"You're lost, but it's hardly hilarious. Do you have any idea how to get home from here?" asks Promise, alighting on the forest floor and relaxing her wings again. They look like hawthorn leaves and somewhat constrain the cut of her outfit, which works around the extra extremities and is made of gossamer with leaves stitched to it.
"Fun, exotic, disposable toys. Oh, joy. Uh - okay, clarify how we are re-purposed to be 'fun,' and how we are made disposable. Is it just our natural mortality playing out, or - please tell me I do not have to worry about murderers, I do not want to have to deal with murderers."
"Fairies are immortal, good and proper. Somebody could decide I'd be a fun toy, but I cannot be permanently got rid of, so there's some prudential limit to how much of a grudge other fairies want me to have against them. You don't have that, which is - novel, unusual. I can't promise you aren't going to run into any murderers."
"You gave me your name! And any other fairies within earshot - I think we're alone but - hang on, I'll check, better to sort that out now rather than later - Anybody else who heard this mortal's name, I'll play Rain Dice for her free and clear - no? - okay, so just me, but now you're my vassal - it didn't occur to me that you knew that little -"
"Being my vassal doesn't in and of itself prevent you from going back to the mortal world. I lose my hold on her if I forget her name, but that's not likely within your lifetimes. The Queen knows everybody's name. Well, every fairy's. Getting her attention would involve being unusually interesting or useful in some way." Promise snaps her fingers and points at Savannah. "Do not tell fairies your real name or his real name."
"Again, her, I can give safety instructions -" Promise points at Savannah again. "Don't take food or drink from anybody but me until you are safely home." She turns back to "Ted". "I can't do that with you unless you want me to feed you something too. I can let you in my house, anyway, that should be safe from fairies trying to trick you, and like I said, I know where to get pure water."
"I have no way of knowing how prone you are to slipping up or how long it will take us to figure out how to put you back where you belong," says Promise. "And someone who thought I was going to fight them over you and had a reasonable claim on your person might not wait for me to actually put up a fight before they attacked me. Look, let's go to my house, okay? If nothing else you can sit down without being enticingly mortal to somebody who'll torture his name out of him."
Promise flies rather than walking, but she stays low so they can follow her, and the house is accessible to non-flying creatures if they are willing to climb.
It's not really sized for them - Promise herself is only five feet tall - but they can get in.
It's a very... fey house. It is in a tree - principally inside the tree trunk, but with some windows that open out to just above the branches and lead to little branchy balconies. There are, obviously, no high-tech things, but there are magic lights (glowing berries in glass cups on the wall) and books and a little kitchen. Promise apparently sleeps in a nook above the bookshelves that she must fly to get to.
"Are you hungry now, Fred?" inquires Promise, when she's shut the door behind them.
"Okay, that means it was probably a gate. I can't manufacture one of those myself, I'm not powerful enough yet, but I might be able to find you one. The trouble with gates is they have keepers, and you have to impress the keepers enough to let you by, and there are generally stakes for failing. I might be able to make a tear but I can't be sure of holding it open long enough for you to both go through and I also don't know where in the mortal world it would put you."
"Not quite. If a gatekeeper - or whoever - gets your name, Fred, I still have it. Then me and whoever else has it have to figure out how we're going to deal with it. Those conflicts can escalate, and badly - and sorry, but I'm not planning to spend four millennia singing without rest in a birdcage in somebody's conservatory for you - but if they were even less inclined than me to make a fuss over it, I could get them to give up their claim and then for most practical purposes it would be like it is now."
"The seeds would come from somewhere - unless you have them in you pocket? - the land would have claims on it, the rain would happen somehow. This place is lousy with magic. Somebody will be able to claim some responsibility for anything you eat if you didn't bring it along."
"Fairies have the food thing easier than mortals do. We can still be vassalized with food, but not nearly as easily - well, if you'd brought mortal food and I ate it, you'd have me, but within our realm. Usually it's debt or losing a game or being cornered into giving up our names."
Promise puts down the flower-petal bag and chops and mixes things in the kitchen until she has a bowl of... stuff. None of it looks strongly reminiscent of Earth food, though it does all seem to be plants.
When she has done this she portions it - a bowl for herself and one for Savannah - and then sits near Savannah and picks up a chunk of something pale pink and holds it up to be eaten out of her hand.
The chunks of stuff have various textures and flavors, some of which could be described as something as mundane as "a cross between artichoke and persimmon with the texture of a dried papaya" and some of it far more unfamiliar; the dressing on them is sweet without being sticky and spicy without being hot. It's altogether bizarre.
