...
...it's no use. This just isn't enough...
Not anymore...
The Tokyo 2020 Olympics were a record-breaking financial disaster. Coupled with the COVID-19 pandemic, Japan found itself in the mires of debt and economic insecurity. The poverty rate, rising since the 2010s despite official statistics claiming otherwise, started rising even more rapidly, and the gulf between rich and poor widened dramatically in the early 2020s. The underemployment rate soared to more than 60% for both young men and women, and even with a full-time job they knew they would be overworked and underpaid. Naturally, the suicide rate shot up in tandem. Japan was going through a major, unprecedented recession.
With one exception.
The special economic zone of Shinkōmi—an area previously called Tokyo Waterfront City—became the only part of the country where casinos were legally allowed to operate. The project for the development of this district was called the "Casino Bill", and it was widely criticised at the time. The government accepted bids for the contract to build the area, and the winner, a conglomerate called Takasato group, was suspected of rigging the bids. After much political struggle, the bill's ambitious designs were shrunk to a more realistic proposal, only allowing small-scale public casinos in specific areas. When the dust settled, all that remained was a steel-frame monument on a vacant lot and a community of homeless people and sex workers.
After this disaster, the leader of the Takasato group, Takasato Ryūjirō, offered to buy the whole area and take over operations. Everyone assumed that would fail just like the first attempt did, but the government was in such dire straits that they accepted the offer, and Takasato was given full control of Shinkōmi. The Casino Bill was amended to slash the public-only requirement, and a year later the city was overflowing with people in pursuit of liberty and money, locals and foreigners alike. All-encompassing resorts, office buildings and recreational attractions, entertainment facilities sprung up one after another. Next came the residential and business districts, and from then on, Shinkōmi became the one bright spot in the darkness Japan found itself in.
But of course, not all of the attention the place attracted was positive. Gangs started competing for territory, and Japan's recovering economy couldn't pay the upkeep costs of a police force strong enough to deal with these problems. Once again Takasato came to the rescue, and in ceding that last bit of power the government effectively gave up on controlling Shinkōmi, and soon after they designated it a "special administrative region", all but fully ceding control to Takasato. The bridges connecting it to the surrounding mainland and the ferries in and out were now under their purview, and people were allowed in only by their grace.
...people are allowed out only by their grace.
Now, more than a decade later, the economic bubble around Shinkōmi has shrunk back to normalcy, and though the casinos are still thriving, regular jobs and poverty exist once again, as does petty crime. The old city center has been condemned as the many corners and safety regulations that were cut in the early days of construction have come back around to demand their dues, and it's become a lawless core to a city that is itself not entirely lawful. The surrounding districts are busy the way cities tend to be, their people living and dying as people tend to do.
Murase Clinic stands concealed among rows of prefab houses, opened seven years ago, privately owned and operated by Dr. Murase Takuma. He specialises in internal medicine, dermatology, and gastroenterology, and has an upstanding reputation that attracts not just patients from the local neighbourhood but also workers from the business district. It opens late, relatively speaking, at 10AM, then Dr. Murase takes a long lunch break between 1:30PM and 4PM, and then it stays open until 1AM. These unusual hours are appreciated by workers who themselves work unusual hours and would have more difficulty getting appointments elsewhere.
Towa has a part-time job at the clinic in exchange for low wages and being allowed to live in the apartment on the third floor of the building. The second floor contains the secondary medical ward, full of hospital cots, and the first floor is where the primary medical ward is, next to the exam room.
Dr. Murase doesn't, himself, live at the clinic, and actually the idea of employing and housing Towa there was his; he claimed he wanted Towa to "build character" or something, and so he never fired Towa, no matter how badly he overslept. That said, he was used to Towa's antics, and so he didn't really rely on Towa showing up on time, either.
Not that Towa cares. Quite the opposite, really; improving his life would be a hassle, and he has no interest in it. If Taku someday decides to kick him out on the street, then so be it. He doesn't feel any fear for the future, and doesn't have any sense of urgency. He knows that things will work out regardless.
Or they won't, and then he'll die. It's about the same to him, really.
