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Sherlock is usually very puncutal. He's only one minute late, but that's still not quite as punctual as usual. Bella peers out the window, not yet allowing herself outright concern.

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There he is!

It seems he's brought a friend.
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"Who's that?" Bella says, sticking her head out the window. "And you're a minute late, your blood's gone cold."

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"Well," says Amariah, "that answers the mental opacity question very handily. Hi! I'm an alternate version of you from another dimension! I'm Isabella Amariah and you can call me Amariah for non-redundancy. Sherlock's been calling you Juliet, can I do the same?"

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"This is going to be an interesting conversation," says Sherlock.

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"What's going on?"

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"Sherlock can't hear me," says Amariah. "I've got a spell on that prevents anyone from noticing me. You're immune! Congratulations. Can we all go back to Sherlock's crypt so I can take the spell off? He doesn't need the blood anyway, my boyfriend let him bite him not half an hour ago."

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"...Sherlock, she says you're not hungry and we should all go back to your crypt?" says Bella.

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"Both very true."

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"Okay then."

Bella dumps the blood and exits the house, messenger bag in tow. "I guess you can call me Juliet if Bella won't do."
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"It won't," says Amariah. "Too many of us to keep straight in the interdimensional hub, so we're all picking nicknames. Me, Shell Bell, Stella, Angela, and Golden hasn't picked a nickname officially but Stella's met her and that's her guess, and Sherlock supplied Juliet for you but you could go with something different."

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"Okay, that's a lot. How exactly did you find Amariah, Sherlock?"

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"Stepped out of my crypt, and instead of the usual graveyard I found a bar," he says. "Amariah spotted me and said hello."

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"Shell Bell is dating a girl version of him," says Amariah chattily. "I've met that one, her Tony, and another pair where they're both boys. This one doesn't have a Tony anymore, which is terribly sad - At any rate, I recognized him and said hi before I realized there was something the matter with his soul. Oh, by the way, my owl is my soul. Don't touch him. His name's Pathalan."

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"You can tell by looking that there's something wrong with his soul? That is so unfair, I am supposed to have vampire detection powers," grumbles Juliet.

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"I'm a witch - I can't teach you, we're a species, not an academic specialty - and therefore magically sensitive. I can tell by looking that you don't have a Pathalan of your own. Which is still weird to me, but I'm getting used to it. And I could tell by looking that Sherlock's soul is not only internal but also weird."

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"Internal souls," mutters Juliet. "It never occurred to me to store mine any other way. Seems like a liability."

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"It rather does, doesn't it?" agrees Sherlock.

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"It can be," says Amariah. "But I'm much less dependent on notebooks or whatever for self-sorting than the others are - well, Shell Bell does audio recording and some of them have perfect recall now, but I mean barring that - because I can talk to Path, and he knows me inside and out."

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"Okay, that does sound useful," acknowledges Juliet.

And presently they arrive at the crypt.
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Sherlock leads them both inside and waits for Amariah to become noticeable again.

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The easiest way to break this particular spell is by screaming at the top of one's lungs!

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"Ahhhh why would you do that?" asks Juliet, clapping her hands over her ears. She of course notices no difference.

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"Because now I can hear her again," says Sherlock. "Thank you."

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"Oh. Okay then."

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"Should've warned you," says Amariah apologetically. "So! I can do magic. I'm not as nigh-omnipotent as Stella or Shell Bell now that Stella has shared with her, but I can do some stuff. And I can catch you up on all of us Bells, in case you don't make it to Milliways yourself any time soon, too!"

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"I approve of all of that!" replies Juliet. "What all can you do? I bet you have a list."

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"I do have a list!" says Amariah, producing her list. "Six of these are just basic blessings with no interactions and no side effects and I can do them all. Then these ones do interact and you can't have the whole set; I have a guess which you'll want but you know more about the situation than I do. And then there are some protective tattoos, which work very well and can go with anything else I know how to do just fine but they hurt to put on for a few seconds. I only know so many because my boyfriend is such a masochist."

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(Sherlock grins.)

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(Juliet catches that.) "I take it that's why he let you bite him?" she asks.

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"You are correct! It was lovely."

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"Good for you, hooray consensual biting," says Juliet. "...Wait, you said Shell Bell is...?"

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"Shell Bell's dating a girl alt of Sherlock, yeah, but I'm not dating a Sherlock at all - don't seem to have one, or at least haven't run into one outside Milliways. My boyfriend is a duplicate, though, there's three of him dating Bells and one who Stella dislikes so much that she put him on an asteroid," says Amariah. "We're calling the class of them 'Whistles'. They don't have name consistency like we do. Mine is Kas and his daemon's Petaal."

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"Ah-huh."

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"I'll just get started on the runes for the universally compatible blessings, unless you object," says Amariah, reaching into the bag of "groceries" she brought from Milliways for the tea tree oil.

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"No objections here. Er - assuming your magic doesn't have drastic brain-eating consequences or anything? I've been warned away from the local version."

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"I'm planning to sacrifice a couple of rats, a live rosemary sprout, and maybe a crow and a seagull depending on which incompatible spells you pick and whether you want the tattoos," says Amariah. "Other than that no harm will come to any living thing, least of all me."

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"I have to wonder where you'll get the crow and the seagull," Sherlock muses.

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"I was thinking I'd go back out to the graveyard and summon them. If there's none in the nearest half-mile I can substitute pigeons," says Amariah.

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"All right."

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Juliet looks over the list. "I think I'm going to go with the set you picked out, with one swap. Tempting as this one about falls is. I'm not clumsy anymore," she says. "The opposite since I activated, really. I'll take the faster healing one instead. I already heal fast, but maybe it'll stack."

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"Ooh, nice. I'm not clumsy when I'm flying, but I still trip over things on the ground," says Amariah. "It took me ridiculous extra remedial lessons before I was declared not a clan embarrassment with a dagger, and they had to settle for that because there's no way I'm getting up to merely below average." Oil runes are forming as she pours them in a square on the floor of Sherlock's crypt.

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"The differences and commonalities between you all are fascinating," says Sherlock.

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"Aren't they though? We also talk in our sleep," volunteers Amariah. "Most of us don't find that out for a while, though, someone has to actually be in the room while we're sleeping. And of course Golden doesn't sleep anymore, and Stella doesn't have to although she can if she wants."

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"We talk in our sleep? What do we say?"

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"Nothing bad. Nothing even related to our dreams. Completely random words, mostly nouns," Amariah reassures her.

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Sherlock smiles.
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"Shell Bell's Sherlock thinks it's adorable," says Amariah, smirking and finishing the runes. "Okay, you stand here, Juliet."

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Juliet stands there.

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Amariah conjures a handful of oregano with her cornucopia, and tosses it at her double, and mutters the spell. The runes and the oregano disappear.

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"I also think it is adorable," Sherlock mentions.

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"Of course you do," says Amariah merrily, retrieving from her shopping bag a canister of salt and beginning another diagram.

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"So - what kind of a spread are we looking at here, in... Bells?"

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"Well, there's me. There's Shell Bell, who's a human from a nasty little dystopia called Panem, but she ran into Stella and got Stella magic and so I imagine she's got the placed all fixed up by now. There's Stella, who has a Whistle called Alice, and she has the most overpowered magic ever, although it has this one eensy drawback - her magic system converts pain into wishes - so it's lucky she's got a Whistle, isn't it, because he's utterly thrilled to help her with that. Stella left notes in the guestbook about one who we're calling Golden who hasn't been by in person yet. Golden's a vampire - not the same kind as you have here, her kind sound like a much better deal all around I have to say - and she's married to a nonduplicate named Edward and they have a kid named Elspeth and she runs a secret vampire empire. I just met Angela today and she's an angel - I mean she literally has great big speckly wings coming out of her back - and she's kind of a personality outlier, kinda sheltered, I feel like she's editing herself farther upstream than the rest of us do. Which makes sense. She lives in a theocracy and she wants the local god to name her the next Archangel. And she grew up in a childhood of useful luxury, so that's as far as her ambition seems to go at the moment, can you imagine?"

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"Useful luxury," repeats Juliet. "Yeah. I could see that being a developmental left turn. What does she get to do that's useful?"

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"Angels where she's from fly around and pray for weather, or sometimes medicine or seeds, by singing," says Amariah. "The place otherwise has nearly unlivable weather. And she is good at singing. I'm almost surprised she harbors ambitions that go as far up as Archangel, although I'm not sure if the living conditions for the non-angels are quite where she'd like them to be, so there's that."

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"What's the significance of useful luxury?" asks Sherlock.

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"Okay, think about it," says Amariah. "We are both selfish and altruistic to the point of near-contradiction. Usually, this results in taking over the world. Golden was a revolutionary, I think Shell Bell's going that way too, Stella's going a sort of sideways route by colonizing Mars first, I've got a longer plan underway but it's definitely on the agenda, Juliet's still in the point in the Bell life-cycle where she's collecting resources and not moving forward on world takeover but I bet it sounds pretty good to her too."

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"Not gonna deny it."

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"Being the benevolent dictator of the world is kind of the pinnacle of useful luxury, altruistic self-interest, power and service. Empress Bellas are comfortable, they are surrounded by people they like who acknowledge that they are in charge, they get to accomplish all kinds of valuable results for their worlds while also getting to wear elaborate crowns to boot. But we've all done this from a starting point of mediocrity. Most of us have divorced parents; Shell Bell's and mine are together, but Shell Bell grew up in oppressive poverty and my parents have this disastrous on-again off-again marriage. We attend public schools that are only adequate judged against other public schools. I've been half in witch culture, which is better - I get to learn magic and fly and stuff, which I'm good at - but there aren't any real affordances for doing things. Experiencing stuff, sure, I can always hop on my cloud pine and see the Taj Mahal or whatever, but doing stuff out in the world? Useful stuff? Fewer obvious routes, so of course I'm going to just claim the entire planet as my own, piecemeal, and declare the entire thing my responsibility. But Angela..." Amariah shakes her head. "Angela's parents are happily married. She never had to move or split herself between cultures or summer at one parents' house and spend the rest of the year at the others. She has friends, close friends, who she's known since she was born. She's high-status and she can fly and sing and all anyone wants from her is for her to fly and sing. Her god has more to say on the subject of how to live a good life than any of my goddesses do, so she's got an absorbing self-improvement project. She was born with everything she needed to ascend to the highest political office of her land and all she has to do is something she's good at, something she enjoys, something that visibly helps people who need it, under the direction of people she respects. I'm not surprised she wants to be Archangel, but I'm also not surprised she doesn't aspire beyond the standard-issue twenty-year term after the current Archangel is good and done with his."

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"World conquest. Oh, what fun," says Sherlock. "Don't tell the Watchers; they'll have kittens."

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"Mum's the word. I'm not even at that point in my life-cycle yet," snorts Juliet.

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"That just makes you sound like some manner of insect," he says. "A monarch butterfly, perhaps."

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Juliet cracks up.

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"There's no analogous period spent in the chrysalis," laughs Amariah. "It's a smooth transition from caterbella to bellafly."

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...Sherlock cracks up.

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Amariah, meanwhile, has finished her next diagram. She summons a rat; rats are not in short enough supply for this to take very long, and when it scurries up to her she seizes it, pulls her dagger, and speaks another poem before stabbing it through.

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"If you two are going to be occupied with this for some time, I think I will go and fetch some tea," says Sherlock. "Please don't get eaten while I'm gone; I would be terribly disappointed."

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"You said fire works? I can do fire if anyone besides you barges in," Amariah says.

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Juliet picks up her laser pointer out of her messenger bag, tosses and catches it, and says, "You go ahead."

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He grins at both of them and exits the crypt.

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When he's back within word-discerning hearing range, one of them - Amariah, on sufficient analysis - is midsentence:

"- to tell you while he was here, because there is some chance you'll flip before you calm back down again, but me and Kas kinda slept with Sherlock. Yours, I mean, not one of the others floating around."
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...What timing.

He pauses in the doorway; if she does flip, he doesn't want to be an available target.
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"I have no grounds for flipping. It's not like I'm dating him," says Juliet.

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"Oh, I know, but he liked you first, and I bet you like him even if you haven't decided to act on it so far, and while obviously we can do nonexclusivity just fine if we want to it doesn't come standard with being a Bell. So I wanted to make sure you had a minute to process first. Whistles don't come in monogamous; I don't know if Sherlocks do, but it's not default, at least."

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He should probably either admit he's listening or go away.



He steps inside the crypt and closes the door.
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"He's back," says Path.

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"Yes, with exquisite timing as always," he says, dropping into the hidden room to deposit his stolen tea. "Should I go away again?"

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Amariah and Juliet exchange a look.

"No, it's all right," says Amariah. "Unless Juliet's squeamish about you being in the room while I paint on the tattoos."
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"Not especially," says Juliet. "They're just going on my shoulderblades, I don't even have to take my shirt all the way off as long as it's hiked up in back and held out of the way."

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"In that case, I think I'll make some tea," says Sherlock. "Sorry, you can't have any, there's only the one mug."

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"Mug of oolong tea," Amariah says, amused, and one appears, floating before her and steaming gently. She takes it from the air, sips, sets it down, and returns to mixing her bayleaf ink for the first of several planned tattoos.

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"Cheat," he accuses fondly.

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"Cheating is excellent," returns Amariah. "Juliet, lie down, shirt out of the way - idiotic nudity taboos, does it help that he's seen me naked already? no? all right then -" and when Juliet's shirt is out of the way she begins to paint.

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"Whatever else you were going to say before he came back from his tea run I don't particularly care if you say it in front of him," says Juliet.

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"I was going to add that he comes highly recommended," says Amariah, painting the stem, "but otherwise I said everything I was going to."

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"And I heard all of it from when you mentioned that we slept together," he says, "in case anyone was harbouring illusions on that front."

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"Thank you," says Juliet.

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"All painted. Hold still while I recite the poem; it's not exactly going to tickle," says Amariah.

The bayleaf poem ensues.
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Juliet hisses when the ink sinks in, but she does hold still.

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Sherlock watches over his kettle.
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Juliet endures four more tattoos, lined up rather attractively from shoulderblade to shoulderblade and well under the neckline of all her shirts. Finally they're all done; she sits up.

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"Congratulations on your increased likelihood of living past twenty," says Sherlock.

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"Thanks."

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"I can put a few spells on your house, too, if you want them," says Amariah. "Probably a good idea to wait until Charlie's at work, though. Walking down the street in a weird outfit is one thing, drizzling substances on the carpet and killing pigeons is another."

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"And he would be likely to find you confusing. Although at least he probably won't shoot you."

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"...Did he shoot you? Why, what were you doing?"

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"He was outnumbered by a mob of demons. I killed most of them and scared off the rest."

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"Yes, I imagine he would find that alarming."

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"I calmed him down after and there has been no further gunplay," says Juliet.

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Sherlock snorts.

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"You mentioned dagger training. Are you good enough to give me a run for my money so I can get in some practice against two people who don't actually want to kill me at the same time? I'm worried I'm going to fixate on combat patterns that only work for a single opponent and not for a single opponent and their friends and cousins and neighbors too."

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"I don't know about an actual run for your money, but I can brandish it threateningly at you if that would help somehow," says Amariah.

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"Now that sounds like fun."

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"And since I'm not actually good with it, just capable of not cutting off my own fingers, I guess I won't have to worry about getting past you and hurting you, but are you going to be at risk of hurting me? If you're still learning, do you know how to pull your punches? I can do healing spells on myself if it comes to that, but only if I'm conscious and I have an intact trachea to recite verse and so on..."

