden tremor and their reactions to it are any indication. The same person who attempted communicating before tries another language, looking somewhat desperate.
Then she flies south towards the angry ocean Fate. She's not as strong as a Fate who can screw with whole oceans, but she won't be the only one trying to stop them.
You know what, she doesn't have an ocean subtype for nothing. She's not nearly as good with water as stone, but the rain can just go on and clear out for about a quarter of a tile around her. And she armors up as she flies, repeatedly calling up random chunks of stone, separating them, and pushing the unneeded parts back into the terrain, until she gets enough heavy metals and gemstones to protect herself.
She fortifies a few other buildings as she passes, lands to suppress another tremor, and keeps flying to the coast nearest the disturbances.
It does take her something like half an hour to suitably armor up and get to the site of that thing's rampage, but she makes a beeline for the epicenter of the destruction once she's close enough to feel it.
There's a lot of destruction, much of it underground. She would have thought that this tile would have crumbled already, but they don't use tiles, do they?
Anyway. There's a creature, yes, though even the armor and the diamond visor don't make the torrential rains between her and it be any less blinding. The silhouette of a—something, thirty-feet tall, can be seen. And it's fast. It moves this way and that with blinding speed, even as tiny specks—flying people? Other Fates, perhaps?—fight against it with the strangest magic.
At no visible command from the giant creature, the water that's invaded the land starts receding.
She takes some solid hits, obviously. But that's what armor's for. Raw physical force alone isn't enough to break her. Yet.
The water that left is going to come back in a big wave. She keeps half a mind's eye on it, and dashes coastward to raise a tall and thick wall - directly through some former buildings - when it starts to come back. Breaking up the wave's momentum won't stop the area from flooding, but it will help.
The wave does come and hit the wall, and as expected its momentum is broken up—though not nearly as much as it by rights ought to have been. The beast looks at it for a second and then—vanishes.
A ridiculously fast trail of destruction along the coast might serve as a clue, but even the fastest amongst the other fighters isn't as fast as the beast. Some of them vanish into thin air, some vanish other people, but most have to move very fast.
...It's not just messing with the ocean on the surface. It's messing with the entire giant not-tile, digging through and causing steadily worsening earthquakes. She stops chasing it, lands, turns porous water-filled rock (why does it go on so deep and then melt) into solid-packed stone of the most durable kind she knows. She holds a section of the landmass several tiles' radius around as steady as she can.
She can evacuate a few hundred people (she does try to move people to safety when it's convenient), or she can keep an area the size of dozens or hundreds of tiles from collapsing completely, bringing plural cities with it. She keeps up the fly-after-it-strengthen-and-reverse-dama
And there's so much land, and so much water, and it's soon clear that not even the tidal waves are limited to where the beast is, but rather just periodically wreck more of the landmass. Her help is greatly appreciated, however, and the damage would be clearly far worse if she weren't around.
She's getting tired. Manipulating whole islands is not trivial even for a Fate of the Mountain. She switches to evacuation, which is more attention-intensive than power-intensive. She doesn't ask people whether they'd like to be evacuated, she just grabs them dozens at a time and carries them to hastily made plateaus.
The beast suddenly zaps farther inland and north, not paying much mind to being stealthy for now, and is soon out of view again. The water doesn't seem to have noticed its master has left, though.
as it heads back the way she's coming. Through the rain-caused darkness she can see quite a lot of destruction there as well, and the creature doesn't stop to greet her. It stops for a second to topple a building, and she'll be able to notice it's visibly injured, but that doesn't seem to be affecting it in the slightest.
There are apparently a handful of people who seem to be capable of dishing out the hurt: one human male in a green bodysuit with metal armor who's throwing lances made of energy at it, one in a blue-and-white bodysuit who can shoot lasers with various effects, and one female who can seriously pack a punch. The one in the bodysuit teleports himself and the other two whenever the monster gets too far out of range, and they don't seem to be needing much protecting.
She can't do much more big, expensive manipulation like strengthening the island's rock underlayers or making plateaus to evacuate to, but growing hills around the monster's legs is nowhere near the same scale.
She's not afraid of getting smashed, whatever sent her here instead of to her own temple besides. But seriously, what the hell is that thing? If this was her home the entire continent would have crumbled into the abyss by now.
She keeps doing her best to immobilize it, getting angrier and angrier at the pointlessness of its rampage by the minute.
And there's... someone there? Hard to make out from a distance, but they look... taller than a regular human, if still shorter than the beast. And the silhouette doesn't look... quite... human...
Is that person one of the fair folk? It looks a bit like an Ignivore, what with all the fire. Eh, no time to think about it. Monster's head, meet that diamond spike again. But it manages to grab and crush and throw her after that blow. Ow.
One tidal wave hits the building the fiery stranger was on, and they disappear for a moment before emerging again and charging for the monster.
But this... Giant not-tile... Is more and more damaged by the minute. The monster is shaking it to pieces. Well, she knows stones. Earthquakes, go away you are not welcome here.
The human with the lasers and the human that throws giant balls of light stop doing that when the... other thing... starts hitting the monsters. Okay, now there are two monsters and nicknames may start becoming necessary.
The big one throws the little one away, though, and the two humans start shooting it again. Oop, new tidal wave!
She's not really aware of anything but the slowly, slowly failing structure of this place's ground. She pours everything she can manage into keeping it stable, barely noticing that she's making a miniature mountain in the process, with ridges radiating off for miles in all directions. She can't afford to try to keep what's left of this city in one piece if she wants to try and save the rest of the island.
She approaches and addresses that person in the four human languages, two Fair Folk tongues, and the one merfolk schoolsong she knows.
When it's clear she still doesn't have a common language, here, she tries to mime eating. She's hungry.
Then, a fairly high-tech... flying... thing... comes from the distance and hovers high above them. The woman asks something, hovering and pointing at the thing. Maybe she wants Mountain to come with her?
There are comfortable seats inside, and apparently the lady informed someone Mountain wanted food, because there is food waiting. She points at herself and says, "Alexandria." She gestures expansively at the food on a table there and says, "Food."
"Food." Nod, nod. Pointing to herself, "Mountain." It sounds more like "Celtana" in English, of course. Then the helmet breaks cleanly from the rest of her rock armor and she starts eating with impromptu utensils made from stone, if the kind of food this is calls for them.
Alexandria does a so-so gesture to the first question, and nods at the second statue. She points at Mountain and herself and says, "Human." Then she points at the fire-monster and repeats, "Human." Finally, she points at the place where the remains of the rock statue and shrugs, shaking her head. Unknown if human?
No, they're probably not Fates, but something else entirely. This place doesn't even have Tiles. She swears softly and makes another confused gesture. "Alexandria human, Celtana not human. This is pointless until we share more words."
She sighs and shrugs. She'll try to see if the Protectorate can get their hands on someone with a power useful for translation.
When the rune is complete, nothing happens.
Calamity. No magic. Not that she would have been able to do anything particularly impressive, without access to materials from her world. At last the facets of her essential to being a Fate still work.
"...Okay. Good overall. And this sphere is not as unstable as the squares, that helps. You want me to join the Protectorate? I might be willing, until this form dies and I respawn in one of my own temples. I hope whatever error sent me here is a one-time mistake. Need to learn more about both things..."
"...are you certain she didn't lie to you?" asks laser guy.
"I am certain she believes everything she said."
"We could do it on somewhere uninhabited and large like Antarctica," green-suit proposes.
Alexandria shakes her head. "That might cause seismic or weather problems anyway." She pauses to translate all of this, explaining what Antarctica is as best she can, and naming the other two Legend and Eidolon when referring to them.
Alexandria is slightly frustrated about being unable to get the kind of detail and nuance she would like in language, but she'll cope. "I learn very fast, most others don't, and I don't have time to translate books. You may stay here and try to talk to people in English—" the word 'English' is actually in English "—and we will get a person who is good at languages—" because 'linguist' is not a word she knows "—to try to decode yours if we don't find a parahuman—" human with powers "—that can do it."
They find a way to have her secretively burrow into one of the Catskill mountains to recuperate. Certain people continue machinating and trying to make plans with this new element at play.
Machinations happen, and an appropriately distant spot underwater is picked out for when she reemerges. Alexandria has left an ear-crystal with Celtana and taught her how to use it, but warned that from within the mountain it would likely not work. They probably would have one that would after she woke up, though.
He is not automatically understandable, but Mountain will find herself having much less trouble divining the meaning of his sentences than she did Alexandria's.
