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freshman year
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The new crop of freshmen is mostly pretty ordinary. They're fresh out of middle school, playing with new identities, seeing how the batch from this neighborhood react to the batch fed in from the other side of town. They're bonding or forming petty enmities over music and fashion and flash-in-the-pan romances; they're developing opinions about their teachers and the quality of the cafeteria and how early they have to get up in the morning to catch the bus.

Here, sitting by herself writing in a prettily-bound notebook, is a twelve-year-old. Must have skipped a couple grades.
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Suzy is bored and Arthur isn't in the cafeteria yet, so she's looking at the freshlings. Most of them are bland. The writer might be interesting, though.

So she sits down across from her. "Hey, watcha writing?"
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"Just some personal notes." She shuts the notebook and puts her pen away. "Hello."

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"No weird stories? People with stories stuck in their heads are the best. Oh, I'm Suzy, shouldve said that first, probably."

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"I'm Isabella. I've been known to come up with stories, but I wasn't writing one just then."

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"Well, if you do it again, tell me some. Most people are boring, there's not enough stories to go around so they all share the same ones."

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Arthur wasn't that far behind Suzy, as it turns out. "Hey, Suze, trying to recruit minions already?"

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"Maybe! She was writing something in a fancy book, that makes her interesting."

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"Minions?" wonders Isabella archly.

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"Suzy gets 'cunning plans'. And then wants people to help her go through with them. For some reason, she thinks other people will be convinced more easily than me."

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"Just because you think they're silly..."

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"Oh no, you were right, selling honey from secret beehives on the roof totally would have worked if we stuck with it. Absolutely."

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"The roof wouldn't be a particularly good place to put beehives, in terms of logistics or in terms of things for the bees to eat. And you need a fair number of of beehives to get enough surplus honey to sell more than a handful of jars. You can do a little beekeeping in your backyard, if you only want a small quantity, but the equipment's expensive for a high-school budget and you wouldn't get very much return on the investment," says Isabella. "There are easier ways to make money."

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"Oh no, our dreams of anarchy honey are ruined. Such a shame, such a shame."

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"OK, so that one wouldn't have worked, but..."

No comeback occurs to her. Topic-change! "Have you kept bees yourself?"
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"I've met people who keep them."

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"Are they around here? I want to see it done in person sometime, at least."

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"No, nowhere near."

This is not a lie yet. If she has to say they're in Washington, that will be a lie.
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"Damn. Well, I'll get to it eventually."

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"Suzy ask you the boring questions yet? Classes, whatever?"

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"It didn't come up. I'm loaded up on AP courses, and regular Spanish and choir. I'm hoping to get into college no later than two years from now - maybe one, or as a January admit next school year, if I can pull that off."

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"Wow, you're blowing through school, aren't you? And you're pretty small for a freshman. There a story there?"

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"I'm twelve. As of last week. I skipped a couple of grades."

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"Well, guess I know the smartest person in the room whenever you're around. Big plans ahead of you?"

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"I'm thinking maybe medical school."

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"Seems good. My folks are doctors, actually."

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"What kind?"

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"Mom's a surgeon, Dad does research. I think it was on some antibiotics alternative, last I asked? I can't keep the details straight."

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"I haven't picked a specialty yet but I'm thinking research, not clinical practice. Maybe public health. That's if I do wind up in med school instead of something else."

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"He used to work with the CDC on something. It was years ago, though. We moved here from Atlanta when I was eight, I think?"

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"OK, this is boring, I am changing the topic now. What do you do for fun? You said you wrote things?"

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"I - sort of, yes. And I do archery and calligraphy and some crafty stuff and I read."

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"Did you make that notebook?"

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"No. It was a Christmas present."

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"Someone gives good presents, then, it's a nice notebook."

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"You need a test reader for your sort-of writing? I'd be happy to help."

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"I haven't really planned on publishing. I don't think I'm much of a storyteller. It's almost more like annotated daydreaming than anything else, and I only have one story."

