Holly runs as fast as she can but the demon's faster. She has no idea where Lightning's gotten to; maybe he found a tree to climb. She on the other hand has been diverted into a treeless hill and she's careening down a slope, trying very hard not to trip.
And the demon's gaining on her.
She's never seen anything like it and neither has Crystal; maybe Book knows what it is but Book's asleep. It's mostly mouth - it looks like a cross between a floorlength mirror of a mouth and a snake to propel the mouth along.
And Holly's not fast enough.
The mouth catches her.
But it doesn't hurt.
Where are we?
There is an open door leading to a darkened hallway, and in the doorway stands a man whose mouth is wide open. In addition to the doorway, the man stands in a slowly-spreading puddle of coffee, spilling from a dropped cup and pooling around his shoes. The man is staring at them.
But he has mental defenses at the ready! Things like this are usually tricks, insofar as there are things like this. Before panic happens, the number one priority is to identify the trick! What illusion could be in play, and for what purpose?
"What- you- what did you just do?! How did you do that?!"
"Hey! Speak up! I can't hear what you're saying, and I need to know what it is you're saying if you don't want me to... report this!"
Report to who, and for what, exactly? He's not sure, but this is clearly some sort of transgression against some rule or other. There's someone who he can report this kind of misbehavior to, he's sure.
Okay, no, that is a different language. She's literally not speaking English, is the problem here. This is going to be a barrier to communi- to getting answers out of her. And he is ready with an immediate solution to the problem- a tactic so foolproof one could mistake it for the work of Sun Tzu himself:
"What are you doing, huh? Cut that out! Speak English!"
A thought enters his head- the only flaw in his brilliant plan- that she might not know English at all. But... how could she organize an elaborate prank like this without help? She'd need accomplices who spoke English, probably- or at least, found some way past the language barrier, if she's here in a New Jersey middle school before hours- there's a vanishingly small space of stories that explain her making her way here and organizing an invisibility prank without having to talk to anyone.
"Do... you... speak... English?"
"Hey, now! What are you doing?"
He stays in front of the door- he can't imagine she'd risk the jump, so he sits down on the floor. Gotta block the exit, but be all... nonthreatening, and stu- oh, for the love of- the coffee spill, he forget the coffee spill, now his pants are... approximately the same shade of beige, actually, but wet.
The panic's gone out of his voice, but not the worry- he's still bothered by the invisibility trick, he doesn't know how that happened.
He deliberately softens and slows his voice- maybe that'll cut down on the hostility, assuming she really doesn't know what he's talking about. "Do you want... what do you want? Are you okay?"
She probably didn't understand that, but perhaps the tone came across.
He stands up and points at her- "You!" He walks over and points at the floor where she appeared- "Here?"- and repeats this inquiry a couple of times.
This is probably a necessary first step, although there's the part of him that's annoyed by how her name has nothing to do with how she magically appeared in the middle of his classroom. He tells that part to sit down and be patient, if it can.
He gestures in a circle at the spot on the floor where she was standing. "You... sin, Pyay..." He makes a confused, interrogative sound that she hopefully won't confuse for a word.
"Hold on, I'm gonna check..."
He drags over a chair and stands on top of it, then inspects the ceiling above the spot closely. There's nothing- and nothing obvious behind the ceiling panels, either.
His close inspection of the ceiling and precarious balance leaves the path to the door quite unobstructed.
"Hey! Come back here! Where are you...!"
Hm, no, she is not listening to him, it seems. He disentangles himself from the desk and gets up.
She finds what she was looking for. If he comes up behind her close enough to see and not close enough to prompt her to scurry away from him, he can see that she is also holding a map. The page she's trying to compare to the United States on the wall is also a map, complete with flocks of triangular mountains and blue-painted bodies of water. There is a big black blotch in the middle of it, and cities and political boundaries marked out around that. The United States is... not on it.
...It just doesn't line up with anything he remembers, no matter how he looks at it. Add another thing to the confusing-and-unaccounted-for pile.
The part of him that's demanding he ask questions is quieting down some, seeing the progress, but he's annoyed by how slow the process of learning languages seems to be.
When she is presented with paper and a writing implement she starts making careful notes in an unfamiliar alphabet, in two columns. She narrates helpfully - her transliteration of "flat" and "slasmuug" share a line, for instance - but other vocabulary isn't so directly translated (America has what looks like a short sentence in the column beside it).
He sees her notes- she's learning some English words, okay, but... he needs to give her a vocabulary she can use to explain how she got here. What words take priority, which can be most easily communicated... how to get an intelligible explanation from her in under an hour?
Movement words, place words, prepositions...
Or take a more primitive approach. Cave paintings. Drawing. He grabs a piece of paper, draws... a circle, with a crudely-rendered America, next to a parallelogram, a plane. On the plane, he places a stick figure with curly hair, and atop the globe he places an unadorned stick figure. He then draws a curved arrow from the girl to America, with a question mark.
Actually, she probably won't understand the question mark. Maybe not the stick figures, either? He leaves the question mark, and draws tiny smiley faces on the stick figures.
He draws another stick Pyay at the end of the arrow, then points to the first Pyay with his pencil. "Pyay Kweengow..." he traces the arrow to the other Pyay, "then Pyay Earth?"
Or, wait, maybe that was an explanation. Just, a brief and vague one, asking for more information from him? He could...
"...I draw Earth." He flips the paper over and draws a crude globe. "I draw Pyay." He adds a- not a stick figure this time, a more detailed rendering. His sense of proportion is all wrong, but it's recognizable.
He hands the paper and pencil to Pyay. "Pyay draw 'tlaa'?"
This connects even less to the whole materializing/no English/mice/flat world situation.
Ohhhhhh. She's crazy. She's- no, wait, the appearing, that's not a thing that her being some escaped mental patient would explain. That's not a thing anything explains. There's got to be connections, between something, and something else, anything else... the tlaa is a snake, snakes eat mice, what is with the mice...
He points at the mouse cage. "...Mice?"
He is interrupted by a humming noise. It's 6:45- the hallway lights click on in unison, and the air conditioning turns on. Various quiet whirrs and hums sound from all directions.
The front doors downstairs ought to be open, now. It'll be a while yet until things start, but they could be interrupted at any time. He's going to have to find a way to accelerate this, or else cut class to deal with this mystery girl.
"Do you have any frie-" No, not words, drawings.
He takes her drawing of the "tlaa" and adds a few more stick figures running away alongside her. Were there others with her?
"And... is he here?" And then he remembers words, again- how does he keep forgetting this, moment to moment?- and lays this stick figure's drawing on top of the piece of paper with Earth on it, and draws an arrow between "Praip room fwaysee" and Earth, to match the arrow he used to ask how she got here. He traces the movement of the arrow with his finger a few times, to emphasize the movement.