"Some people's powers are to be very good at creating technology," Harry explains. "Those people are called Tinkers, and they are generally useful."
"But what I mean is I feel the stones around me on an immediate and visceral level. Preventing that monster from tearing everything to pieces was like watching someone swing a hammer down on your arm, over and over, and you can only block half of the blows."
She winces just remembering it. "I don't regret it, of course, I'm just trying to explain why I want to build something so badly.
"Technology is things people make that would not exist without people," Harry supplies, finally.
"And I understand your desire to build something. We have found you a nice spot to create a mountain," Alexandria says.
He asks her to say things in her language, and write the things she's said, and he tries to repeat them and change them around some, and this can in fact take quite a while. Harry seems to like his job.
There will be food available when they need food.
There's a bit of a talent for languages there, probably from knowing seven (and a half, depending on if runes count) reasonably well already, but she won't be writing the Great American Novel any time soon.
Most of the notes will be sent to a computer anyway to create something that can automatically translate stuff (and be turned off when Mountain wants to speak English and practice, naturally).
"Yes, but Valecana is new as languages go, a few hundred years ago King Lica invented it and insisted all his ministers learn it. It was popular with everyone else because it was the 'Royal Tongue' and a few years later he had schools teach only in Valecana. Krellian gave us a few words like gata" (sickness) "But mostly just stopped existing."
Harry goes to the door and knocks on it, and it's opened from the outside. He talks to someone there and returns. "They'll give you a waterproof interactive map to show you a good location."
She listens for his response, then walks out and asks about the map.
But she relaxes immensely during this process. Nothing but ocean and stone for more than a dozen tiles. No monsters, barely any sea life. She can't escape the geography, but she's building something immense and strong that will last for a long, long time.
Eventually the sea starts to roil. A perfect pyramid of proud, strong stone rises from the deep. The geometric precision of the pyramid fades and is replaced by more natural contours as it continues to rise.The peak is easily two or three times as high as the towers in that city, the slopes are fairly steep and mostly regular. Each face is dominated by a slightly different color of stone.
She extracts handfuls of gemstones to replace some of her granite armor with material that is both prettier and tougher in some ways. She also pulls a few tons and iron and titanium during this process. Not much at all compared to the size of her mountain, but she might as well multitask.
At the top is a flat area, where she begins building a large structure reminiscent of Greek architecture. The inside of the mountain doesn't have any hidden faults, it's strong enough to support immense networks of tunnels eventually.
She's not any good at fertility. If plants want to grow on her mountain, they'll have to do it the hard way. It's night when she's finally done. She sleeps in an unfurnished room until sunrise, then flies back to New York.
There's: a geography book with various very nice pictures of the earth with many different kinds of filters to highlight different aspects of it; a geology book with the names and descriptions in English of various types of rock and explanations of how they form; an elementary physics book with Newtonian mechanics; and an elementary astronomy book explaining celestial bodies.
During the geology discussion she keeps making references to her world's 'technology', and how certain kinds of rocks are used for this or that. It sounds more like magic than technology, but she seems to understand it just as well as an engineer knows thermodynamics. She even complains that she doesn't have her reference material.
Yes, much of it is. He's been typing happily away at his computer and comparing things and making comments about the roots of the words she uses and asking some questions about how they're formed and which parts were created or evolved naturally, though he has good guesses about those after a while.
She's getting bored of this. Another's excitement is only contagious for so long. She asks to switch to a brief explanation of that merfolk language, then wonders aloud whether the Protectorate has organized a list of things she can rebuild on that ruined island yet.
Harry isn't too disappointed that she gets bored of his excitement, he's pretty used to it. He has collected enough material for a first version of the translator to start being made, probably, and informs her and a PRT officer about this, as well as asking about things to rebuild. The PRT officer tells him something, and he tells her that Legend will be here soon.
...it is pretty clear that he doesn't think much of people who bicker over politics when their country has been almost destroyed by a giant monster.
"Hmm. Well, we will definitely tell you about major earthquakes we learn of ahead of time. Getting raw materials isn't actually very hard for us, but if you're feeling bored you can help with that. I'm curious about what things you can build, and how nondestructive you can be when dealing with villains."
"That would probably be disastrous in a number of ways. The climate on Earth is very delicate, and disturbing much can have very bad consequences. The spot where you built your mountain was picked with that in mind, and even then, it was because your powers can help against Endbringers much more than that was likely to affect." Legend speaks slowly, at least.
Harry translates as best he can, and asks a question about a word in her language at the end.
"If you'll follow me?" And Legend leads her to an elevator that takes her down a couple of levels to a room where a man with a red-and-yellow helmet, red-yellow-white bodysuit with flame-like patterns, and donning on thematically appropriate armor is. "Jetpack, this is Mountain. Would you mind overmuch if she accompanied you in your patrol."
Jetpack looks at her and nods. "Sure, no problem."
She pushed her influence to as much of Japan as possible at once, so 'a third of Kyushu' is probably a good guess for the maximum range of her power. But that was sheer brute force, for detail work she'd want to either see the target or at least land and put her hands on the earth.
"Right! It's sort of like seeing a building made of children toy blocks. After looking at one, you have more-or-less an idea of how to build it and what pieces you'll need for it and maybe you won't reproduce it exactly so when you build it it will look somewhat different than what you originally saw, but you don't necessarily need an instructions manual to do it. Tinkering feels a bit like that, like you see a toy blocks building in your head and you can reproduce it but you can't really explain to anyone else because it's this bizarre four-dimensional toy blocks building. But you know where every block goes."
The door opens to show a man in a suit tapping on a laptop's keyboard. He stands up when she walks in—tall, broad shoulders, a scar on his right cheek, with an air an Earthling might call 'ex-military'—and offers to shake Mountain's hand. "I'm Piers Reinhold, Deputy Chief Director of the PRT."
"This version doesn't. Sometimes it will translate something in a way that doesn't make sense, or beep to inform you it doesn't trust its translation. In both cases you can press the button and tell it it made a mistake, and propose a correction if you want. It connects to a central server so it won't work in your mountain."
"Good! So, we've managed to convince the Sentai Elite that we haven't brainwashed you and you're not going to be infiltrating them and feeding us classified information, but they want to speak with you anyway just to be sure." The translation has a small delay, causing it to be out of sync with his voice and lips. "They also probably want to make a pitch for you to join them, which you are completely free to do, of course." He does not betray any feelings about it in either tone or body language.
Eventually the call appears. Three masked people wearing similar uniforms appear. One of them speaks, and after half a second it's translated to: "Hello, Mountain-[polite form of address]."
"I do not know the details. I am from another world where things work very differently. Physics are different. I got my powers in a different way. All Fates have similar powers with different themes. Ocean, forest, plains, mountain. I am not human anymore, I stopped being human when I turned into a Fate. I am not driven to violence like parahumans. I believe I will never die unless all my temples are destroyed - when I arrived here my body had just been destroyed by another Fate, but I appeared in one of your nation's temples instead of my own. I do not know why."
"The internet is the name for the international connection between them all. If a computer—or a phone—connects to it, it can access a number of virtual 'locations,' called websites, hosted in other computers around the world. There are websites dedicated to buying and selling several things, including stones."
She says bye and leaves and collects her phone and finds some out-of-the-way place to play with the internet for a while.
She figures out how to use email and sends a batch of emails to various possibly relevant companies in only slightly broken English explaining that she is a new cape ('cape' being different from 'parahuman' and thus not a lie) who can make and manipulate large amounts of stone and other earth-sourced things. Her name is Mountain, the Protectorate can verify her existence, and she'd be interested in selling services and materials.
Then she flies to one of the relatively cheap clothes stores she found on the internet. She's dropped most of the outer layers of her rock armor because it's too bulky (she can always make more after all), but is still pretty clearly a cape. She keeps her helmet because people seem surprised whenever she doesn't.
A bunch of those companies reply asking her about various things like rates, speed, what exactly she is offering, etc. She's not the first parahuman to go Capitalist but she is fairly rare in doing so and still identifying as 'cape.'
She tries on clothes for a while, shedding her rock armor in the changing rooms, before buying a few simple outfits, packing them away, and flying to her mountain in the sea for the night.
The following day, once she has signal, she will also receive a text message with a more precise location (the PHQ's roof) and time (4:30PM) for her to be escorted to Japan.
At 4:30PM, there's a jet, two Sentai Elite, and one Japanese woman in a crisp formal dress waiting for her. "Good afternoon, Ms. Mountain," she says in heavily accented English. "It is our utmost pleasure to escort you to our glorious country."
