House. Wardrobe. Coats.
She has a backpack with some snacks in it, because hopefully she won't run into Tumnus again but she still plans to stay in Narnia for a while. She has three watches - one to leave behind and two to take along, digital and proper clockwork in case Narnia disagrees with the digital one. You never know. If she'd found a second clockwork one, she'd be leaving that behind too, just in case. In case the time difference runs the other way on this trip, she makes sure to tell Chris when she leaves, and specify that she's going to have a look at that old abandoned house; when she sets the extra watch on the floor in front of the wardrobe, she tucks a note under it explaining that she thinks there might be a secret passage in the back of the wardrobe and that is where she went if anyone comes looking. This at least adds up to a reasonable chance that somebody might find their way into Narnia after her if she's gone for too long.
In she goes, taking one of the shorter coats with her. It has an unpleasant dusty smell and the wool is slightly scratchy, but fits her without dragging on the ground, and the sleeves aren't too long but there's pockets to tuck her hands into if they get cold.
Coats, coats, coats, coats... trees and snow.
Now to check her watch - the clockwork one is ticking along normally, good - and sit under a tree and wait for a good hour or so. Better do it away from the lamp-post; it would be too easy for someone to find her there. She makes sure to pay close attention to where she's going, so she won't get lost on the way back.
She - tries to shake her head and say 'no'.
What comes out instead is, "Just a faun."
It feels and sounds like a reasonable thing to say. If she wasn't paying attention, if she was letting herself be swayed by the warm sleepy feelings induced by the magic drink, she might not even notice. But it is definitely not what she meant to say - the opposite, in fact: it's what she meant to hide.
Elizabeth rapidly reevaluates her policy on dodging vs. lying. And does her very best to continue looking warm and sleepy and unalarmed.
"Look, that way, you can see two hills rising above the trees. My house is just between the two. You should bring your friends, as many as you can convince - it's no good coming alone, but if you bring a few other little girls and boys with you I shall make you a Princess and your friends can be dukes and duchesses. Would you like that?"
"What a lovely name. When you come back with your friends you must go straight to my palace, you know, and not talk to any seditious creatures you may encounter. There are all kinds of beasts in Narnia who might say anything to dissuade you from attending your party and try to send you on errands of their own instead."
She takes a breath.
"Then he burst into tears and admitted he was being paid by the Witch to keep an eye out for any humans he might see and lull them to sleep and then turn them in. I told him it was fine and I wasn't going to tell anybody, and got him calmed down, and he took me back to where he'd met me and I found my way back to the Narnia end of the wardrobe and went out. When I stuck my arm back in the wardrobe, there was no forest, just the back of the wardrobe behind all the coats. And it hadn't been hardly five minutes, even though I'd spent hours and hours talking to the faun. So I wasn't sure what to think about the whole thing, and I decided to leave it alone for a while until I could figure out a good way to verify what was going on. That was the day you came over to play cards - I wanted to meet your dad partly so I could get the story of the disappeared kid out of him, because now I had an alternate explanation for where the kid had gone."
Another breath.
"Which brings us to today. I went back in with a backpack and a watch—" She shows Bella the clockwork one and the digital one. "This one I took with me, this one I left behind. When I came out, it had been a minute or two on the one and almost an hour on the other. So that part's the same - time goes by faster in Narnia, you get a lot there for only a little bit here."
"Yeah, I'm getting to that part. First I went and sat under a tree for a while to get a time comparison - and while I was there, this really tall scary-looking woman pulled up on a sled to ask me who I was and what I was doing there, and if I was human or not. With the heavy implication that she wasn't. And when I said yes, she smiled the creepiest smile of all time and invited me to come sit with her on her sled and have a hot drink. Which I didn't want to do, but I didn't like my chances if I tried to run away, so I went with it. And she asked me a bunch more questions - and the first time I tried to lie to her after the drink she gave me, when she asked if I'd seen anyone else there, instead of 'no' I ended up saying 'a faun'."
"No kidding. I got through the rest of the conversation without giving away anything else I didn't mean to, but it was hard. I don't even know if I still have the spell on - I could try lying to you or something, but I don't know the parameters, it could only prevent lying to her or only if I really mean to deceive somebody or only work in Narnia or something like that. Anyway, the next part's even creepier - she asked me if I had any human friends my age, and when I said I knew some other kids, she said I should make up some reason to get them all to follow me into the wardrobe and lead them all to her castle without telling them anything about her first, and when we got there she'd throw a big party and make me a princess and all my friends dukes and duchesses."