So... he wants to know if she has a co-conspirator who could have helped her make that appearance. She's confirmed that someone else was involved. (The idea that she was literally teleported here from another world by a snake monster being clearly a lie or insanity, he must identify how this person helped or manipulated her into faking sudden teleportation.)
So... he wants to find out where this person is, in hopes that they'll be more knowledgeable or at least more cooperative. Her gesture implies that they couldn't be here, as they're not immediately here in the room. The information she needs... is that this person's lack of immediate presence doesn't imply a lack of involvement- they could be hiding, or not personally present for the trick.
That's a complicated sentiment... he needs to explain "imply", and "involvement" and various vague ideas that can't be drawn on paper.
How about...
He gestures around at the school building, and draws a small circle on a fresh sheet of paper. He then draws a large outline of the US around that circle, and puts several additional circles on the map nearby. He puts stick figures for himself and Pyay in the first circle, and stick figure for the accomplice in another circle. And then... a parallelogram with a black spot for Kweengow, with another circle. And a snake in that circle, and then two arrows- one pointing from the snake to the school circle, and another to the accomplice's circle.
He stares at his handiwork in disgust- there's got to be a thousand ways she could misinterpret this- but hands her the drawing anyway.
She seems pretty bewildered. She looks at it for a while, then starts a new drawing: snake monster, herself, tall blond stick figure. Solid arrow from snake monster to herself; arrow from herself to a doodle of the United States. Dotted arrow from snake monster to blond stick figure, and a much more sparsely dotted arrow from the blond stick figure to an empty, blank circle.
So, okay, most likely she is in on whatever this is, considering how unhelpful that was. She has no idea where her accomplice is, or where they would be under whatever circumstances? If she'd been being manipulated, she'd have some idea of what was going on.
Max has had enough of this. He's going to take her down to Gloria's classroom, and stick her with the English as a Second Language kids, and tell security about some trespasser talking in gibberish. Too old to be a student sneaking in to change their grades, but... he'll let them figure it out.
...except she materialized out of thin air. That'll eat him up all day if he lets it go unanswered.
"Y'know, if you're just making up this don't-speak-English crap to distract me, you're being a real jackass."
(If she can't understand him, the language won't matter, and if she can, she deserves it.)
He draws a circle right next to a circle containing them, with a shorter, wider stick figure with curly hair for the English teacher, and draws an arrow between them. He walks a ways down the hall and opens a door to a staircase, making a beckoning motion.
Does she even have the same general sign language? Would she understand shaking her head for no and nodding for- oh, as if it matters, she's probably faking it anyway.
There's a picture of Gloria with her class- he shows it to her and points to the stick figure drawing he made previously.
But how to explain that she teaches language...?
He points at her papers with the columns of translations- pointing rapidly between pairs of words, and at the picture. "Gloria... teach... English."
Her stomach grumbles. She rubs her tummy and looks at him inquisitively.
He goes through his pockets. There is... an apple core in a ziploc bag he forget to throw away, rapidly going brown... half of a chip... he sets this aside on the desk and starts looking through his bag. It's a mess in there, there must be a granola bar he forgot about, or something...
She picks up his apple core.
There is a series of abrupt transitions, and then she is holding what for all the world looks and smells like an apple-core-shaped peanut and a peanut-shaped bit of browned apple.
She puts the bit of browned apple in with the mice, and breaks off the "stem" of her peanut and gives that to the mice too, and bites off a nubbin of peanut and puts it in her bag, and then eats the rest of it, nibble nibble.
"WHAT DID YOU JUST DO?!"
He lunges for- no, she's eaten it, he- the mice are eating- he- frantically points at the mice eating the thing, and her mouth, and the...
What?
He... he looks around the room, he spies- there's a wax apple on Gloria's desk, he could use that to... say... what kind of question could he illustrate with...
He grabs the wax apple, and- and the half of a chip, and he holds them, and stares at them really hard, and shakes them... and nothing happens, maybe she'll notice what didn't happen...
Step by step, the wax apple changes in color, and sheen, and her hand dips a little as it gets heavier, and the smell of papaya wafts from it.
The piece of papaya she started with turns wax-apple-colored and glossy.
She digs her thumbnail into the ex-wax-fruit, takes a chunk out of it, and tucks it into her bag. She hands him the rest of it.
Gloria is going to want to know what happened to her wax apple, and he's not going to have an answer she'll believe. Unless... he supposes Pyay could re-wax the apple, though he'd have to explain the-
wait no she could not do that, that is impossible, that is not a thing that happens
He's standing stock-still and staring at the fruit, holding his breath.
It could have been... he'll call it "nanotech", even though he suspects it's more likely something unrecognizable enough to call "magic". But calling things "magic"... he doesn't like how that sounds. It appears to work with false ontological primitives, but...
But it could just be that her "nanotech" knows a pattern for peanuts and papayas, and can reshape things into those known configurations. Just... reshaping organic material on the molecular level.
...he hands her back the papayapple. They're going to have to do tests.
He grabs- what does he grab- he takes a piece of paper and draws an apple, then tears it out around the outline, and gives it to her. He's not sure what she'll do with it, but presumably it'll produce... edible paper? Maybe? He needs more expendable objects for this.
He dumps the lot of it on a desk and looks at her expectantly.
She seems to find the stuff mildly interesting; she holds the papayapple between her teeth so her hands are free and sifts through it. Chalk: not that interesting. Chewing gum: bizarre. Paper clips: momentarily intriguing. Staples: bewildering. Beef jerky: she offers this back to Max without doing anything to it.
But she can't... gum-ify chalk? Or chalk-ify gum? Or... no, she just took that to mean, do that in general, with the... and she...
He takes a piece of chalk and walks up to the blackboard, and draws the plane for... Kweengow, and a circle with scribbly continents for Earth. Above Kweengow, he draws an apple core and a peanut, with arrows pointing to each other, and then draws the same thing above Earth. The one above Earth, he scribbles out.
Or maybe that's not why she was confused? He's... he's going to have to let Gloria handle her, she knows... how to get past this stuff.
Was she... trying to demonstrate how to...?
He... takes the chalk, and... he doesn't do the exaggerated gesture this time, but he concentrates on the chalk, willing them to swap colors. He feels really stupid.
She draws a sphere with the United States on it.
She draws people near it, holding chalk, and arrows that circle around to point back at the same drawings they originated at.
Okay. So. Probably not some kid pulling a prank, if they can magically transmute objects. There's less reason to doubt the teleporting-snake explanation.
But that means there's a parallel world with flat topography and switchy magic and snake monsters. He has to seriously inquire about this, now.