(She replies to interested parties that she's still arranging things with the PRT and will be doing repair work in Japan. They should expect to wait a few days/weeks.)
"Good afternoon. I hope my visit will be productive and interesting. Shall we board?"
"Yes, indeed. I am Aiko Wakahisa, and these are my colleagues Windfire and Blot. Let us board."
The inside of the jet is sumptuously appointed, with a red carpet and dark wooden furniture, as well as comfortable reclining and rotating chairs.
The strenuous politeness will probably get old eventually, but for now it's sort of interesting.
"If I may ask, in what ways are the Sentai Elite different from the Protectorate? I admit I do not know a great deal about either group yet."
"We have very different philosophies. The Sentai Elite are more strictly trained, and we do not have celebrities. The names I informed you in English are not equivalent to the ones we have in the original Japanese—we highlight the importance of teamwork and complementing abilities and skills. The entire Sentai Elite is a cohesive unit, and each individual team is more a limb of that unit. We also keep track of all parahumans in sovereign territory, as you have been informed, in order to better understand and plan for contingencies and emergencies."
So, does her Protectorate phone still have access to the internet? If so she starts scanning for advice on the PRT's paperwork. If that seems like a dead end she'll send emails to lawyers and hope they won't charge much to inform her what all those endless contracts actually mean.
But lawyers that can navigate that for her are not too expensive!
...for lawyers. For her current funds, they're stretching a bit, but given that she doesn't need to pay for a place to live she might just be able to pay for one of the less expensive ones.
She only needs a small part of that big loan, though. Emails go out to the bank and one of the most recommended law firms. She wants a concise explanation of what all the paperwork means for someone new to English, and probably some phone conversations about it later. She'd also like it if they can do some of that paperwork for her. She doesn't need everything finished until she's back from Japan, though.
After that she just relaxes for the rest of the trip. It shouldn't be long, this thing is just as fast as the other one.
She politely greets people and has some of the food and tea if they don't immediately move to go somewhere. (She's figured out a mouth and not face revealing modification of her helmet by now.)
They assure her they completely understand her position and will welcome her help in the future, in a tone she might recognise as the 'we will keep trying to more subtly convince you with even more lavish displays of various temptations' tone as opposed to the 'I respect your opinion and will no longer push the subject' tone.
They outline the plan, asking some stuff of her (like can she raise the rest of Kyushu back? would it be okay if she lowered those platforms again once most of the water was taken care of? can she help with macro flooding?) and presenting different parts of a plan tree depending on her answers.
It's actually pretty well thought-out and has apparently taken quite some work. They probably started this long before the previous day.
Raising the rest of Kyushu would be difficult. There is a huge amount of pervasive and deep damage. But it's possible. Reversing her platforms and reducing macro flooding are relatively expensive for her but possible. She likely can't make Kyushu's geography match what it once was without far more work than she wants to spend on that in particular. She'd rather be doing roads, seawalls, collapsed tunnels, etc.
The platforms are secondary, but the macro flooding is definitely going to be one of the first things they'd like her to help with. They've highlighted a few key locations, and ask for her input on how many of those she'd be willing to help with, as well as in what order, with how much time to rest in between, and what she'd like to do otherwise in specific, etc. They want quite a few details, leaving very little margin for creativity or error during the actual implementation of the projects.
She'll do 14 hour work days. She prefers to do two things at once: Reverse flooding at the same time as repairing buildings and roads in the flooded area. She's not entirely sure how quickly she'll be able to do X or Y or Z. She's happy to plot out the course of things two days in advance, but no further than that.
Two things at once, however, that makes them pretty happy. They will definitely want that.
They continue ironing details out for a while more, and by the time they're done it's almost nine PM.
And so they start. She's not nearly as macro as Leviathan with her hydrokinesis, so the plan calls for making drainage channels to help the water along and then flying slowly from inland out to sea, (gently) pushing an increasingly large glob of water before her. They start placing new buildings and repairing those still standing in the now unflooded areas as she goes.
How does this video conference thing work? Ugh. Maybe it should just be a phone call.
"I can make large amounts of things that come from the earth. From sand to diamonds. Less diamonds than sand because they're more rare. I have been sending emails to some companies asking if they want, and lots said yes. I can also reshape stone and metal and offer to do things like repair cracked foundations. I have practice building things so I am confident in the quality."
"You will also not be allowed to legally profit from any uses of your power other than those stated the first time you go through this process without going through it again, so I urge you to be as creative about what you want to do with them as you can before starting the process."
"It doesn't necessarily have to be specific, but the more specific you are the less leeway others have to sue you and the easier it is to actually go through the whole process. It's easier to verify 'can repair buildings to pristine condition' than 'can repair arbitrary things that come from the earth to pristine condition.' If you think you will repair a large enough variation of things, though, it might be better to inform the latter instead, or maybe subdivide it into groups of things."
"You can. Most countries with an economy to speak of have more-or-less imitated the US there, EU countries being somewhat stricter, and Japan being strictest of all. Some countries don't have any regulations at all, but those are mostly feudalistically dominated by parahumans and regulations are a mess in general."
...She probably should tell him. It might be a bad idea to spread it too far, but it's not like she's been keeping it a closely guarded secret. "Okay, next thing you should know. I am from an entirely different world. I appeared during the Leviathan attack on Japan and fought it, then Alexandria brought me to America. I don't know this place's culture and traditions and I don't know if I even officially exist. Is this going to be a problem?"
"Not officially existing is par for the course when it comes to capes, new ones are appearing all the time and the government doesn't require you to associate your real identity with the cape one. You will have to register an official identity as part of the process, but that shouldn't be a problem."
She hopes they don't mind or don't notice the subtle creativities she squeezed into the work. Faint patterns in new stonework, shoring up foundations beyond stated specs, and so on. It helps her stay focused and interested because knowing you're doing good is only so compelling.
She's not really familiar with this place, this world, so she wants to explore. But not having any Yen at the moment and being unwilling to ask for some unless it's offered precludes her from doing some of these things. She'll walk around a park out of costume, wearing her translator. She's absorbing some Japanese just from the hearing both Japanese and its translation into Valecana, maybe she can practice it and chat to passersby.
The Japanese word for Mountain, or her original name? Original name, to avoid confusion. "I am Jeda. Nice to meet you, Kyou-san." Much of her phrasing is likely to be excessively formal, given who she learned it from, but she's figured out the most common titles at least.
After three days she informs them that the fifth is her last unless something changes. More variety, more creative license, money: at least one of the three, preferably two.
Never mind, money's good enough as long as they continue to grumble only small to medium amounts at the occasional engraving into a seawall or artful curve to a rebuilt building's foundations like she's been doing so far. She doesn't mention the series of hidden 山 she keeps putting down.
After nine days in total, they've covered every major coastal city and a few inland ones. She says that she's repaired enough for now, maybe she'll come back in three months if they hire her. One last day to finish the current city, mostly fix a rail line, and do touch-ups on wherever they want, and she'd like to go back to New York.
Detecting defects in and repairing to pristine condition the following: Concrete-and-steel buildings. Concrete-and-steel bridges. Arbitrary concrete-and-steel structures. Tunnels and caves of all kinds.
Reshaping metal and stone to arbitrary forms I.E. as art or for manufacturing. Detecting the potential for earthquakes, suppressing earthquakes. Large scale hydrokinesis suitable for reversing flooding or similar applications. Mixing metal alloys or plating objects in metal without heat, electricity, or equipment.
Creating a long, long list of stones and minerals with an explanation of how making rare materials also produces less valuable but nonhazardous byproducts.
And more things that it would be tedious to list here.
The lawyer explains that in the case of for-profit use it's because powers are so varied that it's impossible to pass legislation about each possible combination, so they create these categories in order to have broad things laws apply to. For instance: 'do not generate matter inside people's bodies without their informed consent' isn't something that needs to be regulated in powers that do not generate matter.
She corresponds with more companies, telling them she's going through approval and making lists of contacts, buys a few pieces of hardware she can't just make and installs plumbing and a kitchen in her mountain (with plenty of help from the internet), and asks the internet how to find a good assistant.
Wages: A lot. Work conditions don't need to be particularly strict. She'd like it if they would live on her mountain but she knows that it'd be pretty inconvenient for most people. They'll have a budget on top of the wages.
