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the second occasion
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House. Wardrobe. Coats.

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This time, she is here to verify that something is going on with that wardrobe. So she came prepared.

She has a backpack with some snacks in it, because hopefully she won't run into Tumnus again but she still plans to stay in Narnia for a while. She has three watches - one to leave behind and two to take along, digital and proper clockwork in case Narnia disagrees with the digital one. You never know. If she'd found a second clockwork one, she'd be leaving that behind too, just in case. In case the time difference runs the other way on this trip, she makes sure to tell Chris when she leaves, and specify that she's going to have a look at that old abandoned house; when she sets the extra watch on the floor in front of the wardrobe, she tucks a note under it explaining that she thinks there might be a secret passage in the back of the wardrobe and that is where she went if anyone comes looking. This at least adds up to a reasonable chance that somebody might find their way into Narnia after her if she's gone for too long.

In she goes, taking one of the shorter coats with her. It has an unpleasant dusty smell and the wool is slightly scratchy, but fits her without dragging on the ground, and the sleeves aren't too long but there's pockets to tuck her hands into if they get cold.

Coats, coats, coats, coats... trees and snow.

Now to check her watch - the clockwork one is ticking along normally, good - and sit under a tree and wait for a good hour or so. Better do it away from the lamp-post; it would be too easy for someone to find her there. She makes sure to pay close attention to where she's going, so she won't get lost on the way back.
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After she has been sitting for a while -

there comes a sleigh.

The person on the sleigh notices her at once.

"Stop!" she calls to the dwarf driving it for her, and the dwarf stops the reindeer.

And the extremely tall woman on the sleigh peers down at Elizabeth.
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Elizabeth looks up at the woman curiously from her cozy spot next to a snow-laden pine.

(Crap.)
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"And what, pray tell, might you be?"

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"I'm sorry, I'm not sure what you mean," she says politely.

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"What are you? Are you a human?"

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"Um, yes," she says. "Am I not supposed to be?"

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"Is that how you address a queen?"

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"It is when I'm confused and don't know that you're a queen," she says. "I'm sorry, your majesty, I didn't mean to be rude."

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The queen snorts. "And how did you come to enter my domain?"

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"That's one of the things I'm confused about," she says.

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"Explain."

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"Well, I was in an abandoned house and it was summer, and now I'm in a forest and it's winter," she says. "I didn't know that was a thing that could happen."

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"Hmmmm," says the Queen, and then she smiles a little. "You have a coat, but are you quite warm? If you will come up here I will give you something hot to drink."
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"I'm... a little chilly," she concedes. "But I'm okay. I wouldn't want to impose, with you being a queen and all. You probably have lots to do that's more important than me."

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"Not at all. Come along now."

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Damn.

"Okay," she says doubtfully. She gets up and brushes snow off her coat, and considers bolting, and decides the risks outweigh the benefits. Up she goes.
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The queen wraps a corner of her fur around James and tips a bit of liquid into the snow; it turns into a chalice full of some steaming liquid, which the dwarf fetches up to Elizabeth with a bow.

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"Thank you," she says, sounding slightly startled.

There is no opportunity to avoid drinking the drink. But - as far as she can tell, going on limited information, it would be more dangerous not to. So she sips it tentatively.
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"You're welcome, child. Were you lost before I found you?"

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"A little," she says. "I know where I am and where I came from, but I don't really know where anything else is."

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"And you have met no one but me here?"

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"Well, there's him," she says, indicating the dwarf.

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The queen laughs, not particularly genuinely. "And no one else?"

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If she keeps dodging, it's going to be obvious that she has something to hide.

She - tries to shake her head and say 'no'.

What comes out instead is, "Just a faun."

It feels and sounds like a reasonable thing to say. If she wasn't paying attention, if she was letting herself be swayed by the warm sleepy feelings induced by the magic drink, she might not even notice. But it is definitely not what she meant to say - the opposite, in fact: it's what she meant to hide.

Elizabeth rapidly reevaluates her policy on dodging vs. lying. And does her very best to continue looking warm and sleepy and unalarmed.
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"A faun! What is the faun's name? How unkind of him to leave you all alone lost in the woods."

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"I didn't ask," she murmurs. Technically true. "I was really surprised. They don't have fauns where I'm from, just humans. But I guess things are different in magic forests."

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"Did you tell the faun that you are a human, too?"

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"I think so. He asked me if I was a daughter of Eve and I didn't know what he meant. My mom's name was Samantha."

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"Did you meet him near here?"

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"I think so."

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"How interesting. Back in your country full of humans do you have any brothers or sisters or little friends your own age, I wonder?"

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"I know some kids my own age. Not a lot, because I live in a little town. I don't have any brothers or sisters."

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"I would very much like to meet your friends. You could bring them all to my palace, and there would be feasting and dancing and such excitement over the Daughters of Eve and Sons of Adam."

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"I'm sure they'd be very impressed by all that," she says. "I bet lots of kids would be excited to meet a real queen and go dancing in a real castle. It sounds amazing."

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"I would imagine so! Will you invite them for me? I can tell you where my home is."

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"Yes, please, your majesty," she says, carefully ambiguous.

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"Look, that way, you can see two hills rising above the trees. My house is just between the two. You should bring your friends, as many as you can convince - it's no good coming alone, but if you bring a few other little girls and boys with you I shall make you a Princess and your friends can be dukes and duchesses. Would you like that?"

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"Oh, I'd love to be a real Princess."

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"Then you shall! If you will bring your friends to visit me. It can be lonely without any of my own children, you see."

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"I understand," she says.

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"Excellent. And you needn't tell them anything about me. It will be a lovely surprise for them."

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"I don't think they'd believe me anyway, if I said I went to a magic forest and met a beautiful queen there," she says agreeably. "I'd have to say something else to get them to come."

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"Clever girl. I will take you to the lamp-post and beyond it is the door to the land of Men." She snaps her fingers and the dwarf drives towards said lamp post.

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"Thank you, your majesty!"

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"Of course. What is your name, dear child?"

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Not feasible to conceal.

"Elizabeth," she says.
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"What a lovely name. When you come back with your friends you must go straight to my palace, you know, and not talk to any seditious creatures you may encounter. There are all kinds of beasts in Narnia who might say anything to dissuade you from attending your party and try to send you on errands of their own instead."

