So when there is a yelp from downstairs that sounds like it's from Tima, he's in the house and not outside chopping firewood, or at the market. He is upstairs, and he hears it, and he sprints downstairs and prepares to shield and -
And then he is eaten by a giant snake with a mirror for a face.
And now he is in a quiet, deserted hallway.
It's more opulent than anything he's heard of, let alone seen, in his entire life, but it doesn't look designed to show off - just to be beautiful and comfortable while there is an underlying total unconcern for things like "alabaster is expensive" and "opals scratch easily". The opals inlaid in the floor aren't scratched right now, though. There isn't dust on the ivory frame of that mirror or the swirls of carved mahogany indentations on the wall. The chandelier is lit with inexplicable glow: no fire. Must be an artifact.
All the doors in the hallway are closed. There's a big window at the end of the hall. It shows a gorgeous valley. If he goes up to it, and looks down, he will see that he's in a building that sits placidly in the middle of a river, just a few meters back from the edge of a tremendous waterfall.
".... Hello?" he calls, swallowing and noting that there aren't any waterfalls near his home. That's not a good sign. "Is someone there?"
Right, okay, he's just going to leave her alone, then. Whatever. It's fine. She wants to sleep like the dead, she can sleep like the dead.
(He's worried about her, anyway, is there something wrong with her? Something to do with the snake?)
He sighs, then leaves to go explore some more.
1) Four stories, each of which has a pointless circular room, and a tower.
2) A greenhouse wing with more funky plants in it.
3) A big front hall with lots of stairs, which will get him to all of the floors.
4) A large dining room, but only a very small kitchen, without any food in it at all.
5) A huge library.
6) Guest rooms, unoccupied.
7) An underground side exit that leads under the river to a flight of safely railing'd switchback stairs carved neatly into the cliffside, leading to a path to the valley town.
8) Lots of pretty decorative things.
9) A reasonable number of bathrooms.
10) No people besides the sleeping girl.
It is odd that there's such a big palace with no servants, or people, or food. The kitchen isn't built to feed as many guests as the dining room can hold. The pointless circular rooms are pointless. The only resident sleeps like the dead. The material composition of the palace is pretty but not very practical. What sort of place is this?
He's going to check the library. Maybe it'll have some indication of where he is, or why this place is so strange.
101 Fun Flying Tricks? Flying is a thing that happens? How does that work, what kind of mage is that? He'll read that book, to figure out what mechanism allows for flight.
So you're a new sorcerer! After you've notified your local government and given them something to contact you with so they can have you on call in the event of sorcery-needing eventualities, you'll want to have fun with flying. It's mostly instinct, but instinct won't show you these thrilling stunts! (Note: Tricks 50-101 require momentum beyond that required for basic flying, or help from a more advanced sorcerer.)
Play with lightning! Sculpt clouds. Make the rain fall upwards ("try this in isolated areas first"). Prevent rain from falling on you personally. Make tiny indoor dioramas of the landscape complete with weather. Fuck around with the wind. Dramatic timing with thunderclaps. Dissolving nearby drops into thick mist.
With that mystery mostly solved (he'll go read up more on it later, probably, but right now he had bigger problems) he needs to go solve the food situation. He doesn't have any of the local currency. He could probably pry an opal out of something and sell it, but that seems like a fantastically bad idea, even with the lack of guards or people here besides lady-weather-mage.
He comes upon the idea of checking if anything in the garden's edible. There's a book for that, right?
Then he goes off to town to maybe see where the heck he is, how he can get home, and if he can't do either how to not die from starvation.
"... I think we are working from completely different concepts here. When I was younger I got a choice of different magics I could pick. I lost one because I waited too long to pick between them - weather, if you're curious - and ended up picking shielding. So, I can protect people from getting hurt. Right now, I'm protecting myself, because I'm in a strange place and I'm kind of nervous about it. I won't - lose my magic if I don't do it."