She typically flies back and forth. She could buy some kind of aircraft and make a helipad, she could fly them back and forth personally, she could buy a speedboat and make a dock. This is an 'eventually' type of thing, though. Definitely not immediately.
She reads up on electricity some, designs a crude version of a hydro plant that relies on the depletion of a large reservoir about halfway up her mountain that she plans to periodically refill. Then she contacts engineering firms until one agrees to evaluate if it would actually work and tune it up some and produce an estimate. For pay of course. She'll buy the generate-y bits and hire electricians but bulk construction will be all her. She might need to take the bank up on that large loan, but the PRT will approve her to sell stuff eventually.
The day of the lab space arrives. She flies there in 'costume' (which means gemstone/rock armor).
There are people waiting for her with a few medium-sized concrete-and-steel structures. They ask her a few clarification questions and for her to confirm a few things she's said, then ask her to do a few preliminary demonstrations after she signs a bunch of other terms. Her lawyer is there with her to advise her.
Her mountain gets bigger again. She tells the Protectorate she'll definitely stop before it outmatches Mt. Everest. She starts on a maze of rooms and tunnels within, not intending them for any specific purpose, just building to distract herself.
She soon gets the rest of the paperwork sent with a few forms and specific regulations about her particular power, in the form of a legally binding contract with some very severe consequences for being broken.
The Endbringers will hit again before she can do anything useful at this rate!
Building things to burn off frustration doesn't seem to be working this time. She asks her lawyer how illegal it would be for her to pick a fight with a villain, under various circumstances. Nonlethal force of course.
Absolutely not illegal at all, she can do that whenever, the regulations are only meant for profitable uses of her powers. Of course, if she roughens up a villain too much she might get in trouble that might be alleviated by an independent hero registration, but that one's really easy to get, just fill out one form and submit it, she doesn't even need to wait for it to be validated.
So she fills out the form and submits it, and makes a big granite-handle steel-top sledgehammer to look even more intimidating than rock armor (even heavily gemstoned rock armor) already does, and starts lurking in the skies and roofs of non-New York cities, stopping any crimes she finds and hoping to find one being done by a villain.
Then she falls to the street outside the jewelry store with an exaggerated thump and tries to stick the villain's feet to the floor by growing rock around them.
One: the rock returns to the position it'd been occupying ten minutes previously.
Two: the villain apparently "flickers" in place, going back to where she'd been standing about a fifth of a second before the rock hit her and continuing to run. She stops, looks up at Mountain—who is now flying, how annoying—shrugs and returns to putting assorted pieces of jewelry inside a black bag.
If the villain gets sufficiently distracted by this, another rock hits her from behind, somewhat harder.
and she's standing exactly where she'd been before, as if the rock had never touched her. She starts jumping up and trying to boop the pieces of jewelry she can reach.
She shakes her head, but it's more a frustration gesture than actually replying to Mountain's question. Just out of spite, she returns to the store and starts rewinding the jewelry she stole back to their appropriate locations. Maybe if she's fast enough she'll be able to get Mountain's powers to cause some property damage.
The shopkeeper starts explaining the part where the villain calmly walked into the store and touched the people there, making them disappear, before pointing a gun at him and lazily grabbing jewelry and putting it inside a black bag.
When he's done with that, Mountain continues, "I fused the gun then tried to immobilize her, but she just flickered around it. Did not know her power then but she ran at me so I assumed she thought it could hurt me - I flew up. Then I stopped her from taking anything by moving the jewelry around and hit her with rocks not too hard until she gave up. Those people okay?"
"That is very suggestive! That symbol is used on media-playing devices to indicate a command that will return the media being played to a previous point. Hmm, if she just turned those people back to wherever they had been earlier then that is not as worrying, they are probably fine, but the Protectorate should be informed at once."
She can totally repair crumbling abandoned buildings. Or are they asking her to topple them? Either way.
(She raises her mountain another 300m and works on the non-electric parts of those blueprints.)
She emails the four candidates that they made the shortlist, when is a good time for her to have a chat with them? And updates her public announcement that applications are closed and if you haven't heard from her yet you didn't make the list.
And what are the salient distinguishing characteristics for these four candidates?
That one used to work for this fashion magazine and her boss was insane, and she'd welcome something more normal like working in a mountain.
The other one worked for the PRT for a while but decides she'd leave because of "irreconcilable differences of opinion."
And the fourth used to live in Madrid before it was destroyed, and has been working as an errand boy for various people. He claims he has a minor Mover power that helps.
She arranges interviews and asks questions, mostly things like 'how do you organize your own schedule' and 'I want you to install satellite internet on my mountain, you have $10000, what is your approach' and 'what is your stance on this hypothetical moral conundrum'.
Does former villain henchman have sufficient business knowledge? What exactly was fashion magazine lady's job before she quit? PRT person presumably has relevant legal knowledge, right? Does errand boy want to keep working for other people? Any other insights to their personalities? She doesn't want to hire someone she doesn't get along with.
Fashion magazine lady's job before she quit was basically "doing everything and anything her boss asked for, including stuff like getting her hands on unreleased book drafts for her boss' children." She is impeccably organized, has a very gather-lots-of-information-and-call-upon-h
PRT person does indeed have relevant legal knowledge. She's also very organized with her schedule, in a different way than fashion magazine lady but not strictly better or worse than her. Her approach to installing satellite internet is mainly figuring out how the mountain differs from anywhere else and what would need to be changed in the usual approach. She is carefully amoral about conundrums. She's very professional and doesn't express much in the way of personality.
Errand boy's power consists in being really agile and good at parkour to a preternatural degree, using some luck manipulation to guarantee he doesn't have trouble moving. He can use the luck manipulation is small amounts for other tasks than moving, and he'd probably want to keep working for other people. His schedule is somewhat messy but in a structured way, and once you get the logic behind it it's actually quite elegant. His approach to installing satellite internet is similar to PRT person's, and he also has very strong (if naive) feelings about moral conundrums. He's quite eager to please and somewhat excitable.
She's not quite sure about fashion lady's personality, but the pre-existing web of contacts cinches the decision. Welcome! Here's the first week's pay advance, here's the login and password for the email account I've been talking to companies with, you don't need to move to the mountain yet it's not finished (and doing that at all is still not necessarily required), here's my detailed explanation of my abilities but you probably already know that, here's some lawyery things the lawyer said you'd need, your first job is to arrange some jobs for me as soon as possible. My schedule is almost totally open, I want to work about ten hours a day weekdays and four on weekends.
Laura (that's fashion lady's name) thanks Mountain for the opportunity quite warmly, and the following day Mountain has a medium-sized list of various kinds of company wishing to hire her, from construction to jewelry through mining, ordered by Laura's estimation of benefit (variety, quantity, interestingness) versus cost (time spent, what she could infer about the personality of the people Mountain would be working with).
Nice. She informs Laura about her preferences, tuning them a little. Less priority to personality except if it looks like they're going to waste her time, and a slight priority to usefulness - pick a mining-related job before a jewelry one all else being equal. Can Laura do most of the arranging companies' schedules and negotiating and contract-signing or should Mountain be helping?
Over the next couple of days she grows her mountain to the height where it will stay for a long while. Once more stuff is installed it will be inconvenient to grow it large amounts without damaging things.
She goes over the personal hydro plant schematics with Laura and asks her to start looking into turbines and electrical engineers to put things in place on the mountain. And the Mountain Internet interview question is now a legitimate task.
"Do let me know if I start asking too much too fast."
In the days, or hours if Laura is particularly efficient about it, between then and getting everything arranged with the first company to hire her she works on a shopping list for the base, finishes the parts of her hydro plant she can do herself, puts in a miniature port (just a flat area and one medium-sized berth grown vertically from the underwater part of her mountain so far), and a set of stairs aaall the way up and starts on a tunnel straight into the interior that will lead to elevators eventually.
She goes over the blueprints with the foreman and owner (if they're available) and discusses how her power can finish any concrete without an annoying drying and setting period. She can have the frame up in two hours at most. She's not completely up to speed on building conventions on Earth yet, but she can definitely follow blueprints to the inch.
She suggests that they could take a quick tour now to make sure everything looks right, then she'll go home so they can inspect it thoroughly and call her back for corrections and detail work. Oh, and none of the steel is rustproofed yet so they need to paint it. She's not a painter.
She reports completion of the building and gives the pictures to Laura and asks her to find a reporter to interview her. Hopefully someone who fought Leviathan, fixed parts of Japan, and built 60% of a 12-story condo complex in two hours is interesting enough. She wants to be publicly known for building things and making material, so her rates can go up and still leave her busy for much of the day.