...And he can't do that.
He... turns her drawing around to show it to her, and slowly nods. Was it confirmation she wanted?
How do you translate the concept of "yes" and "no"?
He starts drawing a picture- two stick figures next to a cube, one of them pointing at the cube with a speech bubble containing a picture of the cube. The other stick figure is nodding his head up and down.
Halfway through, he realizes the problem- but finishes it anyway. Better to fail to communicate than to give mixed signals. He draws the same picture, but this time the first stick figure's speech bubble has a picture of a pyramid, and the second stick figure's motion lines are horizontal.
The problem, of course, is that if she doesn't understand nodding, she probably doesn't understand speech bubbles. He... draws little mouths on the stick figures, and draws arrows between their mouths and their speech bubbles. Maybe it'll get the idea across?
He hears footsteps in the hall.
The other teachers are arriving- the students will be filing in within half an hour, and he'll have to explain what's going on to Gloria when she shows up in here. The impossible magic angle is not something he expected to have to saddle her with.
Half an hour, at most, is not enough time to teach an alien girl English and learn about her world and how it works. He's going to need to let Gloria take care of her, and she might find out about the swapping, and how's he going to explain this to her anyway, and if people find out, she'll...
Well, hang on. In stories, people keep the magic thing secret because they don't think anyone will believe them, or something, right? What would actually be the problem with telling the truth, here? He's pretty sure the government doesn't actually kidnap unusual people and lock them up in labs as test subjects. How would keeping this secret even remotely help?
So... priority number one, get her to cooperate and stay here and learn English, while he goes and teaches his class. So he'll have to explain...
He points at the strange characters she wrote in her speech bubble. "Word. Kweengow word." He grabs a random book, and points at a word in it. "English word." And another- "English word."
...one of those was actually a Spanish word, but he's hardly going to complicate matters with that.
And... hm. He should teach her the word "means"- it'll simplify things for Gloria, probably. So... he needs some existing direct translation. He could use... what does he know... slossmoog, for flat? Did he tell her "flat"? He'll pick something else, now that he knows the name of her language.
He points at the stick figures for "yes" and "no", and says "Yes, no...", points at her, "in Nloggy?"
Well, he could test one, and if she objects...
He'll need to teach "and" first, but that's probably easy. "Or" is the tricky one. He holds up a piece of chalk and says "chalk", and then a stick of gum and says "gum". Then he puts them down on the table next to each other, and says "Chalk and gum."
He pauses for a moment, and takes a deep breath.
"The 'until', is where the you-might-panic thing comes in. But one thing at a time."
He holds up one of the drawings- of Kweengow (or Nloggy?) and Earth, with the arrows between.
He turns to Sohng. "I'm going to have her show you the thing."
He hands Sohng a small piece of white blackboard chalk, and a large piece of red sidewalk chalk. He mimes the two-handed shaking gesture.
"Oh, god, I don't know about the mice, I don't know enough to ask her to explain them- she- I- I thought you'd be... you'd have more experience than me teaching people languages in general, just... ignoring the magic thing, that you could do what you usually do? Until the bell rings and I can figure out what to do with her."
He gives her a look.
"Is it really all textbooks? You've... got to be better than me, at this...?"
"I've usually got something to go on. And usually there's - context. I'm not sure if a wizard from another planet will even understand that she's in an ESL class. I'll try, at least for today, but is she even enrolled? I can't quite tell how old she is, I could believe anything between fourteen and twenty-two."
"I... seriously doubt she's enrolled, given that she teleported into my classroom less than an hour ago- she doesn't know how she got here, she says the last thing she remembers is... being eaten by a snake monster, if I read her drawing right? But... I taught her 'teach', and 'Gloria teach Sohng English', so... she knows that much."
"I hadn't thought of that- I figured, if she was really trying to communicate, she wouldn't lie and say she understood something just to get me to move on..."
He thinks for a moment.
"She definitely knows yes, no, and, means, draw, and... word, she knows 'word', and English, and... her language is called Nloggy, I don't know if that's also her world, her world might be 'Kweengow'..."
"Misesrok," agrees Sohng, writing this down in her alphabet, which Gloria spies on.
Gloria points at her.
"Sohng, ruum Pyay," says Sohng.
Gloria glances at Max. "Do you know if the whole thing is her name or if she's just elaborating or giving a last name or...?"
"That... when I first met her, she introduced herself as Pyay, I thought? And she answered to it for a while, and then suddenly got really insistent that her name was Song? I don't know. 'Room' is her 'and', so... it could be a last name? Maybe they introduce themselves with a formal name, but after you've talked for a while you're supposed to use an informal name?"
"Sohng is a name," agrees Sohng. "Pyay is a name."
Gloria gets some of the little chalk and puts it in three piles - one in front of Sohng, one in front of Max, one in front of herself. Pointing at each pile, she says, "Mrs. Roake's chalk. My chalk. Mr. Wax's chalk. His chalk. Sohng's chalk. Your chalk."
Sohng nods, takes notes, thinks, and then points at Gloria's chalk and says, "Your chalk."
"Yes!" nods Gloria, smiling encouragingly. "Max, do the pronouns thing and we'll hope she picks up on the gender distinction in the third person, some languages don't have those."
He... first, he puts a piece of chalk in front of Sohng. "One chalk." He adds one- "two chalk"- up through three. And then...
"My name Max. One name. 'Mr. Wax' means 'Max', two name. Sohng means Pyay?"
"So... I think she's got... sort of, two identities? Song and Pyay both refer to her, but... under some conditions she 'is' Song, and other times she 'is' Pyay? Like... two names, but there's cultural norms that tell when to use them, and we don't know what they are?"
She doesn't know "when"... how to ask her when she's Song and when she's Pyay?
Sohng blinks uncomprehendingly.
Gloria sighs and starts going over numbers with her.
This whole mess is definitely going to bug him all day, but at least it's just all day, and not "indefinitely".
She's still there- didn't run away, so that's good.
"How'd it go?"
Sohng looks up. "Hello," she says.
Teaching class was distracting, but he's had some time to think.
"I... on the one hand, her magic thing is a big deal, and finding out how that works is a high priority... but we also need to find her a place to stay. And I don't know anything about the laws that apply to, undocumented people, or whether we can get her official help."
He turns to Song. "Where-"
And back to Gloria- "Does she know 'where'?"
And back- "Where do you want to- sleep?", with an accompanying gesture laying his head on his hands.
"Nloggy word for...?" He asks, repeating the gesture.
"No -" She picks up another pen, draws more assorted monsters and one amorphous slightly stippled cloud. "Tlaa," she says, pointing at the snake, and, "tlaa," she repeats, pointing at each subsequent monster and the blob. "Klaon," she adds of the blob. "Klaon eat sleep person. No klaonso?"
