She sometimes wishes she had her own computer.
She has a phone, which Charlie insists she carry with her, so that's all right and no one's going to call her unwitchly for indulging a beloved mortal. It will do simple web browsing. When she wants to do less simple web browsing, she goes to the library.
So here she is, in the Rockland Public Library, looking up alethiometers.
"There's no good reason for there to be so many, with only a handful of alethiometers in the world," Pathalan says. "People must download these as a novelty."
"Lucky me," says Isabella.
"How'd you know to look here?" Path asks Kas and Petaal.
"Like the goddesses all have a lot of portfolio items, the thirty-six alethiometer symbols have layers of meanings," Isabella says. "Supposedly the hands of it spin a certain number of times to tell you which. And you use them to ask the questions, too. It can take ages to decipher an answer, even if it's short, and there's not much grammar to it, either," says Isabella. "I've memorized the first ten of each from that introductory fun-facts site I copied them from, and now I want something more comprehensive to study."
"People who have them could be doing anything. The alethiometers don't just do facts, you don't just get to ask them if this Picasso is authentic is or whether Iraq has nuclear weapons. You could ask one how to solve global poverty. You could ask it how to generate clean energy. You could ask it how to do anything. And they're not, because everyone who has one has pettier concerns to worry about that take up their whole concentration, and the readers they hire are - you know that none of the alethiometers in known location are even in use twenty-four hours a day? They don't hire enough readers to keep them in efficent use! Oxford have one guy with a Classics education and a copy of Khunrath's dictionary and one grad student to help him, there's a waiting list to get them to ask it questions, the philosophers ask it what is color and they get a vague answer and then instead of arguing about what color is they argue about what the answer means, or what truth means, so no progress is made. The physicists are barely better, they say is string theory true, and of course none of these symbols just means yes or no, the alethiometer answers in complete sentences that they can argue about forever. If they asked it how they could empirically test string theory that would at least make sense. It's idiotic."
She heads out of the library, Path hitching a ride on the tiger-Petaal. "Like... well, they're different. I think if I wanted to approximate the sensations during daylight hours, for the moon I'd... hang up a lot of strips of silk with the highest possible thread count from the ceiling, and then fly through them. The flying part is important, even if you're not far off the ground. Maybe it'd be okay on a boat too, but the rhythm of walking is just all wrong for enjoying the moon. It'd be okay for the stars, though. Those are more like... snow. Being snowed on is a little bit like the feel of starlight. But only in the very, very coldest weather, when there's no wind. And these are bad approximations anyway, and I know cold is different for you."
She permits this for as long as seems reasonable for warmth-inspection, then drops her arm. Path flutters to her shoulder as they exit the library and whispers to her. "I don't think anyone's ever asked me what the stars and the moon feel like before," muses Isabella.
"I was more of a fantasy creatures sort myself," says Path, "when I could change. Small dragons of various designs especially. After I gave up trying to settle as a firefly I wanted to be one of those, but it does seem to have to be a bird, not just anything that flies."
"I might as well ask her now, though. You can come along in case she wants to meet you before deciding." Isabella gets up from the snowdrift. Path bats at the clinging not-yet-melted snow on her silks with his wings until she's only a little damp, and she sits on her cloud-pine. "She's kind of formal. Call her Metis Imestha, and it can't hurt if you call me by full name when she's listening, too - second name is Amariah, if you forgot it. Don't talk to her daemon personally, he doesn't like it unless they're at least a mile apart and even then he runs way fewer messages than the average witch daemon - have Petaal say anything you need to communicate to him. She's pretty likely to ask you point-blank if you plan to steal or vandalize anything, and, I mean, the obvious answer is no, but if you do actually wind up doing those things she's liable to curse you and also pretty likely to hold me responsible for you and kick me out of my apprenticeship, which I would resent."
Path says to Petaal, "Depends. Do you want to spend six to ten hours in a divination circle being told to turn into things?"
"Thanks." Isabella thinks. "Yeah, some divination circles won't be thrown off by the human's presence, just tell her you've got no separation distance to speak of and you can spend six to ten hours together in a divination circle being asked to turn into things."
"It is. I like magic. I can show you stuff even if Metis says we can't put you in the attic, if you like. Heck, I could put you in a divination circle and take readings on Petaal if you somehow manage not to capture Metis's interest, but I think you will. If she weren't thoroughly fascinated by magic I wouldn't have asked for her as my teacher."
The house is a ridiculously cute little bungalow with a steeply peaked roof and a snowed-over herb garden. There is a sign up that says trespassers may be cursed.
Isabella floats right up to the door, slides off her cloud-pine, and opens it. It's apparently not locked. "Teacher! Visitor!" she calls.
"Starclad!" comes the reply.