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"Well, one's fine if it's a good one. What's it about?"

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"A kid falls into a magical wardrobe and finds a land full of talking animals and fantasy creatures; a thinly veiled Christ allegory makes her Queen and she reigns for a fifteen-year Golden Age before being abruptly shunted home and finding that she is ten again and the wardrobe is no longer magic."

She almost but doesn't quite touch her cross necklace; she drifts into an almost British accent.
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Arthur notices the drift, and the hand. "Funny daydream that comes with a Christ allegory. Your family very religious?"

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"My parents," she says, accent snapping back to standard American, "are the sort of loosely Christian who don't actually do anything about it, and my mother likes to flirt with New Age and Eastern spirituality on an unpredictable schedule. I'm Christian but not any specific kind - I haven't found a church I fit."

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Well, something doesn't fit about that. But anyway, "My family's theoretically Catholic. In practice, that just means Easter and Christmas Mass."
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"You're missing the important part of that story, Art. Which is the tasty accent. Where's it from?"

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"Affectation left over from too many SCA meetings when I was ten and eleven."

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"I like it, makes you sound fancy," she puts on a mock-serious expression for a moment, "You should tell all stories in that accent. No one would dare doubt you, you'd be much too dignified."

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"I'll keep that in mind."

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There's a bit of a lull, and Suzy nibbles at her lunch.

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Isabella has a lunch too, brought from home. Nibble. "What was your name?" she asks Arthur.

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"I didn't say, did I? I'm Arthur, nice to meet you. Five minutes ago. Or something. And I think I missed your name, too."

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"Isabella. Swan."

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"Rhydderch, for me. Don't bother pronouncing it, even I've barely got enough Welsh blood to recite the incantation, it never works for anyone else. Even if they've tried for years like Miss Piper here."

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"Duly noted. I won't risk butchering it."

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Lunch continues to ensue.

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That afternoon is AP English, which Isabella attends. Partway through she is excused to the restroom. She doesn't bring her notebook along, although she does close it on her class notes - without so much as putting a bookmark between the oddly parchmentlike pages - before she goes.
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Arthur and Suzy are also in AP English. In fact, they were sitting right nearby.

Arthur lazily runs his fingers over the page-end of the notebook. He whispers to Suze, "This is really odd paper. Wonder how it was made?"
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"Ooh, let me see!"

Arthur passes it to Suzy, who opens it up to the first few pages.
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The notebook falls open to detailed notes on a bookbinding course Isabella apparently took once. There are what look like slightly filtered photographs, stamped right into the pages as though they were inked there.
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Suzy hisses, "Art, look at this! It's like a hand-made textbook!"

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Thoroughly distracted from English, Arthur looks and whispers back, "Weird..."

And then turns to another page.
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The bookbinding notes interrupt themselves to suddenly become a collection of the pictures, all roughly index-card-sized. Autumn foliage. A castle on a beach. A unicorn in a forest, flowers braided into its mane.

Four thrones, three empty and in one of them a girl, who looks just like Isabella but a few years older, in queenly raiment with scepter and crown.
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"That's gorgeous! And who is that?"

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"She looks like Isabella. Maybe she has a cousin? Who does really, really thorough fantasy SCA, and made a fancy printed book with pictures and notebook pages for Isabella. Which has notes written in it before some of the pictures."

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"You're not convincing either of us."

She turns the next page.
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Here is older-Isabella - in these pictures quite a bit older - dancing with a short man with furry legs and horns and a tail.

Here is Isabella mounted on a griffin.

Here is Isabella addressing a giant.

Here is Isabella and a centaur doing archery side by side.
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"We should ask Isabella about her 'daydream'."

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"Yes. And maybe not keep reading her... probably-magic book."

He'll turn a few pages back and forth to see if they stay the same. But he's still going to close the book afterwards.
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Calligraphy practice, with margin notes about technique.

A map, pasted in in index-card-sized installments from some other source, of a place that seems unlikely to exist on the geography teacher's globe.

