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bless me, father
slayer karen confesses killing vampires to priest!macalaure
Permalink Mark Unread

The only reason that Karen doesn't spend a good ten minutes outside the door fidgeting is that there's a line. As it is, she spends twenty seconds with her hand on the door handle, debating whether she actually has enough courage to say words about the situation to someone who isn't her sister. After that long, she worries that someone is going to ask her if she's OK, and then she'll have to lie about it, or else explain the situation to someone who is not bound by the seal of the confessional, and that would be no fun for anyone.

She ducks inside and kneels in front of the screen. She doesn't usually do confession with the screens, but she's glad for them today.

"Uh. Hello, Father."

 

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"Welcome, my child."

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Maybe if she pretends to be brave. She crosses herself, and -

"Bless me, Father, for I have sinned. It has been - three months, ish, since my last confession. I - had some other things I wanted to say, but I've forgotten them, because I'm mostly thinking about the fact that I killed nine vampires in an attempt to keep them from killing other people, and they didn't really cover this possibility in depth in my confirmation classes, so I'm not really sure whether this is a sin or not."

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" - ah," he says.  

"It is not a sin to kill in self-defense, or in defense of another. It can still weigh on the soul, though, so I'm glad you mentioned it. Are you all right? Are the people you were protecting safe?"

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She pauses.

" - I think so. Some them had to be taken to the hospital, but I think I got to them all in time. They're - not permanently safe, but they're alive and stuff."

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"It is very unusual for a human to be able to repeatedly fight vampires."

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" - yeah. Yeah, I know. It's, um, there's some magical thing - I dunno if using magic is a sin, but it just sort of happened? It wasn't on purpose. Apparently there's something where one girl at any given time is something the vampires call a slayer. Superhuman speed, strength, etcetera, enhanced healing, prophetic dreams. And she's supposed to use her powers to fight vampires. I guess. I think I kinda missed the orientation. So to speak."

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"It's often hard to tell how God means us to use our gifts, but those sound like gifts you have because you needed them to protect people. There is some debate over how we are to interpret the scriptural prohibitions on magic, but the understanding my conscience guides me to is that you should never consort with, or pray to, beings other than God. Everything else is - working within the universe to do good, just like using its less mystical physical laws."

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"...OK. That makes sense, I guess. Um. ...I've been trying to figure out whether there's something better to do than to just try to catch vampires in the act of killing someone and then kill them back before it's too late. 'Cause it seems like a pretty non-ideal system."

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"It's good of you to be thinking about that. I - think perhaps it would be good for you to ask me for help outside the confessional. Would you be willing to do that?"

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".....yeah, OK. If you're not gonna tell the FBI so they can lock me in a padded cell and do weird experiments to see if they can duplicate slayerness."

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"I promise that we won't go to the U.S. government with information about you until the U.S. government can be relied upon to handle this gracefully. - I know someone working on that, it's not as impossible as it sounds. I mostly want to introduce you to someone who can watch your back and to some people who are trying to research alternatives to stabbing."

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"OK. That sounds really good. Thank you, Father. - oh, I have to finish the thing, sorry."

She counts off on her fingers and starts talking abnormally fast, because then this part will be over sooner. "I haven't been praying or reading the Bible as often as I should. I skipped mass once without a good reason. I didn't do the laundry when it was my turn and my sister had to do it even though she was really tired after work and I think it made her sad. I wrote a story and I got to a part about sex and I think I should've skipped over it and I deleted it later but I shouldn't have written it in the first place probably. Also I skipped doing algebra homework three times to fight vampires, and I don't know whether fighting vampires is a good enough excuse that it isn't still a sin to not do my homework, especially since I think the vampires thing might be motivated reasoning since I kind of didn't want to do it anyway. - that's all I think."

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“Did you apologize to your sister? Can you do the laundry when it’s her turn?”

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"Not yet. I can do it when I get home. And yeah, I can take one of her turns."

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“You can’t drive God away, you know. Even if you run away for a very long time he’ll be right there the next time you really look. But the people you love - you can end up with a lot of distance to close, if you’re careless. I want that to be your priority this week, all right? That and the vampires. 

I don’t know if you ought to do your math homework. I do think you ought to sit down and imagine what the life that lets you do the most good for the next year looks like, and then do your math homework if you think it’s part of the best you can do, instead of letting the pressures of the moment settle it.

Why do you think you don’t pray enough? Do you start when you’re in a hurry? Do you run out of things to say?”

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"No, I think - I think I sort of got out of the habit after my parents died? I kind of stopped talking to a lot of people after my parents died. Not my sister, but - other people. And - with God, there just keep being more and more things that I should ask about, and some of them are confusing no matter how much I ask about them? And - I guess sometimes I just feel like I'm bad at praying, like I don't know how to focus on it right and I definitely don't know how to hear what God's telling me to do all the time, and I know that it's still important to do it even if it doesn't always feel like it's doing anything, but it's... demoralizing. And so it's hard to just keep deciding to do it anyway, even though I know it's important. And I'm tired."

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“When my father died I stopped talking to God. Eventually I found that I could sing to him, though. 

I think I would like you to try this week to pray when you feel safe and strong and happy. Get yourself your favorite food, watch a movie with your sister, come here to church to watch the sunset and escort the parishioners home safely - and then tell God that you are glad for the world and working to protect and love the people in it, and that you understand him a bit better when you do that. And someday you will understand him well enough for the hard questions.”

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"OK. I think I can do that. Thank you, Father."

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“For your penance, I want you to apologize to your sister and do the laundry for her. Say your act of contrition.”

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"My God, I am sorry for my sins with all my heart. In choosing to do wrong and failing to do good, I have sinned against You, whom I should love above all things. I firmly intend, with Your help, to do penance, to sin no more, and to avoid whatever leads me to sin. Our Savior Jesus Christ suffered and died for us. In His name, my God, have mercy."

She sounds a lot more cheerful now.

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“God, the Father of mercies, through the death and resurrection of his Son has reconciled the world to himself and sent the Holy Spirit among us for the forgiveness of sins; through the ministry of the Church may God give you pardon and peace, and I absolve you from your sins in the name of the Father, and of the Son, and of the Holy Spirit.”

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"Amen. Thanks again."

When she's all done, she waits in one of the pews and thanks God that there is at least one probably vaguely responsible adult in the world who doesn't think she's crazy. She scribbles some Latin vocabulary in a notebook and waits for the scheduled confession time to end. She looks up about twice a minute to make sure she doesn't miss the priest - even if he didn't mean to talk about the vampires right away, she does actually have to be able to recognize him to talk about the thing later.

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Eventually he departs the confession booth. He’s tall, really tall, with long glossy carefully-braided black hair and a very striking face. He looks perhaps 25, which is odd because the short biography in the brochures at the front door says that he graduated from seminary in 1973. Maybe it’s a typo.

 

He smiles at her.

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OR, her brain helpfully offers, MAYBE he is IMMORTAL.

It would probably be super logistically complicated for a vampire to become a priest. 

She had better not take her chances.

"Hi Father! I have to ask you a question, do you have a minute now or should I come back? - also can we maybe talk outside. Where there is sunlight."

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He’s wearing a silver crucifix; he raises his eyebrows just slightly and reaches up to touch it. “Yes, absolutely.”

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"Sorry," she says, when they're outside. "Slayers are supposed to die young but I don't want to make it easy for anyone. Um, so - I found out about vampires when one of them attacked me a few months ago, but she lost, which was very confusing for both of us, and then a different vampire told me that I was something called a slayer, and - since then I've been trying to learn more about vampires, and about all the other weird stuff that happens around here, but I'm sort of completely unqualified to handle all that alone, and I thought if I got help it might take me longer to. Y'know. Die."

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“You were right to get help. There’s an organization that’s supposed to train and orient slayers, I wonder what went wrong. I haven’t heard particularly inspiring things about them anyway, though, letting them know they missed one wouldn’t be my highest priority unless you’d like me to do that. There are other resources it’ll be easier to get you without the Watcher’s Council considering itself responsible for you. Is your living situation safe right now? Does everyone know not to invite people in?”

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"I think so. I told them not to. My sister doesn't necessarily believe in vampires, per se, but she's not sure they're not real, and she's not the sort of person who ignores easy chances to do things for other people's peace of mind just because she might think they're kind of dumb. And I told my nephew."

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"Okay. I think I want to arrange you a bodyguard and some books and some case studies from cities less complicated than Sunnydale so that you can be safe and get some training while you figure out what you think you ought to be doing. Does that work?"

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"Gosh. Yeah, that'd be amazing."

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"All right. You can come by for the books any time you'd like; I don't know where the bodyguard is right now but I expect he can be here within a week or so. Would you like a hug?"

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"I think so." Hug. "Thanks so much."

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“There’s one other thing. If you find yourself in trouble, you can do - ” this “and I will hear you if we’re in the same city, and can try to help.”

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Woah.

" - you're not a normal human person, are you."

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"I'm not. - I am validly a priest, though, there was no reason to think I shouldn't be but nonetheless I checked whether water I blessed was lethal to vampires before I did any sacraments people relied on."

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"...cool. Well, I'll see you, Father - what's your name again?"

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“Michael.”

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"Like the archangel." He looks sort of like what you might think an archangel would look like, maybe. "I'm Karen. I'll see you, Father Michael."

She does not, for once in her life, report back to Azalea, nor does she report her findings to Zeke. Her allies are all... very different from each other, and it seems like letting them be made aware that they are all allied with her is the sort of thing that could potentially lead to problems. She does apologize and do the laundry. She's back at the church for Sunday night Mass a few days later, and she hangs around the sanctuary afterwards and waits until it looks like she won't be interrupting anything by asking about the books.

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“Of course!” He hands her a big stack; they are freshly-bound with covers that say things like “an introduction to folklore in the Ottoman Empire” and “excerpted oral tradition in Mesopotamia, 10th century B.C.”. “Vampires,” he says matter-of-factly, pointing to the books one by one, “other demons, institutional actors, case studies from Saskatchewan, Ontario and Cleveland in ascending complexity. Ignore the titles. How are you doing?”

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"Much better now!" she says, packing the books into her backpack - best to keep her hands free if she's walking across town at night. "My sister likes me, I have a new church that comes with excellent new reading material, and nobody at my school has mysteriously died this week. So really about as good as it gets."

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"I'm so glad. Your bodyguard will be in town tomorrow, is there a good place for you to meet him?"

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"I am kind of unclear on the extent to which we are planning to let my sister know that I have a bodyguard, so... here, or I guess school if you want it to be somewhere I'd be going anyway? Also I have no idea what having a bodyguard entails if you are not the president."

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"I trust you to figure out what it makes sense to tell your sister, though if it will help for her to hear it from an adult I am happy to drop by and explain. I want you to have a bodyguard to alert you to threats before they are in range of your hearing, help train you to protect yourself and others, and intervene in fights that look particularly dangerous. Other potential uses might include looking after your loved ones if they're doing something dangerous you can't accompany them on, or if anyone tries to get to you by targeting them, or persuading the Watcher's Council that you're looked-after and do not require a Watcher, assuming you don't want one. - the books will be informative about that."

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"OK. I will not get through all the books tonight, but I'll make a good start. Should I come here tomorrow after school or do you think Sunnydale High is OK? I can't, uh, drive, so going places takes a little bit of time. But I can make it if here's better."

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"He can meet you there. Maybe you can mention that you have a distant cousin in town planning to pick you up for ice cream. - he is in fact very likely to be a distant cousin."

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"I will consider mentioning this," says Karen, because she doesn't want to say that this sounds exactly like the sort of thing that a bad-at-lying fifteen-year-old would come up with if she were trying to hide something bad. Maybe this is the point. People will probably not assume that she's hiding vampires.

"Anything else?"

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"I don't think so. Take care."

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"Thanks! You too."

She wastes no time when she gets home. "AZALEA.”

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“You know, Karen, I truly and genuinely appreciate that I was not tasked with raising one of those teenagers who only communicates with her adults in monosyllables.”

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“ - that’s sincere, right?”

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“Completely. What can I do for you.”

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“So I told the priest at St. Mary’s about vampires, and it turns out he already knows about them, and also knows about slayers, and also knows about the sort of training that slayers are supposed to get, except for whatever reason the group that’s supposed to train them hasn’t caught up with me yet, and also Father Michael says that’s a good thing so we're not going to let them know right away, but he does think that I should have a - he kept calling him a bodyguard? Someone to make sure that I don't get myself killed fighting vampires while I'm still figuring out how to do that. And I thought that if that was going to be the situation then I should probably let you know."

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"...I appreciate how many syllables that was."

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"Are you really worried or just a little worried?"

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"I'm... you understand that you're fifteen years old, right? That's old enough to do a lot of things. I do not know that it is or should be old enough to go to war."

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“I’m not going to war! I’m just, you know, doing - training-wheels superheroics, instead of starting with a motorcycle and probably wiping out and killing myself.”

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“…you’re going to try to save people from vampires no matter what I say, aren’t you.”

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“Yes.”

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“I suppose that under those conditions it makes sense for you to have some kind of backup.”

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“Yes.”

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“I want to meet this person. And Father Michael. And anyone else who thinks it’s a good idea for you to go around - doing these things.”

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“Does that include Zeke? Because I haven’t asked him directly but he seems to condone it and I don’t think it’s a good idea for you to meet Zeke right now.”

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“Zeke is your vampire friend.”

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“Yeah, the one who told me all the stuff.”

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“….meet the damn bodyguard. Invite him and the priest guy over to dinner sometime. Give me some advance warning so I can make something in the way of an actual dinner.”

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“…OK. Thanks. Are you mad?”

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"No. You’re fifteen, it’s your job to be reckless and idealistic. Or nihilistic, whichever. But I’m twenty-four, and it’s my job to turn in my cool card if that’s what it takes to keep weirdos from hurting you.”

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“That seems kind of backwards.”

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“I know, right? Who decided to let me be the older sister? Dinner’s refried beans and leftover mashed potatoes.”

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So she eats dinner, and she stays up until two AM reading her books, and then she wakes up at six AM and does half of her homework in a panic and tells herself that maybe she can finish the rest during lunch. (She does not finish the rest during lunch.) One of the kids who's noticed her being shifty asks where she's going after school, and, having failed to think of a more plausible cover story than the one she was given, she reports that a distant cousin is coming to pick her up for ice cream.

The kid predictably finds this doubtful.

After school, she and the kid can be found on a nearby bench conversing really, really slowly in broken Latin, waiting for whoever it is to find them.

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He looks like - well, whatever sort of being Father Michael is, he is obviously the same sort, though they don’t otherwise look all that much alike. He glances around, sees them, and lopes over very gracefully. “Karen?”

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"Hi! Yeah that's me."

Wow, he's not even a tiny bit plausibly Korean. Technically she has family members who aren't Korean but she does feel like this would have been less suspicious if there were anything resembling a family resemblance whatsoever.

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"Your cousin," says the kid next to her. "Your last common ancestor was who, Noah?"

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"A very distant one," she says, solemnly shutting her Latin textbook.

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“So technically what happened was that my grandfather remarried after my grandmother died and had four more children, and Karen’s on that side. We don’t get on with our half-cousins and that’s what everyone but Michael calls them, half-cousins, but he’s all serious these days so I guess he decided it was Christlier to drop the “half-”. Who’re you?”

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"Dennis."

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"I don't know this person? He just sits down next to me at random times to tell me that I'm being suspicious."

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"Yeah, that's pretty much how it is."

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"Hey, that's an important service, teaches you how to be less suspicious. Ice cream? My car's around the back."

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"Sure! Bye Dennis!"

She waits until they are probably out of earshot of Dennis.

"So who exactly, uh, are you."

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"I'm Michael's brother. He's good at singing and I'm good at stabbing, we specialize like that. And he was worried about you, so, backup. Until you can handle yourself, which I expect I can definitely teach you to do, if the stuff we have about slayers is true at all."

 

His car looks like it is thirty years old but very loved. 

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"Cool. I, uh, have basically no real combat training and definitely have no vampire-specific combat training, other than I guess stabbing ten of them. I don't think any of the ten had any idea what they were doing, though."

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"Most of them don't. It seems like the transformation affects discipline and motivation to self-improve, at least in many cases, so it's pretty rare for vampires to spend their immortality getting better at hand-to-hand violence. Some do, but not many."

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"Huh. That... does seem like a thing it does." Zeke does not seem terribly motivated to improve himself on very many axes, which is probably a good thing. "Not that I have an extensive sample size."

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"But you're much better off if you can take the rare one who stayed ambitious, or who had combat training already, or five at once, or whatever else you run into."

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"Yeah. There are a lot of them running around, and I think if I do this for any length of time then I'm going to get unlucky at some point. Probably at several points. And I still need to come up with a better system than just... stabbing people who are already trying to murder someone, because I'm definitely going to be too late, one of these days, and there have got to be a bunch of incidents that I never run into at all. But I also don't think I can just preemptively try to kill every vampire I run into."

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"You can get them - at least, many of them - to go a long time without murdering people just by making it really clear this'll get them killed and arranging alternative sources of blood. There are a few that don't kill people. We haven't encountered any who stably don't kill people even if it becomes convenient."

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"...Yeah. But there are lots of humans who do horrible things when they're convenient for them, too, and it doesn't mean we can just murder all of them. They're... people. And people are worth saving. And, I mean, sometimes you can't, a lot of the time you can't, but you have to at least think about what it would mean to do what you can, right? That's - why we're doing this in the first place?"

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"I don't have the slightest idea what you oughta do, just figured you'd want to know that when you were deciding."

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"Yeah. I'll think about it. First I have to not get killed, and then I can work on getting better at making murder victims not be murder victims, and then I can work on better responses to people in high-murder demographics than ignoring or extrajudicially executing them. I think." She sighs. "So is there, like, a lesson plan?" Because she is bad at those.

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"I thought we could start with archery. Because it's fun, and good for not getting killed."

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Oooh. "That sounds good."

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He has a selection of bows and a space cleared in the forest for them to practice, with a target that's impressively far away; he demonstrates each of the bows four or five times, explaining some points as he goes. He reliably hits the target, but usually not the center; it's not obvious until the last bow that he's spelling 'Karen' on the target. "- so what do you want to start with?"

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Woah.

She tentatively selects a bow and asks permission to use it before firing in the direction of the target. She's straightforwardly strong enough to use any of them, but while her aim is unusually good for an untrained human, it's not good enough to actually hit the target from this distance.

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That's good because then what would she be learning from all this practice! He has a lot of suggestions. Do slayers pick up new combat skills unusually quickly?

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Slayers pick up new combat skills unusually quickly! After a while of practicing she... still can't reliably hit the target but is definitely missing it by less.

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"Awesome! You're picking it up very quickly, just so you know. I think we should stop for now, because there are other things it'll be important to cover, but I'm really excited about what you'll be able to do in a month."

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"OK! What else?"

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"How exactly have you stabbed the vampires you've stabbed?"

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"Uhh... one of them I ended up tackling, and the first one was really weird because I didn't know how much force I had to use, but I guess by default, like - "

She pulls a stake out of her backpack and stabs the air. Her basic stance is borrowed from karate lessons she took when she was nine, and is therefore not completely terrible, but her overall form is not very optimized for stabbing things with stakes.

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Cool, they can work on that too! And on stances more combat-oriented than karate lessons for nine-year-olds, generally.

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This sounds like a very good use of time. Her form improves considerably.

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This seems pretty important so they can go until she's getting tired or her sister is expecting her home.

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Azalea honestly doesn't expect her home at any specific time, but eventually they will hit the hour when Karen feels like she's in danger of missing dinner if she doesn't head home soon.

"Oh! Also. Azalea wanted me to invite you and your brother over for dinner later in the week, presumably to discuss the slayer thing, is there a day that would be good for that?"

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"Whatever works for you, I don't have a real job here yet and doubt I will by the end of the week. - Michael's got his singing things on Wednesdays and Saturdays and Sundays, I think."

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"OK! Thursday then, Thursday's good. Thanks so much. - what's your name, again?"

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"Good question." He pulls his driver's license out of his pocket and examines it studiously. "Alex," he announces. 

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" - you know, Gabriel would be funnier, but OK. I'll see you tomorrow?"

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"The guy who makes our identities banned elaborate in-jokes after the incident in the 1980s. Tomorrow sounds great."

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"That's probably fair of him. I'll see you."

She heads home and tells Azalea that Real Dinner should happen Thursday. She reads her books. She considers whether she should tell Azalea more and whether she should tell Alex more and whether she should tell -

- she actually has no idea what Zeke would do if she announced that that she's getting serious training in vampire-killing now, and that she has a new trainer-person whose attitude towards not-currently-violent vampires is not really something she feels comfortable gambling on. Probably not try to kill anyone directly, if only because it sounds dangerous. Probably he'll just leave town and make her somewhat sad about that. But he could tell someone else. He could buy a gun. She likewise has no idea what Alex would do if she told him that she's friends with a vampire; probably ask her if she's sure that he's not committing any murders, and given that she actually technically isn't, quite possibly kill him.

She can maybe just not mention either to the other, but this seems unlikely to work very well long-term unless she just never talks to Zeke again, and even then Zeke might worry that she's dead and come check on her.

Why is protecting people not really simple, like just always running into burning buildings to save trapped toddlers?

Possibly she should get some advice. Who does she know who cannot go killing people after being asked for advice on the subject, even if they think that someone really needs to be killed?

She checks her parish bulletin and confirms that St. Mary's very conveniently has 7:30 AM confessions on Tuesdays, and that she can probably make it from there to school by 8:00 AM if she runs the whole way. St. Mary's probably also has other priests who ever do things, but it's worth a shot. Or, like, maybe it's not, maybe confessing that you're scared that your decisions are going to get your confessor's brother killed is a terrible thing to do to someone, but she's going to do it anyway, because maybe she is terrible when she's afraid that she's going to get her friends killed.

She's at the church at 7:10, mostly because she can't very well invite Father Michael to dinner while she's confessing, and can't very well wait until 8:00 and be late for school, so she has to catch him on the way in. If he happens to be the priest on duty today at all.

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He is, and is in fact there already, sitting in the first row and singing. This was already fairly obvious when he led Mass but he has a truly astonishing singing voice.

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Wow.

She'll just. Sit in the back row and listen and try to catch him when he has to stop and move to the confessional, rather than having to make any decisions about whether and when she should interrupt him while he's doing that.

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At 7:29 he goes on over. 

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And she is there, having rehearsed what she's going to say continuously for the past fifteen minutes.

"Hi! Sorry to interrupt you, I just wanted to say that my sister wants to talk to you and your brother about stuff and do you think you could come over for dinner to this address this Thursday at seven?" She has a slip of paper with her address on it.

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"Oh! Yes, absolutely." He takes the paper and puts it in his pocket and opens the door to the booth.

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Cool cool cool. 

There is one person in line; she waits for them to finish and then enters herself.

"Bless me Father for I have sinned. Maybe? Probably at some point. It has been six days since my last confession. I have a problem."

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" - all right. Welcome, what's going on?"

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"So the reason I didn't end up dying when I was first - activated? - is that after I got jumped by the first vampire a different vampire came by and explained vampires and slayers to me and told me what research to do and how to kill vampires and how to protect myself from them, and I totally thought that he was trying to get me to lower my guard so that he could kill me later, and I guess I don't know one hundred percent that he wasn't doing that, because it's hard to know something like that, but in terms of his actual actions he's just been super helpful and without him I'd probably be dead and we're sort of friends now, and he's not a good person or anything but he's not, like, killing anybody, I don't think, although technically I haven't had the resources to one hundred percent confirm this? And I talked to Alex about how I want to find a way to stop vampires without killing them, and he seemed like he didn't think that was a totally stupid idea, so I don't know that if I told him about Zeke he'd want to kill Zeke, but I also don't know that he wouldn't, and then Zeke would be dead, because Alex is way more terrifying than Zeke. But also I usually talk to Zeke about how I'm doing and I think if I don't get back to him soon then he'll wonder if I'm dead or something, and I'm not super good at lying to people so I think if we get to talking again then I will probably end up mentioning Alex, and probably Zeke would just leave town then, where I guess he would maybe just start killing people again so actually maybe that's a terrible outcome, but if he doesn't then I don't want Zeke to like panic and buy a gun and try to shoot your brother before your brother can decide to shoot him? And I'm really really really sorry about giving you all of this information in a context that means that you can't act on it and have to just hope that I make responsible decisions, because I know that if I were in that situation that would be super horrible to experience, but also I don't want anyone to die, and I thought that to make that happen I should probably ask someone for advice who is not fifteen and who cannot unilaterally decide to kill people based on the information received in the process of giving advice."

She takes a breath and sighs heavily.

"Also I lied to my history teacher about forgetting to do my homework."

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"Having a list in advance of safe explanations that aren't lies is a good way to avoid lying when you have a secret to keep. It's hard to do in the moment. If you get a planner, and don't use it, then you can always say 'I didn't write it down in my planner'....

Of the things you described, I am by far the most concerned that Alex will kill your friend while going around killing vampires that are wandering the streets at night, as I take it he doesn't currently know that there's a reason to do that selectively. If you tell him how to identify your friend I am confident he won't kill him. Given that, I think it might not be a good idea to tell your friend. It sounds like it might disrupt him out of an equilibrium where he isn't murdering people. - why do you think he isn't murdering people?"

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"Because he said he wouldn't kill anybody if I didn't kill him, and it sounded fake, so I shadowed him for a few nights a few months ago, and he doesn't really hunt or anything? He breaks into the butcher shop after hours and steals, like, cow blood. Obviously he could have a way of knowing when I'm watching him, or could kill people only sometimes and happen to only kill them during nights where I haven't been watching him, and I should really check on him more thoroughly now that I can, but he was - sort of helping me help other people not die?"

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Nod. "I think Alex might follow him longer but that seems like a reasonable amount of checking, for the resources you had."

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"That makes sense. I'll... tell Alex, then. Thanks."

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"Of course. Ah, say your act of contrition -"

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She says her memorized act of contrition and resolves to do better. 

" - oh, do I have to do a penance thing? For the lying?"

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"Say three Hail Marys."

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"OK. I can do that. Thank you, Father."

Annnd then when he's said the absolution she really does need to run to school as fast as she can. She can say Hail Marys while running. Mary is a sensible person who probably wants her to get to school on time. And then she prays to God, for the rest of the way, because she's remembered that that's a thing she should be doing.

She's late. She's not very late. She's on time when she leaves the school and looks around for Alex.

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Sitting on a bench weaving a basket out of weeds. It's a cool-looking basket despite being made out of dandelions.

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"Hi! Ready to go. Also I remembered that I didn't give you my address, and I know you might have it anyway, but it seems best not to assume that people know where your house is unless it would be inconvenient for you if they did, as a rule. - nice basket."

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"Thanks. I have been following you closely enough to get an address but I think it's considered less weird if you tell it to me."

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"That's what I figured." She gives him a slip of paper with her address on it. "Also we need to talk about a thing but where there are - not people."

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"Yeah, people, they're terrible. Same place as last time?"

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"Sounds good!"

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Off they drive. 

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"So I have this friend," she says, eventually. "I guess he's a friend. It's slightly unclear. I think he's a friend. He's a vampire. An anomalously nice one, but, like, by vampire standards. He is probably some significant part of why I am not dead yet. Or at least a significant reason why the victims of the attacks I stopped aren't."

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"Cool. What's he look like?"

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"White, dirty blond hair I guess, this much taller than me - he's sort of generic-looking? I can point his crypt out on a map. ...you're gonna not kill him, right? At least unless he's still killing other people?"

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"Keeping your friends alive is my entire job. Well. It's like seventy percent of my job."

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"Oh. OK. Thanks, then."

She is in better spirits for today's practice.

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Oh good! Then they can get better at archery and hand-to-hand fighting and have a try at hearing people coming from a distance - "do Slayers have better senses?"

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She can get better at hearing people coming with practice, but she doesn't seem to have significantly better senses than a normal human. Can't have all the powers.

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So it goes. "Though that means we should probably get you bulletproof clothes."

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"Yeah. I am... not super clear on how we prevent me from being taken out by snipers once the vampires in town generally know what I look like. It seems like a thing that they might be interested in causing to happen."

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"I mean, I can hang around and stop them, but it seems like an extra layer of precautions will be good. - I do have vastly better than human senses."

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"That's cool. I don't super know where to get bulletproof clothes but I guess you probably do?"

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"Bulletproof clothes, bulletproof limos, antiaircraft missiles, sonic grenades, you name it."

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"Ah. I... think I don't need any of those other things, but I'll remember if I ever do."

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"Hey, better safe than sorry, imagine if someday you really need an antiaircraft missile and you haven't got one."

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"Maybe if we end up fighting dragons at some point."

Wednesday is more of the same - school, practice, dinner, books, a few hours of sleep, panicked homework-doing the next morning.

On Thursday, gym is cancelled because the teacher is missing. Karen really, really needs to get her math homework done before class this time, so she ducks into the basement during lunch on the theory that it'll be quieter down there and she might be able to focus.

There are trails of slime in the basement that disappear behind ancient filing cabinets. Also the smell of rotting meat.

She does not get her homework done.

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Alex is waiting for her after school. Today he is knitting an elaborate soft hat.

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"I think the gym teacher was....... eaten by something."

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"Shit." He stands up, ties off the hat, and puts it in his backpack. "What'd you see -"

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"Um - so the gym teacher was missing today and I happened to notice for unrelated reasons that the basement looked like, uh, like a really big slug had gone through it, and it smelled like something was rotting down there? And then I checked the gym teacher's office during passing period to see if anything was weird about it, and I think someone cleaned up part of whatever was there but they, uh, didn't get all of the slime."

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"All right. I'm gonna tell someone to look up kinds of critter that might be, in case it has any weird vulnerabilities or abilities we should know about, and then I think we should go after it today when we can easily follow it. Is that okay with you?"

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She nods seriously.

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"You okay?"

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"Uh-huh. I didn't look through the basement for it. I, uh, only have a wooden stake right now."

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"I got stuff in the car but I haven't taught you how to use it yet. I guess a knife isn't wielded all that differently from a wooden stake."

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"This is true. Probably. I am not an expert. I can probably figure out stabbing things with a knife, though."

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"The important question is whether you're safer with a knife than without one. I think ...you probably are? But a baseball bat might be even safer. Yeah, let's do that." He walks briskly towards his car.  

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Cool. Baseball bats seem nice and uncomplicated.

"Do you want to see the basement, or..."

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"Yeah but I'd like to go in armed even if we're going to wait for identification before we follow it. In case it's back."

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She nods and accepts a baseball bat.

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He takes a crowbar and a gun and something that might be a grenade and hands them both earplugs and in they go.

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The basement is creepy and quiet and continues to smell of rotting meat. There are greenish slime trails on the floor and on the ceiling.

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He looks at them intently. "Okay. I asked Michael to call a friend of ours with a big database, see if they can identify it. I'll let you know when they have something."