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"That is a risk," admits Juliet. "I don't really have to pull my punches with Sherlock; he's more durable than that. And I don't want to, like, embed a habit of punch-pulling. Sherlock, do you think it would be long-term disadvantageous to have a habit of engaging a primary opponent one at a time and only dodge the next person until the first one is down? Because if that's something reasonable to aim at, Amariah can weave around and be stabby and I can take you down while trying not to get stabbed?"

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"It might do you good to have an option of pulling your punches, if you can separate that from the rest of the programming. It's not inconceivable that you may someday have to fight a human who is intent on harming you, yet prefer to leave them alive. As for the dodging... it is not the only good way to engage a group, but it is one such way." He quirks a smile. "Really, what you need is four of me. Perhaps I should advertise in the dimensional hub."

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Amariah raises her hand. "I'd like to point out that there are also nonhumans worth leaving alive."

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"I can already sort of feed the programming goals, including don't hit that person too hard - I'm just not sure any of the progamming knows how strong I am or how much an unenhanced person can take. D'you think other yous would want to participate even if you could find several of them all at once? Especially if they're not vampires, especially if they come from worlds similar enough to have literally been scared of turning into you? Do worlds even cluster that close together?" Juliet asks, directing the last question at Amariah.

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"I'm not sure," says Amariah. "I mean... Golden and Stella have the same history up until they were seventeen, but they found completely different stuff when they moved to Forks, vampires versus wishcoins. Then there's me and Angela who weren't even human to start out. And Shell Bell's from Earth where Angela might not be, but even Shell Bell's from way in the future, and so are Shell Bell's Sherlock and Tony. The other Sherlock and Tony seem to have been from nearer by you. They had vampires, which seem at least more like the local kind than like Golden's or some other sort. That Tony described it as, what was it -"

"We were talking about souls," Path says, "and he said that on his world if you get turned into a vampire you become a people-eating asshole version of you."
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"That does sound like our world," Sherlock agrees.

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"You don't appear to be an asshole," Amariah says. "Do you eat people? I'm not sure biting and leaving them alive and well like with Kas counts as eating them. More like tasting. Say, was he tasty?"

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"Yes he was," Sherlock says cheerfully. "In the vast majority of cases, turning into a vampire does make someone much nastier than they previously were. I am, as ever, an outlier. And I did eat people for a while, but it's not a sufficient draw to be worth how much it will piss off Juliet, so I stopped."

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"Were you at least choosy about it? Golden's husband reportedly used to eat people, but he can read minds, so he only ate bad people."

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"She married a guy who can read minds?"

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"Well, he can't read her, unless she tries really hard to let him," says Amariah. "Stella makes it sound like at this point he's her glorified radio."

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"I only ate boring people," he offers. "That is probably not the kind of choosy you meant."

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"Nope, that is not what I had in mind. Oh well. Shell Bell's Sherlock killed twenty approximately innocent people on live national television. My Whistle killed some nasty individuals, even. Also, I assassinated Shell Bell's former president for her, he was bad news." Pause. "Actually, I think he was an alt of someone the other other Sherlock and Tony knew? I wasn't there, but I think they brought him to Milliways with them and then sent him home after Shell Bell screamed and drew her fire wand on him."

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"...If that's who I'm thinking of, I've killed one of him too," Sherlock reports with excessive cheer.

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"Well, the President's name was Coriolanus Snow, but I don't think they matched and I don't remember the other one's name," says Amariah. "I might recognize it...?"

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"Obadiah Stane."

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"Yeah, that was it. Shell Bell seemed to think that other Tony liked him but hers emphatically didn't and neither of the other Sherlocks did."

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"Anyway, all this talk of who everyone has killed - I'm at twenty-one miscellaneous vampires and I don't have their names - isn't answering the question of whether otherworldly Sherlocks would be willing or able to be helpful even if accumulated in sufficient quantity," says Juliet.

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"Any Sherlock from a world like ours would be delighted to train up a Vampire Slayer, especially one as brilliant as you. They might have some trouble fitting me into the picture, but perhaps not as much as they'd think."

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"Shell Bell's would probably help if Shell Bell asked her to," puts in Amariah. "They're adorable. You have no idea how adorable."

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"We'll see who we can scare up after someone finds a door to send you home through, then," says Juliet. "...How long is that likely to take?"

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"Not sure," says Amariah. "I mean, Sherlock found the door once and I haven't found it myself before and neither have you, so he's the most likely to find it again but we don't have a good idea of frequency; we should have some way set up for him to be able to notify me when he does run into it. I can work something out with a saltwater charm if you don't have phones or mine turns out not to get service here. I'm happy to hang out for a while if I have to. I'm not getting meaningfully older, I have a project to work on that could easily take me a year, I'd miss Kas if it took a long time but he routinely fucks off for months on his own anyway, I'm willing to sleep in a hammock hanging from my cloud-pine in the sky, I have a cornucopia so I won't even be relying on you guys for food."

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"If you wind up staying here for months I will be so tempted to loan you my clothes and ask you to attend school instead of me," says Juliet.

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"Eh, you probably don't really want to do that, I won't recognize your acquaintances or remember what you've been doing in class, and besides, I dropped completely out of my rather haphazard attendance at human school when I was fifteen," says Amariah.

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"I do not, in fact, have a phone," says Sherlock.

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"Saltwater charms it is. You have a pulse, right?"

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"No."

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"...Do you breathe?"

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"Optionally."

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"Okay, then this is complicated but not impossible, I'll add a motion component and you can breathe in Morse code or something to alert me if you find a door. I can find you with a divination if I don't know where you are."

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"...How would it have worked if I did have a pulse?"

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"I'd put the charm on your wrist or the inside of your elbow, and you'd press on the relevant vein just enough to slow it down, and my copy of the charm would inform me then. These are originally designed to notify people if the other party dies, but you can modify them for more purposeful communication," she says, and she tells her cornucopia to give her salt and a cup of water.

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"I see. Fascinating."

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"Magic is great! What's the stuff around here like?" Amariah murmurs the thickening charm. She takes the liberty of touching Sherlock's chin so she can tilt his head back to paint over his airway, so the charm will be able to pick up on whether and when he breathes. "Also which way is north from here?"

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"I'm not sure yet. Mr. Giles sort of agreed to teach me, but he seems to think it's terribly, desperately dangerous," says Juliet. "I haven't been able to get anything out of a book to work. North is that way, I think." She points.

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"Mr. Giles may be exhibiting his crust, but to a certain extent he's right," says Sherlock. "It's fairly well accepted in some circles that merely being a habitual magic user makes you tend to attract supernatural hazards. Of course, in those same circles it's fairly well accepted that being the Slayer has the same effect at ten or a hundred times the magnitude, so if Mr. Giles were operating with all the facts he might have a different recommendation. And then again, I've never heard of a Slayer who was also a witch, so there may be some traditional or actual barrier in effect there."

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"What do the spells around here look like? If you've gotten as far as noting that things out of books don't work..."

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"Oh, the ones I've found with stuff that seemed benign and didn't require locust wings prepared under the seventh moon of a prime-numbered lunar year or some crap like that all go like, 'Divine Hecate, behold my will, grant me this boon' and so on and so on."

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"...And," says Amariah, "can divine Hecate in fact behold your will? Or is it, say - opaque?"

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"...good question," says Juliet. "But I heard you invoking all sorts of goddesses."

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"I've got mental opacity, but it comes from a birth blessing from a witch goddess," says Amariah. "I don't think they locked themselves out when they gave it to me. And my spells are more descriptive than 'behold my will', anyway."

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"Well, that's hilarious," says Sherlock.

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"It's annoying," exclaims Juliet. "Now I have to find a completely unrelated school of magic. I think they must exist - some of the nasty curses don't open with anything inviting deities to behold my will so obviously I didn't try those - but wow. Wow."

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"It's hilariously annoying," he maintains.

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"Okay, fine. So yours is a birth blessing - I wonder where mine comes from?"

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"Stella and Golden's worlds both just have people with innate powers crop up sometimes, so Stella's an 'ingot' and Golden's a - well, they call them 'witches' apparently, but it's not the same thing as me. Angela doesn't think she has it at all, and Shell Bell knows she didn't before she met Stella and got magic loot. I don't know about you."

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"Do you know exactly which parts of the Slayer package you're missing?" he inquires.

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"I have no supernatural senses, and a Power That Is had to visit me in person to wonder why I wasn't slaying anything yet and wanted to know why I hadn't gotten its dreams," reports Juliet. "If there's more, I don't know enough to know it's missing."

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"You clearly do have all the physical upgrades, and the battle instincts. That part is interesting. Why that and not the senses, I wonder?"

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"Stella wrote that Golden's 'witchcraft' let her daughter communicate with her until her daughter tried to send useful information in a quantity that would have been incapacitating for a while," volunteers Amariah. "Stella was briefly worried that when her Whistle got a brain upgrade, her mindreading would stop working if she didn't boost herself to match because it would've been overwhelming. Are the senses or the dreams - unpleasant? Do they interfere with other stuff? I bet the battle instincts only come up when you're in a fight and then they'd be a strict improvement over whatever you started with."

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"I don't know if they're unpleasant, I never had them," Juliet points out. "I imagine they could be. The Slayer package wasn't really designed for my well-being."

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"The official Watcherly term for a Slayer's supernaturally acquired dreams is 'the nightmares'," says Sherlock. "So there's that."

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"Oh. Yes, I do imagine I'd find that unpleasant."

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"And if the idea is for you to kill vampires and such I don't imagine supernaturally sensing them would be a gentle breezy sensation or patterns of dots on a magic heads-up display," comments Amariah.

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Sherlock snorts.

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"Okay, this is if nothing else a reasonable working hypothesis for why I can't cast spells I've tried and why half the Slayer properties didn't stick to me, but I still don't know where the original opacity came from," says Juliet. "Sherlock, do you know anything about - random magical powers people sometimes have? Is that a thing?"

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He shrugs. "It's a vague rumour, at any rate. Doesn't seem to happen very frequently."

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"But you've heard of it - what can other people do?"

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"Visions of the future. Telekinesis."

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"Those are cool," says Juliet. "On balance I think I'll stick with mine, though, I don't want nightmares or for magic to eat my brain or anything."

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"Yes, magic eating your brain would be a tragic loss."

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"I'd really object," says Juliet, nodding. "Maybe Mr. Giles will be able to help me find something that does work. He did pretty much agree to teach me in between all the dire warnings."

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"Let us hope," agrees Sherlock.

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"Anyway. Lemme put my new magic through its paces, huh?" says Juliet, rolling her shoulders and reaching behind herself to poke at the hidden tattoos. "Just Sherlock to start, and when I'm used to the boosts I can practice trying not to give Amariah an opening into which she might insert something sharp."

Training ensues. Amariah doesn't prove particularly useful as a stabby prop, but the blessings she cast are definitely helping. Juliet is less tired, less bruised, barely scratched, more alert, and surer on her feet than before, and it adds up to a definite edge above and beyond the revisions she's been making to her "autopilot".

Sherlock violently encounters the wall on more than one occasion.
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When Juliet's done for the night, Amariah gives Sherlock a hug, and then casts the quick verse-and-parsley notice-me-not spell so that she won't attract attention from bad guys, nosy neighbors, or Charlie. She walks home with Juliet and parks her cloud-pine, its hammock, and herself outside her alt's window.

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The next day, Juliet takes Amariah to school with her. As long as Amariah doesn't do anything weirder than loitering and speaking in a normal tone of voice, she is completely unobtrusive.

Including to Mr. Giles when study hall rolls around and Juliet goes to return the books she's gotten through and talk magic.
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"That's more than I expected," he says as he reclaims them. "Considering the depth of your note-taking."

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"I read pretty quickly," says Juliet. "You can look over my notes on them if you want proof they got read, or something."

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"I don't plan to be that kind of teacher," he says, with what might be a vestige of a smile.

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"What kind of teacher do you plan to be?" she inquires.

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(Amariah, meanwhile, is reading through one of the books. Reading a book in a library is not unusual enough to break the spell, and she'll put it right back when Giles reaches for it.)

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"I have no idea," he admits. "Well, I have some idea. But 'not that kind' isn't much of an answer."

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"It's not. Do you have an idea where we're going to start? Or are you stalling for time with the huge stack of demonological texts?"

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"The huge stack of demonological texts is full of crucial, valuable information," he says. "...And yes."

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Juliet laughs.

"Hey, maybe you can answer a theory question for me," she says, when she's recovered. "You said I was lucky the only way I've had a spell fail is by not working at all. Does magic do a lot of uncontrolled stuff? Swirl around in random eddies breaking the laws of physics at random, stick to people who didn't especially solicit any, escape from poorly-worded spells and turn the local wildlife pink? Or is it all spells and sometimes exploding spells?"
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"It depends," he says. "Any spell that invokes a deity or demon—the difference isn't always perfectly clear—runs some risk of the named entity, ah, failing to cooperate. The results of that can be catastrophic, depending on whose attention you caught and how powerful and capricious they might be. Some spells, especially powerful ones, can backfire on the caster if done improperly. And magical artifacts of various kinds can have unpredictable effects. In general, no, magic doesn't do anything unless someone somewhere was trying to use it."

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"A lot of the spells I saw invoked deities-or-demons - they're basically the same, really? - but that just pushes the question of how the magic works back one step farther. Do the deities-or-demons do their own magic when no one's bothering them to do someone else's? And what's this about artifacts, let's hear about artifacts," says Juliet.

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"Some do; some don't. If you want to know about them, or about artifacts, I can give you more books."

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"I would like that," says Juliet decisively.

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He smiles tentatively and retreats behind the counter to haul out another armful from his personal collection.

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"Did you expect me to need those?" Juliet asks. "For that matter, why did you bring your personal demonology collection, yesterday?"

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"I always bring my personal demonology collection," he says.

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"To school with you?" Bella asks. "In case a demon attacks you and this is a problem that can best be solved by available reference books?"

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"You never know when you might need a cross-reference," he says with dignity.

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"Maybe you can read these beautifully illuminated page numbers more easily than I can," she says. "Say, how did you get all these books? Where do demonology books even come from?"

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"Private collections," he says. "And, apparently, the Sunnydale High school library."

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"Whose private collections? Are you obtaining books from people who are..." She attempts his accent. "Evil in some way?"

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He gives her a disapproving look over his glasses.

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"Perhaps I should have gone with my first explanation," he says. "Sometimes, when two demonology texts love each other very much..."

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Juliet cracks up. "You know, at this point, that explanation for at least a handful of them wouldn't floor me? But seriously, who's collecting these things, who's writing them?"

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"Demonologists write them," he says. "And collect them. And occasionally give them up to other collectors, or researchers, or I don't know who else. If it's any consolation, I can't tell you where I found most of the mundane books on my shelves, either."

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"How do people wind up being demonologists? Is that the sort of field you can fall into? Perhaps literally - is there a secret demonology department down in a cellar at UC Sunnydale and if you trip in the right place they offer you a scholarship?"

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"I can't think of a demonology book off the top of my head that was published in the last four centuries," he says. "So if there is such a department, I'm not who you want to ask about it."

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"That explains the archaic language. Lucky I'm up on my Shakespeare and so on," says Juliet.

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"Yes, that is lucky," he agrees. "I have relatively recent translations for most of the older and more obscure texts, but if you want to make a serious study of demonology—or magic, for that matter—I recommend learning Latin."

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"Is there a Latin class here that I should switch into from Spanish or am I looking at self-study if I go that route?"

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"There is a Latin class! I even have the forms," he says. "Would you like some forms? I'm very proud of my forms."