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"I'll remember," she promises.

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"Good girl. You shall make a fine Princess."

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"I'll do my best, your majesty!"

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"I am sure." Jadis strokes Elizabeth's hair, and presently they are at the lamp-post. "Here you are. Hurry back."

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"Thanks for everything!" she says, and scurries off.

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"It is no trouble!" says the Queen.

Trees trees trees coats coats.
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As soon as she reaches the trees/coats boundary, well out of sight of the queen, Elizabeth takes off her backpack and scoops it full of as much snow as she can fit.

Then she zips it up and keeps going.
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Coats coats door.

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She compares timepieces.

Almost an hour passed in Narnia; barely two minutes in the house.

Okay. Time to go visit Bella, who alone out of all the kids in town might actually be able to handle this. Elizabeth gets on her bike.
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Bella is sitting outside her house under a tree with a notebook.

"Hi, Elizabeth!"
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"Hi," says Elizabeth. She gets off her bike. She glances around for other observers and sees none. She plops herself in front of Bella and opens her backpack.

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Bella peers into the backpack.

"...Um, what is that?"
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"Snow," she says. "I have had a really weird day."

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"Why do you have snow in your backpack in the middle of summer?"

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"At this point I'm pretty sure the only remaining explanation is magic," she says. "Do you want the whole story?"

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"Yes."

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"Okay," she says. "So, first, I got bored one day and went to that abandoned house to poke around for anyplace somebody could have feasibly hid a body, because I have a morbid imagination. I didn't find any bodies, but I found this huge old wardrobe full of weird-smelling coats, and I wedged the door open and went in past the coats, and then I was in the middle of a snowy pine forest. That was weird enough by itself, but then I saw a guy with goat legs and a tail and little horns, who was just about as surprised by me as I was by him. He introduced himself as Tumnus the Faun and asked if I wanted to come have tea with him, and I went, and we talked for hours all about Narnia - that's what he said the country was. Apparently it's always winter there, has been for hundreds of years, but never Christmas, by order of the Queen of Narnia, also called the White Witch although I got the distinct impression nobody says it to her face."

She takes a breath.

"Then he burst into tears and admitted he was being paid by the Witch to keep an eye out for any humans he might see and lull them to sleep and then turn them in. I told him it was fine and I wasn't going to tell anybody, and got him calmed down, and he took me back to where he'd met me and I found my way back to the Narnia end of the wardrobe and went out. When I stuck my arm back in the wardrobe, there was no forest, just the back of the wardrobe behind all the coats. And it hadn't been hardly five minutes, even though I'd spent hours and hours talking to the faun. So I wasn't sure what to think about the whole thing, and I decided to leave it alone for a while until I could figure out a good way to verify what was going on. That was the day you came over to play cards - I wanted to meet your dad partly so I could get the story of the disappeared kid out of him, because now I had an alternate explanation for where the kid had gone."

Another breath.

"Which brings us to today. I went back in with a backpack and a watch—" She shows Bella the clockwork one and the digital one. "This one I took with me, this one I left behind. When I came out, it had been a minute or two on the one and almost an hour on the other. So that part's the same - time goes by faster in Narnia, you get a lot there for only a little bit here."
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"...So you filled your backpack with snow to prove it."

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"Yeah, I'm getting to that part. First I went and sat under a tree for a while to get a time comparison - and while I was there, this really tall scary-looking woman pulled up on a sled to ask me who I was and what I was doing there, and if I was human or not. With the heavy implication that she wasn't. And when I said yes, she smiled the creepiest smile of all time and invited me to come sit with her on her sled and have a hot drink. Which I didn't want to do, but I didn't like my chances if I tried to run away, so I went with it. And she asked me a bunch more questions - and the first time I tried to lie to her after the drink she gave me, when she asked if I'd seen anyone else there, instead of 'no' I ended up saying 'a faun'."

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"That's really creepy."
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"No kidding. I got through the rest of the conversation without giving away anything else I didn't mean to, but it was hard. I don't even know if I still have the spell on - I could try lying to you or something, but I don't know the parameters, it could only prevent lying to her or only if I really mean to deceive somebody or only work in Narnia or something like that. Anyway, the next part's even creepier - she asked me if I had any human friends my age, and when I said I knew some other kids, she said I should make up some reason to get them all to follow me into the wardrobe and lead them all to her castle without telling them anything about her first, and when we got there she'd throw a big party and make me a princess and all my friends dukes and duchesses."

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"Um."

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"I know, right? So obviously that's the last thing in the world I'm going to do - but combining that with something Tumnus said, about the White Witch ruling until the thrones at Cair Paravel are filled - I think human children are a threat to her somehow. And I would really like to be a threat to her. I would like that a lot."

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"It doesn't sound particularly safe to be a threat to her," Bella points out.

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"Of course not. But - I feel responsible for Tumnus. He was going on about all the horrible things that would happen to him if the Queen found out he'd had me and let me go, and I got the sense he was the type to catastrophize but I'm not sure he was exaggerating that much. Whatever's going to happen to him has probably already happened by now, but I still want to go back and see if I can do something about the eternal winter and the creepy witch queen. And out of all the human children I know, you're the only one that I really think could handle going with me."

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"I guess we probably want to - pack some things and leave notes for Charlie and Chris, though."

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"Yeah. When I was just going in for a test, I told Chris where I was going and left a note outside the wardrobe, but this is going to take a little more planning."

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"Yeah. But maybe we want to hurry, since time seems to go faster in there and it would be sad if they had to have a very much longer time of only winter. They'll start starving in there."

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She nods. "If they've already had hundreds of years, I think they must've found some way to feed themselves, but it's not necessarily a very good one. Let's figure out everything we want to bring, figure out what we're saying to our respective grown-ups and how, and then pack up and go."

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"I guess as long as they know we're going to that one house they can come find more complete explanations that we leave there. But how will we get there? I don't have a bike and if I did I couldn't really ride it."

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"I bet I can get a ride out of Chris, actually."

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"Are you going to tell her? Would she believe you if you went and showed her the snow before it melts?"

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"I'm pretty sure she would. But it might decrease our chances of getting a ride if I tried to sell her on 'please take me and Bella to the abandoned house so we can rescue the magical land of Narnia from an evil witch queen', snow or no snow, instead of 'please take me and Bella to the abandoned house so I can indulge my morbid imagination with her for a couple hours'."