"I know, right? So obviously that's the last thing in the world I'm going to do - but combining that with something Tumnus said, about the White Witch ruling until the thrones at Cair Paravel are filled - I think human children are a threat to her somehow. And I would really like to be a threat to her. I would like that a lot."
"Of course not. But - I feel responsible for Tumnus. He was going on about all the horrible things that would happen to him if the Queen found out he'd had me and let me go, and I got the sense he was the type to catastrophize but I'm not sure he was exaggerating that much. Whatever's going to happen to him has probably already happened by now, but I still want to go back and see if I can do something about the eternal winter and the creepy witch queen. And out of all the human children I know, you're the only one that I really think could handle going with me."
She nods. "If they've already had hundreds of years, I think they must've found some way to feed themselves, but it's not necessarily a very good one. Let's figure out everything we want to bring, figure out what we're saying to our respective grown-ups and how, and then pack up and go."
"I'm pretty sure she would. But it might decrease our chances of getting a ride if I tried to sell her on 'please take me and Bella to the abandoned house so we can rescue the magical land of Narnia from an evil witch queen', snow or no snow, instead of 'please take me and Bella to the abandoned house so I can indulge my morbid imagination with her for a couple hours'."
"Okay. So if all we're doing about the grown-ups is getting a ride from Chris, the remaining question is... what do we pack? It might be a bad idea to bring anything that's too big to hide away in a backpack, in case Chris asks questions, but if we think of something really useful I'd risk it."
"Notebooks for me. Food - enough to last a while if we're careful, especially since if we meet people who are hungry because of the winter we might want to share or trade with them. Maybe - flashlights? We can take coats from the wardrobe which is good because I don't have anything warmer than a raincoat."
"Notebooks and pens and my flashlight and a first-aid kit. Granola bars, chocolate chips and Skittles and crackers and a jar of peanut butter and a knife, and I made us sandwiches - they should keep until the next time we want to eat, in our backpacks in winter, even if they wouldn't last days. Box of matches. Water bottle, I could only find one though."
"Nice. I've been focused on the food; I can't go rooting around for useful objects so easily while Chris is working. I should clean us out of matches if I can find any, though. And I bet I can come up with some water bottles. There's probably room to throw a roll of duct tape in here on principle, even after all that..." She hefts her backpack, which is looking pretty full but still has room at the top - it's twice the size of the one she originally filled with snow.
She finds those things - two water bottles, one large roll of duct tape. She shifts a few protein bars from her backpack to Bella's to make room for the water bottles (filled), then rearranges objects until she can fit the roll of duct tape and a pair of scissors, plus two warm hats and two pairs of warm gloves. Now her backpack is much closer to full. She also uncovers one box of matches at the back of a drawer, which she tucks in her pocket along with a small notebook-and-pen. She wears the clockwork watch, and a pair of boots that will be warmer than her shoes but are more plausible for wandering around an abandoned house in summer than actual winter boots. (Whether the digital watch would have worked in Narnia or not, it disagreed with all the snow she piled over it and is now out of commission.)
"All right," she says, surveying their full backpacks once this mission is complete. "Any last-minute good ideas?"
She finds the coat she wore last time, and - gives it to Bella, and finds another one and puts it on. Bella is smaller than she is; better both of them in coats that are slightly too big but still workable than Elizabeth in a coat that basically fits and Bella in a coat that's falling off her shoulders and dragging behind her. And she distributes hats and gloves, and settles her backpack on her back, and climbs into the wardrobe.
"Yep," says Elizabeth. And more quietly: "Okay. I think the first thing we should probably do is see if we can find Tumnus's place, on the off chance that we're in time to warn him. By the way, I forgot to tell you earlier, but he mentioned that some of the trees might spy for the queen, so keep your voice down while discussing anything seditious."
Beneath the snowflake, there is a note nailed to the door.
The former occupant of these premises, the Faun Tumnus, is under arrest and awaiting trial on a charge of High Treason against her Imperial Majesty Jadis, Queen of Narnia, Chatelaine of Cair Paravel, Empress of the Lone Islands. Appeals and inquiries will be denied.