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"I would be perfectly happy to switch to Latin from Spanish as long as there's a low-level section available and I won't be flailing in bewilderment," snorts Juliet.

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"Fear not," he says, and he produces a form.

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Juliet accepts the form. She fills it out. "Do I give this back to you or do I have to turn it in to the registrar or something?"

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"The latter," he says. "As a mere librarian I am not empowered to ferry your documents through the bureaucracy."

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"Okay. It's near the cafeteria, I'll just do that come lunchtime." She checks the time on her phone. "Aaaand time for Bio, in which they have yet to explain how that one demon with the pink-and-gold scales managed to store seven gallons of venom in its torso without compromising the function of its internal organs despite all my many complaints about this oversight to the school board. See you after hours!"

She - with Amariah following after and giggling - departs the library.
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"Magic," he calls after her, laughing.

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"Of course!" she calls over her shoulder, grinning.

After school she returns, with a slip in her pocket signifying her transfer to Latin, which she attended for the first time not ten minutes ago. "Latin," she announces, "gets entirely too fancy with its nouns." And she plunks the next book in her lineup onto the table and starts reading-and-notetaking.
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"A common complaint," says Mr. Giles.

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"Oh well, I was no great shakes at Spanish, and I bet I know someone who'll help me out if I get stuck on Latin," Juliet says, winking.

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Amariah decides to take advantage of her unnoticeability and peer behind the desk, where Giles keeps his personal stash of books. She doesn't walk around behind the counter, but she can lean on it and dangle her hand over, with Path clinging to it, and he can read the titles.

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Very few of them actually have titles on the spines.

"But don't speak Latin around my books until you know what you're doing," he cautions. "Some of them are excitable."
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"Is it possible to accidentally do spells that way, really?" asks Juliet. "Can you accidentally do spells in other languages?"

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"I can accidentally do spells in any language if I speak it in verse and it's clear enough that it's aimed at an effect," comments Amariah, pulling Path back up and putting him on her shoulder again. "I wasn't allowed to read Shakespeare aloud in school."

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"It's closer to accidentally activating an artifact than accidentally doing a spell," he says. "A book of magic, or a book about magic, will tend to get... suggestible... with age. And Latin for some reason seems to be particularly, er, suggestive. So combining the two can have unpredictable effects."

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"Ask him if it's only speaking or if writing Latin has the same problem," says Amariah.

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"Does writing Latin have the same problem? In my own notebooks, or in the - I promise it's not going to happen - event that someone wrote Latin margin notes in one of these?"

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He frowns thoughtfully.

"Your own notebooks should be fine," he says. "I'm less sure about the margin notes, but that should be a moot point."
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"It is, I wouldn't write in old books," promises Juliet. "Should be fine even if I'm telling the Latin teacher I'm a fantasy nerd and doing all my homework exercises about magic to cement specialized vocabulary?"

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"I wish I could get my spells to work in writing. Not just automatically, but if I could write them in special ink, maybe, it'd be easier than reciting whole poems. Oh well," says Amariah.

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Amariah gets a brief glance and a smile, though Juliet doesn't otherwise acknowledge her presence.

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"As long as you don't mix the Latin and the old books, yes."

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"Are the books self-aware or anything? Because that would be weird."

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"And you'd have to be even more careful with them," comments Amariah.

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"And, not that I'm not being careful with your books, but there's 'valuable possession' and there's 'maybe a person' on the scale of whether I can put it in my backpack or not," says Juliet.

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"Well, I sometimes sit in my Isabella's bag, if she's flying quickly and I can't keep up or hold on to her as usual," Path says. (He's just as covered as Amariah by the notice-me-not spell.) "Backpacks aren't so bad."

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"The books are not self-aware," he assures her.

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"How can you be sure?" Juliet asks.

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"I can try to whip up a spell to check for it if he doesn't have a good answer, although I don't think I'd better cast it while there's someone in the room, it might break my notice-me-not," Amariah says.

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Juliet attempts to disguise her nod as a roll of her neck.

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"I have never heard of a book becoming self-aware. I have heard of possessed books, but even those did not have actual awareness except as lent to them by their demonic residents. And none of my books are possessed."

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"Do you check for possession on the first Wednesday of each month?" Juliet snickers.

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"Just because he hasn't heard of it happening any other way... I'm going to go ahead and whip up at least a verse-and-herb for it when we go back to your house," Amariah says. "Don't nod again, he'll notice you're acting funny."

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He removes his glasses, cleans them, and puts them back on.

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"You weren't kidding about him having nervous habits," snorts Amariah. She sits down and goes back to looking through Juliet's books.

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Juliet doesn't answer aloud, just goes back to her own reading and notetaking.

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"Would you mind answering a question for me?"

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"What is it?" Juliet asks, twisting around in her chair.

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He gestures to Amariah.

"Who or what followed you here, and are you on friendly terms with him, her, or it?"
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"You can see me?" demands Amariah. Not loud enough to break the spell; someone else might walk in.

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Juliet holds very still and waits for Mr. Giles to answer Amariah's question.

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"I have no idea what you just said," he says in Amariah's direction.

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"...But you can tell that she's there and that she said something," Juliet says slowly.

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"I'm sure I cast the spell right. I'm sure," exclaims Amariah. "I was following you around all day, no one saw me -"

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"Yes," he says. "Should I not be able to? Who is it? It seems to me that if you know someone who can summon invisibility that well, you have no business applying to a, a dusty old librarian for lessons in magic."

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"Is there somewhere less - accessible - we can go so she can take the spell off and we can explain?" Juliet says. "Your office maybe?"

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"I don't have one," he says.

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"Do people ever come in here after hours besides me...? I guess I'd know better than you would, I've been here longer. Okay. Amariah, do you know any kind of spell to - you know what, nevermind, this is Sunnydale and everyone here has their certificate in advanced rationalization. But please don't break your notice-me-not by screaming this time. Do something else."

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Amariah shrugs and walks up to Giles and pokes him in the chest, hard enough that he can't shrug it off as irrelevant.

"Hi," she says sheepishly.
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He blinks at her.

"...Hello."
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"Don't touch the owl," Amariah adds. (This has become its own word, all strung together, she's been in Milliways warning people away from her daemon enough now.) "Um, so, I'm an alternate of the Bella you know from another dimension. I can't teach her magic because my kind only works for my species, but I came here to help her out by casting a few blessings on her, and now I'm hanging around until I can get back home."

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"It's... good to meet you," he says cautiously. "How do you two... know each other?"

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"Amariah, I hope it goes without saying that this should not turn into a story about who exactly you picked up at a bar," says Juliet dryly.

(This is code for don't tell him about Sherlock.)
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"Okay, I'll spare your librarian's sensibilities and omit the fine details," snorts Amariah. (This is code for okay, I won't.) "But in the non-fine-details department - the interdimesional hub collects alts of lots of people. I've met three others of us and heard about a couple more beyond that. This isn't even the first one I've visited at home."

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"My sensibilities are very grateful," says Mr. Giles. "I've never heard of this interdimensional hub, but I'm well aware I don't know everything."

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"If you ever open a door and it appears to lead to a bar, instead of whatever you were expecting," says Amariah, "that's probably Milliways. Right now, no time is passing in my home world at all. When me or Juliet finds a door back in, I'll just visit the room our template shares to make some notes in the guestbook and let myself out, and my boyfriend'll be waiting for me at home like no time has passed."

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"That sounds convenient," he remarks.

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"It is! So that's what I'm here and why I was following - well, we can just call her Bella, since there's only two of us and I don't even go by that when I'm home. She can see through my notice-me-not just fine. How did you do it, though?"

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"I have no idea," he admits.

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"Do you have some kind of anti-mind-affecting-magic artifact or something?" asks Juliet.

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"...No..." he says slowly.

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"Nobody else saw her, or at least reacted to her, and she's been following me around all day," Juliet says. "There must be something up with you."

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"Yeah, we know why Bella can see me. Shell Bell or Stella or Golden would've been able to, too," says Amariah. "But you're unexplained. If there's a hole in the spell I should work out something heavier-duty or just find someplace to hide out instead of accompanying her."

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He takes off his glasses.

He cleans them.

He puts them back on.
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"That's not very informative," remarks Amariah.

"I wonder if it's me," says Path. "Am I too weird in a world without daemons? By just enough to weaken the spell for someone who's on the lookout for oddities?"
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"That might be true," says Mr. Giles.

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"Well, I could go sit up on a bookshelf and she could recast, and you could see if my Isabella is less noticeable that way," Path suggests.

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"Does it not make a difference whether or not I expect her to be there?"

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"I'll recast, leave the room, and come back without Path and you say when you think I've done that," decides Amariah. "If you can tell, then it's not him. Dried parsley," she says. She takes the parsley handful from the air, tosses it, and mutters her non-English spell. Then she lets herself out, Path finds someplace out of the way to sit for a few moments, and, after a minute's wait, Amariah walks back in alone.

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Juliet studiously refrains from reacting to any of this after the spell is cast.

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"Hello again," he says without missing a beat, as soon as she walks in.

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"Rats, that's not it then," says Amariah. She holds the door open and Path flies to her arm and she pokes Giles again to break the spell so he'll be able to converse with her unimpeded. "Do you have any ongoing magical - properties?" she asks. "Do you care if I invent a verse-and-herb to check for it if you don't know? My kind of magic is perfectly safe unless I don't want it to be."

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"...I won't ask you not to," he says, looking slightly uncomfortable.

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"She cast like a dozen things on my yesterday evening," says Juliet. "They all worked exactly like she said they would."

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"Sugar. Celery seed," says Amariah, and the named ingredients appear and she composes a poem in her head. Finally she says:

"Show me how this one is shown
What is hidden, dark, unknown."

And she tosses the herbs at Giles and squints.
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Something glows through his sleeve.

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"Can I have a closer look at your left arm before this wears off?" Amariah asks.

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He takes off his glasses and rubs the bridge of his nose. "I would rather you didn't."

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"Why, what is it?" asks Juliet.

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"One of the hazards of working magic," he says. "Particularly, of working magic while young and stupid."

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"It... seems to have given you a superpower, so what are the dire and ooky drawbacks?"

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He gets out his cloth and starts cleaning his glasses again.

"It killed a friend of mine," he says shortly. "When I was not much older than you. We got involved with forces we didn't understand, or didn't care to, and he paid the price."
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"I'm sorry," says Juliet.

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"Damn, I wish I could teach my witchcraft," murmurs Amariah, picking up Path from her shoulder and petting his feathers. "Much better deal - what were you doing, then, if you'll talk about it?"

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"Summoning a demon to get high." He puts his glasses back on. "And I am now done talking about it."

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"I'm really sorry about your friend," says Juliet.

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"How in the world does summoning a - right, done talking about it, right," says Amariah. "Well, now we know why you can see me through the notice-me-not and it's not going to be common, I imagine. I hope."

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"There are perhaps four other people alive who share this distinction," he says with a gesture indicating the upper part of his left arm, "and last I saw any of them was in London."

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"Sunnydale is in California," Juliet supplies to Amariah before Amariah can ask.

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"So not near London, then. Okay. Existing precautions adequate."

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"Glad that's settled," mutters Giles.

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"...I promise never to do any magic that's primarily motivated by recreational psychological side effects," volunteers Juliet tentatively.

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"Thank you," he says, looking away.

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Right. Done talking about it. Books and notetaking and setting a timer on her phone to get home before curfew.

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Amariah works alongside her. They take such similar notes, there's no reason not to divide the work.

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Giles watches them with a certain amount of curiosity. Dimensional alternates is new.

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"...Do you want to quiz me about my home dimension, or something?" Amariah offers. "I mean, I can also take notes, but she's got to read them to know the contents anyway, it doesn't save as much time as it looks like."

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"...You've mentioned that your magic isn't teachable," he says. "How did you come by it?"

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"I'm a witch. It's a species where I come from. Sort of, I mean - witches are all women, if we're going to make more witches we pretty much have to find mortals to cooperate, so my dad is just a human. Our sons are mortal, our daughters are witches. I've been doing simple nursery-rhyme level spells since I could talk, although I didn't start learning systematically until I could fly." She has her cloud-pine with her; there's enough scary stuff in this town that she wants to be able to put Juliet on it as a passenger and zoom out of wherever she's at at two hundred miles an hour without having to retrieve it from somewhere. She gestures with the branch. "When I was not quite six."

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"I see," he says. "That's... fascinating on several levels. Does 'mortals' imply what I think it does?"

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"Well, in my case, it does, but our alt Angela kept saying 'mortals' too and she just means people without wings and boasts no special lifespan herself, so good on you for asking. Witches live until we - well, there's not an exact understanding of how it happens, but it looks like barring death by violence we live until we're too bored or too lonely."

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"Not a bad deal," he muses.

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"Well, it means that we tend to last until we've gone through about four husbands, which takes a few centuries but not literally forever. I'm just planning to find a way to make my boyfriend immortal instead."

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"Good luck," he ventures.

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"Oh, I'll be able to do it. We have these devices -" she gestures to indicate the size. "That dispense objective truth in complete - sentences, so to speak, although it has to talk through symbols, they're really not very well designed, and the device says I can. I just have a research project to complete first."

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"...Now that sounds useful."

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"It is! Unfortunately, I've tried it outside my universe and the functionality's not portable. When questioned back home they say they run on 'dust' that isn't anywhere else." She shrugs. "Still very glad I have them. Well, I have one, my boyfriend has the other. He's an intuitive reader and he's much better at communicating with them than I am, so he wanted his own. There's only six in the world but two were lost; I found the first with a spell and he asked it where the other was."

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"Remarkable," murmurs Giles.

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Amariah grins at him.

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He smiles back.

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"Do you want any conveniently consequence-free spells on you or your house or whatever, as long as I'm loitering in this world and you're helping my counterpart here?" Amariah inquires. "The whole set I gave Bella includes four protective tattoos, which take a while, but if you wanted to skip those it'd only take a couple hours to go through all of them. I have tea tree oil and stuff left."

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"That... would be very generous of you," he says, surprised. "Yes."

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"I don't mind. I have time to kill, and Bells without their own magic can use all the help they can get. I mean, maybe she'll meet Stella or Shell Bell her first time through Milliways and whatever I do will be redundant, but maybe she won't. Here, I've got a list I wrote for Bella." Path pulls the paper out of her bag for her, and transfers it to her hand; she unfolds it and hands it to Giles.

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"That's very thorough," he says.
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"Enh, it's a bunch of spells, but they only add up to so much," demurs Amariah. "Even Golden, let alone Stella or Shell Bell, would be more help than me. If Bella wanted to undergo a species change. - Golden's world has a different kind of vampire than this one. A dramatically superior and less inherently problematic kind of vampire, sounds like."

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"That's not saying much," he mutters absently.

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"Golden's kind of vampire - I haven't met Golden in person, I've read Stella's notes about her in the guestbook in our shared room in Milliways, but according to the notes - Golden's kind of vampire is immortal, has no inconvenient allergies, can go weeks without eating, don't sleep, are almost physically indestructible short of fire and even then Golden's survived being pulverized to bits and then set on fire twice, and they are way, way faster and stronger than the vampires you have here. And they have perfect recall, and enhanced senses, and they think fast enough to process all this stuff plus the super-speed, and on top of all of that they are super pretty. The only drawbacks are that they mate for life and that's really serious business, female vampires can't get pregnant, and they feel pretty thirsty a lot of the time - but Milliways sells synthetic blood that they like just fine and Golden has her R&D department reverse-engineering it. And Golden managed to have a kid anyway, egg-harvesting before she turned."