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"Charlie wouldn't believe us. He'd think you got a - a snow-cone machine or something." Pause. "If you got a snow-cone machine or something this isn't funny at all."

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"Real actual snow from a real actual magic forest, I swear."

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"I would think people would notice if the back of their wardrobe led to a magic forest. Are you sure it always works?"

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"The two times I've walked through it, it was a magic door, and the one time I just stuck my arm in it wasn't one. Maybe it only works if you climb in and most people don't climb into their wardrobes to check if there's a magic door in the back."

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"That could do it I guess."

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"Okay. So if all we're doing about the grown-ups is getting a ride from Chris, the remaining question is... what do we pack? It might be a bad idea to bring anything that's too big to hide away in a backpack, in case Chris asks questions, but if we think of something really useful I'd risk it."

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"Notebooks for me. Food - enough to last a while if we're careful, especially since if we meet people who are hungry because of the winter we might want to share or trade with them. Maybe - flashlights? We can take coats from the wardrobe which is good because I don't have anything warmer than a raincoat."

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"Yeah. And food that keeps, as much as we can, and doesn't need cooking or anything. Flashlights... yes, but the kind you shake or wind, if we can get them, not the kind that needs batteries. Batteries run out and I don't think Narnia has electricity."

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"Granola bars, um, nuts, raisins, candy maybe, candy keeps... I have a flashlight you squeeze to charge."

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"That works. Okay. Wanna scour your house for non-perishable snacks and then meet me at mine?"

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"Yeah, will do."

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"Okay. See you in a bit. If you find something you think might be useful, bring it if you can; we can always leave it at my place if we don't have room."

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Bella nods and goes into her house.

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Elizabeth closes up her backpack full of slowly melting snow and bikes back to her place.

She dumps the snow in her bathtub, dries out the inside of the backpack, and starts going through her kitchen as efficiently and systematically as possible.
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Bella's there an hour later, her own backpack full up.

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"Hi," she says when she opens the door. "I've got all the nonperishable food in the house and the one wind-up flashlight I found that worked. What have you got?"

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"Notebooks and pens and my flashlight and a first-aid kit. Granola bars, chocolate chips and Skittles and crackers and a jar of peanut butter and a knife, and I made us sandwiches - they should keep until the next time we want to eat, in our backpacks in winter, even if they wouldn't last days. Box of matches. Water bottle, I could only find one though."

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"Nice. I've been focused on the food; I can't go rooting around for useful objects so easily while Chris is working. I should clean us out of matches if I can find any, though. And I bet I can come up with some water bottles. There's probably room to throw a roll of duct tape in here on principle, even after all that..." She hefts her backpack, which is looking pretty full but still has room at the top - it's twice the size of the one she originally filled with snow.

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"Ooh, duct tape's a good idea."

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"I thought so! It's very - generally applicable. C'mon in. Any more room in yours?"

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"A little but not enough that I took the can opener and tuna."

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"Okay. C'mon in and let's see about water bottles and duct tape."

She finds those things - two water bottles, one large roll of duct tape. She shifts a few protein bars from her backpack to Bella's to make room for the water bottles (filled), then rearranges objects until she can fit the roll of duct tape and a pair of scissors, plus two warm hats and two pairs of warm gloves. Now her backpack is much closer to full. She also uncovers one box of matches at the back of a drawer, which she tucks in her pocket along with a small notebook-and-pen. She wears the clockwork watch, and a pair of boots that will be warmer than her shoes but are more plausible for wandering around an abandoned house in summer than actual winter boots. (Whether the digital watch would have worked in Narnia or not, it disagreed with all the snow she piled over it and is now out of commission.)

"All right," she says, surveying their full backpacks once this mission is complete. "Any last-minute good ideas?"
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"Um - no."

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"Okay. Time to get a ride from Chris."

She goes to Chris's office.

"Hi, are you busy?"
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"Not especially," she says, turning away from her desk.

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"Great," says Elizabeth. "Wanna drive me and Bella to an old abandoned house outside of town so we can look for dead bodies that aren't there?"

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"How can I refuse?" she snorts. "Certainly an improvement on looking for dead bodies that are there. Will you also be wanting a ride back at some point?"

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"Yeah, come get us whenever you start worrying that we're out too late."

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"Seems reasonable."

Out to the car they go, then.
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Bella heaves her backpack into the car with her, trying to look excited about a much less interesting adventure than "save Narnia from witch".

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Chris doesn't appear to suspect anything.

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How convenient.

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She drives them to the abandoned house.

"Have fun, kids."
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"With any luck," Elizabeth agrees as she disembarks from the car.

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Bella follows her.

"Where's the wardrobe?"
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"This way."

Into the house, upstairs, down the hall. Some of the furniture has been removed and some hasn't. This particular room contains nothing but the enormous wooden wardrobe, a desk, and a couple of chairs, but there are marks on the floor where a bed used to sit.
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Bella peers at the gap between the wardrobe and the wall.

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It's a few inches wide, slightly cobwebbed, but still plenty clear enough to see light on the other side all the way up and down.

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"Okay... let's see the place."

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"Okay."

She finds the coat she wore last time, and - gives it to Bella, and finds another one and puts it on. Bella is smaller than she is; better both of them in coats that are slightly too big but still workable than Elizabeth in a coat that basically fits and Bella in a coat that's falling off her shoulders and dragging behind her. And she distributes hats and gloves, and settles her backpack on her back, and climbs into the wardrobe.
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Bella wraps up warm, puts her backpack back on, and follows Elizabeth in.

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Coats. Coats. Coats.

Trees. Snow.
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"Well, okay, there goes residual doubt."
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"Yep," says Elizabeth. And more quietly: "Okay. I think the first thing we should probably do is see if we can find Tumnus's place, on the off chance that we're in time to warn him. By the way, I forgot to tell you earlier, but he mentioned that some of the trees might spy for the queen, so keep your voice down while discussing anything seditious."

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"Okay," says Bella. "Lead the way."

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"You got it."

Off she goes. She knows the way to the lamp-post from here; after that, she's guessing a little more, but she's pretty sure about the turns and landmarks.

And in fact—

there it is.