"Well, you can sleep, although I don't have much in the way of space so it'll have to be on the floor with a throw pillow. I can't supply you friends, have no 'karate' for you to do, and still don't recommend leaving the house, although I'm not going to actually command you to stay in."
He does pretty well with distracting himself with reading, but eventually - he does have to grudgingly admit that he's hungry.
She makes no suggestive remarks about doing the same for Ted. She expects he can ask if he decides to.
She works on her gate books and then gets started on what she will need to open a gate in the place she thinks it would be best to have a gate; this involves taking a lot of measurements of the environs.
"I have to try for a specific destination. If it's not harmonically friendly, I can try a different place after a six-hour cooldown or I can keep working on the same place until it clicks, which could take either less than six hours, or - considerably more. And before you ask, I don't know what fraction of destinations in the mortal world are friendly."
Two days, if you can call them that when the sun is always up in a noncommittal just-post-dawn position making the sky pretty colors, later, she has finished setting up a gate near her tree.
"Harmonic unfriendliness," she says. "We can check it every so often to see if it's locked in, but it's not finding it right away."
And then, he curls up and tries to sleep, and not think about how his stomach's eating itself, or wondering how long it will take him to starve, or - various things.
(Worrying about how his father will worry if he - never comes home.)
It takes him about another five hours before he finally, hoarsely says, "... I think if I wait much longer I might... Literally die..."
Careful sip, little break. Careful sip, little break. He's going to try not to overload his poor, abused stomach.
When it's gone, he asks softly, "There's no way I can bring home a bushel of those, is there. Otherwise you wouldn't need to literally hand feed me."
And she goes for the door.
"You were finding quicksand, and if you'd found a gatekeeper it'd be overwhelmingly likely they'd have had your name and Ted's too out of you, and as soon as the gate I made connects I will be a gatekeeper who won't cost you anything. Is your dewdrop gone? Do you want something else?"
She feeds him the rest of the glop, plus a berry whenever he likes, and then gives him another dewdrop - this one he may bite if he likes, which results in it ceasing abruptly to be solid and discharging its entire payload of intense refreshing water taste all in one go - and then goes out, but not before saying:
"I really really don't recommend leaving. It could have been worse than quicksand."
Ted recovers from near-starvation slowly, but goes back to studying magic soon enough. Because it's magic, and he wants to learn more about it. Even if he's going to leave eventually and the knowledge will be utterly useless to him, it could still be useful while he's here. And it's not like he's got anything better to do. So, study, study, study.
It is, now that it's working, very pretty - sort of pearlescent and shimmering, an arch just tall enough for a full-sized human to step through, wildflowers already starting to wind around the places where it touches the ground. There is a curtain hanging from the arch, which looks filmy and thin and translucent while conveying absolutely no real information about what's on the other side of it.
"Cheeseburgers," mutters Ted, rolling his eyes. He looks at the gate, then back at Promise. "I - thank you. A lot, for everything. You could have done terrible things to us or kept us as pets or something and didn't. You didn't even have to help us, and did even though it was - a lot of personal trouble."
!!!!
Ted has no idea how to respond to this, he's never been kissed by a pretty fairy girl before. Or anyone before. He tries to think of - some response, any response aside from being stunned and catatonic and utterly still. And then before he can reconstruct his head, he's pushed gently through the gate and - is no longer kissing her.
He is standing in his backyard. He thinks there are words he wants to say, things he wants to do, but - but he just got kissed and he is bewildered and confused and damn it, now it's too late to kiss her back and they can't even talk about having a relationship (it had never even entered his mind, that a relationship was a thing that could happen) or - or something. Literally anything. He almost, almost goes back, almost goes back to see if he can think of literally anything as a response, but then -
- Then his father's there and has scooped him up into a hug and he's remembered how much he missed his dad and how much he wanted to be able to go home. Fr- Savannah's already blurted out most of what happened, but Ted (Darren, he reminds himself, he's not in fairyland anymore, he can go by his actual name again) gets to explaining the fine details.
It's a while, before he can start trying to figure out how to get back. There's some issues involving the police and no longer being a missing person and trying to explain where they've been for three weeks, or why Darren's lost so much weight in such a short period of time. Darren leaves the explanations to his sister, as the one actually capable of lying. The official story is: someone unpleasant kidnapped them, they escaped but without ever seeing the person's face or getting any real details from them, and were helped by a friendly stranger who got them back home. Close enough story, if you consider the unpleasant person the place itself.
