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valence, ambivalence
Apprentice SithDusk meets experimental torture subject z shortly before she kills her master
Permalink Mark Unread

In the dark privacy of her quarters, with no-one around but the droid standing motionless at the foot of her bed, apprentice Deskyl meditates. Remembering how to establish a telepathic link is hard, and doing it is even harder, but she thinks in this case it will be worth it.

Hello? It's more a sense of presence than a proper word, easily mistaken for just another thought by someone not expecting such a thing.

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what?

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saw you

dunno what he's planning, but

helps to have someone to talk to

if you want

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thanks. (this is a sith thing probably kind of dangerous but oh well)

not bad so far but i'm not confident it's gonna stay that way.

why is this happening?

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yeah, I'm a Sith. not in much better shape than you, though. Frustration and a slow-burning stubbornness come through with this observation.

he - experiments. torture. usually just slaves; usually not that. dunno what he has you for. guessing - figure out - that not being fun? you're not goona have a good time.

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ok. gonna stop being fun. good to know.

think i was a special order or something. guys came and got me where i was working.

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- unusual; not uncharacteristic. he's very straightforward, most things. very Sith.

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what's happening to you?

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There's another wave of rage-frustration-stubbornness, and the communication devolves from wordless thoughts to direct sensory impressions - of trying to talk, to think, to even hear properly, to make sense of spoken words, and finding herself unable; of some other Sith, older, male, in crimson robes, who she loathes and fears and wants to kill and needs to deceive, giving a barely-understood order, but one that she knows means that she is to harm herself, push herself further into the abyss, and her hand twitches toward her saber, involuntarily, and he flicks a spark of painful electricity at her for it, like she's a misbehaving pet; of being pushed aside in her own head while the Force uses her as an instrument of destruction, and of getting just a little, and just a little, and just a little less of herself back afterward, a slow death.

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i'm sorry.

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There's a light swirl of acknowledgement-appreciation, and then a long pause - maybe she's done; maybe that's it for today. But, eventually -

I'm not supposed to be a person any more.

I'm not sure how much longer I will be.

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well

when you kill him, let me know.

A sensation like laughter, but without much humor.

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She echoes his wry amusement, and there's a sense of, yes, of course killing him is the plan; there's even some hope that it might succeed. Will.

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and if you wanted to pick me up on your way out, i wouldn't say no.

More amusement. He has no expectation that she would.

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If I can. She seems to think it's a perfectly reasonable thing to do, but the logistics of it might be a problem; she doesn't expect to be able to beat the Sith who has him in a fight, in particular, and while she seems confident that she can avoid running into him, she might not be able to do that and get anyone out of the slave quarters.

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oh

thanks.

The fact that the situation he's in is actually a bad one is...a little difficult to keep hold of, but he's grateful nonetheless.

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Another pause; she seems to be trying to figure out how to respond to that.

Nobody deserves this place, she settles on after a minute, and there's a sense that doing so was an exhausting effort.

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He doesn't know what to say after that.

(He's afraid.)

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She meditates.

I am here, now; I am surviving this moment.

It's the only thing I need to do.

This moment is survivable; I am surviving this moment.

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He starts to drift off while he feels her meditating.

He doesn't know, now, how important it will be to hold onto this, but he holds onto it nonetheless.

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She drifts off, too.

The next night, she's back, starting off as just a gentle sense of presence.

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He grabs onto that as soon as he feels it.

i wondered if you'd come back.

A strong sense of relief.

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Yeah, I'm here. It's a little further from being words than she was yesterday; more a sense of her flowing around him, surrounding him with her presence.

You okay? She knows he's not, but she doesn't know what's wrong, or what happened.

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The presence helps. Being able to feel someone helps.

...showed me him taking arms and legs off. one at a time.

thought it was real the first couple of times but they started coming back.

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Oohf. Sympathy; a sense that she's familiar with the phenomenon, if not the exact scenario.

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it didn't...feel bad. but i kept thinking it was really going to be gone.

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Yeah. And they might be, eventually; that's entirely the sort of thing he'd do.

She sends her presence swirling more clearly around him, infused with what comfort she can offer; it's obvious that it takes some effort, but she can keep it up for a little while.

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It lifts the weight off him, softens his mind. He manages to relax.

 

that's...thank you. for that.

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A note of satisfaction, almost pride, colors the comforting presence, briefly strengthening it.

Are you - okay otherwise? Enough food, room temperature's okay, that kinda thing?

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He reflects her pride back at her automatically.

yeah. it's boring, but fine.

i guess if i'm suffering in here it's less effective out there.

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Yeah, exactly. I can... book... she's got the concepts, but she's having trouble putting them in any kind of grammatical order - but here's a visualization of the room he's in, showing where the camera that he'd have to hide any contraband from is, and here's an image of a droid - one of the flimsier feminine ones that bring his meals, not the sort that assist with the torture - and a sense that she can be instructed to bring him things and trusted not to tell anyone about it.

Risky for you, if he catches you, but.

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Oh. He sends his understanding.

what's 'risky', here? worse than it'd be anyway?

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Yeah.

Well, you might enjoy it. Don't think he has a masochist protocol yet. But - if he knows how to hurt him, he will; that's the sort of person he is.

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He takes a second to process this information.

...he's already getting there. with the stuff from today.

 

 

it's going to be bad.

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Yeah, it is. She swirls around him again, worried now.

I'll be here if I can but I can't... promise anything. Even if I keep holding on they might send me out anytime.

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thank you. for trying, i mean.

 

i really don't want to be alone.

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Yeah. The swirl is weakening, noticeably, but she keeps it up.

If I'm here, I can always hear you, even if I can't talk. If you reach out, at least.

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okay.

He tries to hold onto her presence as long as he can.

 

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She stays, quietly, for another half hour, her swirl of presence dissolving slowly into wisps and eventually dissipating entirely.

She seems a little stronger, the next night.

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nothing happened today.

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- not a good sign.

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yeah. thought not.

i keep...going over everything that could happen. i can't stop.

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Yeah.

She pulls him into a meditation, again:

Peace is a lie. There is only Passion. Nothing is ever still; nothing is ever empty. There is always something to have feelings about.

Through Passion I gain Strength. Those feelings give direction, focus, purpose -

Through Strength I gain Power. - and that purpose is the base on which one builds effectiveness.

Through Power I gain Victory. Effectiveness is for getting the things you want, and the things you need.

Through Victory my chains are Broken. Having the power to get what you want and need is true freedom.

The Force shall free me. A Sith's effectiveness is their power in the Force - and, half-broken as she is, she's still strong in it. All she needs is the right opening, and then, yes, it will free her. Him, too.

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He follows her through it. It's enough to keep him stable.

He echoes the words back to her, follows the concepts with images of his own, of stowing away on a mineral cargo ship off a lonely backwater planet and crawling out of his hiding place freezing and half-starved and telling the men there that they never saw him and then surviving.

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You did good. Sometimes there's someone stronger but that's not your fault.

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yeah.

and when we get out i'll keep going. you will too.

He thinks "when" with conviction.

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Yeah.

Hope you get along with DZ, she's coming too. The droid, from before; the trustworthy one.

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...droids are good. i think i'll probably like her.

Making plans makes it a lot easier to forget what's actually happening.

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She's a sweetie.

I'm not - sure - whether they're people. I think so. I plan to keep her and not wipe her and find out. And be good to her if she is; it's important to be good to someone when you're raising them.

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i think you're right. they always seemed like it to me.

He shows her an image of the one they had helping around the house when he was growing up, trying badly to hum while peeling potatoes.

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Awwww.

DZ doesn't sing but she likes when I recite poetry, I think.

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...can i hear one?

(not hear. you know what i mean.)

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Yeah.

She pauses, considering; vague impressions of various poems come through the badly-filtered communication channel before she settles on one that she's been focusing on recently.

For every parcel I stoop down to seize
I lose some other off my arms and knees,
And the whole pile is slipping, bottles, buns --
Extremes too hard to comprehend at once,
Yet nothing I should care to leave behind.
With all I have to hold with hand and mind
And heart, if need be, I will do my best
To keep their building balanced at my breast.
I crouch down to prevent them as they fall;
Then sit down in the middle of them all.
I had to drop the armful in the road
And try to stack them in a better load.

[source]

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He likes it, though it reminds him of the dread he's trying so hard to forget. He tries hard to keep hold of it.

(to prevent them as they fall)

good words.

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Yeah. Very - that's my task, for now. Carry as much of myself through as I can.

I'm doing okay. Been - a year, little less? Don't have an equilibrium but I'm getting by.

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long time to be losing pieces.

hopefully it's done soon.

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I think so.

What I need is an opening; they've been getting less careful of me as I lose bits, and I'm doing that slower than they think. Might be able to let them think I've forgotten how my saber works, soon, that might do it.

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...losing stuff like that, too?

He's concerned.

sounds like that'd have them let their guard down, though. (who are 'they'?)

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I don't think I'll actually lose that. But I can't talk anymore, except sometimes poetry. Can't do names. Get lost, sometimes, in strange places. That kinda thing. Anything that's not something she's directly perceiving in the moment, she can't depend on being able to remember when she needs it. But so far her muscle memory seems to be intact, and reaching for her saber when she needs it is more that than anything else; she's not having trouble walking, either.

Master's the problem, but the other apprentices matter too, they all talk to each other.

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...must be hard to lose that kind of stuff.

don't think i'll probably be helpful, but if i can be, let me know.

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Droid reminds me stuff, that helps. Getting harder to figure things out, though, even on a good day. Like this one; this is a very good day.

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All he can send is hope.

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She echoes it back. Having another friend helps. Through passion I gain strength.

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through strength i gain power.

through power i gain victory.

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yeah.

hang in there, I need you.

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i promise.

He means it.

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Good. She sends the hope swirling around him in lieu of a hug.

Soon.

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soon.

He savors the feeling of affection while he has it. 

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Yeah.

I should sleep; sometimes I get two good days in a row if I sleep a little extra. If you'll be okay.

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...yeah. i’ll be okay.

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good.

One last swirl, and she's gone.

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The next morning, her master makes her leave her saber behind when he picks her up from her room. She lets him, more or less - a perfunctory growl makes it clear that she knows she's being pushed - and tries to warn her friend that something is clearly going to happen today, but she's not familiar enough with him yet to manage it without meditating.

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It’s a couple of hours before it starts.

no no no no no no no no

There’s a feeling of sickness and violation and panic that starts out creeping and dull and becomes sharp and overwhelming.

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It doesn't take much to overwhelm her, these days. A droid shows up where he's being worked on to ask his torturer to hurry up, as he's disturbing His Lordship's pet.

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It’s done quickly after that.

Once he’s back in his cell he remembers the blind spot she showed and curls up there as tightly as he can, tucking his head into his knees and covering it with his hands.

He stays like that a while.

(The feeling is still there, but it becomes muted over time.)

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She rolls in like a stormcloud, dark and dense and utterly wordless, still sparking with rage and pain.

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[Scattered images. A doll cut in half from the waist down. His legs held apart by metal. A pet in its carrier. A syringe.]

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Rage, enough to overwhelm her; the connection flickers out as she loses hold of it, twice, three times. There's a longer pause before the fourth connection; she's calmer - not calm, but the roiling wall of emotion has been pushed back a little, or perhaps she's just found the eye of the storm. In the background, she chants, over and over:

you deserve the space you are currently occupying,
the air in your lungs, the clothes on your back,
you deserve everything you have ever wanted
to be placed at your feet like an offering.
you deserve space, so much space,
room to manoeuvre and spread out and breathe.
if i could, i would bottle the stars for you.
if no one else will, then i will carve out a space for you,
use my own bare hands if i have to.
you deserve the space you occupy,
you deserve to occupy space, as much space
as you need, as you want, as you can,
you deserve to be comfortable. to be happy. to
have everything you have ever wanted placed at your feet.

[source]

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All he can do is listen and cling onto her presence and her anger.

He doesn't know how many cycles it is before he can manage words.

it wasn't his.

it's not fair.

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...occupy space, as much space; not fair, she echoes, firmly;
as you need, as you want...

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He starts to repeat along with her, real lips moving as his mind forms the words.

One line stands out bright between the others:

i will carve out a space for you

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use my own bare hands if i have to; a bloody promise.

She's calming down, slowly, slowly, the rage transforming into a fierce protectiveness, smouldering like banked coals, like the stubbornness he's already seen from her; this height of emotion may be unsustainable, but she'll neither forget nor forgive what's been done to him.

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He almost feels like he can touch her. Her mind wrapped in his, though, is enough.

(Not enough to fix this, not enough to make it okay, but enough.)

He tries to bury himself in her feelings, in her desire to protect and her stubbornness and the grudge that he has not recovered enough yet to even begin to hold.

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She's so strong; she's not filtering hardly at all, and he can feel, if he looks for them, all the sharp edges of inability, but none of them touch the fundamental strength of will that she's sharing with him - this is survivable; she'll carry him, just as much as he needs her to, that kind of strength is the one thing she has in endless supply.

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He’s in awe.

He can make it, with this, with what she gives him.

(She made it a year: he just needs to make it through now, and now, and now...)

He finds her meditation: he doesn’t know if it was in him or her.

i am here, now; i am surviving this moment.

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you are. we are.

it's the only thing we need to do.

this moment is survivable; we are surviving this moment.

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He stays close as long as he can.

The droids bring him meals. The first one, he ignores. By the time the second one arrives he tries, fails, tries again to keep some of it down. He succeeds, the second time.