A to-do list with items like "expecting messenger from Archenland" and "consult Mr. Tumnus about rescheduling appointment with representative from the winged horses".
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Yep, definitely putting down the magic book and leaving it alone. It probably isn't cursed, but Arthur does not feel like taking chances.

English proceeds, mostly without Arthur and Suzy paying any attention to it.
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Isabella comes back from the bathroom. She lets her notebook drop carelessly open; it displays English notes and she adds to them diligently.

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At a spare moment a few minutes later, Arthur turns to Isabella and says "I'd like to hear more about your daydream story sometime. With the unicorns and fauns and all."

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"Did I mention unicorns and fauns?"
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"No, but they're in the book. The paper was odd and we didn't expect... any of that."

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"You read my -"

"Isabella," says the teacher. "Is there something you want to share with the class?"

"No, Mrs. Williams, I'm sorry," says Isabella, clutching her English notes.
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"It was your English notebook, it didn't seem secret! And I put it down as soon as I figured out the pages didn't stick to one thing."

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"I opened it. Sorry. We just saw some stuff about making books, and a couple pages of pictures."

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"I use it for things besides English. Never open it again," hisses Isabella, and then she returns her attention to the lecture.

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"I wasn't going to, jeez!"

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Isabella shoots a few nervous looks in their direction over the course of the lesson, but doesn't say anything else, until the school day is over and she says:

"What was it you said you wanted to know?"
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"I'd probably start with the 'magic book' part, but whatever part of the story you want to tell first, I'm about equally scared, confused, and curious."

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"Are you going to tell anyone about my book?"

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"Would anyone believe me? I probably wouldn't if I hadn't seen it. and I'm not going to steal it!"

He pauses with a thoughtful look, then continues, "And besides, we were trying to make friends before you were apparently a magic princess. I'm definitely not going to be a jerk now!"
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"You wouldn't have to steal it, or outright convince anyone. You'd just have to get someone interested enough to pick it up and look through it." Pause. "Queen."

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"I'll keep your secret. But I really want to hear the story, now."

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"Same. I won't tell."

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Isabella looks at them warily, but says:

"Once upon a time a ten-year-old girl fell into a magic wardrobe in an abandoned mansion. She met fauns and dwarves and talking animals and dryads and unicorns and griffins and Father Christmas and an evil witch and a thinly veiled Christ allegory, all of whom were very excited about the land seeing its first human in centuries, and when the evil witch was defeated and the hundred-year winter thawed into a new spring, she was crowned the queen of Narnia and ruled for a fifteen-year Golden Age, and she had dozens of mostly magical Christmas presents, and then - she got on her horse and went for a ride and wandered past the wrong tree - and came out the wardrobe again and found that she was ten, wearing her old jeans and her old t-shirt and her old sneakers, and all her gifts were gone except for her infinity notebook. And the wardrobe. Was. No. Longer. Magic." Shrug. "So she remembered the way back to her father's house, and went - home."
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"And skipped ahead in school, to prove she was an adult as fast as she could..."

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"More or less. After I got used to Earth, again."

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"I hated being treated like a kid enough when I was one, let alone the queen of not-Earth. Did you actually do SCA?"

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"Yeah. Talked my mom into it and went with her. I wanted a bow and arrows, and it's convenient to explain the accent lapses and the calligraphy and a few other things. I considered begging for riding lessons but there's no way I'm getting my own horse so it's not necessary to explain why I can handle one."

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"I want to congratulate you on your excellent plan, but you're really twice our age, aren't you?"

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"It must have been a jolt, coming back."

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"I'm probably not twice your age. I'm subjectively twenty-seven." She swallows. "Jolt doesn't begin to describe it."

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"Well, now you have two other people who believe you."

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"If only I knew what to do with this resource."

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"OK, so that might have helped more two years ago. And I guess the book was proof you weren't nuts. But still."

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"If the book hadn't come with me I don't know what I'd have thought."