She's going to her mountain to take care of something she overlooked, and will be back tomorrow morning to see about more jobs.
She does something she should have done a while ago: Verifying that the technology of her world really just doesn't work here. She tries dozens of patterns from her library of runes, some basic crystal and potion tricks, and even tries to make a golem. She's almost thankful that none of it works - she would have felt like an idiot if something did and she had just been too discouraged by the failure of the first thing to try.
She's back in range of phone and internet service the next morning.
Laura has found a few press people interested in talking to Mountain. She hasn't performed any major feats of incredible prowess that are obvious to most people—preventing Kyushu from sinking completely isn't the kind of attention-grabbing headline that would land her on the Times—but there are some cape-related media that would be interested in talking and giving a source to her wikia entry.
There's always more work, this is New York. There are some areas of the city that haven't been completely rebuilt yet since the Behemoth attack five years previously, even though most of it is intact. The lack of a pressing need and anyone interested in spending the money means the project's been lagging, but the government has been keeping an eye on her and waiting for the whole process to be through. Now that she's available for hire, would she like to help with that?
The material collapsed around here doesnt quite add up to whole building frames, and some of it is molten beyond repair, but where she can't easily reverse the buildings exactly she can at least clear the rubble.
She does the same thing she did in Japan- little artful touches, subtle and not affecting the places' function and not present when the looks of a thing are considered important.
She doesn't get to any large tunnels, just some basic sewer pipes, by the time Laura has scheduled for her to talk to a reporter. She tells the New York authorities she'll get back on it in a couple of hours and shows up at the designated place in costume.
"Well, that often depends on the reporter. I like starting with a conversation, getting to know you, what you do, where you're from, what your plans are, and then moving on to more specific questions that might come up." He reaches into a pocket and grabs a recording device. "Is it okay if I record the conversation?"
"I like building things. Something that will last thousands of years like the pyramids or a mountain is satisfying to me. I can feel the sturdiness of the stones beneath my feet. That makes destruction annoying and unpleasant. That's why I fought Leviathan, volunteered to help rebuild Japan, and why I plan to mostly make and build things instead of the more usual hero stuff."
"Well, they were annoying and strict about it but I helped anyway... Ah, my power. I have power over things that come from the earth. I can move them and shape and make them. It is harder the further something is from being a rock. Granite is easy, steel is trickier and so is concrete. Larger scale than most para humans seem to get too. I made a mountain out at sea." She opens the compartment on the back of her rocksuit and pulls out her digital camera, navigating to the correct picture. "There it is."
"I can keep talking during this if you like."
"Maybe, but I don't think I could see art as a serious thing by itself. I'm doing this as a little gift and as practice, not for the sake of art itself. I'd definitely like to make the things I build artful, though."
Well, that depends on what you mean by 'interesting.' If pigeons flying around is interesting, that's happening. People milling about, that's also happening. If your definition of 'interesting' is particularly distinct, that large robot walking through the street and scaring everyone could fit the bill, at a stretch.
She's genuinely curious, it's not a preachy question expecting a response she can use against them.
"They're just granite and ruby and diamond and so on. But I'm pretty tough by myself too. Plus I'm holding them right now, and-" At this point chunks of concrete quietly but not silently leap up from the surface of the sidewalk (behind Glam) and try to sneak up on them. "-they won't melt or accept electrons or whatever unless I let 'em. So fire away." The concrete then tries to wrap around Glam like it's a liquid, then solidify.
And calls the Protectorate on her ear-comm. "Mountain engaged with Glam at-" totally a real intersection "-They outright said they were gonna steal something, tried to talk 'em out of it, they didn't listen."
Meanwhile, a turret gun appears on the ground in the middle of the street and starts shooting at Mountain while Glam themself shoots at the concrete pieces and flies quite fast to dodge. Their shots also have a tendency to hit targets they oughtn't have been able to.
Wait, did that one shot actually bend?
Mountain simply ignores the turret blasts. She's getting knocked around some, but rocks are heavy so not all that much. Investigating the robot popped it for some reason. Let's do the same to the turret and the gun.
"I don't think they can hurt me but I don't think I can catch them by myself either. Those guns will wear away anything I try to trap them in sooner or later."
Glam's guns disappear, naturally, to their annoyance, so they decide to try something: new turret gun, this one with a visible energy shield around it, crackling. They expect Mountain won't be able to feel it, because something something psychic barrier something. Does that work?
A third turret appears and starts shooting Mountain with actual thick blasts that are meant to blast her into the sky.
It makes a loud noise as it charges up—purely for the effect, of course, a gun that has to charge is clearly better than one that doesn't—then shoots a thin concentrated blast that makes a 'fweem' noise as it travels the air at Mountain.
Meanwhile, the first hammer and the crater starts fixing itself. Mountain stops throwing more pieces of concrete at Glam, though.
"Don't you think this is getting out of hand? I don't want anybody to get hurt."
"I kinda need a pretty definitive win, here. I'm sure you can fix the sidewalk and road after we're done, and I won't let anyone get hurt." They point at a device that appeared on the ground, which starts making a whirring noise before a forcefield appears around them and starts looking progressively more solid.
"There's no reason for me to let you win. All I know about you is you said you were going to steal stuff and the Protectorate thinks you're annoying. Fighting Leviathan got you points in my book, but you're being needlessly antagonistic and I can't stand that!"
Hammer time. She can't actually fly them all individually, but she can fake like that's what she's doing when they all fly in unpredictable patterns at Glam, joined by more stone fragments. She's not being as careful about damage, now, and Glam has proved to be tough so far, so she hits hard with whatever doesn't get blasted away or dodged.
Glam makes another little forcefield around themself and flies around really fast, dodging the fragments. They make a new turret appear and shoot multiple times at Mountain.
Someone arrives, running really fast. He has a blue skintight suit covering a bodybuilder's physique with a red fist on his chest, long red boots and gloves, and a mask shaped like a frown, with red details on black.
"Hiya, Clobber!"
"Hey, Glam. She said you were gonna steal something?"
"Yeah, was gonna rob a bank."
He whistles. "Nice. I do have to stop you, though."
Glam shrugs. "Yeah, I know."
And to prove the former, Clobber starts punching the forcefield to try to join the battle, and even though the field looks pretty solid it still rocks and suffers under the onslaught.
Glam is getting frustrated by Mountain shrugging off their hits. Doesn't she know Tinkers? Tinker blasts aren't supposed to be reflected by mirrors, that's not how they work!
She grows a huge sheet of rock and tries to box Glam in with it, reshaping on the fly. It's harder to dodge with something so big blocking one avenue of motion.
In the meantime, Clobber hits, hits, hits, hits, and the forcefield breaks. He's in. Now it's about time he start punching those turret guns.
Actually, she can't fix those streetlights either, she doesn't know wiring. But it's better than it was before.
She'll just finish this block of Behemoth aftermath and then be done for the day. She'd rather be fresh and alert when she fixes that bridge just beyond it.
Mountain doesn't quite believe they're not fake. Glam is attention-seeking, wants to beat powerful people in a fight, insistent that their stuff isn't fake. Glamours that rely on belief are a thing, in her world. A few kinds of Fair Folk can do them. She carefully doesn't believe this very hard, though. It'd be rude if she managed to make them fall out of the sky.
She gives a long, semi-depressed sigh. "If I tell you something that is slightly a secret can you avoid spreading it around? You don't need to swear to never tell a soul - just don't tell the media."
"Unless there's a very good reason to tell the secret. Well, I am not from Earth. I'm from somewhere where even physics works differently. The power structures, societal norms, and technology are so different here I think I'll be confused for a decade. I might be able to go home, but this world needs all the help it can get. It's frustrating."
"I don't know the details. Not a scientist. Gravity isn't the same. We didn't have planets, the world is flat, I helped put it back when bit fell off. The Newton laws are the same though. And all the technology from my world I tried to bring here doesn't work at all. Not even a ridiculously simple cold rune."
"I don't think there's any way this conversation could be called anything but strange no matter the circumstances, but I understand what you mean." Pause. "So you appeared—respawned in Japan, um, and then what? Why'd you come here? And how come you speak English—or any Earthly language, for that matter?"
"I tried and failed to beat up Leviathan. Slowed it down some at least, held on to the earth below and suppressed the quakes. Then Alexandria brought me here and found someone to learn my language and had a tinker translator made. Learned English by listening and comparing to what the translator said."
