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call me maybe [minus]
Demon Cam and Minus
Permalink Mark Unread
Cam is out flying. There's a decent cloud of atmosphere around the gold plane, now, millenia of demons making air around themselves for comfort and not sealing it up because why would you bother. There's a small forest, here - the effect is kind of ruined by the lamps it has to grow under, but it's still pretty.

He feels an open summons and lets it grab him -
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He arrives in a circle drawn with what definitely seems to be blood. There is a young man just stepping back from the circle, holding a plastic jug whose label claims 'Orange Juice (100% Juice, not from concentrate)' but whose stains and smell suggest other fluids.

"Oh, for fuck's fucking sake," he says upon beholding Cam.
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Cam glances at the composition of the circle.

"What, you were hoping for one with horns and cloven hooves?" he inquires.
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"I was hoping and indeed put in extensive research to make sure I would get tumbleweed and the chirping of crickets," he says. "Summoning an actual demon of any kind, however attractive a specimen, was not part of the plan."

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"This isn't a very good circle, but it's obviously valid. You even did it in blood, did you know that's completely unnecessary? Next time just go ahead and put it down in Sharpie."

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"The objective of the circle is to make it look like someone was summoning demons here," he says. "To someone who wouldn't know the site of an actual summoning from the aftermath of a particularly debauched college party. I looked up hundreds of attested functional summoning rituals, took extensive notes, and made damn fucking sure to do absolutely none of them. And yet, here you are. Perhaps I should write a book."

Permalink Mark Unread
Cam squints at him.

"Weeee are operating out of very different textbooks, obviously."
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"Clearly, yes," he says.

It might bear mentioning that the room in which all this is taking place looks like a high school classroom straight out of the early twenty-first century. There is a blackboard, and chalk, and various ancient equipment he may or may not recognize, like a projector and a VCR. All the desks and chairs are stacked neatly against a wall.

"Perhaps you'd like to elaborate on what you were expecting."
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"I was expecting to show up actually confined to a circle, and almost certainly also forbidden from speaking beyond agreeing to or refusing some trade for my services offered by some person. Is that a - that's a VCR. What year is this?"

Permalink Mark Unread

"Two thousand and eight. And you are not, in fact, presently confined to the circle? Interesting. What services do you generally offer?"

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"Nah, it's a terrible circle," says Cam, extending a wing over its edge. "I can do whatever I want, you're lucky you got me. Demons make things."

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"Oh? What things?"

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"Arbitrary non-magical matter with some reasonable quantity of underlying information to go on," shrugs Cam.

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"...Interesting," he says. "Define 'reasonable quantity'."

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"Give me title and author for a book I've otherwise never heard of and I can make a copy, but I can't go by ISBN or weird criteria like 'first book with a redheaded editor published in 1982 to have an epilogue and have its first edition be a trade paperback'."

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"Hmm," he says. He retrieves an object from a pocket and holds it up. It is vaguely shaped like a pen. "Could you make one of these without knowing what it does?"

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"Yeah. Do you want a spare?"

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"Might as well, if you're offering, but it's not what I'd call urgent," he says. "Just testing what the boundaries are. You're an interesting kind of demon. What would you like to do with your time in the charming town of Sunnydale?"

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"I don't know, how long are you planning to keep me?"

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"Oh, is it up to me? In that case I'll keep you until you become boring," he says. "Assuming you don't have urgent business at home to which you desperately want to return."

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"Nah, no languishing relationships or urgent appointments, no stuff I can't duplicate here just as easily. What constitutes being boring?"

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"I'll know it when I see it. It's like pornography that way."

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"Maybe I won't tell you how to send me back till I feel like going."

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"If you feel like going some time after you have begun to bore me, you may find yourself staying here a very long time indeed."

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"Why's that?"

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"I'm not in the habit of doing favours for boring people. Assuming you're not magically obligated to follow me around like an eternal duckling, it's all the same to me whether you stay here or go home if and when you enter that category, but afterward I won't be disposed to go particularly far out of my way to ferry you between dimensions."

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"No duckling-ing, no. And it's not hard to send me back, but I guess the upper bound on how long I'd be here if you didn't care to put yourself out even that far is just the end of your lifespan."

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"Potentially infinite," he says. "Not practically infinite, mind you; even if I somehow found a way to keep myself comfortable and entertained until the sun exploded, I'm unlikely to safely join an expedition to another solar system before then."

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"You look like a human, what'm I missing?"

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He does - something - with his face. His forehead becomes ridged in a permanent exaggerated snarl; his canine teeth lengthen into fangs; his eyes lighten from dark brown to a wolfish yellow.

"This," he says succinctly. "I'm a vampire." His face returns to normal. "Technically, at least according to several practical definitions, I am already dead."
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"Well, isn't that cosmetically unfortunate? Anyway, you aren't dead enough to send me home to Hell. Aaaand I think you have managed to pull me to an alternate universe, rather than strictly back in time."

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"Was that not obvious to begin with?"

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"It seemed likely, but it just got a lot likelier."

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"I suppose you don't have vampires where you're from?"

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"Nope."

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"Curious. What sorts of demon do you have, then?"

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"Just the one," says Cam, waving a hand. "And one kind of angel and one kind of fairy."

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"Well," he says, "fascinating as this conversation is, this is not the place to continue it. How would you like to come back to my crypt?"

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"You have your very own crypt, huh? Snazzy. Sure, why not. Had I better hide the wings under a coat?"

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"It's Sunnydale. Don't bother. Anyone who knows about magic and so forth will deduce that they probably oughtn't fuck with you and anyone who doesn't will assume it's a trick of the light or an extremely lifelike costume piece."

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"Should 'Sunnydale' hold some meaning for me?" inquires Cam.

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"Sunnydale, California. Home of one Hellmouth, the highest number of graveyards per capita in the country, and an absolutely astonishing mortality rate that somehow continues to be blamed on gang activity and misuse of barbecue forks." He turns to exit the room, idly taking a swig from the jug of blood as he goes.

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Cam follows.

"Where did you get that blood, anyway?"
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"Stole it from the butcher's. Much simpler that way. And at least I've rescued it from the fate of being made into shitty cocktails at the exquisitely named Willy's Bar."

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"Are you habitually a non-person-biting vampire, then?"

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He shrugs. "What's it to you?"

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"Well, if you bite people my next question is whether this is typically fatal and, if the answer is no, whether they're on board with the donation."

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"Typically fatal, yes, on board with the donation, not frequently," he says. "Although there's always the odd ones out."

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"Okay. Well, I can make you arbitrary humane blood."

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"That sounds convenient!"

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"Doesn't it just. Are there many vampires? Should I open a dispensary?"

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"Yes, and you can if you like but you might not get many takers. There's a lot more thrill-of-the-hunt types than there are of whatever category you might put me in."

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"That's disappointing. Why are vampires and such not common knowledge?"

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"Irrational skepticism is apparently very comforting, and no one has yet been sufficiently motivated to burst the bubble."

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"Back on my world I was responsible for making our sort of magic common knowledge," muses Cam.

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"Well, if you want to do the same thing here, feel free. That ought to stir things up."

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"In a good way?"

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"In an interesting way."

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"I suspect we have different priorities."

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"I suspect they're more compatible than you might think."

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"Do tell?"

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"I want things to be interesting. I'm not especially concerned with exactly how. If you have constraints on what sort of interesting things you'd like to do, I'd still rather help than not."

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"I want to improve the welfare of people in general."

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"Well, that sounds potentially dull, potentially not."

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"I don't suppose you can make general gestures at what bores you? Like, in the pornography case, if it's porn, there will often be naked actors."

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"It's a problem of - proportion, you could call it. Most interesting things are novel, but most novel things aren't interesting. And that's only the one most easily identifiable characteristic. If I came up with a longer list, it would be worse for the rest and at the end of it you probably still wouldn't have much idea of how to distinguish interesting from boring in practice. I predict it would be faster to ask me to classify individual things as you suggest them. How do you mean to improve the welfare of people in general?"

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"You said 2008? After seeing to what extent my memory of 2008 on my world matches this one beyond English and VCRs, if the match is reasonably good, off the top of my head I can patch your ozone layer, bring up the more generally harmless scientific fields by about a hundred and fifty years, save the honeybees, get you good and started on colonizing the solar system, feed some hungry people after I sit down and think about how do to that without weird political destabilization, maybe do the vampire blood dispensary."

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"You think big," says the vampire. "That's promising."

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"It's just a pity my world doesn't have faster-than-light yet. I can make nifty spacecraft, but nothing that'll get you to Alpha Centauri in less than a hell of a long time."

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"I imagine nifty spacecraft are still better than what we've got for many practical purposes."

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"Oh, yes. It's just you're complimenting me on thinking big when I was listing things I could definitely do with magic I currently have in like - a month, tops, if we assume I have to break into the homes of various scientists to nefariously leave books in their living rooms because no one will listen to me if I crash conferences. This is not big yet."

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"By all means, think bigger."

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"Well, I don't know anything about local magic, yet. Or how it will interact with my stuff."

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"Then perhaps it will be productive to find you some research material."

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"Perhaps it will."

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"Mildly interesting so far. Congratulations."