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She stays close through all of it; if there are droids bringing her food, she's ignoring them so thoroughly as to not notice them at all.

By dinnertime, she's regained some of the clarity that suggests that she might be able to talk to him, though she doesn't seem to have anything in particular to say.

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am i the first one like this?

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Yeah.

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guess you can't tell me what happens next, then.

Part of him is glad, though, that he's the first one to go through this particular torment here.

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Do you really want to know?

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i don't know.

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It's not impossible to read his mind. I think I'm in good enough shape to do it safely.

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...if he realizes i already knew you'd be in danger.

i think maybe it's better to just...

wait.

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Yeah.

Small risk, but very bad if they do figure it out. And it won't change what happens, anyway; that would be worth it, no question.

 

I bit Master, today, she sends, a little point of pride. When you panicked I did too, got him good. She sends the memory: managing to surprise him, the taste of blood in her mouth, the momentarily-comforting full-body thud of being slammed into a wall, before the pain hit.

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Another moment that he can forget fear.

good. proud of you.

His heart thuds like he's really there. It's thrilling.

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Yeah.

It'd be easier if I could let them forget that I'm dangerous, but I like that they won't.

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Yes. That's good.

scare em a little for me.

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Will do. (No she won't; strategically inadvisable. But the sentiment is there.)

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He savors that for a moment and then it becomes impossible again to forget.

he just 

took part of me.

it was easy

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Yeah. I -

She doesn't intend to send the memory, but she's filtering so little, he can't really help but see: She's younger, weaker, still clumsy with her new saber, when one of the other apprentices challenges her. She loses, of course, and he takes what he wants - the memory is a jumble of pain and violation and confusion - and leaves her curled up, shocked and sobbing, in her bed.

And then there's a flash, in the here and now, of near-overwhelming frustration, and the filter slams into place. There's nothing meek or embarrassed in the wave of apology she sends to him; she's furious, at both herself and the situation.

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He doesn't know how to wrap his mind around hers the way she does for him. He tries anyway, clumsy and weak but still an attempt.

The moment of memory that comes through (head slamming into the wall and falling disoriented to his knees) is mostly unintentional.

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I'm fine, she sends; it's not a lie, or at least she believes it.

I didn't kill him; by the time I could I didn't need to, I'd made him stop. He's dead anyway; challenged the wrong person.

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glad he's dead.

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Yeah.

(The filter starts slipping again. Most of what's behind it is just more anger.)

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It’s okay. He’s angry too.

He curses this whole place with as much conviction as he’s ever had.

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We'll get out. They're stronger but I'm smarter. And burn it to the ground when they go.

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we will. we will.

He repeats it, as if to make it true.

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we will.

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake -

[source]

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His door opens.

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no

He scrambles back away from the open door.

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She swirls around him again, stormily.

I'll stay? she nudges, while she still can.

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please.

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Yeah.

She settles in, arranging herself so that nothing short of being attacked will shake her loose of him, and then watches through his eyes, growling involuntarily when she sees where he's being taken.

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He recognizes the hall they take him down.

same as the first day.

He doesn’t want to do this. He doesn’t want to know what’s changed.

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She gathers herself in close, apprehensively. Do you still want me to stay? She hadn't quite realized that this might be the plan.

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well...i saw yours, didn’t i? by accident.

He starts to laugh out loud, through tears he hadn’t felt before.

might as well show you mine.

And he doesn’t want to be alone.

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She doesn't leave him. She does her best to distract him; it's not great background for poetry, and half the time she loses her place partway through, but she remembers enough, at least with fragments, that she barely has to repeat herself at all.

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He still aches in the same ways, and he’s thankful, but he can’t think about what’s happening to him. Not now.

He tries to follow the poetry, stop the sensation from his body.

He fails, halfway, and between the fear and shame and pain it feels good and he thinks sorry, sorry, i’m sorry over and over for a reason he can’t name.

It’s a very long time until it’s over.

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He has nothing to be sorry for. It's not an assertion, not a thought; it's an awareness of a fact about the world, like skies being blue or fire being hot: he's not the one in power, here; he bears no responsibility for it.

She redoubles her sense of presence, regardless, and waits with him, and then it's through, and she swirls around him one more time - you survived; you are surviving - and lapses into wordlessness.

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They take him back to the cell.

He curls up on the bed and feels her until he can’t remain awake any longer.

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She's there, again or still, when he wakes; she spends a few minutes trying to remember how to communicate with him in words before giving up and shoving concepts at him - her master, coming to pick her up from her room as usual; her uncertainty about whether it will happen today - more likely than not, but less likely than usual; her awareness that she can't yet hold the connection while not meditating; the fact that she can still hear him, regardless.

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He gives her the same weak, flickering attempt at an embrace as he did the other day.

He sends her his understanding, the anticipation of the connection returning at night, and what hope he can hold onto.

(His fear is there, but he tries to brighten everything else, make it overshadow the anticipation of what might come next for him.)

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Strength. Strength. Strength. And then a wave of displeasure as she notices her master's approach, and she lets the connection go.

She's back earlier that evening; she's in no better shape mentally and distracted by pain, but sends a wave of frustration-tinged relief when she makes the connection.

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A moment of happiness when he feels her presence.

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nothing for me today.

for you?

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She can walk, but she accepted the droid's help getting to bed anyway. Her memories of how she was injured are already dim and distant. She wishes, sharply with regret, that she could still heal herself.

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[An image of him sitting beside her bed: her appearance is vague and not really defined, but it is clearly her, somehow.]

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She sends appreciation, and swirls thinly around him; she's not weak, exactly, but even mental effort aches, and most of her energy is being used elsewhere.

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He wonders what she's doing.

it's okay if you can't stay.

He wants her to stay, badly, but she needs all the strength she can get, and he's not breaking down so much right now.

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No - stubbornness, stubbornness and willpower - staying is important; because he needs her, and for another, forgotten reason too. (The swirl gets a little more substantial, and even as she manages it he can feel her gasp in pain and curl up tighter, and a moment later be covered with and comforted by a thick quilt - the droid, her droid, she loves her droid.)

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He loves her droid too, almost immediately.

He doesn't push her to leave. He tries to send her his own thin, wavering energy again, stay with her as much as she's staying with him.

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She stays. She's weaker, less alert, not even close to being able to communicate; she responds to his thoughts as if they were her own, more often than not. But at the same time, she's doing something new; he can feel her, lying in bed, aching, as if her body was an extension of his, smell the tang of sweat from earlier exertion, see that her eyes are closed, until they briefly aren't, giving him a view of crimson bedthings and crowded dark-wood bookshelves. Only hearing is missing; there's something like it, but - garbled, delayed, almost to the point of uselessness, and she's mostly ignoring it.

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...oh.

His first instinct is to try to wiggle his? her? fingers. 

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She has to cooperate, but it doesn't take much effort to. Wiggle.

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This is incredible.

why?

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She doesn't know, but she does know that there's a reason.

She trusts herself-who-was-smarter on it; it will, probably, make sense when the fog lifts.

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That makes sense.

He tries to move her arms enough that she's hugging herself gently.

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She stops him, when it pulls painfully on the bruises at her back. But she gets the idea, and she loves him, too.

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Loves him!

He puts his own arms around himself, shy, like he’s been caught doing something he shouldn’t.

(It’s good, though, and that will keep them alive, too.)

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Aww. He's so cute. Of course she loves him.

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[An image of a young girl cradling a furry animal in her arms that he doesn’t mean to send.]

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Gosh. (Sith don't get to see many cute kids with furry animals.)

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—oh, she liked that. Well...

[Viewed from an alleyway, two men each holding a little girl’s hand, swinging her up into the air. She’s giggling.]

[A soft, furry six-legged creature barely visible in its nest inside a fallen log. It’s curled around its pups.]

[A sunrise over glittering snow.]

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Aww. Aww. Aww. And then a moment of confusion - what's that sunrise from? She doesn't watch sunrises; sunsets are so much better. She's going to name herself for them, when - when something. But she's going to. Pradnakt.

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pradnakt.

[The same view of a field of snow, with a single track of footprints. Above it is a gorgeous, fiery sunset.]

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Awesome.

She uncurls on the bed - it still hurts, but she doesn't care - and opens her eyes to show him the sunset scene above her bed, a bas-relief of stone and gems lit from behind.

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...it’s beautiful.

yours?

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Pleasant memories, of sanding down the large plates of stone, of sorting through diamonds and rubies to find ones that would glitter just so, of sneaking glances at the stored materials when she was meant to be working. Yeah.

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He pictures painting delicate lines with gold leaf down some of the curves. His hand is quick and steady.

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She mimics the action, inviting him to practice with her hand again, but then freezes in bafflement, caught between an impulse to go to her gym and have him practice lightsaber forms with her and a strong directive to not do that.

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He figures whatever that directive is is probably important.

i can just try your hand, for now...

He tries to mimic writing in midair, then count up on her fingers.

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They're clumsy, at first, but the trick of it seems to be finding the right balance of control; they'll need practice, but only that.

They don't get very much before the droid shows up with his dinner.

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...okay. He can figure this out. If they just keep trying–

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The door opens and he freezes in terror before he realizes it's just one of the droids.

It takes a minute for him to make himself move to accept the food.

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She abandons the sensory aspect of the telepathy - it doesn't disappear entirely, but fades into the background as she stops paying attention to what she's feeling - to swirl worriedly around him.

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When the door closes he tucks himself into a corner with his food and waits a minute for his heart to calm down.

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...just a droid.

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Yeah, but - she's sure that there's a reason he reacted like that, the same way she's sure there's a reason that practicing letting him guide her is a good thing, but she doesn't know what it is, and it worries her.

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you don't–

No. It's fine. She...loses things, but she gets them back. It'll be fine.

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Yeah. (She wonders, momentarily, if this is as bad as it gets, or whether there's something she'd be warning him of if she remembered it. She thinks there is; she feels basically okay, right now, and she's pretty sure that there are times when she doesn't.)

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He eats his food quickly and mechanically and tries to settle back down so he can look through her eyes again.

(He's troubled, not knowing what 'worse' would be.)

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Her food comes shortly after his, and she doesn't rush, and by the time he'd done she's taken a few bites of the fancy bacon-topped twice-baked potato and is about halfway through the honey-mustard glazed salmon steak, with a little scoop of baked wax beans and wilted spinach as yet untouched next to them; her droid is sitting on the bed next to her, holding a glass of something light and bubbly to avoid the risk of it spilling. She smiles a little and sends a half-remembered hug when she feels his attention return.

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Oh. Good food.

He stops everything else so he can focus in on her sense of taste.

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Yeah.

She takes her time with it, enjoying taste and texture both; the drink, when she sips from it, seems to be sparkling pear juice.

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He can definitely enjoy this, after the identical and incredibly bland meals he's been getting.

(If this were given to him, at this point, he would be suspicious and terrified. Through her, it's just good food.)

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Good.

The meal seems to strengthen her, her thoughts getting more complex and abstract, slowly, as she eats. Near the end, she stops all of a sudden, her stomach sinking - I forgot your - and she sends the memory of giving a bonecrushing hug.

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He echoes the memory gladly.

i thought...i knew you'd remember. it's okay.

He's so glad she's come back.

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It's not, really.

(She shouldn't be pushing herself to do words, she really shouldn't, but fuck that; angry as she is she'd do more harm stopping herself than continuing to do just what she wants.)

Force, but we need to get out of here.

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yeah. out of here would be good.

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Yeah.

I have a plan, she sends, spearing her last bite of salmon and gulping it down.

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That definitely has his attention.

i'm listening.

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She pauses to think of how to explain it, and promptly loses her ability to do anything involving that many words. She continues anyway, gently stretching out her back and limbs while she explains.

What she needs is, put simply, an opening; in practice what that means is her master alone, distracted, away from the other apprentices, in the right part of the compound for her to get to his quarters afterward to get the spaceship passkeys - and, she needs to be in good enough mental shape herself to challenge him; she's deceiving him right now by being in the habit of acting more impaired than she is, which means she won't slip up and wreck the whole thing, but also means that most of the time, even if there is an opening, she can't take advantage of it, because she can't trust herself to recognize that it is a good time to break those habits.

It'll come together eventually, but if he helps her, it will be much faster. Letting him pilot her is less effort than making decisions about how to act, when she's having a bad day; the more she can rest on bad days, the more common good days will be. And if he takes to piloting fighting well enough, they might not even need to wait for a good day at all.

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i can do that.

He can carry her through the worst days. He can move her when she needs to be moved. He can.

He tries to get a hold of her hands again and lift them enough to see.

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It's easier already; it's not automatic yet but it feels clearly like it could be.

Good.

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He practices. Hand signs, counting up and down, writing with her finger in midair.

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After a minute of this, the droid sets the glass on the bedside table and signs to the Sith; it's an unfamiliar sign language, but he can see the meanings in her mind.

Ma'am? Are you all right?

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Yes, she takes back her hands to sign. Escape things.

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Okay, she signs, more hesitantly. I don't understand how that could help.

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Yeah. Words are hard. (That one is all one sign.) Later.

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Okay. She takes the remains of her dinner and leaves her to it.

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...i want to learn that too. maybe after we’re out.

and i like your droid.

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Yeah. She's so good.

 

He can probably make her sign? He'll need to back off a little, let the automatic bits do their thing, but she thinks it might be possible, the same way making her fight might be possible.

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That seems like an excellent way to learn by immersion.

He tries to move back enough to attempt some signs: I can speak with my hands.