"...I'm surprised you even know about the gemma, I've only heard of it from a bunch of academic papers. And, well, I don't have a discontinuity in my memories. I mean, everything's consistent, other people remember the same stuff I do, that kinda stuff. If I suddenly showed up in a world with very different physics than what I'm used to I'd definitely very seriously consider the possibility that I had hallucinated my entire past. Not having a gemma is pretty weird, though. Are you sure yours isn't just particularly small, or badly located, maybe? Those papers said that the location and size of the corona pollentia and gemma tended to vary from parahuman to parahuman."
"Protectorate gave me physicals. They made a big deal about how I didn't have a pollentia or gemma, even over the other ways I don't work like a human anymore. And besides, I really really hope my memories are true. But if they're not, what's different? I'm still here, I'll try to avoid dying just the same either because it really hurts or actual fear of oblivion."
"I'd normally expect fear of oblivion would instil better self-preservation instincts," they say dubiously. "Anyway, the other ways you don't work like a human anymore are all expected, or within the realm of the expected, for regular parahuman powers. Having all of that and not being a parahuman? Kiiiind of a big deal."
"There are separate continents, more of them as far as you can go. Ocean, plains, forest, mountain. In between is just nothing. At least as far as anyone where I lived could tell. The one I lived on was maybe a hundred by by a hundred and sixty tiles, irregular edges. Er, a tile... The world comes in square pieces, each square is made of four triangles pointing to the middle. They were about... Three or four miles long?"
"It just happens. Mine was a large, automated, safe underground transport grid. A bit like the subways. Some other famous examples are the stormveil, which prevents tornadoes from touching down over a few dozen squares and directs lightning strikes to harmless areas. Or the wardwall, an anti-volcano shield over an entire city. Big feats of our equivalent of engineering, which this world would call magic."
"I can't remember five questions while multitasking. There is nothing below the squares, we've looked with telescopes and scries. I've flown a few tiles down but it really is just empty. There is a sky, people have been determined enough to go visit it. Seems like there is a separate grid for suns and moons and stars a really long way up, and it's just as empty beyond that as below the surface."
"The grid is what we call whatever-stuff-sticks-to. It's not detectable except by how stuff sticks to it - no light, no physical substance. Stuff falls off grids sometimes, especially after disasters or battles, or when it was uneven in the first place. I think the two grids are arranged differently, but falling stars are totally a thing. I've never seen a sun fall, but it's said to have happened. Ancient history."
"That sounds... really fascinating. I mean, it sounds so made up, but, magic, and flat lands, and stuff. I'm not even sure what I'm talking about anymore, I have a bunch of questions still but they can mostly be summarized by 'tell me literally everything about everything' which is not a helpful way to phrase it."
Mountain calls the city officials to update them on her progress, and emails that picture to the journalist, and asks Laura for an update on the internet-and-electricity for her mountain thing.
Internet things can be ferried by helicopter or plane or ship. Just let her know what she needs to put in, she can probably build a landing strip and haul tanks of fuel there if that's what it takes to make getting deliveries work. When the big generator turbine for her personal hydro plant is ready she'll carry it herself, the thing is going to weigh on the order of dozens of tons.
At least New York is getting her some - probably enough for this, even if they're not paying much per unit of destruction there's a lot to clean up. And Laura's lining up more jobs after that. Go ahead and start hiring people for it, then.
She's finishing up New York's Behemoth aftermath the day that newspaper is supposed to run about her. She picks up a copy on the way to the last of the destroyed bridges, curious how this world's media has chosen to depict her.
The paper is pretty accurate, not having cut many things she's said, and only editing around the journalist's questions themselves so they're clearer. There's a small piece at the end, however, speculating on her real motivations, her origin, and why exactly she's so reluctant to fight villains.
She leaves the speculation alone, but decides that she'll clarify that she doesn't fight villains because she doesn't like fighting in future interviews.
Bridge: Be painstakingly and thoroughly repaired.
"Yes. Merfolk live in the seas, Fair Folk in the forests. There's only a few races of merfolk, a lot like different races of humans, but there are many kinds of Fair Folk. Some of commonest ones are dryads, centaurs, bralvin- no English word for that one. Think of a bipedal telekinetic deer."
"...Well, the humans on my continent were divided up between two monarchies and a democracy. The merfolk are very group-oriented and tribal for the most part, I don't think the merfolk language I know even has a word for 'I'. And fair folk have really low population density so they don't have governments exactly. And vela are sort of passively discouraged from getting involved in politics too much."
A couple minutes later: She starts on the truss structure. Is Glam still there?
"See that's one thing I don't get about this place. Most religions. Anyway... Recorded history goes back twenty-four thousand years. They've been there at least since then. There was apparently a massive cataclysm around that time, suns falling and whole continents collapsing, so it's possible they're quite a lot older and nobody knows just how much older."
"...You know, if you want more people to think your power can do anything..." Nudge nudge. "...You could put pictures or even videos of your fights on the internet. It's getting really big, apparently."
"I'm not actually sure. Either we get more powerful or more knowledgeable and efficient. Either way, it's slow. That reminds me, vela mostly don't try to kill or permanently ruin each other, unless one of them crosses the line. I was surprised capes have the same kind of thing, but at least I'm used to it."
Now, where is she?
She feels at the holes in the world to get a sense of their location and number. Any turrets on rubble that's not too close to non-rubble get the same treatment as the one before, and she keeps trying to hit the teleporting Glam.
And now there are more turrets shooting more balls like those, from various directions simultaneously.
(And of course, if one appeared right behind her at a moment Glam believed her distracted, that is entirely intentional.)
The rock armor suddenly grows to about fifteen feet tall and starts resisting plasticdiamond by sheer size. She tries to distract Glam from their diamond rain by making large sections of rock and rubble crack simultaneously in a rather loud CR-CRUNCH.
Shifting rock around so much generates a lot of heat when she's not paying attention to making it not do that. Parts of her armor especially around the joints start to glow a dull red.
Glam can beat this if she doesn't interfere. It'll be easy, even.
But okay, she can roll with it. "Gah, I thought we were done! How am I supposed to beat 'impossible to hit and makes stuff out of thin air' anyway?"
How hasn't she called the PRT yet? She calls them and reports imminent defeat by Glam at such and such a place.
"Fine! You win! But I could beat you if I didn't have to hold back 'cause this is the middle of a city!" And then she lands and holds her hands up. "Just let me get back to fixing this place up and try not to give me more work, okay?"
The rubble is in a slightly different configuration now, but overall this was a sufficiently flashy fight with no collateral damage.
She starts putting up a building.
Back to building, building, building. Some of the rubble is still glowing red-hot, so she dips it into the river before using it as structural elements.
Well, Glam tried to convince her to team up. She said no. They fought, she lost. Then Glam left, so she went back to work. She praises how careful Glam was about avoiding collateral damage, but complains that it was just impossible to hit them because apparently they can teleport now ugh.
She's slightly injured but wouldn't benefit from medical attention. She doesn't think any bystanders were hurt and structural damage was low because her opening move was to whack Glam into the Behemoth rubble with her hammer. It was already thoroughly destroyed, the fight didn't make much difference.
Glam can make stuff that disappears after a while, block her earth-sense but not at touch range, fling stuff around, take a hit... That seemed to be about it, but it was frustratingly powerful. She could barely see for most of the fight through all the stuff being thrown at her.
Well, Mountain was pretty much ignoring anything less until Glam escalated to pelting her with balls of temporary diamond. Flight and toughness make her a target requiring lots of force. She wouldn't throw a boulder at a mugger, but she might try that against a high-level 'brute', it's reasonable.
Time passes. Jobs come and go. She stops changing the layout of the upper floors of her mountain to let the electrical people plan where wires and fuses and so on go. She hauls the internet things, generator, electrical fixings for the base, and miscellaneous supplies to her mountain and starts paying various people to electrify the place.
How's the press viewing her a week later? Does Glam contact her at all? Any particularly interesting jobs or do they all settle into a routine of clearing rubble, raising and repairing structures, and making raw materials?
As for the press, there haven't been any new pieces since then, but there's an upcoming one about the restoration of New York and how she's the one doing it. Most of the piece is about the government and Endbringer attacks, but they want a line or two from Mountain herself about the whole thing. Laura says whether she should accept it or not depends on the image she wants to have, but if she does accept, she should be careful to only answer things related to the piece itself but be agreeable about it.