Elizabeth stops when she sees the door to the cave.
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The door has been ripped from its hinges and is lying face-down in the snow a good six feet from the cave entrance. Carved deep into the damaged wood is the sign of a snowflake - three lines crossed to make six arms, with each end bearing six further marks that make three chevrons like the fletching of an arrow. It takes up the whole upper half of the broken door. The carving is filled with dark glittering ice, as though someone poured water into the grooves and then froze it. Only a light dusting of snow has fallen since this event, so all the relevant tracks are still visible - boots in the snow, approaching the cave; the marks where someone knelt to carve the snowflake into the door; and the signs of something large and heavy being dragged off into the wood.

Beneath the snowflake, there is a note nailed to the door.
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It reads thusly:
The former occupant of these premises, the Faun Tumnus, is under arrest and awaiting trial on a charge of High Treason against her Imperial Majesty Jadis, Queen of Narnia, Chatelaine of Cair Paravel, Empress of the Lone Islands. Appeals and inquiries will be denied.

By the hand of her Majesty's most loyal servant – Eternal Winter
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"Oh boy," murmurs Bella.
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"Thoroughly seconded," says Elizabeth. "So much for Tumnus. I feel like it would be a bad idea to go in and look around, what do you think? The - the stagedness of all this," she waves at the torn-off door with its note and its snowflake, "makes me think of the kind of people who set nasty traps."

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"Yeah. And it looks maybe recent, if this Eternal Winter person is nearby and forgot his wallet or something I don't want to be here."

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"Same. Okay, let's go."

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Bella nods, and -

"There's a robin. Aren't they spring birds?"

There is, indeed, a robin. It is indeed not spring.
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"I think so," she says, watching the robin curiously.

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The robin looks intently at them. When Bella takes a hesitant step towards it, it flies to the next nearest tree, then turns to look at them again.

"Are animals... different, here?" wonders Bella dubiously.
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"I'm getting the distinct sense that they are," says Elizabeth. "Let's follow the robin."

She follows the robin.
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"Are we sure it's a nice robin?" wonders Bella, although she follows too as the robin flutters tree to tree.

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"Applying fairy tale logic to the situation, yes - because robins are spring birds, and have generally positive connotations. Applying normal logic to the situation, I have no idea but I still want to find out where the robin is leading us."

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Bella starts a little chart in her notebook about the predictions generated by fairy tale versus ordinary logic, and continues to follow the robin.

It seems to want them to walk quite a long way.
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That's fine by Elizabeth. It's not like they have any better ideas about where to go, Tumnus's house having proved unsafe.

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Bella keeps a bit of a map, filling in a compass rose once they've been going long enough to notice the direction of the sun.

And then when they have been walking for a couple of hours -

The robin flies completely out of sight.
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Elizabeth looks around.

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No more birds.

There is a bit of motion behind a tree over there, though.

"H-hello?" says Bella, on the theory that they are quite obvious to anyone who is better at forests than they are and will have better chances getting through any interaction with such a person by being reasonably friendly.

A furry long-toothed face peeks out from behind the tree, paw over its mouth in a hush gesture.
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"...That is a beaver," murmurs Elizabeth. But she nods to the beaver, indicating receipt of the message.

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Bella nods too, finger over her lips.

The beaver tiptoes out more visibly, and makes a come on motion with a forepaw, and then lumbers beaverishly off in loosely the same direction the robin was leading them.

Bella sighs and follows the beaver, continuing her map at intervals.
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Elizabeth likewise follows.

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Eventually the beaver has led them to a spot where four trees grow so close together that there is only just room for one beaver and two children to stand together.

"Are you the Daughters of Eve?" whispers the beaver. "Quietly, quietly."
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"As far as I can tell, yes we are," murmurs Elizabeth.

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"What are we being quiet for?" whispers Bella.

"The trees, there are a few about who might betray us to her," says the beaver.

"And we know that you would do no such thing because -?"

"I spoke to Tumnus before he was arrested and he asked me to meet you if anything happened to him - but he had no distinctive token to offer," apologizes the beaver. "I am afraid I'm quite unable to prove it."
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"...I think I believe you," says Elizabeth. (She wouldn't have believed a physical token anyway, but sees no need to get into that.)

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"Why?" Bella asks.

The beaver's whiskers twitch nervously.
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"It's hard to explain. I just - I get a sense of people, and the sense I get of this beaver is that he's okay."

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"Okay," says Bella.

"And -" says the beaver. "They say Aslan is on the move."

A curious sensation comes over Bella at the name Aslan. As though she has a tremendous quantity of interesting things to do, no end in sight, and time to do all of it yet without ever running out of time or activity.

And she smiles.
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The feeling Elizabeth gets is different. A kind of contemplative excitement - like she's about to do something challenging and fascinating, expects to be able to handle it, and anticipates good results.

She smiles, too. And starts a file on Aslan, with that feeling as the first item listed.
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"Do you know what's happened to Tumnus?" Bella asks.

"Oh - not here, I must bring you somewhere safe where we can talk properly," says the beaver, wringing his paws. "And dinner."
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"Sounds good," says Elizabeth. "Lead the way."

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The beaver nods and scurries off, leading them through the trees until they have come to a frozen river, across which has been built a dam now thoroughly frosted with icicles. In the middle of the dam is a sort of house, with smoke coming out of the chimneytop.

"Oh," says Bella, admiringly. "This looks nice."
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"Very cozy," says Elizabeth.

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"And it looks like Mrs. Beaver is expecting us. I'll lead the way; you step carefully and don't slip."

"Erm," says Bella. "I'm practically guaranteed to slip - maybe I'd do better on my hands and knees, I suppose."

"As you like," agrees the beaver, and he leads them across the top of the dam to the house.

Bella sighs and crawls, glad of her mittens.
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Elizabeth follows behind Bella, prepared to catch her in case of accident.

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Bella makes it to the house without incident except for dampening the knees of her jeans on the ice.

In the house is a second beaver, sitting at a sewing machine with a thread in her mouth. She stops sewing as soon as the girls have entered. "So you've come at last!" she exclaims. "At last! To think I should have lived to see this day. The potatoes are boiling and the kettle's singing and I daresay Mr. Beaver will get us some fish."

"That I will," agrees the beaver, and he goes back out again with a pail.

