He raises his hand-phaser, notices it has a mirror for a face and hesitates a little too long. And then he is in a clearing, cut off from his ship and 'bots, with all available sources of data telling him he just went through a jump.
What.
"Very well: I am a paladin, my job is to kill dark things, and in that suit you look more like some kind of undiscovered dark thing than a human, and if you want to prove that you aren't a dark thing you will need to either resemble a human more or touch bare skin to my Winter Light talisman." She gestures at a pendant around her neck imprinted with a symbol.
"...My sensors say there's nothing poisonous in the air. Alright. It'll take a minute to get a glove off." He works at the glove, and presents his hand when it's off.
She touches the pendant to his hand. When he doesn't burn, she nods and puts it back over her head. "Well, you're definitely not a dark thing, and probably a human." She sighs, and then puts her hand over a bloody patch of her hair and says, "Winter Light, by your grace and to better follow you, I beseech your power grant me healing for this wound sustained in your service." There is a blue-white glow under hand; she repeats herself with a hand on her knee and then attends to her mount's injuries the same way.
"I can leave you here if you prefer, but you would have to walk for many miles to get to a village, let alone a city. Unless you're about twice as strong as a paladin, the fact that you can bear that load means that Ragnar can bear me, you, and it in the air for as long as it will take to get to the compound."
"I was attacked by some sort of beast. A giant snake with a mirror for a head, or, instead of a head. It snuck past my perimeter sensors somehow, and when it 'ate' me, I was suddenly in a different world. That's when I fell in front of you and that skeleton-thing. As for how it gave me an jump to a new universe without hyperium and a singularity generator, I have no idea."
"Blessings are not a factor where I come from. We don't have dark things, or magic, or gods. We have to do everything by being clever with... Clockwork I suppose, and electricity, which could be summarized as chained lightning, and engines, which produce mechanical force, and computers that do lots and lots of math very very fast and this turns out to be useful for more than just accounting."
"It largely depends on what materials are available. Starting from the simplest and moving to the most difficult or complex: Mechanical engines that can move things and would power some other devices, water pumps and filters, a telegraph system that will allow fast communication between two buildings set up for it, light without fire via electricity, ice-making cold-making and heating machines, composite alloy/ceramic armor that is lighter and stronger than steel (though I have no idea how it'd interact with blessings), more sophisticated communication devices that can be moved around and will do voices properly instead of just simple codes, weapons of various sorts, computers which will take an entire explanation all on their own, robots which are non-alive mechanical servants that use computers and electricity to run."
"Staffs and armor it could definitely do. Walls are big, it might be better to try something else instead of using the joiner's limited power on them. I also have a bevy of sensors and scanners. I'm trying to teach them how to detect dark things with the example of that lich as a dark thing, but I don't think it's working."
"They're made with a specific kind of candle, and whoever made them sends them after their enemies. They seldom directly kill people - they cause nightmares, intolerable ones that can sometimes cause literal death from fear, and they whisper to people, which in conjunction with the nightmares and/or sleep deprivation causes people to act very out of character."
"Sister, this is Nicholas. He appeared inexplicably near me a moment before I destroyed the lich."
The sister looks at Nicholas. "Appeared? From where?"
"I am from another world, Sister. I was attacked by some sort of monster, a giant snake with a mirror for a head. When it 'ate' me, I suddenly fell directly between Kaja and a lich she was fighting. After that was resolved, I introduced myself, touched her sigil to show that I am human, and she offered to carry me here. I thank the Order of Winter's Light for its kindness, and I hope to find my way home, but it will be difficult to reconstruct the technology that allows me to cross between worlds here."
"Yes, Sister."
"If you need to accompany him out of the compound or move your patrol or point-taking talk to Ebbe about your schedule."
"Yes, sister."
"Dismissed."
Kaja bows, and leads Nicholas out of the office.
She gestures for him to follow and chatters in Cirth. "I don't understand how a machine could possibly do what the Winter Light's gifts do, or even a facsimile, but I can't think of a reason for you to make it up..." The cafeteria is serving porridge and bread; there are cooking smells for forthcoming dinnertime coming from the kitchen, but none of that food is out yet. "Help yourself to as much of this as you'd like." She herself takes a roll. There are some younger paladins (who call Kaja "Sister") and some older ones who are also eating the supplied food rather than wait for a real meal.
When she's run out of things to name she goes back to talking idly about things like places in town he might find a moneylender, the local currency, where he might find a mage to send him home if that's a thing mages can do (she doesn't know), possible applications for his joiner, another language spoken by a local minority that he might want to add to his computer if he can do that but she can't speak it right now because the paladin language thing only works with a target...