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Not quite. She puzzles over it, tracing the path to see what she'll have to give over to him, increasingly displeased with what she sees.

I could get really hurt doing this. You, too, if something happens and the feedback goes wrong. It's more or less exactly what she's been doing with the Force that has her so muddled, and while it being another person is different, she suspects it's not different enough.

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...just the signs, or all of it?

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Letting you - be in my head that much.

What they've been doing so far is safe, but letting him use her skills means letting him past her filter in a way that scares her.

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then let's not.

It's firm. He doesn't want to do anything like what's been done to her already.

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She relaxes. But then - we might need to.

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...if there's no other way, then...i guess we'd have to.

but if we don't need it i can't do that to you.

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She's a little bit baffled. That's risky too. And for him more than her, maybe - it hurts you more if we're slow.

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if it’s like what he does to you–

A jumble of emotion, anger and disgust and sorrow.

risky is fine. 

There’s an iron core to him showing through, a strength of will a little different from hers.

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Oh. That makes sense. She echoes his strength back to him: what a wonderful surprise, that he's like her in that way.

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...oh.

It’s different, seeing himself through her eyes. He likes it.

we’ll do it perfectly without that.

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Yeah. Yeah we will.

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Time to practice some more?

(While admittedly distracted by hopeless infatuation?)

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Yeah.

(When the droid passes back through she pauses to sign, the boy is so good!

She doesn't seem to know what to make of that, and after a moment signs back It's good that you're happy, ma'am.)

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He likes being good.

tell her i said hi?

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He says hi.

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Oh. Hello.

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i’m glad she’s coming too.

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Yeah, she's pretty great.

Help me explain to her what we're doing?

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He can do that.

we’re practicing me moving your body for you so you can rest on bad days. i think that’s how you’d say it.

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She has him repeat it, more slowly, so she can sign it out without having to remember as many words at once.

Oh, the droid signs back. That makes sense. Good.

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fingers crossed that i can pilot you without falling over.

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I think we'll be okay. Want to try?

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why not? worst that happens is that i bonk your head, i guess. (sorry if i do that.)

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She's not worried about it.

She scoots out of bed and stands, a little gingerly. Okay, go ahead.

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Carefully, he attempts a few steps.

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She moves fluidly, with supernaturally good balance, and she's in excellent shape; moving around takes quite a bit less effort than he's used to.

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–wow.

A million things to do come to mind, and none of them are possible in this little room.

Pacing the room turns out to be simpler than he expected.

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Good.

She has a private gym, and directs him to it without taking back over: through this door to the workroom, all shuttered and dark, and that's when he learns that Sith have night vision, and then through a further door to a room with floor and walls of padding, stormy-grey swirled lightly with black, and a grid of metal bars, sturdy enough to hang from, suspended from the ceiling; a rack of equipment and some sort of computer terminal are set into the side wall.

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He resists the urge to try to climb the walls and heads for the terminal.

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Sparring droid controls.

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Hmm. Maybe not that yet.

Time to look over the rack.

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Free weights, a few practice swords, a set of metal rings on cords that she identifies as attaching to the overhead grid for acrobatics practice.

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He reaches down–and something about the swords calls to him, but he takes the rings anyway.

(It's like with the sign language. They'd have to blend too much, for him to call on that knowledge. He has to be careful.)

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It clips straightforwardly onto the frame, but that's far enough overhead that she can't just reach it; he'll have to jump up and cling one-handed while he clips it. She doesn't seem to think that there's anything challenging about it.

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He jumps, expecting what he wants to happen will happen.

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She boosts and stabilizes the jump with the Force; it's a bit like she's using a limb he doesn't have. Her hand smacks into the bar.

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They dangle for a moment.

(He is so impressed.)

Then he reaches up to clip the ring on. Part of him expects it to be an effort to hold themselves up well enough to do it easily.

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It's not. She holds them up easily; there's a sense that it'd be possible even without the support and stabilization of her telekinesis, but with it, it's practically trivial. (She is maybe showing off, just a little. This is perhaps how Sith flirt, when they're being coy about it.)

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Flirting, huh?

(There’s a little doubt, a little fear at the back of his mind, but he ignores it.)

He clips the ring up and lets go, trusting that they’ll land well.

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She takes back over and lands neatly, and then goes and sits against the wall.

You okay? She echoes that fear back to him - it's understandable, all things considered, but it's the last thing he needs right now; is there anything she can do about it?

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Oh. Right. She can feel that.

He hesitates.

it’s not about whether we can do it. we can. i know we can.

...but i should probably still show you what it is, right?

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You don't have to. I can leave you alone to think about it if you want. But - she doesn't want to scare him - she's a little worried about the fact that she has - and that's easier if she knows what's going on.

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He opens it up.

someone likes you because they don't know enough about you. they don't know all the parts of you that are broken or removed or too much. they will leave you behind when they realize everything that is missing. they will hate you when they realize everything that is there.

you do not deserve to leave. you do not deserve anything at all.

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You're very silly, she sends, fondly, and echoes his strength back to him again: you're lovely. It doesn't matter what he's missing; the important thing is there. And her love doesn't run on deservingness anyway, but -

you deserve the space you are currently occupying,
the air in your lungs, the clothes on your back,
you deserve everything you have ever wanted
to be placed at your feet like an offering.
you deserve space, so much space,
room to manoeuvre and spread out and breathe.
if i could, i would bottle the stars for you.
if no one else will, then i will carve out a space for you,
use my own bare hands if i have to.
you deserve the space you occupy,
you deserve to occupy space, as much space
as you need, as you want, as you can,
you deserve to be comfortable. to be happy. to
have everything you have ever wanted placed at your feet.

[source]

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He loves her.

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And he doesn't – nobody would – deserve this place. And neither does she. And if he lets that voice keep speaking to him as if it deserves anything, they won't get anything better.

He chokes it, snuffs it out, as well as he can before he urges her body to stand.

 

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Up she goes. More rings?

(She loves him. She loves him. She keeps sending it, little nondistracting bursts of warmth and comfort; it's important that he knows.)

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More rings.

As they jump to place them, one by one, he understands her movements more and more, and feels more and more of...whatever she's doing, with the Force.

(She loves him!)

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(She does! She loves him! He's so great!)

Now what? She can show him some acrobatic forms, if he wants, or they can just play around for a while.

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Forms seem like they’d be useful. They probably teach them for a reason.

After that...well, fooling around is the best way to learn, isn’t it?

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Mmhmm. She takes him through a couple of the basic ones, one focusing on unenhanced movement, flipping and tumbling along the rings, the other an early practice routine for Force enhancements that has them bouncing from floor to ceiling and back again. (Her memories of the forms aren't aren't reliable, exactly; if he were to ask her to lay it all out start to finish for him she clearly wouldn't be able to. But each step reminds her of the next, when she's doing them, like lines of a poem, and that's enough to carry her through.)

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He tries to keep track of the movements well enough to learn something from it.

It's amazing, though, what she can do with her body (well, with her mind, as well, given the enhancements). He wonders whether he can take any of this back to himself, but even if he can't...

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He'll be able to practice with her, someday. She looks forward to it, and not just because it means they'll be free.

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He does too.

He can't wait to meet her.

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Yeah. Yeah.

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...can they hang upside-down from the rings with their feet?

(Presumably playtime has started.)

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Of  course! (Hanging by the knees gives a better base for doing things like upside down curls, though. Hard to get any leverage with just your feet.)

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Well, back to their knees, then! And curl up to the ceiling! And swing across the grid, never holding on with two hands at once...

(He’s having fun.)

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These things are all possible! It's harder with less muscle memory to rely on, and a few times she has to steady him with careful use of the Force, but they never fall.

 

She doesn't tire - in fact, going by her body's clock it feels like early afternoon - but after a while the droid appears at the door. Time for bed.

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...huh.

doesn't feel like it.

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Yeah, that happens. She's not wrong. She drops from the ceiling and heads back toward the bedroom.

Y'wanna hang around? Shower, next.

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i mean, if you're okay with it...

(He worries that he won't feel anything.)

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It seems a little silly to want to hide anything now, she sends, amused, and then goes a bit more serious - but it's fine if you'd rather not, I understand. (She sends him another little burst of love.)

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...better to know than not know, i guess.

(And he really does want to feel this.)

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Okay. She's proud of him; she lets it show through.

The bathroom is large, done up in black-veined white and cloudy mustard-yellow marble with dark golden hardware in an elegant style. She strips, efficiently, not looking much, and then pauses before heading back to the shower cubicle; does he want to check out the mirror first, get it over with?

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Yes. He does.

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It's right over here; one of those three-section ones.

She's tall, about his height, and built on the slender side, but filled out impressively with muscles, with just a bit of fat padding them - enough to soften their definition, but not to hide it. Her chest and hips are modest; not androgynous enough to cause confusion, but not enough to draw attention, either. Her hair is dark brown, falling just to her shoulders in a plain style - she used to wear it longer, but she can't handle it that way any more, even with the droid to help with upkeep - and her eyes, when she makes the effort of making eye contact in the mirror, are a matching shade.

She's also sporting a collection of bruises on her torso and limbs, like she fell down a flight of stairs or was tossed around by a large animal or perhaps both in quick succession.

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...she's gorgeous.

now i'll be able to recognize you when i see you.

He tries to move their hand up to her face.

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Yeah.

She lets him move the hand; she's making good progress on making that a reflex.

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...he moves it down her neck, over her chest, fingers trailing down lightly to splay on her stomach.

He certainly feels something.

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.....oh.

She could...go... shoo the droid out of the bedroom? If he wants?

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Well. If she wants. That would be good.

Or they could just...take a very long shower.

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She hadn't actually thought of that, before, even with the flirting. But now that she considers it - yeah. She does want.

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Well. They should get the bedroom to themselves, then.

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The droid is easily shooed; the bed is nice and comfy.

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They sprawl out on it, feel the fabric against their skin, squirm a little just to see how it feels.

(The bruises pressed down against the bed feel good, at least to him.)

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Bruises aren't her thing, but she doesn't mind them enough to counteract them being his thing; he can feel her smiling a little at the effect.

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He runs a hand over their body again, down to their thigh, taking his time with it.

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Mmmmm. (She seems not just content to let him call the shots, but curious about what he'll do with the option.)

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He takes his time with it, feels the shape of her with her hands, drags light fingertips over the insides of their thighs before he actually touches her properly.

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She squirms and bucks and moans, quietly, under the touch. It must have been a while; she's very sensitive.

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She's sensitive, and it's different, it's new. He likes it a lot.

He doesn't quite have the self-control to keep teasing after that. He bites his lip and he doesn't know whether it's in his body or hers.

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Oh.

Oh.

Oh, Force, she makes the best decisions.

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He definitely agrees.

(Nothing about his body matters right now. It's all hers.)

He's clumsy, but so focused, so in awe of the sensation they're feeling, that his mind makes up for it.

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Mmmmmmmm.

Nothing he's doing is very new to her, but having him right there enjoying it along with her, feeling his enjoyment, his awe - she loves it. She loves him.

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He loves her too.

Right when they go over the edge there's a moment when nothing but "them" exists.

It's perfect.

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It is perfect.

 

(There's a bit of ambiguity, in the afterglow, about what's his and what's hers, but she sorts it out without even properly noticing that she's doing it: her things are hers, and belong exactly where they go; she loves him, and he should keep all his things, too, in their rightful spots.)

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He lies there in a daze as she returns him to himself, piece by piece.

He would have thought that becoming himself again would be painful, but it feels more right somehow than it did before.

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Of course it feels right. He's lovely. And she's right here to show him, since he has trouble seeing it.

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Well, if she thinks so, there must be something to it.

It takes a while before he remembers there was supposed to be a shower.

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Yeah, there was,wasn't there? That sounds nice. She stretches and pads back off to the bathroom to soak under the steam.

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The hot water definitely feels good. The sensation feels more real, now, than it did before they had that moment of fusion.

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That's probably a good thing. It's going to take some work, getting herself disentangled from him when this is all done - if they even want to - but for now, they need it.

It doesn't take long for her to start getting sleepy. It's been an exhausting day, and the water is so warm and cozy.

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Aww.

He gets them out of the shower, once they're clean enough, dries them off and heads back to the bedroom.

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He's so good.

Nightgowns are over here, and then once they have one of those on they should let the droid back in.

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They dress themselves and walk to the door to open it for the droid.

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C'mon in, sweet.

    Yes ma'am. She follows her back to the bed and gets the hairbrush out of the nightstand to fuss over her with.

I'm keeping the boy, she signs, when the droid is done. I hope you get along okay. I think you will.

    I'm sure it will be fine, ma'am.

...I don't want you to put up with things just because I want them. It has the feel of an old, repeated argument.

    Yes, ma'am. I'll tell you if I don't like him.

All right.

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He enjoys the feeling of the hairbrush, and then the confirmation that she's keeping him(!).

He hopes the droid does like him.

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She hopes that, too.

Mmm, such a cozy bed.

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Very cozy.

He finds himself (themselves?) drifting off very quickly.

He doesn't even need to say love you. They both know it.

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They do.

They dream together, sometimes with two bodies, sometimes with one; an admixture of beauty and violence, hope and despair.

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It's the first really restful sleep he's had since he got here.

Until someone wakes him, he's out.

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His meal comes first, again.

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He startles awake, briefly, almost bangs his head against the wall.

It's just the droid.

Dazed, he accepts the tray, then crawls back into bed without touching the food.