He steps out of the shower, not bothering to dry his hair, and sleepily scans the room. His gaze settles on a pocket watch hanging from his easel, a golden hexagonal piece with rose petals engraved in the center surrounded by thorny vines and underlined by the word "euphoria". One of his coworkers, Rei, found it lying around somewhere in Towa's room a few years ago and put it where it is now, but Towa himself can't remember when or where he got it or how it ended up in his room in the first place. The actual clock is stopped, but Towa's never felt like winding it, so it's basically only there for decoration.
The ticking of his functioning wall clock distracts him from his reverie, and he looks up at it: 11:15AM. Which is to say that Taku lied about the time. He doesn't care, but he does hurry up a bit, because otherwise Taku will come back up to bother him and no one wants that.
Arimura Tsukasa, another part-timer at the clinic, is manning the reception. When he spots Towa he scowls, rises to his feet, and leaves the desk, his facial expression screaming "YOU'RE LATE". He probably came in to cover for Towa, which happened on occasion... and that occasion happened a lot.
All mail delivered to the clinic is taken to the staff room and Arimura is in charge of sorting it. Towa occasionally buys art supplies or books online, but other than that, he never gets any packages, so anything else he received he assumed was junk and didn't bother collecting.
"Yeah, go ahead," he says with a shrug as he walks past him to step into the staff room.
Towa's already forgotten about this interaction by the time he sits at the reception desk and starts his work day: several hours bored out of his skull, calling patients to the exam room and processing their payments and prescriptions one after another.
He goes through it robotically and gets lost in the haze of understimulus.
After his shift ends in the afternoon Towa goes back up to his apartment, does nothing for several hours, and finally comes back downstairs once the workday is done. He walks into the empty waiting room and sits slumped on a bench there. Not for any reason, really; he just feels like it.
"Yeah. Heavy stuff, stuff they can't tell their friends. Family problems. That kind of thing." Another sigh. "I'm not a therapist, but... if they want advice, I try my best to hear 'em out. I can't just ignore 'em, y'know? And if talking makes 'em feel better, then why not?"
"And lately, for some reason, there's been... a lot. More than usual. I used to get maybe one or two a week, maybe, but now there's a ton of 'em. And it's not just numbers..." He shakes his head. "Feels like the stress has been getting to a lot of 'em. Some even start yelling or crying in the middle of the conversation."
"I'd like to be able to offer mental healthcare, but there's just not a lot I can do. And when they're worked up like that, I can't exactly tell 'em to get out, y'know? And I keep trying to figure out what to do about it, but..." He sighs once again, rubbing the back of his hand.
Towa ignores Rei's disbelief and walks past him and through the door. The night is cold enough that his breath fogs up, and he forgot to grab a coat, but he's too lazy to go back to do that. He'll be fine, probably.
He grabs his pack of cigarettes from his pocket and lights one, then starts walking down the sidewalk with no particular destination in mind.
Not that he's feeling lonely, or even particularly horny. He's not feeling much of anything; he never does. That's the entire problem. The only things that make him feel alive are rough sex and incredible violence. Really, it's the violence that he wants, but no one's really willing to go all-out the way he craves, to fight him like they mean to kill him; they always hold back, even if subconsciously, afraid to hurt others beyond a certain threshold.
Sometimes he can provoke someone badly enough, get them so riled up they forget themselves. Sometimes he can get someone to rape him (is it even rape, if he's seeking it?), to fuck him like they don't care what he's feeling, to throw him around and beat him up and make him hurt. Use him like a fucktoy, then discard him.
He holds out hope that he'll find someone to do that to him tonight. Not a lot of hope, but it does spring eternal.
The next day, Towa wakes up a quarter past noon. He never did find anyone to hurt him, so he just ended up picking a random bar and having some drinks. Compared to the night before, it felt really lackluster.
He lights a cigarette as soon as he's up then just stares at the TV he left on all night, eye going unfocused, not thinking of anything.
That shakes some awareness into him. He looks at the white text on the TV, processes the information, and... puffs some smoke out. It's not that surprising, really. Not at that age, especially when he'd been in the hospital last Towa heard.
He looks away from the TV and leans back against the sofa, the interest fading just as quickly as it appeared.