"You decide what you want, more or less consciously - and you want it hard enough, and it happens," shrugs the woman, heading for the ex-sorceress's bedroom. "I can dust, or mince an onion - but Kithabel could - she was a real sorceress, if only just, she'd learned to fly."
"When sheer momentum force isn't enough - and Dianira tried - sometimes curses can be broken by people who are in love with the victims, but." Mother kisses daughter's forehead. "It requires quite a bit of specificity, and she's not - out meeting people, at the moment, and wasn't seeing anyone before."
"I don't think she'd mind if you stayed in the castle. There's room, and it doesn't sound like you have anywhere else to go. Although you'd need to stock the kitchen. It's only there because she knew she might lose her momentum and need to go back to actually cooking."
"I protect people from getting hurt. I could probably fling myself off of the waterfall and land on sharp rocks at the bottom and be fine, if a little tired. I can protect other people, too. It's harder with more, especially if they're far apart, and I can only have one shield up at a time. Though I can move it as I like."
"Depends on the shield and how much stress it's under. If it's a precautionary measure for a person - hours. Probably all day if they avoid sharp objects and running into things. If someone's being constantly attacked, or I'm protecting a larger group of people, the time gets shorter and shorter. It makes me tired - if I'm stubborn and drink a lot of tea I can fend it off, but I have to sleep sometime."
She leads Adarin down to the village - apart from the stairs it's a nice walk - and gives him dinner and a box of eggs to cook for breakfast the next morning before coming down to see if she has anything for him to do.
She finds him odd jobs - protecting people who want to go over the falls in a boat for thrills, or hike in the woods without enough magic of their own to fend off a bear, or specialists on construction sites who might misplace something and have it fall on their head. It pays well enough that he doesn't need to work every day to buy himself food - or every week, if he's not choosy.
No sorcerer knows how to put him back. He checks. He travels around, after working up a savings. He asks several. One doesn't believe him and thinks he's crazy, two sincerely try and fail, another decides he's not up to it and recommends him to a better sorcerer, he goes, and she fails, too. It - does not look like he's going to be put back.
He misses everyone intensely. His sister and Chelasi most of all, but - everyone. He hates that they probably think he's dead. He hates that he doesn't know if they're okay or not. But he can't get home. Not anytime soon, not without more momentum than any sorcerer he's met so far has. So - he mourns his friends and family, but he can't do anything. Not in any reasonable amount of time.
Well. What can he do instead, then?
The obvious answer: become a sorcerer. Maybe he can get back himself, and if he can't, well, he's not going to turn down magic because he feels like being lazy. He can do lots and lots of little things. Decorate the castle, change the decorations, cook food, grow plants, amuse himself while protecting people.
The other, less obvious answer: help the cursed woman. That one - isn't as easy. But he understands, more than anyone, what it's like to be ripped away from your family and wake up in a strange foreign land. He doesn't want to wish it on anyone else. If there's a way to help, and it's obvious the best way is to find a really good sorcerer, or fulfill the traditional criteria. He's working on the sorcerer part, but that'll take, from what it sounds like, hundreds of years.
So how does one fall in love with someone who's cursed?
Well. She wrote a lot. There's an entire section devoted to things she wrote. He - can explain what he's going to try to her mother, and ask if it's okay to technically invade her daughter's privacy to try and save her.
Writing things down is for not forgetting them later. Sometimes I don't remember why I did a thing. So I'm going to write down everything and then I will be able to look at it later.
Mommy made me let the cookies cool before I could have one and I don't know why she did that but as long as it was already cold I tried magic and I concentrated really hard and the cookie got hot again and this was because I wanted the chocolate to be melty and also because I have to practice magic to be a sorceress. That is almost the only thing I did today except read a book which was about frogs which I read because it was the next book in my stack of things from the library and I had to read it before going again for more books even though I don't remember why I wanted a frogs book so this is why I have to write it down.