Bella sits down, looking around at the onions and hams hanging from the ceiling and the general not-a-century-of-winter-ness of the provisions available.
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It's interesting, that's for sure. As is Mrs. Beaver and her sewing machine. Elizabeth looks curiously at what she was working on.

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She appears to have been putting a patch in a dishtowel.

"Here, if you'd be so kind as to help me we'll have supper in a jiffy," says Mrs. Beaver, and she directs the girls to various kitchen tasks. Mr. Beaver is back soon with fish, which are presently sizzling away.

"Can I ask you something?" Bella says to Mrs. Beaver.

"Of course."

"I can guess where the fish is coming from, because fish can live under ice, but where'd the rest of the food come from?"

"The ham was a trade for some fish - there are some dwarves a bit west who grow mushrooms deep underground where it's cool but not so terribly frigid, and the pigs can eat those and a few scraps and be quite happy about it and then there are hams - and the vegetables and the butter and so on are all from the cornucopia, which visited us just last month and if the cold does us no other favors at least it will let things keep."

"...A visiting cornucopia," repeats Bella.

"Oh, without it more of us would be working for the Witch's promises of provisions," shudders Mrs. Beaver. "Not us, we'd never, but the odd soul might."
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"I see," murmurs Elizabeth. "It's a good thing there is one, then - is there just one, or are there more? How are the visits arranged?"

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"Only one. It was the Last Present," sighs Mr. Beaver. "There's a sort of a schedule, but it's variable because of course the Witch's agents are always chasing the bearer."

"The Last Present?" asks Bella, sensing capital letters.

"Before there was no Christmas anymore."

"You know, that's confusing, too," says Bella. "You obviously don't care to do what the Witch says. Why not just celebrate Christmas on some day or other even if there isn't an official one, if you like?"

The beavers blink at her in confusion.
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"I think they do Christmas differently here," says Elizabeth. "At home people give each other presents, things we buy or make, but it sounds like the Last Present came from somewhere."

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"Oh, people used to give each other presents, too, on Christmas," sighs Mrs. Beaver, "but what it means for there to be no Christmas is that Father Christmas hasn't been able to come."

"Father Christmas," says Bella. "Like - Santa?"

"Is that what you call him in your country?" inquires Mr. Beaver.
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"Yes," says Elizabeth. "They call him Father Christmas in another country nearish ours, but in ours we call him Santa Claus, and nobody's ever really seen him that I know of. It seems like Narnia has a lot of things that we only knew as stories before we came here."

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"Nobody to have seen Father Christmas! My goodness," says Mrs. Beaver.

"So he gave someone the cornucopia, the last time there was a Christmas, and it's been letting you all stay reasonably fed on things besides mushrooms, animals - that I assume don't talk? - which eat mushrooms, and I suppose pinecones, and fish?" says Bella.

"There are a few things that will grow by themselves in the winter," says Mr. Beaver, "some berries and some roots if you're careful not to kill the whole plant, but yes, that's about right. And of course the pigs don't talk."

"The robin that led us to you didn't speak either, but was smart enough to do it," says Bella.

"Well, there are a few in-between animals, but you needn't worry about the pigs, they're quite mute and simple," Mr. Beaver says. "Same as the fish."

"If you say so," says Bella.
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"So... what are we supposed to do, exactly? To bring Father Christmas back and end the winter and all that?"

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Mr. Beaver peers out the window.

"Ah," he says. "It's snowing again. Then we shan't have any visitors and your tracks will be covered up soon enough... Right. There's no saving Mr. Tumnus. I'm certain he's been taken to her house, and whether he's been locked up or turned to stone or given over to be her assassin's plaything I'm sure I couldn't guess, but even if you had some idea of it, it's no good. But now that Aslan is on the move -"

Bella leans forward; the name keeps stealing over her like the most glorious lifelong forecast of all time.
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Elizabeth doesn't react so visibly, but she observes that the name seems to be doing the same thing to Bella that it is to her, although she suspects the details might be different.

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"Who is Aslan?" Bella asks.

"Aslan! Why, how could you not know - he's the King. Lord of the whole wood, but not often here, you understand - not in my time or my father's time. But he's come back. He's in Narnia, right at this moment. He'll put things to rights, he'll settle with the White Witch, he'll save Mr. Tumnus and all her other victims."

"And I take it he's quite safe from being turned to stone himself," says Bella.

"Turn Aslan to stone! If she can look him in the eye without falling to the ground it will be more than I expect of her."
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"Does that mean all we have to do is wait for Aslan to fix it? I have a feeling it doesn't," says Elizabeth.

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"Well, I'm meant to take you to meet him," says Mr. Beaver. "Tomorrow, if possible, at the Stone Table. We do need you too, Daughters of Eve - there's an old rhyme about it - When Adam's flesh and Adam's bone / sits at Cair Paravel in throne / the evil time will be over and done."

"...Are you saying we're supposed to sit on thrones? Does that mean only as a - physical trigger for some kind of magic, or as a symbol that will be useful for some reason, or - the conventional reason people sit on thrones?"

"You'll want to speak to Aslan about that," says Mr. Beaver.

"And the Witch, is she not human herself?"

"She's been known to claim it," he says. "She'd like us to think it, it's how she bases her claim to the throne, but no, she's Jinn on one side, giant on the other. Not a drop of real human blood. That's why she's so wrong clear through - things that look like humans and aren't, or used to be and stopped, they're not to be trusted. There's good Dwarfs, but the ones that are the least like men, not the ones that could be mistook."

"I see," says Bella, politely dubious.
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It's interesting to know such a rule exists, regardless of how true it turns out to be.

"What sorts of things are there that used to be human and stopped?" she asks.
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"I've heard it said about her assassin," says Mr. Beaver. "I don't credit it, though, he's no such thing. I think he's most likely one of her own race with a lot of magic done to him on top of that."

"Some of her undead were, though. Wights and the like," says Mrs. Beaver. "To the best of my knowledge."

"What's Aslan?" Bella asks, taking notes on the variety of creatures.

"Oh, Aslan is a lion," says Mr. Beaver. "King of beasts. The lion."

"Goodness."
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"Seems... appropriate, somehow," muses Elizabeth. "Who's this assassin you keep talking about?"