"It usually turns out slightly green and shiny, but is not necessarily weak... What's rope made of, normally? Hemp and tar? For that matter I can probably make polyester, which makes for durable and comfortable garments if you blend-weave it with cotton. Of course, rope and garments will be my industry only if I don't get a loan sufficient to make other things."
"At any rate, most of them are as small compared to a gnat as a gnat is to a griffon, maybe smaller. These things like to live inside humans because we're nice and warm and moist. The human body fights the ones that would do us harm if allowed to multiply. Sometimes, it stops winning, and that's when people get sick. Antibiotics and antivirals help the body fight the things. All of this is a vast oversimplification, of course."
He proceeds to briefly describe a few of his ideas- polyester, mechanical water pump, non-candle light, cold-making machines. "I can provide a demonstration with the tools I have on me, if you would like."
"Not immediately. I'm cut off from most of my tools. And they need some infrastructure, that one is using stored energy that will last a few days at best. I'm not familiar with the markets here, but I would guess that a month's wage's worth of materials and a week or so of effort would be enough for me to start making more."
"I owned a ship, and I traveled between places exchanging commodities along the way. I didn't settle into one particular route because the ship was specially designed for long range and low maintenance. Most often I would carry things like furs, food, lumber, other raw materials. Many businesses in my homeland are very particular about the way they distribute finished goods, so I didn't even bother with those most of the time."
"I'm not quite sure why, but few places are willing to sell or buy finished goods in any kind of bulk outside of a long-term contract. It'd be too much hassle to be a travelling supermarket, keeping track of every little thing and where I bought it and what it does, so I just stick to commodities and tinkering."
"Ideally the latter, so I have more time to focus on actually making the things. And other devices, many of which you would find equally useful. I would like to point out that the application I'm thinking of is installing fixed lights in a building, not necessarily making more portable lights. That's going to be easier to scale up because I don't think lithium is for sale around here, and lithium is a critical component of any reasonably efficient power-storage device."
"Two months' wage to produce a proof-of-concept. If you're impressed with the viability of that, perhaps four times more again to fund an initial spurt of production and sales. You know people are going to want this, candles are terrible compared to what I can produce. And once electric light takes off, I can make machines that produce ice whenever you want, powered by the same source. And half a dozen other things besides."
"All right. I'll give you fifteen gold - in mostly silver so people will make change - at fifteen percent annually to be collected in six months unless you can repay sooner. Or, I'll give you thirty at twelve, if you hire my grandson, who I know will not steal from you and who can make sure you don't do anything obviously stupid."
The armor glows a little bit.
"Not as good as fresh steel," she says. "But that might be entirely because you've worn it and you're not a paladin. It'll break if you wear it again, incidentally. And it wasn't bad, and it does start stronger than steel. I bet Bright Sister would like to put paladins in suits of this."
"...I hadn't expected it to become unusable to me. I wish you'd warned me. Well, in a few days I can replace it and have you bless a fresh piece and see if it turns out better. I still expect to make communication devices for the Order, which will take longer than armor, and I would like to know which to try for first."
And he goes and finds that moneylender's grandson and explains the 'hiring him' condition on the loan, hires him, and sees about getting raw materials and a workspace.
Four days later he has a miniature generator on wheels that will take heat from a woodstove under it, and a long string of electric lights. He rents a wagon and drapes it in brilliant light and drives it around the city to advertise this new product.
When he has a decent crowd he launches into a sales pitch about oh how much brighter these are than candles, and they don't make smoke, and you don't need to change them every few hours, all you need to do to light an entire mansion is keep a fire going, who would like to have them installed in their building?
While he starts working on radios, he investigates buying an empty lot and building a large plant from which he can distribute power to homes without having to sell them all a generator. Are there any inconvenient laws or bureaucracy that threaten to interfere with this project?
He has a wagon of gear including a generator to hauled their compound and tries to find Kaja.
"Your communication devices are ready. You can call me Nick, by the way. To make them work best I will need to place equipment somewhere high up in the compound, and the generator that will power your batteries requires a fire so it should ideally be shielded from the rain but in a place that is in no danger of catching fire. I can also install candle-less lights, if the Bright Sister wishes."
"The lights would be most useful in the kitchen, probably, and perhaps an empty stall for the generator, the stable being made of stone and needing to be kept warm anyway? Unless it would disturb the griffins and winged horses. The tallest point of the compound is the temple spire but I don't think you should put things on it; perhaps the top of the novices' dormitory."