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"You asked - oh, the telepathy. Cool."

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"It doesn't work on vampires, actually, which sucks, it'd make it pretty much impossible for them to sneak up on us. But it's useful for this kinda thing. Not something you can learn, sorry."

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"I figured it was a... you thing." At some point she should really write up a list of all of the abilities of - archangels? Not-archangels, so that she doesn't get confused. Maybe write up a list of all of the abilities of everything she runs into, in case that ever comes in handy.

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"Yeah."

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A person with a sufficiently comprehensive database of demons could probably narrow it down to a few different things that climb on walls and eat people and leave slime trails that may or may not be about that color. Of the likely candidates, the Atrashi demon spits acid and the Kulaxa has a really ridiculous number of claws. Neither is thought to be intelligent.

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He conveys this. "All right. Let's follow the slime."

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"Cool."

There are slime trails leading in and out of the vents, and also slime trails leading to and from the boiler, and - ah. That would be the gym teacher. He's looking pretty cut up and melted at this point.

"...ah."

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"You wanna stay here or go up?"

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"Nah, I wanna find it. It's the third murder this year, I'll live. - unless I don't, I guess. How do we get to it if it's in the vents?"

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"Good question. I'd say we could gas it out but there are probably still people in the school....hmmm."

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"I guess we could wait until the school empties. Or - if it's been hanging out by the boiler then it probably needs water? Or warmth?"

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"Ah huh. If we send something cold through the vents maybe it'll come to us."

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"Radio-controlled car and... ice, I guess? Although you'd need a camera on it to have any idea which way it should be going. Or a map of the vent system, maybe, but I have no idea where we get one of those. Sort of wildly spitballing here."

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"You're thinking about the right stuff, though. Do you know where the air intake for the ventilation system is?"

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"Nah. One of the janitors might, I guess? Someone has to upkeep the system, I'd think..."

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"Yeah. Let's go ask them."

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The janitor they find needs to check his binder - Sunnydale janitors change so frequently that apparently Principal Flutie has taken to giving them all binders of everything they could possibly be expected to know, rather than wait for them to actually learn all of it. He then tells them where the air intake is, and doesn't even bother to ask them what they need to know for.

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That's convenient. "There's liquid nitrogen in the car. I think the easiest thing is to make the whole school very chilly for a little bit, and wait for our slime thing to come for the boiler."

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"That makes sense. You have a lot of things in your car."

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"Oh, the antiaircraft missiles aren't in the car, I have to call in for those." He stacks several identical indistiguishable black boxes and pulls out some metal canisters. "Here we go."

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"Solid. I don't know how to handle those safely so I'm going to let you do that and then wait by the boiler, I think."

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"Sounds good." He opens the canisters outside the air intake valves; they start to steam immediately. 

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The school is pretty cold by the time the Karen makes it to the boiler. The demon, it turns out, does not like cold. After a couple minutes of waiting, there's a gurgling noise, and then the vent cover is punched clean off the wall, and then the demon with lots of claws is headed right for Karen.

Between Karen and the claws and the baseball bat, the baseball bat is the weakest link; it splinters.

She takes - really almost no time to process this, actually, before skewering the thing's center on the pointy piece of wood she now has in her hand. The demon shrieks.

 

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He has arrived at the door by then but hangs back watching.

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She takes her stake out and stabs it again, on the theory that this will probably do more damage than leaving it in.

The demon explodes. Its innards are horrifically messy, but apparently not immediately caustic, because Karen is covered in them and mostly seems grossed out.

 

"I.... think it's dead."

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"Yes, I think so. Well done."

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"Thank you. Uh. Do we do anything about the dead part-of-a-body, or...?"

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"Taking a shower might be more urgent, but yeah, we should probably not leave this for the janitors. I'll mop it up."

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"Yeah. I'll go... do that. Thanks."

She heads for the locker rooms.

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She runs into someone on the way.

"...I'm gonna let you slide this one time, Teller."

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"That's big of you."

She showers. She changes into her gym clothes, because these are the only clean clothes she has right now. It occurs to her that they are probably in danger of being late for dinner, so she stuffs her slimed clothes into a plastic bag and grabs her backpack and runs out to the car.

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If he disposed of the demon he somehow did it without sliming himself at all. He's packing things back into the spacious trunk of the car. "Hey! Are we late for dinner?"

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She glances at her watch (which has been carefully washed free of slime, at least on the outside). "We will be, a little, by the time we drive over there. It's not a huge deal."

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"Okey dokey." He gets in the car. "You did great."

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"Thanks," she sighs, without much enthusiasm. "I guess we need a new gym teacher now."

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"Your school has a lotta vacancies."

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"Yes. I think they're about half deaths and about half people who decided to get going while the going was good. Have you seen the death numbers for Sunnydale High students and teachers? They're even more appalling than the numbers for the rest of the town."

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"Is there more stuff lurking around the school, do you know?"

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"Probably. I feel like there's gotta be. Nobody keeps official records on just the school, but I told the school paper that I maybe wanted to join and asked them if I could look through old copies for examples of good writing. They've been running an obituary section for the past seven years, and if you compare the deaths there with the information on the murders in the Sunnydale Herald - aside from just the sheer number, a lot of them have been killed in really weird ways, things that don't sound like vampire attacks."

She frowns. "I wonder if the Hellmouth's near the school. If Hellmouths are even things that have locations that are that specific."

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"I think they do, yeah. Man, why do kids keep going to a school with an obituary section of the paper?"

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"It's very mysterious. I am sort of confused about how nobody seems to have... noticed. Or, like, there are people who have noticed, but how nobody says anything. I think the police are doing coverups, but you'd think at some point that would just.... stop working?"

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"You'd think, yeah."

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Another sigh. "Is there an answer, is it magic or something?"

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"I haven't looked into a Hellmouth in particular before, but if you compare witness reports when a nonhuman-looking demon charges through a crowded plaza to witness reports when a human wearing a rubber mask charges through a crowded plaza, people are much better at identifying the attributes of the mask and much less likely to say the masked person was a normal-looking guy. So there's something at play."

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"Huh. So I guess it's probably some combination of magical influence and not wanting to be the one to say that the Emperor has no clothes. But there's clearly some level of evidence that you can give people to make them realize that something weird is going on."

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"Yeah. And the government does know, though I don't know what precisely they're doing or which many people I mean when I say 'the government'. 

If it were up to me I'd tell everyone. Let them protect themselves."

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"Yeah. Though I guess if everyone knew it could escalate to just - open warfare, if not just mass panic. Which I guess could be better than the status quo, if it changed things enough. But the word from on high is 'not right now'?"

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"The problem with specializing in stabbing is that other people do all the international policy stuff. And yeah, they say not now."

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"Makes sense. I would probably not be any good at international policy stuff. I will keep this in mind when deciding what to write for the school paper."

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"I'd be awful at it but on the other hand when I leave it to other people they always make decisions I disagree with." He pulls up in front of her house.

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She knocks on the door; the door opens.

"Hi! Sorry we're late, there was a - thing. At the school."

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"A thing?"

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"The gym teacher got eaten."

She heads inside and runs upstairs to change her clothes, rather than staying to answer questions about that.

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Azalea lets her pass. She raises her eyebrows at Alex and pointedly neglects to invite him in.

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He comes in anyway. "You must be Karen's sister! I'm Alex."

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"Azalea. What's this about the gym teacher?"

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"Eaten by a Kulaxa demon."

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"Mhmm. What is that."

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"Clawed, slimy, not thought to be sentient, dead now."

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"I see," says Azalea, although she really thinks she probably doesn't. "Dining room's in there. Your brother was on time."

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"I bet he was."

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"Alex! It's good to see you."

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"How's God?"

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"Pretty well."

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"Thank you both for coming. Who are you and why did it strike you as a fantastic idea to sic a fifteen-year-old girl on whatever these things are that are out there killing people?"

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"I was not actually under the impression I could talk her out of it."

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"People get to care about things other than their own safety, actually. And she's probably the safest person in this town."

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"Karen'll do what she's going to do, either way. And yes, she may well be in less danger with someone else watching out for her, if she insists on fighting whatever the hell is out there. But you're focusing on her an awful lot, given that she can't possibly be the most qualified person to go after these things."

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"I think she can grow into it, maybe, if she survives. The Watcher's Council kills most Slayers at eighteen, so there's not a lot of information out there about how much they can do with proper support and backing. And - I was assigned to this parish. Karen came to my church. I don't understand how Slayers are called, or why we crossed paths, but I don't believe anything happens for no reason."

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" - well. I guess that explains why you're not going to anyone more organized."

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"It's why we're not going to them in particular. There are a lot of actors in the underworld, and the best ways to avoid trouble are either to be sufficiently inconspicuous or apparently disorganized that you don't attract much notice, or to have established relationships and lines of communications with nearly all of them. The intermediate stage, where you're conspicuous enough people want you dead and not established enough that they have a clear picture of who that would annoy, is hazardous. So for the time being, I think Karen is safest if she goes around solving local problems with one bodyguard to keep her out of anything she can't handle. When she's older and has more training and a clearer picture of what she wants, she can revisit that."

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"...I suppose she's unlikely to run out of problems to solve, if half of what she thinks is happening in this town is actually going on."

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"It's an unusually active place. It's on a hellmouth."

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"Whatever that means." She sighs. "Look, I'm under no illusions that I can stop Karen, and I seriously doubt that I could stop you, so - if this is what she wants, fine, teach her to kill the things that go bump in the night and bring her home safe at the end of it. But the second, the second she wants out of your little crusade, she is out, she is back to being a high school student who worries about algebra and boys and recovering from the untimely death of her parents, all right? She has not enlisted in anything and you do not at any point get to accuse her of desertion."

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Nod.

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"I'm not here for making people do stuff."

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"All right. Good talk. I'll get you people some food."

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Karen comes down a few minutes later wearing something somewhat more normal. Her nephew, who is six, follows her down and silently stares at their visitors with moderate suspicion.

"So I'm thinking of joining the school paper," she says seriously, when everyone has food. "Because I'm sort of overbooked as it is but I feel like it provides a good cover story for investigating random nonsense, and I feel like there's a lot of random nonsense that someone should possibly be investigating. Possibly specifically a lot of random nonsense happening at the school."

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"Sounds good to me."

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"We should probably figure out a way to make the school less abysmally unsafe. - the town in general, really, but the school seems more manageable to start with. I guess turning it into something that's technically a residence would only affect vampire attacks."

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"And it'd be very difficult to do. Size isn't inherently a problem - I know of a much larger castle that seems to entirely qualify as a residence - but the constant coming and going of strangers is a problem. Most likely if you tried you'd get a smaller area. If I were trying, I'd raise a little kid there, starting over the summer when it didn't have students, making sure they had the run of the whole place and liked things about most parts of it."

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"He's not actually going to do that, he's just gesturing at the sort of thing it'd take."

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"I don't have any kids stowed away for convenient residence magic."

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(The six-year-old narrows his eyes suspiciously.)

"That makes sense. I guess you can monitor it, partially, even without cameras, but there are situations where that'd only help if it made sense for you to be in the school to do anything about anything that happened.

...I wonder if Sunnydale High requires its gym teachers to have, like, credentials."

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"Oh, I can have credentials."

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"I bet you'd be good at it. The last guy was really bad at it. ...no offense to him."

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"I really dislike having authority. But - hmm, maybe there's a way to make it work."

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"Up to you. I am no longer personally suffering now that I have been magically imbued with the power not to be one of the kids who gets mercilessly pelted with dodgeballs from eight different directions."

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"Your school sounds at least moderately concerning in almost every way that I can think of."

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"Yeah. I might have asked for a transfer but I sort of don't want to go anywhere else now."

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"What'd'you think, should I be a high school gym teacher?"

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"Probably. You could teach self-defense."

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"Yeah, that's what I was thinking. Maybe the ones who aren't idiots could learn archery."

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"Even you weren't safe with a bow when you were fifteen."

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For some unclear reason Alex seems to find this comment utterly exasperating, but he doesn't respond.

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"...so, are you planning to train with Alex every day from now on?"

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"I don't know. Probably almost every day, at least until I get better at things? Maybe not all at the same time, at some point I have to go back to actually stopping vampires. And the school paper meetings are on Mondays and Thursdays, if I end up doing that. And I still have to read more, I'm almost done with the first load of books but it sounds like there are a ton more things that it would pay to know about. And I should probably ever do any of my homework. Or have any friends." She frowns. "But yeah, like, probably. Maybe some days Alex'll have stuff to do, though."

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"I've been keeping an eye out in the evenings, I don't think vampires have been emboldened by your absence. I'll let you know if that changes."

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"There's lots it'd be good to know but I wouldn't say there's much it's worth disrupting your sleep and school to read a little faster."

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She looks pained by this. "...but school is hard."

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"Well, maybe you should drop out."

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The two of them are probably having a telepathy conversation of some kind judging by the glaring but all he says is, "what's hard about it?"

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"It's just, uh, hard to make homework happen, I guess." Lots of staring at it and not doing it and thinking about how you should really be doing it and then not doing it, lots of panicking at the last minute and internally screaming about not getting things done. "I guess maybe if I budgeted my time better, or something." To accommodate all of the screaming time.

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"Can you take classes that involve more in-class assessments and less homework?"

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This would probably require paying slightly more attention during class and writing notes instead of stories. "Maybe. I think homework is sort of a fact of life when you're in high school? And I don't think Sunnydale High is super customizable even as high schools go, what with the teacher mortality rate."

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"Hmm. Perhaps this isn't the time, but maybe we can think later about how to make school a little easier for you."

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"Orrr you could drop out."

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"I think that's illegal at fifteen. And, hey, then I would have no excuse to be on school grounds and stop slime monsters."

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"That's true."

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"I will just have to bravely suffer through remedial English."

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"You're taking remedial English?"

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"Well I didn't read the books in regular English. I'm doing OK in Latin!"

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"We could get someone to do your homework for you -"

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"That's not -"

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"I'm pretty sure God doesn't care."

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"- Karen, most kinds of support or assistance you could possibly think of are available, but I think that this is a normal teenage problem and that it will be healthier for you in the long run to try to solve it with strategies that don't involve systemic deception."

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"I agree! Honestly, I'll be fine. - but I'm still going to read the books."

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"Okay."

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"They've been fascinating so far, by the way. Very good rundown of things, way more comprehensive than what I had. I'm not all done with the case studies yet but they've been really excellent so far. I think I want to go over them one more time and take more notes before I return them, though."

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"That sounds good. I'd say you could keep them but we worry about theft."

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She nods. "Sometime next week, probably."

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"Sounds great."

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The following Monday the students of Sunnydale High School have a new gym teacher. 

Rumor among the students who have him early in the morning is that he's really hot.

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Dennis is in the same gym class as Karen. Latin and gym are actually the only two classes they share; Dennis is honors track for everything.

"You realize the fact that your not-cousin is suddenly the gym teacher now gives you about a thousand more weirdness points, right?"

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"I can't decide what he does, man. It's a free country."

She waves at the new teacher.

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He waves at her. 

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"Hello, everyone! I'm Alex. This class has two rules: don't be stupid, and don't interfere with other people getting something out of this class. If you want to sit on the bleachers and talk to your friends, I'll give you an A. This stuff - the stuff you're going to learn here - is important, but at some point you gotta figure out how to do important things without people dangling test scores in front of you. 

Your last gym teacher died. I heard from my first class this morning that that happens a lot."

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There are murmurs of mixed confusion and agreement. One of the kids in front asks what they're going to learn here.

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"Self-defense. Also basketball, because it's in the state-mandated curriculum. But mostly self-defense. The stuff out there is mostly stronger than you guys, which means that it takes different tactics than you'd learn in tae-kwon-do class. But nothing out there is impossible to fight. The curriculum says I gotta tell you that physical education is important because people who exercise live longer. I think they meant that you won't get heart disease when you're sixty. But also, you won't get ...stabbed in the neck by an angry gang with barbecue forks... next Tuesday."

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There are, again, murmurs of mixed confusion and agreement.

"What are we starting with?"

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"We're gonna start by learning how to fall, because then you won't get hurt when you learn literally everything else. But first, we're all going to run towards the end of the football field and back, because being in decent shape will help you run away from bad stuff and because you'll sit still better if you're tired out. Here are the rules about running towards the end of the football field.

First, I said 'towards'. You don't have to make it all the way there. If you start feeling like 'wow, this sucks', check how far you got, stroll on back. Tomorrow maybe it'll be a little farther. Or maybe it won't, people always have off days, but next week it'll be quite a bit farther. Second rule, if you make it farther than you've ever made it before, you get a chocolate chip cookie at the end of class, because you're pushing your body and you need energy to keep doing that. Today's the first time, so everyone's going to make it farther than you've ever made it before. Okay, go."

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A lot of the kids start walking back after not very long, but no one takes him up on sitting at the back of the bleachers and talking with their friends. Karen makes it to the end of the field first and makes it back fourth, of the ones who ran the whole way, because somewhere on the way back she remembered that she is supposed to have a secret identity or something.

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"Awesome. So, some people, a little running around helps you sit still and pay attention. Other people pay better attention if they don't hafta sit still. If you're going to learn fastest if you're sitting, come sit in the front. If you're gonna learn fastest if you're pacing, or standing on your head, or trying to balance a ball on your finger, go to the back so you don't distract anyone else. Can I get a volunteer to punch me so I can show you all a couple different ways to fall over?"

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Mercy raises her hand.

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(Karen goes to the back and stands.)

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He points at Mercy. "Awesome, come up here. What's your name?"

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"Mercy."

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"Great. I would like you to punch me or shove me. It doesn't really matter how hard, because you can't hurt me and because I will act like I was hit really hard even if you barely tap me so we can entertain the crowd here."

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She smiles and nods seriously, then punches him as hard as she can.

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He takes a very dramatically satisfying tumble and rolls and stands up and talks about some principles for falling safely. "Again, Mercy?"

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She does! Mercy enjoys hitting people as hard as she can. She doesn't seem to mind at all if this specific person is in fact entirely unharmed by it.

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What a wonderful person! He will take a bunch of entertaining falls and intersperse a safety lecture that is in significant part about falling but also manages to cover a lot of points that are important for safe sparring generally, either because he's deliberately trying to get that lecture across in a interesting format or because he just keeps thinking of related concepts when he's explaining something. 

Eventually he invites the kids to give it a try.

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The kids pair off and practice falling. Karen considers asking if Mercy wants to practice and then thinks better of it and decides to pair off with a random girl who is scared of someone punching her too hard. (Karen does not punch her too hard.)

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Mercy doesn't punch kids as hard as she can. That would be unfair to the other kids. She does pick the most formidable-looking boy in the class and practice with him.

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Dennis spends a little time trying the falling thing and a lot of time watching the teacher for additional signs that he is some kind of horrifying demonic entity. He doesn't exactly know that this is what he's looking for.

Everyone else seems to like Alex; he'll be a very popular teacher by the end of the day.

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He seems to be having the time of his life. He corrects kids who are doing dangerous stuff and lets them self-correct if they're just doing counterproductive stuff, unless they look frustrated.  At the end of class he gives everyone cookies. 

 

Possible signs he's some kind of demonic entity:

- he doesn't exactly move like a human; particularly when he's not paying attention, he's a little too fluid and fast

- he has long braided blond hair that doesn't go with the rest of his presentation at all

- he seems to really like being a gym teacher????


If the cookies are drugged with something that will turn all the students into rats for him to eat, the effects are not immediate.

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Medium suspicious. Dennis puts his cookie in a plastic baggie to be consumed later, when enough time has elapsed that he's decided it's not an evil cookie. Or until he gets hungry.

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Karen is more excited than usual when she stops by after the journalism club meeting. "You seem like you're very good at this job."

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"I don't actually know if it'll be enough. Could make things worse, if they take more chances since they're all sure of themselves. But I guess an hour of their day doesn't suck, that's something. ...I didn't do well with school."

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"I can tell. I mean, I couldn't tell for sure that you ever went to school, but you seem like if you did ever go to school then it didn't agree with you very well."

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"It was better than something like Sunnydale High would've been, but it was pretty bad for me until someone noticed I'd be much happier out hunting all the time." He drives them off to their usual practicing grounds.

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"I don't think people around here can mostly get by just hunting all the time. But I'm glad you found something you were good at."

There was a point at which she would have wondered what she was good at, if anything, but she feels like she maybe doesn't need to figure that out anymore. She has a job; she's going to do her best with it. She works very hard on slayer training for someone who seems to have a very hard time putting any effort into school things at all.

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He doesn't really think that not putting in the effort is her problem with school. 

But anyway, school doesn't matter and this does, so it's a good thing she's a hard worker and a quick study.

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She is those things! She mostly does not ask to cover new material on her own, but is nearly always excited when Alex decides that it's time for that. And she always does her best, which is consistently really good for someone with no previous training.

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The gym classes go well too! The kids are mostly not as quick studies as Karen but he diligently does a lot of research into the best options for surviving something stronger, faster and tougher than you and teaches the kids that, and bakes a lot of cookies, none of which turn anyone into a rat. On Tuesdays they instead do basketball but after sternly telling them all that the curriculum says they're doing basketball, he works on stances and hand-to-hand fighting with anyone who wants.

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Karen's books detail the operations of an organization of unclear size and scope which Michael works for, and which has been clearing small towns of vampires by attacking the main nests in force, leaving blood brothels and blood bank operations alone, instituting new procedures at the coroner's office, and then making it widely known that any vampire who kills a human will die the same day. This takes a lot of legwork to enforce but vampires do learn from examples. The book includes comparisons of the number of deaths caused by doing it this way (usually some vampires test the rule) to the expected casualties of an operation more singlemindedly focused on killing all the vampires. Which one is better kind of depends on how bad you think it is to kill a not-currently-murderous vampire. 

The case study for Cleveland is instead vastly more complicated, because Cleveland apparently was simultaneously near a hellmouth, ground zero of a turf war between two species of demons with a many-thousand-year history of racial hatred, the core port of entry for a dozen smuggling gangs, and home to some very old vampires and some dangerously powerful magicians. 

The books describe every species known to Michael and Alex except, apparently, the species Michael and Alex are. In the background of one picture of a crowd of demons there's another being like the two of them, though.

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Karen studiously takes notes on all of this and commits as much of the information to memory as possible. (She has also been taking notes on whatever kind of thing Michael and Alex are, and on every Weird Thing that appears at the school, because she might be probably-going-to-die but it seems like Weird Things are a field where additional notes could someday leave future people more prepared to spend more time not-dying.) 

Whenever she runs out of books, she returns them to Father Michael and asks if he has anything else for her. She continues doing research online, and spends most of her allowance ordering more books from the internet, whenever she runs into one that looks like it might have additional useful information about Weird Stuff. She develops a habit of watching this one cryptid-hunting show on Saturdays, just in case any of the things they're hunting are examples of legitimate Weird Stuff. Also cryptids are fun. She writes up a bunch of perfectly respectable articles for the school paper.

She kind of doesn't push on when they should start properly hunting vampires, because she kind of doesn't know what their game plan there should be, but she does feel like this is maybe a failing on her part and she should maybe be figuring this out faster.

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He wanders the streets of Sunnydale at night killing things if they're vampires and aren't Karen's friend Zeke. He's not opposed to bringing Karen along for this but there hasn't yet been an occasion that seems like it'd teach her something useful, and she's not quick enough on her feet yet that he'd be comfortable sending her off outside his hearing.  

And it seems like this is good enough.

Until two kids don't make it to school one day.

"Missing since yesterday," he tells her after class is over. He has pictures. "Do you know either of them?"

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"This one's Willow Rosenberg. I don't remember the other one's name, but he's friends with her. She's honors track for everything. Sort of shy and nervous about everything, but super smart. You think something got them?"

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"It seems pretty likely." He makes an unhappy sound under his breath, a little bit of a growl. "I didn't hear anything but I can't pick out everyone in the city at the same time."

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"It's sort of a lot of people. Any idea where to look? If it was vampires we could check the cemeteries, see if anyone is hiding bodies out... anywhere, but I guess we have no idea whether it was a vampire attack in the first place."

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"We really don't. Do you know any friends of theirs who we can ask where they were seen last?"

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"Cordelia Chase picks on her sometimes? I think maybe she's friends with Xander? I don't really remember ever seeing her talking to anyone else. She's probably in a lot of Dennis's classes, I guess."

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Sigh. "All right. Thanks."

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"Sorry. I'm not acquaintances with every single person in the school yet."

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"I'm not mad at you, I'm not disappointed in you, I don't think there's something that you reasonably could have identified as a good decision in advance that'd have changed anything. I -" he shakes his head like a horse shaking off a fly. "Do you want to go ask their friends, or do you want me to?"

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"I can do it. Back in a bit."

Dennis doesn't know anything, but gives her an additional weirdness point for asking. Cordelia hasn't seen Willow, but did see Jesse at the Bronze and wants her to know that he's a tremendously uncool loser with delusions of having a shot in hell with her. Xander was going to meet Willow at the Bronze last night, and he thought she just thought better of it, but given that she was absent today he's concluded that she's probably really sick or something.

"So probably they were both at the Bronze last night," she concludes, after reporting all of this to Alex.

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"What's the Bronze?"

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"Oh! It's a club. Sort of the club, for high school students, since they card at the bar and not at the door. It's always crowded in the evenings so I think the vampires like it. - I'd have mentioned it before, sorry, I just assumed you knew about it - do you want to see my map of Sunnydale later - "

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"Sounds good. Want to head over there and ask the staff if they left with anyone?"

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"Yeah, OK. It'll be crowded, though, it's Friday night."

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"Huh, so it is. Well, maybe that'll make us less memorable."

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So they go to the Bronze. The staff doesn't seem to remember Willow or Jesse - some of them weren't even working last night - and also doesn't want to tell random people who other random people left with. 

At some point after sunset, the person at the door is pushed inside and the door is locked shut. Karen is asking another staff person and won't immediately notice the six vampires at the door.

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Not wanting to tell them isn't much of a barrier, he'll read minds for something like this. Not remembering is a much bigger one. 

He notices the door closing and finds his way through the crowd towards Karen.

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"Hi! I don't think anyone remembers."

The vampires make their way to the front of the Bronze; a few of them grab people, though they don't immediately try to kill anyone.

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Might want to take one alive if we can, to get a location out of. Why don't you take down the ones who aren't holding people, less messy if you miss.

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OK. Cool cool cool. She looks around to identify the vampires.

Someone kills the lights and puts a spotlight on the stage, where a vampire in game face is looking down at everyone.

"Ladies and gentlemen," says the vampire. "There is no cause for alarm."

Karen decides to make her way to the stage, actually.

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They should probably work on tactical communication. That can wait, though. He scans around to make sure he knows where all the vampires are.

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In her defense, the vampire on the stage isn't holding anyone. When she's near the stage, there's one vampire to her left offstage, one to her right onstage with a person, and then the one with the spotlight. Plus there's the one at the lights; she knows there are more but she doesn't know where they all are.

"Actually," says the vampire with the spotlight on him, "There is cause for alarm, it just won't do any good. Bring me the first."

She looks up and sees that the first is - oh hi Dennis.

Yeah this is not happening.

She moves. She pulls out her stake, stabs the vampire to her left, vaults onstage and stabs the one in the spotlight mid-evil-mologue, pulls the one off of Dennis and stabs her, then looks around for other vampires who need to be immediately stabbed and realizes that she can't see them because the rest of the room is dark and there is a spotlight on her. 

The whole maneuver takes about three seconds. She gives herself an A minus for murder, a C for preparedness, and an F minus for secret identity-ing.

Sorry sorry sorry, she thinks, in case Alex can hear that.

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The ones at the doors hesitate and then try to open the doors when the one in the spotlight is killed. He stabs one, stabs two, clubs number three over the head hard enough to kill a human, turns around to see Karen blinking in the spotlight, turns back to club number three again.

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Karen cannot actually see this. She should... probably go for whoever is controlling that spotlight? She jumps offstage and climbs the stairs. The one at the lights notices this and runs, but not fast enough; she remembers that they were supposed to take one of them alive and attempts to beat the one at the lights into a coma. She doesn't super know how to beat people into comas so she mostly just kicks the vampire in the head as hard as she can until she stops moving.

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He surveys the room, satisfies himself that no one else in it is a vampire, notes that they now have two alive vampires, stakes the one he's holding, and heads over to Karen.

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"Hi! Sorry about the - sorry. I got a vampire?"

People below them are mostly panicking and attempting to leave the building as quickly as possible.

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"Let's get it out of here so we can get directions to wherever it's headed. I think one of the missing kids was among the vampires here tonight but not the other, does that match what you saw -"

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"I don't think I got a good look at... any of them." She slings her vampire over her shoulder.

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"We can get out onto the roof." He does that. "I saw -" face, face, face, face, face, face, face.

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" - OK, that looks right. So the one in the spotlight had a symbol on his face? Or maybe it's just a weird-looking scar?"

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He sends it again. Probably not just a weird-looking scar.

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"...OK. They were... weirdly open about what they were doing, for vampires."

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"Yeah. I guess vampires planning to kill everyone in there might be that reckless, but they shouldn't've been so sure. Pretty careless not to check for you, if they knew there was a slayer in town."

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"Maybe they didn't? I haven't been doing that much looking for vampires since you showed up, and the ones I staked earlier were all alone."

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"Well, if they haven't noticed let's keep it that way." What kind of condition is the one Karen's carrying in?

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Her skull is looking just a liiittle bit smashed. She'll recover, of course, but it may actually take her a while to regain consciousness.

(It hasn't, actually, but Darla has decided that anyone who can curb-stomp the Order of Aurelius that quickly is probably fairly dangerous, and as a magically reanimated dead body she's actually very good at playing dead.)

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"There's vampire-safe handcuffs in my car," he tells Karen, "let's head that way. We can leave her with Michael and then - I guess our best guess is the cemeteries?"

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"I think we should ask Zeke if he's heard anything. Or, well, I should ask Zeke. Otherwise yeah."

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"Sounds good." He gets vampire-safe handcuffs out of his car. "You go ask Zeke, I drop this on Michael until it wakes up?"

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She nods seriously, hands over her captive, and heads for Zeke's crypt. 

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He cuffs the vampire to the metal frame of the car and drives to Michael's. 

 

 

Michael has a cottage that looks humble on the outside and is fairly ridiculous on the inside, with an amphitheater and a room entirely consumed by a personal computer and an indoor swimming pool with a waterfall and four underground floors full of artwork. There's a live-in human servant with instructions to never let anyone in including at gunpoint, because Elves don't relevantly count as residents. There is one underground floor (the second of the four) where the servant doesn't live and which can be accessed via tunnel; Macalaurë protects himself by the simple expedient of not sleeping there and checking whether there are people there every time he goes in. It's their general strategy when they're operating in a city where they may have made some enemies.

Tyelcormo sleeps in the woods. It hasn't failed him yet.

He drags the prisoner into the unprotected underground floor.

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"What's this?"

 

(They're speaking Quenya.)