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It takes her a second to come fully awake, and another few to figure out what's going on.

You have to eat.

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we can eat when...yours comes...

He shakes his head.

Reluctantly, he sits up and drags his tray closer to him.

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Yeah, I know. But you need your strength. We don't know how long it's going to be.

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...Oh. Right. He could almost forget, yesterday, what was happening.

He eats quietly.

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She stays with him, snatches of poetry bubbling up in the background, never quite coalescing into verse - space, so much space... manoeuvre and spread out and breathe... use my own bare hands if i have to... everything you have ever wanted, placed at your feet.

Her food comes soon after, just as nice as dinner was; fruit-smothered crepes and peppered bacon and a yogurt parfait, with milk and juice and fancy offworld tea.

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As soon as he's finished with his own food (or as much of it as he can choke down, anyway), he lets himself return to her body to taste her lavish breakfast.

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She's been waiting for him, picking idly at the top layer of the parfait, and only starts eating in earnest when he's ready; again, she takes her time with it.

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He appreciates it, and communicates his enjoyment of the food as thoroughly as he can.

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I'm glad I can do this for you.

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wish i could return the favor somehow.

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It's nice to have somebody I can talk to. Not that she can't talk to the droid, but there's not a lot of complexity there, and it's hard doing it all in words, even signed ones.

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same here.

i think i'd be a lot worse off by now if it weren't for that.

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Yeah.

Well, I'm not going anywhere.

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A loving and entirely non-verbal expression of the same.

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(He is so good! She loves him so much!)

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He loves her too!

(He also, incidentally, loves crepes. And bacon.)

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It is some pretty excellent bacon, yeah.

Eventually, breakfast is done, and she needs to get dressed. There isn't much in the way of decisions to be made about it, though; nearly everything in her wardrobe is black, with very little variance in cut or fabric - the Sith equivalent of jeans and tee shirts, with a few dresses and other fancy things tucked away in the back.

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Getting dressed is good practice, right?

He'll just...take care of that. Maybe a little slower than he needs to.

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She sees what he's doing there, and finds it amusing.

(She's not expecting him to get much practice today once her master shows up; maybe a little, but he needs to be familiar with how she reacts to things before he can take over very much.)

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...oh, right. That part.

want me to stay for everything?

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She gives their connection a wiggle and sends him the feedback: it's not going anywhere. I can undo it, but. That's going to be an effort, if and when it happens. For now, it's much easier to let him stay than to cut him off.

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The feeling of happiness and relief when he realizes they're tied together like that is...maybe misplaced, but very present.

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Yeah, she's pretty happy about it too.

They are on a little bit of a deadline, though - not much of one, but she suspects she doesn't want to know what happens if she's still dithering over clothing when her master shows up.

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...okay, good reason to hurry up.

He hurries up.

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And then they're dressed. They have a bit of time, perhaps fifteen or twenty minutes, if he wants to read some poetry or mess around in the gym again or something while they wait.

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Might as well see for himself what's in those books.

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They're neatly organized; it's mostly poetry and engineering - especially lightsaber design - with smaller collections of short stories, travelogues, philosophy, and miscellaneous Sithy skills.

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He picks a book of poetry at random and opens it.

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“How often”, she asked me the night before
“Do you think it’s okay to fall apart?”

We live in a “break it, you pay” kind of culture

A handle falls off of
A coffee mug and suddenly- the entire thing is useless. We lean to sweep evidence beneath the rug, throw broken pieces into a paper bag and never think about them again.

The Japanese knew another way. They mended their broken vases with gold, aggrandized the sharp corners and turned shards of broken pottery into basins that hold light
Together.

But here, there’s no room for mistakes.

We give up so easily- on broken toys, snapped piano legs, on each other- and we make believe that even our tongues are bulletproof, as if we are stronger than what these fragile bones can take.

We don’t forgive our broken bowls. We don’t learn to piece them back together. We trip over our own skeletons.

And sweep them back beneath our skin; collect the splattering of our sorrows and flush them down the toilet like

Secrets. Were so ashamed of that which fumbles and falls through our fingers that we forget that

There’s another way; another way instead of going through our days buying coffee at five A.M. And fucking above the covers while rattling and spilling over, our insides bleeding from all the damn glass.

We were never taught that
By the end our lives, we didn’t have to be made of a hundred million cracks. We were never taught that we could have it differently, that we could piece ourselves back together with light,

That our bodies could burn from the inside out.

[source]

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He reads it over and over again.

The light spills over inside him.

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(She loves him so much.)

(She is so glad that he's okay.)

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He knows that no matter how much he cracks, she'll put him back together.

And...he'll do the same for her. He promises himself that he'll learn how. (He knows she can feel it, and that means he's promising her, too.)

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He is so good she loves him so much. (It's a surprise, over and over again, to be seen as someone to be taken care of, to be valued that way.)

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It's a surprise to feel like he can take care of someone. Especially someone like her.

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Yeah. Yeah.

It's not even a conscious decision, to go curl up under her blanket and just be, all cozy, with him; it just sort of happens.

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It's a good thing to have happened. They're warm and it feels safe here and it's good.

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Yeah. Mmmmm.

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She can sense her master coming well before he gets to the door; she puts off getting up until the very last moment, though.

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He withdraws reluctantly to watch.

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Mrf.

She puts on the mask she wears around him - dull, unthinking, a little animalistic, all loose joints and slow reactions - and goes to wait by the door.

She wants to kill him; put her saber right through his chest and watch and listen as he ceases to be. It's not new; she sets it aside, same as she does every day. (He's on guard; she can feel it in him. If she attacks him, she'll die. Usually, it's a little tempting anyway, but not today, and that's a relief.) He asks something, as he sometimes does; she has no idea what, and just shrugs in response, not meeting his eyes.

He gestures for her to follow, and off they go.

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He watches her master and his movements carefully.

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She goes over the strategic and tactical considerations with him while they make their morning rounds - here's how he'd defend himself if she attacked like this, or like that; there's a genuine opening, but even if she won she'd be trapped, with the other apprentices between her and the spaceport (she can sense where they are, if she looks, and once he's seen her do it, he can look the same way); that looks like an opening, but he's on guard enough that he'd catch her moving to take advantage of it, and that would be bad.

They finish their morning check-in with the pair who do chemistry - they're making good progress on the durasteel treatment they're working on, seems like - and head toward his captor's workspace.

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He follows her thoughts, tries to memorize weaknesses.

(The chemistry is actually sort of interesting.)

He can feel where they're going next, and he tries his hardest to listen, even though it's fuzzy and indistinct. He needs to know what it's like from the outside.

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Oh, she can do that. Here, have some Force senses.

(Their best bet for getting him out is probably lightsabering through the wall between his cell and the storage room behind it; the path that doesn't involve passing through any walls takes them right through the core of this section. Also, there are a handful of other captives, mostly in worse shape than he is - she has a sense for injuries and general health, too, and what it shows ranges from worrying to horrifying.)

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He’s trying to think about strategy, about ways to escape, but

 

we have to get them out.

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We can try. She's not hopeful. Especially for that one guy; the life support machinery isn't going to be easy to move.

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Life support.

He imagines himself unable to breathe, unable to function without his captor’s machinery, completely dependent and helpless, and panic closes his throat up.

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If it comes to it, I can kill you before they get to me. She'll die too, but at that point, well.

(Her master notices the tension in her posture and flicks a spark of lightning at her; she flinches, growls involuntarily, but assumes a more submissive stance.)

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thank you

The spark jolts him, calms his mind a little even as it makes part of him angry. He drifts and tries to listen.

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She can't follow the conversation here nearly as well; the only thing she can make sense of is an exchange that seems to be about reprogramming some of the droids. Her attention drifts again, to her escape plans, one of the handful of things she's been trying hardest to retain - the guy with the life support probably is a loss, but if they're lucky or picky about where the other Sith are, and if the other captives are able to pull themselves together and move - if they'll trust her at all, to follow her - it won't be impossible, merely very risky, trying to get them all to the spaceport without attracting attention.

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He doesn’t want to think about this. How much are they willing to risk their escape to help the others?

if we take them i can make them listen to me.

When he says things with enough conviction, when he believes them with enough intensity, sometimes people will believe him even if they have no reason to. And he believes she’s safe, that they can trust her. 

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Okay.

(She loves him. If he needs this, she'll try.)

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thank you.

He can't help but imagine what it would have been like, if she hadn't found him.

if we can't...

He thinks of the one on life support again.

(They at least deserve to choose to die.)

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Yeah.

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He floats back a little again, tries to just follow her thoughts and feelings.

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She sends him a little burst of strength and comfort and goes back to watching her master and co-apprentice. They're soon done, and she follows along to the next stop: her master's youngest apprentice, still just a kid really, but a pretty vicious one already, she's well aware.

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He tries his best to hang back, for this.

(Better for him to not get too involved, if it's just a kid.)

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He's about fifteen, and enthusiastic about showing their master how his studies have been going, and then he wants to spar - with her. With live sabers. Their master vetoes the sabers, but directs her with gestures to set hers aside and take a training sword.

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Okay. Doesn’t matter that this is just a kid, now.

He tries to feel her movements as precisely as he can. He doesn’t want to have to control her fighting, but if the time comes when they have no choice...

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It's quickly obvious that he's not going to be effective without a lot of practice or access to her training. Her focus is on the kid, what he's doing, where the openings are and whether she can take them without hurting him too badly; the actual acts of striking and blocking and dodging are as automatic as walking, and if they weren't, she'd have trouble keeping up with even this outmatched opponent.

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Oh.

All he can really do is feel, not understand, but it's an incredible feeling.

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Yeah, it is.

Eventually, he overreaches, and she thwacks him on the back, and their master calls out a sharp command that (she assumes) ends the round - yep, there the kid goes; she matches him in dropping out of the fighting stance.

I'll break that down for you later, you can see it better if you know what you're looking for.

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He'll be glad to learn.

(maybe they'll spar someday.)

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Hopefully.

(Her master is giving her coprentice pointers on his technique, now; she falls back into affected disinterest.)

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He hangs back and watches.

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She can follow what her master is explaining well enough to provide narration; not that it'll be very useful, but it at least gives him an idea of the kinds of things one has to pay attention to, learning to 'saber-fight.

Then it's time for lunch; they head to his office.

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He pays careful attention to her explanations. He won't be able to practice anything in his own body for a while, not with the cameras, but...

(Let's not think about his own body. Bad idea.)

He watches warily as she follows him to his office. That doesn't seem like an especially good place to be.

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Not any worse than anywhere else; there's that, at least.

It's an opulent little room, like most of the ones they've seen today, but just a bit more so: finer detail work, more things done in gold or studded with red jewels. There's a table and chair set up in the corner that he directs her to before sitting at the big desk himself and getting started on some paperwork.

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kind of tacky in here.

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Hm? It doesn't seem tacky to her. Uninspired, sure, he's not an artist, but it's pretty standard as Sith decorating goes.

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what, really? it's like he was just trying to make this place as expensive as possible.

He flashes up some images of the places he's lived before now. They are...less than opulent.

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She's a little surprised; she's aware that poverty exists but she hasn't really seen it before.

No, this is - he'd be embarrassed if it was much less nice, if another Sith saw. Showing off looks like this: She's been to some Sith events, science talks and things, and the host usually takes the opportunity to go all-out in showing off their wealth and trophies. It's pretty over the top; as in all things, Sith don't really go in for temperance or restraint.

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His childhood home wasn’t poor, exactly, but it wasn’t anything like this. The rest of them..."poverty" could work as a descriptor, yes, though he’s internally insistent it wasn’t that bad.

The showing off turns his stomach, just a little. They have so much, and that’s what they use it for.

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It's not pointless for the Sith who's doing it, showing off convinces people you're strong and they shouldn't oppose you. But - yeah.

Love you.

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not pointless, just–

An image of a woman working on a familiar corner. She smiles and coaxes passers-by but she’s so thin that her ribs are showing.

love you too.

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When I kill him - can't stay, can't keep the place, but whatever we can carry off we can keep. And I know where he keeps his bank records, we can get that.

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that helps.

we can do something better with it.

He doesn't know what, yet, but even handing precious stones out at random would be better than nothing.

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Yeah. Something to think about. (And those are important, even aside from the usefulness of the topic. The boredom isn't too bad, right now, but if they're in this for the long haul - )

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better not to lose it from understimulation, huh. what a way to go.

Being broken by boredom after you made it through losing an organ would just be sad.

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Yeah.

 

We probably get lunch before you do, but I'm not sure.

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i’ll wake up when someone comes in.

He’s already a little tenser, bracing himself for the inevitable startle response.

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Warmth-comfort-strength.

We've got a little while, anyway.

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He'll stay present in her body as long as he can.

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She fidgets, carefully silent, tapping the pads of her fingers to the underside of the table.

What else do you want to do when we get out?

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...not sure.

i know i want to learn my way around a blaster, and maybe...

It’s sort of embarrassing, somehow, in a situation like this, but he sometimes thought about being a sculptor, or a musician.

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Her eyes flick over to her master before she smiles, head ducked for privacy. Sculpting is fun.

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He shows her an image.

It's a little unnerving – a figure hung by hooks, bleeding, with her arms out like wings – but her expression is joyful as she looks up towards the sky. Her hair fans out behind her like she's weightless.

i don’t know if this one would be just sculpture or performance art or what, or how i’d make her, or how i’d do the hair thing, but

it wants to exist.

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I bet we can figure it out.