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"I can't decide whether I am envious or terrified," he says with dry calm.
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"I'd rather have Stella's magic, really. It's kind of fucked up, but it's easy to hack that," says Amariah. "Besides, I don't know if Golden-vampires would be able to turn a non-human like me in the usual way and I don't think I'd wanna be a test subject."

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"Stella's magic being...?"

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"Wishes. She can make nearly arbitrary wishes, and they come true," says Amariah. "The fucked up part is where wishes come from, but she's got a copy of my boyfriend for her own, and that template is all over it. I'll spare your librarian sensibilities the details of what they are all over."

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"Thank you very much," he says dryly.

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Juliet snickers.

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"We are a fascinating bunch," asserts Amariah.

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"I'm beginning to see that," Giles agrees.

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"Bella's always home at sundown, and I'm trying to stick with her, because my phone is from 2013 in another world and does not get service here and I want to know if she finds a door to Milliways," says Amariah. "Should I run and get the ingredients for spells to be added to your person, or would you rather set up a time to do that some other place than the school library?"

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"...The latter is probably the wiser course," he says.

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"Okay. I'll bring the stuff tomorrow; do you have to stay here until a certain time or can we go to your house after school or something? Bella's place won't do, there's always the risk that her dad will be home earlier than expected."

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"No one ever visits my house unexpectedly," he says wryly. "And I can leave as soon as school lets out."

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"So you've just been sticking around for my charming company?" asks Juliet impishly.

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"Not when you put it like that," he says.

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Amariah laughs.

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"Oh, sorry. You've been -" cough, fake English accent - "making yourself available for a student with an interest in extracurriculuars in which you have some expertise you are willing to share?" She cleans a pair of imaginary glasses and grins.

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He laughs.
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Juliet hums to herself and writes a half-word of further notes before her phone goes off. "Time to head home," she says, putting her pen down and packing up. "See you tomorrow, Mr. Giles!"

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Amariah parks her cloud-pine in mid-air, sits on it, and follows Juliet.

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Mr. Giles watches them leave, shaking his head slowly.

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Whoops! Amariah almost forgot to renew her notice-me-not again. She pauses to redo that before leaving the library, and then catches up.

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Juliet is home at exactly the right time to put Sherlock's blood for the night in the microwave. Meanwhile, Amariah hovers fifteen feet off the ground, in case any nasties come out in the falling dark.

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There he is, right on time.

"And what did we learn at school today, dear Juliet?"
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"Mr. Giles, when he was young and stupid, used to indulge in demon-summoning for recreational psychological effects, and this left him with something on his arm that let him see partway through Amariah's notice-me-not and also a dead friend," reports Juliet, handing over the blood and bending her head to breathe through the fabric of her t-shirt sleeve. "So we had to explain her, but at least he didn't curse first and ask questions later. He wanted to know who or what he, she, or it was and whether we were on good terms."

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"Well, that's more life than I expected out of him," says Sherlock.

Slurp!
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"What, a history of recreational demon-summoning? I suppose it's lively except insofar as it wound up being anti-lively," says Juliet. "I promised him never to use magic primarily for recreational psychological effects. I half-suspect I couldn't even obtain same, actually, but even if I could it'd be a trivial promise, I am apparently less reckless than Mr. Giles was at my age."

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"And tomorrow after school we're going to his house and I'm going to load him up with some of the same protections Juliet got. Oh, and we managed to explain my presence without reference to you, Sherlock - he's not supposed to know about you, I take it?"

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"I am a vampire. He is part of an organization dedicated to exterminating us. It would probably be unwise to mention me around him."

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"I'm not sure if that will be long-term viable," says Juliet, hefting her messenger bag and starting down the sidewalk. "Is there some set of criteria he could meet such that it'd be okay to reveal you, or are we just going with he-can-never-know! until that falls apart or I stop interacting with him for some reason? Or I could introduce you to him and react to any suspicion by rolling my eyes and suggesting offering you a glass of water with a drop of blood in it. Hide you in plain sight, like."

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"Let's say that he can know about me only after he knows you're the Slayer, and only if he seems sufficiently reasonable under those circumstances to deal with the revelation without throwing a fit."

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"Okay. I'm hanging on to the Slayer stuff until I learn about his - well, not his day job, librarian is his day job, but until he tells me about his side project, so to speak."

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"He was very reasonable about me," says Amariah optimistically. "Took the explanation pretty much at face value, let me cast a divination on him to see why he could see me, wasn't hostile or anything. Even though I'm pretty far-out. Am I less far-out than a non-asshole vampire?"

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"Much less."

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"To be more exact, he has fewer prejudices about extradimensional witch alts than he does about local vampires," says Juliet. "I think that he could tell that you were there, and that was enough for him to tell that I could tell you were there, but he didn't know what you were, just that I was not alarmed - and there are more nasty things than benign things to explain any given weirdness, but benign explanations aren't as unheard of as nice vampires."

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"As the lady says," Sherlock agrees.

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"I wonder what it would look like if someone with a daemon was turned into the local vampire sort," muses Amariah. "Not enough to try it, not near enough, but I wonder."

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"Yes, I advise you to continue wondering," says Sherlock.

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"Believe me, even apart from my basic interest in preserving my personality, I'm especially sensitive to the possibility that it'd hurt Path," says Amariah soberly.

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Juliet's heard this story - Amariah's been following her around all day, inaudible to everyone around them, she has all the highlights by now. She nods.

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"I expect that it would," he says softly.

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There's the crypt! Combat practice time. Juliet ramps up to two-minute sequences, bolstered by all her new blessings, but sometimes they don't last that long due to repeated enactments of Sherlock, Meet Wall, or sometimes Sherlock, Meet Floor With The Slayer Sitting On You Bending Your Arms In Ways They Are Not Supposed To Bend.

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Amariah has nothing to contribute tonight; she works on movement-based spells, dancing around experimentally in another section of the crypt.

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It is all great fun.

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The next day, Amariah brings her "groceries" to school with Juliet, and after school they go to Mr. Giles's house - the modification Amariah invented to the notice-me-not applies to him as well as to Sherlock. She casts blessings and a slightly different combination of less compatible charms and, after he accepts with great trepidation, a line of protective tattoos on his previously unmarked arm.

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It helps that he's seen her cast quite a lot by then. Her magic and the magic of this world are fundamentally unalike.

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"You're all set," says Amariah. "Don't be reckless with these. They'd help if you got hit by a car or something, but you shouldn't go lie on the railroad tracks."

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"I shouldn't? Gosh, thanks for warning me," says Juliet.

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"Thank you," says Giles. "And I have no intention of putting myself in harm's way just because it's now slightly less likely to run me over."

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"- Something just occurred to me," says Amariah. "On my world, you'd want those tattoos visible, because people are less likely to attack someone a witch has decided to protect, and because a lot of people, even humans, are magically sensitive enough to tell they're there even if they're not in a visible location. But here, those advantages don't really exist. I can hide them, if you want. Though I personally think the bayleaf one and the sun-shaped one are both very decorative."

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"...I'm not sure."

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"Can you hide mine? I wasn't really getting them for cosmetic reasons. ...I don't have to take my shirt off, do I?"

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"Nah, although the -" She addresses her cornucopia. "White vinegar and honey!" - she speaks normally again - "will need to soak through your shirt if you're going to leave it on. They'll disappear after, though, so you don't have to worry about laundry and Mr. Giles should not complain if you lie down on his carpet."

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Juliet lies down on his carpet. "Does this part hurt too?"

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"Nope," says Amariah, pouring the vinegar and then the honey across Juliet's shoulders. "Hide my marks / conceal them all / make unseen / all my workings," she intones. The liquids vanish.

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"...Could you hide everything after the bayleaf?" asks Mr. Giles.

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"If I edit the verse. You like the bayleaf?"

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"I do," he says, twisting his arm forward to look at it.

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"Sure." She has honey and vinegar left. She pours over all the tattoos apart from the bayleaf, and contemplates adjustments, and finally says, "Hide four marks / conceal these four / make unseen / non-leaf workings."

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And there they go.

"Your form of magic really is a lot more convenient than ours," he remarks.
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"No kidding. I'd share if I could, but not even my boyfriend's daemon, who can turn into a witch well enough to fly a cloud-pine and feel celestial light, can get out so much as a pure verse spell," says Amariah apologetically.

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"Unfortunate," he says, rolling his sleeve down again.

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"Sorry," says Amariah. "Oh, it's almost sundown. We should head back to Bella's."

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"Off we go," agrees Juliet, picking up her messenger bag and following her witch counterpart out the door.

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What an interesting pair.

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Juliet has Sherlock's blood ready for him on time.

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And Sherlock is on time to receive it.

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"Hey, do you want blessings and stuff too?" Amariah asks him when he shows up. (She hangs back. She doesn't like the smell of blood either, although her distaste is about on the level of Juliet's after Slayer activation; she's had to get used to it for sacrifice components.)

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"Interesting thought," he says. "Sure, why not."

Slurp!
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"If I were you I'd be worried about a bad interaction with the goddesses from some of the spells," says Juliet. "I mean, I know it's only crosses and not also crescent moons and Stars of David and yin-yangs, but still."

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"Oh, I know," he says. "But it probably won't kill me. Odds are slim it'll even hurt."

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"The tattoos hurt," says Juliet.

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"Seperately, I mean," he says with a wave of his hand.

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"Well, this is going to wipe me out of the ingredients that I can't conjure, but I think I have enough of everything to do one more person, anyway," says Amariah. "I don't think it's worth even trying to ask Charlie, is it? I mean, mine's used to witch stuff, but I'm imagining mine if I brought home - I don't know, aliens?"

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"Yeah, I think not informing him of you or offering to paint him with bayleaf ink is the best bet," says Juliet.

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Sherlock laughs.

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At the crypt, Amariah gets to work while Juliet shadowboxes and practices tumbling around artfully on the floor without hurting herself.

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If the tattoos do hurt, Sherlock doesn't complain of it.

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"Do you want these showing or hidden?"

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"Oh, showing, I think."

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"All right then," says Amariah. "Have you got a trash can or something for the empty bottles?"

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Juliet may or may not be peering through the open archway at shirtless Sherlock, between rolls and flips and shadowboxed throws.

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"Or something," he says. "Pile them up by the tea; I'll get rid of them when I get rid of the box."

Then he calls over his shoulder to Juliet, "If you'd like a closer look, I won't begrudge."
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Amariah giggles as she stashes the refuse where Sherlock specified.

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Juliet is sufficiently surprised at being caught that her autopilot glitches and she scrapes her knuckles against a rough patch of stone landing from a midair twirl, and in spite of all her protections she splits her lip open against the edge of one of those stone coffin things. (Without them she'd have chipped a tooth too, and her hand would be much more open to the air.)

She sits on the floor, and then she smirks and holds up her injured hand.

"If you want dessert," she says, "I won't begrudge."
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Laughing, he sits on the floor in front of her, picks up her hand, and kisses her knuckles with extravagant courtesy.

Extravagant courtesy, and then tongue.
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Juliet laughs softly.

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After a little while, he lets go of her hand and leans forward and kisses her on the mouth in much the same way.

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"Mmm -"

Juliet didn't really expect that.

But she really should've. And she likes it anyway. And, ignoring the complaint from her split lip, she kisses him right back.
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Amariah grins and decides to leave them be. She sneaks out of the crypt and flies back to Juliet's by herself.

She wants peroxide for her next experiment in moving magic, and her cornucopia won't make that. Charlie's not home yet. She finds the spare key to the backdoor wedged in the mailbox (predictable, Charlie) and opens the back door to swipe some.

But there is Milliways instead.

Well, she can't reach them. Path can fly the key back to where it goes while she keeps the door open. She conjures up a little honey and writes going home! by the door, and she steps through.
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"We have been left alone," Sherlock observes eventually.

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"Noticed," grins Juliet. But why is he using his mouth for something other than kissing? That seems like a poor choice right now. She places one hand on each side of his head and redirects his attention.

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He is more than happy to follow her lead.

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Her lead goes in that direction for a while, and then she says, "Well, this will never do, it's nearly my bedtime and I still haven't flung you into even one wall."

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"Tragic," he agrees, grinning blissfully. "Shall we correct that?"

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"Yeah, do let's," she says, disentangling, turning, and somersaulting in such a way as to land on her feet. She grins at him and holds up her fists. "Surprise me."

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He attacks with blurring speed.

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His Bella can well and truly match it, and she's blessed and edited and in a fantastic mood. She blocks and dodges and collects what would be a nasty bruise on her shoulder sans bayleaf and she kicks and -

Sherlock does not encounter a wall. He encounters the floor, face up, pinned in what is (if one thinks about it hard enough) really a very compromising position.

And he receives another kiss.
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He melts.
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"Interesting," Juliet murmurs against his mouth, drawing back just enough to speak, and then she kisses him again.

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Point of interest: Sherlock does not, in fact, need to breathe. It is a luxury he can do without, if he has reason.

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Juliet has to breathe. But she's got a nose for that.

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And a delightful nose it is.

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It really is getting late. Bella eventually peels herself off of Sherlock. (In the process of so peeling a hand may just skim over the surface of a certain shirtless chest.) "I'd better get home," she says. "Or I won't be rested for my all-important English class."

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"Perish the thought. Shall I walk you home?"

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"I think so, yes. But you probably don't want to try to kiss me goodnight on the porch. That could be hazardous to your health in more ways than one." She stands up and offers him her hand.

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He takes her hand and hauls himself to his feet, laughing, then wanders off to retrieve his shirt and coat.

"The one way being your porch lights, and the other being your father's excellent aim?"
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"Aren't you clever?" she laughs, offering him her hand again once he's clothed and strolling out of the crypt.

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Ooh, holding hands. Holding hands is delightful.

"The occasional bullet is a small price to pay, really."
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"The occasional bullet is not the price of admission. Although I do appreciate the circumstances under which you took that first."

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"All in a night's work," he says. "You would be upset if your father were mauled by demons; therefore so would I."

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"You're sweet," Bella accuses.

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"Never," he says indignantly, and then winks.

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"I would know," she says loftily, "I tasted you. I declare you sweet."

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He laughs.

"In that case, who am I to argue?"
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"No one whatever," she says. "In fact, I think you might be fictional."

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"Ouch," he deadpans, and then laughs again.

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She grins at him. She likes him. She probably would've kissed him herself within a day or two.

There's her house.

"I don't know if Charlie's looking out the window, but - lemme find out some way to explain you to him before risking it, okay?" she says ruefully, letting go of Sherlock's hand. "It might take me a while to come up with something sufficiently likely to leave your next favorite coat intact."
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"As you like," he says, smiling.

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"G'night, Sherlock," she says, and she backs away a few steps before turning and heading into her house.

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"Night, love."

Off he goes.
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...That is an interesting thing for him to have called her.

She wonders if it's a Britishism, calling people "love" regardless of emotional content. (Giles doesn't do it, though.) (It could be regional, or just Sherlock, and still not mean -) (Or it could go right ahead and mean that, and would this be so bad? It wouldn't. He was unproblematic about liking her. He'll be unproblematic about loving her. All right then, so it doesn't matter beyond its being sweet. For now.)

She doesn't find Amariah, does find - and clean up - the note left in honey, and goes to bed.

She shows up at study hall the next day with only the progress made on her borrowed books that Mr. Giles saw her make at his house while Amariah did spellcasting.
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Mr. Giles makes no comment on this, just greets her with a friendly hello.

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"Amariah went home," she tells him, picking up where she left off, and switching to Latin catch-up when she finishes the book she's partway through. "Found a door last night when I wasn't in shouting distance and went through."