By the hand of her Majesty's most loyal servant – Eternal Winter
"Thoroughly seconded," says Elizabeth. "So much for Tumnus. I feel like it would be a bad idea to go in and look around, what do you think? The - the stagedness of all this," she waves at the torn-off door with its note and its snowflake, "makes me think of the kind of people who set nasty traps."
There is a bit of motion behind a tree over there, though.
"H-hello?" says Bella, on the theory that they are quite obvious to anyone who is better at forests than they are and will have better chances getting through any interaction with such a person by being reasonably friendly.
A furry long-toothed face peeks out from behind the tree, paw over its mouth in a hush gesture.
The beaver tiptoes out more visibly, and makes a come on motion with a forepaw, and then lumbers beaverishly off in loosely the same direction the robin was leading them.
Bella sighs and follows the beaver, continuing her map at intervals.
"The trees, there are a few about who might betray us to her," says the beaver.
"And we know that you would do no such thing because -?"
"I spoke to Tumnus before he was arrested and he asked me to meet you if anything happened to him - but he had no distinctive token to offer," apologizes the beaver. "I am afraid I'm quite unable to prove it."
"Okay," says Bella.
"And -" says the beaver. "They say Aslan is on the move."
A curious sensation comes over Bella at the name Aslan. As though she has a tremendous quantity of interesting things to do, no end in sight, and time to do all of it yet without ever running out of time or activity.
And she smiles.
She smiles, too. And starts a file on Aslan, with that feeling as the first item listed.
"Oh," says Bella, admiringly. "This looks nice."
"Erm," says Bella. "I'm practically guaranteed to slip - maybe I'd do better on my hands and knees, I suppose."
"As you like," agrees the beaver, and he leads them across the top of the dam to the house.
Bella sighs and crawls, glad of her mittens.
In the house is a second beaver, sitting at a sewing machine with a thread in her mouth. She stops sewing as soon as the girls have entered. "So you've come at last!" she exclaims. "At last! To think I should have lived to see this day. The potatoes are boiling and the kettle's singing and I daresay Mr. Beaver will get us some fish."
"That I will," agrees the beaver, and he goes back out again with a pail.
Bella sits down, looking around at the onions and hams hanging from the ceiling and the general not-a-century-of-winter-ness of the provisions available.
"Here, if you'd be so kind as to help me we'll have supper in a jiffy," says Mrs. Beaver, and she directs the girls to various kitchen tasks. Mr. Beaver is back soon with fish, which are presently sizzling away.
"Can I ask you something?" Bella says to Mrs. Beaver.
"Of course."
"I can guess where the fish is coming from, because fish can live under ice, but where'd the rest of the food come from?"
"The ham was a trade for some fish - there are some dwarves a bit west who grow mushrooms deep underground where it's cool but not so terribly frigid, and the pigs can eat those and a few scraps and be quite happy about it and then there are hams - and the vegetables and the butter and so on are all from the cornucopia, which visited us just last month and if the cold does us no other favors at least it will let things keep."
"...A visiting cornucopia," repeats Bella.
"Oh, without it more of us would be working for the Witch's promises of provisions," shudders Mrs. Beaver. "Not us, we'd never, but the odd soul might."
"The Last Present?" asks Bella, sensing capital letters.
"Before there was no Christmas anymore."
"You know, that's confusing, too," says Bella. "You obviously don't care to do what the Witch says. Why not just celebrate Christmas on some day or other even if there isn't an official one, if you like?"
The beavers blink at her in confusion.
"Father Christmas," says Bella. "Like - Santa?"
"Is that what you call him in your country?" inquires Mr. Beaver.
"So he gave someone the cornucopia, the last time there was a Christmas, and it's been letting you all stay reasonably fed on things besides mushrooms, animals - that I assume don't talk? - which eat mushrooms, and I suppose pinecones, and fish?" says Bella.
"There are a few things that will grow by themselves in the winter," says Mr. Beaver, "some berries and some roots if you're careful not to kill the whole plant, but yes, that's about right. And of course the pigs don't talk."
"The robin that led us to you didn't speak either, but was smart enough to do it," says Bella.
"Well, there are a few in-between animals, but you needn't worry about the pigs, they're quite mute and simple," Mr. Beaver says. "Same as the fish."
