A third of the world is covered by the howling maelstrom that was born a century ago. It is not ordinarily a place you'd find people surviving, but sometimes things appear in it. Strange things - otherworldly things - brought into the mist of a howling storm of cloudy dust and wind that blows in whichever direction it wants.
This strange and otherworldly thing is really confused about how getting caught in the rain on her way home led to this, to any of this, from the freakish weather that shouldn't have been able to get so far inland, to the disappearance of the cement beneath her feet and the streetlights glowing overhead, to the strange magnetic sensation of being able to shear raindrops and dust and debris and stranger things away from her skin the instant they touch her so that she can stagger, bewildered, in what is hopefully a straight line toward what is hopefully shelter.
Eventually the winds thin down a bit, until it's mostly just rain with the occasional dust - the landscape looks pretty much the same, albeit with improved visibility. And half an hour after that, when even the rain has passed, there's a pair of covered wagons drawn by mules, with the dirtiest people she has ever seen as drivers.
In the shadowy front of the wagon, behind a few boxes, she can see a cage that at first glance appears to contain some sort of animal but, after Pelape's eyes adjust a bit more the darkness, she can see is, in fact, a child. A child with hair that's long and wild and full of debris and skin so covered with dirt that it takes a moment to realize that under it all the child is unhealthily pale. The horrid stench emanates from the child and the floor of their cage.
Eefa winces and looks uncomfortable but doesn't let go about this. It seems like a better sort of experiment than most of the other options and she wants to be taken out of the cage real bad so she'll behave.
Eventually, her body is clean, though her clothes and hair are still a mess.
"It doesn't look to be in amazing shape." That doesn't feel like a personal pronoun in this language - nice of the dream to give her the language - but she can't tell what sex the kid is, which appears to be information she'd need to be more polite. "Hunger makes one less resilient against everything else."
Okay. She gets Eefa's hair in to a loosely tolerable state where she wouldn't call Mental Health Nuisance on parents who let their kid walk around in public like that, and then she concludes her lullaby and gets under the blanket. If Eefa makes a break for it she's ready to create a distraction.
She's not really confident in her touch telekinesis making her bulletproof.
Also this keeps... happening? And she's increasingly unsure that it's a dream.
And they put a baby in a cage full of her own shit, so.
Fuck them.
She plans out all her movements in her head. She stares at the nearest pistol trying to derive how it probably works.
Reaches out to just barely touch it with the tip of a fingernail and slide it with perfect smoothness into her hand.
It's got stained glass, in some places patched up from damage but it's hard to make out in the dark. It's got a tall spire. It's got armed guards up on the wall and another couple at the door, but they don't seem to be alerted to the approach of Pelape and Eefa; they aim a light at them, then move it forward to light their way to the door.
"You looking for Elysium? You found it," says the guard. "How're you paying for a stay?"
Pelape looks at Eefa. "Did you have a plan for that already?"
The guard opens the door. "Two to a room for three days pending Saffron's eval," he tells the receptionist.
"Two in one for three pending," agrees the yawning receptionist. "Here's the key to number seventeen, that's up on the second floor, third on your left. If you harm anyone in Elysium you will die. Matinees come with the room, evening shows are extra, enjoy your stay."
What a deeply puzzling world this is. Pelape takes the key.
Pelape finds room seventeen and opens it. There's a freshly made bed, a desk at the window with the patchwork curtain pushed aside on the rail so a little starshine can get in, a tile floor, and a sign on the wall about how access to the bathroom down the hall is managed that it's too dark to read.
Pelape does her best to leave road dust and grime from herself and Eefa in the hallway and collapses into the bed. Holds out an arm tiredly to the kid.
There's food in Elysium; two meals a day come with the room. It's great by the standards of the locality. It might be the best restaurant on the planet. It would probably get seven stars of ten from a reasonably discerning critic in Lina but Pelape usually eats at places that would get three to five because they're cheaper, so quality-wise it's fine, exotic but fine. Lots of fresh vegetables. Strawberries. All slightly alien to Pelape.
It is fine with Pelape for Eefa to be her shadow.