Sakaki, i.e. the old second-in-command of the Takasato group, probably now its new leader. There's also a series of notifications; apparently Sakaki had been trying to call Towa for a while. He probably wants to talk to Towa about the dead guy. Probably thinks that the fact that Towa is Takasato's biological son would matter at all. And Towa's just not interested. He doesn't have many memories of interacting with the guy, and actually barely remembers what he looks like. Calling Takasato Ryūjirō his "father" is grossly misleading at best; Towa's mother was Takasato's mistress, and that's all there is to it.
He drops his phone back onto the sofa without answering it and leans back again, staring at the ceiling, cigarette dangling from his lips.
The clinic isn't busy at this hour, given that Taku has his lunch break soon, but it's busy enough that the doctor is nowhere to be seen when Towa steps out of the elevator downstairs. He ignores Arimura's glare from the reception desk, pushes past the glass door, and walks out into the midday sun, lifting a hand to block its glare while his eye gets accustomed to it.
His feet take him northwest to Douraku St., the main street of District E. It's lined with diners, convenience stores, discount stores, and drug stores, all packed together like sardines making it really easy to find whatever you need. It's not as packed as District D, but that's not saying much; everywhere you look there's people, people working and people buying stuff and people walking and people getting wasted.
He's not looking anywhere in particular as he walks with a cigarette between his lips, but just as a traffic light changes and the crowd starts walking he spots a familiar face out of the corner of his eye.
Its interior is cramped, packed to the gills with sweets and snacks of every kind, and amongst them is the white-haired, stony-faced octogenarian shop owner.
The store is as much a relic as Tajima herself is. It's been around since before Shinkōmi started to decline, and despite the expanding casino industry's attempts to force evictions on older homes and stores to construct taller and more modern Tajima's managed to stand her ground and hold onto it. Now it's the last shop of its kind in the area, and it's acquired some popularity amongst older folk who want a taste of nostalgia as well as some younger people curious about traditional snacks.
"Come on in," she says, sounding irritated.
He walks in, only somewhat reluctantly. Part of him always felt at home here, though he didn't understand why. The other part, though, was really uncomfortable with one small detail in the shop: a painting hanging on a wall above the clutter. It barely counts as a painting, really; at some point in the past the framed canvas might've had something on it, but a layer of black was added onto it obscuring every detail and making it look very out-of-place in the familiar and homey style of the store. Yet despite the discomfort, Towa always found his eye wandering towards it, like something in him wanted to unravel its mysteries. It felt almost like something out of a horror story, the one incongruous detail in an otherwise ordinary scene hinting at some dark secret.
She starts scanning the items, but after a couple of quiet seconds decides to speak. "This city keeps changing. I'm terrified someday it'll all go to shit," she mutters, mostly to herself. It's a common occurrence, regardless of whether anyone's listening, but some people found value in her stories of the old days. "It was never this filthy before, I tell you. Used to be you could let your daughters play outside, but now the streets are full of sluts and whores! Men and women! And you're one of them, you understand me?"
He nods. "Yeah." No use denying it, not that he'd even want to. He actually kind of likes Tajima. She's blunt, but honest and straightforward, and sometimes it feels like she's the only solid thing in the world while everything else changes around her. That makes her seem like an outsider, but really that's everyone else.
Late that night, after the clinic closes, Taku and Rei decide to go to the local diner so that Taku can make good on his promise of getting Rei a parfait. Not that they need the excuse—it's one of the few places still open at this time, so they come here often. Since Towa was downtown at the time, they invited him, too.
Taku orders the Salisbury steak special, Rei gets steak fried rice and his parfait, and Towa gets a coffee. That's pretty usual for him, since he doesn't like eating, and yet every time it happened, like clockwork, Rei would tell him how "it's not healthy" and "it's going to kill him one of these days". Towa figures that actually what's probably going to kill him is some hookup gone wrong and playing a bit too carelessly with a knife, but if that by some miracle never happens he supposes his unhealthy lifestyle is a good bet for what'll end him. Anticlimactic, but he's not about to change anything about his life to prevent that from happening.
Towa doesn't have to work the next day, so he only gets up in the afternoon. He lazes around in his room until Taku shows up to drag him out to eat at this little hole-in-the-wall café near the clinic that he discovered by accident on one of his walks one day. After that, Taku goes back to work, and Towa decides to spend the rest of the afternoon wandering around town. When the sun sets, he decides to go to a park in the District E residential area.