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"I see," he says. "Well, that explains why she's not here."

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"Yup. I hope I run into her again someday but there aren't any guarantees. I don't blame her for taking the first door home, though, she's got her own stuff going on and it was very kind of her to visit."

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"Yes it was," he agrees.

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"When I'm done reading through your instruments of stalling for time - are you starting to form any ideas on how to go about teaching me other stuff?"

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"Starting to, yes," he says.

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"Can I have inklings?"

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"Finish your stalling homework," he says with a slight smile.

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She sticks out her tongue, and goes back to alternating between Latin and demonology until the bell rings to send her to her next designated location.

She returns after school and gets out her stalling homework again.
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"Hello again," says Mr. Giles.

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"Hi! Hey, is it just a coincidence that the kind of person to have his own personal demonology collection wound up at the Sunnydale high school library? Or are you here for some Sunnydale-related reason?" she asks, while writing a chapter heading in her notebook.

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"...I suppose you could say I am," he muses.

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"Do tell."

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He takes off his glasses.

He starts cleaning them.

"What do you know about the Vampire Slayer?"
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"The name makes it sound like a weapon," she says.

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"In a sense," he sighs, "you're right. The Slayer is a girl, usually about your age, who is gifted with the necessary abilities to, well, slay vampires. Or demons. Or, generally, get between this world and anyone who wants to destroy it."

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"...Why is the Slayer a girl usually about my age? Why is the Slayer not six people of assorted genders and ages, or maybe a few hundred of them, so they can specialize and cooperate and be in several places at once?"

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"Much as I would love to answer that question, the only people who can have been dead for thousands of years," he says. "And the rest of us are stuck with the world as it is."

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"That sounds irritating. So you're here for something Slayer-related, I take it? Teach her to throw fireballs or whatever so she doesn't get her uniquely powerful teenage self killed by a lucky shot?"

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"No," he says, continuing to clean his glasses. "Not quite. I'm here because the Slayer is missing."

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"What, she ran away from wherever Slayers live?"

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"When one Slayer dies, the next is called," he says. "She can be anyone of the right gender and age. Sometimes it takes a few weeks or months to track her down and explain her destiny. But it's always been possible to find her. This time... as far as anyone scrying for the Council can tell, there is no Slayer."

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"There's a Council? They... fundraise so she can slay stuff full-time, run interference between her and law enforcement, man a hotline so someone's always available to look up obscure demons for her? That sounds neat," says Juliet.

(Someone who does not know what she does about the Slayer and the Council would make these guesses and would think it sounded nice. She's looking forward to seeing if Giles contradicts her.)
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"...More or less," he says. "But right now that's a little beside the point. The rumour that the line of Slayers has ended is already going around. If she doesn't show herself soon—to the demons, more importantly than to us—I'm afraid they'll just keep getting bolder."

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"I'm not clear on how one person has any significant deterrent effect on the worldwide demon population, however good she is at throwing fireballs," says Bella. "I mean, if she's here where you're looking for her, then how does that matter to a family of demons in Beijing?"

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"She has symbolic value," he says. "The mere knowledge that there is a Slayer somewhere, even if she's not an immediate threat, has a quelling effect on demonic activity. There are records of previous times when the line of succession was cast into doubt, and none of them make good bedtime reading."

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"Fair enough. So you said more or less - what else do you Councily types do?"

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"Watchers," he supplies. "It's the Watchers' Council. Before you ask, no, I don't know why. And our job is to train and prepare the Slayer for hers. We do the research; we study the demons; we help her develop her technique; we keep her informed of everything she needs to know. Assuming, of course, that we can find her in the first place."

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"What happens if you get a Slayer who's a pacifist or a sociopath or throws in with the demons or just doesn't want anything to do with you because she's a ballerina and needs to devote all her energy to her Art?"

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"I have never seen records of a Slayer joining the other side," he says carefully. "As for the rest... one of those previous times I mentioned involved a Slayer running away from the Watcher who found her. She kept ahead of us for several years. No one knows what happened to her exactly, but we know when the next Slayer was called."

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"She had to run," says Bella. "The Watcher didn't just let her go because she was involuntarily involved and didn't want anything to do with him. Is that right?"

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He frowns at her over his glasses.

"I don't know what you mean."
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"Some Watcher found some Slayer and she ran away. She kept ahead of you - the Council - that's what you said, isn't it? It sounds like you guys chased that poor girl until she died."

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"Given that their other option was to let one badly handled conversation deprive the world of its strongest defense against evil," he says sharply, "I'm not sure they made the wrong choice."

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"You said it was more important that the missing Slayer reveal herself to the demons than to the Council," says Bella. "She was known to exist, wasn't she? With a whole council full of people with access to all kinds of information and magic I'm stunned they tried to ask anything more of her than that she spend the rest of her life with a target painted on her jugular vein. I'm stunned they used all those resources to hunt down one terrified, fleeing girl instead of trying to learn more about neutral demons or subsidize the development of sunshiney lightbulbs with motion-detectors for use over patios or just coming up with large-scale spells that, sure, maybe they'd eat a few people, but they'd be informed volunteers and they could save way more. I bet something toothy murdered that Slayer when she was twenty-something and then all your colleagues were very relieved because she was in the way and then she wasn't anymore. I can't imagine why anyone would bolt at the first sign of attention from the Stalkers Council, can you?"

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"Two different powerful demons claimed to have found and killed her, but as far as later research could tell, they were both lying. For those few years, there effectively was no Slayer. All the resources that weren't put into finding her were put into dealing, inadequately, with the chaos caused by her absence."

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"Have you considered lying? Tell the Council 'found Slayer, but she's shy and wishes to remain otherwise anonymous', let them publicize the misinformation, produce occasional reports. You don't need to be the Slayer to cut the vampire population. I got hold of a key to the morgue and I've been surreptitiously pounding slivers of wood into every cadaver that passes through police hands practically since I moved here."

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He blinks at her, lost for words.
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"What?"

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"I don't know how you think this works," he says. "Pre-staking the corpses is, is brilliant, but I can't imagine any way that lying to the Council would help. It's not the Council that needs to know there's a Slayer on the job, it's the demons."

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"How do the demons usually find out, if the Council isn't issuing a press release or anything? Lie to whoever tells the demons. I mean, she's super-powerful, more efficient as a source of demon control apparently than anything else the Council could be doing with its time, I'm assuming bitey things don't usually tangle with her and live to tell the tale until one manages to actually kill her? Fights to someone's death all, yes?"

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"You have a strangely idealized view of all this for someone who lives in Sunnydale," he says. "Demons frequently run away from her, and she can't possibly hunt down and kill every single one. Leaving aside the times when she loses a fight but escapes with her life."

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"I've only lived here a couple months," says Bella. (But except for Sherlock, who is special, she's never confirmed a vampire's vampirehood without dusting it. Although she supposes some demons did run from Sherlock. If Sherlock were a girl like Shell Bell's version, would rumors be circulating even now about a Slayer in town?) "...Am I just completely off base on the fireballs thing?"

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"...Yes?" he says. "What fireballs?"

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"I mentioned fireballs twice when I was guessing what exactly Watchers are supposed to teach the Slayer to do?"

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"Oh. Sorry, I didn't catch that. No, no fireballs."

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"What powers does she get, then? Telekinesis? Care Bear Stare?"

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"A supernatural aptitude for physical combat."

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"The entire demon world is terrified of someone who is good at punching things," says Bella flatly, deadpan skeptical. "That is ridiculous. Vampires are good at punching things, eighty percent of demons are good at punching things, is she even appreciably better than them or does she just have an unusual affordance to get training on how to punch things?"

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"An untrained Slayer with a stake in her hand can kill most vampires as easily as you would wipe your nose."

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"So if her existence and approximate location are public knowledge from all those demons who flee from her approach chattering into the grapevine, wouldn't she just scatter the bitey critters, not drive them into outright hiding? She can't teleport, she can't do one thing in Munich and another in Sao Paulo at the same time. Why can they coordinate well enough to spread the word but not well enough to do whatever they want with sardinelike safety in numbers?"

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"I don't know," he says. "Perhaps you'd like to find a local demon and ask."

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"Am I irritating you?"

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He takes off his glasses and cleans them. "Being questioned about the Slayer as though I am personally responsible for every aspect of the situation from the actions of unknown people or gods thousands of years ago to the behaviour of demons across the planet does start to wear, yes."

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"Sorry," she sighs. "How'd you wind up throwing in with the Watchers, anyway?"

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"They were the opposite of my first crowd in every possible way."

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"That's a why, not a how."

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"The how isn't very interesting. Family connections," he says. "I knew they were there, so that's where I went."

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"Fair enough." She lets silence save pen-scratching reign for a few minutes to let some of his annoyance drop, then says:

"How're you going about looking for the Slayer? I mean, I guess a high school's a good vantage point, but I can account for an awful lot of your time."
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"To be perfectly honest with you," he says, "I'm hoping she shows up and makes herself obvious somehow, because I am out of other options. I'm a Watcher, not a spy. I'm good at, at cataloguing books and deciphering illuminated manuscripts. I'm not good at questioning teenage girls to see if they've developed superpowers recently."

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"What'll you do if she starts killing demons in public and then shouting her full name and address?"

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"I imagine I'll start by answering a series of annoying questions," he says dryly.

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Bella blinks at him owlishly. "Yeah, but I mean - being the Slayer, openly, seems like a crap deal. Are you going to tell your boss about her? Will she ever have a minute's peace again? Is she liable to spend half her life on a series of airplanes from hotspot to demonic hotspot and the other half in mortal combat? 'Cause if that's the deal and I find her before you do I might help her skip town."

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"I would have to tell my boss, yes," he says. "And then I would become her Watcher. It's very likely we would stay in Sunnydale, since it's one of the biggest demonic hotspots around. Slayers aren't sent across significant distances on missions very often, and the last two times it happened, it was to thwart an impending apocalypse in this very town."

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"What's your boss like? And was he... bossing... when they hunted that one Slayer down till she met her undoubtedly grisly end?"

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"I don't actually have a single boss," he says. "There's a reason it's called the Council. That Slayer was hundreds of years ago, so no, none of the current members were alive to see it happen."

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"Hmm."

Notetaking-notetaking-notetaking.

(He so knows. He knows but he doesn't know that he knows, so he hasn't told anyone, including her. But he so knows.)
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He watches her notetaking a moment longer, then retreats behind the counter.

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Notetaking-notetaking. "How does being good at punching things tend to help with apocalypses? I admit to being confused about how one might punch an apocalypse."

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"One punches whoever is trying to cause the apocalypse," Giles says dryly. "There are other subtleties, too, I'm sure."

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"Mm."

(Notetakinnnng.)
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He leaves her to it again.

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Eventually Bella's timer goes off. She puts everything in her bag.

"I'll see you tomorrow," she says.
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"See you then," he agrees.

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Home. Sunset. Jar of blood.

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"What troubles you tonight, dear Juliet?"

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"Asked Mr. Giles a lot of questions about the Slayer. I think he knows it's me but doesn't have enough concrete evidence to realize that he knows. And he comes down on the Council side regarding the treatment of a particular Slayer who ran. They chased that poor girl until she died and she never wanted any of it but of course she was the strongest defense against evil because she was good at punching things! This entire system is so idiotic. If I beat up some demons in front of some other demons at that bar you mentioned and they tell all their friends, this is supposed to quell demonic activity. Worldwide, apparently."

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"He's not far wrong about that last. Demonic activity has been on the rise ever since rumours of the missing Slayer started going around. You're a very powerful bogeyman to some crowds."

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"Maybe I should get a Mexican wrestler mask so they can say I exist but not how to find me. I dunno. Am I good enough to survive a demonic bar brawl?" she asks, hauling her messenger bag to her shoulder and starting towards the relevant graveyard.

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"If I lent a hand? Without a doubt," he says. "And it would be good material for learning to fight against multiple opponents."

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"Then the rumors about the Slayer will say that she has a friend with her," Bella points out. "And I told you I think Giles knows it's me, even though I didn't tell him. If he decides to confront me about it - or, I don't know, he throws something heavy at my head and my choices are duck or catch it or get brained - how will I explain that?"

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"Refuse to," he suggests.

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"I suppose the option exists. It would be easy to find you starting from me, though, a Mexican wrestler mask will throw off demons but Mr. Giles is faculty and he has access to my home address. All he'd have to do would be watch you show up at dusk, or, if you stopped walking me there, follow me to the crypt. Do you have a plan for that?"

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"Don't give him your laser pointer," Sherlock suggests flippantly.

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"I had no plans to. I don't think a scenario that winds up with you having to beat up any number of Watchers in self-defense is something I should aim at. Mr. Giles isn't exactly Charlie, but I'd be disappointed in an outcome that got him badly hurt. Although I'm not going to tell you to let him shoot at you without reprisal either, because, again, not Charlie."

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"You could always try telling him I am your bodyguard. What do you think? Would he faint?"

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"I'm not sure what he'd do. He might have to tell the Council, and the Council is probably not a lot of perpetually glasses-polishing Gileses."

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"He hasn't told them about you so far, has he? Does he know you're the Slayer or not?"

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"I think he knows. Guesses. Suspects. Has a gut feeling about it but nothing concrete. I asked what he'd do if he found her and he said he'd probably start by answering a lot of annoying questions."

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"Questions such as you had no doubt been asking him immediately beforehand. Oh, yes, he knows."

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"Ayeah. I mean, so far everything he's seen is theoretically explicable without my being the Slayer. But I don't think the other local teenage girls are distinguishing themselves at all, whereas I am practically neon."

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"But he has exhibited no starving-dog behaviour?"

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"No. He lets me come to him - which admittedly I do twice a day, so I don't know how much information that is - and he answers questions but he doesn't lecture, I'm way more likely in any given conversation to run into the end of his patience than he is to run into the end of mine. He hasn't been issuing veiled threats to the missing Slayer or anything."

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"For a Watcher, that's fairly astonishing. Perhaps it's the demon drugs," he jokes.

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"And yet he is not the only Watcher, Sunnydale's life expectancy is for shit, and he would have to tell all his colleagues," grumbles Bella.

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"Perhaps we should tell him everything, and I can start guarding him too."

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"...Guarding him to make sure he isn't replaced by a less friendly Watcher or guarding him to see that he doesn't follow through about notifying the Council?" inquires Bella.

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"To see that he does not die of Sunnydale and thereby require replacement."

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"Maybe. I think I'll come clean tomorrow after school. Since I do think he already knows on some level. And if he doesn't flip out or immediately turn all stern-crusty-bossy-Watcher on me I'll bring you up right after as though I never intended to leave you out."

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"A reasonable plan, I think."

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"Let's see to it that if he wants to put me through my punching-things paces right away, he's suitably impressed," says Bella as they reach the crypt. She trots down the stairs, takes off her crucifix, dumps the messenger bag, and stands ready, smiling.

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"It would be my pleasure, dear Juliet," he says with an elaborate bow that somehow shifts seamlessly into an attack.

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Practice continues roughly as normal until it's gotten late, at which time his dear Juliet takes her next win and turns it into kisses, as the previous night. "I wonder," she murmurs against his jaw after a slightly meandering kiss, "if I'm in danger of producing bad incentives."

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"In what sense?" he inquires.

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"Mmm, the losing-sometimes-gets-you-kisses sense," she says. "Of course, since you already found losing entertaining for other reasons perhaps I'm not making anything worse if I -" (kiss kiss.)

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He giggles into said kisses.

"Indeed you are not," he confirms. "But if it makes you feel better, we could start kissing when I win, too. Even things up a little."
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"Let's do that," she says, grinning down at him. "One more round, winner kisses the loser."