"Do you care if she answers the door stark naked?" Isabella asks Kas over her shoulder.
A woman who is indeed stark naked, unselfconscious, and agelessly lovely in the way that witches past fifty develop, descends the stairs. She's not accompanied by her daemon at the moment. "Well, who is it?" she asks.
"Teacher, this is someone I met in Québec City. He may or may not have a name so I've been calling him Kas and his daemon Petaal. Kas, this is Metis Imestha, my teacher. Teacher, I was wondering if we could put him up in the attic for just a few nights. I'll trade for the space heater on my own time."
Metis looks at Kas assessingly.
"He showed me a restaurant he liked and told me to get the soup, Teacher, I didn't really expect he'd turn up here. It's not like I told him at daggerpoint that he was mine or anything," says Isabella, rolling her eyes.
Path whispers to Petaal, "You might want to interest Teacher now, if you were going to."
A woman answers the door. She's not starclad at all. "Isabella Amariah," she says politely. "Can I help you?"
"If I can help you," Isabella says cheerfully. "Is your apple tree still sickly?"
"Yes, we've asked Metis Ismetha about it, but - you can fix it?"
"I'll take longer than she would to do it, and I'll need to borrow a bottle of honey," says Isabella, "but I can. I'd like to borrow your space heater for a few days," she adds.
"Of course, of course. I'll go get you the honey. Will your... friend there... be joining you?"
"Yes. He's curious about magic," Isabella explains.
"All right. I'll be right back." And into the house she goes.
She finishes honeying the symbols, twice each, in a ring around the tree. "Next I get to make up a poem. I don't need it to rhyme, but I need it to scan."
Isabella has practice making up poems. She's got a workable couplet in short order. She presses her hands to the bark. "Apple under stress and snow; apple, heal, recover, grow."
The honey symbols on the ground disappear.
"It's often easier to make up poems that rhyme," Isabella remarks, taking her hands off the tree and brushing debris from them.
The apple tree creaks as it tries to stand up a little straighter. It's hard to see any other difference when the branches are bare.
Isabella picks up the honey bottle and caps it again.
"It feels better now," says Isabella contently. She rings the doorbell again, hands over the honey, and accepts the space heater without exchanging any further words about either. The space heater has a handle. She hangs it from the edge of her cloud-pine and starts the flight home a little farther off the ground than before.
"Here's the first verse spell I ever learned. It's not in English - a lot of the first stuff they'll teach us isn't so we don't try to vary it without knowing what we're doing."
And she recites a rhythmic, rhyming couplet, and the snow around her kicks up into a fine whirlwind, swirling about her and throwing glittery light every which way.
The cloud-pine doesn't so much dip under the added weight. Unencumbered by the need to accommodate a walking conversational partner, Isabella takes them up over building-level and speeds up quite a bit. They reach Metis's house presently, and Metis (dressed in her silks, now) can be seen in the backyard, writing runes on a spot cleared of snow in some manner of powder.
"Bayleaves are a protection herb and I know we have some," she says. "So if you fall off you won't break your neck. Even with those I don't think I'd dare go upside down at all with a human passenger unless I sat you in a circle of herbed runes and came up with a long poem. But I can go faster and vary my altitude more with the quick and easy version." She glides to a stop outside the backdoor, says a polite, "Hello, Teacher," and ducks inside for the bayleaves.
Isabella reappears with a handful of bayleaves and a poem composed already. "Out of my way real quick, Petaal?" she says, holding the leaves up. "If I don't tuck them in place myself they're just leaves."
Isabella reaches into Kas's hood and tucks six bayleaves into places where they look liable to stay put, and murmurs: "Leaves of bay, there you stay, keeping falling harms at bay." When she places the last leaf and utters the last syllable, she withdraws her hand and says, "Oddly enough, making puns can help."
Isabella can fly like a madwoman when she wants to. She does not, in fact, go upside-down on the sole strength of the bayleaves and two-line verse, as if he falls from a less precarious position he'll at least have a decent chance of landing on something nonessential, but she does swoop and dive and bank and go fast. Pathalan describes even more outrageous patterns in the sky, nearby.
"That's fine," says Isabella carelessly, finishing her climb to an altitude at which she still expects him to be able to breathe and plummeting. She rises again at the bottom of the dive hard enough to press them both into the cloud-pine with the force of the direction change.
"Yes please, Teacher," and after a pause in which Metis performs no visible actions at all, she adds, "Thank you, Teacher."
Metis paces around the circle, hmming to herself. Isabella sits on the ground and closes her eyes. Eventually Metis says, "Smallest form she commonly takes?"
Isabella, still sitting with her eyes closed and presumably observing via spell, smiles.