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"Weirdly bold vampires attacked at the Bronze tonight. They might have a living prisoner, and they almost definitely have a nest somewhere. Karen hit her pretty hard - good kid -"

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"Yes, she is."

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"We're exploring some other avenues but if they don't pan out we may need to ask her some questions. Do you have a cage here which can -"

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"Nothing's broken out of the 4x00 series yet, right?"

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"There was an incident last year in Cleveland. The demon in question stored the ingredients for a shapeshifting spell in their bodily cavities and then turned into a rat. We made the grate smaller and, uh, we check."

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"Then I'm happy to keep an eye on her."

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"Cool." They cage the prisoner. "I'm going to go worry until Karen surfaces, give me a call if this one wakes up."

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"Is everything all right?"

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"Yeah. Just - I hope you're right about humans when they die."

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"Are you, though, it's not really an overwhelmingly optimistic picture."

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"If they're not gone then someday somehow we can fix it."

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Nod.

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He goes back into town and paces.

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Karen arrives at Zeke's crypt and politely knocks on the door. It's been - man, at least a couple weeks, and the last time she saw him they really didn't talk much.

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"Hey Karen, what's up?"

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"Hi! Really weird thing happened at the Bronze just now, and I thought maybe you might possibly know a thing? There were like seven vampires and they attacked the place in force, including having one of them stand onstage and give an evil monologue with a spotlight on him. It was all very above the radar. Vamps are usually subtler."

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"...Wow, what the fuck? Uh... was the evil monologue guy kinda obnoxious and self-important? All like," he puts on a pretty decent impression of the guy's Speechifyin' Voice, accent and all, "'I was at the Crucifixion, you know' and 'Children, I haven't lost a fight since before you were turned' and stuff? I think his name's Luke. He's with some kinda cult. They've been making noise about doing something interesting but not, you know, any more than most people who never actually get around to doing anything interesting. I stay out of their way, I don't want Luke noticing I can't stand him and deciding to beat me up about it."

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"Yeah, that sounds like him." She pulls herself up to sit on one of the stone boxy thingies that's supposed to hold a body. "Know anything about the cult? Also why Luke had that weird symbol on his face? Obviously this is super off the record."

Is that how you use the phrase 'off the record'? She should really look up at some point what you're allowed to do with things that are off the record.

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"I dunno, he didn't have a weird symbol on his face last time I saw him. Did you fight him? Are you okay? He seemed pretty scary."

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"Yeah, I'm OK." She doesn't look a hundred percent OK, though she doesn't appear to be meaningfully injured. "I had to kill a bunch of them. It just - happened really fast. I think one of them was a kid from school, before - I guess stuff happened to him."

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"Oh, yikes. That doesn't sound like fun at all."

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"It wasn't. I don't... I don't like killing people. But I don't like watching people die, either."

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"Yeah, that must suck."

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"It does. Thank you for the affirming platitudes, they help for some reason." She sighs. "Are you sure you don't know where the cult people live? One of classmate's friends is gone too and I don't know that they've killed her yet."

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"Uhh..." He tries to think if he's forgetting anything relevant. "...I can tell you what graveyards I've seen them hang out in but that might not mean anything. Sorry. It's mostly that one that's like two streets down from the Bronze and that's a pretty busy graveyard."

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She pulls out a notebook. "Go ahead and tell me anyway, I gotta at least try to find her before they kill her. ...and thanks."

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"Hey, what are friends for, right?"

He names the graveyard in question and the street it's on.

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"You're a good friend. OK, I have to go now - can't cry about killing people until after I find Willow, gotta schedule things like that these days. Thanks again!"

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"See you! Good luck rescuing people!"

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"Thanks!" And she's off.

Doesn't actually remember where she's supposed to meet Alex, so -

Paging Alex? I don't know if the telepathy works this way but I guess if you can hear this do the telepathy thing? We should really go over the specific limits of this at some point.

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I got you. I can hear people I know from a couple miles. I’m not listening most of the time, though, which is why you want to specifically direct it at me, that’s harder to tune out.

I can hear Michael about a thousand miles away but we’ve known each other awhile.

On my way.

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Oh. Cool. That seems good.

She's standing on a random park bench because it occurred to her that going directly to the graveyard could plausibly be a bad idea. She gives him her notebook. "Got a likely graveyard in terms of hideout location, plus some very vague information about the vampire cult in question. Spotlight guy was named Luke, doesn't usually have a symbol on his head, does go in for dramatics. They've been 'making noise about doing something interesting' but I do not have specifics. Sorry."

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You say sorry a lot. Combat communications is definitely something where practice actually matters and you'll get better at it over time so I guess I can parse 'sorry' there as 'I noticed a new thing I need to learn' but having spotty intel is just life, it's super not in 'sorry' territory.

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"OK. I guess." Now she kind of feels sorry for being sorry but also feels like apologizing for it would be pretty absurd. "Do we sweep the graveyard or wait for the other one to wake up? There could be more of them and we don't want them to get hungry, I think."

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Yeah, I agree, let's keep moving while we're waiting for the other one to wake up.

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So she heads for the graveyard. 

There are a lot of graves; there is a somewhat more reasonable number of crypts. Some of the crypts have tunnels under them. A few of them lead down to a whole connected tunnel system, which seems to also break into the sewers in several places.

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We haven't practiced with this yet, but I can send you what I can see. He does that. It's slightly disconcerting since it's from his viewpoint instead of hers, but he can see in the dark. 

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Woah. (Slayers should be able to see in the dark, she thinks, given their job description, but for whatever reason they can't.) 

Can you hear anything? If there were vampires anywhere down here they would probably be making something in the way of sounds...

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He listens.

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Someone is monologuing. It's a ways away, over that way. 

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Vampires. He bounces this to Karen and they start winding that way.

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So they head that way. The person is still monologuing by the time Karen is within earshot of him. They seem to have a little underground cavern up ahead.

So do we... do we just go in?

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I think you should line up a shot, step around the corner, and then take it. Then we'll deal with the audience.

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OK.

So she accepts a bow, readies, aims, steps around the corner, and -

Killing people mid-evil-monologue is about as satisfying as killing a person can possibly be, which is not really very satisfying at all but is something that she can very grimly appreciate a tiny bit on some level anyway.

There are three vampires left, and they're surprised - it's not a terrifically hard fight. There's the body of a teenage girl in the corner.

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The missing one. That's not surprising but it sucks. 

 

"We should clear out these sewers and make them vampire-unfriendly sometime."

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"Yeah. Sometime. - do you think there's a way to get the body someplace where the authorities can find it? Just so her parents can have a funeral or whatever?"

She's not crying. Actually not. She's digging her nails into her palms but she's not crying.

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"Yeah. I can carry it, just gonna put on gloves so I'm not accused of murder."

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"OK. Thanks. ...do we stake the body or behead it or something? Just in case?"

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Nod. "Stake's not as hard on the family - you can do a little splinter, minimum length is about the length of your finger -"

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"OK."

Broken arrow, in and out, can't see the hole at all when her clothes are on. She figures she's gotta learn to do this part sometime. They still have a body at the end of it.

"I'm gonna.... I'm gonna go home. If that's OK."

Permalink Mark Unread

"Of course."

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So she goes home. 

She doesn't cry.

She does, like, one math problem of her homework, and she goes downstairs and raids the fridge for leftovers, and she stabs her notebook with a pencil too hard, and she blasts Christmas music until her sister knocks on her door and tells her that it's September and she has to keep her music at a reasonable volume until Advent, and she throws a bouncy ball at her ceiling and then misjudges the force she needs and accidentally sends the ball through the plaster. She resolves to fix it herself in the morning. She tries to sleep, and it doesn't work, and she tries to pray, and it doesn't work, and so she hides in her closet with the lights on and writes a story about a world where it is very hard to bring people back to life, it takes years of work and the survival of countless terrifying trials, but you can do it, and at the end of all of the trials an old woman asks you whether you loved the person, whether you tried your hardest to save them, whether you have in all ways at all times acted responsibly.

She tears the page out and waits until dawn and then sets to work fixing her ceiling.

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He leaves Willow's body at the edge of the cemetery where a passerby will see it, and heads over to Macalaure's. 

"It awake yet?"

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"Not showing any signs of it."

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He opens the door to the cage, closes it behind him, and presses a cross to her leg.

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The vampire is awake! And annoyed. 

"Ohh. Five more minutes."

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"Sorry, but he's gonna have an attack of conscience by then, so I'm in a hurry."

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"I can't actually stop you," he observes mildly. "I am kinda wondering what you even need to know."

Permalink Mark Unread

"Monologuing fellow in the sewers. Who was he, and what was he up to?"

Permalink Mark Unread

"You're going to have to be a lot more specific."

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"Old, bald, skin looked like he's either very old or he thinks something caustic is a form of moisturizer, you and your buddies brought him a couple of Sunnydale High students yesterday..."

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"Oh, you mean the Master."

Permalink Mark Unread

"Yeah, tell me about him. Friends? Allies? Evil schemes?"

Permalink Mark Unread

"Oh, nothing terribly interesting. Murder, mayhem. Hell on Earth, if all goes well."

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"Go on."

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"Look, I don't know what the plan is if the Harvest fails. Give him time. But he'll find a way to free himself, and then - fun and games for everyone."

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"Mmmhmm." He stands up. He stakes her.

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"Was that really responsible?"

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"I don't think this was anything - grand, or interesting, or big. Just a bunch of vampires, all dead now, but a day later than we shoulda done it. Will you come down and do the sewers with me this weekend?"

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"Mmhmm. Stay here tonight, on the off-chance he has some allies you angered?"

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"I hate your decor." But he stays.

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She considers confessing, just so she can talk about how sad she is without any appreciable consequences, but she doesn't really actually think she's committed any mortal sins in this mess, so she skips it and just goes around sort of glumly for the next two days. She skips weekend training but promises she'll be back on the ball on Monday.

On Monday there is Dennis.

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"Hi! What the fuck."

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"You don't think you could let this one slide?"

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"You made three dudes explode in front of like a hundred people, with a spotlight on you."

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"Yes. And the explanation for this is - bye."

She runs off to class, which will allow her to avoid questions for, uh, the two hours that she has until gym class.

Permalink Mark Unread

Where they're going to talk about how to escape kidnapping and what to do if something is stalking you in a dark alley!

Permalink Mark Unread

These seem like important things to know! 

They should all pay attention to this probably.

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"You realize you can't actually make me forget that you made three dudes explode by running away every time I ask about it. And how come nobody else remembers you making the three guys explode? Because I asked someone else about it and he said he thought you were a guest member of a local band."

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"...I can definitely explain that but first I have to get through gym class."

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"All right. You're not getting out of this, though."

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After gym class she packs up her stuff.

Heyyy Alex, when the people on high declared from on high that vampires should not become common knowledge, how non-common did they want that knowledge to stay?

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I'm not going to announce it to the class but if people are putting two and two together it's not the first time that's happened. It's okay to tell your friends.

Permalink Mark Unread

OK then. Thanks.

She doesn't super have friends but this seems like a kind of irrelevant distinction. Dennis meets up with her at lunch.

"So the way it is, is - Sunnydale is situated on something that some people call a Hellmouth. It makes, uh, weird stuff come here, and happen in this area. Weird stuff like things that are, uh, colloquially known as vampires."

Permalink Mark Unread

 

"So what are they actually?"

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"Uh, I've just been calling them vampires. They drink blood and kill people and stuff. They're usually way more below the radar than they were the other night, the other night was weird."

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"And you're... you kill these things. With our gym teacher. Who is not really a gym teacher."

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"I mean, he is. I assume they're paying him and stuff."

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"You know what I mean."

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So she answers questions in broad strokes; she doesn't say much of anything about Alex except that he's a monster hunter, but she does answer questions about various kinds of monsters and respond to various objections that monsters are mostly not real.

She eventually hits on what happened to Willow and Jesse the other day, and then the bell rings, and that pretty much ends the conversation.

She stops by for training after journalism club.

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"I want you to practice navigating with my senses, it's useful when it's dark out. We should be able to practice in the gym."

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"Cool. Sounds good."

She thinks she's managing to keep her distraction level at 'only sort of kind of distracted by unprocessed emotions', but it's worse than usual.

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He notices. 

"Should we wrap up early?"

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"I dunno. We don't have to, I can keep going."

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"I didn't ask that. It's pretty bad, the first time someone dies in close enough proximity that it feels like maybe you coulda been there."

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"I guess." She pauses. " - but I couldn't've been. I don't know how I could have - I can't, actually, keep everyone in this town from dying. Not if the Hellmouth is going to keep attracting new weird things, even if we figure out how to manage the vampires. So it's going to happen again."

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"Yeah."

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"So I need to be able to deal. I just need to figure out how to do that. Consistently."

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"I guess. But that doesn't have to mean running around in the dark right now, if you wanna be doing something else."

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"I guess." She sits down on the bleachers. "I don't know what I want to be doing right now. Dealing. But I don't know how to make that one happen. Struggling to come up with a second choice."

Permalink Mark Unread

"Hey, you're dealing. You're here. You sat through all that school."

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"I guess.

 

"D'you think you could show me how to make stuff out of dandelions?"

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"Yeah, I can do that."

Permalink Mark Unread

And she makes a lopsided little basket, and she goes home later, and she practices, and she reads, and she writes, and she does (some of) her homework, and she goes to Mass, and she answers increasingly complicated questions for Dennis, and she deals.

Cheerleading tryouts are the next week. Karen wouldn't normally be there, but someone has to cover it for the paper, and most of the other people on the school paper staff are not super up for doing things. 

A girl bursts into flames during them. She's not dead, but the burns are going to prevent her from doing anything sport-like for quite some time.

"So I feel like this falls under the umbrella of 'weird stuff'," she says, after going to find Alex for their usual practice time.

Permalink Mark Unread

"Yeah, sure sounds like it. A spell, maybe? Probably? I can ask for someone to look into spells to make people burst into flames."

Permalink Mark Unread

"Why some random cheerleader, though? Do the forces of darkness not have better things to do?"

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"Super unclear what the forces of darkness want these days, and I bet half the shit in Sunnydale isn't even them."

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She sighs. "All right. Should we be... how do you prepare for more students bursting into flames, even?"

Permalink Mark Unread

"Good question. We can check that all the fire extinguishers work. We can look up what spells it might be, they'll have counters. I can start reading everyone's minds to see if someone is contemplating how they're going to light students on fire at random."

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"That sounds rude," says Karen, uncertainly. "I guess it's less rude than being lit on fire, but it's going to affect a lot more people. But we don't want anyone to die because you didn't..."

Permalink Mark Unread

"Yeah, we don't normally do it for exactly that reason. ....I thought about saying 'if someone dies I'll do that' but then I thought about how I'd feel about it if someone died and then I did that and found a fire demon living under the gym and mad about the banging sounds, or whatever."

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"...this is true. All right. I unhappily condone this strategy."

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"Hopefully it was a weird one-off accident and stops now."

Permalink Mark Unread

"Yeah. Hopefully."

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But in case it's not he reads the kids' minds in gym class. 

He is expecting this to be completely horrible so he makes a field trip of it, getting surprise grant money from the National Foundation For Children's Physical Education to take them out to a ropes course with a zipline and a gorgeous view all the way to the sea. They take turns doing the zip line. He supervises and reads minds and stares out at the horizon, listening through Macalaure's ears to Macalaure singing in a cathedral at the same time.

Permalink Mark Unread

The kids are mostly having a lot of fun, either because they're doing the zipline thing or because they're getting out of classes and getting to spend time talking to their friends. When they're not immediately having fun they think about lots of stuff.

This kid is worrying about how he's going to fix things for his dead brother, who he reanimated a couple months ago. This kid seems to be thinking exclusively about artistically terrible lyrics for his band. This kid is thinking about spells that he can do to make his parents stop giving him a hard time about not getting his homework done. This kid is worried that his brother is raising some kind of evil monkey goblin in their basement. This kid is in the middle of an elaborate fantasy about raping one of his female classmates. This kid is terrified that people are just - not seeing her, at all sometimes, it's like she's invisible? This kid is missing his friend Willow, who everyone now knows is dead. This kid thinks ziplining is the BEST THING EVER. This kid seems to actually be a zombie. This kid is very clearly suicidally depressed. This kid is plotting Star Trek fanfic. This kid is really worried about the fact that she keeps losing six hours of time on alternating Thursdays because tomorrow is an alternating Thursday. This kid is thinking about whether racecar driving is more or less dangerous than hockey. This kid is periodically thinking about kissing boys and then telling himself that he needs to STOP because that's GAY and he's not GAY. This kid is thinking about asking a girl out but is super worried that she's going to find out that he's half-demon. This kid is worried that someone is going to figure out that his dummy is sentient and has an ancient vendetta against a race of demons. This kid is trying to figure out how she can avoid showering at home, because she doesn't want her foster brother to get sent back to his old house but she thinks he's found a way to spy on her in the shower. This kid is thinking that high school was way less interesting when she went twenty years ago, and also doesn't seem to be a kid.

Permalink Mark Unread

Well, okay.

 

What the fuck.

Permalink Mark Unread

Uh, where to even start. 

 

He should check in on the reanimated brother and the potential monkey goblin. He should pay close attention to Ms. Alternating Thursdays tomorrow. He should invite the girl who thinks she's invisible to apply for the ...fencing team? archery club? that he's starting up, fuck, why did he take this stupid job. He should invite I'm Not Gay too, because there's probably something to be done there. He needs to get the suicidally depressed kid some music. The half-demon is probably fine? Right? Half-demons don't have any particular issues? He did not know that zombies would tend to continue going to school like nothing happened but, uh, that seems promising actually, he'll pass it along. The dummy.... eh, that's not that big a deal probably. 

Why is anyone who isn't legally obliged to go to high school in high school?

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High school students get to do great things like go ziplining and win awards for being beautiful and popular. But it's so much harder in this body - it's uglier and fatter and she can't get it to move right. It's terrible. If she doesn't do something soon she won't be able to be a cheerleader at all.

Permalink Mark Unread

Uh, okay. That's a promising candidate for the person who lit the cheerleader on fire but it's honestly way down his list of priorities right now. 

 

 

After they get back to the school he has Macalaure meet him with a Walkman.

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"This is kind of dubious, you know."

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"What, don't you do it?"

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"Yeah, but, uh, more consensually, I can tell people that it's religious music and it'll make them feel happier and they should listen specifically paying attention to effects on their mood and see if they like them -"

Permalink Mark Unread

"Well, we work with what we've got."

Permalink Mark Unread

"It seems like you're kinda doing the 'a problem exists somewhere where I can see it, I have ridiculous resources, I guess I'd better throw them at it' thing."

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"I mean, yeah? If you guys think that instead we should spend all our effort on malaria eradication then you can cut me off, it's not my job to figure out if this is better than that." He pockets the Walkman. "Thanks."

Permalink Mark Unread

"Yeah."

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"A lot of your classmates have problems," he tells Karen.

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"They're teenagers going to a magical high school with like a twelve percent mortality rate. It'd be sort of weird if they didn't. Any we can do anything about?"

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"I have a cure for depression but I need to figure out how to explain to kids why they should take it. Someone's a zombie but I guess that's just fine? There's a reanimated brother and a monkey demon to check on. It seems like the cheerleader may have been lit on fire by a bitter forty-something woman in a teenager's body who wants to make the cheer squad."

Permalink Mark Unread

"...OK, I'm gonna need five seconds to process all of that." Pause. "You have a cure for depression?"

Permalink Mark Unread

"Yeah. - it's undergoing clinical trials and stuff, it just takes forever to get something legal to distribute as medication in the U.S.. We've been working on it for decades but supposedly it'll go faster now that we have more people in the government."

Permalink Mark Unread

"OK. Solid. I don't actually know what to do about forty-something women possessing teenagers and the fact that they can do that is pretty creepy. I can check on the monkey demon if I have a location, and - whose brother and in what sense is he reanimated?"

Permalink Mark Unread

"Chris Epps, dunno what kind of reanimated except that he didn't think he could just get back to his old life."

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"So worse off than zombie guy. - does the zombie thing scale? Like - it can't be that bad, if we haven't noticed..."

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"Yeah I passed it along to people who might be interested in that. I'm guessing it's a pretty local effect but still."

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She nods. "Who's the zombie?"

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"Jack O'Toole."

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" - oh. You know what, nevermind, that doesn't scale. Any ideas on the weirdly old cheerleader?"

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"Wait, what about Jack O'Toole should make us despair of widespread zombification as a measure to prevent humans dying? The weirdly old cheerleader is Amy Madison, or is possessing Amy Madison or impersonating Amy Madison."

Permalink Mark Unread

"He has a knife named Katie and he waves it at people. - I realize this sounds like it's not much in the way of evidence but I'm not very optimistic."

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"Is that the zombification, though? Was he like that before?"

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"I dunno, how long has he been a zombie?"

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"Didn't catch that, sorry."

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" - I guess if we want to be good scientists then we can at least compare whatever happened to Jack O'Toole to whatever happened to Chris Epps's brother. I guess. Probably we can find some dead person who doesn't terribly mind." She sighs heavily. "I'm going to check on the monkey demon, you figure out whether there are any ways to counter bodily possession or shape-changing spells, we can regroup later and investigate various zombies, and if you think of anything that could run in the school paper to influence kids to take some kind of suspicious depression cure then I'll do my best?"

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"You could publish a review, I guess. It's music. It's really pretty. Maca- uh, Michael recorded it."

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"Oh, music is way less suspicious than most things it could be! We can totally get people to listen to music. Somehow."

The first two syllables of Father Michael's real name are definitely getting recorded in her Notes About Not-Archangels, that's how this game works.

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He hands her the Walkman. "Here you go. It's pretty subtle. There's a version that's not subtle at all but it went over worse with patients."

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"Neat. So I'll write about this - I'll need a thing to call it and like a place that it can be obtained - and I'll check on the monkey demon situation annnnd I'll see you tomorrow to talk about protecting cheerleaders?"

Permalink Mark Unread

"Sounds like a plan."

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"Good talk, coach."

So she gets a location for the monkey demon and investigates the house of Andrew, Tucker, and Jacob Wells, where she finds that Tucker has a whole bunch of weird stuff in his basement, but he insists that the demons are 'pets' and that they are tame despite the fact that a lot of them appear to be attempting to gnaw through the bars on their cages.

...Paging Alex, I wanted to be cool and handle this myself, but I actually have no idea what to do about the fact that these high school students have like six different demons in their basement.

Permalink Mark Unread

Yeah, that sounds a bit complicated. Did you see the demons? Do they look okay?

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They're momentarily contained, but not very well. They're mostly angry and..... scared, I think.

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I'm going to come on over.

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If you think it's necessary. I guess I don't super know how to send them back wherever they should be on my own. Sorry.

She gives Tucker a stern lecture about keeping exotic animals in poorly-made cages and lets him know that she's going to contact someone who'll handle the situation without getting him in too much trouble.

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He's there about five minutes later.

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Tucker wants him to know that this is all a big misunderstanding and the animals are totally happy. The demons do not look totally happy.

Permalink Mark Unread

"If that's so then it'll be cleared up as soon as I talk to them." 

 

He sits down in front of the cages and makes a strange sound low in his throat and gives the demons concepts - afraid, safe, comfortable, in pain, hungry, scared - to communicate.

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The demons are NOT comfortable and do NOT think they are safe. Most of them are scared. All of them are VERY UPSET. One of them is full but it thinks it's maybe full of something that isn't really food. This one wants to KILL EVERYONE. This one is a baby and misses its mom. 

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He sends all of this to Tucker.

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Tucker is pretty freaked out that the school gym teacher is a telepath. 

"So obviously I have some things to learn about demon care," he says, nervously eyeing the basement exit.

Permalink Mark Unread

"Uh huh. So send them home and I'll get you some better books and you can summon them again once you have a nice space for them and a plan to treat them well."

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Tucker frowns and sighs heavily and mutters something under his breath about people for the ethical treatment of demons, but he goes upstairs and gets his spellbooks.

It takes him a couple hours to reverse all of the summoning spells, but he does it.

Permalink Mark Unread

"Thank you! I think you'll be much safer if you learn how to summon responsibly."

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Tucker seems pretty disappointed by all of this. His brothers let him know that he's very smart and he'll definitely be able to do it better next time.

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Karen is outside staring at the sky, because at some point she got bored of watching people chant at monkey-dog-things.

"All better?"

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"They're home."

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She nods.

"Where is home, for demons? I mean, for the ones that aren't... demon-demons."

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"There're a lot of different dimensions. Some of them are hell dimensions where everything is terrible and some of them are just different. Most of the hell dimensions are complicated, not the kind of place you could invade and do better. I think whether it's called a hell dimension or not in our books is as much a matter of who was there taking notes as of the world itself. If you were a chicken and you did some magic travel to a factory farm here, you'd figure this was a hell dimension.

 

There's one I know of that's pretty nice but not many people are the kinda people who can be happy there."

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"This one's pretty OK. Apart from all of the random death and factory farms and dead babies and wars and poverty and - maybe this one's a fixer-upper. We're gonna fix it up some, though. Right?"

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“That’s the plan.”

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"OK. ...thanks. For helping fix it up."

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"I mean, I tried the thing where instead you comfortably ignore it and it's not all that comfortable really."

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"It seems like it wouldn't be."

So she goes home, and she fixes the little broken pieces of the world that she she can reach. She writes a music review and alerts students about where they can pick up their own recordings; it won't immediately make them popular, but maybe a few kids will pick up copies, and maybe a few kids will suggest it to their friends. She's still stuck on the Amy Madison situation at the end of the day, though, and at the end of the day it is common knowledge that Cordelia Chase - a cheerleader - was suddenly blinded and had to be driven home early by her parents.

"Do we... confront her?" she asks, after school. "Because I'm good with confronting her if you think it's the best idea, but I'm sort of worried that she's going to jump into one of our bodies if we do, and that sounds super hard to deal with for everyone."

Permalink Mark Unread

"Yeah, it'd be a little messy. Potentially a lot messy, if she gets memories from people she imitates. This is probably a job for someone who knows how to do the counterspell that sends her back to wherever she came from."

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"Fair," she says, in the tone of someone who sort of feels like fate has set out to make sure that she, personally, gets to look as useless as possible from now on. "You know someone?"

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"Yeah, I'll call. I can hook you up with someone who teaches magic, too, if you wanna learn it."

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She makes a little bit of a face. "I want to know things. And know what I can do in the world myself. I don't want to... go worshipping Star Trek aliens with delusions of godhood."

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"It's not really my thing either but plenty of spells are more 'we welcome your presence' than 'we think you're great', for what it's worth."

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"I can talk to them, I guess. Maybe some of the Star Trek aliens are all right. It'd be a little unfair to automatically discount someone if they just want to help, but they can only notice people who burn flowers and not people who think the words 'paging Alex'."

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"I think there's probably some beings described by that."

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"OK. But moratorium on magical nonsense until I know anything about it, I agree. Do I at least get to talk to Chris Epps and figure out what's going on with his brother?"

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"Seems fine to me. At minimum it'd be good to know if it's something different than what's going on with Jack O'Toole."

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"...fine, I will also face down Katie. But I want a cookie for pushing myself after."

Hopefully if this is completely ridiculous it'll automatically be parsed as a joke. Hopefully.

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"All right, noted."

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Karen doesn't have any friendship points with Chris Epps. You know what Karen does have, though? Dead parents.

"Hey," she says, at lunch the next day, before Dennis can intercept her. "I - um, don't think this is crazy or anything? You won't laugh?"

     "Sure, what - "

"I heard that you can raise the dead."

     " - I don't know what you're talking about," says Chris, who clearly knows what she's talking about.

"Oh," says Karen. "I just - sorry, it was stupid. I just - my parents died a couple months ago. But obviously they're just - I mean they're gone."

     And now Chris feels like a dick. "Oh, I - I mean I'm not saying it's impossible, just - raising the dead, you know, that's heavy stuff - "

"You've looked into it?" she asks, sitting down at the table.

     "Well - not extensively. People have theorized about it. But even if it could be done, a couple months is way too long - you have to get to people before the tissue damage sets in. A few days, maybe, at the absolute most - much better if you can get to them within twelve hours."

She takes notes. She keeps the conversation going. She gets an invitation to his house to look over his books.

Paging Alex. This is a report, not a request for immediate assistance. Very likely doctor Frankenstein. It must be a Hellmouth thing, if it were easy enough to reanimate the dead that a high school student could do it then it wouldn't be something that everyone thinks it impossible. But Epps thinks he's using pure science; he's not casting spells.

Permalink Mark Unread

Impressive kid. Any guesses about what's wrong with his brother such that he doesn't just come back to school?

Permalink Mark Unread

Not yet. I'm gonna head to his house after school; if the brother's still hanging out there then I guess we'll find out.

She doesn't get access to the basement the first time they hang out, but it doesn't take her very long. Maybe she has a trustworthy face. When Chris does, eventually, admit to having reanimated the dead, and subsequently introduce her to his brother Daryl, she's..... underwhelmed.

     "Don't look at me," says Daryl, with entirely more feeling than Karen thinks is really necessary.

"It really doesn't look that bad."

     "I'm hideous. My own mother hasn't seen me, do you know what it would do to her?"

"You're... I mean, you're a little discolored and a little less symmetrical, but so are lots of normal people who haven't died, you know?"

     "No one could love a face like this. What, could you?"

 

 

Paging Alex. I think I'm being asked out by a zombie. I really didn't have a plan for this situation.

 

Permalink Mark Unread

You have that whole religion, right? Isn't that a good way to let guys down easy? I'm on my way -

Permalink Mark Unread

I mean he's not a dangerous zombie. Probably. He's just gonna make me look super uncool. I'm pretty sure you can't save me from uncoolness.

 

"I feel like... I mean, there are lots of people out there with diseases and stuff, you know? But like - you're alive, you know? You might not be, you know, the most popular kid in school anymore, but - you can watch movies, and you can go see sunsets, and - maybe you have to wear a ski mask or something, although honestly I think people will mostly be too polite to stare, and - you don't actually have to hide in this basement indefinitely, you know?"

Daryl does not seem super appeased by this.

Permalink Mark Unread

What's even the problem, is it something cosmetic surgery can handle?

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Honestly it looks like it? He's mostly concerned about how ugly he is. It's not even that bad. I guess everyone does know that he's dead and stuff, which sort of complicates things logistically, but - and we don't know that the effect will hold up if he leaves the Hellmouth -

Permalink Mark Unread

Yeah I guess there's that. Uh, suggest plastic surgery anyway? Having logistics be the barrier to your dreams can be a lot nicer than having it be something that doesn't look doable, even if the logistics are a headache.

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She tentatively approaches the sobbing zombie.

"Look. Even if you think nobody's gonna talk to you now - which I bet you is false - plastic surgery exists now? I feel like there are multiple solutions to your problems. You just need some help."

     "Well how?" demands Daryl. "What, are you going to help me?"