(Her master shifts; she goes back to practiced vacancy.)

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that'd be nice.

big step up in the world.

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Amusement. Yeah.

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what'll you do? when we get out?

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I dunno. I've never - not been a Sith, as an adult, and they'll be looking for me. So, find someplace safe, see what's there to do. Repair work, maybe, or security or something.

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...art when you can, too. right?

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Yeah. Not a priority, but yeah.

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can't do art if you're not alive.

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Yeah.

I think we'll be okay, just - logistics.

The droid arrives with lunch for her and her master.

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Ooh. He appreciates her lunchtime. What food is he experiencing secondhand today?

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Pea and mushroom laden risotto, with a little tomato stuffed with spicy shredded beef on the side and lemon-ginger iced tea to drink.

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He appreciates this level of good food! (And has a brief fantasy about smuggling whichever droid is cooking out with them.)

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Om nom.

I did the upgrade for it, we can get a cooking droid later.

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oh, right. we're gonna be kind of rich.

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Little bit, yeah.

 

His lunch arrives.

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He was expecting it, and yet he scrambles away and hides just like he does every time before he takes the tray.

It takes him a couple tries to take a bite without spitting it out, this time, but once he manages it he cleans his plate.

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She focuses as much as she can on her own, to make his just that little bit less relevant.

Anything else you want to get, when we get out?

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hard to pick, from...everything.

how do rich people even function?

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Just - don't think about the money part, basically, it's not what's going to limit you. Unless it's something really fancy. (She wanted diamonds for her ceiling artwork, and she just got them. There are probably alternatives, maybe even some that would have worked just as well, but she didn't even look; there wasn't a reason not to get diamonds.)

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He has several ideas.

The kind of apartment you see in holovids, in a huge glittering city, and a kitchen full of good food and a tattoo machine with all the weirdest inks and...

He hits a mental wall and struggles for a moment.

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City like that makes it harder to lie low. And I don't do great with crowds. A flash of memory of a conference, hundreds of Sith, thousands of assistants and servants and workers, the din of their presences and emotions making it impossible to think in the few minutes before she gave up and shut her Force senses down.

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...not a city, then. for living, anyway.

The fear is starting to nag at him again. He tries to ignore it.

sometimes i miss the mountains...

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That sounds nice. I've never been to a mountain range. I like all kinds of forests, though, I bet a forested mountain would be good.

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He nods.

didn't have a ton of vegetation where i'm from. mostly rocks. more green sounds...pretty nice.

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Forests are pretty great, yeah. We'll find a nice one. (Om nom risotto.)

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A brief pause to appreciate this incredible risotto!

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Mmhmm. And she's a lightweight for spices, he'll probably appreciate how the beef stings her mouth a bit more than she does.

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He does.

He tries to send that along to her.

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She appreciates it.

 

I think I want... someplace quiet, where she can stretch out her senses and just not run into any people at all, where it's all hers - theirs, now - to run around in and make art and do just precisely what they want, without anyone to have an opinion on it in the first place, much less answer to. She wants to be free, really, and that's what freedom looks like to her.

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Oh.

He takes her image of freedom and puts it alongside the one he's been carrying with him.

His is...different. It's endless color and sound, main streets swarming with people, everyone in the world looking at you and seeing you and their eyes not mattering except as a measure of how brilliant your light must be to hold their gaze.

He wonders how the two can fit together.

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Well, there's -

She's been to conferences, with their hundreds of attendees and thousands of staff; it's not pleasant, but that's mostly the politics, and the whole point of his thing is that there isn't politics, that nobody can challenge you. Without that - she still wouldn't want to do it often, ideally not more than once or twice a year, but, yeah, it would be fun, that often. And that gives them the whole rest of the time to make themselves and their artwork spectacular.

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He imagines them at their best, silencing rooms the moment they walk in, making whole cities remember their brilliance.

"Not often", he thinks, would be fine, if it's like that.

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Yeah. Yeah, that sounds good.

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...now they just have to make it out.

He scrambles for something else to think about, something other than how long they're going to be trapped here.

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No.

You can't avoid it like that, it'll overwhelm you if you try.

You can survive this. You are surviving it. Just breathe.

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But what if–

But how long will it last–

But what else will he take away–

Something else is going to come and he doesn't know what it is, he doesn't know, he just has to wait for it to get him–

He finds himself back in the corner again, blanket pulled around him as if that'll protect him.

He tries to breathe. He really tries.

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She slouches down in her chair and concentrates on her own breathing, sending the sensations of it to him: inhale; exhale. inhale; exhale. Stay with me, Love.

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Slowly, his erratic, panicked breathing starts to slow and match hers. Their chests rise and fall together.

He wants to disappear. He wants to forget himself and sublimate into her.

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As soon as it seems like he has the attention for it, she recites:

Stand up, warrior; you are not yet finished.
Beaten you may be, but broken?
Angels have fallen from greater heights
and survived, so why shouldn’t you?
Never mind what you are made of;
you are more than this flesh that binds you.
There is nothing you have to fear
that should not fear you a thousand times more.
Your heart is a galaxy, and your soul is lined in stars.

You are something extraordinary, my dear.

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There's the iron again.

stand up, warrior.

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Yeah. She takes another deep breath, and pushes herself back up in her chair.

You're stronger than you realize. You'll make it through, whatever happens.

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He will. They will.

They'll survive.

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We will. She swirls tight around him, like a hug, and then she goes back to her lunch; there's only a few bites left.

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He appreciates the last bites until they're gone.

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Her master is doing something at the computer when they're done. We're going to be here a while.

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does he just have you sit here?

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Yeah. It's a test, sort of. An obedience thing.

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An image of an obscene gesture aimed vaguely in Pritruth's direction.

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Amusement. Yeah.

I usually meditate. Want to see?

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yeah. that'd be nice.

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And so she does, affecting boredom as she turns inward to her sense of the Force. She's careful not to touch anything, just observe: Here's her connection to him, solid and alive, almost pulsing with strength. Over here, on the other hand, are the remains of the Force effect that used to allow her to hear properly, now a twisted mess hastily repurposed to mute her sense of hearing down to manageable levels; the wreckage of the effect that allowed her to speak that fluently isn't even that useful now, though even the remaining intricacy suggests that it must have been amazing when it was whole. These were the first effects I made, she adds, back before I had any training at all - sort of a matter of not knowing I couldn't, really. But I didn't know how to build strong, then. Someday I'll be able to rebuild them.

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it’s beautiful.

He wants to reach out and touch it all, though he knows it doesn’t belong to him.

So much of it is ruined, but it’s ruined in a way he understands.

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Pleased warm companionship: I don't mind if you touch, but, later; it's not safe right now.

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later is good.

He contents himself with looking.

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She extends her senses out into the room: here's her master's aura of competence and deadliness, and her own, carefully submissive to it; her danger sense, and his, the latter carefully mapped in hopes that she can one day outwit it; their various guards and protections, similar in sophistication but tuned slightly differently.

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He tries to make sense of what he's looking at. He can see the shape of them, get a feeling from them, but the moment he tries to articulate in words what he sees it all slips away. Something in him understands things he doesn't.

can you see the other apprentices from here?

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Of course. Her attention widens: the kid is closest, his associated Force effects crude and unrefined; the pair from the engineering workroom this morning appear next, with a set of visible effects similar to her own. She has to intentionally choose to view the last part of the compound, where he and her final co-prentice are, and flinches away from doing so - do you want to see? It's not pleasant.

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i have to.

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All right.

The entire compound has the subtly unnerving feel of a place where Sith live, but here it's redoubled, not a vague background feeling but a living presence, hanging in the air like a stench and prickling on the skin like the promise of an incoming storm. Her coprentice is obvious, his afternoon 'saber practice sending sweeping ripples through the Force; the other captives are less obvious, but still visible, dim knots of terror and suffering. And between the two - Oh. Of course you're sensitive. I don't know how I didn't realize.

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It's a disgusting feeling, and it's familiar. It sticks to him.

He tries to look, tries to cast aside the sudden nausea and actually see what he's up against, but–

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i'm what?

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Force sensitive. You're one of us, or could be.

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It probably isn't surprising that he recoils, a little, from one of us.

But when he really starts to think about it, about what he is...

this could help. with escaping. right? nobody knows.

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I'm sure he knows, her attention goes to her coprentice for a moment. It's possible nobody else does. And it'll surprise them if you do anything complicated, anyway, you look untrained.

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can you teach me?

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Nothing too complicated. But some things, yeah.

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He brings back the image of crawling off the freight ship, of telling the two men who caught him that he was meant to be there and watching them walk away.

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Yeah, that's - she doesn't remember the name of the technique, but she remembers doing it, in training, and shows him. Mostly doesn't work on us.

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what does work on you—us.

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Not much, on a trained Sith. The Force is much better at defense than offense.You could learn to counter someone's danger sense, maybe.

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dunno how useful that would be. i’m not very dangerous.

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Yeah. And Sith are, that's kind of the point.

She considers, running through a memory-palace list of tactical maneuvers - obfuscating yourself wouldn't be useful, but if you learn to work at a distance, obfuscate me... I don't have the focus these days to do that and anything else, it would make a difference.

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i can learn that.

He's confident, somehow, despite the fact that he has no idea what "learning that" would entail. It'll make a difference, so he'll do it.

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Mmhmm. She swirls around him again, companionable and pleased. We can start tonight, if I'm not too tired.

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let's.

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...if tonight is a safe night.

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Yeah. Well, as soon as we can.

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yeah. as soon as we can.

He goes quiet.

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She closes her eyes and sends him memories - sunsets, artwork, sparring, losing herself in her work; the things that make life worthwhile, and the feelings of joy and contentment that come with them.

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He lets himself float in them. Somehow, for a minute, he feels completely safe.

The gratitude that comes back to her is powerful.

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Love you.

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He loves her too.

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She basks in it.

 

She flinches, involuntarily, as her danger sense warns her she's about to be struck. Her master is done with his computer work, and it's time to go to his throne room.

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He snaps out of his trance and instinctively tries to dodge out of the way of a blow he barely realizes isn't coming for him.

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It's a minute before she can get back to him. Sorry, Love.

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The brief absence shakes him more than it should.

what’s happening?

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Afternoon social time. I sit and be a good trophy while he talks to the others.

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fun.

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Yeah.

This is the best part of the day for killing him, probably - not when he's on a call, but before or after, there's a good route out from here.

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he's probably paying less attention, too, right? to you at least.

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Mmhmm.

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and if you can teach me to hide you, that'll help.

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Yup. If you can do that, I can get his danger sense, and we're good from there. She's killed before; the memories lurk in the background.

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He tries to get a better look at them.

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On one level, they're very much like her fight with her young coprentice earlier in the day; that same kind of focus on the other person's movements and how to react to them. But in a real fight, against another Sith, there's so much more - an immersion in the Force, guiding it and being guided by it, even as her opponent does the same; winning is as much a matter of connection with the Force - convincing it that she should win, that there's no other way to resolve this conflict within itself - as it is of skill or strategy.

And then the moment of death, watching her opponent sublimate into the Force and cease to exist - it's almost indescribable, and she hates it and loves it all at once.

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It's beautiful.

It would be beautiful anyway, but watching her do it, of all people...

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Careful. It's too easy to get caught up in that, to want it for itself rather than because it's needful. That's a person, dying, being lost, and that's an important thing to remember.

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He steps back from it a little and tries to make himself remember what death actually looks like.

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She knows that one, too. It's less gory, when it's brought on by a lightsaber or bolt of lightning, but not much less viscerally wrong.

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what happens with the other apprentices after he dies?

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They'll fight, most likely. To see who gets to inherit his stuff. That's why I can't stick around - I can beat him, if I'm careful, but I can't beat them too. (She doesn't seem to have considered how his help might change that.)

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does having someone hiding you buy us any time?

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Yeah, definitely. She doesn't outright smile, but her mouth does twitch a little; good thing her master's not watching. Still not the best idea to try to stay, I think, but. Where she was anticipating a mad dash, and to not really have time to evacuate the other prisoners, now it seems plausible that they really will have time to get everyone out, at least if they're lucky.

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hope it works, then.

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I bet it will.

She settles in on the steps leading up to what can only really be described as her master's throne, and the afternoon's holocalls begin. She remembers some of the callers, even has stories about a few, but not as many as she knows she should know, but doesn't.

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He listens, when she has stories.

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And he seethes when there are spots missing, things that were taken that were hers.

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Yeah. Well, that happens, when you aren't the strongest person around. There's only one thing to do about it, and she's working on that.

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It's not fair.

(None of the pieces taken out of them belonged to someone else. You can have everything in the world removed from you but your body and your mind and that's where it has to stop.)

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She loves him.

(That's not how it works, with Sith; not how it works at all. You get to have what you can take, and what you can defend, without any kind of limit like that. And... it hurts less, knowing that it's nothing personal, taking it as just something like physics, as inevitable as getting shocked if you touch a live wire, but... there's something good in not, too, in saying this hurts and it shouldn't happen and calling that the important part.)

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He's not good at doing this, usually, for himself.

But in a place like this, when the whole world is people hurting each other...it's impossible for him not to see it.

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Yeah.

Well, they're working on it.

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They are.

That’s something to hold onto.

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Yeah, it is.

 

She tracks the time by keeping an eye on her coprentices: the duo take a break midafternoon, to take a walk around the compound and then briefly spar; the kid works on computerized lessons until an hour before dinnertime, then meditates and goes to work on lightsaber forms. She's getting tired, by then; even just sitting is exhausting, when you have to be on guard every moment of it.