"If you say so," says Bella.
"Ah," he says. "It's snowing again. Then we shan't have any visitors and your tracks will be covered up soon enough... Right. There's no saving Mr. Tumnus. I'm certain he's been taken to her house, and whether he's been locked up or turned to stone or given over to be her assassin's plaything I'm sure I couldn't guess, but even if you had some idea of it, it's no good. But now that Aslan is on the move -"
Bella leans forward; the name keeps stealing over her like the most glorious lifelong forecast of all time.
"Aslan! Why, how could you not know - he's the King. Lord of the whole wood, but not often here, you understand - not in my time or my father's time. But he's come back. He's in Narnia, right at this moment. He'll put things to rights, he'll settle with the White Witch, he'll save Mr. Tumnus and all her other victims."
"And I take it he's quite safe from being turned to stone himself," says Bella.
"Turn Aslan to stone! If she can look him in the eye without falling to the ground it will be more than I expect of her."
"...Are you saying we're supposed to sit on thrones? Does that mean only as a - physical trigger for some kind of magic, or as a symbol that will be useful for some reason, or - the conventional reason people sit on thrones?"
"You'll want to speak to Aslan about that," says Mr. Beaver.
"And the Witch, is she not human herself?"
"She's been known to claim it," he says. "She'd like us to think it, it's how she bases her claim to the throne, but no, she's Jinn on one side, giant on the other. Not a drop of real human blood. That's why she's so wrong clear through - things that look like humans and aren't, or used to be and stopped, they're not to be trusted. There's good Dwarfs, but the ones that are the least like men, not the ones that could be mistook."
"I see," says Bella, politely dubious.
"Some of her undead were, though. Wights and the like," says Mrs. Beaver. "To the best of my knowledge."
"What's Aslan?" Bella asks, taking notes on the variety of creatures.
"Oh, Aslan is a lion," says Mr. Beaver. "King of beasts. The lion."
"Goodness."
"It's just us," says Bella. "Do there need to be more?"
"Well, there are four thrones. The exact wording of the old rhymes doesn't mention a number, but there are four."
"Well, you'll have to meet Aslan all the same," says Mr. Beaver. "And I should like to hurry, in case for all our caution there's been word taken to the Witch."
"All right, that's reasonable," says Bella. "Is he most likely there already waiting?"
"I imagine so, and in any event it would be much easier to stop you getting there than to stop him, so it's the best place to be," says Mr. Beaver.
"We've packed some and haven't even begun to eat it yet. There's enough to share, especially if you like sugar. Are we going to take very long to get there?"
"Not too terribly, I suppose," Mrs. Beaver says. "And sugar's nice, of course."
And so out they go, bundled into coats, Bella creeping along until they're not so near a drop. The snow has stopped and the moonlight is shining. "We'll keep by the riverbank as much as we can. She couldn't bring her sledge down here," advises Mr. Beaver.
After this, Mr. Beaver scrambles up into a hidey-hole and announces that it should be safe for them to sleep there for a few hours, whereas sleeping first in their house would have made them very easily findable for anyone expecting the Daughters of Eve to be in the company of beavers in particular. It is sheltered and reasonably snug with two large beavers and two small girls all curled up together in it, although it is not particularly comfortable in any other respect.
Next he hands her a silver staff with gold detailing of curves and angles that matches the gold cap with silver detailing on the little bottle; the top of the staff bears a sphere of transparent crystal matching the bottle's many-faceted shape.
"And this, I think you will find particularly useful. Its magic will leave you surefooted while you hold it, and it can be called upon to make light against the darkness, to speak with your friends though you be separated by great distances, and to find what you are looking for. I caution you that this last power can be temperamental, and it is better not to rely on it unless you have no other choice."
"And now," he says, "a little something for all of you—" and he produces a silver tray bearing four teacups and a large steaming teapot, with milk and cream and lumps of sugar all set out next to it. He sets it down in the snow, climbs back into his sledge, and cries "Merry Christmas!" as his reindeer pull him smoothly away.
Bella is now testing out the features of her scepter. It does indeed light up - a bit too dramatically; she darkens it again at once. She cups her hand around the crystal at its top and whispers into it, clear in Elizabeth's ear: "Can you hear me, testing one two three, why'd he call you a Son, do you know?"