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"I'd probably have called it a really vivid dream, eventually. And written it down. Maybe tried to find a way back, if it kept feeling so real."

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"I'm fairly sure I have to have been shunted back for some reason. It may have been impossible to make the time continue to match up in such a way that my parents wouldn't miss me, that's my dominant hypothesis. I've tried the wardrobe again, it's just - it doesn't work anymore. I don't know what else to try."

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"Something might be weird about the wardrobe that you could study. But when there's an obvious Jesus allegory walking around and actual physical Santa Claus delivering magical presents, I guess you can't expect normal rules to apply. Maybe it's astrology and there won't be another time it can work for decades."

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"The obvious Jesus allegory is named Aslan, there," she murmurs. "He's a lion. And Father Christmas prefers to be called Father Christmas. Astrological reasons seem - unlikely, but I can't articulate why."

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"Suggesting astrology was a joke. Well, mostly a joke. I don't know, I've never seen magic work."

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"By and large it's magic stuff more than magic people. Even the witch mostly used her wand, and I'm not sure Father Christmas and Aslan did things so much as they were magic things. I didn't have any objects that required particular sidereal conditions."

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"Had anyone else traveled between worlds, there? Or did it not seem important to ask?"

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"The first King and Queen of Narnia back when it was made were humans, but their descendants thinned out the human-ness into the surrounding populations pretty thoroughly to the point you would never notice. And, well, Aslan, in his way. I don't know if Father Christmas used to have a presence here and was only shoved out by the general Earthly hostility to magic later, or what."

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"That... sounds unhelpful. And sad. And it reminds me that I should probably start actually believing in Christ, now."

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"If it makes it easier, I have fairly thoroughly looked through branches of Christianity practiced today and I don't think any of them are right. I'm also not in the least confident that the Bible as popularly translated contains exclusively non-apocryphal content, or includes all of same. I'm not so much a Christian exactly as I am someone who has met Aslan and thinks his local name was probably Jesus."

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"I'll figure something out. It's uncomfortable to think about, not painful or anything. I haven't been living a terribly, sinful life which I now must give up and repent, it was just easier to have God be a background thing I didn't care about."

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"I understand. The emphasis in Narnia was fairly heavily on Aslan over his father the Emperor-Beyond-The-Sea, but I'm not sure exactly why."

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"Well, if Jesus walked around helping queens and fighting evil witches, and his dad was on the other side of the ocean where I'd never seen him, I bet we'd do that, too."

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"Well, yes. I'm not sure why Aslan did the legwork while the Emperor was inaccessible, but it's possible the Emperor was busy elsewhere, just like Aslan slipped off to do other things shortly after I was crowned. There are two worlds, I see no reason there shouldn't be more."

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"Oh, sure, makes sense. I'm just thinking I would find it way easier to believe in Jesus if he went around doing things where I could see him. Is there any picture of Aslan in your book?"

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"No. He left before I got the magic equivalent of a camera. He looks like, well, a lion. A very big golden lion, but with, you know - personable sort of facial expressions."

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"It's hard to imagine. Hard to believe, too. Not that I doubt you. Well, not exactly... My mom was religious, and it felt so fake I still have the bad taste in my mouth. Even when I think you're right."

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"I wasn't in the least religious when I found the wardrobe. But, well, they celebrate Christmas, in particular, and - I was there when Aslan did Narnia's edition of the Passion."

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"I'd probably be convinced if I was there, then, too. It sounds true. But it still feels wrong."

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Isabella shrugs. "I'm not a missionary. Maybe I'm supposed to be, but I can't really tell people in general that I fell into a magical land through a wardrobe and met the lion version of Jesus."

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"Mmm."

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"There's a lot to think about. I'm kinda beat, honestly, think I'll head home. But.. thanks."

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"Please don't tell anyone. I'm still legally twelve, and letting on generally about this would make my life very complicated."

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"Secret's safe with me."

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"Same."

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"Good."

Home they all go.