"To... confirm... what the spell is telling me... you are currently in the form of a witch," says Metis, examining the (starclad) daemon with a clinical sort of gaze. "Isabella, go tear some silks, we are outdoors and I should not like anyone to be arrested."
"Yes, Teacher," says Isabella, and she runs back inside.
Isabella returns with a couple of yards of silk. "I'd do the complicated tearing and tying, but I can't touch you, Kas doesn't know how, and Path doesn't have hands, and besides, you'll shift right out of it soon enough. Just wear it like a towel or a sari or whatever." She offers the fabric over the sugar barrier.
"Oh, huh," says Isabella. "It never actually occurred to me to wonder about witches having trans kids, either which way."
"The Newfoundland clan has an expert on the subject, if you'd care to send Pathalan to inquire about it at some time, or take time off to visit on your own," says Metis. "I myself know only what I've just said."
All her human-ish forms resemble Kas to some degree, the male more than the female. Her hair as a woman of either kind is straighter; her hair as a witch, slightly darker; her skin as a witch slightly paler; her nose as a woman narrower. But all four of them look like they could be Kas's close sibling, the kind who are frequently mistaken for one another. Well, except that as a woman her body proportions are significantly changed.
And Metis goes on in a comparably exhaustive vein for some time, although her daemon comes and goes more than once. Isabella fetches various things and removes things that are no longer required. And, after several hours have been exhausted in the divination -
"Teacher. It's almost dusk."
Metis sits up. "Oh. Yes, if we don't want raw food tonight we'll need to address the firepit."
"Or pay the gas bill," says Isabella.
"Don't be cheeky, Isabella Amariah, get the sage and the vinegar."
Isabella emerges from the house with a bag of sage and a bottle of vinegar, and a bowl and a dipping device. She starts mixing the ingredients, and then does her snow-swirl spell around the pit in the backyard to create a circle guide to follow. She also whispers something that thickens the vinegar mixture sufficiently to suspend the sage, and drip like the honey earlier in symbols.
"Neatly, Isabella Amariah!" calls Metis as she approaches the same location. "Is the mortal staying for dinner?"
"Hey, mortal, are you staying for dinner?" Isabella asks, slowing down and focusing harder on her designs. "Teacher - fire, control, circle, moderation - and - will?"
"Choice," corrects Metis. "And safety, not control. Choice will cover what control would have, and safety is what you meant there anyway."
"Yes, Teacher."
"Circle you want only once - you never repeat circle," instructs Metis, taking up a pacing path around the firepit. "Can you tell me why?"
"It defines the border. If you don't have a defined border after drawing circle once, you aren't going to fix it by drawing another one; it's demarcation and not action," says Isabella.
"Everything else repeat until you come all the way around, but don't have more fires than safeties."
"Should I start with safety...?"
"No, just mind your spacing. Neatly, Isabella Amariah."
Isabella nods and starts marking out spaces for her runes in advance. When she's counted them and done the necessary arithmetic and then fudged the lines to add one more symbol, she starts drawing. "Did you guys have fun with the divination?" she asks Kas.
When Isabella's finished, Metis wants to perform the sacrifice immediately. It's not a rabbit, it's a turkey, of exactly the sort that would come from a grocery store. This one certainly did. Isabella has to cut it out of plastic packaging with a dagger that she produces from some inscrutable pocket in her silks. "Sacrifices have to be symbolic analogies, or meaningful losses, or just thematically relevant, and for a cooking appliance the last one is easiest," Isabella explains to Kas, as she tosses it into the pit.
She murmurs a fire spell - apparently that's what it is, anyway, it's not in English, but the turkey is incinerated promptly while Isabella and Metis join hands across the pit and peer down at it.
"Yes, Teacher," says Isabella. She picks up metal parts from nearby and starts arranging them over the pit. "Isn't it?" she says to Kas.
"Oh, right. So there was practically a paragraph of symbols about gender, and we don't have enough symbols that it could be terribly clear either. It reported on the physical stuff, especially when Petaal was switching, but it was confused about the non-physical part. Do you know what's up with that?"
"Uh, I don't remember exactly. I would have taken notes but Metis disapproves of that during spells, she thinks they distract from the pure energies of magic. Something like... and these are just the English names of the symbols, not their deep and accurate contents especially when I say 'parenthesis' - "masculine feminine parenthesis false choice parenthesis parenthesis yes no parenthesis sometimes masculine sometimes feminine always set-apart-specified-thing" - like that." Isabella finishes setting up the rotisserie and runs indoors to grab another turkey. She cuts the package open, tucks her dagger away again, and spears it on the spinning-rod-part. "Set-apart-specified-thing, by the way - that symbol just refers back to whatever the spell is about, in this case you and Petaal."