"I don't plan to be here too often, alas, and I only have the one joiner. I'm working on improving the city. Once I'm selling everyone electric light I can move on to clean water, medicine perhaps. I still want to leave eventually but hopefully I can leave behind enough education to spread useful things around the world."
Eventually the door opens and in they go. Kaja relates the plans. The Bright Sister thinks the best place for the generator will be in a specific dormitory, which Kaja says she will show Nick, but otherwise has no modifications to suggest to the plan.
Then, it's off to the dormitory with some equipment.
Batteries are furnished and explained. A dozen radios are produced. "If you want any more I'll need two silver apiece for them, the materials are expensive. The radios will operate properly anywhere within 400 miles of the compound, or within 50 miles of each other elsewise. I make no guarantees for greater distances."
So Nick goes back to being a utility company. He builds a crude printing press while continuing to work on the big generator and investigates which books would profit best from being printed in this way. And he starts advertising that he'll take apprenticies who want to learn the ways of chained lightning.
And he asks around, tries to find out if anyone owns the almanac or the Morning Sword. He knows where to ask about the Precepts of the Winter Light. He makes his way back to the paladins' compound once again and seeks out Kaja.
Kaja can be found in the cafeteria at this time. "What is it?"
"I made a machine that can produce many copies of a book much more quickly than writing it out by hand. I would like permission from the Bright Sister to make many copies of the Precepts of the Winter Light in this way. I would sell them for two or three copper each, barely more than the cost of paper and ink."
He hires more people. The best of his old hires get raises and assigned to teach the new ones things, including literacy. The big generator comes online and he starts selling candleless lights more cheaply, with access to the generator being a mere two copper per month. Radios and music-recording and music-playing machines are sold. Vats of polyester are brewed and spun with cotton into a comfy blended fabric that he tries to sell to tailors. He has a team of five scout and map the surrounding wilderness with a crude-by-his-standards scanner, looking for metal deposits.
The theater person who took the first batch of electric lights takes a music-recorder and starts selling recordings. Someone else buys a recorder and some recordings and sells recordings of the recordings, which annoys the theater owner so grievously that they have to take it to arbitration. Arbitration rules that no punishment will be leveled against the music pirate. The theater owner responds by declining to sell further recordings and simply holds "listens" of recorded shows at a discounted rate relative to live performance.
And his six month loan term is coming due soon, so he'd better stop spending capital on things. When the metal scouts fail to find any particularly good deposits for two weeks he recalls them and stops expanding his staff and just sells the things he already has.
Polyester is pretty cheap and becomes popular among the poor, and among those so rich that they can accentuate it with obviously expensive things and not risk being mistaken for poor people. People of reasonable means and uncertain status mostly steer clear. Lights become increasingly popular, although a lot of people conservatively just put one light in one room of their house. Radios are distributed (less rapidly than paladins on flying creatures could ferry them around) and used to communicate between towns; this winds up serving partly as a replacement for their ineffectual postal system and partly as early storm warning. The theater person starts playing the first halves of recorded plays and songs over the radio; people who want to hear the rest have to attend a listen.
He runs his stocks of materials low and gives some of his staff a few days off over their objections to make up the last three gold, and adds a silver to the moneylender's payment for her trouble.
When he's back in money he sends the metal-scouts out again, hoping to find a nice vein of titanium, iron, or at least coal.
He could just buy some iron the next time traders come through - there's a lull between the times when it might snow and when it already has, when it's impractical to use sledges and when it risks getting you caught in a snowdrift if you use carts, but it'll snow soon. He could even radio someone far away about his demand for iron. (This is pointed out by his obnoxious staffperson.)
Sometime between then and the first snow, one of his electricity customers electrocutes herself after cutting through the wires' insulation. Nick defends himself to law enforcement and arbitrators, talking about his warnings not to mess with the wires.
But that night he has terrible nightmares. Fires caused by electrical faults, explosions in the power plant, one of his employees screaming, his arm mangled under the bloody letters of the printing press...
The next night it's more of the same. Armies using the locomotives he was planning on building, nuclear technology in the hands of some unstable king. After that are dreams of being trapped forever, growing old and decrepit and dying of some sort of preventable cancer at the young age of 70. Dreams of his parents, laughing at how he fled from home but ended up stuck in one place anyway how pathetic.
Doxepine doesn't help. He's in a very, very bad mood by the end of the week.
Why won't these damn nightmares stop?! He's done nothing wrong, he's been careful, he's improving these people's lives by all accounts. Ugh.