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"Mildly. What has historically fascinated you, then, if a demon from another world planning to cure colony collapse disorder with a discovery made in 2044 doesn't cut it?"

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"Damn little. It's a problem."

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"It sounds it. Do you know if bees are in fact currently having mysterious problems off the top of your head or do I need to look it up?"

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"Off the top of my head, I'm afraid not. I don't pay much attention to bees. Their involvement in my food chain is several steps distant."

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"Oh well. I don't think I got your name, by the way."

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"Sherlock."

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"Is that a typical name here?"

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"Not remotely."

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"Are you by any chance named after a fictional detective or did your folks just like the sound or what?"

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"I am in fact named after a fictional detective. In a sense."

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"In a sense?"

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"I had an extremely unusual childhood. Among other quirks, I didn't have a name until I took it upon myself to pick one."

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"All right. I'm Cam, I don't think I said. If introductions to people who have ordinary names for ordinary reasons isn't too mind-numbing for you."

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"I appear to have survived the experience."

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"Congratulations. Immortality would be a sad thing to waste. How far is your crypt, anyway?"

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"Not much farther." The jug of blood is mostly empty by now; he peers into it, drains the last little bit, then tosses it over a wrought-iron fence into the third graveyard they have passed since leaving Sunnydale High. "And don't get your hopes up. I am running out of ways to avoid becoming fatally bored."

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Cam looks mildly askance at the littering but doesn't raise a fuss. "Well, you may be out of luck with escaping it. If the system of the afterlife that I'm familiar with applies, you may have becoming some kind of daeva to look forward to upon dying in a less ambulatory fashion. To the extent of my ability to survey the relevant populations only people who never summoned anything end up in Limbo, but also people from the wrong year never seem to end up in Limbo, so maybe you had something else to look forward to before and now that you've got me on your resume you're going to be a wingy-thing later."

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"Oh, joy," he says, with extreme sarcasm.

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"Well, I was pretty thrilled over I got over my prejudices about having died and woken up in Hell specifically, but it sounds like you might do better to find a way to spend extended periods of time unconscious if it comes down to it."

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"Sounds like far too much effort if you ask me."

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"I can't do anything about it. I might've warned you if there had been any way to do that before you, you know, summoned me, so I'm warning you now; make of it what you will."

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"Bitter complaints. Bitter complaints are what I am making of it."

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"So it would seem." Cam cracks his knuckles. "Maybe I will just become ever more fascinating. Or something."

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"One can hope. And here we are."

It's a crypt. In the fourth graveyard they have passed since leaving Sunnydale High.
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"There are a lot of graveyards in this town."

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"It's because of all the deaths. At least partially. I also think someone might have encouraged their proliferation for aesthetic reasons, but I haven't come across any hard evidence to support the theory."

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Cam snorts. "Grand. Can vampires starve to death?" he wonders.

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"Starve to severe discomfort, certainly. To actual death, I'm not so sure."

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"So I'm not doing the population any disfavors if I set up a dispensary before I go. It'd have to be preserved blood to last without regular top-up, I guess... do you want to sample state-of-the-art science-fiction blood substitute and see if that's any good?"

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"Why not," he says, shrugging.

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Cam makes him a little shotglass full of something a little too rust-colored to be real blood.

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"Not awful," is his conclusion. "A little odd. My prediction that your dispensary will be unpopular stands, but I'd drink this stuff before I'd steal from butchers or subject myself to the tedium of hunting."

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"I mean, it's sounding like to control my schedule of return I have to keep you occupied? So I can make you actual blood, too, I wanted to try that because it'd keep. If it's not going to make a dent in the need for graveyards I can concentrate on other interventions that don't necessarily have anything to do with vampires, like the bees thing."

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"Actual blood is preferable. If you want to drastically lower the incidence of vampire-related deaths, which would certainly take a chunk out of human mortality rates in general, you're probably better off aiming at the reproductive process or just killing a lot of them outright. Convincing your average vampire to stop eating people is a doomed effort."

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"What's the reproductive process like?"

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"The vampire drinks the human's blood and, usually not consensually, induces the human to drink their blood in return. The human dies; their body undergoes a period of extremely corpselike dormancy ranging in length from a few hours to a few days, and then rises as an only moderately corpselike vampire. Opinions vary on whether or not the resulting vampire and the original human are the same person, but there are noticeable personality changes in every case."

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"Okay. I'm - iffy, let's go with iffy, on killing vampires, since you appear to be a person and stuff, but I don't think I have a problem with aborting them; tips?"

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"Heavily promote cremation over burial," he suggests. "I don't believe there's an existing tradition anywhere of burying people with their heads cut off or wooden stakes through their hearts, but that would work too."

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"I can stake people in the grave, but if I have to personally handle it that's not efficient at all and I probably can't cover everything. I wonder if the CDC - you still have the CDC in 2008, right? - could make a dent if I told them."

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"That is likely to be a deeply hilarious conversation."

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"Yes, probably. Hello, CDC, I am a demon from another dimension, please listen to what I have to say about controlling the spread of vampires. Maybe I should just ignore vampires for the time being until I have more of a track record to point at. Mysterious ozone healing, mysterious bee recovery, then hello CDC would you like a century and a half of medical science by the way vampires."

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Sherlock laughs. "Aren't you just delightful."

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"I try. Does your crypt have Internet?"

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"Alas, no."

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"Okay, I'll have to figure out something else there, making stuff doesn't get me subscription access to an existing network. Are you the kind of vampire that is, shall we say, not a morning person?"

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"In the sense that I catch fire in direct sunlight, yes I am."

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"Okay. What time is it? And for that matter exact date?"

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"Two in the morning, probably August. I haven't checked a calendar in a while."

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"Okay, I'll... hold off on making myself a wristwatch till I have that, I suppose. Do you sleep?"

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"Yes."

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"During the day, in your crypt?" Cam confirms.

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"Yes and yes. It's more comfortable than it looks; there's a slightly hidden room containing a bed."

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"Okay. Do you object if I nap in said crypt now, and can I get you to wake me up when the sun rises so I can go mooch off library wifi?" Pause. "Libraries have wifi by this year, right?"

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"Some of them. Possibly not the local. But they do have computers. And yes, go on."

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"Preference between me making myself some form of furniture that you will then have around until you get rid of it, and me borrowing your bed?"

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"Don't care in the slightest."

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"Right then."

A bit of making later, and Cam is snoozing in a hammocky thing suspended from the ceiling, wings flopped over the edges and peeking out from under a fleecy blanket.
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Well, that's adorable.

Sherlock makes tea. He drinks the tea. He contemplates the positive and negative aspects of the Cam situation.

Come sunrise, he wakes Cam up. Or attempts to. If saying 'wake up' won't cut it, he may have to strategize.
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Cam wakes up pretty easy. "Morning. I hope you did not become suicidally bored while I was adjusting to local time."

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"Happily, no. I still haven't found out how the school is going to respond to the fake summoning."

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"Oh, is that what you were doing. Why?"

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"The amusement value of observing their pathetic cover-up, or the interest of observing one that is not pathetic."

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"Who's in charge of covering up circles of blood at the local school?"

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"In most places it's the nearest person with a bad excuse ready to hand - no organized effort, no one who knows what's going on - but I have my suspicions about the principal."

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"And nobody has failed at a task like this spectacularly enough that, like, the government - which employs public employees who openly consult fake psychics back in my world where all the psychics are definitely fake - has found out. Really?"

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"At least some branches seem to be aware of at least some things, but clearly none of those people have taken the trouble to go public with anything more interesting than fake psychics."

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"This is a spectacular coordination failure, are you sure it's natural?"

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"Oh, there's probably a conspiracy or two at work."

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"But they didn't show up to your vampiric orienation meeting?"

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"It was rather a hurried affair."

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"So it's not a comprehensive conspiracy, conspiracy agents are not showing up at your crypt to arrest you and your summoned demon for being theatrical, etcetera."

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"Indeed not. No one has that kind of reach. There are any number of different interests whose reach is extensive, and I know about some and could guess at some others, but I feel confident in saying that there is no ultimate level of conspiracy with the power to identify and punish individual indiscretions."

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"So it remains bizarre and questionable that it hasn't broken open. Back home the general quiet on the subject was explained by economic motives and the small population of summoners, but here - I might need to know more before I am particularly flagrant, I think."

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"By all means. If you want a partial list, the Watcher's Council is one such interest; a demonic law firm called Wolfram and Hart is another."

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"What makes a law firm demonic and what do Watchers watch?"

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"It's rumoured to be headquartered in one of the major hells, is that demonic enough for you? Watchers watch Slayers. I suppose you don't know what those are. The Slayer, at any given time, is the latest heir of a mystical package of superpowers primarily geared toward physical combat. It is her job to run around killing vampires and other evil things until one of them gets the drop on her and the next Slayer is called to take her place."

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"There are several hells? There are major and minor hells? What would a demonic law firm make of me, I wonder. Slayer's always a girl?"

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"There's not so much as a breath of a rumour of any who weren't. And yes, there are multitudes of hells. Just to confuse everyone, the major ones are often referred to interchangeably or collectively as 'Hell'. The major/minor distinction is informal, but seems to rest on factors like population, overall level of influence, and the individual power of local notable demons or gods."