Christ, people get eaten by clowns, where she's from? Probably... it probably just means 'monster', it's another language, but... Max recalls a Simpsons episode. 'Can't sleep, clown will eat me...'
"Well... she shouldn't have trouble sleeping, none of her clowns... but still, we need to come up with a long-term plan for how to handle her."
What she likely wants: to get home. To get her home, they're going to need to find out how she got there, in more depth than 'got eaten by a snake'. Teleporting is some new, magical thing, probably connected in some way to her swapping power. That means learning how the swapping power works. And that means... doing some kind of testing?
In movies, being "a government experiment" is some horrible fate, but... even presupposing a shadowy, unethical government research lab, he can't imagine them coming up with a test plan that's more fruitful dissecting her than it is by just having her use her magic power on different things. There's probably no reason to worry, if they can put her in the hands of some competent researchers.
"Do you think we could... drive her up to Rutgers-Newark, and have some research team put her up in campus housing while they figure out how to..." -how to reverse-engineer her magical powers- "...how to help her get back home?"
Max'd likely have gone on ignoring Pyay in favor of continuing the argument, but he has to ask her a question.
"How much... does she know 'how much'? Um... time, time, days, you had some days?"
He shakes his head. "You know what she knows, you ask how old she is."
"How much does she know numbers? I taught her up through three... but if she knows more, we could mention that your kids have some number of years, and that we have a larger number of years, and see if she picks up on the pattern."
Max sighs.
"Look, whatever we do with her... it's no use trying to keep the secret, especially if she's ever going to get home. Whoever we stick her with is going to need to keep her safe from the media circus, when it gets out."
"They'll be... possessive, if nothing else. They'll want to reap notoriety from the research, and wouldn't want anything bad to happen to their test subject, and they'll want her happy enough to cooperate. There might be better options, if you have ideas, but it's certainly not the worst thing that could happen, and probably the fastest way to get her home."
He notices Pyay growing impatient, but he hardly knows how he can stop and explain the ongoing discussion to her.
When they are outside of the store, Pyay pauses to remove the dead mice from her cage. She then picks up very small pieces of grit from the ground near the decorative shrubbery outside the storefront, and puts down larger pieces of grit and smaller dead mice. She puts her new mice in with the remaining live ones from her initial supply. One of them immediately falls asleep. Holding the last of the new mice, she extends her hand in Max's direction. "You?" she asks politely.
But he's not especially shocked, which surprises him enough to make up for itself. He should be seeing this as a paradigm shift, a new wrinkle in his ideas about how her magic works, but... perhaps...
And then she offers him a mouse.
"Me? You can... mweelsrow my sleep to mouse?"
Max can't think of how to ask those questions, and elects to have them answered directly.
"OK," he says, slowly. "Uh, OK means yes."
...It's a bizarre feeling. It's not like drinking coffee- almost the opposite, and a lot faster. He doesn't feel more energized, mentally, but rather his whole body suddenly feels the way it does when he gets out of bed. He hadn't realized there was even a noticeable difference- the change, after all, is normally gradual. He jumps, and then moves around experimentally.
He walks to the car, and...
...isn't sure where to go from here, actually.
He could call up Gloria and see if she's figured something out.
Or... he could drive her down to Rutgers-Newark's physics department, get their people started on figuring her out. 'In addition to, if not instead of'... that's what Gloria said, right?
He sits in the driver's seat. "We go school- not Gloria school. Person try... send? Send Pyay Nloggy."
Speaking of child services... oh, hell. Seatbelts. He stops and pulls over.
"Pyay- need 'seatbelt'. Seatbelt safe." He points out the seatbelt and plug thing, then demonstrates his own seatbelt.
No, wait. Hold it. Carsickness? In a world with no cars? Not only is queasiness not a quantity- it's a disruption of a very particular system that he wouldn't expect to generalize to mice- even if this were a designed technology, he wouldn't expect it to have a function for transferring something they'd never have to...
Well, no. Carsickness could be a general case of "upset stomach" or somesuch that they'd have prepared...
Max sighs. If she could understand him, he would have so many questions about this business. He supposes the people are Rutgers will be able to figure this out for him.
He begins driving slowly, scanning the building signage for something about a Department of Physics. There's no "Department of Magic", but the physics or chemistry people are likely to have the kind of precision equipment that might be useful for observing her magic at work.
He leads her up to the door of- Smith Hall, it looks like. There's some receptionist, or something, behind a window in the front.
"Excuse me- this is the physics department building, right? I need some help figuring out who to talk to about something unusual."
Turning to Pyay: "Pyay, Earth no mweelsrow- school... 'study' mweelsrow."
And...
"Song English? Wait- Pyay... Song... when...?" He turns to the receptionist: "She, uh, doesn't speak English, I've been trying to teach her- has some weird thing going on with her language, has two names. Not the important part."
"She, uh... switches things. Properties of things. I don't know what the limits are, but she's switched the colors of chalk, turned food into other food... the mice are for, um, I think she switches tiredness and awakeness, so she doesn't have to sleep. I don't know how it's possible, no."
He hands the two items to Pyay. "Mweelsrow 'color'- uh, Song, English... 'blue' and 'red'? Same mweelsrow as chalk."
Well, they could be. It could be anything, because mweelsrow and clowns and mice and Nloggy and all kinds of things that violate precedent. The trick is figuring out whether it's true- the distinctions between "person" and "body" and "name" and have proven to be tricky.
"I Max. One name-" -again, simplifying- "-one person. One body," he says, gesturing to himself. "You Pyay... and you Song... two names, two people, one body?"
He can ask about the normal thing, though.
"Earth, all people one person. Nloggy, all people two people? Or only Song and Pyay?"
The receptionist, having got the professor's attention, hangs up the phone.
"Baby? Small person? Like-" he digs out an old photo from his wallet, of his ex-wife cradling their son, and shows it to her.
"Yes! Baby. Baby, one. Baby sleep - tlaa eat baby. So - two baby -" She makes a smushing gesture. "One baby sleep one baby not sleep, tlaa no eat. One baby not-sleep one baby sleep, tlaa no eat. Yes? Earth no tlaa - one person." She points at Max when she says 'one person'.
A man in a dress shirt and large, round glasses steps out of a nearby stairwell. "I was told there was something interesting down here?"
"It's not a trick, Dr... whoever," Max says. "This girl's thing- I brought her here because she actually seems to be able to do something that- god, it's- it's something you're going to want to look at under a microscope."
"Not a doctor. Professor Liu. Let's see it, then." Liu turns his attention to Sohng. "You have something to show me, miss?"