Isabella is of course at school again the following day and may be visited at her table at lunch.
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Arthur and Suzy show up again at lunch. And the next few days, as well.

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Isabella is introverted enough and twenty-seven enough that she wasn't particularly looking for friends in high school, but if they turn up of their own accord she won't refuse them. She shows them the archery range where she keeps in practice - "I used to have a magic bow, which helped a lot, but one of its magic traits was that it taught me what I ought to be doing, so I can still shoot pretty straight. Though the modern equipment took some adjusting and lessons." She shows them pictures from her infinity notebook. "Here's me when I was fourteen, the first time. I'm not really looking forward to doing puberty twice. Although I suppose the sanitary napkin situation here is better." And on the less queenly side of things, she has a mom; her mom is pleased she's made friends and bakes them cookies. She knows a few interesting places in Phoenix to be.

Here they are, sitting at a bus stop waiting to be carried away to a place where they can borrow horses and go on a trail ride, and the bus is just pulling up, and there is a peculiar and displeasing pulling sensation that is not normally associated with buses -
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"Eh, something feels odd"

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"Like something's pulling you that way?" She gestures vaguely to the right.

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"Or in no specific direction -"

The pulling goes on, the scenery blurs out, the scenery blurs back in, and they are all three closely surrounded by branches and dimly dappled light and the smell of the sea.
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After a moment of disorientation, Arthur grins and says, "I don't think we're in Phoenix anymore."

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"That was... very, very different from the wardrobe," murmurs Isabella. "And this time I didn't have a chance to pack - I've got my notebook and a water bottle and a sandwich and that's about it. Let's get out of this thicket."

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"Right." She looks around, picks a direction that looks clear-ish, and strides forward.

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Once they are all out of the thicket (which takes its toll in pricks and scratches first), they are on a beach. The sea is calm, the weather is warm.

"This could be Narnia," says Isabella, "but then it could be somewhere else altogether - I'll be able to get a good guess when the sun sets and I can see the stars, but we might want to have made progress towards a source of water besides what we have on us before then. I don't immediately see civilization and none of these trees look awake to me. Unless one of you heard or saw or smelled a spring back in the direction of the thicket we probably want to walk along the beach until we find a stream emptying into the sea."
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"Sure, I guess." She's somewhat distracted looking at the ocean.

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"Yeah, good plan... Anything special to look for by the shore? Every Boy Scout outing I did was in the mountains or desert."

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"If you see a boat out on the water, or anything by the shore that looks like people made it, etcetera, let me know. Unless one of you has matches or something on you it's not worth the time it would take to build a fire, and therefore not worth hunting up and carrying around any seafood we run across, but if you see berries or something that look appetizing I might be able to identify them."

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"Basics, then. OK, let's look for civilization."

As he's about to start walking, though, he notices Suzy. "Hey, Earth to Suze?"
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"What? Oh, yeah, sure. Is the ocean this big on Earth?"

She's ready to go, though. There will be plenty of ocean to walk past.
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"The ocean is indeed this big on Earth."

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"Wow. I never saw it. It just keeps going!"

Walking, walking.
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There are occasional seagulls. Isabella says, "Excuse me?" to the first couple, but they don't answer her; eventually she stops.

Their path curves right. They cross a bit of rock that runs out into the water until it comes to a point. There's a sharp turn, and more land is visible off in the distance. "Can you two swim?" asks Bella. "I'm beginning to wonder if we're on an island. We might still find a connecting bit of land, though, soon or at lower tide."
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"A little. Couldn't get to way out there."

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"Some."

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Eventually they climb up some rocks - Isabella with exquisite slowness and care - and find that they are indeed on an island.

"Okay," she says, "I see a stream over there, we should go hydrate and then follow it inland and see if there's anything to see there."
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"Ok, let's go. Come on, Suze, the ocean will still be there later."

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Walking, walking, walking.

Eventually, they find: perfectly recognizable apple trees in full fruit.

Rows and rows of them.