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"How hard is it to get from - sub-world to sub-world?"

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"Varyingly. Some hell dimensions and so forth are easy to get to; some are nearly impossible. I don't know many specifics, because that's never been my area of expertise."

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"It's possible I should get in touch with the demonic law firm. Do I want to get in touch with the demonic law firm? Are they evil or just demonic?"

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"They are extremely evil. You and they will hate each other on sight."

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"Well, damn, I could have used a non-evil demonic law firm, being demonic and inclined to move and shake."

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"The Council are ostensibly less evil, but will probably also hate you on sight, for some combination of cosmetic reasons and the fact that you seem inclined to disturb the status quo significantly."

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"I could remove the cosmetic reasons if I had enough of a cause. The tail's mostly because it's fun, the wings are practical but for any long distance I'd want a ship and I can always regrow 'em. Why are the Watchers so attached to the status quo?"

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"I have no direct information on their reasons, but suspect the high concentration of old wealthy Englishmen has something to do with it."

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"I'm not exactly planning to steal their tea."

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"They dislike change and things they can't control. You represent both."

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"How irksome. Is there anybody liable to be friendly?"

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"Potentially. Finding them could be a trick. Lucky you've got me, then, isn't it?"

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"So it would seem. Anyway, you're probably going to sleep soon and I don't mean to keep you up. Can you direct me to the library or be extremely specific about how I might identify some specific local map so I can find it myself?"

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"Out the front gate of the graveyard, turn left, keep going, turn right on the helpfully named 'Main Street', it's the building with the big sign out front that says 'Sunnydale Public Library'. If you go out the wrong gate you'll find that the graveyards you pass are noticeably more run-down the farther you go; retrace your steps and try again."

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"Okay, thanks."

Cam heads up for the crypt exit, coat-clad, and is conscientious about not letting too much sunshine in.
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And Sherlock goes to bed.

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Stroll stroll, they're probably not going to serve him without a shirt so now he has a t-shirt made while nobody's looking, oh there's the library.

Cam made this coat with plenty of pockets he could obtain things "from". He looks at the date on a page-a-day calendar behind the circulation desk and the time on a clock on the wall, makes a correctly-set watch with these and other functions, takes it out of a pocket, and puts it on. Then he goes up to the help desk. "Excuse me. Does this library have a way for me to use the internet with my own computer or do I need to use a public one?"
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"You'll have to use one of ours," says the person behind the help desk. Helpfully, she adds, "They're over there past those shelves."

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"I can't unplug the cable and attach it to mine?" asks Cam with a sigh.

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"Definitely not."

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"Okay, thanks anyway." Cam proceeds where directed.

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There are computers! It's early enough that only one of them is in use.

Well, sort of in use. Mostly in a condition of being glared at and hesitantly prodded.
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Cam picks a different one and looks for whatever pathetic excuse for a browser is on these things.

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The dreaded Internet Explorer.

Judging by his posture, the other computer user in the room has just given up completely.
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Cam grumbles but opens Internet Explorer. He has to concentrate not to lash his tail more than once. It's so lashable.

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The person who has given up on his computer is now looking at Cam.
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Cam looks up at him, a kind of what do you want expression on his face.

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...He shakes his head distractedly and goes back to his apparently very incompetent computer use.

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Cam's not all that much better. He's used computers like this before, but he kept up with the times, so it's been literally more than a hundred years. He pokes his way to Wikipedia, pauses to attempt to remove dust from the mouse, and starts looking up various historical events. Then he looks for anything so promising as a USB drive on this device; maybe he can conjure up a... ludicrously condensed version of his notes to compare against. His current computer model is sure not going to pass without notice here.

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The library is not well funded. The computer is old enough to have a floppy drive. USB is not in evidence.

The frustrated computer user gives up again, and this time he walks away to go look at books.
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A floppy drive. Holy shit, this library is terrible. It's supposed to be 2008, he was what, past twenty in 2008, he doesn't remember being out of his teenage years and using fucking floppy disks. Maybe he'll just see if Sherlock wants to pack up and travel to a halfway decent city. Well, at least this device can get him Wikipedia. Sloooooooowly. Is the Earth the right size and shape and location? Yes. Is China where it belongs? Do kangaroos exist? Is Coca-Cola popular? Yep. Wikipedia, how Cam loves you.

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Wikipedia is unlikely to love Cam back. Their relationship is doomed.

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Alas.

Did the Revolutionary War happen circa 1776? Did Pol Pot kill a shit-ton of people? Are there weird rumors about the Bermuda Triangle? Yes and yes and yes.

Cam will be at this for a while, keeping an eye out for discrepancies.
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Discrepancies seem to be minimal! Surprisingly minimal. Astonishingly minimal.

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Yeaaaaah that's weird.

He opens the Wikipedia page on vampires.
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Vampires are mythological or folkloric revenants who subsist by feeding on the blood of the living. And onward from there. It certainly doesn't seem to think they're real.

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This is way closer than it ought to be with completely different underlying magic and nonhuman species. And yet Sherlock did something, faster than an angel could have and not something a demon, a fairy, or any kind of tech Cam is familiar with could have accomplished. And no one has the time to mock up an entire 2008-era town with floppy disk computers in it just to screw with him. This is weird.

Demons angels fairies - similar results. Mmhm.

He looks up Revelation and finds stuff about the Bible and nothing about his own antics back in 2007 in his own world.

Speaking of which now he kind of wonders if he has a double here. George Washington did, why wouldn't Cam?
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If he does, the local Cam lacks a Wikipedia page.

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Maybe he'll go to Phoenix. Or Forks, it's 2008 so maybe Forks. Or, hell, a double in this world might have bothered showing up at college to do anything besides teach a class in summoning the semester following Revelation.

Cam closes Internet Explorer and heads to the exit of the library.
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And... there's that man who was failing to use one of the computers earlier. He's just leaving. He stands aside politely to let Cam out first, since they approached the door at around the same time.
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Cam nods cordially and wanders more or less aimlessly through the streets, thinking.

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There he is again, heading toward the school. It's Saturday, so no students are in evidence. Perhaps he works there.
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Cam doesn't think much of it. He walks past the school, checks his watch, observes a 7-11 and smiles in brief nostalgia, continues walking.

Eventually he finds a park bench which is sheltered by enough shrubbery that he thinks he'd hear somebody coming before they got a good look at his futuristic computer. He produces that and starts outlining possible plans of attack, so to speak. And he changes the time to match his new watch.
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(Someone finds him there. He doesn't hear her coming. He might not see her, either, if he doesn't look behind him very frequently.)

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She's pretty stealthy. She can get close as long as she doesn't make noise or come around the corner of the hedge.

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Then she will be able to spy on him pretty easily.

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He has a futuristic computer thing, in which he is writing in weird but recognizable English via difficult-to-follow manipulation of said thing. If she's up the tree behind him or something she could even read the larger bullet points in the outline he's making, though the small ones would be tricky. The large ones say things like 'completely ignore magic - pros/cons' and 'things to ask Sherlock' and 'getting rid of wings =/'.

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She only needs a quick scan of this to become extremely intrigued.

She waits another minute or two, though, to see if any of these bullet points are going to talk about actual goals.
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Yep.

Things like 'go through med notes and give to - someone???', 'maybe just fly to Mars and set it up nice for them later???', and 'there has GOT to be some way to make a vampire dispensary work'.
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Despite the unknown dangers of this unknown demon, she decides on the direct approach.

She comes around the corner of the hedge and asks, "What's a vampire dispensary?"
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Cam looks up and abruptly switches off the display of his computer and sort of stares at her.

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She waits.

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"Sorry, who are you?"

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"Most relevantly, the Slayer," she says. "I got a report of an unknown demon wandering around town, decided to check it out, and found you here. Your plans seem pretty benign, and I'm very curious about where you came from and the details of some of those bullet points."

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Cam sighs.

"Who is reporting on me and describing me as an 'unknown demon', please?"
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"My sources on that don't report to anyone but me, and I'd rather not identify them to you until I know you a little better, so I can be sure they won't suffer for it."

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"Okay, and why do I want to talk to you?"

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"I think we could be useful to each other," she says. "If you wanted to interface extensively with the local population without getting rid of your wings, for example. Or find good sources for information about magic."

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"Okay. I'm a demon somebody accidentally summoned, my name is Cam, I think this is an alternate dimension because the magic is completely different, also where I'm from it's the year 2159 but this place seems apart from the magical discrepancies to be bizarrely like the same year where I came from to the point where I am planning to check relevant locations for a twenty-year-old version of myself."

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"Well, that's every bit as fascinating as I expected," says the Slayer. "Call me... hmm. Call me James. What kind of magic are you used to? Or is it too complicated for an easy overview? That's pretty much the situation around here."

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"I can easy-overview you. There are a handful of nearly useless parlor tricks humans can do, and also, they can summon daeva, who come in three types - demons, angels, fairies. Distinguished cosmetically but also by plane of residence and magic type. For example, I live in Hell and what I can do is make things."

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"What kinds of things? For that matter, what kinds of nearly useless parlour tricks?"