Max grabs a blank white piece of paper and a green sign-in form from the desk, and hands them to Sohng- or, Pyay, if she's about to do muilsroo.
"What's she meant to do with these?" asks Liu.
Liu stares at the paper. "It must have been... sleight of hand? Where's... look, let me. I've got..." He hands her a key off a ring of keys, and some unidentifiable piece of black plastic of about the same size.
"Uh, you don't want to do that. It's not- if you need that key, it's a real thing, and I don't know if the key's shape will stay intact if she swit-"
"It's for the photosensitive materials closet. There's twenty more just like it. I mean to be sure you're not all picking props to hornswoggle me, understood?"
Max looks helplessly at Sohng and/or Pyay and asks "Mweelsrow?"
"Pyay- Pyay mweelsrow, yes? Thanks." Max turns to Liu. "So... this is important, right? This is the place to be for this?"
Liu stares quietly at the key and plastic for a moment. And then wheezes at Pyay, "You- how did you- where?"
"Liu ask how mweelsrow," Max offers by partial translation. "She claims to be from another world. Parallel universe, teleported here somehow. So that's... another thing to look into. She wants to-"
Actually, he never asked, did he? He's not confident about whether Sohng knows "want" or "go", but...
"Pyay and Sohng want go Nloggy?"
"Uh... we no go Kweengow. Can't. School study Pyay and Song, school study mweelsrow, school study tlaa, school study... how go Kweengow."
("Do any of those words mean anything?" asks Liu.
"...No, speaking total gibberish, actually. Bad habit."
"You know what I mean."
"Just telling her she can't go home yet, unless you can figure out how.)
"And you want me to...?" asks Liu.
Max gives him a funny look. "Well, she wants you to send her home. Me... I want you to do what I assume you want to do? Take her off my hands, study her, figure out how all this nonsense works, make everything- make it make sense again. And... she won't be able to get home if you don't figure it out, so, common... common interest."
"Well, I- yes, of course I- the department- we'll... you say 'take her off your hands', but..."
He stops and thinks.
"If we're going to do research- and it's certainly pressing- it's going to take some time to get a research grant. And if she doesn't already have a place to stay, we can't start paying for housing right away. How are you taking care of her?"
Max sighs, takes out his phone, and dials Gloria. And, briefly- "Phone. Kweengow have phones?"
"Oh, for crying out loud, Max, you couldn't wait for me to find her a - a social worker or something - you just - you up and took her to the scientists? Not even the linguistics department to see if they could learn to talk to her better than me, but the physics department! Max!"
God. She's yelling at him? Of course she is. Max doesn't like this. Just because she had a good idea that he didn't have...
"They haven't taken her, she's right here... we can still... they, uh, can't get started right away, I can go over to... there. And it's not- I was just checking in, you can still try and find a... you said- social worker?"
Liu, meanwhile, is looking disbelievingly at Sohng. He pockets the key and the plastic, and- he's noticed the mice.
"Mice?" he asks, pointing.
Max hangs up. If she had something she was about to say, she'll... probably be very annoyed at him, so, no change.
"Uh- that's- she doesn't just do colors. She does... I don't know how much she does, but she can switch "sleepiness" and "awakeness" between her and the mice."
Liu gapes. "Those aren't quantities. What do you mean, she switches-"
"That's what I said! She apparently doesn't care! That's why it's confusing and I'm not just dealing with this myself!"
The two spend a few minutes exchanging confusions, and not producing any meaningful new ideas. They seem to be ignoring Sohng, and show no indication of changing the subject to "directions to the linguistics department" anytime soon.
"Pyay- uh, Song? We're... go school that teach English words, and study Nloggy."
For a moment, he thinks about how to ask Sohng if she's tired, and then remembers the mouse thing. She'll be fine.
Light rain- barely a drizzle- begins to fall.
That's probably it.
He points. "Rain. Kweengow has rain?"
He points at the sun, peeking through the clouds near the horizon. "Sun. Kweengow has sun?"
"Suns..." He doesn't know if she learned plurals, or if the S is some kind of mistake. He begins counting on his fingers. "Sun, sun, sun, sun? Not one sun? Two suns, three suns...?"
For a moment, he thought, hm, maybe the reason they think it's flat and the reason they don't have day and night are the same, maybe their planet's spin is in sync with their orbit, like the moon, and so the world seems to "stop" at an icy boundary...
But, nope. Nothing so simple. Some kind of binary star system thing...? Or...
Oh, they're here. The Department of Spanish and Portuguese Studies. Conklin Hall. That's... not really what they're looking for, is it? They might be able to point them in the right direction, at least. There's got to be some linguists around. More resources than a middle school, at any rate.
Automatic doors open.
...Insofar as they have individual personalities. Do they? He hasn't been trying to notice for very long. Song is maybe more relaxed and agreeable, Pyay maybe more focused and intense? He could just be seeing patterns where none exist.
There's a door marked "Linguistics Graduate Commons", two doors down from the stairs. He knocks.
It strikes him that "a language we don't know" is marginally less likely to be immediately captivating to linguistics researchers than "a physics we don't know" was to physicists. How to get a foot in the door...?
"She... let's just start with... I don't know where on Earth it's from, and, let's say I need help identifying it."
Trevor gets up from his seat, finishing off a glass of water. Short, round, pushes some of his too much hair out of his face.
"Yeah, yeah, I heard... look, just have her talk for a bit, I can probably get an idea of the language family and look it up from there."
Max looks at him skeptically. "Sure. Um. She hasn't said much in it since she realized no one else speaks it here, but... Song, you say Nloggy words?"
The first linguist fumbles for a little tape recorder belatedly.
When Sohng stops talking and blinks at them:
"I have no idea what that was. No clue whatever. Agglutinating, maybe? I think she was doing vowel length?"
Max steps over and closes one of his books.
"Hey! The fu- the he- what are you doing?"
"You won't find it in there. Assuming those books are all about languages from Earth, anyway. My problem is that she's a magic wizard from another dimension."
Trevor wordlessly stares at him with disbelief and disgust, like he'd just thrown up on the carpet in front of him.
Max grimaces. This was... really the outcome he should have expected. Should've led with the demonstration... he can salvage this.
"No, it's... god, that's what you'd think, right. Should've thought of that. Um..."
A convenience of doing this in a school: an abundance of miscellaneous office supplies. He grabs a black and red pen lying on a table, and hands them to Sohng. "Pyay- mweelsrow?"
Trevor gets up and snatches the pens from Pyay. He looks at them closely- they're his pens, he recognizes the logos, he knows that this pen ought not to be red, he says "What the shi- what the... how on earth?!", as might be expected.
Trevor sputters something not quite words, approximately furious.