And crumbling old stone walls.
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Arthur reaches for an apple from a lower branch, then stops. "Are apples too symbolic to be trustworthy?"

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"I ate apples in Narnia. This is an orchard, not a tree marked do not eat, the Emperor says so." Isabella picks one and bites it. "They're ripe."

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"Hey, the most I know about magic stuff is fairy tales and old myths. And there are at least five apples that were bad news."

Still, he grabs the apple and bites in. "Mmm, delicious."
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Suzy grabs her own. "Ooh, these are good."

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Isabella quickly finishes her apple, then starts wandering the ruins.

When she's standing in the middle of the front chamber, just beyond the gate, she comes to a stop.
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"Something wrong?"

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"I'm - not sure yet."

She starts walking again.

When she's turned a few corners, and found a well -

"I think this is Cair Paravel. I didn't think it would ever fall apart like this - I didn't have an heir named, but there were some competent people, there was a household, why wouldn't it have gone on being occupied - how long has it been? Fifteen years passed in no time, I suppose it could have been centuries, long enough to turn the peninsula into an island and overgrow the apples and wreck my castle - but oh if we're here, if it was abandoned early on and not after some period of infighting -"

Her accent is very thoroughly Narnian now.

"- then some of my things might be here, put away, maybe, I don't see anything much just lying around, my cloak and bag and scepter and bow and so on were probably all left where I disappeared and I don't know if anyone would have recovered them but the bookshelf at least wouldn't be trivial to move away from the castle -"
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Would 'Oh man, cool!' be rude to say? Yes, yes it would. OK. "Lead the way?"

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"It's so overgrown and fallen down - well, the bookshelf would be this way."

She leads them through the ruins, consulting her notebook's old map of the layout of Cair Paravel, until she finds what used to be the library. There are books in various but unpromising states of disrepair, and shelves for them, and also one short ordinary-looking bookshelf with nothing on it at all.

Isabella falls to her knees in front of it and touches the wood and it is suddenly and totally full of books - a set of encyclopedias, to be exact.

"Okay," she says, "the drawback of this particular present is you have to know what book you want. So if none of us can come up with the title of a book that will tell us how to build a raft, it won't be any help. But it will do any book you do know of, even Earth books, and we are definitely, truly in Narnia, not just a lookalike."
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"The Scout's manual should have something like that. Do I have to know the title exactly?"

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"Touch the shelf and see," Isabella says.

And it turns out that "Scout's manual" is specific enough.

"But we might not have to go anywhere. I'd be a little surprised if literally no one lived here, and we might be able to find the cornucopia."
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"Sure, let's look around," he says, then continues in a slightly mocking tone, "Should we let you lead, your majesty?"

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"If I've been ordering you around, I apologize. Please make yourselves at home inasmuch as you can given the state of the place and collect whatever books you like from the shelf. I'm going to see if there's anything in the storeroom. You may come along if you like."
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"Sorry, I just find it all funny. Also cool, and a little sad, but funny."

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"You have a weird sense of humor sometimes, Art. I'll come along, I think."

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"I think I'll keep looking around up here."

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"As you like." Isabella eventually finds where the door to the storeroom should be. It's covered pretty thoroughly with ivy.

"I don't suppose you've got a knife? I can try the kitchen, if not."
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Suzy checks the pockets of her jeans and finds a small Swiss army knife. "This might work, but getting a kitchen knife might be faster."

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"But there might be none at all. The storeroom will probably be locked, but after this long - long enough to cave in the roof and grow all this ivy to begin with - I bet the wood's rotted and the latch has rusted, so we should be able to get in but it will be less picked over than a freely accessible area like the kitchen, is my best guess." Isabella gets to work cutting the ivy away. Eventually her prediction about the wood is correct; it takes her a long time, but she manages, with the knife, to dig the lock mechanism totally out of the surrounding wood so that the rest of the structure of the door swings free.

It's very dark down there, and beginning to dim outdoors, too.