When Kithabel is twelve, she has already left school so that she can prowl around looking for magic to do. She can walk, now, and if she concentrates really hard first, she can even run for a minute, sometimes two, before she falls. (And she can fix her scrapes.) She has managed to wrangle a volunteer position under a healer-specialist, but with partial hours compared to if she were going to be a healer-specialist herself; she doesn't want to fall into a rut. She still reads a lot of books. She visits her father, who lives in another city; she is looking forward to being able to fly there but for the time being she has to take an autonomous carriage (there's a sorcerer who makes those sometimes) to and fro. She has been experimenting with her sleep schedule since she managed to get her hands on an enchanted alarm clock: it will reliably wake her up however deeply she's sleeping so she's trying to do it in smaller chunks. She doesn't like losing progress overnight.
She wants to be immortal. And make other people immortal. If she is perfect for a very long time she can resurrect the dead, fly to a moon and turn it into a paradise, get enough attention from enough sorcerers and cooperative smaller wills to make it so as a general rule people stop dying in the first place, and she is very lucky because all she has to do in order to accomplish this is do useful creative work for several hundred years (and float while she reads, and make sure she doesn't run out of things on her list of stuff to do in idle moments, and never sleep for eight hours in a row).
(A part of him wonders why he didn't do things on the world-helping for so long. Didn't he have plans, once? He remembers he didn't just want to be a shield, when did that stop...?)
He takes a break, he goes and does magic, he comes back, and he reads some more. Okay, he knows her overall goals. Anything relevant to falling in love with her?
She doesn't write about her love life; it seems she never had one. She observes the aesthetics of boys, systematically concludes when she's fourteen that it is in fact just boys, maps in an idle-cataloguing fashion the subset of boys (Adarin is comfortably within it). Mostly she seems too introverted to bother for anyone less than overwhelmingly worth the tradeoff to her momentum that going on dates would take. It's not that she doesn't like people, it's that they interfere with a lot of the things she would most like to be doing to relax (writing, stretching her sorcery, curling up with a good book). The source material Adarin is reading definitely isn't optimized for courting suitors.
Kithabel kept grocery lists for her household from fairly young. She likes chocolate and noodles and lemon sauce. She is supposed to visit that neighbor about his broken fence to see if she can fix it. Her apprenticeship with the specialist healer has different hours this week because he's acquired a real apprentice with a less flexible schedule. Her appointment with the history tutor her father hired because he's worried about gaps in her school-less education has been rescheduled. On this randomly chosen day at age fifteen she needs to buy eggs (check), clean the rug (check), substitute for her mother's teaching assistant at the kindergarten when they go on their apple-picking field trip (check), provide special effects for a puppet show downtown (check), and weed her mother's friends' lawn (check).
Ugh. How does one fall in love with a sleeping person? It's not like he's ever been in love before. He's got a vague respect for her, maybe a bit of admiration - she seems like she has her priorities in order, and like she's got a good head on her shoulders. She's, uh, pretty? He guesses? She has good taste in castles? He genuinely wants to meet her and see what she's like?
Maybe later he'll talk to people about what she was like. That might help.
Until then, though: reading. Reading and making pretty colors while he reads to keep his still rather pathetic momentum from becoming nonexistence. He'll skip the shopping lists, let's go back to the creepy private books.
She's very excited about being able to fly, and has not stopped doing it since she succeeded (she tries as a matter of course every late afternoon). If she can still fly in the morning every day for the next week (she'll probably lose it for a bit the very next morning, with five hours of sleep between her and it, but should be able to pick it up again right away if she does one or two big things - braid the branches of a tree together? summon a flock of birds and make them sit on her docile-like? make a very small snow flurry in the middle of the summer it currently is?) and once she's safely beyond the exact threshold - then she'll be able to fly forever as long as nothing happens!
And she'll be able to register as a sorceress with the government and give them one of her wooden beads and be on-call for big things that need doing.