"Yes," says Karen, after not very long of a pause at all. "I will help you."

 

Sooo, do you have a plastic surgeon and therapy for kids who have died stashed next to the anti-aircraft missiles?

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Those sound like things money can buy, so, yeah, we got that. 

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Bet I can get you Chris's lab notes for them.

 

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Well done.

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So she convinces Chris to let her borrow his notes, conditional on her getting help for his brother.

Jack O'Toole is less straightforward to investigate, given that nothing he says makes sense and also he somehow still has his knife, despite repeatedly threatening students with it on school grounds. It's kind of mysterious. Maybe he gets away with it because he's a zombie. 

 

"So he's definitely a different kind of zombie than Daryl. More than that is sort of hard to say. I felt like we were getting somewhere, but in hindsight we weren't really, and that is when he thrust the knife at me, and that is when I kidnapped Katie."

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"Is Katie actually sentient or is that just a game he's playing?"

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"Oh it just has a name. I think. Gosh, I really hope it's not alive. I think people just name their knives sometimes."

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"That's probably all it is but just in case I know a way to check."

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She hands over her kidnapped knife.

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He pulls something out of a desk drawer. It looks like an elaborately embroidered handkerchief with little beads in it. He passes it over the knife. "Not a person!"

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"That's good. And she's away now. So I guess if he sees me again and is upset about it he'll have to just punch me."

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"Is problem-solving skills part of the Slayer powerset or are you just good at that all by yourself?"

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"...I dunno. I never really tried to solve any problems before."

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"It's the only way they get solved, far as I can tell. I got you a cookie." It is melty on the inside.

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"Aww!" Best coach trainer telepathic alien bodyguard person ever. "I only half-solved the zombie thing, though. Any progress with Daryl? Oh, and the possessed cheerleader thing?"

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"Uh, Daryl has a therapist and we'll cover plastic surgery if he and his brother can come up with the first two thousand dollars since it seemed good for Chris to get a job that isn't bustling around Daryl's sickbed and allows him to look out for him - not my call, I outsource people stuff. I'm gonna ask Amy to stay after class and unpossess her then because I want to be able to support post-possession Amy and explain what happened and so on."

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She nods seriously. "Does that clear out the sidequest queue, after that? Back to generally becoming less killable and possibly figuring out the vampires thing?"

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He still needs to seduce a guy who will be willing to show up at the Tuesday archery class he's now running and be affectionate in public like it's not a big fucking deal actually, no one here will edit your brain for it. 

"Yeah, that's all the sidequests. Michael and I have been spending the weekends filling the sewers with crosses, if you want to join us for that."

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"Oh good, I was sort of worried you were going to try to convince him to bless the sewage and try to make it holy water. Yeah, I can do that. Community service builds character, or something."

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"Nah, can't do that, we don't wanna piss God off. We did try blessing the water supply in one city to see if it had salutary effects on lifespan or anything."

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"I assume it didn't do anything?"

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"Nope. It's too bad."

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"Yeah."

A couple more weeks pass. She learns some things about magic. She asks Alex if they can go over how to subdue human opponents without hurting them. She patrols. She diligently avoids Jack O'Toole.

She has a dream. She has lots of dreams, of course. People tend to. But Zeke said that her power set comes with prophetic dreams, so she's been dutifully writing them down in a notebook next to her bed, at least on days where she doesn't immediately panic about how she's totally failed to do her homework on any sort of reasonable timeframe. 

 

The dream has dogs in it. She thinks they're dogs, anyway. Something is chasing her through long grass, gaining on her, calling her name through the darkness. And then, suddenly, there isn't any grass. She's standing on a mountain, in her nightgown. There's snow, all around, for miles and miles. 

     "This is sort of your job," says Dennis. Dennis is next to her. Dennis looks like he knew there would be snow in this dream when he got dressed. "Aren't you supposed to know about these things?"

She feels herself shaking her head. "No one told me. I only got here yesterday."

     "You know we have a test on Monday," he says, sounding very unimpressed.

"I know. I wanted to ask Father Michael - "

     "He won't be there. You have to fill in the answers yourself. You get that, right?"

She frowns at him. She looks back at the tall grass, now covered in snow. "Do you think they can hear us?"

     "Probably. Hey, I'm not letting you cheat off me."

"Not even a hint?"

     He frowns. "...You have to look after the little kids. That's all I'm saying, though."

She nods, then climbs up to the top of the mountain by herself. She thinks she must have left something up there. But that can't be right; she's never made it to the top of the mountain before. She always has to go back down before she finishes.

The air laughs at her. It calls her name. She pretends she can't hear. That's very rude of her, she thinks, but she has to get the thing she left. The mountain opens up as she climbs, because it's a volcano. Light spills out of it, and clear water, and steam, because that's how volcanoes are. She pretends she doesn't notice. It isn't the volcano's fault. At the top there's a garden, and it isn't covered in snow. That must be why she isn't dressed for it - it's no good if everyone there thinks she's the kind of wimp who can't even spend a few hours climbing a mountain without a coat.

Alex is there. Maybe he's the thing she forgot? That doesn't sound quite right, but it must be.

"Hi," she says. "We have a test on Monday."

     He groans. "Not already."

"I think we've prepared pretty well. Didn't you study?"

     "That's not the problem. You're going to fall asleep," says Alex. 

"No, I won't," she says, and she's irritated, because he's right, but he shouldn't be. "I'm old enough to stay up all night this time."

The wind calls her name again. But it isn't the wind, the wind doesn't do that. They're coming, she realizes, they must have followed her up the mountain - she thought they couldn't leave the tall grass, but she doesn't know why -

Alex is gone. There are wolves here, now, instead - or something like wolves - blurry gray shapes that snarl and circle her.

She's so tired.

The gray shapes pounce, and she doesn't have a weapon. She should have asked Alex for one when he was here, but she didn't.

There are fangs in her throat.

 

She writes down everything she remembers, when she confirms that she's still in her room and has not been eaten by wolves. And then she panics about her homework. And then she remembers that they have a field trip to the zoo today.

She sits next to Alex on the bus. "Do slayers really have prophetic dreams?"

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"Yep. I don't know who sends them."

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"Huh. I mean, I did get dreams about the other slayers before you showed up, but nothing weird since. Normal dream weird, I guess. How do you tell if a dream is prophetic weird or normal weird?"

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"I'm not really sure, if they don't feel any different. Whether they start coming true, I guess?"

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"Ah. I guess that makes sense."

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"Not a good dream?"

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"I got eaten by wolves at the end. But like, I used to have lots of dreams where I'd die, sometimes multiple times in the same dream, so it could totally just be a me thing."

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"I'm honestly pretty damn sure I can keep you alive until you're thirty or so and scarier than I am."

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"...gosh, is that the plan?"

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" - yeah?"

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"Oh. I didn't know I was trying to make it to thirty."

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The Watcher's Council murders Slayers at eighteen, I don't think there's much reason to think they'd be short-lived otherwise. Obviously you want to be smart about which enemies you make and how much they know about you, but you've got time to figure that out.

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Oh.

Does this mean I have to think about getting good enough grades to get into colleges? You gotta tell me these things, man.

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I don't really get why people'd want to go to college but you can tell us where and we'll set it up.

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Wanting things sounds hard.

Thanks, though.

I guess I was figuring I had high school, and then if I made it more years after that alone than it took you to train me, then the training time was probably worth it for the world and stuff. So twenty-one. And no college, I guess, it'd get in the way.

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I mean, you wanna die, I'm sure you'll run across an opportunity, but if you're careful I don't think it has to go that way.

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I don't wanna die! Dying bad. This is why we go around preventing dying. I just have to revise my timelines, is all.

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All right, well, I'm going to stick around until you can take care of yourself and then you're gonna go not die.

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OK.

 

The zoo is nice. Nice for humans, anyway, probably some of the cages are smaller than animals would ideally prefer. It'd be weird, being stuck on the monkey island for your entire life, even if the monkey island is nice. But she pays attention, and she successfully avoids buying overpriced zoo ice cream, and she wanders around with her friends - well, with Dennis and occasionally Chris, but they're sort of her friends, now, right?

It's an all right day.

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Mercy is not, typically, the sort of person who crosses lines labeled "DO NOT CROSS". Fences exist for reasons, and there are many dangerous things in this world that she doesn't know about, most of them on the other side of one fence or another.

But she can't abide bullies, and the group of students who have convinced Lance Lincoln to head to the blocked-off hyena pen with them are definitely bullies. They are definitely planning to attack him in an isolated location. They definitely need to be given the opportunity to pick on someone less easily terrified. So she crosses the line, and she heads to the pen, and to the surprise of absolutely no one but Lance, the group is in the process of lifting their victim over the railing.

The situation demands action, and so Mercy acts.

She pulls Lance back and punches Kyle DuFours in the face.

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Elsewhere the student chaperone breaks off telling children how the lemurs feel about each visitor in turn and hurries off towards the hyena cage.

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Mercy doesn't really think that she can take four people at once. She's not expecting any of the four to fight back. In her experience, most people are cowards. 

There are four of them, though, and there's a hyena cage below them. One of the girls pins her arm to the railing. Tor Hauer twists her so she's hanging halfway over it. The hyenas have woken up, and are staring up at her, probably wondering if she's food. Lance yells something about how they're all going to get in so much trouble for this.

She's not terrified of this situation. She has one free hand. She probably only needs a few seconds to push off the railing again and punch whoever she needs to punch to go back to having two free hands.

She doesn't get a couple seconds, though. The hyenas don't move, but something passes from the hyenas to her. Beyond that, she doesn't have words to describe the experience.

The grip on her arm loosens and Tor pulls her back.

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He jogs around the corner and looks intensely irritated that nothing unacceptable seems to be going on. "This area is closed. Why did you all come down here?"

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Mercy starts giggling. Everyone but Lance starts giggling, actually, like they're all in on a joke that everyone else is really stupid for not getting.

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"You okay?" he asks Lance.

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"Yeah. I - they - uh, yeah."

He hasn't been injured. He keeps glancing worriedly at the other kids, though.

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"All of you get detention for a week for entering an unauthorized area, coulda been dangerous. If you'd thrown him in you'd be in jail so I'd say you should also thank Mercy for saving you from yourselves."

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There's more giggling, but this time it dies down.

     "Thanks," says Kyle.

"No problem," says Mercy.

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He shooes them out.

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So the kids go back to wandering around the zoo, and at the end of the day everyone goes home. 

 

A few days later, principal Flutie has Herbert the pig hang out at gym class, so that kids will see their fierce razorback mascot and remember to try their hardest for the school. (Principal Flutie may not actually understand that gym class contains very little sports these days.) You can't really just let a baby pig run around wildly, so mostly Karen is holding him and and occasionally talking to other people about how cute he is. 

There's a dog outside. She thinks it's a dog. It's peeking in through one of the windows - the ones that must be at least thirty feet up. It's peeking from above. The dog is on the roof. It looks like it's staring very intently at her, until she remembers that she's holding a pig, so probably it's staring at the pig. She stares back.

One of the kids falls on his face, across the room from her. He's very insistent that Mercy tripped him.

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He can swap partners if he'd like.

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That resolves that.

 

The next day, pieces of Herbert the pig are found where Herbert the pig is supposed to be sleeping. He appears to have been eaten. Flutie is distraught.

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So is he, actually. Herbert liked rain and was stressed out about there being so many kids around and loathed Cordelia Chase's perfume and thought the gym smelled like it ought to be tasty but wasn't and -

- and had a better life than nearly every pig out there, which he's doing nothing about because it makes him too sad -

 

He calls in sick. He goes out looking for demons.

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Welp. Time to put on her big girl pants and figure out who killed Herbert, then. Herbert hasn't been around very long, but he's cute, or was before whatever got to him did, and bringing the pig-killer to justice sounds like a job for - the Sunnydale High School Sentinel doesn't really have investigative journalists, really, but it should, and something something be the change you want to see in the world.

She asks around the school for suspects other than the weird parkour dog, because she doesn't really know how she's going to track down a dog. Lots of kids have ideas, and while nobody has anything super substantial, enough people had seen Kyle DuFours and his crew in the vicinity that she thinks she may have a lead. One of the kids mentions that Principal Flutie already asked about this earlier in the morning, at which point she figures that maybe she should go down to the principal's office and see whether Flutie's put anything together.

She's too late.

 

Paging Alex. Flutie's dead.

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Shit. Of what?

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He, uh. He was eaten. In his office. Um - I'm not a detective or anything but he's - he's, uh, he's not all dried out like he'd be if it was a while ago.

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Yup, that's recent. Can you look around - I'm sorry - I can only see what you see -

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Yeah, on it.

She looks over Flutie's corpse and the scene in general. Flutie's had a lot of chunks taken out of him. The area is pretty messed up; Karen is, again, not a detective, but she'd say that there was at least something in the way of a struggle. 

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It looks more like orcs than like wild animals.

He doesn't say that. 

I assume you weren't getting anywhere on Herbert's killers?

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Oh, no, I had two entire suspects. Suspect number one was parkour dog from yesterday, but given that Flutie had just called in Kyle and his crew for questioning before - well, this - I am kind of leaning towards suspect number two, the aforementioned -

She happens to glance out the window.

Parkour dog is staring at her from outside.

"HEY," she screams, and takes off.

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He runs a stoplight.

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She jumps out the window and tackles parkour dog. Parkour dog is.... honestly entirely indistinguishable from a normal dog, and also seriously lacking blood on his face, which if he were a normal dog would pretty much clear his name, but a normal dog couldn't do that anyway, and she has no idea what qualities hypothetical demonic dogs might have.

This is either a vicious killer or the most innocuous red herring ever.

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The dog whimpers pitifully.

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He arrives at a run a short time later, carrying a tranquilizer gun and a real gun and a backpack. "You think it's him?"

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She's holding the dog like a normal dog now and is giving him ear scritches.

"Well. On the one hand, he was definitely staring at Herbert from the roof yesterday, and he was also hanging out outside Flutie's office just now? On the other hand, he's like, small and adorable, and also actually seems to be a normal dog in all ways."

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"Huh." He holsters the real gun and drops down onto his hands and knees.

He sends concepts. Eating people, getting scritches, climbing on roofs...

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OH, thank GOD, I thought I'd NEVER meet a telepath again. CAN YOU HEAR ME. PLEASE SAY YOU CAN HEAR ME.

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He rocks back on his feet a little bit. I can hear you. I'm Tyelcormo, this is Karen. What are you, uh, doing here?

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I'm not entirely sure how general that question is meant to be. I'm in Sunnydale because I have determined that there is very likely a Slayer in this vicinity, and that she very likely has not been assigned a watcher, and therefore my services might be exchanged for computer access and treats. Also belly rubs. I'm at this school because I believe it is the nexus of mystical energy within this town, and I expect the Slayer to frequent it. I'm in this girl's lap because apart from the concerning start she seems like a pretty great source of ear scritches. I haven't had any of those in a while.

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Why do you think there's probably a Slayer in this town? And did you eat the principal of this school, by any chance?

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Eat the principal! As if I don't have standards. As if I don't have honor. As if - no, it was those kids. Terrifying kids, I don't know what they're doing to them in schools these days. Anyway, the fact that there's a Slayer in this town is obvious from the fact that the entire Order of Aurelius was taken out overnight by a teenage girl.

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Ah huh. Okay. We're in a bit of a hurry going after whatever ate the principal. Did you see which way they went? Would you like to help us out?

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Absolutely! Provided nobody eats me, because I'd really like to avoid that. But you must grant me one thing.

I have not eaten a proper meal in weeks.

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He nods seriously. What would you like?

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BACON BACON BACON BACON wait that's disrespectful of the recently dead. Ahem. Any nutritionally balanced variety of dog food will be acceptable.

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And how should I introduce you to Karen?

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I don't know, I'm sort of confused about how the girl fits into the WAIT A SECOND.

Karen is the slayer, isn't she.

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Don't get her hurt. Admittedly it'd be difficult, but.

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I didn't come here to get the Slayer hurt. You may introduce me to her as Wishbone, former demon hunter and squire originally pledged to the service of King Arthur, coming up on one thousand five hundred years of experience opposing the forces of darkness. You may also tell her that until very recently I was living with a family in Maine that had no idea I wasn't an ordinary dog, and was spending my time reading all the books their teenage son brought home.

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Okay. "So, Karen, this dog says he is Wishbone, former demon hunter and squire originally pledged to the service of King Arthur, coming up on one thousand five hundred years of experience opposing the forces of darkness. He also says that until very recently he was living with a family in Maine that had no idea he wasn't an ordinary dog, and spent his time reading all the books his teenage son brought home. He also says the kids ate Flutie and he can help us track them but we should get him something to eat first. Do you two want to start on finding a trail while I swing by the pet store?"

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"OK. Normally I would ask questions here but I'm going to skip that part today until after there aren't high school students eating people alive. I just want to note that that sounds, like. Pretty out there."

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"Just a bit, yeah." He hands her the tranquilizer gun. "I don't know if that'll work since they're not regular humans, but a higher dose would be dangerous if they're still relevantly regular humans. If you run into them, hit them with this and they're still on their feet then clear out, wait for me, we can change the dose with that information."

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"Yeah. On it. Lead the way, superdog."

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He flies into the pet store at a frankly inhuman pace, drops forty dollars on the counter and leaves at the same pace with a bag of dog food.

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The kids are hiding in a patch of forest not far from the school. Wishbone points them out and then hides, which she figures is honestly pretty reasonable of him. It does, however, mean that once she's hit one she's not able to track down the others after they scatter.

Paging Alex. I have one kid down. It's Mercy. Can't find Wishbone right this second -

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He sends both of them the location of the other.

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Thanks. Going after the others.

 

OK, I have five kids down. They, uh, look about like you'd expect kids to look if they'd just eaten something alive, it's kind of disturbing.

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Are they somewhere where I can swing the car by?

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I got them in the woods, sorry. There's a road not that far away, we can carry them to it I guess?

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Sounds good. I want to have them secured somewhere while we figure out what's going on.

He pulls the car in at the nearest road and helps Karen carry bloodied classmates to the car. 

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She plops down in the front seat and hugs Wishbone when she's done.

"Where now?"

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He hands Wishbone a meal. "Michael's. He's got the dungeon."

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She nods solemnly and takes over feeding-Wishbone duty so that Alex can drive.

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Wishbone happily scarfs down his food.

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Michael's home is in a nice neighborhood right near the church. It has a garden, which is flourishing. It's a little cottage; it looks like if it has two bedrooms they are both small bedrooms. It has a one-car garage which opens as they pull up. 

The garage door closes behind them. The garage moves, like an elevator, down and then down some more. It's glass, so as it moves they can see an enormous amphitheater and a waterfall and a swimming pool and stained glass not-windows-since-this-is-underground and a hall of musical instruments and a glorious wide winding staircase. The next level appears to be a library. 

The level after that is the dungeons. It's still pretty, but the walls are lined with bars, and Michael is standing there waiting for them.

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"Hello, Karen, hello Alex, hello, Wishbone. Welcome."

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She waves uncertainly, with the hand that isn't cradling Wishbone. "Uh. Your Batcave is neat. It's only the third weirdest thing I've seen today, but it's neat."

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"Thank you!" he says cheerfully. "It's a mortal sin. What did you see today that was even weirder?" 

 

They start unloading kids from the car. The cells have two sets of doors which cannot both be open at the same time, which makes dragging kids into them a bit of a hassle.

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"Well, uh. The thing where my classmates apparently ate our principal, that's pretty weird? And the thing where Alex says this dog is, like, a former knight of the round table or something? And your underground mansion thing was just not going to top those."

She thinks at this point she might just be storing additional weird things to be processed later. This is sort of convenient, she'd probably be kind of nonfunctional if she were processing it now.

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"That's what he said, I can't vouch for it at all, I don't have any information on whether the legend of King Arthur is real -"

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"Oh, I'm sure it is." He checks that all of the cages are secured. "We're confident these are all the possessed children?"

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"I did not, uh, actually know that they were possessed until just now, so I think I am not the person who should answer this question."

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"Not confident but I have a theory about when it happened and if so it would have been them plus one additional kid who is currently walking home thinking about how it's awful about the principal but on the other hand he can spend the whole afternoon playing video games, so I think he's fine."

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"When did it happen?"

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"They ran off somewhere they weren't supposed to be, at the zoo. They don't otherwise hang out together - well, Mercy doesn't otherwise hang out with the other four. They were trying to throw Lance into the hyena pit."

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"Seriously? Why -"

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"''Cause they're little pieces of shit. I bet this wasn't the intended outcome, though. Did the guy who fixed Madison for us leave town?"

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"Yes. I can invite him back."

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"Are they gonna be OK? Apart from the... I guess they're not going to be the most OK people ever."

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"It seems likely they had a pretty awful experience. Depending on the flavor of possession they may not remember it much, though. We can clean them up before attempting to fix it."

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"Yeah. OK."

She thinks about asking whether she has to go back to school today, but there's no way to ask that that doesn't make her sound twelve.

She thinks about asking whether she can sit down somewhere, preferably somewhere with a toilet in case processing makes the nausea come back, but, well, ditto.

"I guess we should clean them up before they wake up? Depending on how much longer that's going to be."

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"I'll handle it."

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"If you'd like to change your clothes and take a shower, there are guest rooms upstairs."

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"Ah. Yeah. I guess that might be good." 

She doesn't throw up. She does give up on not crying. She'll only have to do it the once, probably, so it's fair that she has to do it once, she can live with that. She breathes and washes her face, after, so that it's hard to tell.

She's a slayer. Slayer slayer slayer. This is her job. Sometimes she doesn't do her job the best way it can possibly be done, maybe - not that Alex had any idea that kids were going to eat Flutie either - but she always does it, or always tries, and she is not going to complain about being someone who that falls on.

It's OK, on her end. It's a lot. But it's OK.

Eventually she emerges and asks if they have any sort of game plan for handling the fact that the kids have disappeared and that they're going to start remembering things the second they get un-possessed.

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He glances at Alex.

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"Uh....they all had some kind of weird flu today, which manifested as behaving strangely when Flutie interrogated all the students about Herbert's murder...Flutie called them in on suspicion of letting some animal into the school to attack Herbert, they heard wild animals in Flutie's office and fled, not realizing he was in there - that doesn't work as cover for Mercy, maybe she ran to get a weapon - and they collapsed since they were sick. I guess this obliges us to take them to the hospital, and ideally to get them unpossessed before they wake up - ugh, what a mess - 

- d'you suppose we can get a cooperative principal now -"

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"Not a bad idea. I'll ask." He tilts his head back and closes his eyes.

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He seems simultaneously amused and frustrated for some reason. "I'll take a shower also." And he heads upstairs.

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Karen will just, uh, stand here awkwardly and hope that the not-archangels have this sort of under control now and that nobody's going to tell her to go back to school. She will deal with the fact that she's cutting classes later. Probably by ignoring it.

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His conversation or whatever it is doesn't take long. "We can't do much until someone who can get them unpossessed arrives. Can I get you two anything?"

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BACON BACON BACON wait. No. Must be strong. It's fine, I've eaten.

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"I'm good."

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"Okay." He goes to a computer and types some things and music starts playing in all the cells, quietly enough that it's not audible outside them. "I'm going to need to go upstairs, that music will keep them asleep but it'll put me to sleep too."

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Wishbone yawns. He can barely hear the music, honestly, but he has also been traveling through inhospitable conditions for several weeks.

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Karen scoops him up. "We can all go upstairs."

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Upstairs is the library floor; it has a fireplace, a warm cozy rug, an elaborate instrument that isn't quite a piano, and books from floor to ceiling on every wall. 

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Ooooh books. She might be better at appreciating this opportunity if she weren't currently dealing with Flutie-just-got-eaten feelings, but it'll be a cold day in hell when she doesn't appreciate a new library at all.

What sort of books, exactly, are there useful books that will tell her useful things about weird stuff? Are there ALIEN books? She probably won't be able to read alien books, but she might grab one just to stare at the lettering system, if there are any.

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(Wishbone curls up on the rug and sleeps. He also appreciates books! He's just really exhausted right now.)

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The books are organized by language, though it might take her a little while to figure that out because the labels on the shelves are in a beautiful curly calligraphy script she can't read; English over here and Spanish and Italian and French and Portuguese and Latin and German and Old English and Middle English and Arabic and Hebrew and Chinese and Japanese and then lots and lots of alphabets she can't even guess at. 

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(Man, everyone else in this room is probably like a thousand years older than her and has had a bunch of time to learn stuff like this, and she's going to make it to maybe-thirty-if-Alex-is-right, which is not enough time to learn any of this. It's not faaaaair.)

She copies the labels into a pocket notebook as well as she can, labeling each word with the language it goes with; these words are probably in not-archangel script. When she's done that, she goes through the English section for anything that looks like it might be about Weird Stuff.

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Yeah, this is pretty much a library of weird stuff, that and religious books. Guides to vampires, stories of specific notorious vampires, demon ethnographies, copies of the books he gave her earlier, books about magic artifacts and about exorcism and about rituals and spells and the 'gods' and 'goddesses' they call on. A 12-volume series called The Nature Of The Fiend. Eighteen different translations of the Bible and then shelves and shelves of Catholic writers, ancient and modern. Narnia is on there. 

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Well, then she has a lot of reading to do before Father Michael suggests that she leave his library. Be easier to do it without the fresh trauma, but hey.

She grabs some vampire case studies, thinks better about reading more extra-grisly things right now, and then settles in to read about magical artifacts.

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There's a lot of really random stuff out there somewhere in the world. Some of it gives you superpowers and some of it is binding a demon who will destroy the world if it is damaged or moved and some of it is empowering a demon and must be destroyed to stop them. Many artifacts are needed to perform certain spells. There's one that lets you swap bodies with people and one that makes you able to move through walls and one that allows you to control fire and one that makes vampires indestructible and one that lets you make portals and one that lets you reveal the destination of portals and one that lets you alter the destination of portals and one which demons use to grant wishes and that gets her through the letter 'A'.

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Eventually Wishbone wakes up and reads beside her.

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She tells him to bark when he wants a page turned. She's actually just going to keep reading until she either gets kicked out or comes up on dinnertime and has to head home for that.

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He doesn't kick her out. Alex comes down after a while.

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It's getting kinda late.

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Yes. I don't want to make them feel like they ought to leave.

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Yeah, I just mean, should I order pizza.

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Oh. I guess. Yeah.

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Karen will still be deeply engrossed in pouring information into her brain when the pizza arrives, at which point she will remember that she skipped lunch today and is actually really hungry.

"So, uh, any idea how long it'll be before the kids are... un-whatever-ified?"

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"It'll depend on whether our expert recognizes it - you shouldn't do an exorcism until you know what you're dealing with. If they don't know offhand, we might go tonight to check out the zoo, see whether there are any clues there."

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"You're not worried that whatever it is will infect you, too?" Because she kind of doesn't want to deal with possessed not-archangels, given what possessed high school students are like.

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"We have reason to think we cannot be possessed but I agree that we'll need to plan to be very careful about that."

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"OK. D'you want me to stick around for anything, or - I mean I can imagine circumstances under which having a probably possessable slayer around would just make things worse - "

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"I don't think you should go to the zoo but you're of course welcome here as often as you'd like to come and as long as you'd like to stay."

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"...OK. Maybe I'll visit later, then. I, uh, should probably go home tonight before Azalea starts worrying, though, if you don't think I'll be any help with the possessed kids. Thank you for the pizza and the books and the holding my classmates where they hopefully can't eat anyone else."

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"You're very welcome. Hopefully tomorrow they will be as good as new."

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"Yeah." She scoops up Wishbone. "We're superfluous, Wishbone. Let's go home. Maybe see if you can poke keyboards or something."

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"If not I can have someone rig something up for him."

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"That'll be good."

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The possession expert doesn't recognize the exact problem with the kids, though he's passingly familiar with legends about people being possessed by the spirits of wild animals. He's going to need more information.

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So they swear that for the next week they won't engage in any violence against humans or standard Earth animals without having verified with their brothers outside Sunnydale that the circumstances warrant it, unless so obliged by the oath about the Silmaril, and they go to the zoo and check out the hyena exhibit.

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The hyena exhibit contains five hyenas, plus a symbol on the floor that almost looks like it might just be decorative, plus a very concerned zookeeper.

"Oh, good, are you from the school?"

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"Yep."

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"Listen, I think those kids might have awakened something they're not prepared for. We've got to get them back here as soon as possible."

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"They sure did. A couple people are dead. You know how to fix it?"

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He nods. "The hyenas were infected with something. Not a disease, something mystical. I learned the ritual when I was traveling in Africa - I've never had to use it before, but if you can get them back here, I think I can get the spirits to return to the hyenas."

He doesn't, in fact, intend to return the spirits, but he's pretty sure he can get the spirits to enter him, as he originally intended.

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What a charming human being. "We have someone on hand who can probably do it, maybe you two can compare notes. What's the ritual?"

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The zookeeper helpfully explains the ritual, including the fact that 'a predatory act' must be committed for the spirits to be moved, though he doesn't specify what it entails. He's privately pretty sure that murder should do the trick. He implies that it doesn't matter who commits the act, which is false; the spirits will pass into whoever does.

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The ritual involves some stuff painted on the floor, which means the hyenas should be safe enough once this asshole is in jail and the exhibit is not specifically engineered to enable hyena possession. "Thanks so much. We'll go get the kids."

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He nods and waits.

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They put headphones on the kids and load them into Macalaure's car, which is more spacious than Tyelcormo's, and they update their ritualist. 

"I'm hoping we can just drop a chunk of steak into the cage and the hyenas will reclaim their spirits from there."

     "I'm not sure that's relevantly predatory."

"We could toss the zookeeper in," Tyelcormo says, scowling at the sleeping kids. 

     Their ritualist looks mildly alarmed. 

"- could, but we won't. If the steak doesn't work we can do, dunno, a rabbit."

 

"We should probably have that on hand," Macalaure says, "just in case."

"Great. Let's stop by a pet store."

Macalaure shoots a troubled glance at his brother but stops by a grocery store and a pet store. They go back to the zoo.

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The zookeeper is waiting. He informs them that the hyenas are hungry.

He updates his plan to stabbing one of the kids in the middle of the ritual, figuring they'll be the easiest targets and that once all of the spirits have passed into him that he'll be able to fight off the other three adults in the room.

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Macalaureë looks entirely serene, but Tyelcormo is only partially hiding intense dislike. It makes him come across - well, a bit predatory. They line up the kids and drop in the steak and start the ritual.

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And, in the middle of the ritual, the zookeeper pulls out a knife and attempts to stab a sleeping Kyle DuFours.

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What a fucking surprise. He's faster. He rips the zookeeper off of Kyle and is held back by the oath from doing this with quite as much force as feels warranted -

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"Can you be extremely not predatory about that please I don't want you possessed by hyenas -"

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"Right." He lets the zookeeper fall to the ground. " - am I possessed by hyenas -"

 

"I don't think so," says the ritualist. "But maybe just sit on him and sing."