"Oh, I hope, I hope, I hope my scepter's in here," she mutters, descending the stairs carefully.
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"What did the scepter do?"

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"A few things. I could talk to any allied person over any distance. It lit up, which would be handy right about now, especially for finding anything else down there. And it cured my clumsiness."

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"Should I go ahead of you? If you're worried about falling, I mean."

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"It's only sixteen steps, I'll probably be okay if I'm careful. You wouldn't know any of my stuff by feel anyway."

Isabella makes it to the bottom of the stairs without falling, and feels around until she locates a suit of armor, and pats it down, and then starts rummaging through the shelves. There are clinking noises. She sneezes from the dust. "Holiday dishes - miscellaneous jewelry -" she mutters. "Chess set - boxful of the good linen, probably all rotted now - that'll be my ceremonial sash - my dancing slippers - the ivory set - the nice silverware; why isn't that near the dishes, who put this away last? - my cloak! -" There is a swushing noise as she puts this on. "Oh, if my cloak's here someone did find wherever my stuff fell when I vanished and put it away for me - eugh, embroidered pillows don't hold up well - here's my crown! -" Another pause as she sets that on her hair. "And, come on, come on -"

The room lights up in a blinding flash, and when Suzy can see again, Isabella's in a silvery-blue cloak, holding a brilliantly jeweled staff in one hand, wearing a leafy circlet on her hair, beaming.
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"Wow, you look... majestic."

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"I'll look more majestic when I've found everything else. Although I'll probably have to stick with the jeans and the T-shirt. I doubt anything less sturdy than these boots -" She plucks a pair of boots from a shelf - "has survived. My wardrobe probably was eaten by moths or cannibalized for scraps or both. I should be able to find my belt, though - oh, the cordial, I'm glad to have that but I'm sad no one was using it, I wonder if the berries are growing wild somewhere by now or if the plant died? - it'll last a while on whatever's in it, though - there's my bow!" The bow is gorgeous; so is the quiver of arrows she slings over her shoulders. "Oh I missed it - ooh, my pen - ha! This will serve as a lighter - there's my camera-like thing -" Isabella collects and wears or pockets or bags various objects until she's even more majestic, passing over literal heaps of precious gems while she does it.

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Suzy follows around, picking up various things. Mostly she's goggling at the wealth of it all, even after centuries of absence.

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"It's amazing this wasn't looted. The jewels you keep staring at are more or less the Narnian-royalty equivalent of arts-and-crafts supplies - not that they weren't valuable, just that during my reign everyone was very keenly aware that you couldn't eat rocks. Take a pocketful of them if you like - could even be useful if we meet people who might want to trade with us. But the magic stuff - I don't see the cornucopia anywhere. That's good, more or less, I hope someone got good use of it, even if it means we're going to eat a lot of apples and whatever I can shoot. But everything else was just sitting here, what a waste, however convenient it is -" Isabella puts her hair in a quick braid and attaches it to her head with a jeweled comb. "Hmm, the horn's missing, too." She pulls out her notebook, clips the pen she was so pleased to find to its cover, and opens it. "But everything else is here. Except the bookshelf and my various infrastructural presents, of course, those are presumably where they were put to begin with."

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"I might. I guess this is all normal to you, I must look silly."

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"Not at all. I took some adjusting my first time through, too."

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"I hope I do, soon. I feel like a farmer kid looking at her first skyscrapers."

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"Wait'll you see unicorns."

Isabella trots, brisk and surefooted, up the stairs, cloak sweeping behind her dramatically, and goes looking for the other of their number to see how he's faring.
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Suzy grins and follows.

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It doesn't take long to find Arthur, he didn't wander that far. He stops dead when he sees Isabella.

"So you found your things, then?"
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"Everything except the horn and the cornucopia! Oh, and I'm not sure what will have happened to my berry plant; it was in my window but that whole tower's collapsed. I'm going to look for it; if I can find it and it's growing, it's a good idea to replenish my healing cordial in case something happens."