Records of that are a little spotty. Apparently there was some sorceress who lived in a flying castle (not uncommon) and visited a nearby satrapy therein, but her momentum-maintaining strategy was less "do well-liked public works projects" and more "by opposing lots of lesser wills, comparatively small effects can count as doing a lot of magic, and then I don't have to be as creative". Kithabel was called in when everyone in the area started getting sick, was concerned when it was harder than it should have been to heal them, and noticed the flying castle. She asked the nomad for help, got turned away (highly suspicious), figured out the rest, and, rather than provide a strong opposed will for the sorceress's unneighborliness to push against, called in a more powerful sorcerer from farther away to directly stomp on the nasty one first. The nasty sorceress moved on before he arrived, but was chased; there was a brief battle when she convinced a town that she was being persecuted and they should help her, and she won, though the sorcerer escaped; and while Kithabel was still helping the healing specialists mop up her damage in the first town -
Kithabel was friends with another sorceress who she met while they were cleaning up flood damage together. Kithabel noted about a month after her first flight that she no longer had residual resentment about not being able to sleep late, because she no longer has to feel tired and real life is about as good as dreams on all axes with sorcerer-caliber magic. Kithabel was toying with designing an objective measurement system for momentum but found it difficult. Kithabel loved watching the planetary rings at night and was thinking of taking a trip to someplace on the other hemisphere for a new view of them, as long as she could be sure she wouldn't be trespassing on any sorcerer territories who would object to her doing momentum maintenance in their space.
... There's a conundrum. He doesn't know. He's never been in love before. He, well, had his sister, and the entirety of his house. He was happy, but not - not in love. Love is strange and scary and how does he even know when he starts?
He puts Kithabel's books away, grabs a few items to do magic to and goes to think.
It's weird, what his life's become. The world, but also - he'd have expected by now to be curled up in a corner and sobbing with grief at his lost friends. A part of him still hurts, a little. He misses his sister, he misses everyone. But he's - there's nothing he can do, is there? Not anytime soon. Not ever, possibly. That still stings, a little, but not as much as it once did. And he feels okay. A little lonely, admittedly, but okay.
Better than okay, actually.
He's - got something to do. Plans, goals, desires - he's going to become a sorcerer, and he's going to go help people. He didn't realize how much he needed it. He could distract himself by helping his friends and knowing that he was protecting them, but they didn't really need all that much protection. But he didn't leave anyway, because what if they needed him? And they'd miss him, anyway. Now, they already missed him, and - well, there are people that need him more, now. All of the clients he protects, the future people he's planning to help with sorcery, Kithabel, maybe, if he could ever manage it. It's - comforting. Nice. Right, even, he - somewhat guiltily - wishes he'd left Chelasi's home ages ago. Maybe not to do this in particular, but something like this.
He's lost his friends, his home, his family...
But maybe he's gained himself.
When he thinks of it like that, it's really quite a bit more straightforward and plain, isn't it? He's free to be himself. Free to struggle with early morning wake ups because he needs to keep his momentum, free to protect people that want to do possibly dangerous things, free to go pick out ingredients for the meals he's experimentally going to cook partially with magic. Free to poke about this amazing castle. If he plays his cards right, he's free to be immortal, too, if he doesn't get cursed. Free to go and try to save someone he doesn't even know, just because it seems like the right thing to do.
But he can't really say that anymore, now can he?
He suspects there's not much else he can learn about her by reading her journals. He's got a pretty good scope of her personality. He certainly likes her, that's easy. She's got her head on straight, she's pragmatic and kind and has a great sense of humor and has good taste in castles and he sincerely hopes she wakes up, and goes back to being a sorceress, and gets everything she ever wanted. She seems like the type of person he could get along fantastically with. He wants to share ideas with her about gaining momentum, wants to compliment the things she's done, wants to tell her that he thinks she's pretty great, just from what he's read.
But he doesn't know if that means 'love' or not. He has no idea. He doesn't even know what kind of person he could fall in love with.