 

He does that.

 

The steak doesn't do it but the rabbits do; the hyenas eyes flash with the return of whatever-the-fuck-it-is. Then Tyelcormo punches the zookeeper in the face. Gently. He's only human.

Macalaure raises an eyebrow at him. "I asked if it seemed like the kind of thing I'd want to do regardless," Tyelcormo says reassuringly. "Telvo thinks so."

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"I guess now we call the police," Macalaurë says. "I am not delighted to be in the middle of all these mysterious shenanigans but better me than you, I think."

Their ritualist nods fervently. 

 

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"I'll drop you off back at your car," he says. 

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And he calls some number and makes a dry police report that the zookeeper at the Sunnydale Zoo seems to have been engineering the hyena exhibit to get himself possessed by hyenas, instead got some bystanders possessed by hyenas, and then tried to murder one. 

Whoever he called doesn't seem particularly disconcerted by this.

 

The kids wake up in the hospital an hour later. They are told that they collapsed at school.

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Sure they did.

" - what happened to - the Principal called us in - "

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A nurse breaks to her, very gently, that Principle Flutie was killed by wild dogs today. They seem to have entered through the window.

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Well. At least she knows that no one else expects her to remember what happened.

Mercy totally remembers what happened.

When she's released from the hospital, she corners Karen the next day after school. Pins her to her locker, actually.

"You're the one who shot us. You must know what happened after."

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"You remember that, huh?"

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"What happened."

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"I, uh, dunno how many specifics I'm at liberty to give? My understanding is that you were possessed by some kind of animal spirit for a while. It should be fixed now."

Paaaging Alex, the animal possession does not in fact come with memory loss.

- I can handle the thing if you don't want to do stuff right now. Just. So you know.

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- poor kids. You can send them to me for a breakdown of everything that happened.

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"The gym teacher says you can go to him for a summary. He, uh, knows about stuff like this. And was there and stuff. - do you want me to go with you?"

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"Fine. I expect answers."

So she and Karen head to Alex. The other kids haven't said anything to anyone about their experiences, so it's just Mercy, at least unless they track the others down tomorrow.

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"Hey, Mercy. How're you doing?"

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"I've been better."

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"We got the guy who caused it. He's in jail. I'm sorry we weren't quicker about it."

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"What was it?"

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"There is apparently a ritual which can cause possession by the spirits of hyenas. A zookeeper developed the burning ambition to become possessed by hyenas, and arranged the conditions for this ritual. The students who entered the exhibit triggered the ritual and became possessed by hyenas. The hyenas attacked Herbert and Flutie. Karen tranquilized you, we went and reversed the ritual, we arrested the zookeeper on manslaughter and attempted murder charges, and we took you to the hospital."

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" - you I understand. Why was Karen involved?"

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"As I understand it, she was investigating Herbert's murder for the school paper." You can tell people if you'd like, he adds to Karen, but I'm not going to.

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Thanks.

"Also I'm a superpowered demon hunter," she says, at Mercy's very skeptical look. "In training."

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"...ah."

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"Working on getting better at stopping things like this."

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"I see. Good. Thank you, then."

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Karen nods, and Mercy leaves, because apparently those were all of the questions Mercy had.

"She's a very... terse person."

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"You don't say. She might have more questions when she's had a little time to process."

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"Yeah, probably. Uh... any idea what they're going to do about the principal? The open position, I mean?"

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"Someone I know called and made a recommendation, and got told to go away. Apparently the mayor of Sunnydale feels very strongly that this is his turf and he doesn't answer to any state or federal government, which is worrying but not our problem immediately I don't think. Anyway we can't count on a helpful principal."

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She nods seriously. "Well. We've managed this long with an unhelpful one."

 

Christmas arrives; Karen takes the opportunity to loudly play her Christmas music in her room. She writes terrible poetry for her school friends (because she has school friends now, Dennis and Chris and Mercy all talk to her on a regular basis, sometimes not even about weird stuff), gets Wishbone an extra bag of treats, gets Zeke a shirt that says "Evil Fiend" and a container of pig's blood with a bow on it, gets her sister and nephew one book each, and bakes a loaf of banana bread for Father Michael (assuring him that she's not a very good cook and that he can totally just throw it out later if he wants). She knits Alex a scarf and gets him a calendar for the new year with pictures of animals for every month, with the "thank you for your $30 donation to our wildlife preservation fund" note still inside.

They go over more weapons in the spring, including things that aren't 500 years old. They cover how to responsibly shoot guns, in addition to bows.  They fight monsters and investigate weird stuff. Wishbone gets good enough at using her computer that she, uh, often doesn't have her computer, which means she reads more books. He has a lot of stuff to say, much of it related to weird happenings, so she learns a lot from him, too.

Karen occasionally feels like she might ever be other than totally incompetent.

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For Christmas he gets Karen a magic ring for enhanced reflexes, not that she really needs it, and sits on top of the church so he can hear Michael's Christmas Mass without having to, you know, go in the church and probably have God paying attention to him and stuff. Also it lets him look out for trouble. There isn't trouble. The streets of Sunnydale are full of crosses and are almost safe at night. 

 

They get through the first three months of the new year without any of his students dying, which is an accomplishment, sorta, depending how you look at it. He tries reading the Mayor's mind but never catches him at anything particularly evil or particularly actionable. His afterschool archery club is popular. He's kind of looking forward to a decade of this.

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On April 15th, Karen's Latin class is interrupted when one of the ceiling tiles breaks and a bunch of toads fall through. As weird stuff goes, it seems pretty innocuous, but she reports it to Alex anyway after school.

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"Could be someone was trying a spell, could be that there's a demon made out of swarms of toads..." sigh. "I hate saying 'let's wait and see' because sometimes the next thing is staking half the inhabitants of a nursing home, but this feels like a 'let's wait and see'. What do you think?"

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"I think it's a 'let's wait and see'. Can't go reading everyone in the school every time something weird happens. Sounds like it'd get exhausting, even without the constant privacy violations thing. One of the girls was really freaked out by it, so it could have been intentionally malicious, but that's, uh, also a pretty normal response to suddenly being covered in toads during Latin class."

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"Yeah." So out they go to the firing range. "Are you participating in the school talent show? Some of the kids in the archery club are."

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"Yeah, Principal Snyder says I have to. I don't know what I'm going to do, though, none of my talents are... talent-showy. Especially if other people are already doing archery."

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"Have to? Where does he get off making students do extracurriculars - this whole system eats enough of your damn time - you could karate chop blocks of wood? Or juggle, I bet you're solidly mediocre at juggling even without any practice."

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"You think so? Maybe I'll try it tonight and see if it's workable. The last time I tried it I was really terrible, but the last time I tried it I wasn't the Slayer, so there's that."

 

She's hanging out backstage during the rehearsal. One of the girls forgets what she's singing in the middle of a song, then leaves and bursts into tears. Karen is feeling like forcibly roping random students into talent shows is maybe a bad idea. A second later, all of the lights go out and someone falls off the stage.

"Sorry about that," says a person to her left.

The lights come back on after a couple minutes. Everyone spends a minute calming down, and then there's a scream from the dressing room. Karen runs off like a shot. The girl changing into her leotard looks like she's been beaten by... something. Really badly, actually. There's nothing in the dressing room for Karen to fight, though, so she calls 911 and watches as paramedics wheel the girl away.

 

"So my working theory is that someone hates talent shows even more than I do," she tells Alex, later. "Anything on your end?"

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"Nothing. I guess I can start scanning to figure out who it is. And I'll talk to Snyder about canceling the damn show - I mean, really -"

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"Sounds good. I'm gonna swing by the hospital after school and see if they're letting the injured kid have visitors. Maybe she saw something."

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“Sounds great, thank you.” He heads towards Snyder’s office, reading minds, reading minds - he fucking hates this -

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This kid found a snake in his locker earlier today. This girl keeps hearing voices. This kid is just planning how to cheat on the chemistry test that he forgot he had. This kid cannot BELIEVE that he got roped into the talent show, this is the worst thing EVER. This kid still has a sentient dummy and is gonna use him for what'll look like really advanced ventriloquism during the show. This kid got dumped by his girlfriend and is pretty distraught about that. This kid can't find his homework anywhere. This kid is on weed right now. This kid keeps having intrusive violent thoughts and this usually doesn't happen to him and it's kind of freaking him out. This kid is hoping that nobody finds out that he accidentally broke one of the toilets. This kid saw a bunch of ants crawling up one of the bathroom sinks earlier today. This kid got a C- on a paper and is panicking about his future. This kid can't find his lunch money anywhere. This kid got bitten by a spider and is kind of afraid that he's going to die but is also kind of afraid that if he goes to the school nurse she'll call him a baby.

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Wow he hates this.

Something's up at the hellmouth again. Can you look for - I don't know what you're looking for, exactly, bleedover from an insect and reptile dimension maybe? 

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I'll try. Maybe get school cancelled tomorrow?

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I'll try. He knocks on the door of Snyder's office.

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Mr. Snyder greets him with all the warmth of a tombstone. "Ah. Mr. Johnson. Doubtless you have what you think is a very reasonable request."

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"Cancel the talent show and close the school tomorrow for fumigation. I don't know what the actual problem is but there's more than enough excuse to say it's fumigation, there's a bathroom with a bad ant problem and several students complaining of spiders. And toads, and snakes. Give them a day off and you'll have a hell of a lot less to explain to their parents."

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"You expect me to cancel school on your say-so?"

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"If you want we can wander around and I can point out toads and snakes and ants and spiders to you. I think tomorrow's gonna be a mess and I'm giving you a heads up so you can avoid it."

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Snyder chuckles. "That's very thoughtful of you, Mr. Johnson, but - hm. You know, actually, why don't you point these things out to me, let's do that. Just to be on the safe side."

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He turns out of the office and starts walking. He reminds himself that even if Snyder doesn't believe him this time, he probably will next time, or at least eventually, and Karen's here for four years so he'd better play nice. He reminds himself that he could totally murder Snyder so the fact he hasn't proves that he doesn't want to, even if it kind of feels like he wants to. 

He goes looking for insects and reptiles.

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There actually don't seem to be any insects of reptiles in this school right now.

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Well, that's even scarier but he does not expect Snyder to see it that way.

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Snyder is, in fact, very unimpressed.

"Mr. Johnson, allow me to impart a piece of wisdom to you. Students lie."

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"Anyway. Thank you for your concern, but school will continued as planned."

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Nod.

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Karen swings by the hospital after school. 

 

Paging Alex. Laura's conscious now, but she got hit pretty hard, they didn't want me to talk to her for very long. She says someone came up behind her in the dressing room and clubbed her on the head. Assailant called her a failure, she screamed, assailant hit her again, and that's all she remembers. She thinks he was male and much bigger than her, but she didn't get a good look at the guy.

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Yikes. I'm at Michael's doing research -- I'm very sure that there's something up and I want to know what as soon as we can figure it out. You're welcome to come with or run down leads elsewhere. I'll see you at the talent show tonight if I don't see you sooner.

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I think I'm gonna see if I can track down anyone else who's seen weird stuff today. I'll see you at the show.

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I can give you some names to start - he sends over all the kids who saw things that apparently weren't there later in the day.

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Thanks. I'll follow up with them.

She heads back to the school and hangs around interviewing people for about an hour before Snyder intercepts her. 

     "Shouldn't you be preparing, Teller?"

"Oh, I'm all ready. I'm juggling, it's not a super complicated act."

     "Juggling? Are you insane? Cody Cookman is juggling, we can't have two jugglers."

"We can't?"

     He makes an exasperated sound and hands her a book of - Shakespeare plays, apparently. "Select something from here and perform it."

"You - you know that plays have multiple parts, right?"

     He gives her a warning look.

" - um, I mean, obviously you know that plays have multiple parts. I will just, uh, select something from this book and, uh, read it, and just, uh, modulate my voice enough that people know that I'm playing six different characters."

      "Oh no, no reading. You'll memorize it."

" - what, in the next thirty minutes?"

     "You're good at memorization."

"No I'm not!"

     "Teller," he says, in what she's pretty sure is a warning tone. "Make it happen, or you get detention for the next week."

 

Paaaaging Alex. Do you think you could do me a really stupid favor.

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I bet I can. 

 

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Snyder has come down with temporary insanity and forbidden me from juggling anything. I have to, uh, memorize a scene from this collection of plays. I assume he doesn't want a whole play. The flaw in this plan is that the show is in half an hour and I am a human person with normal human memorization powers and also I haven't read any Shakespeare and don't know which scenes I should even be looking at.

I can probably avoid detention if I give you the script and you telepathically feed me lines or something? I might die of embarrassment but these are the dangers we brave, I guess.

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Absolutely. Is Marc Antony's speech in Julius Caesar in there? That's a fun one. 

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I dunno, probably. Man, I hope I can even, like, hear things and say things at the same time - ugh -

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I can lend you my eyes and have the book in front of me, then it's just like reading. Snyder's an asshole. If he gets eaten by wild dogs I won't even feel shitty about it all week.

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Oh, yeah that sounds good. Thank you. Thank you thank you thank you, this is really dumb but thanks.

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He heads out to the talent show half an hour later having found no signs of what it is they're dealing with. Michael has a sore throat and is miserable about it - "is this what it's like for humans all the time?"

"Only when they get colds, presumably"

- and hellmouths are not documented to cause outbreaks of insects, amphibians or hallucinations. It makes even less sense if he assumes that the attack on the girl in the locker room is related. 

 A stoplight is out and the cop directing traffic is waving his gun around lazily - moron - and Alex has to stop to make sure he's not a vampire. He's not. Just had it confused with a road flare, somehow.

He gets to the show five minutes after it starts. The ventriloquism act is very compelling.

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Karen finds him in the audience and hands him the book, then heads backstage again to quietly freak out about the fact that she's going to die of embarrassment in like twenty minutes. There's a girl who's ruined her makeup and can't seem to fix it, so for a while she gets distracted calming her down, which sort of helps but also sort of doesn't.

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He flips through the book looking for friends, Romans, countrymen, and then snaps it shut when Snyder suddenly looks straight at him. It's fine, he'll go to the bathroom for Karen's act. 

Cáno?

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Yeah?

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Can you bring in some more people on figuring out what's going on?

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Do we have more than the hallucination bugs and the attack on the girl?

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And the cop who could've easily killed someone - that's got to be another instance of hallucinations -

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I'll kick it upstairs.

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Thanks.

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When it's time for Karen's act he slips out to the men's bathroom. Everyone applauds for the other juggler. Maybe Karen could've juggled too if they hadn't put them back-to-back for some reason -

He opens the bathroom door and Cory Daniels is dangling from the ceiling with a jumprope for a noose - that's right, he'd asked for it after school, he'd said it was part of his talent show act - and he goes to cut him down but Elf senses are enough to make it obvious it's too late for that already - 

- he'd asked Cory about the music at one point but he hadn't wanted to be pushy -

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She's on stage now. And. Uh.

....Alex? Now would be awesome.

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- one sec, sorry, uh, it starts 'friends, Romans, countrymen -

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"Friends, Romans, countrymen...."

 

- are you OK?

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He sends her the script. His vision is weirdly blurry, which has never happened before - usually you can tell over osanwë that his vision is vastly better than hers, crisp even at distances where she couldn't make out anything at all.

 

Friends, Romans, countrymen, lend me your ears;

I come to bury Caesar, not to praise him.

The evil that men do lives after them;

The good is oft interred with their bones;

So let it be with Caesar. The noble Brutus

Hath told you Caesar was ambitious:

If it were so, it was a grievous fault,

And grievously hath Caesar answer’d it.

Here, under leave of Brutus and the rest–

For Brutus is an honourable man;

So are they all, all honourable men–

Come I to speak in Caesar’s funeral.

He was my friend, faithful and just to me:

But Brutus says he was ambitious;

And Brutus is an honourable man.

 

He blinks a couple times and then it's much less blurry. 

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She reads. 

 

Did something happen - 

And then there's a gunshot - it's definitely a gunshot - there's a shooting pain through her head, and she falls down -

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He leaves Cory and Shakespeare on the floor and sprints back out to the amphitheater - first priority is the gunman, not Karen, not much he can do for her in the next minute with a gunshot wound to the head - the people near the shooter should be clutching at their ears -

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Nobody is clutching their ears. They're.... clapping.

There doesn't actually seem to be a gunman in the room.

Her head hurts because she hit it on the floor, but other than that it seems to be fine? But she was sure - maybe she imagined the pain because she was scared - there was definitely a gunshot - if she looks up she can see a neat little hole in the curtain behind her -

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Cáno!

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Hallucinations that leave bullet holes in the walls. 

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I'm not even sure at this point whether Daniels killed himself or something else did. Or - goaded him into it, or - made something look like something else - I'm gonna go find Karen -

He makes his way backstage.

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Karen has run offstage and is kind of sort of not really entirely holding it together in the hallway.

"...what's happening?"

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"I don't know. I don't know. Hallucinations that - that do real damage - Cory Daniels is dead, he hung himself in the men's bathroom. No one fired that gun but I think it was a real bullet."

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"...OK. OK. We - we get everyone out of the school somehow - maybe at this point we just pull the fire alarm or something, assuming the school is actually more dangerous than the outside area, and we - I don't know at this point, go home and regroup, read things, figure out this time what could cause something like this?"

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Nod. "This has to be originating at the Hellmouth, so they've gotta be safer at home."

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"Yeah. OK. I - I can pull the fire alarm and I'll meet you at the front of the school to go to Michael's and - hopefully no one will shoot me on the way?"

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"Yeah. Just - let's get clear of the Hellmouth as quickly as possible."

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"Yeah."

So she swings by the fire alarm and pulls it. People evacuate the school. She heads for the front entrance as quickly as she can.

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He stays around to make sure they get out safe, not that he can watch them all at once. He looks for Cory in the crowd. Maybe it was just a hallucination - maybe it would have been just a hallucination if he hadn't interacted with it -

 

He meets Karen at the front and gets in the car. 

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She runs into Wishbone on the way and scoops him up. They both slide into the car.

She doesn't really think she'll be able to dodge bullets - the next thing probably won't be a bullet anyway - but she scans the streets the whole time she's in the car anyway.

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He doesn't feel like he's a very safe driver right now, but he's not nearly as dangerous as a human, so. In the distance there are sirens - no, that'll be because they pulled the fire alarm, it doesn't mean anything. Nothing new. Only one incident outside the school so far, and the cop might've been idling in the Sunnydale High parking lot earlier in the day. 

 

They make it safely to Michael's. 

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Hey. Condolences. I pulled all the hallucination and dimensional interference books I could find.

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When they reach the house she tries wading through books and then considers that she's probably not going to be the one who hits on the right thing this way. Honestly Wishbone is the most likely to identify whatever the mystical thing is.

" - do you have a computer I can use?"

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Yeah.  It's fancy. Elaborate display screen and faster and more responsive than any computer she's ever used.

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"Thanks."

She wades through newspaper articles about weird occurrences that have happened over the course of the past few days, with a focus on ones that caused hospitalizations. She remembers that the only kid who was definitely hurt by a manifestation was Laura, and makes a list of recently beaten-up people to question in the hospital tomorrow. Maybe it's a waste of time. Maybe all of this is.

 

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Collective hallucinations can be caused by a half-completed reality altering spell or by the slow disintegration of one. He tries to read about that, does badly at it, paces, goes back to mindreading the Mayor, who is thinking about Jeopardy!, tries Snyder, who is contemplating how children are stupid and contemptible and he'll utterly destroy the little brat who pulled the fire alarm -

He tries to read again. He can't. He kicks a book across the room and goes upstairs.

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She completes her list. She makes another of other things to investigate. She checks on Wishbone's shortlist of likely mystical phenomena and writes those down for herself, too. She tries to nap, worries that there's something she's missed, and heads back to the books.

At sunrise she's - still pretty unsure what's going on, really.

"You guys figure anything out?"

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"Nope."

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No.

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"OK. I'm gonna see if I can find some leads at the hospital, I'm really not gonna find anything in the books that you all won't. Call if you figure anything out."

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"Uh huh."

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News says that there was some kind of meteorite crash or something around midnight last night, on the soccer field at tenth and Broadway.

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That's too recent to have caused this but I guess I'll check it out on the way to work, ugh.

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I don't want you to go in today.

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Snyder'll fire me. There's only one injury that's definitely to do with this. I can't stay home from work every day some kid gets smacked over the head -

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Your gut tells you this is big.

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Yeah. But - I know these kids, I don't want to abandon them to it. If I get myself killed you just gotta make Dad hurry up with reembodiment magic, right?

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Nod.

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Her house is on the way to the hospital. It occurs to her that she should probably stop in and let her sister know that she's OK; she hasn't even checked in with her since last night before the talent show.

The door is open. There's blood on the floor. 

Her sister and her nephew are lying on the couch. Most of them, anyway.

 

Alex Michael Alex Michael Alex Michael -

Alex I fucked up -

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Where are you - oh - oh - 

- Karen I'm so sorry - 

 

He turns the car around quite sharply at a stoplight and disturbs an enormous flock of crows and blasts the horn at them impatiently and can't even put together the crow-concepts of 'urgency' and 'I'll fucking run you over' and ten minutes later he's there -

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I didn't tell her - I didn't tell her anything - I should have told her things were happening, maybe she could have - 

The door handle snaps off in her hand. She throws up in the kitchen trash and then goes back to the living room to be sure. They're really, really dead, they've been cut open and pieces of their organs and brains are missing. Chris Epps is not going to fix this one.

"I - I should have told her - "

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"We'll still - we'll still find something - someday - we've been working on it - god, Karen, I'm so sorry, I'm so sorry..."

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"I don't even know what would have - I should have had more wards on the house or something - I should have - I'm sorry - "

She's trying not to cry but they're dead, and -

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"We should've moved them in with Michael is what we should've done - not your fault - 

- we gotta, gotta track down whatever did it -"

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" - yeah. OK. We have to - I don't even know what we're looking for - "

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"Not a vampire means - means I can probably find it -

woman begging her husband to stay and talk this out..firefighters battling a blaze two streets over ..an old woman sobbing over the body of her cat.. god my face looks terrible.. a little kid crying in a room alone banging on the door.. ♪here come the men in black♪ these donuts are addictive.. man sobbing into a pile of unpaid bills.. oh god she relapsed..the room is full of spiders..I've gained fifty pounds now I'm hideous I should just die.. woman being raped.. clown chasing a boy with a machete.. baby's not breathing ..I can't move..scared kid watching from around a corner..no one would call me at this hour unless.. didn't get into a single college..need my morning coffee..the house is haunted.. library books are overdue.. lost my job.. where are the kids..monstrous hulk of a zombie thing..

"- possible - possible candidate eight, eight blocks west of here -" he bounces it -

..heart attack just like my mom..I never really loved you..allergic to this makeup..I think I'll call in sick today..♪if you like us, calling all riders♪..never buys any real cereal just this inedible sugary shit..should be home by now..mice, god, mice..never going to amount to anything..can't even kill myself right..it's so beautiful, it's like a dream

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cáno

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what

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the meteorite

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no

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i'm gonna - gonna head over there and pick it up and then get right back to 

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meet you there

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"uh, Karen, there's an - emergency - a worse emergency - you can go after the zombie thing and I'll, meet you, shortly -"

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" - OK, cool, I'll go get the thing and then - keep me posted - "

She's not really holding it together but Alex isn't either and that means that she really really needs to hold it together.

She gets a sword and a stake and a crossbow from her room and heads off over after the zombie thing and tries not to think very much about anything.

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He tries to find that mind again, he lost it in the initial shock. No problem, they're still staring at it. Thinking about how beautiful it is, thinking they should take it to the mayor. 

 

 

The flock of crows is sitting on his car when he gets out. They're making loud, high, distressed calls - of course. There're bodies caught up in the rims. Dozens of them. But - but he didn't run any of them over - 

He looks down at his hand and he doesn't have the keys and he doesn't know where he set them down and - oh, of course, one of the crows has it, and it's sobbing hoarsely and it's flying away -

 

You're going to have to meet me here, Cáno, unless your car is as well equipped as mine. They're taking it to the mayor - course, might change their minds along the way -

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As long as you know where it is. Do you - it can't be causing -

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It can't be causing this. It started after this. But it might be - might be meant to distract us - so we get it back fast and we get back to work, I sent Karen off after the thing that killed her family - I think she can handle it - doesn't matter, I couldn't have gone with her -

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If it's a distraction who sent it?

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I would love to know.

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She can do this.

She has to be able to do this.

She races after the zombie thing. It has a meat cleaver. She's crying, so her vision is messed up - she hits the thing in the jaw instead of the neck with her sword - but she beheads it fine. It slumps to the ground, dead.

It might be the proximal cause of Azalea's and Connor's deaths, but it's not the problem.

Zombie thing down. Burning building across the street. I'm just gonna - I was going to the hospital before so I'm gonna head in that direction and save people on the way if it's not gonna slow me down too much, I think? Unless you need any help with the other thing - 

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Hospital's good. You're - I'm proud of you and I'm so sorry and we'll fix it, we'll fix it somehow - the other thing might help with that, if we can keep it out of the wrong hands -

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On it. Updates every minute - honestly probably just constant updates -

Toddler in a burning building, woman covered in spiders, alligators poking out of the sewer. Not the cause, not the cause, not the cause. There has to be a cause. She's going to try the hospital because she remembers thinking that that was a good idea before she mostly lost the ability to think. If there's nothing useable there then she's going to try the demon bars. She usually avoids those but this is serious and she needs to figure it out now.

The hospital's a ways across town; it'll take her a while to make the run, even at top speed. Her top speed is faster than she thought it was.

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Macalaure picks him up. They move the guns and explosives and arrows and grenades to Macalaurë's car. 

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"Just, uh, sanity check, can you see dead crows?"

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"Yeah."

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"Can Maitimo see dead crows."

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"Yeah. Also he says stop fucking around, please, before he has to bring in the army -"

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"Mmhmm. Mayor's at - Mayor's that way -"

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Hospital hospital hospital.

People are dying around her. It's hard to remember what she wanted to come here for. Information, right, she thought once upon a time that Laura Egler might have known something, or that maybe someone else had had a similar experiences that she could compare to it. It seems stupid now but it's the only thought she remembers having, other than alternate universe things and spells that she doesn't know how to undo. She thought it was a good idea during the talent show.

The talent show was so long ago. Twelve hours. Eternity.

She finds Laura's room on the roster; the nurse on duty is busy curling in a ball and sobbing. 

 

 

Made it to the hospital. Where are you guys? What even is your thing?

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We're on our way to the mayor's.

There's - there are powerful magical artifacts called Silmarils. They are very old. It was believed they were all lost. It would have been better if they'd all been lost. One of them is here, somehow, and in the wrong hands it'll be a catastrophe and in the right hands it might be able to fix everything and we're magically bound to pursue them and we're going after it. The mayor has it. I don't know if he knows what it is but if he does there's no real limit to what he can do with it. 

They look like this -

He sends it. A gorgeous faceted gemstone maybe the size of her hand, producing light in complicatedly beautiful patterns that light up the whole room -

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OK. So. Shiny rock is going to melt the world or something if it ends up in demon hands; Mayor's hands are demonic; need to keep the shiny rock away from him. Cool. Solid.

It's not the cause of the whatever-the-hell-is-happening, though, yeah, we still have to find the thing that caused this in the first place?

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That's pretty much the shape of it. I don't know what caused this but the Silmaril arrived too late.

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OK. I'm gonna see if I can learn anything else here. Yell if you need me.

She gets the same information from Laura that she got before, but this time Laura is sobbing because there are screams throughout the hospital. She wants to save everyone and scoop them all up and keep them safe and hold them in her hands, but her hands are much, much smaller than the city, and also they're still shaking.

She tears out the records that say which people were admitted to the hospital on the 14th and 15th of April, and goes around gathering statements from the ones that were supposed to have been attacked by something. Most people are incoherent. There's a little boy in a coma. Nothing supernatural to go on before the 15th, nothing weird that happened before the toads manifested in Latin class. She stuffs the records into her coat, just in case.

You getting anywhere?

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We're gonna break in. If you come here now we could use your help, he's got this fancy compound. Help's coming from out of town but it might be too late and also I don't want anyone in - this - whatever it is - if they don't have to be -

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Yeah. Tell them to stay out, honestly, it's probably a local effect. On my way.

She beheads a vampire that's walking around in broad daylight. She runs for the Mayor's office.

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The Mayor has a message for the people who are definitely reading minds from across the street. He fires up the loudspeakers.

"Hello, Alex. Michael. I think you've made it very clear that you want what I have, but I want you to know that I want it, too. I have no doubt that you'll kill for it! But two can play at that game. So I want you to know that if you do actually make it in here and kill me - ha! - then, ah, you should be aware that I've rigged - where was it - ah, yes, Sunnydale High School, to explode if I die or lose this artifact. So, you know. Think about it. Take your time. I guess I could have given you the same information by letting you read my mind, but I dunno, I like the idea of letting everyone around know exactly what sorts of choices you're making. Don't want the kids to get confused about who the heroes are."

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Well, now I'm really wishing we'd had the chance to introduce ourselves sooner. 

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Everyone in Sunnydale High, get out, it's about to explode. 

But he doesn't even really need to check to know that - 

- yeah, Sunnydale High doesn't have exits anymore and has things skittering across all of the windows, which won't open -

 

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Do we have Karen as a resource -

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Yeah. I - yeah. Do we need her, though, if we don't need her we can - we can tell her to go save people -

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The most tactically sound plans that I can think of require three people. You?

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Yes. I - 

He tries to sit down. It doesn't work. if you know what to look for you can see it not work, see the point where something else pulls him back to his legs. 

Karen, there are two exits, and we want someone on the roof. I'd like you on the back exit. They're armed. I think we can take them out and there won't be that many more inside, there are only about fifteen people there in total.

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On it.

- we're, we're ignoring the announcement because the world-melting thing is imminent and there's no other way, right, we take an hour to regroup and think and then it's all high schools everywhere, yeah?

I'm at the site, heading for the back exit now -

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It's getting - whatever is wrong is getting wronger and wronger I don't think we have an hour - I'm so sorry, but if he has the power to do that then he cannot get a Silmaril to amplify it -

 

He opens fire on the guards whose locations he can guess from their senses. Fifteen, twelve, ten. 

They go in.

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"Well," says the Mayor, when they make it to his office. "What a surprise. And, oh, surprise! Your trinket isn't, in fact, in here. Really pulled your legs, didn't I?"

He has the biggest smile on his face.

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"We can't stop pursuing them, you idiot. Where is it - we don't have to hurt you and you don't have to hurt anyone -"

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"Don't you, though?" asks the Mayor. "Don't you think you're going to hurt people wherever you go? Because at this point I really only see a couple of ways this can go."

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Karen comes down the hallway with human blood on her sword, and part of her is here but part of her is actually just not processing anymore. 