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He tries to be her lookout, as much as he can.

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They'll get better. Teamwork takes practice. (She loves him.)

Evening comes eventually, and her master returns her to her suite.

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He's ended up cross-legged on his bed, eyes shut.

is every day like this?

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She flops onto hers, not bothering with the blanket for the moment. More or less, yeah.

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...i guess it makes planning easier.

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Yeah, as far as that goes.

 

...how much do you... know, about Sith? Like philosophy and stuff?

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not a lot, outside what i know from you. all most people really know about sith is “aaaaauagh run away”, far as i know.

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Amused: Yeah.

Peace is a lie, there is only passion.
Through passion, I gain strength.
Through strength, I gain power.
Through power, I gain victory.
Through victory, my chains are broken.
The Force shall free me.

she repeats, having explained earlier what it means. That's us. That's how Sith work.

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He nods.

seems like that should be more about fighting the shitty galaxy than each other.

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Yeah. That's... we're bad at giving things up, bad at compromising, most of us. It's a weakness, and weakness is dangerous. So is trust. Makes it hard to work together.

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sounds pretty awful.

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Yeah. It's - manageable, most of the time, up until it's not. Like, say, now, in her life.

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well

we’re getting out.

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Yeah.

She gets up again, and ends up pacing the room, disoriented.

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what's up?

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I meant to... whatever it was she meant to do, it's gone now, forgotten. She paces; she doesn't mean to, it's just happening.

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you were going to teach me, right?

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Yeah.

She sits on the edge of the bed, but pops up again immediately, going back to pacing.

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...do you think something else is up?

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I don't know. This does just happen sometimes.

She can't stop pacing but she can meditate while pacing, with a little difficulty, double-checking her senses and defenses.

 

...shit.

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...what is it?

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She shows him the precognition. They're coming for me. Tomorrow sometime. She flops onto the bed.

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...again? this soon?

He doesn’t know whether calling it “soon” is even accurate. He just doesn’t want her to go, he doesn’t want her to lose more...

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Apparently. She's notpanickingnotpanickingnotpanicking, letting the fear chase its own tail instead of allowing it to get all over everything. I need to - teach you, first. You can practice while I'm gone.

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He sets his jaw, swallows, nods though he knows she can’t really see.

okay. okay, teach me.

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Yeah. She burrows under the blankets, curls up in a tight ball. So, here's how you meditate...

She barely pauses for dinner, refusing to uncurl and letting the droid feed her bites instead, encouraging him to eat but to keep working while he does. It's a complicated technique, requiring a fair amount of finesse, but she's a good teacher, able to break it down into sensible parts and suggest practice exercises for each one.

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She’s a good teacher, and he’s a fast learner. The things she tells him fit right in with things he never realized he had taught himself, and he’s quick to pick up new parts from there.

He eats as fast as he can when his food comes and returns to their work.

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They work into the night, but, complicated as it is, eventually she runs out of things to teach him.

 

I don't want to go. She's exhausted; still riding the wave of work-to-be-done, but starting to crash, now, hopefully into sleep but more likely into the rocky shoal of lurking terror.

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i don't want you to go either.

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I don't know - what I'm like, when I first get back. I never remember it. Droid says it's not bad, but... perspective.

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 He doesn't want to make it worse, but he can't help but wonder if she's going to lose more of herself, wonder how much she'll lose.

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She pulls herself together.

 

It's not a fast process.

 

I come back, okay? It's bad but it's not... it could be worse. I come back. I wasn't much worse after the second one than after the first.

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okay.

He tries to give her his presence, the way she did for him, though he's not sure how well he can even start to do it.

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She understands. She swirls close around him.

 

It's gonna be bad, when I first get back. She nudges the connection indicatively: s'not going anywhere. You'll be able to see.

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will it get through to me too?

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I don't think so. There's nothing to see by the time I'm recovered enough to look.

I can take it down, but then you'll be alone until I remember to put it back. Weeks.

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A very powerful refusal.

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Reassuring presence.

 

It'll cut out anyway if I get too far away - you can meditate and look for me but that only might work. But it'll come back on its own, and it'll only be a few days.

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He'll survive until then. There's a limit to what can happen to him in a few days.

 

(Unless he kills him. But if there are others still alive he doesn't think he will.)

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Unlikely, yeah.

Yawn.

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He lies down "next to her".

this'll be the last time.

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Hm?

I will be back. I will.

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i mean...the last time you have to go. i hope.

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Oh.

Yeah, it will, probably, won't it.

Love you.

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love you too.

He tries to make his eyes stay shut, so he can sleep alongside her.

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She falls asleep, and dreams of battle.

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He shares in her dream and knows briefly what battle really means.

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The droid wakes her, when it becomes obvious she's not going to wake at the usual time on her own. She waves her off and lies in bed, mulling.

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It only takes a few minutes for him to stir, after that.

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Hey.

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He rubs his eyes.

hey...

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Hate this.

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yeah.

He sits up and curls up, back to the wall.

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Lousy excuse for a Sith I am.

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–no, if you were bad at this you would have tried something earlier and been dead.

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If I was any good at it I would have killed them already.

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He can't explain the knot of frustration that's forming, but it's there. He doesn't know what to tell her, either.

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Well.

She stays curled in her lumpsome ball; the droid feeds her again when breakfast comes.

    Are you all right, Ma'am?, she signs.

No.

    Is there anything I can do?

 

Going.

    Oh. She sits on the bed and takes her hand.

    We have travelled through the darkness, the droid's hands dance with the poetry,
    Thou and I, for many days;
    Till we wondered at the sunshine,
    When at length we felt its rays.

    Chill and lonely was the pathway,
    Only lighted by the snow,
    With the cutting east wind only
    To declare how we should go.

    On our right, the frozen river, 
    Where the drowned lay asleep; 
    On our left, the rocky mountain, 
    So precipitously steep; 

    All around the gloomy shadows
    Of the failures gone before; 
    While the leafless branches whispered, 
    We should do no less, no more.

    We should falter and should stumble, 
    And should fail to reach the end; 
    And should die in the beginning— 
    Die together, O my friend! 

    Die together?—'twas a jewel 
    Which they threw us, for a stone:
    Come what might, we could remember
    That we should not be alone; 

    So, with hands entwined the closer, 
    We pressed on against the blast; 
    And we bided for the daylight, 
    And the daylight came at last -

[soucre]

Crying. She's crying.

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He cries too, both his feelings and hers. The tears come and won't stop.

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It lasts a while; she's not even really trying to calm herself down. She feels better when she's done, though, calm and centered and light, for the moment. Love you, she signs to the droid. Love you.

    Love you too.

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love you.

 

i'll be here when you come back. i promise i'll be here.

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Love you, too.

I'll be back. It's not - fast, or pretty, but I will be.

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...okay.

 

it's a promise. right?

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It's not that kind of thing; it's not something she has a choice about. It's not even something where she could give up, and opt out that way; it's wholly and utterly outside of her control, and making a promise about it makes about as much sense as promising that the sun will rise in the morning.

But he needs it, she can tell, so: Yeah. I promise.

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...he knows that, really. It’s shameful to ask for and ridiculous that it even helps, but still, he needed it. And he can’t thank her with words for giving it but he can show her the lifeline she’s handed him.

(He hopes he can give her something like that. He hopes remembering someone to come back to can anchor her, even a little, keep her from spinning out into space.)

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It helps, yeah. (And she doesn't care that what he needs is a little ridiculous; it doesn't even occur to her to care.) Love you.

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love you.

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I don't think it's going to be much longer.

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He doesn’t want her to go.

Neither of them have a choice.

He loves her.

(he’s so scared)

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You'll make it through. I believe in you. Stand up, warrior.

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He’ll make it.

So will she.

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They will.

She goes limp, when she feels them coming for her; they aren't too rough, dragging her out to the shipyard and loading her onto a shuttle. The connection fades as she's taken out of the planet's atmosphere, and he is alone again.

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It is a hard four days.

They take him twice for the same thing as before, and this time he's alone and has nobody even to apologize to.

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She comes back, in a sense, but only in a sense.

She's there; he can tell she is - he can feel her body, where she's slumped bonelessly in the returning shuttle, upright only because of the straps keeping her that way. He can see through her eyes, staring motionless and uncomprehending at the shuttle floor; he can hear the sounds of the shuttle, the incomprehensible speech of the others in it, too loud, painfully loud, without the muting Force effect; smell the recycled air and feel the hunger in her belly and the ache of her healing, overworked muscles.

In another sense, she's not there at all: it's not that he's being blocked from seeing her thoughts; the filter is gone with everything else, and there are no thoughts to see.

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No. What? This isn't right. Where is she?

He reaches out for her.

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She stirs, after a minute, a vague shifting of attention so subtle that it could easily be his imagination, finished almost as soon as it begins, and then nothing.

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...it's not nothing. She's not nothing, she's still there.

(He thinks. He's not sure. He has to be sure, but)

He tries again.

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No response.

 

The shuttle lands, and they transfer her to a float chair, hands firm against her skin; she's not aware enough to anticipate them, or to be surprised.

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Oh. Okay.

 

He's just going to go in the corner and scream for a while.

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The chair is pushed through unfamiliar corridors to familiar ones; her droid is waiting for her in her room, and helps transfer her to her bed, where she carefully strips her clothes off and checks her for injuries - none - before putting her in a nightgown and tucking her in.

She stares at the decorated ceiling, as uncomprehending as ever.

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She has to be in there somewhere. She can't have just gone.

(She could have.)

It wouldn't be fair.

(What part of any of this has been fair?)

 

He just...has to wait. Needs to wait and see.

He curls up with all the nothing that he feels from her and tries not to scream again.

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She's left alone for a while, and then the droid sits her up for dinner - thick soup, almost gruel, delivered by slow spoonfuls, running down her throat of its own accord more often than swallowed, and running down her chin instead just as often, but slowly the ache in her belly eases.

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are you there?

 

are you in there anywhere?

 

can you hear me?

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There's that subtle shift of attention, again, a little stronger, and a change in the tension of the muscles around her eyes - barely perceptible, still, and hard for him to be sure even moments later that it wasn't his imagination.

The droid finishes feeding her and lays her back down again, this time on her side.

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It'll be okay. It'll be okay. He just has to wait.

 

He waits.

 

And waits.

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Evening comes, with no change; the droid comes back to roll her over - she's so still, she doesn't move at all on her own - and turn off the lights.

She doesn't sleep; she's tired, physically, though that's fading with time, but it's unclear whether she's able to be sleepy, or to go to sleep.

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He’s trying not to panic. It’s so, so hard.

 

He discovers that it’s possible to sleep, when she’s like this, but it’s restless and dreamless and difficult.

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She improves, overnight. It's not much, in fact it's barely anything, but the blank nothingness gives way to a kind of subtle texture that's not thought, but is maybe a precursor of it.

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It’s something.

He calms down, by the time he’s really awake again. She’s getting better, so it’ll be fine. She’ll wake up as herself.

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It's slow going, if that's what's happening. The droid takes good care of her, feeding her again, turning her every so often, checking to make sure she's not too warm or too cold and adjusting the blankets as needed.

Just before lunchtime, she shows her next improvement, if it can be called that: when the droid picks her up to move her, she stiffens in purely-reflexive response that segues almost immediately into painful full-body tremors.

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He tries to still his body only to realize that it isn’t his.

—are you there? are you there? fuck shh it’s okay it’s fine calm down...

He doesn’t know why he’s doing this. She’s not there (not yet. not yet).

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It's impossible to tell whether she's responding at all.

The droid holds her, gently but firmly, and after a few minutes the quaking subsides into a sort of dazed exhaustion. She lets her rest for a minute, and then takes her hand: the reflexive grasp this time is firm and steady.

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He feels a hand in his and can’t think any further than that before he starts to tear up.

He tries to hold it tighter.

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Her confusion at that is muted, diaphanous, but definitely present.

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—there’s something there.

All of a sudden, he’s overjoyed.

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are you there?

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She settles back into pleased observation. She's not parsing the message at all; in fact at this point she's still not aware that he's a separate person, or even that she's one, just that this is an experience that she's having.

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...well. Okay. She’s...not really aware, yet, but that’s okay. (As long as he doesn’t think about how they’re going to get out, it’s okay.)

He tries to move their hand.

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She doesn't know what to do with that.

Her attention wanders, but she keeps coming back to it, and after a few minutes, almost by accident, she takes the prompt.

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It’s better than nothing.

hey. i love you.

i hope you come back soon.

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Lunchtime arrives.

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The usual scramble to the corner, before he realizes what's happening and takes his food.

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She tenses up and scowls; she's not coordinated enough to do more than that, yet.

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He eats in silence, occasionally sending her a little ping.

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Pings are confusing, but she's there.

Her attention is drawn to the door to her room when another droid arrives with a tray; her droid sends the delivery droid away, and a few minutes later another one arrives with a different meal.

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Huh. He wonders what that’s about.

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That's confusing, too, but she doesn't have long to be baffled; the droid brings the tray over, and it's forgotten as soon as her attention is drawn away.

Her meal isn't gruel, this time, but rather a chicken salad sandwich and chunks of soft-baked fruit; the droid feeds it to her one careful bite at a time.

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This is weird to experience.

It’s still good food, though. He tries to appreciate it like he did before. She should at least have nice things while she comes back to herself.

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She enjoys it, too, enough to send the Force flickering around the edges of her awareness in response - it's very distracting.