Around them, the winter thaws as they walk.
It is warm, and the ground squishes with snowmelt, and quite abruptly there are crocuses and bluebells growing, and the birds are quite a lot louder than they were the previous day. The river's ice breaks and dissolves, and the river rises, and they turn away from its course a bit south towards the Stone Table.
When they have been walking all day and the sun is beginning to hang low in the sky (there have been pauses to rest - the Beavers are certain the Queen cannot ride her sleigh in the mud - and to eat candy and granola bars) they come at last to a hill, which they climb in what seems like a very short time.
From the top of this hill they can see forest spreading in every direction except straight ahead, where they have a clear view to the sparkling sea. And on this hilltop is - a stone table. The stones of it have peculiar markings carved into their surfaces, which make one feel just as peculiar if one looks at them; and then off to the side of it is a glorious pavilion. Banners with the same lion design as Elizabeth's shield fly from it.
There is a swell of music.
Aslan is standing in the center of a great group of creatures, some of which have instruments. There are dryads, and naiads, and four centaurs and a unicorn and a man-headed bull and an assortment of more recognizable creatures, and two leopards attend the great lion, one carrying his crown and the other his standard.
He is enormous. He emanates a feeling of goodness all around him, yet is terrifying all the same. He regards the new arrivals with a calm, not curious but expectant, expression on his face.
He unpaws Bella and leads them both to the eastern edge of the hill and shows them, in the evening golden light from the sunset behind them under rosy clouds, miles of the most gorgeous landscape, punctuated - where a great snake of a river meets the sea - by a shining castle. The light is glinting off all the glass of its windows and it looks like a star come to rest, all glory and spectacle.
"That," says Aslan, "is Cair Paravel of the Thrones of the rightful rulers of Narnia, in which you will sit."
The Prince so named has very little time to analyze the situation before she's right behind the enormous wolf, slashing at its back with her sword. It turns on her in a blink, howling with rage; she lunges forward and stabs it in the heart with all her eleven-year-old strength.
"Hand it to me and kneel, Son of Eve," instructs Aslan, and when James has done that, Aslan strikes her with the flat of the blade, and says, "Rise up, Sir James Wolf's-Bane. And, whatever happens, never forget to wipe your sword."
"Mm-hmm. He's this mysterious criminal mastermind math professor. I've always liked him, because of the math thing and because he's supposed to be incredibly smart and, I don't know, good at things? But I didn't want to be him or anything. But - I don't know, when Father Christmas called me 'son of Eve' that made sense, even though I couldn't figure out why or what it meant that it did. And then Aslan called me James... and I think what it means is that I was going to decide that I really do want to be James Moriarty. A better, smarter version with different priorities. I think that in a sense it's just as true to say that I'm a boy and my name is James, as to say that I'm a girl and my name is Elizabeth. Or - I'm not sure if one is really more true than the other between girl and boy, I haven't really figured that part out yet at all, but I think James is more true than Elizabeth. It feels more mine."
"I know, I'm not explaining it well. It would be easier if I'd thought of it myself, I think, because then I would've gone through all the things that make it make sense already. This way it's like somebody handed me the answer to a math problem and I can tell it's right but I can't prove it yet because I haven't figured out the steps." She sighs. "And the books are all back on Earth, and I haven't memorized the Moriarty parts because I didn't know this was going to happen, so I might not have enough information to write the proof until we get back. I'll think about it, I guess, whenever we have time."
"That part's even harder to explain, because I don't think I have all the pieces yet. It's just - when they call me 'Son of Eve', or when Aslan said 'prince' and 'his' about me, I think that if I weren't just-as-much-a-boy it would've sounded incorrect. But it doesn't. I think I could just... go around being called 'sir' and 'he' and stuff, and it would be the same amount of right as 'miss' and 'she'. I even think I want to do some of both. But it's harder to figure out because, you know, at least with the James thing I've read the books and thought about the character and have opinions about him and stuff. The boy/girl thing isn't really something I've thought about before at all."
"I wonder that too. I mean - if Chris gets worried she'll come to pick us up, and she'll probably find where we climbed into the wardrobe, it's pretty obvious with the chair wedging it open and all. And then I guess if it works for her it'll work for her, and if it doesn't... I dunno."