" - did you get it - "

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"No, Karen, they didn't get it. But I'm curious to see what they'll do to change that, aren't you?"

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"Please just tell us where it is. Karen - you could - the school, you could try to make an exit - it doesn't have one anymore -"

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We don't have any choices here, all the choices here are yours - if you tell us where it is we don't need to kill you -

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"Yes, yes, fascinating situation you have here. It isn't the same for her, though, is it? She hasn't pledged herself to your little cause. What do you think, Karen, should we trust them? Do you?"

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"More than you."

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The Mayor cracks up, and thinks how funny it's going to be when they find out that he gave it to a demon friend of his who lives in hell and will only ever surface if someone offers him enough babies to eat. He has a nice little hole down in the sewers.

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Alex shoots him in the head. "Got a location," he says. "Karen I think you should focus on - ending this - now - not on this -"

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"I don't know how." She can't think, she can't think, she stabbed a person and the school has blown up and her sister is dead and she can't think. "I just - where is it - "

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"Hell."

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She laughs, horrified and hysterical.

"Well. Fun. You - you want me on not that?"

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"Yeah I want -" he seems to be having a little trouble enunciating or something - "I want you to keep investigating what's wrong with the city while we figure out if - if it's even a danger in Hell, it could be that it can't ...melt the world from there." He nods vigorously. 

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"OK." It's - it's not OK, because she doesn't know what's causing it and doesn't know how she's going to fix it, but she needs to be able to fix it, needs to think of something else, needs to be better, think, think, think - 

Demon bar, OK, that was her next line of attack, maybe someone there knows something. Maybe, maybe, maybe.

"M'on it," she says, mechanically, and she wants to throw up or break down crying or ask why she has to be the detective right now, when detecting is not actually her forte really, when she's got to be the dumbest person here by a lot, but there isn't time to question orders, and so - "On it."

She runs out of the office.

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He collapses, then, because there's not an immediate task that involves being on his feet. We can call it up and kill it. 

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If it brings the Silmaril, yeah.

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He reaches out, puts a hand on his shoulder. 

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How're you -

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More practice. C'mon.

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She's heading for Willy's when she gets cornered by vampires. It's still day, this is stupid, she shouldn't have to deal with this. But she does.

There are seven of them. Maybe if she just beheads the ones that are in her way and then runs -

They rush her and pin her to the wall. She drops her sword and tries to get her stake out, but there are so many of them and she's so tired and she can't move and they're laughing and whispering to her about what they're going to do to her -

 

"Sorry about that," says a boy, from just down the street. He's younger than her, maybe seven or eight. She's seen him somewhere - she knows that voice - she knows something - what does she know -

There was a coma patient, maybe seven or eight -

She punches the vampire on her with strength she didn't know she had. She stakes one, picks up her sword and beheads two, runs -

 

Alex I need you to bounce a thing to Wishbone - tell him to meet me at the hospital, can you do that, I think I was right before and the source is at the hospital but I don't know how to fix it on my own and it's possible that he knows something about how to undo it -

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Yeah, all right - told him, he's meeting you there -

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Thanks - be careful -

Hospital. Coma patients. It's the same kid, if she checks her list she can figure out what his name is - she saw a photograph of him at some point, she thinks, maybe it was in a newspaper, she'd be so good at this if she could just remember everything in the universe - 

Wishbone meets her there and she gets him to a computer and she tells him that the coma patient is walking around outside apologizing for things, and it's not a lot to go on but it's the only thing they can do right now and maybe he can make sense of this for her. She drops him off at a computer and opens up a notepad app for him. She runs around the hospital putting out metaphorical and literal fires while he types. She notes that the babies are missing from the maternity ward, but that could be anything and there are so many things.

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Wishbone types up his thoughts.

What you saw was very likely an astral projection of the boy's spirit. If he is the cause, then only way to end the manifestations is to wake him up. Since the boy's body is unresponsive, you'll have to find his spirit and resolve whatever intense internal conflict has caused the manifestations.

There's something else you should be aware of. If the Mayor no longer has the artifact that Tyelcormo is tracking, and it is in fact in hell, then the Mayor can only have given it to the demon Lurconis. He is a very powerful demon who can only be lured out of hell if one sacrifices some number of human infants to him.

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- oh.

Oh shit.

She runs back to the maternity ward and asks the nurse on duty if she knows what happens to the missing babies. Yes, there were two men. Yes, they were very tall, yes, they took the babies -

 

Paging Alex. You guys didn't steal a bunch of babies to feed to demons at some point in the last twenty minutes, did you?

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That does not get an answer.

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She needs to find the boy's spirit. OK. The boy's spirit is wandering around apologizing for viscerally horrible things. Really, she's as likely to run into the spirit on the way to the sacrifice as anywhere else. More likely, even. She rips a map off the wall and asks Wishbone to point to the location. She gets one and circles it and stuffs the map into her jacket. She runs.

Fine - fine don't tell me - tell me if you're reading me - I can't tell if you guys are dead otherwise -

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Not dead. The cause is what matters, don't get distracted.

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That would be a lot more convincing if you were helping - 

- do they even want to find the cause, they're not helping and they could -

- did they come here just to get the stupid rock, did they know it would be here -

- the rock is already in the wrong hands, if the point is to keep demons from getting it and ascending or whatever then that happened a long time ago and hasn't caused anything more catastrophic and they're still trying to get it back, to the exclusion of finding the cause and saving people -

- they're her friends -

- they are, right -

She's running, she's running, she's running -

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The world is getting less - real. Streets don't predictably lead to the next one, there are clouds of bats and locusts and crows blocking out the sun, there are big ravines in the road for no reason, that over there looks like a portal to Hell -

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- ah. 

Yes, that'll work, if the parts of hell that are next to Sunnydale match up in any way at all, she can find Lurconis and get there first - she can get it herself -

Paging Alex, gonna get your stupid shiny rock for you, if you see an eight-year-old boy going around apologizing for things then lemme know about it when I get back - 

She charges for the portal.

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Hell is louder than her world, or maybe this is what her world is like if you can hear it as well as Alex, if you can hear everyone everywhere screaming and crying and killing and dying. Among the other things she can hear familiar voices arguing the terms of a babies-for-Silmaril trade, even though there are a thousand people talking at once and even though Lurconis and Alex and Michael are unlikely to be speaking English. 

The ground is covered in crushed bodies, still-moving. Mostly of animals, some demons, none obviously human. Some of them try to grab at her ankles. Something acidic is dripping from the howling void above her. 

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She can do this.

She has to do this.

She steps over the bodies and clutches her sword with both hands, looking for something to kill. There's gotta be a demon somewhere, right, all she has to do is find it and kill it and - maybe once she has the Silmaril she can use it to go home, that's probably an OK use of a Silmaril, right?

There's a snake in front of her. It's awful and black and coiled up and probably a thousand miles long. It's squirming around a brilliant gem, too far away for her to reach, but maybe if she swings her sword right she can cut through the awful knotted coils and just put her hand around it -

Hello, Karen.

She's swinging her sword.

You are older than the humans I like to eat, but I won't say no to a free meal. Your friends wanted me to pay for theirs.

She can hear them, over the howling. She'd been practically sure it would be a fakeout, they wouldn't really do it, they just had to make it look convincing and maybe they couldn't tell her because maybe the demon has mindreading too, but now she can hear them saying that he can have the first two babies before he hands it over -

Are they your friends? asks the awful writhing mass, though she can't see a mouth anywhere on it. Leaving you to fight this battle alone? Dropping everything for their precious Silmaril. Doesn't matter how many people die for it. Doesn't matter at all if you do.

She's charging for it. Her sword strikes bone and shatters like glass.

Did they ever care about you, Karen Teller? Do you think they care whether your world is destroyed? Did you think that they weren't demons, like the rest of us, that you wouldn't in the end be a pawn, discarded the moment you were no longer needed for their true aims?

The coils rush up around her and immobilize her. Her arms, her legs, her neck - she can't breathe - the stench is so bad that she's not sure she could even if there weren't a snake squeezing the life out of her -

She's not strong enough -

No, Karen. They won't care when you die here. 

She can't breathe - her neck is collapsing -

Do you think they hesitated? Do you think that any part of it wasn't an act? Do you think either of them cared about you for one single second? Do you think your sins could be wiped clean by a being like that? Do you think that anything good or holy would allow something like them to serve it? Would so much as tolerate you once your own hands were stained with the blood of those they've killed?

She can't move -

Do you think you'll like living here in hell, Karen Teller? We get excellent reception here. I could probably show you as they destroy your world, would that be interesting? Since you were such an important part of its demise -

She can't -

 

Please. Please God. Please, I can't do this, please -

Do you think your God can hear you here?

Please just - please - carry me - please I can't do it alone - I'll die if you want me to, I don't mind, it's OK - please, I don't even need to go home, I'll stay here forever even, just please let me stop it -

It's not your fault. Well, it's your fault for overestimating yourself, and your fault for trusting demons, and your fault for not killing them the moment they showed up on your doorstep, but this? No one could blame you for losing. You're so useless. Pathetic, really. No one blames an infant for its useless parasitism.

Please -

 

Her hand closes around something. A hilt. She swings blindly, cutting through flesh like a hot knife through butter. The coils fall off of her. She charges -

You'll never stop them, little girl. You'll never end it. No one will. It is inevitable.

She sees the head. She jumps. She swings - 

What -

The head falls. She falls with it. She hears Lurconis, in the other world, cut off mid-sentence. She falls against the coils and gets the wind knocked out of her again, then gets crushed by more falling pieces. She still has her other sword, the new sword, the nightmare sword, so she manages to squirm through the pieces of rotting meat and black blood, and they're getting in her mouth and her eyes and her lungs and her soul, she thinks, but she's moving towards the gem. There are other creatures reaching for it, now that Lurconis is dead, but she's the closest, she'll make it first.

Her hand closes around the stupid shiny rock, beautiful even here, mocking her with its stupid shiny rockitude.

"Please," she whimpers, and -

 

 

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She slams into the ground. Portal back didn't open up at ground level. If she were a normal person she'd have broken her spine, but she's not, so she's just gulping air and choking on rotting flesh.

She needs to figure out - if they really just want to keep it from falling into the wrong hands then it'll be fine if she tells them it's safe now, at that point they'll help her find the cause and undo the effects on world. And if they don't, if they keep ignoring it even then, if they only care about the rock even when it's safe, then that'll mean -

 

She realizes she's not far from Zeke's crypt. They'll be reading her, they'll know, but they can't read Zeke. It'll take them several minutes to get here no matter how they're moving, so if she hands it off now -

She stands, with heroic effort. Every part of her is aching or broken or oozing some unknown fluid. But she runs, and she pounds on the door to Zeke's crypt.

 

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He opens it.

"Karen what the fuck—?"

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"Please - this is a super unfair thing to ask of you but I need a vampire - world's gonna end - I'll pay you back somehow I swear - "

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He hesitates for only a moment—

(He's wearing his Evil Fiend shirt.)

"—Okay, what do you need?"

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"I need you to take this." She hands him the stupid shiny rock and prays he doesn't get distracted by how shiny it is. "Take it, hide it someplace no one will ever ever think to look for it. Not even me. Especially not me. You hide the rock as fast as you can, and then you get the hell out of Dodge as fast as you can, OK? I'll - I'll find you somehow later. If the world doesn't end."

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He winces slightly when he takes the rock. "Okay, cool, good luck," he says, and he gives her a quick one-armed hug and shuts the door in her face.

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She sprints off in the opposite direction. She can't think. She can barely breathe. She needs to find an eight-year-old but the universe is collapsing around her - 

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It takes them a while to notice her because everyone's thoughts are shouting - everyone - 

Karen - thank god - didn't hear anything after you said you were going to go get it back - I thought - no signs of an eight year old apologizing for everything -

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She trips and coughs and she hates the taste of rotting flesh -

- yeah, sorry, I'd've - I went to hell I guess and I killed Lurconis - rock is safe - can we focus on the cause now - I can't find him either but he's got to be here somewhere -

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Rock is - wow, you're incredible - we're coming to you, we should probably split up to canvass for eight-year-olds but the Silmaril'll help Michael and I do that a lot faster -

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- no, you gotta do it without the rock - I - it's safe but we need to think about it later, OK -

 

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Can't, we're magically bound to get the rocks back whenever they're around, it should be fine if you wanna hold it as long as we're with you though. 

They round the corner. 

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She's coughing and struggling to stand up again and already just this side of dead.

The heck does that mean - I don't have it anymore, it's safe but - you have to understand -

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Oh. God.

 

Karen - we have a binding magical obligation to get the Silmarils and destroy anyone who withholds them from us. We can't fix anything else until we have it. We don't need to do anything with it. I can swear not to, if you want. I can swear to give it back to you later, that'll be a fucking disaster but it'll let us focus on saving this city in the meantime. But I can't - we can't - until you hand it over we cannot possibly do anything else. 

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Her brain just gives up on screaming and starts laughing hysterically.

There's no way to verify - they could be telling the truth and there would be no way to verify - they could have come here just to get the rock in the first place and be pretending that this is the way it is, so that just in case they fail this time she'll keep helping them get it back until it kills her or destroys the world - there's no way to tell -

- but there's a way to be pretty sure the world won't melt. If they kill her here, and they can't find it, then even if there's no way to stop the nightmares - the nightmares are a local effect, they have to be, they're not going to spread beyond Sunnydale -

- everyone outside will be safe -

- she's so tired -

- she's going to fall asleep -

 

Nah. No deal.

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What's the - what's the deal with the kid - so I can fix it afterwards, if there's still time -

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- yeah, yeah I can tell you that, his name's Billy Palmer and he's eight and he's in a coma and, and Wishbone thinks he's astral projecting by accident and his nightmares are manifesting and he's causing it to happen to everyone else, too, you gotta - find him and figure out how to resolve that, I don't even know, he's this tall and has brown hair and brown eyes and looks like this and he's so sad and he doesn't mean it -

- if you're not trying to destroy the world I'm really sorry -

- you should have seen the demon fight, it was really badass -

- I guess I'm not making it to thirty -

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He bounces her everything he can sense right now, which is a lot, a thousand sets of eyes and ears and panicked monologue. It only takes a little bit of practice to remember which senses are yours but it takes a little bit of practice. Takes everyone off guard the first time. He shoots her four times. Michael does the same thing. They're very good at it. 

"Her friend Zeke. She'll have given it to her friend Zeke."

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All right, then. 

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- Karen wakes up.

She hadn't really thought about this part. She knew she'd go to - well, she was figuring hell, actually, she's pretty sure she committed like a dozen mortal sins in the past twelve hours, though it's really hard to know which things to count, and she doesn't know that she has enough presence of mind to figure out which ones she's sorry for. Under normal circumstances she could ask Father Michael about this, but, uh, Father Michael just shot her four times, so that plan is out.

The world around her is, uh, hellish, sort of, but in a Sunnydale way, more than a hell way. She's confused. She doesn't feel short on breath anymore, and doesn't feel super injured. She does remember being shot. She tries to take her own pulse, and she doesn't have one, so she reaches up to feel her face, and, yep, vampire. Vampire no longer wearing sensible clothes, either, the clothes that went through hell have disintegrated and now she's wearing a nightgown.

- she used to have dreams, when she was very small and afraid of the dark, where monsters would kill her and then bring her back to kill her again. It didn't always even make any sense, she'd just come back with the same obligation to live and to protect others, doomed to fail the same way five or six more times that night.

Well. This sucks beyond the telling of it. Can't even be released from her obligations by heroically dying for them anymore. Probably she'll be consumed with bloodlust at the first human she sees, too. Super. Fucking spectacular. What the hell is she supposed to do now.

     "Oh good," says a vampire, licking his lips behind her. "You know it usually takes longer than that, but this is good, we can enjoy the show together. Found your body in that sewage drift and honestly I thought you were too far gone, but sometimes - "

"I'm sorry," says Karen, interrupting him. "Can you tell me where I can buy a gun? I think I'm going to need a gun."

     He points.

"Thanks. Uh, I'm a slayer and normally I kill vampires, but I'm gonna make an exception on account of you've been so nice to me. Bye now."

And so she runs. Someone has to fix this.

She passes by a shop window full of televisions and pauses to see if the nightmare is running its own news; maybe it'll give her some idea of where she should go next. Figuring out whether Alex and Michael are killing more people would be super, in the sense of sucking but also maybe giving her some idea what she should be doing.

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The newscasters are sitting around a table. "Karen: worst slayer in human history?" asks a banner over their heads. 

"The credulity is the thing that really gets to me," a woman in a bright red suit is saying, sipping coffee. "My sister and my nephew will be fine home alone during the apocalypse! I shouldn't ask what happened to the vampires we took prisoner! Anyone who looks like my vampire friend is a safe person to give this rock to! Anyone who wears a cassock and tells me to be nice to my sister is definitely still trying to serve the forces of good even when they've sacrificed babies to a demon! I'll leave them to it ...It's just the same mistake over and over -"

"In her defense, I think that the slayer Katerina in the twelfth century stacks up even worse on this count," says the man sitting across from her, "and is also the slayer who came the closest to accidentally ending the world, which is hardly a coincidence -"

"Ah, but see, I've heard her accused of malice, whereas Karen is manifestly just an idiot."

"Maybe eight centuries from now they'll look back on this, if the Silmaril is not found and the world is still around, and say 'there's no possible way it wasn't willing collusion with the forces of darkness, to run off on a sidequest dealing with a traumatized child while they searched for the means to spread the effect farther -"

"Ah, but Alex told her that the Silmaril didn't start the nightmares, you see. Would he lie?"

They laugh.

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She blinks back tears. She needs to - needs to think, needs to remember which thing is important, but she doesn't remember which thing that is - she thought it was the boy but maybe she was just confused back then - she doesn't even know that Alex and Michael are evil, but - they said the meteorite couldn't have caused the effect but she doesn't remember why, something about timing, but everything's all tangled up now - if they act exactly like entities that are bent on destroying the world via shiny rock then it really doesn't make very much sense to assume that they're -

- why is everyone she knows evil -

- maybe it's because she's -

- if she knew what the right thing to do was then she would do it, she just needs to -

- if only she were smarter, if only she were better -

 

She pounds a fist through the glass of the gun shop and climbs in. They won't be expecting her to be alive. They can't read her if she's a vampire. If they meant well all along then she'll - she'll -

She can't think about that right now. She grabs a semi-automatic rifle and loads it and - she doesn't have her coat anymore, so that'll have to be enough. They'll be going after Zeke.

She runs.

She rips the crypt door open.

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It becomes immediately clear how Zeke thought he could hide a shiny rock in here.

The whole back wall of the crypt is gone, and instead of opening back out into the graveyard, it leads to a rocky slope under a grim grey sky. There's a tower in the distance, at the top of the cliff that rises to her right; to her left, the lower part of the slope becomes quickly lost in fog. A gentle rain serves to make the climb that little bit more treacherous. It's incongruously quiet.

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She creeps forward, as close to silent as any creature can be, stopping at the edge of the crypt just before the rain can hit her. 

She listens.

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They catch up with Zeke at the base of the tower. "Hey."

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"The Silmaril Karen gave you?" he says hoarsely. "We need it back before we can stop this thing, and this thing looks like it might swallow the whole city into the hellmouth in the next couple of hours."

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Zeke leaves off prying at the locked door and turns to give them a confused look, which comes with one fewer eye than previously advertised.

"The what? Who even are you?"

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"The shiny. We're the people Karen was trying to keep it from."

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"Cool!" he says in the tone of one who has no idea what you're talking about but doesn't see a need to get into it. "I'm a little busy right now. You might wanna look for your whatever-it-is somewhere else."

He turns back to the door and yanks on the handle, which snaps off in his hand.

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He grabs his shoulder. "I think whatever you're doing can wait. The world's gonna end. - also we'll kill you."

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"Man," he complains, "I swear this dream gets more annoying every time."

A high-pitched giggle issues from the top of the tower. Zeke gestures rudely in its general direction.

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He stabs him. Not in the heart, the arm. Twists the knife. "Come on. Stop wasting our time."

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She takes aim. Her hands should be shaking, but they're not this time, which sort of offends her. Probably it's because she's evil. She hesitates. Probably also because she's evil, but like, in a different way.

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"Ow—listen, would you fuck off? I don't have your thing! Stabbing me isn't gonna help!"

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"I will delightedly fuck off as soon as you tell me where it is. I don't want to do this." He's clearly had a lot of practice at it, though.

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"I literally have no fucking idea get lost!"

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She shoots Michael three times in the back of the head - he's not moving, so she can at least for sure get one of them - and then immediately aims for Alex.

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He's dragging Zeke back along the curve of the building with the knife at Zeke's throat, blinking incredulously - "that doesn't -"

He has a gun in his other hand but he doesn't return fire.

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She kind of wants to throw up again, but she fires.

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Zeke, snarling and trying to bite the tall guy anywhere reachable, finds himself abruptly free of that iron grip. He shoves the body away, grabs the knife, and bolts away from the tower, somehow receding into the distance as he runs along the cliffside in the direction that looks like it should lead toward the crypt.

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She'll thank Zeke later. If he lives. If she lives. If anyone does.

She turns her back on the tower and heads back outside. It's snowing now. She's... not dressed like she knew there was going to be snow in this dream. She's very cold, but it won't kill her. It's quieter now, too. Maybe the snow is muffling the screams, or maybe there are just fewer screams now that most of the city is dead. The sirens all sound weirdly muted. 

She needs to find Billy. It's... sort of pointless, now that most of the city is dead, but she needs to keep going. 

You need to look after the little kids -

Oh, but she should have seen it before, should have stayed focused, should have figured it out that first night at Father Michael's Batcave. But she didn't, and there's nothing for it now. 

She turns around, and there's the mountain covered in snow. And she knows, the way you know in dreams, that she's left something important there.

 

It's a long climb. Her feet are cut open and bleeding by the time she reaches the top. A human would be dead. A vampire can't die, not of this, and so she keeps going, hour after arduous hour. She can't hear the sirens at all anymore. The city is gone. She has failed on every possible axis.

There's no garden at the top this time. There's a baseball diamond. In the middle of the diamond, sitting down and shivering in the snow, there is a boy.

"...hey Billy."

     "Hey." He tucks his hand into his hospital gown in an effort to shield himself from the cold. "I'm sorry. I thought if I went to the mountain then maybe I wouldn't cause any more trouble for anyone, but - "

She shakes her head. "Don't worry about that." Not anymore. She sits down next to him in the snow and wishes that she had any way to warm him. "Do you think you could tell me what happened?"

     "I'm trying to get away from the ugly man. He - he comes, and he comes, and no one can stop him."

She nods solemnly. "Do you know when the ugly man started chasing you?"

     He looks up at the baseball diamond. "I - there was a game."

"A baseball game?"

     "Yeah." He looks around and stands suddenly, hurting himself on the snow and the rocks, trying to get away. "He's here!"

Karen looks up. It's - well, it's an ugly man. He's disfigured. He's larger than her, but only regular big person large. He has a baseball cap on. His right hand isn't a hand at all, more of a massive fleshy club. He charges her.

She places herself between Billy and the ugly man, absorbing the first impact herself. She can feel her ribs breaking as the club slams into her. He feels like he's made of rock, almost, like she'll only ever hurt herself by hitting him.

She hits him anyway. Her hand breaks. She hits him with the other, and it hurts him, and that means he can be hurt. She kicks him as hard as she can, square in the chest, with no concern for how this is maybe going to shatter her entire leg, and the ugly man falls. She expects the hallucinations to end - he's down, this is the thing Billy was scared of, that should be enough - why isn't it enough -

She looks around at the baseball diamond.

"Can you tell me what happened during the game, Billy?"

He nods. But he doesn't. Images are overlaid on top of reality - insofar as there is a reality. Little boys run back to their cars. Billy is standing by the fence, distraught, when a man comes over to yell at him. He's dressed like the ugly man, but this one is just a man, no more or less frightening than any other. He tells Billy that he doesn't try, that it was his fault they lost, that he's a failure. He hits him. He hits him again, hard, and again, and again -

"Why?" she asks, not comprehending.

     "It was my fault we lost," says Billy. 

"Can you show me - "

Different images now - little boys running around the bases, throwing and catching balls. She doesn't even notice the mistake until Billy replays it, looping the moment of horror over and over again.

She wants to laugh at that split second moment when the baseball doesn't quite land in Billy's glove. Such a tiny thing. So much smaller than a life, than a city, than a world. But Billy is smaller than she is, so that makes sense. To him that moment is everything, is proof of what he is or isn't as a person, is proof that he's not enough.

(They are not enough. None of them. And yet.)

     "I messed up," says Billy. "I didn't mean to, but - and then the nightmares came, and the ugly man kept hurting people, and - I didn't mean to hurt people, but I just kept making it worse - "

She picks him up. She holds him close and rocks him and lets him cling as much as he wants.

She needs to - 

Billy needs to wake up. She needs to give him something that he can use to wake up. Some piece of wisdom that'll give him the strength to go on. But what moral is there to be found in all of this? Face your fears? That's a terrible moral, facing their fears has gotten them here. It's OK, you didn't mess up? He didn't, really, or if he did it was such a minuscule mistake that it she can't even weigh it when considering errors, but that's not going to ring true to him. 

She thinks about what she would have said if she were Billy's coach, but she doesn't know if that'll come out properly, either.

What she says is, "Me too."

     "Huh?"

"I messed up. I messed up a whole lot of times. My job is protecting people, but - obviously I'm not very good at it. I knew I had to help you, and I just kept getting distracted by other things." And Alex and Michael, they messed up too, they messed up in ways that she can't even analyze right now. "Everyone messes up, Billy. Everyone. Adults, kids, big supernatural beings as old as the rocks we're standing on, everyone. Sometimes they're small mistakes, and sometimes they're really, really big mistakes, and sometimes they're fixable and sometimes they're really, really not, but - 

" - the thing is, when we make mistakes, we have some choices. We can pretend that we never messed up, because admitting it is too much for us to handle. We can try to go back and undo what we did, but - we can't, it's done, it's over. We did the things we did. We can give up, just sit still forever, just stop trying to accomplish anything. Or - or we can go forward. We can look at all the rotten stuff we've done, and all of the incompetent mistakes we made, and think that that's all we'll ever be. But I don't think it is. I think that if we keep going forward, then - yeah, we'll be our mistakes, but we'll be able to be the other things that we do, too, the things that happen after.

" - and I don't know, really, whether we're going to be able to come back from our mistakes. Maybe sometimes we can't. But I think - I really, really think - if we recognize what we did wrong, and we say we're sorry, and we resolve to try our best going forward, then - I think there's hope. I think there are things worth sticking around for. I think that anyone who can make that decision is someone who - can't fix things, maybe. But who can do more good stuff where they're at. You know? So - so I don't think that we should give up, Billy. I think - I think we should go forward. And maybe people will be able to forgive us, and maybe they won't, but if we give up here then we'll never find out, you know? And - I want to find out."

 

 

 

"I want to go home," says Billy.

"OK," she says. "Me too."

 

 

 

She carries him back to the hospital, the only building left in the endless blizzard. It takes hours to go back, so she tells stories, and sometimes she sings, and she prays that God will keep giving her the strength to take one more step. She carries him over bodies and broken medical equipment, over rotting animals and monster parts, into the room where his body lies, peaceful as ever.

"I'll be here," she says. "When you wake up."

He nods. He reaches out to touch his sleeping body.

And Billy Palmer wakes up.

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She asks if Billy needs anything, and tells him to rest, and gives him a kiss goodnight before she goes, saying she'll be back to check on him in the morning. She's still barefoot and wearing her nightgown, though her injuries have healed. The clock says it's two o'clock in the morning of April 15th. She slips out of the building and stares up at the sky with her stupid, alive, wonderful, terrible human eyes, which take in the fact that the city around her is quiet, and whole, and safe.

 

 

 

Paging Alex?

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Are you here?

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What? No. Should I be?

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No, no, you shouldn't, you should definitely stay the fuck away but - play back the last conversation we had -

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- I don't think I care to, actually.

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right. Fine. I'll send what remember, then, how about that?

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I would've pointed out that I think the oath doesn't cover spontaneously magically-generated Silmarils which aren't by rights ours and that at the very least you ought to be unsure enough of that for a decade of dawdling.

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- yeah. I - should've thought of that - except I don't know if I could've, because I also should've thought that it was strange I had a sore throat, and - 

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I want you two off the hellmouth. We've been cavalier about our lives, with decent reembodiment looking pretty close, but if we'd lost the whole city to this I don't know how we'd have gotten you back.

And it doesn't sound like your presence was improving matters even before -

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I'll tell Moryo to book a flight. 

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You're gonna have to tell Tyelco.

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I can't hear him from here.

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Then pick up the phone.

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Then he can hang up on me.

 

I guess I can fly to Denver. 

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Within yelling distance, not within shooting distance?

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You realize what would've happened if I'd been there? We're lucky that you both have such harmless nightmares.

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Yes, we are.

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Karen? Are you - 

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- I'm, uh, I'm really sorry about the whole stealing your rock and murdering you guys thing? I - I understand if you don't want to talk to me ever ever ever again but do you think you could tell me first if you can hear Connor and Azalea?

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Wait, what? Why're you sorry about that?

 

- and yeah. Yeah. Sleeping. Bad dream.

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OK. OK. Thanks. I - I thought they would be, it's the 15th still, but - thanks.

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Bad dream.

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Yeah.

 

 

I'm really sorry. I should have figured it out sooner. And I should have stayed focused on the kid, and I should have - 

- do you want me to stop talking, I can shut up probably - maybe - actually I'm not entirely sure how to shut up when we're talking like this - sorry -

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D'you - want me to not be listening -

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No no no I'm good - or - not good, but - I'm really glad you're - OK is the wrong word, but -

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This side of the Sea, we used to say.

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Yeah. That.

- I can, uh, I can tell you about the part that happened after you died? It won't, uh, it won't fix anything, but it'll explain - explain what the thing was in the first place, anyway -

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That seems good to know.

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OK. Um. There was a boy, Billy Palmer, if you remember about him. On the 14th of April his Kiddy League Coach beat him into a coma for - I guess honestly just missing a ball that he thought he should have caught? And so Billy was in a coma, and he blew this one little mistake out of proportion until he thought he could never come back from it, and so he - he got stuck, in the nightmares he was having, and I guess because of the hellmouth the rest of us got stuck in our nightmares, and - yeah.

So, uh, after I - shot you guys, I, uh - I went and found Billy, and he told me about all of this, and I didn't know what to say to him, so... I told him that everyone makes mistakes, and sometimes we can fix them and sometimes we can't, but we have to decide whether we're going to give up because of them or whether we're going to admit our mistakes and try to do better, and how we can't go back but we can always go forward, and - we decided that we wanted to go forward. Even though maybe everyone was disappointed in us and maybe we can't make it better and maybe it'll never be - well, we wanted to try, and so, uh, we went home.