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"Arbitrary not-inherently-magical matter - although it may be the not-inherently-magical restriction is lifted if I had something magic to copy, I can't just naively make a fountain of youth or whatever. Parlor tricks can, with kind of inordinate amounts of effort, press the keys on a keyboard or turn things sort of uneven colors very slowly - I haven't used them in ages. I think the only widespread use of them back home anymore is for irretrievably paralyzed people to operate devices."

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"Well, demon magic sounds tremendously handy. What is a vampire dispensary, by the way?"

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"Oh, apparently you have vampires here? I was thinking I could make them, you know, food, but I'm not sure how to do it efficiently or get them to actually use it instead of eating people."

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"We do have vampires. I predict any campaign to get them to eat from sources other than live humans will be somewhat less successful than a campaign to get humans to subsist exclusively on protein shakes and vitamin supplements."

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"Hence my frustration. I really don't appreciate you reading over my shoulder, by the by."

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"There's about a one in six chance that any unfamiliar and unusual person of the supernatural variety who shows up in Sunnydale is plotting to destroy the world," she says. "I don't regret it. But I'm not going to do it again to you in particular, because I'm satisfied that destroying the world is not on your to-do list."

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"I'm still seriously considering taking my further notes in a demonic language until I go home again. I really don't like that. Especially considering that obviously anyone who had plans to destroy the world in the past didn't get even far enough to leave a crater where I expect there to be Belgium or something."

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"Plots to destroy the world have not been successful despite their frequency largely because the Slayer or someone like her notices in time to stop them," she says. "I am the Slayer. It's my job to notice things like that in time to stop them. And for future reference, three out of the five apocalypses I've stopped this year involved someone trying to open the Hellmouth and of the last two, one was based around a demonic shrine a few miles out of town and the other was an attempt to call forth a powerful demon out of an imported statue. All the kind of thing where if it succeeds, you can tell because the sun went dark or everything is on fire or the legions of hell are pillaging the Earth from every direction, but if it fails you pretty much only know it happened if you were there or someone tells you about it."

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"I hope you will forgive me if I am slightly skeptical that something that has obviously never finished happening starts to happen every alternate Tuesday and this conveniently justifies you in racial profiling. Anyway. Now what?"

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"I'm told this has been a heavy year, actually. There are usually only two or three. I think a possible 'now what' is you tell me some plans and I suggest ways I could be helpful to them."

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"You read over my shoulder, you don't like the dispensary idea, anything else catch your eye?" he sighs.

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"Everything I saw: 'completely ignore magic - pros/cons', 'things to ask Sherlock', 'getting rid of wings', 'go through med notes and give to someone', 'maybe just fly to Mars and set it up nice for them later', 'there has got to be some way to make a vampire dispensary work'," she lists. She has the wording verbatim on all of them. "I'm interested in med notes, what you'd do with Mars, and what you meant about the pros and cons of ignoring magic; I'm also wondering who Sherlock is but I don't think that's likely to have immediate practical relevance."

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"Right, so, it's 2159 where I'm from and medical science has advanced correspondingly. I keep on top of it more than I do, say, the advances that have been made in orchid cultivation, because, one, it's useful for personal alterations if I ever want to make any - the wings and tail I had models, if I decide I want something non-standard I'd better know about how people are put together - two, in case I'm ever on a summon and have the flexibility and opportunity to make stuff to heal someone. So I know and can conjure up notes for a century and a half of medicine you don't have and I'm not sure where to drop it to good effect. Mars I'd just make a little spaceship and go there and give it an atmosphere and topsoil and some plants and water so it would be comfortable for Earthlings who visited later. That would be an example of something I could do while ignoring magic besides my own, because it sounds like a mess."

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"Your view of magic besides your own is pretty accurate, but I happen to have an in with a witch who is much less of a mess than average," she says. "I could also probably figure out something to do with your medical notes if you don't want to handle that part yourself. I don't have the connections now, but finding the right people to inform about medical advances falls under the purview of what I plan to do with my life besides Slaying. No input on Mars; seems like you've got that handled."

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"The library I was in earlier had floppy disk drives, so search me if I know what format to give you the notes in, but you're welcome to have a copy. No promises I won't duplicate them somewhere else if an opportunity comes up."

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"Sure, that makes perfect sense. You could for example give me one of your nifty future computers."

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"You couldn't charge it unless I also give you a wireless electricity station and a whole string of power adapters to plug it into your wall, and I have not yet decided to supply that kind of tech, either the wireless electricity or the computation, nice try. Besides, you wouldn't know how to operate it unless I gave you lessons."

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"I'm assuming nifty future computer batteries last at least long enough for me to read the highlights and maybe retype some things. I'm also assuming that the interface isn't so arcane I couldn't figure it out on my own with a little effort, because I don't expect intuitive usability in computer design to decline over the next century and a half. It would admittedly be more convenient if you could get it in a format modern computers could read - the library machines are ancient, by the way, and my home computer is not, you might have better luck there."

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"My concerns include that you would take apart the nifty future computer when its battery died. What counts as 'intuitive' changes a lot with background culture. I will happily make you a - what came after floppies? DVDs?"

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"Technically CDs came after floppies, but DVDs have in fact been invented and my computer can in fact read them, so they're a better option."

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"Okay, here's the box set," says Cam, producing what does indeed look like a boxed set of DVDs in a plain white case. "Annotated medical textbooks for the last century and a half, have fun."

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"Thanks, I will."

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"Anything else?"

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"It would be convenient to have a way to contact each other, in case you decide you want to meet my aunt the witch, or you want something done that requires going places where your awkwardly bulky leather coat is going to stand out. You know more than I do about your options for using things like phones and email."

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"If people are going to notice through the coat I might as well just saw them off," grumbles Cam. "I can make phones and computers and so on but that doesn't automatically get them onto any subscription-based service. I'd offer you a walkie-talkie, but, tech concerns. You could buy me a phone."

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"I could buy you a phone," she agrees. "If I buy you a phone, I'd like some help paying for it. Any moral qualms about, oh, a handful of diamonds? My aunt uses them as a spell component sometimes; if we don't have to keep stocked, that's more money to pay for your phone."

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"Sure, diamonds aren't a tech problem, just give me specs on how big and how you want them cut."

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"Probably better to ask Chris about that kind of detail," she says. She gets out a phone and calls her aunt.

"Hi, Chris. If I had a source that could get you arbitrary diamonds, what kinds of sizes and cuts would you prefer? Also, I made a new friend and we need to buy him a phone." She listens to the response, laughs, and then relays information about a variety of types of diamond her aunt would like for various purposes - mostly very small ones, the size to go on a ring, but a few significantly larger.
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"Is your aunt the witch who is not as much of a mess as other sources on magic?"

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"Yep."

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"Are we friends, now? I'm still way back in 'not giving out arbitrary information about future technology'."

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"In this case 'friend' was meant to communicate 'person I expect to be talking to and cooperating with frequently in the near future'."

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"Okay. How are we getting me my phone?"

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"Well, I could go get it and then mysteriously find you again, but I'm going to guess you won't be fond of that option. And mysteriously finding people takes time and effort I could be putting towards better things. Relatedly, it might interest you to know that Slayer senses definitely think there is something up with you, but aren't clear about what. I can tell vampires from anything else and some kinds of demon from each other if I pay attention, and sometimes I get a read off an especially powerful or strongly affiliated magic user; you're just some unspecified kind of slightly weird. But it's an indication that getting rid of the wings might not completely do the job of letting you pass for human."

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"How many people are going to be sensing me Slayerishly, though?"

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"One, I hope, since if you met another one that would indicate I was dead. But if Slayerish senses in particular get something from you, it's likely that there's some other kind of magic somewhere that gets something from you too. And I wouldn't know what kind it might be or who might have it. Magic doesn't tend to come in perfectly unique kinds without any overlap in scope. There's only one Slayer, but there's other magic that improves your strength or reflexes or lets you sense things most people can't or gives you unreliable, uninformative, and unpleasant prophetic dreams. Can you tell which part of the Slayer package I like the least? I bet you can."

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"I'm going to guess it's the improved reflexes," deadpans Cam, "I don't blame you, those sound terrible. Okay. So I'm detectable via nonvisual means, potentially."

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"Yeah. I thought that might be useful information. Anyway, regarding getting you your phone - do you particularly want to come along and shop for it? Either way, I think the simplest thing to arrange would be to meet back here or at some more easily findable landmark at some agreed-upon time tomorrow; the only difference is whether I bring you a phone or we proceed to go get one. I know the town better than you do, so you should pick a meeting place you know you can find."

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"I can find this park bench tomorrow morning, does this park bench tomorrow morning at like I don't know eight work for you? And I will trust your judgment on phones, do you need the diamonds in advance?"

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"Diamonds in advance would be nice but isn't strictly necessary. This park bench tomorrow morning at eight works just fine."

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Cam shrugs and drops a little bag of diamonds into her hand. "I will see you tomorrow, then? Are you planning to surreptitiously follow me after I leave?"

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"I'm not going to surreptitously follow you. I'm going to go home and give my aunt her diamonds and check out your future medical research."

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"And is whoever has been reporting to you on suspicious demonic activity going to surreptitiously follow me?"

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"Whoever has been reporting to me on suspicious demonic activity is not present, not particularly good at surreptitiously following people, and not planning any such thing as far as I know."