(Somewhere, for reasons not relating to lifting the curse, he hopes that the answer could be 'Kithabel.')
So he dawdles. He works on sorcery. He collects a savings, for if he ever moves out of this castle (not likely until Kithabel wakes up). He stops reading Kithabel's personal books, because he suspects there's not anything he could gain from them anymore. He figures out how to be himself, and he thinks, and he hopes that he can one day wake her up. He hopes that he can one day thank her for - well, she hasn't exactly let him stay in her castle, but for making the castle and suffering him staying in it. He hopes that one day she can be happy.
He comes back from a job (protecting a trapeze artist so she could perform without a net and wow the crowds) and - visits her room. And there she is. He never knows what to say, when he's here. He always wants to whisper, if he talks at all, or at least speak softly.
"I don't know what I'll say to you," he murmurs, "when you wake up. I hope you'll forgive me for - this. All of this. Because you seem very nice, and it's - I've come so far. I'm - I feel horrible for saying this but if I had the choice I don't think I'd go back. I don't think I'd leave the castle, don't think I'd give up the second type of magic, don't think I'd turn around and go back to living in a house with a bunch of people and not doing anything of importance. I don't want that. I - can't." He looks away, and changes the color of curtains because momentum. Then he turns them back, because it's not his castle. "I think, maybe, I want to be like you. You're amazing, you know, and I can't - when I was thirteen, I didn't have the clarity you did. Nor the scope. And then I just - gave up on the world because I was comfortable. And I think, now, that I want to be better. Like - well. You."
He fidgets, and he takes her hand, because what else is he to do? "Wake up," he begs. "Please, I want to meet you."
He looks away. He sniffs.
"I'm sorry," he whispers. "I'm - I tried, I really, really did."
He leans over, kisses her on the forehead, and goes to leave.
"The, um, there's, well you see, the, the - 'fairly traditional breaking'?"
(Someone just have pity on this man and kill him. He never should have tried to wake her up. ... He doesn't mean that. But he should have possibly fled the room, earlier.)
"We don't all have magic, for one. Sometimes lucky people, when they're at a certain age, get a choice of different magic types to choose from. Those are ravelers, or mages, if you prefer, we haven't standardized it. I picked protection magic. So I can protect people."
"Its major competitor was weather magic," he sighs, forlorn. "But I took too long trying to figure out if it was large scale or just," handwave, "little trick showers or something, and I lost the option. I couldn't have lost animal communication, no, it had to be weather. Ugh."
"But you know what I should actually do, before going to see Rhana, is be less - having been in bed for a year," says Kithabel, pausing, looking down at herself, and turning around. "At least she didn't decide to put me in a nightgown or something, but still. I'll see if the plumbing works, if it doesn't zilch momentum might be enough to get me spruced up a little, my clothes at least aren't magic - do you have pressing engagements I'm keeping you from or can you wait?"
"Okay." She closes herself in a bedroom. There is the sound of a thump and a "thank youuu" and then silence and then the door opens and she's in a different pair of pants and shirt with her hair brushed and her general expression less groggy. "Plumbing's busted, which doesn't bode well for the lift, although the lights still work."
"I mean, um. Yes, who wouldn't? There are times that I'm annoyed with myself for - stuff that I feel. When it's incorrect or unfair or even inconvenient. And it's - really quite cool that you can correctly identify the right things to do and then, er, go do them. And I don't mean that in a, a - patronizing fashion? I have seen how people don't manage to actually do things and it's impressive that you can just. Tweak yourself, figure out what needs to be done, go do it. It's a nice set of qualities." He shuffles his feet. "But um. My opinion of you should probably be obvious. Aheh."
"When either of us has momentum to throw around, leave me room? I don't mean, fuck off into somewhere else, you can hang out, but I got used to being the only serious candidate and then the only actual sorceress attached to the place and it'd be hard to collide with a neighbor."