On such a winter night, the place is deserted, and the white glow of the streetlamps against the shadows of the trees swaying in the breeze give the place an eerie atmosphere. The playground looks like something out of a horror movie, like the killer is about to step out of one of the concrete tunnels to come after their victims.
He's not willing to take any actions that would make him any less of an easy target, if that were the case. He sits down on a chilly metal bench, lights a cigarette, and stares at the sky. He had nothing to do all day, so he did nothing, and he's going to keep doing some more nothing. That's fine by him.
"Seee? I told you it was Towa," says the tallest of the bunch, a fuchsia-Smoked man by the name of Mayu with long straight blond hair and a couple of silver ear piercings wearing a black overall with hot pink accents over an otherwise bare torso that shows off many different tattoos: barbed wire circling his right forearm, a bunched up metal chain with a bell hanging from it around his left, black bands around the base of the index, ring, and little fingers and the thumbs of both hands, stars around a waning moon with a drooping face on his right shoulder, a black-and-white star under his right collarbone, some kind of angelic green-haired anime girl on his left upper-arm, a fiery monster on his left pec, and Towa knows from close experience that that's not at all the full breadth of all the tats he has.
"Damn, you were right," says the second one, Kotarō, a man with red Smoke, spiky white hair, and far too many piercings and studs on his face including a piercing on the left of his bottom lift that has a chain connecting it to an earring. His open long-sleeved leather jacket doesn't reach halfway down his torso, but he only has the one black dragon tattoo covering the left of the front of his torso and wrapping around his upper back then back over his right collarbone.
"Towa-san!" greets the third one, Eiji. He isn't topless or showing off any tattoos, opting instead for a thick baggy hoodie over a black skintight top. He's also wearing a beanie and his eyes are hidden by reflective orange single-lens sunglasses. His Smoke is a soft blue-green, and Towa's hardly ever seen it waver.
"No."
Towa's certain the questions are at least partly Sakaki or someone else from the Takasato Group trying to confirm that he has no interest in inheriting his father's business. Anyone who's known him for five minutes should know the answer to that question, though, so he's not sure why they'd bother to ask. Maybe it wasn't Sakaki, after all.
That is a complete lie, of course. Eiji is probably what they call a "high-functioning sociopath" or something adjacent. He doesn't chase people around but he loves to dig up all of the dirt on them he can find, and he can find a lot. And when someone's debt mounts too high he finds them and sics people like Mayu and Kotarō on them so that they can rough the debtors up and implant chips in them that surveillance towers all over Shinkōmi can track. Those people are forbidden to step foot outside the city until they fully repay their debt, and if they try anyway... Eiji will find them, and the Takasato Group will kill them, end of story.
Also bombs. Eiji really, really likes bombs. Towa thinks he probably feels like he doesn't get as much opportunity to set bombs off as he'd like to.
The Deathmatch Area is a special section of town located in District A at the center of Shinkōmi. It was once ground zero for a lot of yakuza infighting, and as a result the whole district was torn apart, and residents were barred entry. Naturally, this attracted all sorts of unsavoury types, and eventually it became known as a place for fistfights, with people starting to use it as a battlefield to test their strength. Nowadays anyone who wants to fight can meet up in District A to take part in what is now referred to as a "Deathmatch".
Of course, the Takasato Group noticed this, but they choose not to interfere. It's a way for people to vent their stress, and so long as no one tries to live there or start a business, they don't get involved. In fact, as Kotarō mentioned, their employees are explicitly prohibited from doing so, even ones that were originall scouted from Deathmatches like Kotarō and Mayu themselves.
"Not explicitly, but nothing's explicit here, is it? It's all unspoken rules. And people have been getting a bit too upset over losing and trying to get revenge, so everyone else's started to crack down on them really hard and make an example of people who try bringing weapons, so it might as well be an official rule, now."
Eiji sure has a way of saying things that makes him sound like a psychopath. Ironically, it makes Towa like him more.
Anyway, he's not going to fight no matter what Kotarō tries—he'd rather just lie down on the floor passively and wait for his opponent to kick his ass—so they'll probably just hang out watching the fights while the three gangsters make sure to "keep the peace".
He lights a new cigarette.