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"I didn't notice being followed," Cam points out, "so obviously their skill at surreptitious following suffices. Although then again I also wasn't on the lookout for stalkers. Anyway. All right then. Hope your aunt enjoys her diamonds."

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"Thanks. See you tomorrow."

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Cam waves.

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James waves back. Off she goes.

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Cam waits around for a while, then wanders, makes sure he knows where the crypt is but doesn't stop there, goes back to the library and gets a large book and hides his computer in that book in an armchair in the corner and does notetaking, and then eventually meanders back to Sherlock's place.

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He will find Sherlock sitting in his bed in his slightly secret room, drinking tea and reading Hound of the Baskervilles.

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"Hi. The coat isn't sufficiently concealing. I made friends with someone claiming to be the Slayer and gave her a small bag of diamonds and a set of DVDs full of medical advances."

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"Well that's interesting. What did this Slayer look like? Did she offer a name? Why diamonds? For that matter, what did she want with the medical advances?"

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"I didn't tell her anything about you - although she was reading over my shoulder and I didn't notice and she espied a bullet point entitled 'things to ask Sherlock' because like a moron I was writing in English - and am now wondering if I should do the reverse courtesy, because, vampire, Slayer?"

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"You can tell her about me if you like. Fair warning that she might try to kill me, but if she made friends with you under circumstances best described by 'the coat isn't sufficiently concealing', she might be open to reason on the subject. I am certainly not going to try to kill her."

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"Okay, I'm going to take your word for that and will not be best pleased if it's not any good and would sort of prefer to be there if ever the two of you meet in case she does try to kill you. Her name's James but I think the rest of it should wait till I have her permission, which I can get tomorrow morning when she gives me a phone."

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"Suits me fine," he says cheerfully. "Anything else interesting happen?"

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"The computers in the library take floppy disks and run Internet Explorer, both of which I recall despising while still alive. But you have Wikipedia, which is nice, and it shows almost alarming consistency with what I remember considering that I know there's large differences under the surface. If there's a me, he doesn't have a Wikipedia page under his own name or under my anonymously-revealing-magic-to-the-population handle."

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"Despising Internet Explorer is practically a national pastime as far as I can tell. How else might you go about looking for a you, with Wikipedia tapped out? The search might be mildly interesting."

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"I'd check the towns I grew up in, look for my parents maybe, they were both public employees. In 2008 I'd try Forks first but Phoenix would be worth a try even if that didn't pan out."

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"I could help if you liked."

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"And you're not going to, like, eat my mom or anything? I would not normally ask but just to be extra sure."

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"I will refrain from eating any of your relatives unless you specifically point them out as people you would not mind eaten."

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"Nah, they're all divided into the categories of 'I would strenuously object' and 'they were kind of meh and now I can't remember their names off the top of my head'. So, my full name is Campbell Mark Swan. I was born in Forks, Washington to a cop later promoted to chief of police, Charlie Swan, and to Renée Swan, née Higgenbotham, which she stopped using as soon as she had an alternative. They got divorced when I was a baby, Renée moved me to Phoenix and finished getting her education degree and started teaching kindergarten, and I grew up there except visiting my dad every summer, for longer periods of time as it got safer to leave me home alone. When I was seventeen Renée remarried, minor league baseball guy, I should have looked him up but I could not for the life of me produce his name without checking and couldn't check in the library and it didn't occur to me before now -" Cam takes out his computer, fiddles with it, finishes: "Phil Dwyer. And they moved to Jacksonville and I moved in with Charlie instead. Then I found books on summoning and parlor tricks in an abandoned mansion just outside Forks, which I gather my double, if present, has not done, at least not to comparable effect."

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"I see. And of course small perturbations to this arrangement quickly become impractical to check - if your father exists and is chief of police somewhere other than Forks, he is potentially findable, but if he exists somewhere other than Forks and is not chief of police or comparably notable, he is a very small needle in a very large haystack. If your mother exists, does not happen to be Googleable with known information, and has never been to Forks or Phoenix, we are not going to find her except by accident."

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"Yep. They were both born in Forks, in my world, but that might not be the same either."

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"Yes. If the whole family lives in, I don't know, Canada, you're out of luck."

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"Yeah, probably, at least until my doppelganger does something cool. Or notices me doing cool things and tracks me down."

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"Is your doppelganger guaranteed to do cool things?"

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"Well, sheesh, I'd hope so, or he's not much of a doppelganger, is he?"

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Sherlock snorts.

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"Like, if there is some guy named Campbell Mark Swan with the right parents who presently lives in Forks and works at the sporting goods store or something I'm not impressed!"

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"Perhaps he works at the sporting goods store because he is saving money with which to later implement a plan to take over the world."

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"That is not an impressive way to collect money, like, even if he is operating in ignorance of magic. If he's me he should be more than smart enough to have a scholarship and attend college, maybe med school, I'd take 'doing premed but nothing else yet', that would be okay."

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"You have high standards for the accomplishments of your hypothetical alternate universe selves."

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"I would also take 'calculated magical risk blew up in his face and he's dead or comatose', I mean, I lived to be 22, but I will not stand for deficient ambition."

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"Similar ambition and a greater helping of obstacles could easily lead him to be working at the sporting goods store or similar while attempting to move forward with something more grandiose."

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"I can come up with no excuse for the sporting goods store. Truck drivers make better money and have time to think and maybe narrate thoughts into a little voice recorder of whatever the technological standard for that is these days, off the top of my head, there are no advantages to retail."

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He shrugs. "Truck driver could be ruled out by other circumstances dictating that he stay in one place. I'm sure I could come up with similar excuses to rule out any other career you could name, but I'm less sure I want to bother. If we run across a double of you who is pursuing an ignoble career due to circumstances outside his control, I will happily announce that I told you so. If we run into one who is just plain dull, you may freely taunt me in return."

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Cam shrugs. "Anyway. Tomorrow morning I meet the Slayer and collect a phone, maybe under cover of darkness I make a bitty little spaceship and fly to Forks and see if Charlie's house is there."

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"Have fun."

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"You can come along if you want. I have some interest in keeping an eye on you."

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"Oh, happily, then."

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"Cool. Don't expire of boredom in the next like thirty hours, please."

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"It's extremely unlikely."

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"Excellent. I don't think anyone followed me back to your crypt but I am considering putting an alarm on the door anyway."

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"It would be interesting if someone had."

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"Yeah, it'd tell me that James is a damn liar, do you object to alarming the door?"

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"Not especially."

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Cam makes a little alarm with sticky backing. "Fingerprint," he says, after fiddling with it and presenting a surface of it to Sherlock.

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Fingerprint!

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Cam fingerprints it too, then puts it on the door and fiddles with it some more. "Fingerprint it to calm it down before it whistles alarmedly. There's more sophisticated options but they'd require an actual security service."

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"Noted."

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Cam sits in his hammocky thing and fusses with his computer.

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Sherlock reads his book and pays a moderate amount of attention to Cam.

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Cam is not doing much besides - whatever it is that's causing words to appear on his screen projection - and occasionally exhibiting body language mostly via his tail.

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Well, now Sherlock wants to see if he can figure out how the computer is operated.
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"You're not reading over my shoulder too, are you? I will translate this entire device into Celambiric, see if I don't."

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"I am, but not for informational content, and I can stop if you like."

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"I don't like it when people look at my notes. Told the Slayer off for it. She had an excuse about apocalypses being frequent enough to excuse spying on strangers with lumpy coats."

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"I wanted to see if I could figure out how you're making the words appear in the first place," he says. "And she's on solid ground there, if you wanted to know. Based strictly on rumours encountered in the demonic community, I'd estimate the global rate of serious attempts to end the world per year at around two - not always particularly competent attempts, mind you, but it doesn't need to be all that competent to succeed in the absence of opposition. Luckily for the world, there always seems to be oppositon. That's counting world takeover by demonic forces under 'end of the world', but discounting any plan that would have failed on its own merits even without external intervention; I have no way of estimating how frequently a group of demons gets together over drinks and engages in ultimately fruitless discussion of their long-held dream to bring about about hell on earth, but I suspect the number is high."

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"Do you want me to tell you how I'm working the computer or would that spoil the surprise?" wonders Cam. "Also, your world kind of sucks."

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"In the ultimate ranking of universes for comfort and convenience I would not be inclined to guess we land in the top half," Sherlock agrees. "And if you don't want me watching you may as well spoil it, since I'm not going to find out by staring at the wall."

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"Eensy cybernetic implant. There are versions that don't require 'em but they're clunkier and less secure." Cam taps the back of his head.

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"That does explain it."

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"Mm-hm."

Write write write.
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Book book book.

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Eventually Cam goes to sleep, and wakes up a bit before eight, and has plenty of time to wriggle into his leather coat and go meet the Slayer. How nice of her not to have alarmed the easily startled door in that time.

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When he gets there, she's sitting on the relevant bench, writing in a notebook.

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"Hullo. Sherlock says I may tell you about him, but I am debating the wisdom of this course of action, since I don't think he has much in the way of a self-preservation instinct."