And as for jobs, the people who wanted her help mining still do, but they're also grumbling about the fact that she can make the stuff they mine appear out of thin air. NEPEA-3 imposes very heavy taxes on the stuff she sells that she didn't mine, though, so they don't grumble as much.
And there is this one peculiar job...
There's only one of her and Earth is big. Those mining companies aren't actually that much worse off all things considered, and making new stuff is her entire job, well, most of it, back home so she finds herself unsympathetic.
What exactly is the peculiar job?
For such a secretive and well-paid project she follows the blueprints exactingly, leaving no trace that she in particular was involved except by the methods used. She makes several suggestions - things she honestly thinks would better secure the place against earthquakes etc, though she doesn't know enough about the area to be sure about what's needed.
It takes a decent amount of effort, but she can tie the metal to the rock wall on the molecular level by turning the mountain wall into a steadily decreasing not-quite-an-alloy that fades to stone as it gets further away. The two things are as close as she can get them to being a single object by the time she's done.
When they're back and the payment from someone-probably-affiliated-with-the-Pro
She'll make a house/apartment building and fancy office area for Laura and any more people she might decide to hire with the budget - which would stretch to hiring someone, if barely - somewhere on the mountain if she wants.
Here's a thought... If she makes beaches and hotels, would tourists come? Probably not - she's not famous and even if a parahuman built it, from the outside her mountain looks like little more than a pretty pile of rock in the middle of the ocean.
Can she get New York to help recommend her publicity-boosting disaster cleanup services to other cities? Or possibly to hire her for future infrastructure projects like subway or sewer expansions? Municipal work, infrastructure stuff remains mostly her favorite kind of work.
Maybe take a tour of Africa and dig wells and make roads. Even if she'll probably be attacked it might leave the average person better off. Or maybe it'd just invite retaliation. She's not sure about that one.
As for a lot of Africa, it might come to her attention that people aren't in enough agreement about what the best thing to do with it for them to have actually done anything. She may interpret that information however she likes.
Time passes. Behemoth's going to show up soon. One day Mountain tries to find Glam, to remind them about making her something sharp enough to hurt it.
"You're powerful enough that you'll surely be welcome. Especially with the whole truce thing. But nobody ought to feel like they must fight. No humans, at least. I... May have noticed something along these lines when we had that fight in the last of the rubble. The resemblance wasn't intentional."
"Reasonable. I am not really good at social things, so tell me if I should drop something, okay? That said, if you decide not to or just don't work up the nerve, you can always arm me for the first few minutes 'till it expires, and fly away. Help me strike some small blow. Better than nothing."
"What about a light saber, from those charming Star Wars movies? Remarkably similar to Burning Blade, I'm still annoyed I can't replicate it here. Or I could levitate your anti-Leviathan gun somewhere with good visibility, far away from whatever it does. Does your paying attention extend through cameras? Binoculars?"
There isn't much in the way of anti-Behemoth strategies, really, especially because they don't actually have a way to track him. It's mostly stay on their toes waiting for him to appear, and then trying to damage him as much as they can and drive him away, or take the hits while waiting for Scion to show up, depending on where he hits.
She was planning on making impromptu firing platforms for tinkers and the less mobile of the blasters. She can take hits, try to slow it down, and attempt to damage it just as easily, though. Would a giant humanoid moving statue that opposes Behemoth under her control be a good morale-booster?
She exits the plane and flies at top speed to the already-ongoing battle. Behemoth is not exactly stealthy, so it's easy to find a spot to raise a plateau where he'll be in full view for a long time.
She declares the imminent good-firing-position into the communicator Alexandria gave her and gets to work, careful not to send anyone currently near her chosen spot flying.
Then her firing plateau is ready. She levitates up small groups of tinkers and less-mobile blasters, makes lots of sharp rocky ammunition for one after a brief conversation, and then solicits a lightsaber.
The lightsaber is basically Burning Blade. It will cut through just about anything. She's used Burning Blade before, she knows in her gut it will work.
Then she arrives and takes a flying swing at one leg with her Burning Blade. It... Is a lot less effective than she thought it would be. She tells herself, Repeated strikes will work and has another go, and another. Then she has to back off when Behemoth hits her with a stream of lightning. Most of it skitters across the surface of her armor, but she can only take so much.
She's very, very busy trying to keep up with the fight. There's almost no time to check up on Glam or anyone else, or even to worry about where he's going besides 'through the city as destructively as possible'.
She finishes her current task (moving an entire building, including the shelter under it, out of the path of Behemoth's kill radius) then flies for the reactor. The comms system is handy - she doesn't get lost thanks to a computerized voice giving her directions.
She has a medium-size pile of the requested elements in a ball in front of her by the time she gets there. She lands hard in front of the first science-looking person. "Mountain here to help clear the reactor. Clock's ticking, where to?"
"Right. So I give it more moderators, more shielding. If I can cool it down enough too can I pick the whole thing up and send it away from Behemoth?" She is floating briskly towards the reactor buildings during this. Her ball of alloy breaks up into four chunks and starts working its way into the reactors. The control rods extend and bulk up - she asks for advice on how exactly to pattern them and follows it rigidly.
She taps her comm device. "Mountain reporting. Reactor is stabilized, but not for long if Behemoth gets here. I can pick up the whole thing and fly away if we get someone to cool the interior well enough. Any tinkers or shakers think they can do it?"
Brief consult with the Science People, then: "If I move this place the coolant pumps will shut off. The reactors keep making heat for a day or two even after they're shut down, just not as much. I just need the reactors to not melt for ten minutes to half an hour while I move the whole building and they start the pumps again. About eighty megawatts' worth of heat right now."
She redesigns her heat sinks, which still doesn't help that much, and puts more shielding over both the reactors and the piles of waste sitting in a big pool in different corner of the building. And she waits.
"This way."
It's a grid of metal fanning out in all directions, a classic heat sink. The parts closer to the reactors are glowing red. "Here it is, tell me if you need to get closer to the center and I'll make a radiation shield. The nuclear people say alarms would be going off if there were dangerous amounts of radiation here, should be safe for now, but we still want to be as fast as possible obviously."
She tries to extend and optimize the heat sinks more. She attempts to replace the pumps and finds that she doesn't have anywhere near enough finesse to do that. It's still not enough, and Behemoth keeps getting closer. She swears some, and asks Freeze Guy to keep it up anyway. How can this be solved? She doesn't know what kind of capes are here. What resources there are. With one exception.
She tells the comms, "Scientists think the reactors are still too hot to risk moving. Is there anyone else who can cool things or move water? Is Glam still in the fight? If so tell them I need their freeze ray."
"Behemoth is heading for this nuclear plant and we're slowing it down but not stopping it. What are the odds it can make a humongous explosion if it gets here? So I'm going to move the whole building far away. Problem is, if I move the building the coolant pumps can't get water from the river anymore and explosion happens anyway. So I need a freeze ray."
"I can store heat and dump it elsewhere, with some loss."
"Which in this case is a big pro," they agree. "Okay, super freeze ray, can I set something up to scan what you're doing and serve as inspiration?"
The other cape shrugs, but apparently his job takes some concentration so he doesn't say anything more.
She flies outside, perches on the lip of one of the cooling towers, and lifts the entire facility - reactors, cooling towers, radioactive waste and all, out of the ground. She proceeds due north at significantly-greater-than-highway speed - certainly faster than Behemoth is managing with plenty of capes still working to slow it down.
After twenty minutes, she lands the facility a couple hundred miles north, far away from any significant towns and near another river, changing the earth around it to match. The coolant pumps come back on without a hitch, and the squad of physicists tell Glam and Transfer that they can take a break.
Is the fight still going on? Because if so, Mountain is going to throw herself right back into it. She takes Transfer with if he wants a ride.
Medevac proceeds. Mountain is asked to put the nuclear plant back where it was before and remove your heat sinks and so on now that Behemoth's gone, thank you very much. They might even be able to start it back up in a month or four. The planes to take capes back home come and go and eventually Glam and Mountain are in New York again.
"In my homeworld there are several types of Fair Folk who can do - illusions that work until you realize it's a trick. Working with expectation. I had to fight some, once, and your power struck me as a very similar kind of thing. I know perfectly well that you'd be ruined forever if anyone but me figured it out, so I have no plans to tell anyone unless you go hard villain."
"But you do realize those are two completely different expectations, right? Out of the however many millions of people currently live in the United States, there are only nine who are, well, the Nine, whereas betraying secrets, or even letting them slip, is much more common. You have ultimate blackmail over me."