He stops supervising his staff so closely and no longer comes out with new products. He runs out of doxepine. The nightmares stop, but the depressed, paranoid, angry voices in his head don't. He snaps at people who try to talk to him. He grumbles and delays when someone reports a problem with their devices or lights.
(It's only a matter of time before a little kid wants to see what's inside the wires -)
Obnoxious employee starts compiling radio news and printing it up for people who don't have their own radios.
(He's never going home, he's stuck with these ignorant primitives until his untimely death -)
The cartload of iron he ordered shows up.
(He might not even last to seventy, he could catch something from these filthy uneducated people at any moment and die, alone, while he slaughters a few million of the locals by electrical proxy -)
It's only when he happens to hear of a zombie attack on a neighboring village when he remembers that dark things exist. And one of the dark things that exist are woke shadows.
He scans himself with every still-operational sensor he owns.
He's just cracking up, that's all, his own mind is turning against him and if the medicine here is ridiculous the standard of psychiatric care is worse, he's just going to go steadily more insane until he hurts someone directly enough that they lock him away, and then every harmless thing he's tried to do will be dismissed as a madman's toys but that won't stop people from keeping things they can use to kill each other, no, practicality is always the ultimate concern there -
He forces himself to be angry at whoever did this to him, not himself, not the rest of the world. He storms up to the paladins' compound and asks the gate guard how they check someone for woke shadows.
It takes months to get the coal and iron mines working. Winter comes and is as difficult as described so work stops. It takes half of spring to get steel mill operational. He uses the first few tons of it to build mining and industrial equipment and expand the operations. Come summer he has: Cars, mechanics, and a steady supply of fuel. Thanks to the production line a car is just slightly less expensive than a good horse, and faster, and cheaper to feed.
(He insists that anyone buying a car take driving lessons - included in the price of the car - for their own safety)
The next vehicle he produces is a harvesting machine, which he demonstrates to great effect by bringing in a farmer's entire grain harvest in one day. He builds three and rents them out.
(He is set upon by woke shadows again by some jealous soul and troops up to the paladin compound after the first nightmare.)
By first snow he has a nice, treaded all-terrain vehicle. He sells them, and also fits some with snowplows and tries to get himself hired to clear all the roads so people can still use their cars.
By next winter he has more mines, especially coal and iron mines, the beginnings of a nuclear reactor, trade deals with distant lands for exotic metals not found in good quantity nearby, and an electric train network between a few nearby cities.
At one point he produces the exotic armor he promised Kaja when he first arrived, and brings it up to their compound to see if it holds a blessing better when it's freshly-forged.
He goes back to his newest pet project, a nuclear power plant. He is even more aggressive about safety and diligence and cleanliness among the employees that work on it. They put up with it, given how much he's paying them. It's been three years since he arrived, and a nuclear plant is perhaps step ten out of two hundred before building a jump drive.
Well, no sense dwelling on it. Back to work.
Years pass.
The city keeps growing. He exports all his tech to neighboring countries. The nuclear plant comes online. He makes aircraft. He starts working on a spaceship, albeit not a jump-capable one. He expands the school system again.
More years pass.
He's filthy rich, now, so he makes large donations to paladin orders the world over. He gets that moneylender in on the ground floor of electronic banking and credit systems.
He pushes as many people as possible into his schools, and tries to make sure that it is good education and doesn't fall into any of the traps educational systems tend to fall into.
And twenty-five years later, he has a jump drive.
He finds Kaja, to say goodbye.
Kaja is now fifty years old, and while Winter Light healing means she doesn't have any scars and looks younger than she is, she's coming up on retirement age to teach the novices or do other lighter work than going out and hitting things with a sword. She is at the compound when Nick turns up, on guard duty.
"That's what my schools are for. I've been having as many people as possible taught, as best I can. There are thousands who know how to make a radio now, and almost ten thousand who can repair a car. And dozens who can make more armor, whenever you need it. Everything that nobody else understands, I'll be bringing with me."
He holds out a perfectly circular shiny silver coin with an intricate etched pattern of swirls that is not in common use anywhere in the country.
He takes the train to his industrial complex, musing. The world is changing, because of him. Rapid change will start a revolution. Violence, maybe. But he kept the technologies he shared as safe as he could. They'll just have to deal with the rest.
He finalizes a series of ownership transfers, giving control of various industries to the best and brightest of his employees.
He boards his private jumpship and blasts into the upper atmosphere.
There is a brilliantly bright flash of light, and Nick is gone from the world.