 

 

I dunno if that's right or not, the thing about going forward, but... the city is back?

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I'm not really a philosopher but resurrecting the dead is the good kinda thing to do, pretty sure.

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OK.

She walks to the end of the street and pulls her nightgown closer around her and tries to decide where exactly she should be going.

 

 

Hey Alex? Are you mad? About the... everything?

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Am mad?

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Yeah.

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Karen, we murdered hundreds of people including you. 

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Well. Yeah. I guess. 

 

 

So is that a no, or are you just carefully avoiding actually saying no because you don't want to lie but actually -

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I'm not mad. 

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Oh. OK.

 

We probably have to talk about stuff at some point, I guess, but, uh, I forgive you for murdering me if you forgive me for murdering you?

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I mean it seems kinda different since murdering us was a completely reasonable thing to do?

Permalink Mark Unread

think it's different because if the magical binding thing was actually real and not made up then you guys had to kill me, and I was killing you guys because the people on this TV I passed convinced me that you were actually evil demons who were trying to destroy the world and that I was really really stupid for trusting you in the first place and that if I went off after Billy then you guys would get the Silmaril and use it to envelop the entire world in eternal nightmares, and that if I weren't the worst slayer in all of history ever then I'd have noticed this and would have shot you guys already, and so - 

 

I dunno. I felt like - like if I didn't trust you guys then I'd be getting something wrong, and if I did trust you guys then I'd be getting something else wrong, and I didn't know what to do about it, and so I hid the rock and then when I came back as a vampire I tracked you guys down and shot you. I guess.

Permalink Mark Unread

Magical binding thing's real. But that's just - it's still our mistake it's just a mistake we made a very long time ago.

Permalink Mark Unread

I guess. I guess I don't - know about it, any of it, really, so I can't really say, but - I'm not mad at you.

Permalink Mark Unread

The, uh, guy who beat a kid into a coma, is he in jail?

Permalink Mark Unread

Not right now, it only happened yesterday. We should get that dealt with. And I gotta visit Billy at the hospital in the morning, I promised.

Permalink Mark Unread

All right. I - guess we can use the normal legal system for this, since he's a normal kind of asshole -

Permalink Mark Unread

Yeah, that sounds right.

 

 

Uh.... I'm sorry to ask this, but....

Permalink Mark Unread

Hmm?

Permalink Mark Unread

I'm, uh, I sort of didn't get all the way reset and now I'm sort of on twelfth and main and I guess I could walk home from here but I'm really tired and also I don't have, like, shoes, or clothes other than this kinda transparent nightgown that I'm pretty sure I don't actually own, and - I mean if you don't want to come down with a car that's fine -

Permalink Mark Unread

Man, I wish I knew more humans. - I'll be there in ten.

Permalink Mark Unread

Thanks. A lot.

Permalink Mark Unread

He pulls up a little while later. "Hey, kiddo, I don't think the streets of Sunnydale are very safe at night."

Permalink Mark Unread

"Gosh," she says, and can't think of anything else to say, so she just gets in the car.

Permalink Mark Unread

He drives her home. 

Permalink Mark Unread

She reads random street signs for a while.

 

"D'you think Father Michael's mad?"

Permalink Mark Unread

He stops at the next light and doesn't go when it turns green. 

 

"No, he's not.

 

 

I - " he taps the steering wheel miserably - "I keep feeling like there is clearly something that I need to get across to you but then I have no idea how. Maybe - maybe you should just talk to Michael about it, maybe he'll be better at it."

He revs the engine but doesn't actually move forwards. "I dunno. My brother told me a joke, once - a new intern on the trading floor makes a mistake that costs the company a million dollars, and he's pacing miserably around and the director of the company comes over and says 'well, now you know better', and he says 'wait, you're not going to fire me?' and the director says 'fire you? I just spent a million dollars training you!' - 

- only you didn't even actually screw up - easy to say 'don't listen to demons' when it's clearcut who all is a demon -"

Permalink Mark Unread

- and she's crying in Alex's car, in this weird dream nightgown that isn't hers and probably isn't supposed to exist, at 2:14 AM on the 15th of April, and the world is exactly as broken as it was at 1:59, and she won, so she shouldn't have to hear it from anyone else, she should just know and not make a thing out of it -

 

 

- it was really scary, the whole time, and I know it was really scary for you, too, for everyone, so I don't know why I'm even saying this, but the whole time I was just - trying really really hard, and everyone kept saying that I was screwing up worse and worse, and I didn't know if I was, and I thought when it ended I'd know, you know, I'd be able to see the things that were definitely mistakes, and I'd move forward, and I still want to do that, but actually I have no idea how many of the things were mistakes, and I have no idea how well I did, and I shouldn't need anyone else to tell me if I've done OK, and I know from how many times it came up that one of the nightmares that came from me was just - that I've been doing everything wrong at every step, that I'm never good enough at anything to actually do it right, and I shouldn't have that, I should be able to know when I tried my best, and I don't, and I just - and I just want to know if I -

Permalink Mark Unread

Well on the one hand he's manifestly unqualified to give children hugs, as the not-last-three-days demonstrated, on the other hand there's no one else here doing it - 

 

He leans over and hugs her. If you want a tactical breakdown later I can do that but, uh, I'm gonna wait for my people to yell at me first, I'm sure they'll think of things I didn't.

Permalink Mark Unread

She hugs him back.

OK. Thanks. Thank you. I'm sorry. Thanks. We can - we can wait a couple days, maybe, until all of the - until things are less - an hour ago - but that sounds good.

 

The part where I went to hell and killed Lurconis was cool, right? I mean, I dunno if it was tactically sound, it was maybe kind of idiotic, but it was cool?

Permalink Mark Unread

Very cool. Does he actually exist or is 'demon who eats babies' just part of the nightmare?

Permalink Mark Unread

I dunno. We should ask Wishbone later.

Permalink Mark Unread

Sounds good. - also the Mayor knows some interesting things about us now, that's inconvenient.

Permalink Mark Unread

Oh yeah. Yeah he does. Uh, well, he really is evil, right, so maybe we can work on getting him removed soon? I guess that might be complicated because he's evil.

Permalink Mark Unread

Yeah. Depending how evil he is, and what kind of evil, there are probably options.

Permalink Mark Unread

Yeah.

D'you think - d'you think it'll blow up if we leave it a day?

Permalink Mark Unread

Nah. 

Permalink Mark Unread

OK. Good. 'Cause I think - I think maybe we should take a day off. Not from school, I don't think, for me, but from - stuff.

- Cory Daniels OK, too?

Permalink Mark Unread

Yeah. But, uh, that coulda been entirely unrelated so I'm going to talk to him at school tomorrow.

Permalink Mark Unread

I don't think it was unrelated. I mean - you should talk to him, and stuff, but I don't think it was unrelated.

 

You know you're - I dunno about anything that happened with your shiny rocks a million years ago, or how bad it got, the first time, or how much it was or wasn't your fault, but - you're a really good teacher. And - you've really done a lot for the city and stuff, while you've been here, and -

- I'm just really glad you're here. OK? That's all. And I think lots of other people are, too. So. Cory might not know to say thanks, after, but - thanks.

Permalink Mark Unread

Pretty much anyone - uh, any one of us - would be better at it than me. It's just that they're busy. 

Permalink Mark Unread

Then I guess I hope they get thanked, too, for whatever they're doing. But - you're doing this. So thanks for this.

Permalink Mark Unread

The next traffic light cycle he successfully drives the car. Pulls up in front of her house.

Permalink Mark Unread

I'll see you - um, later today, I guess? Or not?

Permalink Mark Unread

I'll be at school. Even if I get told to leave - after - I'll be at school today.

Permalink Mark Unread

OK. I'll see you then. Thanks for the lift.

And she goes home. She looks in on Azalea and Connor, just to be really sure. They're asleep. 

 

"Hey Wishbone? One tap yes, two taps no, is Lurconis the baby-eater a real thing?"

Permalink Mark Unread

He taps once on the floor and then gets in bed to snuggle.

Permalink Mark Unread

"OK. Add it to the list of stuff to investigate. Tomorrow. Today - I'm gonna go to sleep."

Permalink Mark Unread

He goes home. "Did you warn everyone -"

Permalink Mark Unread

"Yeah. Maitimo wants to talk to you."

Permalink Mark Unread

"I'm busy."

Permalink Mark Unread

 

"I don't really want to fight. I just -"

Permalink Mark Unread

"Do you ever feel like 'Maitimo wants to talk to you' sounds exactly like 'please submit yourself for reconditioning' -"

Permalink Mark Unread

" - no?"

Permalink Mark Unread

He kicks the wall.

Permalink Mark Unread

"He's flying out."

Permalink Mark Unread

"Here? He can't come here."

Permalink Mark Unread

"No, no, just within range."

Permalink Mark Unread

"Okay." 

 

He doesn't sleep. 

How many of the kids remember their dreams the next day at school?

Permalink Mark Unread

Many of them do remember, some more vaguely than others; virtually all of them assume that they just had a really weird dream.

Permalink Mark Unread

That's all right, then. He wants to do something special but he'd have to prepare it in advance for it to actually be special to more than thirty percent of the population so they do their normal thing. He reads Cory Daniels all day.

Permalink Mark Unread

Cory Daniels is a little depressed - a little upset about his Spanish grade, in particular - but he's not anywhere near suicidal today.

Permalink Mark Unread

He keeps expecting Maitimo to interrupt him but Maitimo doesn't. 

Permalink Mark Unread

She swings by the gym after classes as per usual. 

"So I checked on Billy this morning before school, and he's good - little scared, still, but he's better. Wishbone says Lurconis is a real thing, so I put that on the list of things. He does in fact live in a really deep hole beneath the sewers that leads to a hell, although he's pretty sure it's not the hell, and we should not deal with this right now because he can in fact only be lured out with babies. Also the talent show was definitely a part of the mass hallucination, which, you know, not the top thing on the agenda, but honestly pretty relieving."

Permalink Mark Unread

"Makes me think a little better of Snyder. I don't think there is a the hell, for the record, I think there's just lotsa bad places."

Permalink Mark Unread

"I dunno. Anyway, I'm not gonna leap down into this one with a sword, 'cause personally when I get a natural twenty I like to not reroll it, even if the the session gets erased from the timeline later."

Permalink Mark Unread

"Divine intervention is usually pretty - one-time-only-when-it's-narratively-compelling."

Permalink Mark Unread

"Yeah, that's what I figured. So - are you handling the getting Billy's coach into prison thing?"

Permalink Mark Unread

"Called in a tip. I guess I should check and see if they acted on it. Billy can confirm, right, so it shouldn't be hard? I don't know much about the legal system we don't control."

Permalink Mark Unread

She nods. "Yeah, Billy can confirm. That's all I've got on my end, then. I guess I gotta go thank Zeke at some point. Other than that, though."

Permalink Mark Unread

"Are you doing okay?"

Permalink Mark Unread

"I'm - I'm not having the best day ever. But I'm pretty OK. I got some sleep, and I snuggled my weird ancient dog, and - I think I might wanna wait another day to go over various points that we failed to handle the horrible nonsense in optimal ways, just to be really stable for it, but - yeah. Solid six out of ten. Maybe five point five, but, you know, in there somewhere."

Permalink Mark Unread

"Okay."

Permalink Mark Unread

"Are you doing OK?"

Permalink Mark Unread

" - "

"Yeah, I'm good."

Permalink Mark Unread

"OK. I'll see you tomorrow?"

Permalink Mark Unread

"Yeah."

Permalink Mark Unread

"OK. Then today," she says, very seriously, "I am going to skip training to go play video games with my nephew. Catch you later."

Permalink Mark Unread

"Yeah."

 

 

Okay, can we get this over with?

Permalink Mark Unread

I'm not mad at you.

Permalink Mark Unread

Well, that's great. Honestly all of this has involved way more reassuring everyone about everyone else's feelings than I was really planning on. 

Permalink Mark Unread

I'm scared. The mayor knows that you two are people of interest and that all of us will go after the Silmarils at any cost. There are probably magic means which could enable recovery of the real Silmarils if a lot of people decide that's an interesting thing to try. This was caused by a random kid's random injury and there's no reason to think it won't happen again. It looks like Sunnydale is more dangerous with you two in it.

Permalink Mark Unread

It's pretty damn dangerous either way.

Permalink Mark Unread

Yeah, I'm also scared for you, but I was expecting that to be a less compelling argument. Sounds like if the dream nonsense had shaken out a bit differently Sunnydale would be gone by now and I'd be crafting a terrible cover story about an earthquake.

Permalink Mark Unread

So transfer Macalaure out. I'm pretty sure the Silmaril dream was his. Mine was, uh, birds. And Karen.

Permalink Mark Unread

And the rest of the kids.

Permalink Mark Unread

Yeah. Uh. Plausibly.

Permalink Mark Unread

The next vector of attack won't be dreams anyway.

Permalink Mark Unread

Most stuff that could happen doesn't go worse if we have more resources.

Permalink Mark Unread

Most stuff that could happen goes worse if anyone involved is doomed.

Permalink Mark Unread

It didn't go that badly.

Permalink Mark Unread

Permalink Mark Unread

It didn't! Nothing bad happened!

Permalink Mark Unread

To be clear, I agree that we need resources on the ground in hellmouths. Just - humans. if one of the humans who applies for the position is as subvertible as you are then I won't let them anywhere near it, because I'm not a lunatic.

Permalink Mark Unread

Oh, come on, yes you are.

Permalink Mark Unread

Karen'll have plenty of resources.

Permalink Mark Unread

Permalink Mark Unread

- so, okay, one of the problems I'm having here is that I can't tell if this is a conversation where I provide you with strategic insight on whether I should leave or a conversation where I provide you with, uh, strategic insight on which things to say so I won't outright revolt when you tell me to leave.

Permalink Mark Unread

I think you already agree with me that you probably should leave or you'd have just explained why you should stay.

Permalink Mark Unread

So it's the second thing. Great.

Permalink Mark Unread

Work with me here. Why should you stay?

Permalink Mark Unread

I'm gonna get really rich off the gym teacher salary.

Permalink Mark Unread

Permalink Mark Unread

I do think Sunnydale is about a hundred times explody-er if there's no one around who is a telepath. Karen's great but she needs backup.

Permalink Mark Unread

Could you do it remotely?

Permalink Mark Unread

I think....not quite yet? Maybe in a couple years. Maybe if you let me tell her how to filter osanwë, I feel like a dick every time we talk over it.

Permalink Mark Unread

I want to meet her.

Permalink Mark Unread

 

I have complicated feelings about that.

Permalink Mark Unread

You kinda only get one of 'she's strategically important' and 'she's mine'.

Permalink Mark Unread

She's not mine! Not like that. Like - like she's my adopted little sister.

Permalink Mark Unread

Well, then we really have to meet her.

Permalink Mark Unread

I bet you think you're really fucking clever. 

Permalink Mark Unread

If I thought that I wouldn't be so scared all the time.

Permalink Mark Unread

 

She's not as nervous about going to confession as she was the very first time. She is not seriously in danger of chickening out. She might break down in tears, but hey, sometimes people do that in confession, and most of them haven't even gotten ninety percent of their friends killed. And she might throw up, after, and she might feel like she's being really awful for even talking about any of this again, and maybe she should actually just go to a different priest, except that if she goes to a different priest they're going to be really really confused, and definitely think she's crazy, and definitely not tell her which of the things were actually sins, and also Father Michael might think that she's not actually sorry about anything, and that would be almost worse than shooting him in the first place, maybe.

She sighs heavily and goes in.

"Bless me, Father, for I have done some sins. It has been three objective weeks and three and a half subjective weeks since my last confession."

Permalink Mark Unread

"Welcome, child. - you know, I confess to Father Ramón and as a result he has more than a passing idea of what's going on out there. I'm not asking you to go, I like hearing from you, it is always good to see you and I do think I was called here for a reason. But if you were feeling like you didn't have a choice -"

Permalink Mark Unread

 

 

"I think - I'm sort of confused about whether a lot of the things were wrong, whether we had any better options. And I thought maybe since you were there for a lot of it, you would maybe have a better idea. You'd have context. And.... I don't want you to think that I wouldn't try to do better, if I had to do it again."

Permalink Mark Unread

"Okay. I'm glad I can do that for you."

Permalink Mark Unread

"OK. Um. I - I'm just gonna say all of the stuff, and you can help me figure out which parts of it were bad. I didn't warn my sister about the effects, and she wasn't able to protect herself, and - I think the effects are a separate thing, I should have told her where I was going and what was going on. I, um, repeatedly stopped focusing on the task that Alex was telling me to focus on, and if I hadn't done that I maybe could have stopped it a lot sooner. I killed a guy to get into the Mayor's office. I, uh, was arguably complicit in the murder of like a thousand high school students, I don't know how to count that one. I jumped into hell even though I knew it'd mess with fixing things, but, arguably extenuating circumstances, I was trying to save a bunch of babies from being eaten. Though, uh, had I died down there I think everyone else would totally actually be dead for real, so it was still sort of dumb. I - think I kind of maybe hated you guys, for a little bit, when Lurconis was talking, and saying how I was really stupid for trusting you and you didn't care at all. I stole your rock - although, in my defense, I didn't know it was your rock, and at that point I was laying fifty-fifty odds that you guys were going to try to use it to destroy the world, so, had I been right, that probably would have been the right call, I guess? Possibly I was negligent in the year leading up to all of this in that I, like, I should have known more things, and asked more questions about you guys, although I think I mostly didn't because I was trying to follow the superhero code. I placed one of my only remaining friends at that point in, like, mortal danger. I made you guys kill me.

"Um, I came back and I shot you in the back of the head, and then I shot your brother in the head, and I feel really bad about this but I also don't - Alex said some things when we talked about it that made it sound like he thought that killing you guys was the right decision, or justified, if there's a difference between those things, and I wanted to ask him about whether I should kill you again if anything else relevantly horrible ever happened again and you guys had to kill a ton of people, except then I thought maybe that would force you to update your information on me and shoot me first if anything like this ever happened again, and maybe that would make you sadder, so I didn't, but now also I'm really confused about what I should have done, and part of me feels like even if it did happen to be the right decision, it was still, like - I think I made it because I was scared? Not just of you guys but of - of being stupid, of making mistakes that would make no sense to anyone in hindsight. I was - more worried about who I was as a person - or, not even that, more worried about how I was perceived as a person, I think, in that moment, than about saving the world. And - that's not a good way to be. I want to be able to make choices because I think they're right, and not because I think that other people will hate me less if I make them. 

"And - I feel like - I feel like I have this weird - this really really strong desire for people to tell me that I was good, and I didn't disappoint them, and actually they're proud of me, even when they're dealing with heavier stuff than I am and it's really unfair to expect them to set that aside to focus on me, and also I - I shouldn't need that much reassurance in the first place, I think? And - I'm worried that my friends are - hurting, and I'm not doing anything about it because, I don't know, trying to make them feel better sounds hard, or like I might just make things worse because maybe I'm actually really incompetent, and - and while I'm thinking of it, I should have thanked Zeke on Tuesday, but I put it off because I didn't want to think about it, and he didn't deserve that, and he really, really came through, at least in terms of the scenario where you guys were evil and trying to destroy the world, and I should thank him for that.

"I think - I think those are the big things."

Permalink Mark Unread

"Okay. Hmmm.

The pattern of deciding things by what won't look stupid or make people hate you, instead of by what seems right, is that a pattern you notice under less extreme circumstances?"

Permalink Mark Unread

 

"Yeah. Yeah, I think so. Sometimes. Not always, but - yeah."

Permalink Mark Unread

"I think we don't outperform our normal selves by very much - usually not at all - when we're desperate and scared. So if you want to be making decisions for the right reasons when you're really scared, you've got to practice making decisions for the right reasons every time."

Permalink Mark Unread

"OK. That makes sense.

- it's - hard, though, like, because I don't understand a lot of things? And I guess I'm worried that if I just do whatever I think is right and ignore everyone else, then I'll get a lot of stuff wrong, probably even more things wrong than I do now?"

Permalink Mark Unread

"Sometimes the right thing to do is definitely to defer to authority or to use 'does this make me sound like a horrifying supervillain' as a sanity check. I think - I think there's an important difference between having those questions as resources you use to figure out what the right thing to do is, always asking yourself 'what's the right thing to do?' and letting those questions be the ones you're answering, directly. The difference between "everyone will think I'm an idiot if I don't do what they say" and "does everyone have information I don't? do they share my values? are they serving God?" You're always going to need to lean on the rest of the world. But if you take shortcuts in how you're leaning on those questions, then I think under pressure those shortcuts will be harder to avoid."

Permalink Mark Unread

She nods. "Yeah. That makes sense."

Permalink Mark Unread

"And I think - do you think God watched you this week and thought 'wow, what an idiot -'"

Permalink Mark Unread

 

 

"I guess not. Not more than anyone else, anyway. And not in those words."

Permalink Mark Unread

"Not in those words and not in that spirit. When you see someone cornered by a vampire and they go for a really clumsy kick, you want better for them because you want them to be safe. When they run for the wrong exit you want it to be unlocked anyway. I think it is better, if you're imagining the audience reactions in the back, to imagine the audience that died for you."

Permalink Mark Unread

 

"...yeah. Yeah, OK."

Permalink Mark Unread

"Why do you think you didn't tell your sister where you were, the evening you spent at my home?"

Permalink Mark Unread

"I dunno. I didn't totally forget, I just - I thought about calling and then it just didn't seem important enough to ask about it. Maybe I thought I was doing something more important, with the research, or maybe I thought that you were, or - maybe I just didn't want to explain everything, I don't know. It's all tangled up."

Permalink Mark Unread

"I think most of the time when we're doing something wrong we have lots of different half-reasons. It makes it easier to not do the math on whether they add up to a whole reason."

Permalink Mark Unread

"Yeah. Sounds right."

Permalink Mark Unread

"All right. I think you should talk with your sister about how often she'd like you to check in when you're out having adventures, and talk with Alex about securing your house a little better. I think you should think about what the demons said to you and why it was persuasive, and what kind of faith would let you ignore those demons more easily. I think you should go thank Zeke."

Permalink Mark Unread

"Yeah. I think so too."

Permalink Mark Unread

"How're you doing on prayer?"

Permalink Mark Unread

"...better, I think, actually, since everything happened. Maybe not at optimal levels, but - better. Had to thank Him for the sword."

Permalink Mark Unread

"I'm really glad."

Permalink Mark Unread

"Yeah.

 

"....are you gonna tell me anything about the killing people stuff? Because I've been kind of stuck on most of it."

Permalink Mark Unread

"I don't think you killed anyone under circumstances where it was a sin. I do think killing people can be bad for you, and can get easier with practice in ways it isn't supposed to be easy, even if it wasn't a sin in the first place, but, uh, that actually seems to happen less often when you're killing people you like than when you're killing people you hate."

Permalink Mark Unread

"...OK. M'still sorry for shooting you. That it happened, anyway."

Permalink Mark Unread

"Likewise."

Permalink Mark Unread

"OK. I forgive you. Anything else?"

Permalink Mark Unread

"On the Silmarils - I don't think I can speculate directly on what you should do if we're going after them, because it's exceptionally dangerous to be caught in two oaths that contradict each other and I am not sure what'd happen if one of them resurfaced for real and there was strategically relevant information I could not access. There are some guidelines for related situations - uncertainty creates a lot of leeway. Conditions create a lot of leeway - we can interact with 'I know where the Silmaril is but will only tell you under these conditions' a lot better than 'I know where the Silmaril is and won't tell you'. Intent matters - storing it for us creates more leeway than hiding it from us. 'It's not a real Silmaril, it's some kind of hallucinatory dream Silmaril and might not count' might've been enough to let us ignore it for the time being if it had occurred to any of us, which it didn't because of how nightmares tend to affect your thinking."

Permalink Mark Unread

"OK. I'll remember. Thanks."

Permalink Mark Unread

"This world is complicated and bizarre enough that 'it's not a real Silmaril' should always be a possibility, really. And we have successfully stalled for decades on the strength of 'once the owner is a legal adult she'll be able to negotiate their sale'. The circumstances of the nightmare were engineered to involve as little flexibility as possible - which isn't very surprising - but I think often you'll have some decent options."

Permalink Mark Unread

She nods. "I'd've been able to do better if I knew anything about how the oaths work, even with the thinking that maybe you guys were evil. But yeah."

Permalink Mark Unread

"Has Alex explained that to you yet?"

Permalink Mark Unread

"Not really. Not at all, actually, except the stuff I remember from the dream, and honestly I was sort of distracted by the thing where I was choking on rotting demon flesh. I guess I can ask him about it when we do the tactical breakdown."

Permalink Mark Unread

"When we give our word we're bound by it. The phrasing has to be clear and specific - "I swear", or "I vow", and it's traditional to make the oath in God's name but not technically required. If you make it in the name of a Power they can release you from it. If we give our word to do two different things, and then they happen to be incompatible, it starts ripping our soul apart and we collapse in unfathomable pain. If you try to ignore an oath which you have only a short time window to fulfill, you'll find yourself compelled to do it. If you try to ignore an oath with a long time window, you slowly stop caring about everything in the world except the oath. God made us that way in the very beginning, it's one of the more significant differences between humans and us."

Permalink Mark Unread

"OK. I'll remember."

Permalink Mark Unread

"It's a secret because we don't care for all the various actors in the world to know of vulnerabilities, and because it doesn't serve anymore as the advantage it once was, since no one can confirm our account of it."

Permalink Mark Unread

"Yeah, that makes sense. Just - I probably wouldn't've made you kill me, if I'd known about stuff. But I get it."

Permalink Mark Unread

"Yes, we should have told you. But don't share it, even though the mayor now knows, too."

Permalink Mark Unread

"Yeah. I won't."

Permalink Mark Unread

"Thank you. I want you to have a conversation with your sister about what updates she wants, and say twenty Hail Marys and go have that tactical conversation with Alex."

Permalink Mark Unread

"I'll do that. Thanks for everything."

And she says her act of contrition, and she goes outside and says her twenty Hail Marys, and she talks to her sister, who decides that she should call or send a message via telepath if she's staying anywhere overnight or heading into possible mortal danger, and the next day at school she goes to find Alex.

"OK! Ready to talk about everything I did wrong and how I can suck less next time."

Permalink Mark Unread

"Sure! We're going to have this conversation at Michael's place because I think the overarching lesson is that we weren't paranoid enough, and should start."

Permalink Mark Unread

"This is kind of a weird moral to get out of facing a magical effect that runs on fear, but honestly I'm on board."

Permalink Mark Unread

'Being paranoid isn't about being scared, it's about having plans that are robust against all your allies being replaced by demonic dopplegangers and all of your memories being unreliable and your reasoning processes being compromised by the things you're facing - I guess those are scary, but, uh, that's not the target state."

Permalink Mark Unread

"So if you're paranoid enough you can be less scared, because you've thought about it all before?"

Permalink Mark Unread

"Yeah. I have a brother who, when we caught him up to speed, said 'well it's good that none of you have scary nightmares'. That's the thing to aspire to. - not the way he got it, but."

Permalink Mark Unread

"Makes sense. So, Michael's?"

Permalink Mark Unread

They go to Macalaurë's. He flops on a beanbag on the floor. "All right. If we were watching the week as a TV show, what's the first moment you would have said 'that's dumb, they're acting out of character'?"

Permalink Mark Unread

"...first thing we should have noticed was off and didn't was the talent show, you can't just make up an event and say it's happening in two days, not at a high school. And it didn't make any sense for Snyder to assign an impossible thing thirty minutes before, even for Snyder. Unless you mean us specifically. I think for me that was not calling Azalea? Or, uh, possibly going along with the impossible talent show thing."

Permalink Mark Unread

"I was thinking of the talent show too. If we'd noticed that there was something reality-warping up then, we could have gotten to Billy before things got bad, so that's our first mistake. One solution - kind of tedious, but it'd work - is to write down every day all of the important features of that day, compare to the previous day's, think about whether there's anything on there which is objectively really weird. It wasn't impossible to notice things were weird, it was just harder."

Permalink Mark Unread

"Yeah. I guess I could add that to my logging-stuff procedures. It'd take time, but if I'm keeping logs anyway, I guess."

Permalink Mark Unread

"Oh, are you keeping logs anyway?"

Permalink Mark Unread

"Only formally keeping track of the weird stuff. Frogs and Laura made it in, talent show itself didn't."

Permalink Mark Unread

"I think it's worth expanding to catch ways we might be failing to perceive the weirdness of stuff. One thing I tried looking into before it became clear what we were dealing with was magic that alters reality including everyone's recollections of the past. It's usually not impossible to catch, but we won't catch it listing only the things that stand out as weird stuff. If, for example, a magic spell was used to add a student to your classes and make you think they'd always been there, what kind of logging would you need to catch that?"

Permalink Mark Unread

"You'd need to record everyone who was in all of your classes at the beginning of the year. And refer back to it frequently enough to notice discrepancies. Only works if the magic doesn't alter your notes, though."

Permalink Mark Unread

"Sometimes it alters your notes. People do notice, though - stuff like 'this class has more kids in it than the legal maximum' and 'I had that conversation while I was sitting out of gym because we had uneven numbers for volleyball, but we've always had even numbers' and 'wait, why I am sharing a locker? no one shares a locker' and 'the spot where we always hang out feels weirdly crowded...or feels weirdly empty..."

Permalink Mark Unread

"Even if it does alter notes, you're more likely to notice stuff if you've had to write it down. I am, anyway. So I guess just - write more? Any specific things to focus on?"

Permalink Mark Unread

"There're some books here on reality-altering magic, I think that's probably a good place to start for finding things to look for. But - things that are really unreasonable when you think about it, rooms that seem set up for many more people than are there - if you lived in a six-bedroom house I'd be worried there were some people missing from your memories, that kind of thing - things you remember specifically enough that magic can't insert an additional person into them, people who are extremely unusual or that other people react to in an extremely unusual way..."

Permalink Mark Unread

She nods and scribbles stuff in her notebook.

Permalink Mark Unread

"So, first mistake, we weren't paying enough attention to weird things. Second mistake, related to that, we didn't notice that we didn't have external support. We asked for help figuring stuff out, heard that they hadn't found anything...turns out they never heard from us at all. Do you have thoughts on how we could have caught that?"

Permalink Mark Unread

"Uh... There's no reason to think that email or telepathy or phones or anything else is less likely to be tampered with than other things, as far as I can see. People couldn't have physically shipped us anything in the time between the first bits of weirdness and the total unraveling, either. We could just have more people outside of Sunnydale who we're in regular contact with? I didn't talk to anyone off the hellmouth the whole time, I don't think. If we had more then we'd at least have more data to work with, more chances to notice if we've been cut off?"

Permalink Mark Unread

"I think that's a good idea. Also more people to describe things to, more ways to notice if things are weird. Most reality-altering effects are pretty local. Do you have people you could be in regular touch with who are outside Sunnydale?"