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"I accept your terms."

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Bella lets him up. But this time she doesn't wait for the attack; she tries a (clumsy, relative to her other moves if not to the general population) first-closing move. "Can't always be waiting to get jumped," she says between exchanges of kinetic energy.

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"Very true," Sherlock agrees. "Good thinking."

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She compensates somewhat for the poor start, but not enough.

Fair Juliet, meet floor.

"Oof."
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"Victory," says Sherlock. "And our mutual reward."

And he kisses her.
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"Mm, fun and educational," giggles Bella on the next occasion when her mouth is free. She squirms a little, not really trying to get up.

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"I've a sudden impulse to turn this into a tickle fight," Sherlock observes, but in fact only kisses her again.

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Juliet giggles. She opines neither way on the tickle fight.

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Kisses are apparently more interesting.

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Kisses are very interesting indeed. (And this time she doesn't even have a split lip getting in the way of enjoying them; that was closed overnight and no longer tender by the time she got finished at the morgue and went on to school.)

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(Bless Slayers and their accelerated healing, and bless Amariah and her helpful magic.)

Also, kisses. Kisses are fun.
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Bless kisses!

It really is late. Bella squirms, puts on one of those unsustainable bursts of strength, and flips him over. One more kiss, and she's up on her feet again, bouncing restlessly in spite of a yawn.
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Sherlock giggles from the floor, then hauls himself to his feet.

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"Home we go," yawns Bella, donning cross and bag and offering her hand for holding.

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He takes her hand and kisses it before he starts walking. Because he can.

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He most certainly can. (He can make her giggle, too.)

They encounter a demon on their way home! It has been hiding in some shrubbery, although Sherlock might notice it anyway before it jumps out and jogs towards them. It seems extremely confused. It also seems hungry.
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Indeed he does, and as the demon exits the shrubbery, Sherlock kisses her hand again and says, "Shall I take care of this one, love?"

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"Let's see how I do," she says after a quick check for onlookers. "I recognize this one," she adds, stepping in front of them and leaping at the demon. "Long - unpronounceable -" The demon fights back, but she's faster - "name with - lotta H's in - and you have to -" She pulls off a sacrifice throw; the demon goes flying and she rolls up to her feet again - "twist anything you wanna -" She uses its attempt at an uppercut to vault to stand on its shoulders and grab hold of its head. "Remove," she says, twisting. "Also they eat human livers and they dissolve into soap bubbles when they die!" she adds, sounding like a tour guide on a tame safari ride while she hops off its shoulders and drops the removed head onto the rest of its collapsing (and indeed dissolving) body.

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He applauds lightly.

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"The soap bubbles thing is convenient," she says. (She's taken to carrying a water bottle to practices and she didn't drink it all tonight; she pours a little on the dissoluble demon to help it along with running down a storm drain.) "These guys sometimes travel in packs but a pack would've joined us by now. Thank you, Mr. Giles's Stalling For Time Homework. Anyway. Onward."

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"Highly educational," he says, taking her hand again.

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"I could've been fighting with that thing for an hour before trying the twisting thing," agrees Bella, interlacing their fingers.

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He laughs and kisses her cheek.

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Heeee kisses.

"Was that thing unusually incompetent or am I just awesome? Trying to determine a timeline for appearing at a demon nest and letting some of them live for worldwide symbolic power. I'd rather emerge from same with all my limbs. In fact, all my digits, too, I'm fond of those. I might want to drive to L.A. first if there's a good place to find demons there, so not everyone who wants to prove themselves by taking on the Slayer descends on my hometown."
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"There are several good places to find demons in L.A., yes."

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"Buy mask with good visibility, drive to L.A., possibly this weekend, slay some, turn others into the demonic equivalent of the panicked media," says Bella, mostly to herself.

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"As awesome as you in fact are, I still feel like I should accompany you in case of mischance," says Sherlock.

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"It's a few hours each way and hotels aren't free; how much would you object to traveling in the back of my pickup under a tarp?"

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"Not at all."

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"Okay then. Fortunately, I have a tarp. Do you happen to know how populated the graveyard is by day?"

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"Strictly going by indirect evidence, of course, my guess is not very."

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"Should be doable to pick you up without having to button-mash anyone's rationalization centers," concludes Juliet.

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He laughs.

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"Do you have a way to get from crypt to road without catching fire or should I carry the tarp over and knock?"

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"I do not," he says, "so that would be best."

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"Okay then. We have a plan. I might even let Mr. Giles in on it tomorrow depending on how he reacts to prior revelations."

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"Won't that be interesting."

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"It very well might. G'night, Sherlock," says Bella, and she lets go of his hand and heads for the door.

"Wait," she calls, when she sees where the door leads. "...Er, I can turn off the porch light, if you want to come?"
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"That would be delightful, yes."

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She's got to stretch, but there's a switch that controls the motion detector, hiding under the windowsill. She flicks it.

"I wonder if you can go through this door when it leads to Milliways," she says, blinking as her eyes adjust.
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"Let's find out," he says brightly, and does.

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"Neat," she says, once they are both in Milliways. "Well. Amariah said I'd automatically get a key to the Belltower if I went up to the counter and asked."

She goes up to the bar. "Uh, hi?"
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Et voila, a key to the Belltower.

"Convenient, isn't it?" says Sherlock.
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"Very," says Bella, tossing the key and catching it again. She glances around to see if there's anyone she recognizes, but nope. Up the stairs she goes.

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Sherlock follows.

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In the Belltower is -

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A Shell Bell!

"Oh, hi! I'm Shell Bell! Welcome!" she says, beaming at them from where she's adding to the guestbook. "- You're either a Tony or a boy Sherlock - I'm going to guess the second one?" she adds to Sherlock.
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"A Sherlock, yes," he says.

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"Amariah was going to add an entry about me? I'm 'Juliet'?" says Juliet.

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"I haven't read the new stuff yet," says Shell Bell, "I'm still adding an entry about how I went to Angela's world for a bit and -"

She pauses.

"Oh, oh damn, I gave Angela all my bigger coins, I don't have anything left for you - my Sherlock's not here, she went home, I can poke my head out and check for her but I think she'll be asleep -"
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"Alas," says Sherlock.

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"I'll check. She might not have fallen asleep right away, but that's where Tony was when I tried to ask him if he wanted to come along to Angela's and she left before I did specifically to go see him and she can sometimes fall asleep really fast - and I only have triangles and squares and they're in the District house and the door's in the palace - and if she's asleep I can't get her without losing the door and Tony can only summon it sometimes and there's no guarantee I'll catch you on a second trip," says Shell Bell apologetically. "I'll be right back!" She teleports to the door.

She opens the door.

[Sherlock?]
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[Sleeping,] says Sherlock's busy message.

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Shell Bell tries the square. It doesn't have that range. Argh. She shuts the door and teleports back up. "I'm so sorry," she says to Juliet and Sherlock. "...I can give you a supply of squares and triangles. I can make those just fine. But without a pentagon I can't even give you a particularly safe way to keep them so you'll have to be careful."

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Sherlock glances at Juliet to assess her opinion.

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"That sucks," says Juliet, "but if you can't do pentagons, you can't do pentagons, I'm not going to insist on torturing you for magic powers. I will take all the squares and triangles you can offer me."

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"I'm really sorry. I want to help you. You said you met Amariah? Was she able to help you make any progress on your projects?"

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"Loaded us up with blessings," says Juliet. "They help."

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"She assassinated Panem's president for me," says Shell Bell brightly. "Then I burnt down the building where they were going to hold the emergency election. Then I found Stella and then I took over the world."

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"Congratulations," Sherlock says cheerfully.

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"Yes, well done," agrees Juliet, laughing and sitting in one of the Belltower chairs. "Er... Amariah said something about special circumstances leading to you and your Sherlock...?"

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"Do you have Valentine's Day on your world?" Shell Bell asks.

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"Yeah."

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"If you ever come in here and Milliways is decorated for it," says Shell Bell, "run." She shrugs. "But it worked out in the end, I love her, I'm glad I can love her, I just - wish it would've happened without the non-consensual mind-altering holiday drugs."

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"That does sound unpleasant," says Sherlock.

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"Eegh. I don't know if they'd work on me - I have the opacity thing, at least some form of it - but running. Yeah. Will do," says Juliet.

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"I cried," says Shell Bell frankly. "We managed to sleep through most of it, though."

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"I really wish they were awake. Then we could make more coins - and you could meet my Tony - and - maybe I should - I don't know, Stella made at least a few pentagons before she could mint Alice, pentagons don't have to be that bad - maybe I should find some way to -"

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"Relax," sighs Juliet. "If you happen to break your arm in some unrelated way and make a pentagon to wake them up with, I'm hardly going to turn you down, and I do want to stick around after you leave for a bit in case you manage to get ahold of another door, but you don't have to hurt yourself more than you can comfortably - so to speak - do."

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"Yes," says Sherlock. "Your magic would be awfully convenient, but we've lived without it for this long."

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"Well, there's three of us who have it now, and my Sherlock and Angela's Micaiah and Stella's Alice, and if you run into any one of them, or me again, you'll be all set. I'm going to write a note reminding us never to get caught in here without any hexes or our help," says Shell Bell, taking up her pen again and resuming writing. (She writes blurrily fast.)

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"Good plan," says Juliet. When Shell Bell's done with the book, she takes it and starts reading.

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"'Help'," Sherlock muses. "Yes, that's one way to put it."

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"Stella calls Alice her 'pet masochist' sometimes, but I don't think I'd choose that term for my Sherlock, and I don't know about Angela and Micaiah but I suspect not," says Shell Bell.

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"So your Sherlock goes happily all the way up to stars?" Juliet asks, turning a page.

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"Yes," says Shell Bell. "But she used a starter coin for it - Whistles are farther along to start with than she was. And it took some getting used to on my end."

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"Well, Juliet is already quite accustomed to beating me up," Sherlock says brightly.

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"Sparring," Juliet clarifies for Shell Bell before she can ask. "I'm not dismembering him or anything, and I get hit too, although - Sherlock, are you still pulling punches for me? If you are maybe I don't have an accurate picture of how physically uncomfortable it is on your end."

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"When I can get away with it, yes," he says. "Which is increasingly rare."

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"So yeah. If you can't make a pentagon then I don't think either of us is getting into pentagon territory that way. ...Unless pain tolerance is a Slayer thing, which I suppose it might be?"

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"Well, I don't know, but if you want a comparison, I don't have big coins but I do have an agony beam," says Shell Bell dubiously.

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"Ooh, that sounds like fun," says Sherlock.

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"The units it works in are called triangles. One to nine of those makes a triangle - for a mint, anyway - and ten to ninety-nine is a square, and so on," says Shell Bell. "And it comes in flavors because the original design is for Alice and that's just what he's like. If you want to try it..." She shrugs.

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"Hit me with... like... fifty, for a second, to compare against getting thrown into a wall?" says Juliet after a moment's thought. "...Is 'thrown into a wall' a flavor? 'Cause I'm used to that at this point."

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"Well, 'blunt trauma', says Shell Bell. "Some of them get weirdly specific but I don't have getting thrown into a wall particularly on the menu. Here goes."

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"Hm," says Juliet consideringly. "Yeah, I think I am forced to conclude that pain tolerance is a Slayer thing, although I'm sure I'd make an awful face if you, like, quadrupled that at me."

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"In the name of scientific inquiry," says Sherlock, "can I have a hundred in blunt-trauma flavour?"

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Yes he can.

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He blinks.

"That was... invigorating," he decides, with a hint of a smile.
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"Invigorating?" asks Juliet. "Really?"

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"Why, would you prefer a different word?"

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"I don't know. I can't read your mind to see if that one makes the least bit of sense."

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"I can read my Sherlock's mind," volunteers Shell Bell. "It's nice. Oh - we were thinking that Sherlocks should have nicknames too, since you tend not to have themes the way we often do, and you have name consistency where the Whistles don't. Do you have any ideas on that?" she asks Sherlock.

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"Nothing springs to mind. But I agree we probably should."

He grins at Juliet.

"Pending further discussion, I could be 'Romeo'."
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"This is some kind of reference I don't get, isn't it," says Shell Bell.

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"Yes. Yes it is," snorts Juliet. "Romeo here has named us after the romantic leads in a famous play."

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He grins unrepentantly.

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"At the end of which both characters are dead. But I should've objected back when I first allowed my nickname to go unchallenged, I suppose, if I consider that problematic," she snorts.

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"And since I am arguably dead already, I'm not sure it's quite the same. But I can choose another if you prefer."

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"How do you mean, you're dead?" Shell Bell asks. "You walk around, don't you?"

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"I don't really mind," Juliet tells Sheromeo. "And whether vampires are dead is a pointless matter of technical quibbling. They walk, they eat, they think - some of them - but they don't properly respirate and their hearts don't beat so some people apparently consider it meaningful to declare them 'not alive'. Probably contributes that for most of them the transformation involves a period of inactivity followed by personality change."

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"Also that for all biological purposes I am an unusually lively corpse," Sherlock points out.

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"But you eat. Corpses don't eat," says Shell Bell.

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"You eat," agrees Juliet. "You heal from injuries. Do your hair and fingernails grow?"

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"Golden's kind do, but slowly," volunteers Shell Bell, "if you haven't gotten to Stella's notes about her."

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"I drink blood," he says. "And tea. Liquids in general. Solid food and I don't get along. My hair and fingernails do grow, yes. At the normal human rate, even."

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"It makes about as much biological sense to declare you an ambulatory talking fungus as to declare you a dead human," says Juliet. "Mushrooms are not expected to have pulses or functional lungs, after all, and they're alive."

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"Mushrooms do not traditionally spend time as humans and then go through something remarkably like dying before they become mushrooms," says Sherlock.

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"No, you're not a mushroom, you are a vampire, but the question of whether a vampire is alive is only about as interesting as the question of whether a clone is a real person."

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"But the question of whether we are arguably dead is decided, since here we are, arguing it."

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Juliet laughs.

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The door opens.

"What's all this, then?" says a crystalline Bell voice.
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"We're arguing over whether or not I'm dead," Sherlock says cheerfully. "Perhaps you'd like to join us."

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"You must be Golden!" says Shell Bell brightly.

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"Golden," muses Golden. "Well, I suppose I am, at that, if I'm not being Bella. I might have gone with Cullen, but apparently my reputation precedes me?"

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"Yep," says Juliet. "Stella left us notes about you." She picks up the book, in which she has just gotten yea far, and holds it up for Golden's inspection.

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Sherlock observes.

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Golden takes in the entire page of notes almost instantly.

"She really doesn't have a very high opinion of Edward, does she," she remarks.
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"Do you have a high opinion of her boyfriend?" inquires Juliet, putting the book back in her lap.

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"He threw a tantrum in my throne room," says Golden, adjusting her crown. "So not particularly."

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"Me and Juliet here both have Sherlocks instead," says Shell Bell contently. "I'm Shell Bell. I'm a mint like Stella, but I don't have any of my big coins with me so I can't help Juliet - Stella didn't write about minting you, but she did give you some coins, didn't she?"

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"She did. I've used them. I don't admit of mental editing and I don't have a convenient masochist volunteer, so I've just been trading for her coins directly when she finds me or my daughter or one of my staff."

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"Never a convenient masochist around when you need one, hmm?"

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"Not today, apparently," sighs Shell Bell.

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"Here," says Juliet, offering Golden the book. "You're probably way faster at reading and writing in your profile than I am, you may as well cut in line."