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Mr. Beaver looks nervously out the winter again, then lowers his voice and says, "He calls himself Eternal Winter."

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"We saw the note he left at Tumnus's house," she says. "He seems - frightening."

He seems like he goes out of his way to be frightening. Like it's his purpose.
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"Terribly. Some people are more afraid of him than they are of her," shudders Mrs. Beaver.

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"I can see how they might be."

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"But anyway if you hurry to the Stone Table you will meet Aslan and - it's just the two of you? There aren't a couple of Sons of Adam about as well?" says Mrs. Beaver anxiously.

"It's just us," says Bella. "Do there need to be more?"

"Well, there are four thrones. The exact wording of the old rhymes doesn't mention a number, but there are four."
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"Well, I think we're going to have to make do with two, unless more people start showing up from who knows where," says Elizabeth.

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Bella nods.

"Well, you'll have to meet Aslan all the same," says Mr. Beaver. "And I should like to hurry, in case for all our caution there's been word taken to the Witch."

"All right, that's reasonable," says Bella. "Is he most likely there already waiting?"

"I imagine so, and in any event it would be much easier to stop you getting there than to stop him, so it's the best place to be," says Mr. Beaver.
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"Sounds like a plan," says Elizabeth. "Is there anything else to do before we leave?"

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"Well, we ought to pack some food for the journey," says Mrs. Beaver.

"We've packed some and haven't even begun to eat it yet. There's enough to share, especially if you like sugar. Are we going to take very long to get there?"

"Not too terribly, I suppose," Mrs. Beaver says. "And sugar's nice, of course."

And so out they go, bundled into coats, Bella creeping along until they're not so near a drop. The snow has stopped and the moonlight is shining. "We'll keep by the riverbank as much as we can. She couldn't bring her sledge down here," advises Mr. Beaver.
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Elizabeth nods along to this explanation. It seems wise as far as she can tell.

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They walk. And walk. Eventually the moon disappears behind clouds again and it starts to snow, but since they started out quite warmed up in the beavers' house and immediately moved on to trudging along the riverbank, they don't get too cold except for the ends of their noses. Enough time passes for everyone to become quite tired, and for Bella to distribute the sandwiches (she made four and offers each beaver one).

After this, Mr. Beaver scrambles up into a hidey-hole and announces that it should be safe for them to sleep there for a few hours, whereas sleeping first in their house would have made them very easily findable for anyone expecting the Daughters of Eve to be in the company of beavers in particular. It is sheltered and reasonably snug with two large beavers and two small girls all curled up together in it, although it is not particularly comfortable in any other respect.
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This seems reasonable. Elizabeth curls up and goes to sleep.

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So does Bella.

And there they may sleep quite peacefully, until they hear the jingling of bells.

Mr. Beaver is out of the hideaway in a flash and scrambling up the riverbank, and then voices are heard.
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Elizabeth listens.

That definitely doesn't sound like the Queen. Still - that doesn't mean it's friendly. She stays put.
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"It's all right!" shouts Mr. Beaver. "Come on up, it's safe, it isn't her!"

Bella sits up.
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Elizabeth decides to take his word for it. Out she comes.

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Bella follows, and so does Mrs. Beaver.

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And when they reach Mr. Beaver, they find... a man in a red coat, with a long white beard and brilliant blue eyes, standing by a sledge to which are harnessed six large shaggy brown reindeer.

"I've come at last," he says. "She has kept me out for a long time, but I have got in at last."
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Oh wow.

Santa Claus.

Only that name doesn't sound quite suitable for this personage. He's - gladdening and solid and more like the Ghost of Christmas Present than like a soft drink commercial.

"Father Christmas," she says, quite sure.
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"I am," he agrees. "And now for your presents. There is a new and better sewing machine for you, Mrs. Beaver. I will leave it in your house as I pass."

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"If you please, sir," says Mrs. Beaver, curtseying, "it's been locked up."

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"Locks and bolts make no difference to me," says Father Christmas. "And as for you, Mr. Beaver, when you get home you will find your dam finished and mended and all the leaks stopped and a new sluice-gate fitted."

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Mr. Beaver is quite speechless with delight, mouth open very wide.

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"Son of Eve," says Father Christmas, addressing Elizabeth.

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Slightly confused, she says, "Yes?"

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"These are your presents," he says, handing her a sword and a shield. "The time to use them may be very near at hand. Bear them well, and let them guide you when you have need of guidance."

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She accepts her presents with a thoughtful look. The shield is bright silver, bearing the device of a red lion; the sword has a golden hilt with the pommel shaped like a lion's head.

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He turns to the other human present. "Bella, Eve's Daughter."

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"Yes?"

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"In this bottle," he says, handing her a round vial of transparent crystal with innumerable shining facets, "there is a cordial made of the juice of one of the fire-flowers that grow in the mountains of the sun. A few drops will heal sickness or injury up to the very point of death, although not beyond."

Next he hands her a silver staff with gold detailing of curves and angles that matches the gold cap with silver detailing on the little bottle; the top of the staff bears a sphere of transparent crystal matching the bottle's many-faceted shape.

"And this, I think you will find particularly useful. Its magic will leave you surefooted while you hold it, and it can be called upon to make light against the darkness, to speak with your friends though you be separated by great distances, and to find what you are looking for. I caution you that this last power can be temperamental, and it is better not to rely on it unless you have no other choice."
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Bella nods, pocketing the vial and taking hold of the staff at once. "Thank you. Thank you very much."

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"And now," he says, "a little something for all of you—" and he produces a silver tray bearing four teacups and a large steaming teapot, with milk and cream and lumps of sugar all set out next to it. He sets it down in the snow, climbs back into his sledge, and cries "Merry Christmas!" as his reindeer pull him smoothly away.

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Bella walks around in a little circle, testing her surefootedness, before sitting down for tea.

"Best presents."
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"That was definitely something," says Elizabeth. She finds that she can wear the sword and shield comfortably on her back if she adjusts the sword-belt just so, and for ease of sitting down to tea, she does just that.

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Bella is now testing out the features of her scepter. It does indeed light up - a bit too dramatically; she darkens it again at once. She cups her hand around the crystal at its top and whispers into it, clear in Elizabeth's ear: "Can you hear me, testing one two three, why'd he call you a Son, do you know?"