Permalink Mark Unread

She bites her lip and thinks about exactly how likely her grandparents are to freak out about every possible aspect of her life if she shares it with them.

"Nnnno. Not right now."

Permalink Mark Unread

"All right. Well, I think there are plans to invite you to a summer camp in Virginia, if you wanna do that I guess you can meet friends there."

Permalink Mark Unread

"That sounds hard. ...I mean I can do it, if it's important, but it sounds hard."

Permalink Mark Unread

"I'm not asking you to go. Lotsa stuff is important, if you want to stay here you stay here."

Permalink Mark Unread

"OK. ...I'm not saying no, I'm just saying that my immediate reaction to having to make friends under time pressure at mysterious summer camps in Virginia that mysterious people are planning to send me to is, uh, thinking that that sounds kind of terrifying? So. Yeah."

Permalink Mark Unread

 

 

"I don't know how to give you good advice here because it's never ever in my life been a good idea to do something I didn't want to do but I don't think that's how it works for most people."

Permalink Mark Unread

"Oh, man, I don't wanna do anything a lot of the time. ...I think we should come back to the summer camp thing later."

Permalink Mark Unread

"Yeah. Okay. When did you first encounter Billy apologizing for things?"

Permalink Mark Unread

" - oh, right, the talent show rehearsal. I didn't even, like - I didn't see him, the first time, and it was dark, so I just kind of assumed someone had run into someone else, or something? But then I recognized his voice again later when I ran into these vampires who were going to....... when I was attacked by vampires, after I left the Mayor's office. And that time I remembered that I'd seen him in the hospital, too."

Permalink Mark Unread

"Okay. Doesn't really seem like you could've put that together a whole lot faster."

Permalink Mark Unread

"It'd've been hard. I guess he might have been other places and I just didn't notice him? Maybe I'd have seen him again if I'd been looking harder and not  focusing as much on, uh, going places."

Permalink Mark Unread

Nod. "Okay, next failure, didn't take steps to protect people close to you. This happened to go badly for them because bad things happened to literally everyone in the city, but we'd also have been putting them at risk if this was some attempt to hurt you personally or get to us through you or draw you out into a bad situation, so it was a tactical error in many scenarios we might've been facing."

Permalink Mark Unread

She nods seriously.

Permalink Mark Unread

"What do you think you should've done there?"

Permalink Mark Unread

" - I definitely at minimum should have called my sister and explained where I was and what was happening. We probably should have taken her and Connor to Michael's with us, that seems like it would have been an appropriate response to me getting hit with hallucinatory bullets. But I also sort of feel now like anything can go after them at any time, even if we haven't had a warning like that? And you're good at what you do but you still have to, like, drive places. So I don't know how safe they are in general."

Permalink Mark Unread

"Yeah. It might just make sense to try to convince them to come live here, and even then someone can catch them coming and going if they really want."

Permalink Mark Unread

"Yeah. It's... hard to know how much it makes sense to ask them to give up for this, since the amount of danger they're in on a regular basis is really unclear? They've been fine, apart from this, but if really big and dangerous and unpredictable things happen once a year then they're not very safe at all. But they also have, like, lives. And then I don't know how many resources it makes sense for you guys to spend on just me. And... I know nobody's perfectly safe, and stuff, I just don't know where the lines are between negligence and reasonable precautions and really unreasonable ones."

Permalink Mark Unread

"Yeah. It also matters, for that, whether you think kidnapping your family is in fact a good avenue to making you do awful things."

Permalink Mark Unread

She looks at the ground.

 

"I don't feel like it's a great avenue, but I don't know that I expect kidnappers to know that. And you could probably get me to do stupid things. For Connor, anyway."

Permalink Mark Unread

"How much would it disrupt their lives to live here?"

Permalink Mark Unread

"Dunno. It'll look weird. Couldn't have friends over anymore. And they'd have to move everything. Commutes won't be that much worse. ...of course if Azalea saw the place she would probably be on board. But it's also Michael's house, and stuff? Where he lives?"

Permalink Mark Unread

"Oh, did he not mention yet - higher-up wants us out of here, they think Sunnydale's in more danger with us here than with us gone. Michael told the Pope or whoever he tells that he wants to transfer. It might be ages before they let him - I get the sense Sunnydale's not wildly popular - but, uh, eventually. 

I haven't been told to leave."

Permalink Mark Unread

" - oh. OK. - but they want you to?"

Permalink Mark Unread

"I think they think Sunnydale might be safer if I did, which would mean I should. I don't think it's clear-cut enough to - disrupt established commitments, yet."

Permalink Mark Unread

"Oh."

The death numbers will go back up, if he leaves; she can't find and defeat dangerous entities all on her own fast enough to prevent them from killing people. They won't go all the way back up, she's probably better than nothing. And she has Wishbone, and Dennis and Mercy and Chris, and Zeke if she really needs him, but - it won't be enough to avoid missing things. It'll maybe still be worth it if the city would otherwise explode, but - well.

Also she'll die. That's fine, though.

"That makes sense."

Permalink Mark Unread

"I'd just ignore them if they were wrong." He shifts unhappily. "I might anyway, since - if you hadn't noticed yet - I'm not a good person."

Permalink Mark Unread

 

"...you are, though," she says, quietly. "As much as anyone is, anyway."

Permalink Mark Unread

"Uh, there's lots of people who don't do any murder."

Permalink Mark Unread

She picks idly at the sofa she's sitting on.

 

"...I wrote it all out, after it happened. What all the nightmares were, and who they had to belong to, and the points where I was definitely confused about things. And I think - I think the part where you killed me wasn't my nightmare. If it were my nightmare it would have happened differently. And then I went back, and - Cory Daniels wasn't my nightmare, either. The birds stuck to your car weren't my nightmare. Having to kill people for the Silmarils was super not my nightmare. The high school and the babies were maybe pulling double duty, but - there was kind of a pattern, to the things that had to be yours. So - I dunno what you were before, or what exactly you did, or anything, really, so I guess maybe it's not my place to say, but - I think that really evil things aren't terrified of hurting people. So I don't think you're one of them."

Permalink Mark Unread

"I think you can end up pretty darn evil while meaning the whole time not to hurt anyone. I think most people do."

Permalink Mark Unread

" - no, it's not that you don't mean to. I'm going to say this wrong, but - lots of people have justifications for the things they do wrong, or reasons why the things they do are actually OK, are maybe even good, and why they shouldn't be held accountable for their effects. But that's not the thing you do, I don't think? It's not what happened in the nightmare. You never thought the stuff you were doing was right, or OK, you just didn't have the freedom to stop doing it. You kept giving people lifelines, but nobody took them, 'cause you're scared that people won't. And you told me to try to save the people at the school, and you kept telling me to focus on ending the nightmares even though you couldn't, and you tried to give me ways to give you the Silmaril without having to die or to totally trust you about everything, and I just - I really don't think you get to count the fact that you're terrified of being forced into doing evil stuff as evidence that you're evilNot any more than I get to count the fact that I'm scared of being the stupidest person alive as evidence that I am.

" - or, alternatively, there aren't any good people, I'd buy that too. But in that case it doesn't say anything about you that you're not one of them."

Permalink Mark Unread

" - I've killed and eaten people. I've burned a forest down because I was mad at a guy in it and he wasn't even actually in it anymore and I knew that. I - I can hear the pigs screaming and I still buy Wishbone bacon because I'm not, like, the kind of person who - stops people - everyone here is murdering babies all the time and we've decided not to do anything about it because do you know how many people you have to torture their whole lives just to deter five percent of them - I kidnapped a girl once and told her I'd marry her, I - I don't know if there are any good people, I think once there might've been, but even then I wasn't one."

Permalink Mark Unread

- she was kind of having an anxiety stomachache a second ago, but she's not, now. Not that she knows what to say to any of that, or that she doesn't think whatever she says next is going to end up being really stupid, but -

 

 

 

 

"Y'know when everything was all covered in nightmares, and you kept telling me to go find the cause? And it was hard, because I didn't know how, and there were so many things breaking around me, there were toddlers in burning buildings and people being killed and raped and tortured and eaten by insects or whatever, and I kept getting distracted by the babies and the Mayor and random people in pain, and I wanted to fix it all but I didn't know how, when there was only one of me and half the time when I tried to fix things I felt like I was making them worse, and also getting all of my friends killed?

"I think - I think maybe if you know enough about what's going on in the world, then maybe the whole world feels a little like that all the time. And I can't - hear it, and I don't know enough about it all to see all of it, but if I did then I'd just - I'd never feel like I was making the right decisions, no matter what I did? And I'd try to fix more things, which means I'd end up making more things worse, even if I also made a bunch of things better. But it'd never feel like enough, and the world would just keep kind of crumbling, wherever people weren't holding it together. Because - the world is broken. It's been broken for way longer than I've been around. So - I don't get to be not broken, you know? I don't get to just never do stuff wrong. And I'm just one person, and I'm not even a very smart or capable or impressive person, so I don't get to fix things all by myself, either. I don't get to know for sure that I'm doing my best, or that the stuff I try is going to work out right, or that I'm not just actually making things worse. And - I'm not saying it's the same? I haven't had time to make all of my mistakes yet. But people do, you know, and the more big things they try the more big things they fail at, and sometimes they make just utterly terrible decisions that don't make any sense to them in hindsight, and - and after all of that the world is still going to be broken around them, and they're still going to have to decide whether they're going to just give up on it, or whether they're going to try to mend the pieces they can reach, even when the whole thing is enormously painful and kind of looks super pointless.

"So - yeah, I buy that you've done evil stuff. But I hope that if I'm ever where you are, where I've done horrific things and I understand how horrific they are, and where I know a ton about all of the suffering in the world but I still have no idea how to fix any more than a tiny tiny fraction of it, then - man, I hope I get to not give up on that tiny fraction. I hope I keep reaching for it no matter how far away it always is. And I dunno if that's what being good is or not, but - if it's not, then I think whatever this thing is still a pretty important thing to be. To keep trying even if you can't be good. Maybe it's even more important, as long as we all have to go on being broken.

 

" - I dunno if all of that was stupid or not, but - that's what I think. I guess."

Permalink Mark Unread

Well he does not really want to have this conversation at all but she's being nice and she'll be hurt if he - 

"That's a nice philosophy. Not the most Slayerish I've ever heard but - you know, if it works for you it works."

Permalink Mark Unread

Welp. It's what she's got, anyway.

"...so we were at the part where Azalea and Connor died. We can take a break if you want, though."

Permalink Mark Unread

"You're not, uh, hurting my feelings? You're just good at a game I don't like playing. There's a bunch of stuff that in principle I could've done differently to get to the Silmaril before the mayor's people but I suspect there's not much point reviewing that, I kinda suspect it of being predetermined."

Permalink Mark Unread

She nods seriously. "Yeah, that seems likely."

Permalink Mark Unread

"Don't let crows fly away with your car keys, that's a key tactical error that Slayers run into all the time. All right. The mayor. I think we should probably have acted sooner on the information that he was evil. It seems like we were too reactive there. - that's one we're arguably still making, if I'm right."

Permalink Mark Unread

"Yeah. 'Evil' is pretty nonspecific, though, the nightmare didn't really give me a good understanding of what's up with him. And he's not, like - he's the mayor, if you forcibly remove him then someone's gonna notice, so if we want to get him out of office really quickly then we need a plan to deal with the fallout."

Permalink Mark Unread

"Yeah. And we don't know what he's up to or what preparations he has against attack. It looks intractable and complicated and like it'll be a real hassle - but there's no real reason to expect that to have changed when we find out that, I dunno, he and Lurconis are opening a daycare."

Permalink Mark Unread

"Yeah. So we want to work on the complicated intractable stuff now, while we don't have other crises happening or about to happen. We probably want more information on what he's doing, but, uh, he kind of knows exactly who we are and exactly where we are, and can probably figure out more from what he already knows, so if anybody's gonna do non-telepathic recon then it really can't be either of us."

Permalink Mark Unread

"Yeah. There're going to be a lot more resources in Sunnydale soon, but I don't know how soon - kinda might depend on how much of an impediment the mayor is, actually."

Permalink Mark Unread

"...we could maybe get a kid he doesn't know in as an intern, but it'd be super dangerous since none of them can defend themselves very well. And he probably doesn't have telepaths but I'm sure he has cameras everywhere. In principle I guess you could just constantly read him, I dunno how much good that would do. He probably doesn't know we have a dog that can type up verbal reports after seeing stuff? But dogs don't super belong in the mayor's office, so that doesn't help a ton."

Permalink Mark Unread

"I should probably just read him all the time but every time I've done it so far he's been thinking about something innocuous. It's possible he has a way to block me or it's possible he's just really boring most of the time."

Permalink Mark Unread

"You could give it a few days, and then we could come up with extra plans if we figure he's definitely blocking you?"

Permalink Mark Unread

"Sounds like a plan."

Permalink Mark Unread

She nods. "OK, so, after the mayor's office you guys did the babies thing. I was heading to Willy's, but I ran into vampires on the way and then I saw Billy and put some things together. Got to the hospital after you guys, got Wishbone to give me the information about astral projection there. I guess we probably could have gained time if we did more communication via bouncing stuff through you before we got to the hospital, but that also might've broken down if you guys had known that Wishbone was going to give me information about Lurconis. Though as long as he was already on the way to the hospital we'd've still been able to meet up there? And, uh, then I decided to go after Lurconis."

Permalink Mark Unread

"You should definitely have told us what you'd put together about Billy by then first, I don't think it'd have been be bad for us to know that even if we were evil."

Permalink Mark Unread

"Yeah, that's true, I should have done that. I didn't intentionally decide not to do that, I just sort of - accidentally mentally stopped boxing you guys as people who were going to help, at some point, or something? Even before I'd thought about why."

Permalink Mark Unread

"So there's actually a separate skill there, which is - when you learn something big and new, checking that you've updated all the pieces of your worldview that were leaning on it. What did they tell me? What would things look like if I assume it's false? What were they responsible for doing? What will things look like if they're undone? What information about me should I now assume is in bad hands? What assumptions are still safe to make about their goals? What would've been some good questions to ask yourself once you realized we were pursuing the Silmarils above all else -"

Permalink Mark Unread

"Uhh..." Oh, but this one's hard. She frowns. "Why, I guess, and whether you were more likely to be actively hostile or just unwilling to prioritize other things, and whether I had any evidence of either? Whether your actions made sense for someone who was solely interested in the Silmaril because the Silmaril had to be kept out of the wrong hands? Whether it was likely to be harmful to ask you why? - how it might conceivably be harmful, I guess, specifically? If you might be hostile, whether I had ever actually gotten any information about Billy from you, and therefore whether it was possible for Billy to be an intentional distraction? - Oh, whether your actions before the Silmaril appeared made sense for someone who knew it was going to and who was waiting for that to happen? - I dunno if I'm organizing these things right."

Permalink Mark Unread

"You're thinking of the right stuff, the main point of organizing it is going to be making sure you think of all of it, every time. I have a checklist - am I safe from them right now? what are they doing right now? do I know if I was ever right about them, or are all our interactions suspect? if I was ever right about them, what's the last interaction I'm confident in? what information have they given me since then? do I have independent verification of any of it? In the worst case, what should I be doing right now? Can I rule out the worst case? So in this case that'd look like - not safe right now, they could be reading my mind. They're feeding babies to a demon. No way to know if I was ever right about them. They told me not to trust the Watcher's Council, they told me the Silmarils are important, they told me they have contacts in the government, they told me Michael's validly a priest - you shoulda checked that one, by the way - they told me the zookeeper was arrested -

- lot of that stuff is not immediately relevant - you're right that 'did we tell you about Billy' is immediately important, so is the question of whether we were waiting for the Silmaril to appear. Worst case, we want it so we can melt the world? Right? That was your worst-case?"

Permalink Mark Unread

"Worst-case, the Silmaril could be used to destroy the world, you wanted it to destroy the world - or some other suitably game-ending thing, envelop it in eternal nightmares or whatever - and you were in Sunnydale in the first place because you knew the Silmaril was going to appear, and all of our interactions up through that point had been entirely about making sure I'd help you get it, yeah."

Permalink Mark Unread

"Seems to me like you can, actually, rule that out. We'd have told you about how dangerous it was for others to have the Silmaril, we'd have had some kind of story about why it wasn't immediately dangerous, we'd claim that we could resurrect the dead with them - we plausibly can - so you'd worry less about casualties in the course of acquiring them...."

Permalink Mark Unread

"You did tell me about how dangerous it was for other people to have the Silmaril. I didn't have any reason to believe that you thought it was important for me to know everything about the situation, including whether or why the danger was or wasn't necessarily immediate, and I don't think there's a reason that would have to change if you were secretly evil? And I'm pretty sure claiming that it was OK to kill people because you could resurrect the dead would have come off as more immediately suspicious than telling me to limit casualties, although admittedly probably not more suspicious than feeding babies to demons."

Permalink Mark Unread

"No, I mean, we could have said that months ago, if we'd known it'd show up some day."

Permalink Mark Unread

"That would've made it more plausible that it was premeditated. This way it just seemed like some random superpowerful object, and there's no way you guys have told me about every random superpowerful object that could possibly ever show up. And sure, you could have told me that you knew the Silmaril was coming and about whatever particular properties you wanted me to think it had, if you had known. But you might not have been certain of your ability to get it or keep it from entities like the Mayor or Lurconis, in which case you'd've known that you might have to do obviously horrible things at some point to get ahold of it. In which case you might have come to the conclusion that it was better not to tell me anything ahead of time, so that you could give me information that was convenient for making me help you or leave you guys alone, whichever was needed at a particular time. And you might also have decided that I would be more likely to help you if I was stressed and scared because I didn't know what was happening, and not in a more prepared state so that I was in a better position to notice things that were suspicious or didn't match up."

Permalink Mark Unread

"Hmm. I don't think that's what someone good at lying would've told me to do but I can see why you'd think so."

Permalink Mark Unread

" - I mean, it's probably not the most sensible lie possible, I'm probably not going to think of that. But it's always technically possible for someone who's good at lying to give you something that isn't the most convincing possible lie specifically because they expect you to assume that if they were trying to lie to you they would have done it more perfectly, and it's also always technically possible for even really good liars to mess up at some point. I think."

Permalink Mark Unread

"Yes."

Permalink Mark Unread

"...so I think the evidence I needed to be looking at wasn't just whether you could have lied better to me, but whether you were doing other things that would have been really obviously working cross-purposes or shooting yourselves in the foot if you knew the Silmaril would be here and wanted to get it to destroy the world. One, even if you didn't know exactly where the Silmaril was going to surface, you let a crow fly off with your car keys. Two, you didn't start scanning people's minds until you were prompted by trying to find the thing that killed Azalea and Connor, the timing there was convenient enough that it was really unlikely to have been a coincidence. Three, not only did you keep telling me to try to end the nightmares - which would clearly have been somehow integral to whatever evil plot you guys had going on, the timing there is again too convenient for it to be a random occurrence - you also did in fact send Wishbone to the hospital to help me do it, when you could have misdirected him and told me that something had eaten him on the way or something. And four - this is a different category, not an error you would've made - by the time the Silmaril appeared I had already seen two things that were definitely your nightmares, and I feel like the sort of being that was faking all along so he could destroy the world would not be horrified by the thought of running over crows or having his students commit suicide on him. It's still at that point technically possible for you to be lying and somehow magically faking your nightmares, but it's an awful lot of times to shoot yourselves in the foot."

Permalink Mark Unread

"Didn't think of this at the time because..."

Permalink Mark Unread

"...well, one, the whole stealing babies to feed to demons thing was pretty outside what I expected you to do, that messed me up a little. And two, I didn't have 'magical compulsion to get the Silmaril' as an available hypothesis, so I read everything you were doing as an intentional choice you were making in the moment, and figured you had to have what you thought were good reasons for it. I did figure it was possible that you were trying to save the world from someone else, and that you figured the world had a lot more than eight babies in it, but then I figured that in that case you would probably have been prioritizing ending the nightmares, and you weren't. - especially because you're both smarter than me, so leaving me to do the detective work didn't immediately make a ton of sense to me."

Permalink Mark Unread

" - I'm not smarter than you."

Permalink Mark Unread

"Are so. Maybe not innately, but I'm never going to know as much stuff as you do. Works out to the same thing."

Permalink Mark Unread

"You'll get there. We only found about all this vampire and demon stuff in 1970. - sorry, that's not really relevant."

Permalink Mark Unread

But it absolutely is getting scribbled in the corner of this notebook page, right under the list of terrible and mysterious things that Alex has apparently done.

"...anyway. I figured that if ending the nightmares was actually the most important thing for me to be doing, and there was any chance at all that I was on the right track, then you wouldn't both be leaving me to do it by myself."

Permalink Mark Unread

Nod.

Permalink Mark Unread

"So, uh - I do remember that I thought that Billy would be out apologizing for terrible things, so I was as likely to run into Billy at the baby sacrifice as I was anywhere else. This was possibly an excuse, but I don't know that it was wrong. Didn't happen that way, though."

Permalink Mark Unread

"Yeah, you ran off to Hell." Sigh. "I never know how much to argue with someone when they do something obviously, patently, grievously stupid and then God helps them pull it off. It's like -" Shrug. "I mean, not that I'm complaining. This time. I've complained about some of them."

Permalink Mark Unread

"Sorry. Didn't want the babies to die. ...didn't want you guys to have to deal with having killed them, either. Also sort of thought you guys were trying to destroy the world and didn't know how else to preempt that. And was sort of just generally upset by that point."

Permalink Mark Unread

"Not mad at you. Not ever mad at you. God and me have some bad blood but - hey, you know, you made it. And I'm glad about the babies."

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She looks maybe the tiniest bit surprised at the beginning of this, but she nods solemnly at the end.

"So, uh, I went to hell - that kind of sucked - and then I killed Lurconis and got the Silmaril and got spit out back in Sunnydale. Figured that if you guys were trying to save the world then you could trust me about the rock being safe, and if you were evil then it was kind of important for you not to get it. So I gave it to Zeke, because you couldn't read Zeke. In case you were evil. Still didn't have 'magically compelled to get the rock' as a hypothesis."

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"That feels like the mayor getting the Silmaril in the first place, like of course it was going to somehow work out that way because it wouldn't be our nightmare if it didn't."

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She nods. "Yours, yeah. Sorry. That it happened, anyway."

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"Well. At least now you know what'll happen."

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"Mhmm. Helps to not think the other option is the end of the world. Good try, with the giving me options, but I didn't know how oaths worked and was also busy choking on monster guts at the time, so I think I really wasn't going to end up grabbing any of them."

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"No one ever does. Even when it's not a nightmare, I mean, and when they know what's going on."

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"That sucks." This is probably not a very appropriate response, but she can't immediately think of a better one. "If I ever do get ahold of one I'm just gonna give it to you, but I'm also gonna go ahead and hope it just doesn't come up again."

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"Me too."

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"...you know how I know it wasn't my nightmare too? It's not super tactically relevant, but, uh, while we're on this part."

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"Mmm?"

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"You said I was incredible. Before you knew you had to kill me, but - you said I was incredible, and then you sounded really worried, and then you asked about how to save the city after I was dead. Nothing happened to make me feel like I was really stupid for getting killed. If you had really been evil then it would even have been sort of cool, dying to try to save the world and all, and I didn't know you weren't. I do totally worry about trusting the wrong people and ending up getting myself or other people hurt because of it, so for a while after I woke up I didn't know whose it was, but - you said I was incredible. And I think in my nightmares you laugh."

Anxiety stomachache is back. Why did she say all of that.

"Anyway. I think it was just yours."

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"And Cáno's." He was, at least partly, saying nice things so she'd give him the Silmaril but he can't figure out how much even in retrospect and he doesn't want to admit it at all, it feels like admitting that nothing he says can ever be trusted. "I am confused about how you came back to life, was that more divine intervention?"

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And now the notebook corner also contains "Cáno = Michael". She'll have to figure out what was up with the other two name syllables later.

"Naw, I got bitten by a vampire. That's why you didn't see me coming."

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"That - what - right, nightmares. Nightmares." He shakes his head.

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"It didn't make a ton of sense. I would go over the mechanics anyway but I was sort of dead at the time."

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"Yeah. Uh, we went after Zeke at that point. I think if we'd successfully thought of 'most of this nonsense is because of the nightmares and if the Silmaril is relevantly real we will have a better time fetching it once the nightmares are done' we could've gone after Billy instead but I'm not sure, and we didn't."

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"Yeah. I - oh, this is the dumbest part, even dumber than the talent show. I was trying to figure out whether I needed to go after Billy or go stop you guys first, and, uh, I passed this window full of televisions, with the news on and stuff? And the news anchors were all discussing whether I was the worst slayer in history, and whether I was intentionally being evil or 'manifestly just an idiot' by going after Billy instead of stopping you from destroying the world. Those people laughed."

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" - wow."

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"Now, and this is very important, the thing to do when that happens is to open fire with my stolen semiautomatics on them."

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She can't really laugh right now, but she smiles pretty big despite herself. "I'll try to remember that. So, uh - at that point it was really hard to think, but I wanted to - I didn't want to let the world end, and stuff, if the TV people were right, so I stole a gun and I went after you guys."

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"You did a great job. Like, not the highest priority, but if you're gonna do something do it right, you know? And you did."

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She nods seriously. "I should have gone after Billy. But if I had been thinking, uh, at all, I would probably have been able to realize that the TV people were.... not a good source of information. Dying might be bad for being able to think about things. But I did get you guys. And then I was able to focus on finding Billy."

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"He's doing okay. I checked. Released from the hospital soon."

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"That's good. It was just - such a mundane normal thing for everything to blow up over. Well, not the coach, I have no idea what the coach was thinking, but - he pinned so much on missing that ball."

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"I mean, sometimes it's just really obvious that everyone else is perfect, in all the ways that matter, and that they're all bending over themselves to forgive you for being such a disappointment, and that's tough when you're little, you know?"

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"...yeah. I guess I get that."

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"I don't think I'd have thought of, uh, talking him into waking up, I think 'this comatose kid's nightmares are ripping apart the city' would've probably looked like 'kill the kid' territory."

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"...that makes sense. I'm not entirely sure it would have worked? Or it might have ended the sequence but not reset anything. And you might have had to stab his body and not his spirit. But it makes sense. I think by the time I found him it was just really obvious what needed to be done, somehow? There was some stuff from one of the dreams I'd had before there, and - helping him just seemed like the thing to do."

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"It was obviously the better option, just one I think we needed you to get."

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"Ohh. ...yeah, that makes sense."

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"I'm not - I'm never gonna try to talk you into killing more people, killing people is bad enough when you weren't talked into it."

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"...OK. Thank you. I just, uh, I worry about someday being the only person who can do an awful thing that has to be done, and not being able to see that it's necessary, and then maybe something even more awful ends up happening, and - I hadn't really thought about how maybe being the other way might make you better at some things, too. Even the big important things, sometimes."

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"People, uh, specialize, when they want to get stuff done. And ruthlessness is a useful specialization but you don't want it for the whole party."

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"That makes sense. I'll... try not to feel bad about wanting to not kill anyone, then."

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"I think it's conventionally considered virtuous, not wanting to kill people."

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"I think maybe only if you're any good at it. I dunno, though."

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"You're pretty good at it. Sunnydale's death rate has never been this low."

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"No, that's the other thing, the thing where sometimes everything ends up nicer if you're good enough at killing people who need to be killed. Someday I wanna be good enough at things that I don't have to just kill everyone who hasn't decided to play nice yet. But for now - well. Billy's alive. And the rest of the town. So that's something, I guess."

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"Sure looks like something from here."

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When they've wrapped up the tactical breakdown, she goes to do the other thing that she really needs to do.

She heads for Zeke's crypt and politely knocks on the door.

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He opens it.

"Hey Karen!"

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"Hey Zeke." And she hugs him, because she's worried that if she starts by saying anything she'll get it wrong. "You're really, really cool."

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—he grins.

"Awwwwww," he says, hugging back. "Thanks. You too. I dunno what the fuck was going on with that entire thing but it seemed like you got through it pretty good."

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"It was insane. There was this little boy in a coma who accidentally made the nightmares of everyone in the entire city come to life, and it turns out that some people have scarier nightmares than you and me do. But I made it through OK, yeah. Well, I did die, but only the once, and I came back in one piece all right."

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"Good! You not being dead is very good."

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"I do enjoy not being dead! - man, I'm really wish I hadn't had to put you in danger like that, I didn't mean for you to get stabbed and stuff."

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"I'm assuming it was like a super important rock." He definitely doesn't seem mad about it. Also he's still hugging her.

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"Yeah, it was super important. If the wrong person had had it and known how to use it - I don't really know what would have happened, but it would have been really bad. Turns out I was a little bit confused about who all the wrong people were, but - I knew you weren't one of them, anyway."

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"Awwwww. I'm—yeah. I dunno about my rightness as a person in like a cosmic sense, but you got me a shirt that says Evil Fiend on it for Christmas and apparently that was the secret key to my everlasting friendship."

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She laughs. "I'm glad you liked it. And yeah, I think - I dunno. I was thinking about this a couple hours ago, about whether there's actually any sort of clean break between good people and bad people, or whether people even come in good and bad, and - it's all complicated. I'll figure it out properly later. But when I had to give the rock to someone I knew right away that you were a safe person to give it to, and that's pretty neat, all things considered."

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"I'm glad. Please do not get me stabbed by alarmingly tall pretty men on the regular, but if you have any more super important rocks to hide, I'm your guy. Although I'll have to get smarter with the next one because I won't have a hundred-fifty-year-old recurring nightmare right there to stash it in."

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"The alarmingly tall pretty men are usually chill. And yeah, I won't. I know you got yourself into this situation because you wanted to not be in danger, so I feel like it'd be super rude to use it as an excuse to get you into more danger. It's just good to know who I have when the world is ending. - uh, I brought you some extra blood, but you're gonna need to stop hugging me for a second for me to get it out of my backpack."

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He lets go, giggling.

"You seemed like you needed about a thousand hugs last time I saw you, so I wanna make sure you're all caught up."

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She digs a thermos out of her backpack and gives it to him.

"...yeah, I kinda did. I'd just gotten back from hell. Probably not real hell, I'm sure it was just nightmare hell, but nightmare hell? Still not very fun."

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"Thanks," he says, accepting it. "You know, nightmare hell almost sounds like it might be worse than regular hell because it's like specifically out to get you? Whereas regular hell is usually just on fire and full of demons, or whatever."

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"Yeah, I dunno what regular hell is like. If there is a single regular hell. I got to be cool, though. I might've looked pretty bad, but you should've seen the other guy." She pauses. "Nightmare hell was pretty big on telling me that all my friends were secretly out to get me. And... I think last week I was scared of that? And I think now I'm just... not."

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"Well. I'm glad you got to be cool. And I'm glad you know you can count on your friends."

He puts the thermos down and hugs her again.

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"Yeah. It's neat."