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"Thank you," says Golden. She takes the book. "I don't know about you - Sherlock? Peculiar name - but I'm alive in every sense that I care about, and my heart doesn't beat either."

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"Whether I consider myself alive or dead depends on the context," he says. "And perhaps on whether I am trying to annoy my dear Juliet."

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Juliet sticks out her tongue at him.

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"I think it's a good thing I didn't bring Edward with me," Golden remarks.

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"Stella's notes do mention that he's weirded out by other Bells and our significant others," says Shell Bell.

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"Yes, I saw," says Golden, coming to the end of the filled-in book and picking up the pen. She writes in a profile and returns it to Juliet.

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Sherlock laughs.

"Am I a significant other?" he inquires of Juliet.
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"We haven't really discussed terminology," muses Juliet. "It's mostly just been kissing and some discussion of kissing."

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"When I met Amariah, she and Kas weren't dating," says Shell Bell. "Yet."

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"Well, let's discuss terminology," he says. "Unless you'd rather save that for another time."

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"Now's fine. D'you wanna be my boyfriend?"

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"Why not," he says cheerfully. "Do you have a plan for disclosing this label to your father in a way that won't make him likely to shoot me again?"

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"Doing it in broad daylight and not telling him where you live, so he has a few hours to calm down," says Juliet dryly.

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"Charlie took Edward being my boyfriend just fine. He was less calm about it when he found out we'd eloped. And not particularly sanguine about the vampire thing."

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"My Charlie already knows Sherlock's a vampire. He watched him fight off a pack of demons that tangled with the cops, and shot," Juliet explains.

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"Ruined a lovely coat," says Sherlock. "Granted the coat was already covered in demon blood."

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"What should I call our world?" Juliet wonders aloud.

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"Hell-Orifice," Sherlock says flippantly.

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"No," says Juliet, snorting. "I think I'll go with Sunshine."

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"Worlds are harder to name than ourselves," says Shell Bell. "Of course, I didn't even pick my nickname, everyone's been calling me it since I was eight."

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"Easier with a theme," comments Golden.

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"What's wrong with Hell-Orifice? I'll bet you what you like that neither of their worlds has one," he says, gesturing to the two non-Juliet Bells in the room. "Whereas they almost certainly have sunshine, damn the luck."

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"Because I don't want to say 'hey, why not come hang out with me in Hell-Orifice for a while', and also the Hell-Orifice is a specific location within the world in general," Juliet says, writing up her profile on the page after Golden's.

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"It's ironic," volunteers Shell Bell.

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"You have the sunshine thing?" Golden asks Sherlock. "That sounds inconvenient."

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"If by 'the sunshine thing' you mean that certain frequencies of ultraviolet will in sufficient concentration light me on fire, yes," he says. "Yes I do, and yes it is."

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"Being on fire is not fun," says Golden. With a slight hint of inside joke and an adjustment to her hair, shorter than Juliet's or Shell Bell's.

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"I imagine not," he agrees. "Do I take this to mean you have personal experience with that fact?"

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"Oh yes. Short of stranding us on the moon or otherwise managing to starve us to death, the only way to kill my sort of vampire is with fire, albeit not solar sourced fire. This is traditionally much easier if we're pulverized into small chunks first, though. My witch power is sufficiently interested in my mind's continued existence as well as its integrity to force me back into a survivable configuration if someone manages to attempt this on me. Twice."

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"Ow," squeaks Shell Bell.

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"Fascinating," says Sherlock.

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"You could put it that way."

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"I'm glad you're alive," volunteers Juliet.

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"Me too."

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"Thank you," says Golden. "I'm glad I'm alive too. I don't imagine being set on fire would have been any more comfortable if my enemies had succeeded at what they had in mind, after all. Although there are drawbacks to finding such extreme conditions survivable. The previous occupants of my position as secret vampire world leader found it convenient to keep people with useful witchcraft stored as heaps of rubble in a dungeon, including my husband and my sister-in-law, for five years."

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"Damn," says Sherlock.

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"Rather. Yes. And in that time Edward thought I was dead, which was worse. Diamond vampires - as I have decided to call us - mate for life in the most serious sense possible."

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"Well. That's unpleasant," he says, not quite as flippantly as he means to.

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"I thought he was dead too. I turned out to be mistaken regarding the identity of an ash heap. I was, just barely, functional - it helped that there was Elspeth, even before I took her from her grandparents and aunts and uncles."

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"Do you want a hug?" asks Shell Bell.

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"Yeah," agrees Juliet, "hugs, available things."

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Golden has to think about this, but it takes an imperceptible amount of time.

"All right," she says, and she receives hugs, which she returns very, very carefully.
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"I am familiar with the circumstance," says Sherlock. "You have my sympathy. And another hug, if you'd like one."

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"I'm full up, thanks. Familiar how? Does your sort do this too?" She peers at Juliet's profile. "Sunshine vampires?"

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"Not the specific thing, he's just - lost people," says Juliet.

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"Mm. Mates are special, but not - infinitely special, so the sympathy's likely informed, regardless. Elspeth occupies a similar priority for me compared to Edward. But this is largely because my mind is safe. It's not true for Edward comparing me and our daughter. His original relationship with her was destroyed years ago. It's better now. But it'll never be the same."

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"Specifically," says Sherlock, "the circumstance of loving someone so much you are not sure you can survive without them, and then having that put to the test." He quirks a faint, humourless smile. "Twice."

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Golden nods. "She has his hair," she murmurs. "She used to complain that I wouldn't let her cut it until it swept the floor. When the relationship-destroying witch came along she chopped half of it off." Pause. "The relationship-destroying witch is the only person I have ever personally killed."

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"I have killed quite a number of people," says Sherlock, "but the first human was the man who hid a gang of vampire assassins in our basement and thereby caused the death of everyone I had ever loved. I expect even if I had my soul pinned back on, I would still stand by that one."

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Golden nods.

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Juliet hugs her Sherlock.

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Sherlock hugs his Juliet.

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The suite's front door opens.

"New Bells!" says a cheerful voice. "Hi, new Bells! Hi, —holy shit vampire Sherry."
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"Hello, Tony," he murmurs, looking away and keeping very still.
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"Hi again, Tony," says Shell Bell. "I'm pretty sure Juliet wouldn't hang out with him if he were an asshole people-eating version of himself. At least currently. My Sherlock thought when I asked her that this one would want to meet you, it's good you're here!"

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"How could you tell by looking? I can't even tell by looking and I'm supposed to be able to tell by magic," mutters Juliet, releasing her Sherlock from the hug in case he wants to hug Tony instead.

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"I don't know," he says, "I just—Sherry, are you okay?"

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"Not particularly."

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"Dammit," Tony sighs, and hugs him.

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Hesitantly, Sherlock hugs back.

"Half of the aforementioned dead family," he says, mostly for Golden's benefit.
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"I suspected," Golden murmurs.

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"This one has a Jarvis at home," Shell Bell says tentatively.

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He hugs Tony a little tighter.
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"Hey," he says gently, "kinda squishy over here." Then he sighs. "Jarvis too, huh?"

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He un-clings a little. Just a little.

"Jarvis too."
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"Amariah said Jarvis is an AI," says Juliet. "Forgive me if this is rude, but is there any possibility of - copying him and bringing one back to Sunshine with us?"

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"I don't have big coins but I can do squares, squares can conjure nonmagical objects," pipes up Shell Bell.

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"...We can ask," says Tony, pulling back some to look at Sherlock's face. "You wanna go ask?"

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For purely psychological reasons, he takes a deep breath.

"Yes."
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"You'd need somewhere to put him, though," Tony muses. "Do you have a house? I bet you don't have a house. Um, Bell-over-there?" he says, addressing Juliet. "Do you have a house? That we can... extensively remodel?"

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"Sherlock named me Juliet because at one point we had a conversation through my window, I'm sticking with it," says Juliet. "And that one's Golden. I live in Charlie's house, which I don't really expect him to be willing to remodel, but there's a fair number of abandoned buildings in Sunnydale, maybe Shell Bell could conjure up stuff to pawn and I could buy one on the cheap and we can remodel it by magic?"

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"Sure," he says.

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"I expect that will work," says Sherlock. "Although it might take some time."

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"How much time are you thinking? Not everyone's as comfortable with roughing it as Amariah, so if a lot of that is time spent Sunshine-side it could get awkward," muses Juliet.

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"To buy an abandoned building? I'm not sure, I've never done it before. But I expect it'll be more than a day."

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"Possibly. Although a lot of stuff operates so very sketchily in Sunnydale I wouldn't be astonished if we could get it done faster."

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"What time is it there now?"

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"Something like ten thirty p.m.," says Juliet.

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"We could ask Jarvis first, anyway," says Tony.

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"I imagine I'm irrelevant to all these proceedings, but I'm curious to have a look around anyway," says Golden, "am I invited?"

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"Sure!"

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"Thanks."

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"I've skimmed this thing now," says Juliet, closing the Bell guestbook, "any other reason to delay? Although I will want to sleep soon, I can do that when I won't be keeping so many people waiting."

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"Nah, let's go," says Tony. "Who's coming to my place?"

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All three Bells raise their hands.

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"Okay," he says, and takes Sherlock's hand, and leads them all downstairs.

When they pile through the door, what's on the other side is a spacious, tastefully decorated living room with plenty of comfortable couches.

"Hi Jarvis!" says Tony. "This is Juliet, Shell Bell, and Golden. And a vampire Sherry but I promise he's nice. We're both dead in his world and I kind of want to hug him forever."
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"Pleased to meet you all," says Jarvis.

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Sherlock hugs Tony silently.

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"Is the local Sherlock around?" asks Shell Bell.

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"And the question we came here to ask," says Juliet, "namely, for mine, who lost his version of you, any chance of taking a copy home with us? Pardon me if that's rude, I've never met an AI before."

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"The local Sherlock is not at home," says Jarvis. "And... I'm not sure."

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"They live in Sunnydale," Tony adds, indicating Sherlock and Juliet, "I think they're an item, they're gonna try to buy an abandoned house or something to install you in."

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"I'm the Slayer," volunteers Juliet, in case that wasn't clear. "Do you have those here? You knew Sherlock was a vampire, so..."

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"...Yeah, we have those here," he says. "Whoa, seriously? So wait, how'd you guys...?"

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"I haven't been the Slayer very long. Also, thanks to the Bell mental opacity thing, no supernatural senses. At all. Found out I was the Slayer when a Power That Is showed up, in my bedroom, uninvited, grumbling about how I didn't get some dreams I was supposed to get. Sherlock figured out I was the Slayer from the way I walked, I started shooting at him -" She pats her messenger bag. "I missed. A lot. He, obviously, didn't kill me. I called Charlie, Charlie drove me out of there, I kept seeing him around and he kept not being sociopathically hedonistic as expected, he offered to be my bodyguard, I put him on a one-week trial period where I didn't let him within ten feet, and I determined that if he was up to something it wasn't gonna be something I could figure out. There was sparring. Later, there was kissing."

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"That's cute," Tony declares.

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"Apparently, Bells and Sherlocks being cute is a thing?" shrugs Juliet, smiling.

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Shell Bell nods.

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"It totally is," says Tony, and he hugs Sherlock again.

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"So. Jarvis?"

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"...Would it be feasible to show me the abandoned building in question?"

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"We don't have one picked out yet, so that'd wait for another trip to Milliways, and if we didn't have Shell Bell along anymore by then, we'd have to hope we guessed right about the number of squares needed to fix it up and install your copy," muses Juliet. "I mean, my first choice would be the old brick thing about halfway between school and Charlie's house - do you know the place, Sherlock? - but I don't know if we can get it."

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"I know the one," says Sherlock. "It's not bad. Easily fortified."

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Jarvis hesitates. But not for very long.

"All right," he says. "I trust Tony with the final say about location. I'll start running the backup."
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"Thank you," Sherlock murmurs.

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"Do you need something to put it on conjured or do you have it?" Shell Bell asks.

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"...If you could conjure some hard drives, that would speed things along," he says. "How thoroughly do I need to specify the requirements?"

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Bell bites into the side of her cheek and hands a small handful of squares to Tony. "He can probably do this better than I can," she says. "Wishes are pretty smart and they're good at copying stuff - if there's one that's already around that's exactly what you want, that's easy - but probably better for Tony to do the wishing."

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"If I ask it for something it can't give me, does that waste a wish?"

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"No, if it can't do it, it just doesn't disappear and nothing happens," Shell Bell says. "It's useful."

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"Compared to magic in my world, which apparently tries to kill you or drive you insane every chance it gets, that's saintly," snorts Juliet. "Good sweet wishcoins."

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"They're very nice, except for where you have to get them," agrees Shell Bell, "and obviously there's a nice loophole to make that not a problem."

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"It's possible I should ask Stella to mint me the next time I see her - or you when you've got more coins, Shell Bell, or Angela maybe if I meet her first. Just for the triangles and squares. Perhaps pentagons. Being a vampire doesn't do anything directly to my pain tolerance, but the boosted brain capacity makes it easier."

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"I'd be happy to do it if I only had a hex," apologizes Shell Bell.

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"I understand. I'm not criticizing you, I understand how it happened."

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"But you managed your empire without anything but your opacity," says Juliet, "didn't you."

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"My opacity and family and friends with their own talents. Mine was important - I was the only person immune to several of the Volturi's most dangerous weapons - but not sufficient."

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While this back-and-forth is going on, Tony is making hard drives.

He keeps grinning.

"Be right back, guys," he announces, and leaves the room.
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"That sounds like it might be an interesting story," says Juliet to Golden.

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"It might, but Elspeth is better at telling it than I am," says Golden. "She has also written pamphlets on the subject, although they're abridged sketches so as not to turn into novel-sized illustrated histories."

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"Do you like having a kid?" Shell Bell asks.

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Golden opens her mouth as though to deliver a stock answer of some kind, then closes it and glances between Bell and Juliet thoughtfully.

"I'd say it's like having my soul walk around outside my body," she says instead after a moment, "but given that Amariah exists, perhaps that's not the right comparison; Edward is like having my soul walk around outside my body in the sense that we can operate like extensions of each other and neither of us can function without the other's safety. Elspeth is more like..." She's stumped. "I stopped notebooking before she was conceived, let alone born; I know what it's like but I haven't put it into words."
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"But she's desperately important and beloved and you can only direct her to act like it a limited amount?" tries Juliet.

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"She's not reckless or helpless. She keeps Jacob with her, she can incapacitate or obliterate anyone outside of a couple dozen inoculated people by thinking about it, I believe she's safe at home and when she's in Milliways she doesn't walk through the door with anyone who she can't sincerely tell Jacob they're harmless. But she's been through more than she should've been, and she grew up so terribly fast, and I love the person that she is but she's not who I would've designed if that were how children worked. I'd never have wanted my baby to go on to casually discuss murder and mental rearrangement and torture as things that she's seen and experienced and gotten accustomed to thinking about."

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"I'm not planning to have kids any time soon even now," says Shell Bell, "but I definitely was planning to never do it before I took over the world. Panem was no place for them."

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"I wasn't originally going to have her that early," says Golden. "At the time I didn't expect her to be in danger, and it would have been problematic to wait. And we were ready as parents. But society, at least supernatural society, was as you say - not fit to have a child in then. I miscalculated, badly, and paid for it, and five years later she did too."

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"I must not have reached some relevant stage in my life-cycle," says Juliet, glancing between the other Bells.

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"I think you're a little younger than I am," Shell Bell says. "And I think Golden is the oldest, even though she looks about your age plus Diamond vampire stuff."