She brings her empty but not clean dish with her to Housekeeping to show off live. They want her doing that and also laundry. They work out a shift schedule and an arrangement for someone to come wake her up for it while she's adjusting to the time zone. She'll be able to earn the room at Elysium and the meals it comes with for both of them in four hours a day and pick up credit for days off with more work. Absolutely no one remarks that really her hair would need to be purple to comply with the housekeeping dress code.
It's not that interesting to watch. She picks up the dishes from the counter on the left - it's not all silverware, sometimes Eefa's got lulls when it's plates and glasses instead, though some of the glasses are plastic and she can sort those - and all the mess sloughs off them into the compost bucket she was provided and she puts the clean one with its fellows on the table to the right. Sometimes other kitchen staff bring more dirty dishes or take away the clean ones.
She's gotten the sense that Eefa's private about her history or just shy or something so she's not going to pry and she can't think of much else to talk about that isn't "why didn't the traffickers steal your can of food" or "are you SURE you don't have a family who miss you" or anything.
"Every kid has a family who wants to take care of them. Kids whose families all die can get a new family who wants to take care of them. So when everyone tells the government how they want the laws to be, they think 'I wouldn't want anyone to steal my kid and be mean to them to sell them to somebody else'. They think that even if they don't have a kid yet, because nobody wants anyone being mean to any kids who could have a family taking care of them instead."
"They make sure they have food and a place to sleep and clothes, and they teach them to talk and read and count, and they tell them stories and sing them songs and play with them, and help them pick a school and give them advice and watch them grow up into an adult."
"...there are kinds of creatures that don't take care of their babies, like bugs. They just lay a bunch of eggs and leave. But people aren't like that, at least my species. We're a kind of creature that has to take care of our babies or they die. Anybody who has a baby and doesn't take care of it, doesn't have any grandchildren. And people's children are usually like them. That's how a species changes over a long enough time - the creatures that do a better job having and taking care of babies have more grandchildren, and whatever it was that made them better at that, their grandchildren will mostly have it too. And for millions of years, Amentans - that's my species, I'm not clear on what's going on with the people here - have been getting very good at wanting very much to have and take care of babies, and the Amentans who were the very best at that a long time ago are the ancestors of all of us alive today. And we all have the traits that make us want to take care of babies and see them grow up into adults who'll be good at taking care of babies themselves."
"That's in the modern day. Things used to be worse in a bunch of ways. And sometimes kids do sort of get sold, if their parents do something bad enough that they can't be allowed to have a child any more, but they'd be sold to someone who wanted a child to adopt and raise, someone who wanted them to be okay, definitely never anybody who'd be just as happy to get them starving and filthy."
"You can eat it now, but -
- okay, I'm thinking of myself as taking care of you, and part of taking care of kids is making rules so they don't do things that'll harm them in ways that aren't obvious to kids, like by attracting pests. But if you don't want me taking care of you, then - bringing food into your own room you had to yourself could be between you and the Elysium staff, and I can get a separate room. Would you... rather I not try to take care of you?"
And when the dinner dishes are done they can go back to their room. Pelape doesn't feel like exploring the rest of the town she can see from the window till the people who were trying to sell Eefa have been and gone again. She combs her fingers through Eefa's hair. "Do you want me to tell you a story or anything?"
"Such enthusiasm." She has Michka Dances Through The City mostly memorized still from when it was Sofa's favorite, and she can try to narrate to compensate for the lack of the pictures; it's not like it scans or rhymes in the local language for that to make it clunky.
"Right now nothing, the maelstrom broke it. Used to be I'd use it to tell time, play music, take pictures, read articles, order food, check a map. - most of that wouldn't have worked here anyway, it needs the internet and I suspect they don't have one on this planet."
"And that's making a bunch of different sounds in these words," she reads them off, "- and some places no sound at all - but I think it would never go 'oo', for example, here's a word with an 'oo' in it -"
It's not a great primer and it's not the language she knows the alphabet song for but it's something to do.
Ew.
She'll probably want a change of clothes eventually even though she can keep the ones she's got on clean; they've got little rents and rips. Will these people take Elysium-room-days as a currency or does she need to find a way to save up something more negotiable?