"The magic wizard part isn't your problem, I brought her to the physics department for that. That's... the other dimension thing, is why I'm here. Because nobody knows her language. So I can't just ask about the magic, which is frustrating."
Trevor snorts, but isn't quite disbelieving. "Structure, grammar, what do you know about that? We need more to go on."
Max furrows his brow. "I'm not... I know some vocabulary, the language's name is Nloggy, mweelsrow's the magic, the world she's from might be named Kweengow, or that might be a region in it... she knows 'word' and 'means', though, so if you can teach her an English word, you can just ask her what the Nloggy equivalent is."
"Yes?" says, presumably, Sohng.
Victoria mimes writing.
Sohng pulls out her notes and Victoria grins. "Oh, good, she's literate, maybe we can get her to write us the alphabet, Trevor." She motions towards the notes, and Sohng hesitantly hands them over; Victoria gets a fresh sheet of paper and starts writing down one of each symbol, one to a line, while Sohng looks on in puzzlement.
Max looks with confusion at the symbols. He hadn't looked too closely at her writing before, and isn't sure how this is a useful starting point, but... they're the experts. He sits down in a nearby folding chair.
Sohng studies the list of letters, then takes a new sheet of paper and writes two columns of sixteen letters instead.
"Oh, I wonder if they're - not capitals, probably, but some kind of character transformation - Sohng?" Victoria points at the top left letter. "What's that?"
"Pek."
"That?" The other letter on the same line.
"Pek."
And the next row is ti, and so on. Victoria writes downs IPA renderings of these names.
Max tries out the sound in his mouth- it's like how that one girl from high school, the exchange student, pronounced H.
Trevor shoots him a dirty look, as if Max were intruding on his personal space.
"Am I doing it wrong?"
"...No."
"I was right about vowel length," adds Victoria, as they come to the end of the alphabet. "I wonder if these are in an alphabetical order or if she just did them in whatever order came to mind. We'll need more common language to ask. I have no idea yet what rules govern when she uses the left-hand column as opposed to the right-hand one. Might need more text to guess without being able to ask. Are these notes she's been taking on English as she picks it up?"
Sohng writes it out. Victoria peers at it. "Six letters, third and fourth the same. And it looks like the letters probably are at least mostly named after sounds that appear in them - I'm not sure why the 'cow' letter sounds like - Sohng, say 'Nloggy'?"
"Nlaaki," obliges Sohng.
"So I'm not sure why the 'cow' letter is turning into a hard G, but apparently it really is, that wasn't a mishearing on your part..."
"Yes," Trevor responds, "English double vowel syntax does not apply to every language in existence. I'm glad you're paying attention."
"You don't have to-"
"The real question is, does it extend past two? More vowels, you hold the sound longer? How do we check that?"
"Yeah. That'll help," Trevor comments. And then "...that'll help, actually. Yeah." Trevor begins jotting down a copy of the alphabet for his reference, and marks down "ruum <-> and".
Some time passes.
"So... you've got the alphabet down, right? What's your plan, now? Where do you go from here? Do you have an agenda besides curiosity?"
Trevor boggles. "Agenda... curi- the pursuit of knowledge isn't-"
Max backs up. "Whoa! No, that's- of course- I mean, do you want to document her whole language, or just learn to talk to her? What do you mean to do tomorrow, or the day after?"
"So... unless you think you can do that in the next few hours, there's going to be a practical obstacle. Which is... she... sort of, was teleported in, from that other dimension I mentioned, and the thing that allegedly sent her here didn't send her here with... a food supply, or money, or a place to stay. And I'm guessing that if the physics department couldn't line up room and board on short notice for a literal magician, the linguistics department isn't going to have much luck either?"
Well, no, he reasons, he couldn't have known any better than her what kind of people to call, so if she did miss anything he wouldn't have figured that out by asking.
...he could have known, though. If that were something he'd decided to learn about earlier. Not having known something he needed to know doesn't sit right with Max.
Max thinks for a moment. Trevor, meanwhile, nervously mutters something about tenses and specifiers, and goes to grab a book from a shelf.
"I didn't... I didn't call the residence people, no. I can't really pay for university housing on a teacher's salary..."
Trevor scoffs. "What, are you serious? She's magic, just go win the Randi Prize or whatever. You mean to tell me you can't think of a way to make money off a wizard?"
"...the Randy what?"
Sohng, meanwhile, has figured out that these new people want to learn Nlaaki, and starts helpfully writing out a glossary with various numbers of dots and simple drawings.
Max is not a cartoon character, and so his eyes do not literally transform into dollar signs, but they are making a good effort. He opens his laptop bag- he's going to see how expidiently these million dollars can be arranged.
Trevor leans over and watches as Sohng compiles her glossary, consulting his transcribed alphabet. He attempts to pronounce some of the phrases near the dots.
Max, meanwhile, has discovered that applicants must be at least 18 years of age, and that there is an application process of unspecified duration. He frowns. It's still worth doing, but it won't solve the immediate problem of not having a place to put her tonight.
...he's not going to have to let an insomniac little girl have the run of his apartment at night, is he?
Sohng stops writing numbers when she has gotten to thirty-two, and then starts writing a glossary of other things, getting Victoria to write down words she has learned in English next to Sohng's own transliterations and translations. "Yes" and "no" and "person" and "sun" and "rain" and so on.
He shoots off an email to Liu- asking if there are any expensive materials in their budget that they could directly obtain funds by having multiplied or whatever for free.
And he asks the two linguists "Do either of you have space at home to keep her for the night?"
Max's brief hopeful expression is gone.
This is magic. There is a wizard from another dimension who is breaking several... general rules of chemistry and information theory, if not necessarily laws of physics, and his concern is where she is going to stay for the night. It's been almost twelve hours, and the world has not been turned upside-down.
Just a little too personally frustrating to be relieving.
He's... going to have to lie about what he knows, since he can't have her demonstrate her magic over the phone. ...Probably.
"Basically... she- her name's Song- or, Pyay, maybe- she doesn't speak English, she's... lost, doesn't have anyone to contact or anywhere to go. We're kind of figuring out what happened, and how to help her, there are people here at the university who can, uh, vouch for her? There's gotta be- someone I can talk to, or something you can do, for..."
To the phone: "Right, but- she will be a student, shortly, or- there's... she's important to the university, because..."
He's blanking. He keeps getting distracted by the absurdity of having to navigate all these layers of bureaucracy when magic is involved.
Victoria groans and hangs up. "No good. Maybe we should ask the professors or something. But they'll steal her."
"So... see, she doesn't sleep, so she doesn't necessarily need a place of her own, as long as it's safe- if there's a library nearby that's open 24 hours, she could just stay there overnight- but she does need food, is the-"
And then he remembers.