Which, of course, is why Darren starts grid-searching the backyard so he can get back. Savannah thinks he's crazy, but leaves him to it, vowing to never go back. She doesn't want to be trapped in a tiny house again, as much fun as eating from Promise's hand was. Darren's not of the same opinion. He's got a bag of food this time, and keeps muttering something about angles and directions all the while. Just because he can't see it doesn't mean it's not there, he thinks that from the mortal side it needs just the right angle, otherwise people would fall into them all the time -
-and then, predictably, he finds it. And he's not in Forks anymore.
He takes a deep breath, and goes back to Promise's house, and knocks on the door.
... Yup. That's Promise. Wearing a towel. And nothing else. Darren (Ted, now, or some other name that's less stupid.) wanted to say something clever or do something smart or - something. But Promise. In a towel. Unhelpfully, he wonders what it would be like to kiss her now. While she is wearing nothing but the towel.
The clever or smart thing he was going to say comes out as: "B- th- Promise, um, -" and then he looks up at the sky above and manages a squeaky, "Hi?"
"I - no, that's not - well, okay, the books would be nice, I do actually still want to learn magic just because it sounds fun, but, um." He shakes his head, and clears his throat in an effort to sound slightly less awkward. It really doesn't work. "Are - we not going to talk about the kissing thing?"
"I - no, it's - come in, you are welcome here if you want to be here," she says, standing aside from the threshold. "I wanted to kiss you, but I left it to the last minute because - mixing kissing and vassal-ness seemed iffy, and I thought you'd go and then it wouldn't matter."
"That - makes sense. But you actually haven't used the vassal-ness once - well, I think you used it for the dewdrop, but really, that doesn't count - and -" Pause. "I didn't realize you'd want to kiss me. And it sort of caught me off guard and then I realized I um." Eye contact. Eye contact. Don't look at Promise in a towel, just look at her face. Eye contact. "Also wanted to kiss you? After I thought about it and got my head in order and - became less catatonic."
"Not - it - it wasn't bad, I was just - it - it caught me off guard and it - I haven't - no one's kissed me before - and I didn't know what to do and it was - it was unexpected and I hadn't thought about it yet and it was - sort of confusing and nice and and there was - I mean. I didn't... Um. It sort of ended up with me just sort of standing there for - for a while, stunned."
"Wording it like, 'I didn't mind' implies that it was - unpleasant and a thing to be endured. It - really, really was not that. At all. It was very nice." Pause. "And yes, I came back. Er. Kind of - for you?" Another pause. "Wait, is that weird, that's probably weird, sorry, sorry, I'm really very terrible at this!"
"... It is really very distracting that you're - um." He motions to her en-toweled form, stopping him from staring rudely but not quite being able to stop himself from a very, very brief appreciative glance. "That's - not a - you should still kiss me, but I'm - words, how do I speak, I swear I was planning to be more eloquent with this or - or something..."
He swallows, after the reboot's been complete. His face is now an interesting shade of red. "Good, but - I'm - noooot sure it's polite to - look at you. Like that. Um."
Oh, look, he can make a little squeaky noise.
"C-Clothes, clothes, I'm - it's a very nice view, but I - um, am having - there's - most of my head's at war with itself over if I should shut up and look at you or not and keep some functioning speaking parts of my brain."
He makes a little sound when she perches, but does not stop kissing her. Vaguely, in some miraculously still functioning part of his brain that is not devoted to kissing, he realizes the why. This wondrous section mentions to the other less functional sections that he could probably help with this problem and support her from losing her grip on him and falling. Why yes, agrees the rest of his head. That is a fabulous idea. One hand goes to help support her by touching her back. And then, quite content with its wonderful work of actually managing to think, the holdout part of his head celebrates by stopping conscious thought. Kisses!
Back to not thinking conscious thoughts!
Darren's sort of - hamstrung on where he can explore, considering the wings and her chest and how he is not touching anything lower than her waist just yet. But her head's fine, so a free hand that's not doing anything important gets to gently weave itself into her hair.
She has at this point more or less confirmed to her satisfaction that apart from what has to be a truly inconvenient lack of wings, he is put together much like the standard male fairy body plan, above the belt at least - not that she has a lot of experience with that, either, but she'd certainly know less what to do if he were otherwise arranged.
Kisses kisses.
"You're probably strong enough to tear leaflet wings if you were trying," she says, thoughtful, resting her head on his shoulder. "They're tougher than tree leaves, though, and I don't think you should be able to hurt me that directly even by accident, not since I fed you."