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"Which implies that he's some variety of demon. Well, I've demonstrated I don't kill those on sight, which is a step up from some Slayers I've heard of. I try not to kill people in general unless it's an obviously better idea than leaving them alive. Most vampires, for example, or anyone who is actively trying to end the world and can't be discouraged any less directly."

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"He seems at least reasonably harmless, and if you kill him, I will almost certainly go home, which wouldn't be devastating but would be disruptive if I wasn't ready."

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"Reasonably harmless is good enough. I reserve the right to change my mind if he turns out to be plotting widespread destruction."

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"Well, he's a vampire, assuming he wasn't lying to me and vampires are the ones who drink blood and do the face thing."

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"Yep. Vampire. What's his stance on eating people?"

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"Cagey about discussing it at first but ultimately not married to the practice, claimed to have robbed a butcher's shop to rescue its contents from use in inferior beverages, drinks what I make him. Futuristic shelf-stable synthetics are apparently potable but not tasty."

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"That's unusually good as vampires go. You can keep him with my blessing."

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"Thank you for not obliging me to find a way to break up a fight between a vampire and a Slayer."

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"No problem."

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"Do I get a phone?"

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"Yes you do." She hands it over.

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Cam pokes at it and refamiliarizes himself with the basics of its operation. When he has figured out how to add numbers, he notices she's already in there. "Convenient. Okay. Your aunt like the diamonds?"

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"I try! Yes she did. Would you like to meet her?"

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"Sure, why not."

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"All right."

She puts her notebook away and gets up and starts walking.

"So how are you liking Sunnydale so far? Got somewhere to stay? If you want money for a hotel or something I can provide an interface between your ability to produce valuable objects and most businesses' reluctance to take barter. Or you can take the option that seems to be popular among more local demons and move into a crypt or an abandoned building."
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He follows her. "It seems like, you know, a town, I've only met the two supernatural creatures, you and Sherlock. I've been crashing with Sherlock and he hasn't complained yet. If that becomes a problem I will acquire a motorcycle and drive it until I find someplace good to hide a house rather than deal with hoteling."

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"It must be so convenient to be you."

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"I like it."

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"I'd like it too if I could conjure arbitrary objects out of thin air. Alas, local magic isn't nearly that nice."

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"I'm getting that impression, yes."

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"Has its uses, though."

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"Such as?"

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"My aunt happens to be stunningly good at protection spells. Very handy for a Slayer. I aspire to break the record and live past twenty-six."

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"Uh, best of luck," blinks Cam.

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"Thanks," she says.

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"I guess vampires and things try to kill you a lot?"

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"Yep. And quitting wouldn't even help, because one of the lesser-known Slayer powers is 'mystical trouble magnet'. It's a problem."

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"Sounds like it. Maybe if you continue to favorably impress me I will make you a snazzy suit of armor or something."

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"That would be very nice of you!"

She turns onto a residential street, texts her aunt, and goes up to the second house on the right. There's a black-and-white Mini Cooper parked out front. By the time they reach the front door -
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- someone is opening it.

"Hi," she says. "I'm Chris."
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"Hi. Cam," says Cam.

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"Nice to meet you. C'mon in. I hear you might have questions about magic?"

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"I don't currently have anything specific enough to be a question. I have confusions about magic. Can I get the introductory syllabus?"

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"Okay," she says. "I think a good way to explain the basics might be: Over the course of human history, every so often, somebody has invented a way to do magic based on what made sense to them at the time or what they thought would work from hearing about other people's real or imagined successes. And some of these things, but not all of them, have turned out to actually work. And whenever somebody found one that did - and sometimes when they found one that didn't and just misinterpreted the results - they stuck with it and elaborated on it and taught it to other people who elaborated some more and forgot parts and changed details and generally messed around. And again, some of those changes stuck around, but not all of them, and the original methods usually weren't completely erased in the process. So now, after however many thousands of years of this, the state of the world's magic is an enormous clusterfuck. It would be like if the outcomes of scientific experiments were decided by rolling dice and the universe stuck to its guns on them afterward, occasionally even when they contradicted each other. That's basically the underlying foundations of magic."

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"That sounds exasperating. With all that I'm glad mine still works here."

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"It can be a pain. My great trick is that I kept researching different traditions until I found a handful that suited me, and then I invented my own out of those and a few other things that seemed to make sense. So now I have a nice, reasonably tidy, reasonably flexible structure to work with."

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"How long did that take?"

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"A while. I was partway through it by the time I was eighteen and much farther along by the time I was twenty-five. It's not really something that stops; I'm still making progress on what I've got and keeping an eye out for other things I could integrate."

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"So if I don't stay longer than I had planned it seems sort of unlikely to be an ideal use of my time to do the same thing."

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"Yeah, it's a pretty big time investment. But you could potentially pick up a few tricks from me. And I wouldn't mind doing a spell or two for you in exchange for more diamonds or interesting chess sets."

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"Suggest some tricks?" says Cam. "And what makes a chess set interesting?"

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"Interesting chess sets are made of unusual materials, or have pieces in weird shapes," she says. "I collect them. They're magically useful. I can't think of anything off the top of my head, but maybe I just don't know enough about the kinds of trouble you're planning to get into while you're here."

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"I am planning to be constructive and helpful on large scales, which will reportedly attract all sorts of ire on top of the racism."

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"Gimme a nice chess set or two and I'll cast some protection spells that should help with that," says Chris. "As a bonus, you'll get to see me cast spells, which should be interesting and informative."

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"Sure. Requests or should I make stuff up?"

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"Oh, make stuff up, that sounds much more fun."

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"Sure." He nibbles on his lip thoughtfully while looking for a good place to put a chess set.

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There's a mostly empty coffee table right over there in the living room!

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And now on that coffee table is a chessboard with squares in sardonyx and malachite, with the banding neatly matching up at the borders between them, and pieces made of emerald and ruby with normal chess-style tops on twisted spiraly bases that make them resemble glass more than precious jewels.

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"Nice," says Chris approvingly.

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"Christmasy," says Cam. "Spells?"

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"Spells," she agrees. "C'mon upstairs."

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Cam follows her upstairs.

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As she ascends, she asks over her shoulder, "If you were a chess piece, which one would you be and why?"

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"My first instinct is 'queen, because they're obviously the best', my second instinct is to wonder how this information is supposed to be used so I can give a less kneejerk reply?"

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"A lot of my magic, and in particular my protection magic, is chess-themed. Spell participants and sometimes spell targets are represented by chess pieces. I make an excellent rook; James tends to take king and queen simultaneously, but she can do either one separately just fine, and she's also been known to handle the occasional knight if a spell called for it. There's a lot of leeway in constructing the metaphors, but certain people still usually have more affinity for certain pieces than others. I could see you as a queen. Jamie, is he a queen?"

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"He's pretty queenly," says James, following up the stairs behind them. "You could probably shoehorn him into knight if you had to. Not rook. Maybe bishop, if you wanted a specific bishop metaphor. I think he might be too old for pawn. King is iffy."

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"I'm a hundred seventy-two. Pawn is age-limited?"

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"It's not strictly age-limited, but from what I've gathered just idly guessing the past and present chess affiliations of people I've met, it seems like some people go through a pawn phase early on and then grow out of it sometime between late teens and early thirties. When I consider whether or not you'd make a good pawn, I get a bit of an ex-pawn vibe."

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"Ex-pawn. Huh. What are good pawns like?"

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"Flexible, versatile. Someone with a lot of unrealized potential, or someone who can take on a variety of different aspects or roles to fit the situation," says James. "I can do pawn in a pinch, but it's by no means my natural piece, I'm way more of a king/queen split than anything else."

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"A pawn can also represent limitations or weaknesses, but usually conditional or temporary ones," says Chris. "They're also a useful piece to figure out somebody's affiliations - a pawn promotion will tell you whether you're more of a rook, knight, bishop, or queen. And usually hint if you're a better pawn or king than any of those." She opens a door some distance down the hall from the top of the stairs, and here they are in... a room!

It's quite a room.

The wall opposite the door is mostly one huge window, with a narrowish table running the whole length of the wall just under the point where the window ends. The table holds a number of different boxes in varying materials and sizes, some open, some closed; the open ones contain mostly tumbled rocks sorted neatly into compartments, but one has a row of quartz crystals in a tray and one has a jumble of assorted chess pieces. There are also several smallish cabinets and chests-of-drawers lined up under the table.

Between the table and the door, the floor of the room is covered in an intricate asymmetrical pattern of different kinds of wood - squares and circles and long strips and every conceivable kind of triangle, in varying sizes, pieced together into a complex design. There is order in the chaos, but it's impossible to pick out a single unifying pattern; look long enough, and you can see a dozen different rings or squares or hexagons or octagons or snowflakes formed in the angular mosaic. The only point of commonality is that all of the different figures center on about the same point, right in the middle of the room.
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"This is a very cool floor," comments Cam. "I'm assuming it's not just aesthetics."

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"You assume correctly," says Chris. "I'm glad you like it. It was an enormous hassle to design and install. But with this, depending on component placement, I can do almost any geometric arrangement I can think of without having to draw and erase every time."