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"The cornucopia I can guess, but what did the horn do?"

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"Summoned help. Sort of idiosyncratically. I got it pretty late in my reign and never used it myself, but occasionally someone else would have it and blow on it, and someone - not someone in particular, but someone who was in a position to help them - would hear and know where to go."

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"If they found your things, but left everything here except food and 'help'... I don't think I like the sound of that."

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"I don't think the cornucopia and the horn were in the storeroom or on my person at the time I disappeared, so it's not quite that concerning."

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"That's good, then. Shall we go search under your old tower?"

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"Mm-hm."

And, lighted staff leading the way, Isabella climbs around and rummages through ruins, until she is pretty sure that:

"The plant is either dead or relocated. But there's more of the cordial than it looks like - it'll be good for dozens, if not hundreds, of healings, and if we need that many before Christmas I'll be surprised. Although not floored, because we're here now for some reason."
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"Where do we go from here, then? Gather a few bags of apples and head towards the mainland?"

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"I think there were a couple leather packs in the storeroom. You should see it anyway, Art, even what was left behind was amazing."

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"They'll be kind of worn out, but they're better than nothing, albeit I'm keeping my Earth backpack in the absence of my old bag. There does remain the question of how to get to the mainland when you two can't swim. I can walk there, I have shoes that will let me walk on air, but I can't take you with me. I could walk there and see if there are any boats, but if there's no boats and no creatures willing to give you a ride... I suppose I could attach the magic shoes to an arrow and shoot them back for your use? It's not that great a distance, I think I could make the shot with the good bow even with shoes throwing off the balance."

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"I guess we do a circuit of the coastline? If someone lives on the island, they're probably near the water."

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"We've already been most of the way around it, but we can go the rest of the way, if you two aren't tired, since my scepter does light."

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"That would be fine with me. Or we could wait until morning. Or try a raft."

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"We'd be easier to find at night, with the light bobbing around."

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"Good point. Sound like a plan to you?"

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"Sure."

Isabella strides out, bejeweled and cloaked and even-striding and crowned Queen.

But there does not seem to be anybody living on the shore of the island, even though Isabella tries (dubiously) talking to two gulls, one tree, and the stream they found itself ("in case there's a river god").
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"I guess we try the raft next, then? In the morning."

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"I'd sooner go for walking and then shooting my shoes over to you, but yeah, we'll work out how to get off the island in the morning." Sigh. "There's not really going to be anywhere comfortable to sleep; oh well."

At least the night is warm.
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And the apple trees keep off any rain and most of the wind. And then it is morning, and they are rested if sore.

"What's a good way to test shooting the shoes across the strait? Anything else we can hang from them?"
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"Yeah, I'll get some of the old linens out of the storeroom and try that."

She gets some old linens and bundles them into a roughly shoe-sized configuration, and goes out of the ruins to find a clear way to try shooting it, but before she's loosed her burdened arrow, there may be seen a pair of men in armor, in a small boat, coming up the river and holding a struggling bundle.
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"What's that they have in their boat?"

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"Either a person or a nonspeaking animal, but considering, I don't think I like the odds it's the latter," says Isabella, dropping her encumbered arrow and drawing a new one.

She shoots.

She grazes one of the soldiers' helmets; they drop their bundle in the water in a panic and wade away, abandoning their boat.

Isabella rushes forward to try to rescue the bundle.
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Suzy's right behind her.

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Arthur's not as fast off the mark, because he's watching where the soldiers flee.

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Eventually, they wrestle the bundle out of the water.

One of Isabella's recovered objects was a little folding knife (ridiculously pretty, like all her things, but also sharp and efficient); soon she's cut the ropes and burlap off of what turns out to be a dwarf.

"Well," says the dwarf, when this has finished up and he's coughed up some water, "whatever they say, you don't feel like ghosts. Ghosts or not, you've saved my life, I'm much obliged to you."

"You're quite welcome," says Isabella.
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"Happy to help."