"Yes... You have ridiculously strong potential if you keep winning against powerful opponents, and from what I've seen you're actually a good person. The world needs powerful good people. I'll be honest and say I would probably use the blackmail if you suddenly became a genuinely evil villain. But you're not and I won't."
"I'll swear to a lie detector it was an accident, I learned my lesson and am much more careful now, it can't be undone but I want to make up for it... And if they do condemn you, say the way to make up for it is prison, you have lost nothing but the time taken to ask and looking remorseful to them. And that is my last word, I need to get back to Buffalo and finish my job."
This world has so many problems. She has a lot to think about and watching a quarter of a city get melted is as good an excuse for drinking as any. She sheds and buries her rock-costume leaving plain pants and shirt, only somewhat careful of being spotted, and goes to find a quiet bar.
Is the bartender concerned by five glasses? Because that's about as drunk as this body can get. She leaves a $10 tip and visits the bathroom, then heads for the back alley where she stored her rocksuit.
She calls Laura and informs her that she decided to get drunk, because Behemoth, so please move her 9 AM job to noon, then goes to find a cheap motel.
And the next day it's back to business as usual.
Soon the next Endbringer attack is approaching, bringing with it reminders of the Glam thing. How's Glam doing?
She writes an email, Glam, want to work together against an Endbringer again?
I provide mobile firing platforms that follow him, of course. I was thinking you could try making a spike of something just as hard as the inner part of an Endbringer, have someone use it as a weapon. And if not, the lightsaber at least helped. But I'll probably be spending some of my time trying to stop or reverse whatever underground structure damage he does.
She deletes emails and starts a new thread to the conversation. I've been practicing with my ocean subtype. It's almost nothing compared to my mountain powers but I think I might be able to track Leviathan with it. Maybe. My main strategy will be erecting walls and barriers and providing well-defended mobile firing platforms.
You're right, that was hilarious. Almost like the time I fought this villain with a rewind power - she was robbing a jewelry store, so I just stuck all the jewelry to the ceiling and taunted until she left.
(She's getting some publicity, but not a whole lot—Endbringer fights are never recorded and it's only word-of-mouth that spreads it.)
Now that she has a steady stream of money rolling in and a reasonably built-up base, she wants to start doing a little more heroing. It's slightly weird not to be considered a force of nature, so she wants the publicity. Laura is to either find her things to hero at in roughly equal proportion to more jobs, or hire someone to do same. Preferring things like dealing with storms and floods and earthquakes and bridge collapses than shutting down villains, though both could definitely feature.
If she wants to do actual solo heroing as a career, though, she'll need to register as an independent hero.
Money and popularity all around. She makes a few villain fight videos of her own, publishes pictures of disaster-relieved zones, and so on, and pretty much settles in to the pace of the world. Occasionally she makes overtures to various non-Africa governments, offering to do infrastructure stuff like more hydro dams, roads, ports, on the cheap by reason of 'infrastructure is fun'.
...Somewhere in western Africa, a man with the lower body of a horse appears. He looks around confusedly, mutters something in a completely unknown language, makes himself a sunfruit tree and eats one, and flies off in a random direction, trailing vegetation below him.
He considers 'killing himself' so as to respawn in a place he actually knows. But, no, the energy tells him that he would never find this place again. It's a once in a lifetime chance for something new and interesting.
Will nobody talk to him?
He'd just leave, but this... Person, attacked him out of nowhere and might do it again. Roots start moving inward, still in their thick multilayered weave, reducing the amount of underground space available.
"I don't want to hurt anyone, you know." Munch, munch. He shrugs and starts cantering away. On his way out he makes changes to Jiwe's tree-cage until it's sufficiently loosely built that he can probably dig his way out of it in an hour or so, then attempts to get someone around here, one of the magicless ones perhaps, to just talk to him already.
This is getting quite annoying. If they already think he's evil, no harm in doing something less than polite. He picks one who seems less frightened than average and ties their feet to the ground with a tuber and repeats the I-don't-know-this-language-please-name-t
This 'unique and interesting world' is proving a lot more frustrating than he would like.
This is a dangerous place, and lawless too. He leaves food in his path, though they'll likely ignore it, flies into the wilderness a little ways, and starts on a patch of forest that will become his home. Over the next few days, does anyone approach his patch of forest?
He recognized 'you'. And says 'no understand you'. Is this a chance to actually learn significant parts of this place's language? "I am Tenno."
He waves and says, "Trava, Jua." Hopefully it's clear enough that's a greeting.
Time for visual aids. He makes twig drawing of a person not holding anything going into the forest and then going out the other side holding a piece of fruit. Drawing of people holding swords going into his forest and getting whacked by a drawing of his tree golems until they drop the swords or run away.
She seems amused that he apparently thinks he could take her on. She points at herself, then at the forest, then at herself again, and her stick is suddenly glowing much more brightly than it was. Before she's even done saying anything, she jumps towards him with the glowing stick, trying to stab at him.
Jua lets go of the stick before she jumps, and it continues getting brighter and brighter and brighter-
Fates are fast fliers. Tenno is out of reach before Jua grabs at him. They are not that fast, so Tenno only has a few tree canopies and about fifty feet between him and the dangerous stick.
He tries to trip Jua with suddenly appearing head-sized obstacles, but she's moving fast enough that he might not be able to get her.
As for Jua, she's not only moving fast, she's also very agile, and dodging the obstacles is easy. But she soon has to get rid of her shoes, which she kicks in Tenno's direction with unexpected accuracy.
Before the shoes can connect, she grabs four small throwing knives from her pockets and they're soon glowing brightly again. She throws them one after another, trying to hit Tenno with at least one of them. And of course, whether they hit him or not, all of those objects detonate after a few seconds.
Jua has run beyond the limits of his prepared forest. He pursues, but without much more attention than before. It's taking effort to keep those two brutes down.
He gives a dramatic sigh. This place is tiresome, he'd have expected it to collapse entirely years ago if it was made of tiles. He asks the stars, so to speak, if any of the three unconscious humans would (relatively) willingly help him learn the local language but it would only cause more violence.
He peers into the strings of fate once again, asking where he can find an actual civilization.
He deposits Jua and her goons a few miles away from his forest with a little food and water. He tailors the forest to look more menacing, expands it to the limits of his perception (only another mile or so), and places a variety of carefully-tailored chemical defenses that won't survive outside its bounds. He goes back to using most of his natural ability for seeing fate as a Centaur to try and figure out why most magic won't work here. It's vague, as usual, but he'll unlock this interesting puzzle sooner or later.
He gives them each some more, and grows plants through several important body parts, ending it relatively quickly. Gruesome. Unpleasant and disgusting. But pacifism simply wasn't working.
He doesn't try to put out the fires. Too hot and fierce for foaming beans by now. He retrieves some things from the center and flies around, spreading what he recognized as local forage and crops, until it's likely to have burned out.
From then on whenever someone recognizably more than human visits he attempts to scare them away just once, and repeats the poison trick if that doesn't work.
Things might even be looking properly interesting now, if that guy keeps his promise.
This is not maximally productive. He points at the 'guard.' "You! Go away!" He makes a significantly less evil-looking sort of imitating-a-clearing thing at the edge of his 'evil forest,' including convenient places for a human to sit. He sort of- kneels down, sitting not being practical for a quadruped. Nonthreatening as can be, given that he's still obviously very magic and she's used to violence from magic-having people.
Nod. "Art is not the only good thing, but I like it." Finally, someone who acts like a civilized being. He'll keep talking for a while, at this rate, wandering between topics like different kinds of art, whatever history she knows though it's probably not much, how he could help the locals (Would anyone want to live in the forest? The interior is much more pleasant, this part was made to look scary.) And so on.
She explains she's a teacher, and while she doesn't know all that much world history, she can explain to him what it's like there, with warlords that rarely last more than a year (Sun had been around for five months, Empower's been there for eight). She explains that other than the fights between warlords, the occasional warlord being replaced, and the general lawlessness, it's not that bad. She doesn't quite say that she doesn't trust him enough to take him up on his offer to live in the terrifying forest, but it might be obvious.
He - doesn't like this person exactly, not yet, (What's her name, anyway?) but he approves of her. Teaching is a relatively noble profession. If Empower gives her trouble because he ran the guard off, feel free to use his name and the fact that he beat Sun as leverage.
And he works on getting magic to work properly here. Fate tells him there is a - blockage of sorts. A wall that keeps his world from telling this world what magic ought to do. Now all he has to do is poke a hole in it.