She goes over to the table and starts opening and closing boxes, picking out handfuls of this or that stone, and muttering to herself. "Agate, tourmaline, tiger's eye, diamond... Hmm, while I have someone here who can generate arbitrary chess sets, might as well take advantage." She puts down the handful of smooth tiger's eye stones she's holding and turns to Cam. "Feel like designing yourself a chess set? One side's pieces diamond, the other side black tourmaline. Make the king and queen designs different between each side, and design the diamond queen as something you particularly like or identify with. Optionally, give the black queen a sword somehow, and if you do that then make sure the black king also has a crown."
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"I can do that, can you tell me why?"

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"Usually I have to fit the metaphors I'm planning to my available chess pieces. I'd give you a white queen and James the black king and queen from the same set, and myself all four rooks, and I'd just have to pick the set that came closest to what I'm aiming for. But since I have the option, I might as well fit the chess pieces to the metaphors instead. Jamie's taking queen-as-sword and king-as-crown; you're taking queen but I'm not planning the exact aspect in advance, so the important thing is for your queen to be something that resonates with you. Oh, and I didn't specify, but it also helps if my rooks are either the traditional turret shape, or something else with a stone-walls motif. That's my usual rook aspect. But it's less important to include that than to get the rest of it."

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"And what, exactly, are you planning to cast on me with this chess set?" Cam asks.

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"General protection spell, with focuses on luck and magic. Bad things become less likely to happen to you, and anyone trying hostile magic on you gets stonewalled unless they're powerful enough to break through the spell. Which hasn't happened yet, although I haven't gone up against any really big players, so I'm not going to give a guarantee. You won't notice a difference in daily life unless you're the sort of person who stubs your toe a lot - little accidents like that will get less frequent. And if someone does break the spell, the break itself won't do you any harm on top of whatever nastiness they're getting through with. Might throw some alarming special effects, but that's it."

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"Does this remain the best spell you have in the arsenal if I tell you that at least under conventional circumstances I am physically indestructible? Not invulnerable, just indestructible."

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"Yeah. It's not a direct physical protection. Those are harder and less effective, and I figured that if you don't know much about local magic, protecting you from it was probably a higher priority than protecting you from unexpected stabbing."

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"I am moderately protected from unexpected stabbing," volunteers James.

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"Okay. How big do you want the pieces, and do you want a board to match or are you just using your fancy floor?"

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"Anything in the standard size range should do it, and I don't need a board but it is helpful to have the full set available even if we aren't using all the pieces. Standard sizing usually puts the kings between three-and-three-quarters and four inches tall," she adds, "in case you didn't know that off the top of your head like us chess nerds. Queen is next tallest, conventionally followed by bishop, knight, rook, and pawn in that order."

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"Okay." Cam taps his chin, then makes a chess set, no board, laid out on the floor.

The pawns on each side are little smoothly-stylized-to-the-point-of-androgyny fairies; the diamond side have dragonfly wings and the tourmaline side have butterfly wings, each fairy slightly different in pose and shape.

The rooks are traditional crenelated castle turrets, with the tourmaline side flying little triangle flags and the diamond flying square ones. The bishops and knights he also renders as buildings, after a fashion - little cathedrals for the diamond bishops and little mosques for the tourmaline bishops, little spaceships for each side's knights on different sides. The queens and kings are demons on his side and angels on the other, but, like the fairies, have no detail to their features beyond distinguishing wing types. Each king sits in a tall throne, wings trailing over the sides, and each queen holds an implement and stands on her own feet, wings held tense as though preparing for takeoff. On the black side the queen has a sword held ready to slash, and wears a less elaborate crown than her king. On the diamond side the queen is holding what appears to be a large fountain pen, ready to stab, and she has a fancier crown than her king.

"How's that?"
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"Very nice," says Chris. "All right. Jamie, gimme a square. Focus east, white queen front and center, white rooks in line, king north, queen south, black rooks with their monarchs. You'll be sitting anchor. Those are some interesting pawns; I think I'll use them in the circle. But the knights and bishops can go on the table."

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"Got it," says James. She proceeds to lay out the major chess pieces on the floor according to Chris's specifications. Cam's diamond queen stands close to the middle of the room, facing the window; the white rooks stand one in front of her and one behind, with the one in front about two feet away and the one behind more like six, putting them about equally distant from the centre of the floor pattern. The tourmaline king stands on the queen's left, the tourmaline queen on her right, each with a black rook in front of them; together, the four rooks form a square centered on the middle of the room. She leaves the fairy pawns clustered between the square and the window, but collects knights, bishops, and spare king to put them all on the long table.

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While James is nearby, Chris takes the time to hand her a smooth pebble that looks very dull next to all the beautiful chess pieces and shiny tumbled stones.

"Cam, you can sit in the middle, right behind your queen, facing the window."
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Cam sits where directed. Just for completeness he poses his wings the way the queen's are.

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"Nice," Chris says again.

She proceeds to lay out the fairies, and her assortment of agate and tourmaline and tiger's eye and diamond, into a more complex geometric figure based around the central chess square. The fairies are distributed evenly in a circle around the outer perimeter, with the white pawns behind the black rooks and the black pawns behind the white rooks; some of the diamonds Cam made earlier find places between black pawns, and some pieces of black tourmaline take up corresponding positions between white pawns, while the rest of the circle is filled in with agate. There is a noticeable gap in the circle directly in front of Cam, behind the white rook; if he looks behind him he will see a second such gap behind the other white rook, with James sitting in it, facing him. (The black king and queen also face inward.) More agate, and watermelon tourmaline, and some tiger's eye, are all set down according to inscrutable geometric principles in the space between outer circle and inner square.
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"What's with the rocks?"

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"Agate, tourmaline, and tiger's eye are traditional protective stones. Diamond also has a certain informal resonance with the concept. Putting them in specific arrangements—" she sets down an agate in front of the white queen "—helps pin down the spell metaphors a little, strengthen them, make them more concrete. Circle outside everything because circles are a longstanding tradition in all kinds of spells, which gives them punch, and because it's a good base for my rook-as-tower. Square in the middle because of which major pieces we have in play and what configuration I want them in, taking into account who's sitting in the circle and where - you'll notice there's a lot of symmetry going on in those main figures. Symmetry is very supportive. With everything else, in between the circle and the square, I'm mostly going by feel - connecting one thing to another through the geometry of the floor by putting stones at key intersections."

She sits down in front of Cam, facing into the circle, with the white rook in front of her. Symmetrical with James behind him.

"You don't have to do anything but sit there - good thinking with the wings, though. Helps build the connection between you and your queen. You might find yourself seeing some weird things, but that's just the spell metaphors at work. We're all still sitting on the floor and any mysteriously appearing objects, landscapes, or architecture are not physically real. Any more questions before we start?"
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Cam continues to pose his wings. "Should I acquire a giant fountain pen, too? And where will the images of things be - coming from? Will they resemble any real objects, landscapes, or architecture?"

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"I don't think a giant fountain pen would add much. Although you might see a metaphorical one floating in front of you. There's likely to be a crown floating over the position of the black king, a sword over the black queen, and a stone wall encircling all of us; we might see some images from the life cycle of rocks, like the inside of a volcano or the outside of a mountain. Other than that, details may vary; in particular, the spell is going to represent you with some kind of queen-related metaphor that I might or might not have ever seen before, but that will probably make sense to me and Jamie when we see it and maybe even to you."

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"Okay, but you're not going to get sneak peeks of my backstory or anything?"

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"It's conceivable but not likely. And if we did, it would be in a form more comprehensible to you than us - if you got a pen for your metaphor, it might resemble some specific pen that's been important to you at some point in your life, but we wouldn't be able to tell that unless you told us. If the metaphor ended up representing some place you've been before, it would show the place but not any events that have happened there, and it might show an abstracted version that's different from the real one. Things like that."

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"Okay. How long will this take?"

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"A few minutes," she says. "I talk to the rock James is holding for a while - if you speak Anglo-Saxon you will be treated to my mediocre alliterative verse - and we see some metaphors, and then the spell settles in and it's done and we can clean up."

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"That is not one of my languages, alas. Okay, go for it."

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Chris nods, and starts talking. Her poetry may be mediocre, but at least her accent sounds nice. She's fairly quiet, fairly casual.

After a few words, the room around them starts to fade slightly. Colours become less vivid, and the walls and floor seem smokily translucent, with a pale blue glow behind them. The only things that stay exactly the same are Cam, James, Chris, and the various rocks and chess pieces on the floor.

Chris keeps talking. The outer ring of stones and fairies starts to fade the same way. Life-size ghostly fairies appear, standing behind their corresponding pieces in the circle; the white fairies are all Chris, with sparkling diamond wings, and the black fairies are all James with wings of glossy black tourmaline. The ring of fairies all reach out simultaneously to hold each other's hands. All of them are wearing identical vaguely wizardly robes, the Chrises in black and the Jameses in white; none of them have their backs turned to the inside of the circle, so how their wings emerge from those will remain a mystery.

The glow under the floor changes from sky-blue to orange-red, and the colour change rises slowly along the walls until it covers even the ghostly ceiling. There is a sense of distant heat. The cadence of Chris's verse changes slightly, going longer between pauses. The circle of fairies all step back, still holding hands, and a formidable-looking stone wall takes shape between them and the spell participants; it's a perfect unbroken circle, without a door, and seems to be made of unpolished granite.