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"Crystal clear," she murmurs back with equal clarity, although her voice is too quiet to carry across the few feet between them. "I'm - not sure. I have the feeling that I know but not the actual knowledge."

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"Huh." Bella props her scepter in her lap, pats her pocket to make sure the cordial is safe there, and sets about sugaring a cup of tea for herself. "Well, I approve very much of Father Christmas, I wonder why he doesn't come around like that on Earth?"

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"Maybe Earth just can't support that much magic."

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"Maybe. It is definitely magical here. I hope the presents will still work when we go back."

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"I hope so too. Even though mine won't really be that useful."

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"Well, you can hope they won't, and I hope I never need my cordial, but I worry they'll come in handy."

"There's certainly a battle coming," says Mr. Beaver solemnly, "though what your part in it will be I can't say."
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"I'm going to guess my part in it will involve fighting," says Elizabeth. "And I'm sure the sword and shield will be useful for that. I just don't think they'd do me much good at home."

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"Well, you could fence, but practical use I guess not. I'd soon run out of cordial if I tried to do much with it at home, too. I love my scepter though, I can probably run with this if I want to."

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"See? Now that's practical for every occasion."

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"Mm-hm! And the phone thing, although at home there's - you know - phones."

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"And flashlights."

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"Here we have flashlights. We brought them. I guess the scepter's more convenient, but maybe it's good for other things too." Tea yum yum.

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"We have flashlights until they break or we lose them or give them away. I have a feeling you'll be hanging onto that scepter."

Yum yum tea!
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"Yeah. I love my scepter."

Bella breaks out some of her other food - peanut butter and crackers and chocolate chips - which go well if blandly with the tea. Presently they are all fed and tea'd and Mr Beaver says, "Time to be moving on, now."
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"Yeah," says Elizabeth. "I wonder what to do with the tray and things?"

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"We can tuck them into the hideaway and maybe they will be useful to some other beaver someday," says Mrs. Beaver, and she sets about briskly doing that, and then they move on, Bella able to go quite a bit faster with scepter in hand.

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Along goes Elizabeth, then, once she's re-settled her sword and shield so she can wear her backpack comfortably.

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Around them, the winter thaws as they walk.

It is warm, and the ground squishes with snowmelt, and quite abruptly there are crocuses and bluebells growing, and the birds are quite a lot louder than they were the previous day. The river's ice breaks and dissolves, and the river rises, and they turn away from its course a bit south towards the Stone Table.

When they have been walking all day and the sun is beginning to hang low in the sky (there have been pauses to rest - the Beavers are certain the Queen cannot ride her sleigh in the mud - and to eat candy and granola bars) they come at last to a hill, which they climb in what seems like a very short time.

From the top of this hill they can see forest spreading in every direction except straight ahead, where they have a clear view to the sparkling sea. And on this hilltop is - a stone table. The stones of it have peculiar markings carved into their surfaces, which make one feel just as peculiar if one looks at them; and then off to the side of it is a glorious pavilion. Banners with the same lion design as Elizabeth's shield fly from it.

There is a swell of music.

Aslan is standing in the center of a great group of creatures, some of which have instruments. There are dryads, and naiads, and four centaurs and a unicorn and a man-headed bull and an assortment of more recognizable creatures, and two leopards attend the great lion, one carrying his crown and the other his standard.

He is enormous. He emanates a feeling of goodness all around him, yet is terrifying all the same. He regards the new arrivals with a calm, not curious but expectant, expression on his face.
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...Okay, wow.

Elizabeth recovers quickly from her first impression, though. She makes herself look at him even though she instinctively wants to look away, and she steps up in front of him and says clearly and calmly, "We're here."
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Bella can't think of anything substantive to add, but nods and flanks Elizabeth up to face the lion.

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"Welcome," says Aslan, a glint in his eye, "James, Son of Eve, and Isabella, Daughter of Eve. Welcome He-Beaver and She-Beaver."

He has a deep, rich, soothing voice, like the intersection of melted chocolate and a hot bath and velvet.
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For a second she's even more confused, and then it clicks.

Elizabeth—James—grins. "Thank you," she says, with a little bow.
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"...James?" says Bella.

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"I'll - explain later," she says. "It might be kind of a long story, and I think we have more important things to talk about right now."

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"...Okay. Aslan, what are we supposed to do?"

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Aslan rests an enormous paw on her shoulder; it's heavy enough that she has to lean hard on her scepter to stay upright, but she does so. "Come, both of you, and I will show you a far-off sight of the castle where you are to be King and Queen."

He unpaws Bella and leads them both to the eastern edge of the hill and shows them, in the evening golden light from the sunset behind them under rosy clouds, miles of the most gorgeous landscape, punctuated - where a great snake of a river meets the sea - by a shining castle. The light is glinting off all the glass of its windows and it looks like a star come to rest, all glory and spectacle.

"That," says Aslan, "is Cair Paravel of the Thrones of the rightful rulers of Narnia, in which you will sit."
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James thinks of saying 'nice castle', but decides it's probably too flippant for the occasion.

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"Are - there enough of us?"

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"Two have ruled before, and two may rule again, though there is room for four," says Aslan.

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James nods—

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—but before she can come up with a suitable comment for the occasion, there is an abrupt cut-off scream from the far side of the pavilion. Dryads and naiads scatter in every direction, some of them also screaming.

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Oh, so that's what Father Christmas meant by the sword and shield guiding her - is what James finds herself thinking as she drops her backpack, draws her sword, and bolts for the source of the trouble all in a single uninterrupted movement.
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Bella runs towards the commotion, too, though not so swiftly as she's not really armed - backpack dropped next to James's, staff clutched tight in one hand and the other hand pressed over her pocket of cordial.

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Aslan is with them, but when the braver of the other creatures start forward to the great wolf that has treed a naiad (naiads are the ones who are not supposed to be treed), he calls, "Back! Let the Prince win his spurs."

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The Prince so named has very little time to analyze the situation before she's right behind the enormous wolf, slashing at its back with her sword. It turns on her in a blink, howling with rage; she lunges forward and stabs it in the heart with all her eleven-year-old strength.

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The wolf's neck is still long enough for it to lunge forward, fire in its eyes, and scrape its teeth against her forehead - but that's all. It dies on her sword.