"I'm not worried about you running off to tell someone else my name," says not-Ted. "If I were, I wouldn't have come back. But I'm - I don't want you to be in a situation where the options are 'say the mortal's name' or 'get tortured' because you know it. Or if the queen shows up, and since she knows your name, she can order you to say it against your will and - I don't want that, either."
"Yeah. I'd really rather not get you unwanted attention just by being shiny and mortal at people. Uh - I just graduated, and when I go to college I'm not sure what my schedule will be, but I'm going to hazard a guess that weekends will be fine. Right now it's the middle of summer, so it's - I've got basically nothing to do for the next month or so."
"Nnnnone of those words made sense to you, sorry, I forgot - uh. When mortals are younger they go to a set of schools with lots of kids their age. Three basic schools. Elementary, middle, and high school. I just graduated high school. I am legally an adult and if I want to, I could go running off to get a job right now. But, there is a - bonus round, I suppose, for school, if you want to focus on something specific instead of the generalized teaching the schools get you earlier. That's called college. I'm doing that. Weekends are - we break up our days into groups of sevens. The standard is five days of work for every two days or not working. The two days of not working are weekends."
"I was looking into going into social services, which is basically when people are having trouble with things in their lives that aren't physical injuries or something. Which sounds kind of vague, but I want to specialize a bit more than that. I'd like to at least help the whole - adoption system, it's kind of a mess." Pause. "Adoption being when kids are missing their parents or have been taken from them because the parents are terrible, and going to people that are going to take care of them and love them."
Thaaat makes him - squirm a little, and not in a good way. "Um. Iiiii am not going to think of you as a - mortal twelve year old. I mean, twelve years of adult experience from a standard baseline is far different from twelve years of childhood where you have to learn how to do literally everything." Pause. "I think?"
"Maybe? You seem to have strong feelings about this. I could easily be wrong, remember, there's no night and I haven't kept careful time, I could be twenty or six or something, I don't know. It doesn't matter very much to me. If I'd met you having started two days ago nothing would be different except that I wouldn't have had any books or house furnishings yet."
"Uh. I have no idea how to explain our technology. Mmm... Think a library that doesn't physically exist, but people can access it and add things to it through devices they can carry anywhere. And that it carries more than just books, it's got recordings of life that look real enough, still pictures of same, games, ways to leave notes for people that you like, so on. That's the basics of it."
"It's pretty great, I'd get you a phone if it would be at all useful without the infrastructure that connects it to the - network. But I'm not sure how to bring it here, there's a lot of stuff required to make all of what we have work. I mean, I guess I can try to find some basic things and bring them over here and you can have some technology?"
"Basically, they let you talk to people over longer distances. One person carries one, another person carries another, and you press a button and talk to the device and it relays it to the other. There are better ways to do it now, what with satellites and cell phones and the internet, but that's a basic way to check."
"Okay then. But for reference - when fairies have relationships with each other, usually, it's either part of an elaborate sort of game for each other's names, or they've already got a master/vassal setup and the master is doing whatever they like and the vassal might be more or less pleased about it. The part where I have fed you and am not giving you binding instructions more or less constantly is unconventional. So - I can be very little guided by convention here and it would help if I knew what background you were working from."
Is that a blush? Aww, look, that's a blush.
"Vulnerable to - not anything bad physically, but - judgement? Um. Appearing to not be prepared and having other people think badly of you or see things that you didn't want them to see. By power I don't mean the ability to do terrible things to each other, but things like, where they go on dates, plans for the future, uh - that sort of thing? I'm kind of bad at the specifics, I haven't been in a relationship besides - uh, with you."
"Well, yes, but I think we're mixing up our definitions of power. It's not the - 'bwuahahaha, you are my vassal I have you now you will do this' kind of power. It's the - 'we are going to only do things that I like, and if you don't like them, too bad, you can always leave,' when in relationships there's a give and a take kind of thing."
"I mean - sometimes? Like, okay, take picking places to go eat. One person wants to go out for tacos, the other wants sushi. But, they both want to sit down and eat them where they got them, and not just go by and pick them up and eat them in their car or something. So, they both can't get what they want. So evenly distributed power means it doesn't automatically go to one person to pick where they go, they can both get a say in it. It's not an upsetting thing, it's seriously just food, it doesn't matter a large amount, but if one person never got to eat tacos because of their relationship, that's - kind of a hint at something bad in the relationship."