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It is distracting, but in an incredibly welcome way. He matches it with his own little ripples when he can, trying to learn the feeling of it.

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- oh! How neat.

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Oh, she likes it.

He sends out a few more ripples. They split at the edges and crackle like lightning.

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(This is distracting her from eating, some. The droid waits patiently.)

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Reluctantly, he stops. Kind of important for her to get sustenance.

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And the droid resumes feeding her. The good mood lasts for a little while, even though she immediately forgets about its cause.

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...it’s hard to feel things disappear so easily. Harder not to panic. But it’s fine.

Once she’s done eating, he starts to do some of the exercises she taught him.

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She watches, fascinated.

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It helps, feeling her be happy. Even if he knows she’s not all there.

It also distracts him, for a while, from what he thinks is coming tonight. (He’s not completely sure. It’s sometimes hard to keep track of time in here, when he doesn’t have her schedule to go by.)

He keeps practicing through the leaden feeling in his stomach.

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She picks up on it, after a while.

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...you’re not going to know what’s happening, huh?

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That's a pretty reasonable assumption.

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He keeps on practicing anyway. Right now, this is the most important thing he can do.

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He goes until the door opens and they drag him out like always.

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Lightning sparks around her. The bed catches fire, and soon the rest of the room follows it.

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He’s in no position to help.

(And right now there’s something—right—about everything burning to the ground.)

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It's chaos, and then more and different chaos when the droids arrive with the firefighting gear.

They wrestle her into the bathroom - she's not resisting, but the electricity sparking in waves over her skin is its own hazard, and more than a few fall to it - and leave her there while they take care of the room.

Not too long after that, her master appears in the doorway, and waves at her, and then there's nothing but a vague awareness of her breathing and heartbeat, still rapid but slowing toward their normal pace.

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The chaos and the conflict are bad. Her pain and fear are bad.

But it all being gone, that’s worse.

He struggles, this time, even though he knows there’s no point.

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The blankness fades into sleep, eventually, and swirling, abstract dreams.

In the morning, she wakes in an unfamiliar bed, in an unfamiliar room.

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He didn’t sleep much, the night before. He’s dizzy and his eyelids are heavy.

As soon as he notices the room is different he prompts her to look around. Better to think about this.

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It's - a room. Bare, aside from the bed she's on; plain medium-grey walls, wood floor like the rest of the facility, one door. Her droid, or a similar one, is standing by the door.

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This doesn’t look good.

This might mean they’re running out of time. It might mean they’ve given up on her.

...It might just mean they’re fixing her room up.

 

it’d be

really great.

if you came back soon

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... ?

A response, that was definitely a response.

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joy fear relief panic love need relief relief relief

do you understand me?

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She's confused, but she leans into the emotions, wordlessly asserting her presence.

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nausea protectiveness fear need frustration love

 

 

hi.

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The sense of presence increases, tense and defensive; she doesn't know what's wrong, but she wants to do something about it.

She almost misses the greeting, distracted by her own reaction; she puzzles over it, for a moment, and then sends back one of her own.

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 She wants to fix it. Even wanting something at all is better than what she was before.

And communication, that’s good. That’s her.

(He’s starting to learn not to get too excited, though.)

i missed you.

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She doesn't understand, really. But she gets enough of the idea to calm herself, a little, and wrap her presence around him, warm and distinctly alive - like a cloak, or, more than that, like a cat draping itself across his shoulders.

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...that's good. That feels like home.

He just enjoys that, for a little while. He can give himself a few minutes.

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Good. Good.

Breakfast is delivered after a while: hers first, cubed cheese and sliced fruit and little bite-sized chocolate chip muffins, and the droid encourages her to try eating it herself instead of being fed.

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He enjoys this too! Fruit especially, given the content of his own diet.

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She'll eat more fruit, then.

It runs out, predictably enough.

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Other food is also good!

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And breakfast proceeds.

Eventually, she's done, and the droid takes the tray away and lets her rest for a little while.

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He starts to do his exercises again, keeping a proverbial eye on her.

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She watches, and every once in a while she offers a correction, recognizing when he's doing something incorrectly and sending wordless impressions of what he should be doing instead.

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that’s interesting. And really helpful.

He improves quickly, with the benefit of her attention.

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The droid interrupts them to try to get her to stand up and walk around.

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...he guesses avoiding muscle atrophy is important.

He stops practicing to let that happen.

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And up she gets.

It's a little more obvious, now that he's not distracted, that she's trying to understand what's going on. In a vague, barely-directed way, but it's happening.

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He probably should have checked earlier, shouldn’t he?

He waits until she’s down again before he tries to say something.

 

do you    remember anything?

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She doesn't understand.

 

After a few minutes of trying to puzzle it out, she sends an impression of a shrug.

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do you know who i am?

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...that implies that he's a separate person, which is not, actually, something that had occurred to her. Oh, she sends, hello. (His question is already forgotten.)

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He's a lot less upset by this than he would be if he hadn't just had the experience of someone forgetting he was not part of them.

i guess you don't.

we're going to escape together.

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...it needs escaping from? Okay. Logistics?, she sends - the concept, not the word, she's still not doing words.

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escape from here. not from something else.

you were the one with most of the plans.

There's a vague undercurrent of panic here.

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She sends confidence, strong and unshakable - if they need to figure it out again, they can do that.

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...okay.

As long as he doesn't think about the rest of it – can't start on that while she's like this – but they'll come get him in another couple of days and that won't be the end of it –

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–except now she's giving him that feeling and he couldn't keep this all to himself even if he wanted to, he thinks.

The information sort of...spills out. The awareness of what's missing now, and of what's been happening every night.

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...she's going to murder them all. Her hand twitches toward her lightsaber out of pure reflex.

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nonono—you have to wait—we have to get out—

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Okay.

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i’m trying to learn how to hide you. well enough to give you an advantage. when we do it.

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Yeah. Strategic, she approves.

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and, uh.

do you remember anything about yourself?

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She puzzles over that one - her working memory is coming back, a little, though as soon as anything distracts her she still loses everything. Nothing distracts her this time, though, and after a minute she shoves a jumbled mass of concepts at him: She's a Sith, and that means power, and fierceness, and getting what she wants. She's an engineer, and that means precision, and attention to detail, and drawing on a deep well of knowledge. And she's herself, under it all, and that means self knowledge, and self-acceptance, and stubbornness, and an intensity of caring about people so strong that it's much more a weakness than a strength.

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yeah

that sounds like you.

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He's sweet; she likes him.

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...i'm glad that didn't change.

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Hm?

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you liked me before, too. i was kind of afraid it'd go away.

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'Before' is new, and a little alarming; she attempts to set it aside to think about later, and, of course, loses it instantly.

Of course I like you, she asserts.

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that's good.

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He processes the alarm a second later.

you don't remember being a person before this, do you?

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That's confusing. She tries to make sense of it, notices the 'before' again - it's hard to think about; she's going more on intuition and his reaction than any conscious figuring. But it comes to her that there was a before, and something happened, and all at once she's mad about it.

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yeah.

he's (this comes with an image, of a face) doing something to you.

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...my memory's not working, she infers.

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Nod.

you've been losing things I've said too. i think.

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Yeah. Obviously.

Remind me? Not as in telling her all of it now, that obviously won't work. But if he reminds her of things as she needs them - that's like having her own memory working properly, right, she should be able to work with that.

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i'll try.

Not that his own memory is the greatest, but he can at least try to give her things when she needs them.

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Thank you.

And then she loses it again.

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He's worried about her.

But she's doing better. Soon she'll be okay. It's fine.

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His worry is concerning, but - she's pushed herself; she's tired. She goes back to sleep.

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Within a few minutes, so does he.

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And that's about the shape of things, for the next couple days: she's asleep more often than not, and has trouble staying awake for more than a few hours at a time. The droid is a constant presence, feeding her and encouraging her to walk. She continues to be very distractible, even as her memory comes back; she gets more general information, things like 'I was an engineer' and 'there's a war, out there, somewhere' and 'I need to hide what I can do' more than she gets her working memory back, though that comes back too, little by little, and kai-zi gets better at predicting what she'll need to be reminded of.

 

His captor has been very consistent, so far, sending the droids for him every third evening; that comes around again all too soon.

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He's numb enough to it, now, that he just lets them take him.

(He's felt less, recently, tuned out more. The...heat of it is gone, along with much of the fear. He almost wishes he were still scared.)

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She tries to comfort him - not that there's much to say, but she can still be there, reassuring him that he doesn't have to go through it alone.

 

And then her door opens, and she barely has time to catch a glimpse of her co-prentice before she falls into the dreamless unawareness that's quite unlike sleep.

 

She wakes up a few hours later, when it's all over and he's back in his room.

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He's curled up in the corner.

they took you.

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She's gotten better, over the last few days, at getting the context behind his words, without him having to say it.

Yeah.

You - okay?

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i wish i still felt something from it.

that's kind of fucked up, isn't it?

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Whole thing's fucked up.

We've really got to get out of here.

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yeah.

yeah, we do.

 

He's very quiet, the rest of the day, outside of the constant thrumming energy of his practice.

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That's worrying. She doesn't ask about it - she's doing well on remembering that her memory is impaired, that she should check things rather than asking every time she's confused, so she doesn't ask the same question over and over - but she does check.

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Context comes easily, memories of events, and then the real significance of it all.

1. "Enjoying things" is an important part of him. Enjoying things that would hurt other people, especially. He holds very tightly to that part of himself.

2. Sexuality is important to him. He holds very tightly to that part of himself, too.

3. He is really feeling for the first time, now, how at least one of these parts is being purposefully taken away from him, that something he defined himself with and took for granted as part of his being is being stolen.

4. He focuses now on escaping, tries not to think of other things, because he doesn't know what other parts of him can be taken away, and he is very deeply afraid to find out.

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Yeah, there's not much to say to that.

She helps him with his practice, instead. And sleeps; sleeping seems to help more than anything, for her.

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He practices, and helps her with her memories. He waits while she sleeps. He tries to sleep himself.

He starts to really understand how “nothing” looks, to the Force sense — it definitely doesn’t look like nothing — and how to quietly weave together edges and make something disappear. It’s slow work, but he’s progressing, inch by inch.

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He is. She's always been good at keeping hope, but it's easier, now, with something more solid to hang it on than the possibility of someday having a chance.

 

 

Three days is terribly, awfully short.

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It’s no time at all, really.

 

 

they’re going to take me again.

and...they’ll probably knock you out.

i guess

you have to let them.

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She doesn't want to. She's already plotting how to not - she has her saber, and there's not much cover by the door, but she'd have the element of surprise - when he stops her short.

 

But-

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i’ll be fine.

i have to be.

if you stop him—they’ll know something’s up.

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He's right. She knows he is, once she checks.

I'm sorry I messed this up.

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you didn’t mess anything up.

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Yeah I did. I didn't know, but that doesn't make it any better now.

I know you'll be okay. But you shouldn't have to go through it alone.

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yeah.

 

soon we—neither of us has to be alone. i hope.

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Yeah. She swirls her presence around him. Soon. Love you.

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...love you too.

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She's curled up in bed when he comes for her.

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It's less horrible when he can see it coming.

(It's still horrible.)

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Yeah.

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He's led off.

This time, he

 

he doesn't respond, at all. His body has stopped working. It's broken.

It really has been taken from him.

He doesn't even wait for her to wake up when they put him back. He just curls up in bed and sleeps.

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She reaches for him, instinctively, when she wakes.

The fact that he's asleep isn't unprecedented, or cause for more than a moment's alarm - he's there, he's okay; she needs him, it's frightening how much she does, but he's there, and they're okay for now.

His dreams are less reassuring.

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He sleeps fitfully. His mind needed a chance to rest and it's not getting it.

When he wakes up he's more exhausted than he was when he fell asleep. He reaches out to her with what energy he has.

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She's there. Unsettled, worried, but very much present. She sends him a stream of energy through the link. It's not a choice, and if it was a choice it wouldn't be a wise one - she's in better shape than he is, but only because she's been spending so very much time resting - but it's a reflex; she'd have to choose not to, and she'd have to figure out how, and she has no inclination to do either.

 

Hey. Love you.

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It helps, some. Helps him wake up, at least.

love you.

 

none of this is okay.

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Yeah.

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you've been getting better. that's good.

we won't be stuck forever.

And then he can – he can never get fixed, really, but this will stop – 

 

She won't have to do it again. That's what'll happen. They can stay together and they can never hurt her again.

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And we can try, for you. Ask. Maybe there's more to be done than you think.

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maybe.

i hope so.

 

It feels hopeless, right now, but he knows in an abstract way that there is something that can be done, even if it's a needle every day for life. He'll take it. It's better than the alternative.

 

i think – i'll know when we're ready – but in case i don't you have to tell me.

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Yeah.

I think - not much longer. You're getting there. I'll be able to remember a plan well enough soon.

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He nods, though she can’t see it, and imagines taking her hand in his so vividly it might as well be real.

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She squeezes back - it's not real, but it's a very good simulation.

They're left alone for the rest of the morning; she spends most of it asleep, after breakfast.

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He alternates between practice and just lying with her, feeling her sleeping presence.

This is the easiest time, the morning after they take him. He knows it’s safe to relax for a little while.

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The droid wakes her for lunch.

 

 

He doesn't get one.

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That’s

 

different.

Different isn’t good. 

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It's really not.

She sinks into meditation, going right for her coprentice's compound, to see if there are any clues to be found.