The naiad creeps down, making curtseys and uttering stammered thanks.
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"You're welcome," she says shakily, attempting with moderate success to dislodge sword from wolf.

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The creatures reorganize themselves; it is eventually the consensus that another wolf has got away without attacking anyone and is most likely reporting to the Witch, but the sun is setting, everyone seems to feel quite safe in the presence of Aslan, and various nymphs pack James and Bella into piles of cushions in the pavillion to rest for the night, after James has been reminded to wipe off her sword.

"Hand it to me and kneel, Son of Eve," instructs Aslan, and when James has done that, Aslan strikes her with the flat of the blade, and says, "Rise up, Sir James Wolf's-Bane. And, whatever happens, never forget to wipe your sword."
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"I'll remember," she assures him.

And now... bedtime?
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Bella has not been knighted and is in her cushion heap when James gets to the adjacent one.

"So," says Bella, not yet irretrievably sleepy. "James?"
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"Yeah?"

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"You were going to explain?"

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"...Yeah. I think - somehow, Aslan and Father Christmas knew something about me that wasn't true yet," she says. "But it is now. It's hard to explain properly, though, because... well. If I said 'James Moriarty', would you know who I meant?"

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"He's the bad guy in a couple of Sherlock Holmes books, isn't he?"

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"Mm-hmm. He's this mysterious criminal mastermind math professor. I've always liked him, because of the math thing and because he's supposed to be incredibly smart and, I don't know, good at things? But I didn't want to be him or anything. But - I don't know, when Father Christmas called me 'son of Eve' that made sense, even though I couldn't figure out why or what it meant that it did. And then Aslan called me James... and I think what it means is that I was going to decide that I really do want to be James Moriarty. A better, smarter version with different priorities. I think that in a sense it's just as true to say that I'm a boy and my name is James, as to say that I'm a girl and my name is Elizabeth. Or - I'm not sure if one is really more true than the other between girl and boy, I haven't really figured that part out yet at all, but I think James is more true than Elizabeth. It feels more mine."

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Bella digests this. "I don't think I get how this adds up to wanting to be him. I'll call you James if you want but I'm not getting where Moriarty comes in or why."

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"I know, I'm not explaining it well. It would be easier if I'd thought of it myself, I think, because then I would've gone through all the things that make it make sense already. This way it's like somebody handed me the answer to a math problem and I can tell it's right but I can't prove it yet because I haven't figured out the steps." She sighs. "And the books are all back on Earth, and I haven't memorized the Moriarty parts because I didn't know this was going to happen, so I might not have enough information to write the proof until we get back. I'll think about it, I guess, whenever we have time."

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"Okay," Bella says. "I'm not sure I understand the part about also being a boy either."

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"That part's even harder to explain, because I don't think I have all the pieces yet. It's just - when they call me 'Son of Eve', or when Aslan said 'prince' and 'his' about me, I think that if I weren't just-as-much-a-boy it would've sounded incorrect. But it doesn't. I think I could just... go around being called 'sir' and 'he' and stuff, and it would be the same amount of right as 'miss' and 'she'. I even think I want to do some of both. But it's harder to figure out because, you know, at least with the James thing I've read the books and thought about the character and have opinions about him and stuff. The boy/girl thing isn't really something I've thought about before at all."

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"Huh. I mean, I guess I wouldn't like it if somebody called me a son of anything."

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"Yeah. I think maybe most people wouldn't like it, or it would sound weird to them, like it - didn't fit, didn't belong. With me, I'm not used to it yet, but it doesn't sound weird that way."

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"King James," says Bella. "Like the Bible edition."

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...She giggles. "Perfect."

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"And Queen Isabella. I think real Queen Isabellas may have existed but I don't remember enough history to know where."

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"There might have been one in Spain, I think I vaguely remember hearing about one in Spain."

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"All right. I know a little Spanish just from living in Arizona."

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"I know very little Spanish! But I guess that fits. Okay, you be Queen Isabella and I'll be King James."

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"It's a deal."

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James giggles again.

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"We have to get to the palace, first, though, and I bet the witch is going to try to stop us. Aslan seems like he can probably take her - well, as far as I know, but you met her and I haven't, what do you think?"

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"I think... he could. But she might have something up her sleeve. She's the something-up-her-sleeve type."

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"Yeah. Fairy tale logic says we're not all done having adventures until we've needed all our presents."

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"Yeah. I'm still not sure about the fairy tale logic thing, but it seems to hold up most of the time from what we've seen so far."

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"This is a pretty fairy tale place. I like it, especially now it's spring."

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"Spring is a plus," she says. "Especially under the circumstances. If it was just an ordinary winter I'd miss it more, because I like building snow forts."

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"Yeah, the winter was a sad winter, not a snow forts winter. Presumably it will be back again in an appropriate amount of time and then it will be a nicer winter."

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"With Christmas," says James. "I definitely support the Narnia version of Christmas."

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"I do too. I wonder if the presents are this cool every year."

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"I sure hope so!"

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"The beavers didn't get magic things and we didn't see what anyone else got, but the beavers seemed really happy anyhow."

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"Father Christmas is interesting. You seem like the kind of person who likes having things explained, and he explained your presents way more than he did anybody else's."

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"And he knew about the son of Eve thing, too. I wonder how that works. He seems much too friendly to be mind-reading without permission."

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"He couldn't possibly have gotten the son of Eve thing by reading my mind, anyway. It has to be something else. Maybe it's the same as whatever he uses to tell what presents to give people in the first place."

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"Yeah. Maybe like your sense-of-people but really souped up."

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"Seems plausible. Maybe I'll ask him next year."

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"Yeah. I wonder where he goes when it isn't Christmas."

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"You can ask him next year, maybe!"

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"I will have a great big list of questions for Father Christmas next year, you can bet." Pause. "I wonder if the time stopping magic on the wardrobe is good enough to let us stay here for a good long time without worrying our grownups."

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"I wonder that too. I mean - if Chris gets worried she'll come to pick us up, and she'll probably find where we climbed into the wardrobe, it's pretty obvious with the chair wedging it open and all. And then I guess if it works for her it'll work for her, and if it doesn't... I dunno."

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"We should ask Aslan about that tomorrow," Bella yawns.

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"Mmhm. G'night."

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Bella snuggles into the pillows, and goes to sleep.

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James does likewise.