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"I'm forty-three," agrees Golden. "Chronologically. It's a matter of some debate, to what extent development is relevant or even frozen at all in someone who turns in their teens. Turning small children, though, is forbidden for a reason. But I was just barely eighteen when Elspeth was born."

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"Eighteen, but also married and turned and plotting world takeover already. Amariah says I'm still in the," Juliet makes air-quotes, "resource gathering phase."

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"I think Angela and Micaiah are going to wind up having a bunch of kids," says Shell Bell. "I get the impression that it's an angel thing. I don't know about anyone else."

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"Isn't your Sherlock a girl, anyway?" says Juliet to Shell Bell.

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"Yes," says Shell Bell. "But, magic, and even if there weren't magic, she and Tony are identical twins, so." She shrugs, blushing.

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"What is up with my alts and non-monogamy?" asks Golden rhetorically.

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"Don't look at me, I haven't even had that conversation," says Juliet.

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"I don't think it's us. Well, I don't think it's most of us. I had a crush on my Tony before I even worked out how to make things happen with my Sherlock and my Sherlock is, you know, special circumstances. I think we just attract non-monogamous people who are interesting enough to make the hack worthwhile. Except you, Golden."

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"When I met Stella it was one thing - there weren't any duplicates but us, I could explain to myself that in a world without vampires Edward would've died of the Spanish flu and of course I would have found someone else, but now there are so many duplicates I'm beginning to wonder what's going on," says Golden frankly. "If Whistles can show up in multiple versions of Earth - with different birth years; Amariah's parents apparently met later than typical or something and the picture of Kas still looks about her age - and also on Samaria, and if Sherlocks can appear with not only different genders but also in two neighboring Earths and the obviously far-future Panem... why is there only one Edward, why aren't there two or three of him too? I'm not saying I want there to be. I'd find that nearly as confusing as he finds my alts. But I wonder why there aren't."

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"We talk about the template," murmurs Shell Bell. "But who's the template?"

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"Well - what are the features that crop up a lot? We all look the same, except Angela's wings and Golden's recoloring - but not everything's universal. The template would have to start out with mental opacity. That random little town in Washington comes up a lot too - Sunnydale has its reasons for attracting interesting goings-on, but Forks doesn't, there's no reason for it to be repeated unless it's in the template. So it's not Shell Bell or Angela and it's not me."

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"Stella and I share a birthdate with each other but not Amariah," says Golden.

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"I think it's probably one of the two of you, yeah," says Shell Bell. "You share a lot of features with each other straight across, you both took over your worlds without extradimensional help - I think Amariah could've too, but she found us before she did - and Stella's got a duplicate boyfriend, but you've got a duplicate... supernatural element. Of sorts. Since you and Juliet both have vampires."

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"However this works," Juliet says, "it has to base who we meet on something other than who the template met, since there are duplicates but not all the same duplicates. The Sherlock and Whistle templates are doing some of the work at arranging for us to encounter each other too. If that makes any sense. So I don't know if Edward being non-duplicated is even a point against Golden as the template. It might be a point in her favor."

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"We're assuming that there is a template, though," says Golden. "Instead of just - a collection of features that often come together at a sufficient concentration to turn into one of us. We're assuming that if there's a template, we've met her - that there won't appear in the future a mentally opaque Bell with an Edward and Sherlock and a Whistle and - that poor Edward, goodness - and some manner of vampires who took her world over without outside help. Or that we're not just missing her forever because she doesn't go to Milliways."

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"There's a lot of features that show up and don't seem essential, though," says Shell Bell. "We talk in our sleep even though Golden's not less Bellish for not sleeping anymore, we all start out straight even though I'm not less Bellish for having adjusted that. If it's just Essence Of Bell floating around the multiverse creating an - attractor, for worlds to fall into, then why would Essence Of Bell contain that stuff? We wouldn't turn away a Bell from the Belltower who didn't ever talk in her sleep and was gay for as long as she could remember."

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"We're also consistently cisgendered girls," says Juliet, glancing in Sherlock's direction. "Although I'm not sure how we'd identify one of us who was a boy or a trans girl, so that could just be a problem of sampling."

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"A sampling of, I remind you, the three of us and three more not present," says Golden. "Not really an avalanche of data on which to perform any statistical analysis to speak of."

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"It's weird that we all look the same. We can't just be genetically identical - Angela's got great big speckly wings," says Shell Bell. "I want to know what's up with that."

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"There's genetically identical and then there's genetically identical. Turning messed with my genes - I have more chromosomes now. Maybe however Angela's species works just adds wings."

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"Wings and extra body heat and a spectacular singing voice that I do not have," says Shell Bell, "I'm pretty sure I wouldn't have it even if I blew a pentagon on singing pretty to cheat at all the training and practice she's put into it. I guess a really clever engineer could've done that and nothing else, but it having just happened is farther-fetched. Then again, she's got a god in her world."

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"What, really? Did you check?"

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"I watched her pray for stuff, and stuff fell out of the sky. Or clouds parted or the air warmed up or whatever. It wasn't a coincidence, there was a palpable difference in the air after a few lines of the songs, let alone after a complete prayer. I watched an 'oracle' talk to the god in question and get an answer. On a computer, which was weird, but it seems to work for them."

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"Amariah's goddesses produce results when she recites poetry at them," Juliet adds to Golden. "And on my world, there are demons-slash-deities who do the same thing - except not to me because the spells are all 'divine Hecate behold my will' and my will is invisible. Also a Power That Is showed up in my bedroom. Have a little confidence in your counterparts, we're not going to believe in divine beings without observing them to do stuff."

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"You have to admit that it sounds a little funny when combined with the angel thing. If Angela weren't claiming divine status I'd figure 'angel' for a translation of whatever word means 'person with wings' where she's from, but adding that in..."

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"Is it strange?" asks Shell Bell dubiously.

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"A little, yeah - I keep forgetting you have a funky cultural background, you seem to keep up pretty well."

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"I've picked up some things. I've been going to Milliways since I was six and staying as long as I could and talking to everyone and watching and reading stuff from all over. But it's an irregular cross-section," agrees Shell Bell. "And sometimes I'm not sure if something I've learned is an Earth standard or if it's someone's oddball world's thing."

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Tony saunters back into the room.

"Backup's running," he reports cheerfully. "You guys doing okay? Anybody want something to eat?"
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"I'll be fine for the next five days," says Golden.

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"I'd take a snack if there were one in the room but don't get anything on my account."

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Juliet yawns. "If I stay up much longer I'm going to be in midnight-snack territory, so if something's on offer I'll eat."

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"I expect I am more capable of finding my way around your kitchen than you are," says Sherlock, patting Tony on the arm. "Shall we investigate, dear Juliet?"

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"Yeah," agrees Juliet.

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"You probably know at least as much about what I eat as I do," Shell Bell calls after Juliet.

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Sherlock directs Juliet to the kitchen, which he does indeed know his way around. While he's there, he makes himself a cup of tea.

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Juliet inspects the availability, and gets herself a bowl of grapes to split with Shell Bell, and a slice of bread to fold in half around a couple slices of salami for herself, humming.

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As soon as Sherlock's tea is poured, they head back toward the living room.

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Someone else gets there first.

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Halfway there, at no apparent signal, Sherlock drops his tea and bolts forward.
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A hand grabs him and holds him in midair by the back of his neck, like he's a kitten.

"What are you doing?"
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Shell Bell looks uncomfortable with the newcomer herself, but she murmurs, "Sherlock, this one isn't yours or mine."

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Sherlock appeals directly to Tony, and what he says is, "He had you killed."

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Tony glances between them uncertainly.
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"Let me know if at some point I should put him down," Golden tells Tony. (It's not like her arm is getting tired.)

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Shell Bell cannot bring herself to appeal any more on a Snow-alt's behalf.

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Juliet comes back from the kitchen with half her sandwich and the bowl of grapes, which she hands to Shell Bell. "Uh, what's going on? Golden? Sherlock?"

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"I always knew it would happen someday," Obadiah says dryly.

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"No," says Tony, pointing at him, "no, you, shut up, no."

Then he turns to Sherry.

"Don't eat Obie, I like him."
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"While I am listing his faults, he also had your parents assassinated," says Sherlock. "And that one I expect is common to our worlds. I am not going to eat him; I would rather starve."

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"Oh, that guy," says Juliet. "Shell Bell, isn't he...?"

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"Alt of the president of Panem who Amariah killed for me, yes," says Shell Bell quietly.

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"Considering putting him down, now," says Golden, glancing between her counterparts.

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"Okay," says Tony, "having this conversation right now is not my first choice, but I guess I'll just have to deal."

He turns to Obie.

"Anything to say for yourself?"
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"I'm not the one who invited a vampire from an alternate dimension into my house," Obadiah says mildly.

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"Stop deflecting," Tony says sharply. "You were like this after that other time too and it's getting really fucking old."

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"I don't know what you want me to say," he says. "The clone has never exactly been stable."

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"Mine's not a clone," says Shell Bell suddenly, sharply, "and I don't think she'd be arguing for you to go on living either if she were here."

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Tony looks pleadingly at Sherlock.

"Okay, but—really? I mean, really?"
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"And he wants to fuck you," Sherlock adds. "Yes. Everything I have told you about him is the truth. In my world, after I found out he arranged that collapsed road, he hired a gang of vampire assassins and concealed them in our basement. They killed you and Jarvis and turned me."

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"Am I really on trial here?" he asks witheringly.

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Tony won't look at him.

"Is it true?"
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"Is what true, because again, the only vampire—"

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"About my parents," he interrupts. "Is it true?"

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He sighs impatiently.

"No, Tony. It's not true."
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"You want another square?" asks Shell Bell, biting into her cheek. "You wanna check? Square'll give you a short burst if that, but I bet it'll let you check." She offers him the mother-of-pearl coin, not taking her eyes off Snow-Obie. "Maybe I'll get Golden or Juliet to break my arm ve-e-ry carefully..."

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"This is ridiculous," says Obadiah.

But... maybe a little nervously.
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"...I don't want you to break your arm," says Tony. "But I want to know what's going on."

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"Ask your Sherlock," Sherlock suggests.

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"...That... is actually a pretty good idea," says Tony. "Fuck. Jarvis, can you get Sherry on the phone?"

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"Certainly, sir."

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Golden continues holding Sherlock, because her arm isn't tired and Tony hasn't asked for him to be set down yet.

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Juliet... finishes her sandwich. And drops loosely into a ready pose, because while not much is likely to happen and Golden can probably handle anything that does better than she can, this seems like a good situation to be ready for other possibilities in.

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"This is not reasonable," says Obadiah. He's definitely worried now.

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"Yes, Tony?"

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Tony takes a deep breath before addressing his Sherry's disembodied voice.



"Did Obie kill my parents?"
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There is a pause.

It's not long.

"Yes."
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"Dropping or not-dropping?" Golden queries.

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"Do I get a vote? I vote dropping."

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"Is there a reason why the native Sherlock hasn't killed him?"

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"My Sherlock couldn't kill ours because he had something set up to kill Tony if she did," says Shell Bell. "That's why Amariah had to do it."

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"It would have upset Tony," says the native Sherlock.

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"Well, thanks for that," Tony sighs.

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"Tony—"

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"Why did you do it?"

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"Tony."

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"Why."

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"Tony, I didn't," he says, "this is ridiculous."

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"Drop him," Tony sighs, shaking his head.

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Golden lets him go.

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Tony is obviously conflicted.

Sherlock is not.

He kills Obadiah as quickly and efficiently as he has ever killed a demon.
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"Thank you for not letting him bleed," says Golden, "that would have been uncomfortable."

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"Three down. Some unknown number to go."

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"Does it help?" Juliet asks her Sherlock, softly.

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"A little."

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"That's good, then."

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"How are you planning to explain his disappearance?" Golden asks, afterthoughtlike.

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"Square can vanish as well as conjure, so there's no question of hiding the body unless you've got an idea for falsifying cause of death," says Shell Bell.

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"I will take care of it," the native Sherlock asserts. "Go ahead and vanish him."

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Vanishment.

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Juliet crosses the room to hold her Sherlock's hand.

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Silently, he hugs her.
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Hugs are always an improvement.

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"...How's the backup of Jarvis coming?" Shell Bell asks tentatively, after a minute's silence.

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"Almost complete."

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"...I'm gonna need a minute, guys," Tony says quietly. "Vampire Sherry, can I borrow you?"

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"Of course."

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Juliet relinquishes her Sherlock.

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He follows Tony out of the room.

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"Other Sherlock, are you still on the phone?" Shell Bell asks the air.

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"Yes I am."

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"Are the events clear enough or do you want anything explained?"

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"A vampire duplicate of me from an alternate universe just killed Obadiah Stane. Tony went off to cry on said duplicate's shoulder. Some number of you were also involved."

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"I'm Shell Bell and there's also Juliet - she's new, the Sherlock is hers, she's the Slayer in her world - and Golden - she's sort of new but was known, she's a vampire but a different kind," supplies Shell Bell.

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"Nice to meet you all," Sherlock says dryly.

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"And Jarvis is copying to disk so I can take him home and install him in my world," Juliet adds, "because him and Tony died, there."

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"Ah," says Sherlock.

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"I think you're up to speed now."

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"I have to admit I'm questioning the not-having-told-Tony-about-how-his-parents-died thing," says Golden. "Why was that a good idea? He believed you when you told him."

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"I did not expect him to. Until he asked."

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"Yeah, I wasn't sure he would, either - on my world everything was more blatantly horrible," says Shell Bell.

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"Fair enough. You know the kid and I don't," says Golden.

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"Yes," Sherlock agrees. "And now I should get off the phone."

He hangs up.
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"I should probably start stockpiling squares," says Shell Bell, and she bends one of her fingers backwards and holds it, expression set.

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Juliet pops grapes into her mouth one at a time, thoughtfully.

"What was the lady you killed called, Golden?"
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"Chelsea. I wouldn't instantly kill another of her if I ran into one. But it would be very hard to wait for confirmation that she was similar enough to justify it," says Golden darkly.

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"What did she do?"

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"Chelsea had a witchcraft power. She could build up - or destroy - relationships. Except for mine, because of my own power, and except for mate bonds in vampires and imprints in werewolves." She closes her eyes. "My daughter was not so defended. Nor my husband's own affection for our child."

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"I'm sorry," says Jarvis.
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"It was years ago. We've rebuilt insofar as that's possible. But thank you."

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"Tony will be back shortly," he adds.

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"How's he doing?" asks Shell Bell.

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"Poorly."

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"Will it help if I hug him too?"

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"It might. You can ask," says Jarvis.

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Shell Bell nods.

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Meanwhile, Juliet turns to Golden. "Do you mind if I try socking you in the face to see what happens to my hand? If my hand survives the experience and I don't need one of Shell Bell's squares to fix it I might want to try sparring with you, later, when we're not all thinking about variously recent death."

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"Go for it," shrugs Golden.

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Juliet throws a punch. Golden doesn't dodge, so she catches her square in the face; Golden doesn't budge.

"Square please," Juliet says to Shell Bell, cradling her hand. It heals; she shakes it. "Well. Now we know."
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"Hi, guys," says Tony, walking into the room. He's carrying a duffel bag. His eyes are red, the lashes clumped. "The backup's all set. We're good to go."

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"Do you want more hugs?" Shell Bell asks earnestly.

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"Yes," says Tony. "More hugs would be awesome."

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More hugs occur.

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Sherlock walks in during same.

"Are we ready to leave?"
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"I think so," says Juliet.

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"Yeah," says Tony, stepping back from Shell Bell with a small smile. "Thanks."

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Jarvis opens a door to Milliways.