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He doesn’t realize that he should stop her.

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It doesn't take her very long to notice that the droids are preparing a surgical suite.

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no.

 

not again

 

not another not again NO

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oh no oh no oh no

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no more not again no no no

 

 

(He finds himself bent over the toilet retching and sobbing. Maybe this is why they didn’t feed him.)

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She tries to comfort him, but his reaction is too overwhelming for her to do anything but curl up and whimper. The droid comes over to sit with her; it doesn't particularly help.

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i don’t want to go

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I know

I know

I don't want it either

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There's nothing else, for a while. It just repeats.

 

i don't want to go

i don't want to go

i don't want to go

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...she can't...

        ...she can't think...

                ...it's too much, she can't think, there's nothing but his panic...

 

She clings to the droid, shuddering and crying.

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It subsides, after a while, into numbness.

 

do you promise

that you'll still be there

when i come back, you'll still

no matter what he does

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Yeah.

Yeah.

No matter what.

Mine. Mine. Can't have you. Mine.

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He clings to her, numb and cold, for as long as he can.

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She clings, too. It's a little nicer with the droid.

 

They come for him.

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He lets them take him.

 

(The screaming and fighting will come later.)

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The setup is a little different this time - they're still strapping him into an uncomfortable surgical chair, but he gets to keep his legs closed this time; it seems like they're going to be working above the belt.

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...he can at least rule out getting rid of the rest, then.

It doesn't bring him much comfort.

He tries to control his breathing and waits. In, out. It's simple. He's been doing it his whole life. It shouldn't be so hard now.

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He doesn't have to wait long.

It's his arm, this time. The left one, his art hand. At first it seems like he might just ...just... be flaying it, laying everything open and exposed, watching reactions as he goes, dispassionately checking whether a fingernail to an exposed nerve makes him scream, or writhe, or moan, dictating notes to a hovering droid but never addressing his captive directly.

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Before, it would have been enough. The newness and the intensity and the brilliance of the pain would have gotten him hot enough that he at least didn't have to think about it while it was happening.

 

It's not enough anymore.

He's still not normal – this isn't the same pain that other people feel, he knows that much – but he is perfectly, agonizingly conscious.

 

He shakes like a leaf through it all, mumbling pleas between moans and screams, dripping tears.

He knows what happens next.

He's seen it before.

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She stays with him, all through it, supporting him as well as she can, even as she can't help trembling and weeping and clinging to her droid.

It's not much. She can't make it stop. But it's something. He's not alone. He's hers. She's his. Even - especially - now, here, for this.

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And eventually, with one final cut and the tingle of a kolto patch just above where his elbow used to be, it's done.

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"Someday. I'm. going to."

 

              "...going to. I."

 It's gone.

                                       

                        He really can take anything he wants.

 

    

"Going. to."  kill you

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He ignores him, directs the droids to clean the room and bring him back to his cell, and leaves without a backward glance.

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It was nothing to him. This was nothing. He is

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    nothing, disposable to him, and

 

                He memorizes the aura around him, every detail, he'll be able to know it anywhere

    THIS IS WRONG

 

                                             he can take anything he wants. Anything he wants until

                                                               he's stopped

                                                                      he's dead

                            this is wrong.

 

 

 is time still passing?

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     oh.

 

He's back in his room.

His left arm has been removed, from a few inches above the elbow.

He wants everything to stop.

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She's still there, worried, watchful.

 

We'll get him. There has to be a way.

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He can't think coherently enough, right now, to give her any kind of answer to that.

 

He can make her disappear. He can do it now. He can do it as long as she needs him to.

He is very empty.

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Love you, she sends, and starts working on a plan.

It's not... it doesn't hurt, exactly, but it's not gentle, how she's borrowing his capabilities to fill in for where her own are still missing. She keeps a close eye on him, to make sure he doesn't come to any harm.

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Not gentle is fine. It feels right.

It's better right now, hurts less, to let her make use of his mind than to try to use it himself.

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She keeps an eye on him anyway. There's risks to this, she knows, even if she can't remember what they are. And she cares, even if he doesn't. That's... how things are, now, really. She can't think, so he does; he can't feel, so she does. And it all works out in the end.

Can they go now? Just - not anything else, just go, just leave. No, not straightforwardly: it's guarded. The controls for that are... in her master's suite... which she can't get into; even 'sabering her way in isn't an option, the circuits in the walls would short out her 'saber and ruin it the moment she tried. If she kills him, though, control passes to her automatically, as long as the security droids can see it. She checks where he is: in his throne room, as is usual for this time of the day. He'll probably be there for another few hours.

She might be able to kill him, now, with his help. She's been getting her strength back, and her muscle memory. She's not in peak condition, but for a sufficiently sneaky attack, she doesn't need to be.

What else needs to be done. The droid needs to be told to go to the hangar. That's... nontrivial... but she makes a quick attempt at using his speech center for her own, and it seems to work. (There's a brief flicker of alarmed concern at the back of her mind, gone before she can properly notice it.) What else... the money, the credit account information, that's easy enough. The other prisoners - she's still skeptical that they can get them out. It's definitely a risk of their lives to try. She's not sure if he still cares - if she should care whether he still cares, or just try anyway -

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Caring is...fuzzy. It’s hard.

He would have cared quite a bit, six hours ago. He thinks he’ll care in six weeks, if he’s still the same person.

If getting them out helps destroy His work, he cares about that.

(Killing the one on life support is important, in some way, too.)

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She swirls around him, offering what comfort she can.

Sithy thing to do, leaving them. Safer, though. And we need all the safety we can get. With her as entwined with him as she is, it's less like it's her telling him and more like it's his own thought.

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He wonders, vaguely, if the person he is now would be able to live with himself.

They can’t die here. It can’t happen. But...

They can’t leave Him another six bodies.

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I can probably kill them. We can make the call when I'm there. See the tactical situation.

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Killing them would be better than leaving them, if that’s the choice.

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Okay.

She checks the plan over one more time. I think that's it. It's not a perfect time, but with the element of surprise, it's not hopeless. And there's no knowing how much longer they have, before He decides He's done with him.

 

She taps into his speech center again. "Go to the hangar. We're leaving." It's a bizarre sensation, made weirder by the fact that it's his voice, his intonation, that comes from her mouth.

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Yes, Ma'am, the droid signs, and goes.

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She gives the droid a minute to get clear, getting up to pace by the door while she waits.

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Okay.

He pulls himself off the—off the floor, apparently, when did he end up there? It takes him a couple of tries, but he gets himself up onto the bed and faces towards the door.

Then he makes Deskyl disappear.

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And off she goes, using her Force sense to make sure she doesn't encounter anyone before she's ready.

It's shockingly easy, in the end. She waits by the door until one of the droids comes, bringing a drink and a data disc, and slips in behind her, silent as only a Sith can be. Her master doesn't notice her at all as she sneaks behind his throne and activates her 'saber.

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He’s not sure if the deep feeling of satisfaction is hers, or his, or theirs.

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At least some of it is hers. She doesn't linger to enjoy it, though; his death wasn't invisible to the Force, and now they're on a timer. She heads for his suite, keeping a careful eye on her surroundings.

(It doesn't take long for the first fight to break out, and she can see it in the Force - the kid she fought a few weeks ago versus the younger chemist. She keeps half an eye on it; she expects the kid to win, but it's far from certain.)

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He keeps her as hidden as he can from the other apprentices as she moves.

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And he's doing well at it, too. (She's so worried about him. Some Sith she'd be if she couldn't function while she was emotional, though.)

She reaches the suite. Sends the command for the hangar guards to stand down; rifles through his cabinets until she comes to a box labeled as financial information; heads back out.

The compound, next. Her chosen route will take her to his room first, cutting her way in through the back wall.

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He’s facing the wall when she comes in.

He’s a wreck, hair stringy and face red from crying and the remains of his arm still patched.

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She pauses, rocking back on her heels, 'saber deactivating without a conscious thought, and then she approaches, picks him up, very gently, cradling him in her arms, sits on the bed, brushes his hair out of his face. (Her attention flicks to Him, for a moment, checking: He's left the compound, and is trying to get into their master's suite; he's about to have a run-in with the chemist duo. They're safe, for the moment.)

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He just looks up at her, for a moment, distantly, as if he’s still processing that she’s really there.

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Then he breaks down in her arms, sobbing and clinging to her with the one hand still left to him.

(He loves her.)

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She clings back, strong but gentle. She loves him too; she's practically incandescent with it.

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let’s go home.

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The others, first. Can you talk to them?

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He nods.

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And she stands. She 'sabers the door open - she couldn't fight like this, but for simple things it's fine; she knows precisely where he is, she'd no more hit him than her own self.

The closest prisoner is a few doors down; she seems to be in okay physical shape, aside from being a little thin. She's cowering in the back of the room by the time the door is open.

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We’re going to get you out,” they say, and he puts the Force behind their words so she knows that it’s true. “Come with us.

He knows she can see his arm.

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- she didn't mean to talk. That's weird. And not in a good way.

The prisoner stands and follows, docile and silent.

Her tongue's missing, she observes after a moment.

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Oh. Right.

It could have gotten even worse, from here.

let’s

keep going

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The next one is naked, curled up in a ball in the corner, his cell bare except for a mattress on the floor. He starts screaming even before the door opens.

Permalink Mark Unread

 

He knows how he feels about this.

put me down.

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She doesn't want to, but she does it anyway.

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He moves closer — but not too close — shuffling on his knees, and waits, putting his hand up so it can be seen empty.

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He doesn't seem to notice.

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It hurts.

He reaches out to touch him, but he thinks he already knows what’s going to happen.

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The screaming goes shrill and he lashes out.

The Sith is there, Force-fast, and catches his hand with her own; he whines and writhes even as she lets him go again.

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there’s not enough of him left.

They can’t take him any more than they can take the one on life support.

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Yeah.

Take her outside, she shouldn't see.

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He takes her hand in his and leads her out and towards the next room.

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The screaming stops quickly. She joins them a second later.

The man in the next room is calm and collected, weirdly so; his legs are prosthetic but he seems to be otherwise fine, physically. "Who are you, then?"

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“We—”

No. He was unnerved, by the steadiness – he messed it up. He tries again.

We’re getting you out. Come with us.

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He comes.

The Sith is unnerved, too. I don't trust this one.

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yeah. me neither.

watch him?

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My attention's spread thinner than I like. But yeah.

Speaking of which - whoop, yeah. They have another couple minutes; enough to take care of the guy on life support, probably not enough to get the other two.

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Fuck.

we can’t leave them, is his first thought, and the fact that the answer is “we have to”—it doesn’t help.

 

okay.

 

(i’ll watch him too.)

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She doesn't want to be separated from him. Even the little bit they already are hurts. But she's a Sith, damn it. She can do this.

She takes the latest prisoner's hand and sets off, slashing the locks off the remaining two prisoners' doors as she goes by.

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It hurts. But they can do it.

He pushes open the first door.

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The woman in the first cell is a scaled, blue-skinned near-human, heavily scarred over most of her body where the scales have been removed; she walks with a limp and flinches at anything that might even suggest that he intends to touch her, but she comes along readily enough when he tells her to.

The woman in the next cell is tied down to her bed, restrained so that she can barely move; a black bag covers her head, with the mouth of the bag locked around her neck.

(The Sith finishes what she's doing and starts back to them. She can get the restraints off but then they have to go, immediately.)

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He turns to the other two.

"Be ready to run."

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She comes in, lightsaber already out, makes short work of the restraints, and picks her up, bag still in place - there's a fresh wave of pain at it, that she can't be carrying him instead - and off they go, back out through the hole in his room, picking up the money box on the way. 

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It's not far to the hangar, and the droid is waiting just outside it with a large duffel bag slung over her shoulder. She takes in her master's worried hovering and identifies him immediately. "Hello, sir. I'm DZ-12Q. The ship is this way." She signs along as she speaks.

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"...hi," they say.

He waves distantly with his available hand.

"We'll follow you."

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It's creepy, that they're talking together like this, and she's well aware that it's going to upset the droid. But there's nothing she can do about it, at least not yet.

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And, indeed, she stops and stares. "Are you all right, Ma'am?"

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...how does he say this?

"She had to use me–" he gestures to himself– "to speak. This happened. Should be fixable."

At least, he assumes, from the way she's thinking about it.

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She nods agreement, not too happily.

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"All right. This way."

The ship is small; it'll be cramped for the six of them. Hopefully they won't have to share it for long.

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The Sith leads the way up the ramp, still carrying the hooded woman and levitating the money box.

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He waits for everyone to file onboard before he follows.

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The droid waits, too, and falls in silently beside him.

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That seems correct.

The moment he’s on the ship, he gravitates towards the Sith.

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She's put the hooded woman down in one of the bunks and is just returning to the lounge when he comes in; she scoops him up without preamble and oh, she's not going to let him go again soon.

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He curls up in her arms and tucks his face in against her.

you’re here

It’s so good to be really touched — touched by her. He missed touching her for such a long time even though it had never happened and now he never wants to stop.

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I'm here. I have you. You have me. I'm not going anywhere.

The ramp closes, and the ship hums to life, but that's not important, nothing is important right now but him.

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Nothing else exists but them, right now.

He feels safe before the ship even takes off.

He lets his eyes close, and lifts his left — hesitates — lifts his right arm to knot his fingers in the fabric of her clothes.

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They'll have to do something about that. But for now, she just pets him. Love you. Love you. Love you.

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He nuzzles into her hand.

love you

love you

love you