To Cam's left, over the faded angel king, a life-size golden crown hovers in the air. To his right, over the angel queen, a life-size silver sword. Neither one matches the corresponding item on the physical piece.

The red glow coming through floor and ceiling fades to an unlit grey, then to black; the heat fades at the same time. There is the sound of moving water - a river flowing over rocks.

In front of Cam, his own personal metaphor takes shape at last. It's... a quill pen, dark blue like his wings and tail. The writing point of the quill has the suggestion of the shape of a beak, and if he looks at it for long enough, the pen fades and a kind of stylized abstraction of all birds of prey appears in its place, also dark blue. Then the two shapes move apart from each other and coexist normally, with the bird holding the pen in its claws in a vaguely heraldic pose, wings spread and head turned to the side.

Chris says a few final words. The metaphors fade out; reality fades back in. There they are, sitting on an unchanged floor between unchanged walls, surrounded by unchanged rocks and chess pieces.

"All done," she says. "Want us to interpret your pen-bird metaphor for you?"
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"...Suuuure."

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"I've never seen queen-as-pen or queen-as-bird before, mind you. But the pen makes me think of an inversion of queen-as-sword: nonviolence, subtlety over force, precision over power. And the bird makes me think of the queen's movement aspect. Travel, speed, breadth of scope. Together, I'm reminded of your interesting superpower - it only does one thing, but it does it to exacting specifications and with a pretty much limitless range of possibilities."

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"I gave my queen a pen because I'm kind of obsessive about notetaking. I haven't used a literal pen for most of it in decades, but it works aesthetically much better than my current technological choices."

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"The fact that you gave your queen a pen probably has something to do with the fact that you got one, but your specific reasons might not necessarily play into it as much," says James, getting up from her place in the circle and starting to collect rocks. "I definitely agree with Chris that queen-as-pen stands in opposition to queen-as-sword somehow, and that the bird at least partly represents a wide scope - you're the kind of person who has or intends to have a big impact on things. I'd have to know you better before I made a judgment about further details."

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"Big impact sounds about right."

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"I," says James, "am good at getting a sense of people."

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Chris starts collecting rocks too. The circle is much quicker to take apart than it was to put together.

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"Slayer thing, magic thing, personal skill?"

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"Personal skill. Absolutely no magic to it as far as I know."

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"Nice quirk if you can get it."

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"It comes in handy!"

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"Okay. Well, thanks for the spell and the phone." Cam hauls himself up off the floor, re-folds his wings, picks up his coat.

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"You're welcome. Happy queening," says James.

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Cam snorts. "Thank you. Anything else that should happen before I maybe skip town?"

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She shrugs. "I don't think so. Have fun, do things, call me if you encounter any obstacles you can't handle with available resources. Or if you want to quiz Chris about magic. I can also put you in touch with a decent demonology expert if you find yourself needing one."

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"That could be useful, have they got a phone number of their own? For that matter, has Chris?" he asks, pulling out his new cell.

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Chris divulges a phone number.

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"My demonology expert is shy and skittish and prefers to be personally introduced or have questions forwarded through me. And he doesn't have a cellphone. You've seen him before; he's my source for reports of demon activity. He saw you at the library and then called me."

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Cam inputs Chris's number. "Does he have a not-cell phone? Should I be introduced? Was he that grumbly fellow who was having so much trouble with his computer?"

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"Yes he does, and yes he was. He has a home phone, and he has asked us not to give out the number. We'll ask him what he thinks of being introduced to you, if you want."

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"Sure. Now work? I'm not planning to fly away in a tiny spaceship in broad daylight, no matter how ludicrously paper-thin the cover-up on the supernatural here already is, not till I know more about it."

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"Sure. Chris can go ask him," says James, making a slight shooing motion at her aunt. "Good call on the spaceship. Someone would cover it up, but not necessarily before it attracted attention."

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Chris finishes putting her rocks away and goes.

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"I mean, I am planning to fly away in a tiny spaceship. I will just do it at night."

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"When it will presumably be more difficult to see, and therefore less likely to get any nosy government agencies interested in you."

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"Exactly. I was also thinking I'd go with a kind invented during a war that started over a century after this date and is therefore quite tricked out in stealth. But it's not going to be invisible."

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"Also a good idea."

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"Is Chris calling your demonologist?"

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"My demonologist also happens to be her boyfriend, so she's taking the opportunity to go visit. She'll call me when she has an answer."

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"Ah, okay. Interesting family."

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"Just a little," she agrees.

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"Is the chess set I made going to be useful for anyone else considering how I customized it?"

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"Probably. It has some interesting symbology. It's still going to be most useful for spells involving you, me, and Chris, but I could see her getting some mileage out of the pen queen and the demon-angel motif."

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"Along what axis did having the custom set help the spell, anyway?"

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"It meant the physical pieces we were using were closer to the metaphor Chris wanted to build. Correspondences like that help strengthen a spell."

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"That's way less specific than what I'm asking. Did using this set mean that the spell took up less weird-magic-fuel or that it will last longer or that it will improve my luck by, I don't know, forty-one percent instead of forty, or that it will apply against more different things but at comparable reliability, or what?"

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"Magic isn't that exact," she says. "Among the possible improvements are that you might get better luck out of it, it will probably hold out a little better against external attack, and you might get some extra fringe protection against things that are on the edge of the definition of 'hostile', like invasive scrying. Those are the kinds of things affected by the strength of the spell. But the only definite effect is that the spell is stronger, and stronger means it is better at its job, not that it's better at its job in any particular set of exact measurable ways we know for sure in advance. If you want a better idea, you could ask Chris, because she can probably get a good read on how the spell turned out and she'll have a better idea than I would of what the baseline is."

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"...I dislike the sound of invasive scrying, more details on invasive scrying?"

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"Okay, scrying overview... someone who has enough things to identify you with can use a scrying spell to look at what you're doing right then, or where you were in the past, or find out other information about you. Useful scrying is kind of an esoteric discipline, but someone who's really good at it could use your name and a picture of you to watch any particular few minutes of your life they felt like specifying. There are not a lot of people who are that good at it. And it's harder when, for example, your name is not that specific to you because it's one syllable that's a reasonably common nickname. It's also possible to scry specific locations instead of specific people, but that way is more fragile - it can be disrupted pretty easily if the location you're trying to look at is even a tiny bit warded, or if there's any other strong magical influences getting in the way."

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"Would this be improved if I went by a nickname that is not related to my real name? How does any of this do with stuff like seeing in the dark? What constitutes 'other information'? What information do they need to specify a span of minutes or a location?"

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"It could be somewhat improved. I do something like that," she says. "But if you changed to something you identify with more strongly, or that was more unique, it could just make things worse. Scrying can compensate for poor lighting conditions pretty handily, if it's a good scry. I've heard of someone who was particularly good at that kind of magic being able to find out someone's name using a photo and a glove they'd lost. Actually, now that I'm on the subject, sympathetic magic safety 101: Don't let anyone you don't trust get their hands on your blood, hair, fingernail clippings, or other miscellaneous detached body parts. Clothing that comes in pairs, like gloves or socks, if you lose one then ditch the other - burn it, if you're feeling really paranoid that day. Don't lose any objects you're strongly sentimentally attached to. Most people go through their lives just fine without paying attention to any of that except maybe the hair and fingernails, but if you're going to be making enemies who can do magic, those are the things that could make it easier for them to do magic to you."

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"James isn't your real name?" he asks. He takes notes on the rest of it. "I'm going to need a little incinerator, I guess, I have bad demonic habits and keep making stuff almost as though I still had access to my tiny black hole."

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"James is quite possibly more real to me than the name on my birth certificate, but fewer people know it. So people trying to scry me based on the other name won't get very far, because the personal connection is more important than what somebody wrote down when you were born."

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"Okay."

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"Anyway, your other question about scrying - the kind of information you need to specify something is a pretty squishy category. In general it corresponds roughly to the kind of information you'd need to specify it in conversation - 'So-and-so's fifth birthday', 'Sunnydale Main Street in front of the library', that kind of thing."

Permalink Mark Unread

"How about 'most private moment' or something like that?"

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"Hmm... it's harder to specify things that way. When somebody's first birthday was is pretty much a fact, but when their most private moment was is a judgment, and probably not one that a lot of people have made, and the people who have might not agree with each other. The guideline that springs to mind is, if you had video footage of your whole life and you handed the pile over to someone who had no idea who you are and a lot of time on their hands, could they find what you're looking for based on that specification? So, 'fifth birthday' would be pretty easy, 'first kiss' would take some looking but probably not a lot of trouble, 'most private moment' would mean they'd have to go through carefully and think about it and might not be able to decide even then."

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"Okay. In your opinion would this work even though the overwhelming majority of my life has been conducted in an alternate universe?"

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"I have no idea, but wouldn't be inclined to rule it out without seeing someone try it and fail."

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"Do you suppose I could direct your aunt to something relatively innocuous to find out?"

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"Yeah, sure. My aunt can be bribed to do you magical favours pretty much indefinitely as long as you can keep coming up with cool chess sets and she doesn't run out of room to store them."

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"Handy."

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"Yep."