"I've never known her to be entirely wrong and she's very often clearly right - one time she scolded a friend of mine for not having freed up her schedule to care for her wife Lia, who arrived later that same day badly wounded. And was a complete stranger."
"They got married a year ago."
She touches her hair. "Not so I could engineer them. And I have the impression you used to be - maybe not as high tech as us but within decades, not centuries - well, our years are about four times longer - before the maelstrom, so I don't know if the level of information I as a layperson can provide would get you very far when your own survivors didn't."
"We have paper and chalkboard, paper and pens and ink are that way on the left, and the chalkboard would be at one of the lost tech stalls, I think the one that direction with the yellow duck made of rubber has some in addition to chalk. I am happy to pay you enough to afford either option - I prefer the pens and ink but they are more expensive."
"Well I'd like to know more generally but I've been having trouble figuring out how to make predictions about the future of the market other than by drawing some points I know and guessing at a line through them that looks right - I have some ideas how to tell which lines are better but not how to find the best one."
Pelape is familiar with the theorems saying that in a perfectly efficient market it is literally impossible to predict price changes because all the information you could use to do that is priced in, and she explains this, but of course few markets are perfectly efficient.
"The gut instincts are probably encoding some useful information, and if nothing else they're rendering these people resistant to market manipulation of the form 'someone has a convincing logical argument for why the price should be different in the way they suggest'."
"So I guess it's not astonishing nobody's making book if there's not a lot of volume. The general idea is that the bookie will decide how likely they think various outcomes are - somebody wins, somebody else wins, points margin, game duration, someone gets injured, whatever. Suppose you're talking about something simple, a race between ten gr- between ten people..." She sketches out a possible array of odds. "And they offer these bets to anyone who wants them, and update the numbers if they learn more - including if one of the racers is more popular than they were expecting as somebody to bet on. In general they have the odds right and have enough money to cover the bets and keep at it for a while they'll make money."
"I think you have some pre-apocalyptic artifacts - like the lightbulbs, though maybe you're about to tell me that you've got lightbulb manufacture figured out actually? - do you have old books and stuff too or are you relying on things you were told by older people when you make that assertion?"
"The lightbulbs are pre-apocalypse, we can make our own but not as good. Written records are exceptionally rare but I've managed to acquire a few - the math textbook I mentioned before is one, a copy of the governing document of the pre-maelstrom country that this area was part of is another, complete with a list of dated amendments to that document, including the one banning slavery."
"Okay. Well, Amentans feel different ways at different times of year. My body doesn't know it's spring yet, but it'll notice in the next few weeks. When that happens I'm going to want some privacy some of the time in our room - that means you can't be there, not even if you're invisible - maybe with other grownups, maybe not, it'll depend, and we can work out a compromise on when that can be without being too inconvenient but it'll need to be at least sometimes. And also I'll be cuddlier. I don't need to touch you when you're not in the mood except to keep you clean but I might wind up hugging you in my sleep or something."
"I'm confused for a few reasons - the thing you're worried about is someone trying to take you, so technically speaking, someone who just wanted to keep you away from a kidnapper would be fine, but it sounded like you didn't think it would be fine. I'm protecting you and I started doing it to take you away from some people but I did that because they were mistreating you. In general I - think you have been in the hands of people who really shouldn't have access to children and you might have a skewed idea of how most people are about most children. Though I acknowledge you are not most children."
"He looks like a human to me. No one else is acting like he's different from anyone else, either. So I think maybe you are noticing something no one else will, and that means it will be pretty hard to do anything about it. Is a wolf the sort of thing you need to do something about?"
She'd be offended except that he was really into double entry bookkeeping.
She has a six-year-rated implant that she got last winter, and even if she didn't they're different species, so no need to double-check if there are very low key population controls around here or set up a coparenting contingency plan, she can just obey the hormones.
"I'll check in with her, I don't want her to be surprised by my absence and make it look like I'm abandoning her surreptitiously or anything." She'll go join in with the blocks for a bit and then says, "Eefa, is it okay if you stay here while I go have some privacy?"