"...she might not need... the first thing she did with magic, was... turn an apple core into like, a big peanut, somehow. She might be able to make her own food, but... I don't know what the limits on her power are. So I brought her to the physicists- but then I-"... was told by Gloria, but... "-realized, it'd be easier to just ask her, if I brought her to... you."
"...turned an apple core into a peanut," says Victoria. She looks through the glossary that Sohng has been writing; neither "apple" nor "peanut" appears yet. "I don't know about just leaving her in a library. She seems pretty placid, but if somebody asks her what she's doing there she can't answer them, not yet, I'm impressed with how much she's already learned but she's not going to be able to handle being quizzed by a security guard in the next few hours. Which might not be such a problem if she weren't black, but, well."
Max had thought to himself, earlier, that since she didn't need to sleep, he could just let her do her own thing at night, but... he'd thought that, as a young black woman who didn't speak English, letting her out on the streets in the dark would not be the safest thing to do. He had to take care of her directly, because of that.
He briefly considers the idea that his consideration of her race ended the instant it stopped being useful as a justification for controlling her... and then does away with that consideration, judging it unpleasant.
"I suppose we could give her a note to show to anyone who bothers her? 'I don't speak English and am waiting here for my friends from the university'. With phone numbers. But first we'd need to be able to tell her to stay put overnight. Trevor, does your watch have a second hand...?"
Max pulls away the piece of paper Trevor is looking over. "They don't have days, actually. Her world- she mentioned there's more than one sun, and we couldn't get her to understand the concept of day and night, until-"
He stops, noticing Trevor's death glare. He lets go of the glossary paper, which Trevor slowly pulls back. "Thhhank you," he forces out, with the restraint audible in his voice.
Max backs up a little.
Max checks his email quickly. Liu hasn't responded to the materials question yet- Max sends him a followup email with- he looks up, quickly- Trevor and Victoria's university contact information, informing him that they'll know where the wizard is being kept.
Victoria hangs up. "She suggests that the mice could just stay in the office overnight. Now we get to figure out how to tell Sohng that..."
Trevor stares.
"...I'm not making that up, by the way. She might be?"
"I don't know, she- we don't know." Max rubs at his temples. "Song- if no hour hour hour sleep... hour hour hour what? Max sleep, Victoria sleep, Victoria's girlfriend sleep... Earth people sleep hour hour hour. What Song and Pyay do hour hour hour?"
"It doesn't solve that. Not yet. She's gonna have to eat, right? Who's buying her food?"
Max pats his wallet reflexively. He can afford it tonight, but... he doesn't want to set a precedent, since it'd be a strain to be the one buying her food on a regular basis...
"Well... see, the first time she got hungry, I started digging through my pockets for food, and she... that's when I discovered the magic thing, since she just took an apple core and turned it edible using a tiny chunk of... something that looked like a peanut. But... she did ask me for food, which implies that she couldn't just food-ify anything she wanted."
"So we learn her words for food, then ask how doing mweelsrow on food works. That sound right?" Trevor responds.
"Do you expect to be able to understand a technical explanation of magic...?" wonders Victoria. "No, no, it's worth a try - if I turned things into food, though, I'd want to be sure they were worthless. Maybe she can identify an apple core as trash it's okay to repurpose and is confused by everything else?"
Pyay looks expectant. "Do either of you have... something to give her?"
Pyay, in several steps, turns one of the halves into a cracker and her original cracker into ceramic, breaks off two small pieces, puts one away, uses the other small piece to turn the second mug half into cracker, offers Victoria back the extra ceramic chunks, gives the mice one cracker-mug-half and bites into the other herself.
Well, the next thing he needs to do is mail in that Randi Prize application. Then, as regards finding things out... finding out how mweelsrow works, finding out what Kweengow is, finding out how people can move between Kweengow and Earth, finding out if there are other places, finding out how there are other places... he should start making a list.
Trevor, meanwhile, grabs a sizable stack of unused flyers for some theatrical performance from a nearby shelf. "We sleep, you muilsroo paper to food. Not good food, good food..." He peeks at Sohng's glossary. Is there anything in there that looks like it might be "money"...?
Sohng flips through the glossary. "Tree food," she eventually says, "rabbit food, uh..." Handwave, handwave. "Muilsroo food no good, no -" She makes a face, sticking out her tongue. "And, muilsroo bad, food bad, and -" She mimes sickness, clutching her abdomen. "Pyay good muilsroo, but, no muilsroo food good good."
Trevor can be seen outside the window, retrieving something from his car.
Max turns to Sohng. "Food- Kweengow- Earth, tree food, rabbit food... but... people get food..."
And then he remembers- she's seen him use money. The pet store, he bought mice. He points at her cage.
"Mice- I buy mice, I gave person 'money'-" He opens his wallet to show her- "-and person gave me mice. People buy food, person give people money, people give person food."
...And he realizes that this hardly helps the situation- he can't say he doesn't have enough money to buy her food, and even if he could explain that he'd rather not strain his wallet by offering to feed her... he's not sure she'd be sympathetic, considering her state of emergency.
Trevor picks this moment to come in the door, bearing several items. Half of a cinderblock, a stick, a large pair of fuzzy dice, and... a pizza? No, a pizza box containing several pizzas worth of uneaten crusts.
"You don't eat the crusts? Isn't that a waste?"
Trevor glares at Max. "No. I don't usually eat the crusts."
"It kind of says something that she'd rather eat pizza crusts than do her thing to the cinder block," says Victoria. "Poor kid."
Max grabs his bag and zips it up impatiently- and then realizes he'd probably benefit from staying as long as the two linguists are here. He puts it down on a sofa on the other side of the room.
Trevor, meanwhile, opens to a blank page in his notebook. "So, the two-people thing... they keep switching off, right? There's probably something in the language that denotes which one of them is talking, or it'd get confusing. Do you think we should look for it in pronouns, verb conjugation... something else?"
"I'd guess pronouns, but I'm not positive they'd bother to mark it," says Victoria. "Why should they, if it's a usual thing? People who know them well enough can probably tell and she never looks confused enough for there to be zero internal knowledge exchange so I bet with other people it doesn't tend to matter very much."
He flips through his notes, looking for something.
"...but then, we don't know whether it's even important to tell people apart, for them. We don't know how these pairs function, culturally. Hard to make assumptions."
Trevor puts down his notes. "Gah- okay, we need to... we've got the sounds and alphabet, that's good... where do we want to go from here, though? Usually I'd start asking about pronouns and useful prepositions, but we don't know if they even have grammar terminology, much less how to ask about how their parts of speech work."
Max looks up at... whichever one she is. She hasn't said much since the mweelsrow questioning, so he's going to guess... Pyay?
He stops himself from asking "You doing okay?", since she likely wouldn't parse it right- and settles on "Is the food good?"
...He wonders about her mouse supply. She discarded several dead ones, earlier, and he doesn't know whether that's normal and if she'll need to buy more mice on top of food, later.
"Uh, mouse..." Both of the linguists are gone- he's back to having to puzzle out how to phrase things. He doesn't know if she knows "die" or "new"...
"Your mice sleep, but... before, hours, maaso, mice... dead, mice..." He takes a scrap of paper and draws a mouse lying on its back with Xs in its eyes. He's not sure it's recognizable, so he draws a live mouse next to it for contrast.
She puzzles over this drawing. "Oh," she finally says, "mm - tlaa - Pyay muilsroo -" She is clearly frustrated by her lack of words; finally she picks up two pizza crusts, sets them down, and pokes them both with the smallest bit of fingertip she can. She flinches back after doing something to them - one of them starts to steam gently with the moisture she swapped in from the sponge, suddenly heated, and the other acquires subtle condensation. She points at them. "English, English?"
Max is befuddled by this- he notes that mweelsrow- probably 'muilsroo' by the transliteration of the alphabet lying on the table- does heat, in what appears to be defiance of one of the laws of thermodynamics. He's not sure what this has to do with his question, but he points at the crusts and labels them "hot" and "cold" respectively.
"Hot, cold," she says, mangling the pronunciation. Write, write - her handwriting is different, though the alphabet is strange enough that it would be easy to overlook. "Yes. Uh -" She draws a stick-girl up a tree and a nasty monster, keeping her treed. She points at the picture. "And..." She draws a hand, with a leaf in it. Arrow goes from tree to leaf. "Hot!" She traces the arrow, repeating "hot", then draws a leaf on fire. "Hot tlaa. Cold -" She taps the tree. "Mouse mouse mouse cold -" She tilts her head, squints her eyes shut, lets her tongue loll out. "Pyay cold! Cold mouse, Pyay not cold. Mouse -" Miming of deadness. "Tlaa hot -" Miming of deadness.
But... yes, she can set a leaf on fire by stealing all the heat from a large object... instead of just swapping their "temperature", it's actually moving the energy. So... she warmed up by killing off her mice, stealing their heat and freezing them to death? It seems kind of wasteful, but he nods with understanding anyway.
More interesting is that muilsroo appears to be a free heat pump- creating heat differentials of arbitrary sizes at no cost. Either it circumvents entropy- god, he hopes that's the case- or it's drawing on a power source that can transmit over distance and across the boundaries between universes. The latter, he imagines, might help the physicists track down Kweengow, unless the power source is no closer to Kweengow- or, Kuigao- than it is to Earth. Both options are encouraging.
"Muilsroo cold..." he trails off. He's not sure how to ask about it, but... why take heat from all those mice? Why not from the ground, or the air, or... just a single mouse? He doesn't recall her dead mice being at absolute zero- a limit on how much heat can be transferred from something?
Trevor comes back, toting what appears to be an older desktop computer and monitor. He sets them on a desk and starts wordlessly plugging them in.
"No laptop?"
"No laptop."
"Prepositions, prepositions. It'll make it an order of magnitude easier to talk about things if we can talk about relationships between them. In, under, on, before..." Trevor supplies.
"Might want to stick 'clip art' in your search, cut away details that'll distract her from identifying the thing you're trying to show?" Max adds, hearing that. Trevor takes a deep breath.
"We don't know much about how familiar she is with stylization. Stick figures translate, apparently, but clip art might be confusing in a completely different way," Victoria says. "The blocky colors, for instance, or things like - most grapes aren't purple and a lot of diamonds aren't diamond-shaped, that sort of thing is visual shorthand she won't have. I'll see what I can find in the way of - colors, and then we can do prepositions with colored dots." Typety typety.
It's an awkward transcription, and Trevor gets frustrated. He eventually sees Victoria pulling up colors on her laptop, and hastily crumples the paper. She can handle this.
Then Victoria collects a little cardboard box that once held chalk and some of Trevor's highlighters. She teaches Sohng the word "box" and gets to work on prepositions: the green one and the red one are next to each other. The green one is in the box. The blue one is on the box. The pink one is next to the box. The box is under the blue one.
Sohng writes and nods.
Max, meanwhile, likes a suggestion that has been provided regarding the money issue- rather obvious, but probably easy to do. Turning objects into gold and pawning them- if she could make an entire apple peanut-y with a single peanut, it'd likely be even easier to do with a simple elemental material like gold. He'll have to investigate, later, whether there's any limitation that would prevent this.
Which... does not actually make it less confusing to Max that sleep can be offloaded onto a mouse. Surely mouse sleep differs enough from human sleep for the transfer of "sleepiness" to be considerably asymmetrical? And it can't just be offloading the chemical signals telling the body it's tired- somehow the processes of sleep are actually being done, presumably. He gives Sohng a funny look from across the room.
Trevor quizzes Sohng on some simple pronouns, and learns 'sin' and 'mri'. "D'you think they distinguish between subject and object pronouns?" he asks Victoria.
"We can find out. Unless she's deliberately simplifying everything for us and that's a simplification it would occur to her to make," says Victoria. And she starts brainstorming a list of little skits to act out with their small available cast of people and verbs in order to elicit that kind of distinction.
In the course of these skits, they discover that Sohng uses a different pronoun to refer to the group of Victoria, Trevor, and Max than she uses to refer to Victoria and Trevor alone. After some confusion with regard to the referent of "you" when asking Sohng about Sohng and Pyay together, they nail down the dual numbered pronoun.
"No gendered pronouns, huh? Did you establish if they have gender the way we do?" he asks the linguists.
"We'll handle the 'just checking', thanks," Trevor replies, scrutinizing his table.
"I'm going to be in my car, and I'm going to be asleep, and if she wakes me up I'm not going to be happy."
Max gets up and points out the window to show Sohng Trevor's car. "Trevor sleeps in that car. If you need..." He's not sure if she knows 'need', yet, it's come up a few times...
"Gh- you just told her- why would...!" Trevor sighs. "Never mind. Fine."
"Sohng and Pyay alone... nine or ten hours? ...Six maaso. Yes?"
"...Oh." He leads her into the hallway and shows her the water fountain, and then follows the signs to a single-occupant restroom. He... doesn't know if she'll understand how Earth's facilities work, but... this is the place for it. He opens the door and gestures at the small room, hoping she'll understand what it's for.
...And calling in sick for tomorrow. First time he'll have to make use of a substitute teacher for his own class. He grimaces- he didn't prepare anything, and he knows from experience how annoying that'll be for his stand-in.